7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
954
Chapter 17 Export
Information on the Destination Format
For formats that are not burned to disc, the calculated size of the export file(s) is indicated here. The stor-
age capacity requirements, including temporary files, is displayed as a function of the format selected. At
a minimum, this much space must be available on the destination medium (hard disc, USB stick, etc.).
Export Using Standard presets
1 Select the object(s) in the Rack or the Sequence on the Timeline (mark-in/out) to be exported.
2 Select File > Export to File and choose a category (if available), such as PA L or NTSC, Standard or
HD.
3 Select a preset and check the information area to determine whether it meets your needs.
If not, you can use this preset as a template and modify various parameters as described below.
4 In the Source area, define the origin of the export material and the mark-in/out boundaries, if
applicable.
5 Click OK.
6 Based on the export format, a dialog box is now displayed in which you can define parameters for
the codec used.
7 In the next dialog box, specify the storage location and file name.
When multiple objects are exported, the name entered is assigned to all resulting files and, as of the sec-
ond file, a number is appended and incremented: ExportFile, ExportFile1, ExportFile2, etc.
8 The export dialog box documents how the operation is progressing. You can display a video
image.