7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
960
Chapter 17 Export
Options
Import after Fuse -
After the Fuse process is completed, the clip for the Fuse file is imported to the active Rack.
Create separate audio streams -
This option generates separate files for each individual audio stream, and up to eight files when
Render/Fuse Output Mapping is used. For more information, refer to the Audio chapter.
Embed audio if possible -
This option applies only to “wrapper” formats, such as *.avi or *.mxf. In this case, the audio
streams are written to the same file as the video file.
Stereo clips generated by a Fuse and imported back to the Project have a higher audio level. This is due to
the settings under Audio Editor > Output Mapping, where both the Left/Right channels and
the FrontL/
FrontR channels are routed in the preset. The addition of these channels causes the level to rise. To pre-
vent this, deactivate the FrontL/FrontR channels before the Fuse process. To correct a clip that is already
fused without losing audio information, deactivate the Properties of Tra c k s 3 and 4 that duplicate those of
Tra c k s 1 and 2.
Export DivX
The DivX codec is based on the MPEG-4 standard. DivX provides extremely high compression com-
pared to MPEG-2, which makes it very popular, especially for downloading movies from the Internet.
Video
Video Encoding -
DivX.
Interlacing -
See “Interlacing (not available for MPEG-1)” on page 956.
Audio
Select MP2 or MP3.
This codec is not produced by Avid Technology, Inc. For information and the latest codec versions, con-
tact the manufacturer.