7.3
Table Of Contents
- Contents
- Installation QuickStart
- Welcome to Mbox 2 Academic
- Windows Configuration
- Mac Configuration
- Mbox 2 Academic Hardware Overview
- Making Hardware Connections
- Common Tasks with Pro Tools Academic
- Time Code and Synchronization Features
- Post Production Features
- Export of AAF Sequences at HD Frame Rates
- Expanding Alternate Channels to New Tracks
- Selecting an Alternate Channel for a Specific Region
- Multiple QuickTime Movies on Individual Video Tracks
- Multiple Video Tracks in the Timeline
- Multiple Video Track Playlists
- Dragging Video Files from the Region List to the Timeline
- Video Import Options Dialog Additions
- General Video Editing
- Renaming Video Disk Files
- Video Region Groups
- Video Window Right-Click Commands
- Configuring MIDI Studio Setup (Windows Only)
- Configuring AMS (Mac OS X Only)
- Hard Drive Configuration and Maintenance
- Troubleshooting
Chapter 7: Common Tasks with Pro Tools Academic 49
5 Choose Stereo Interleaved for the Format.
6 Choose 16 for the Resolution and 44100 for
the Sample Rate.
7 If you are changing the sample rate of the
bounced file, choose a Conversion Quality set-
ting. (For details, see the Pro Tools Reference
Guide.)
8 Choose “Convert after Bounce,” and click
Bounce.
9 In the Bounce dialog, give the bounce tracks a
name and choose where they should be saved.
10 Click Save.
Pro Tools begins bouncing to disk. Pro Tools
bounces are done in real time, so you hear audio
playback of your mix during the bounce process
(though you cannot adjust it).
.
Burning a CD
After the bounce is completed, you will have an
audio file that is ready for burning onto a CD.
Quit Pro Tools and launch any common CD
burning application to burn your bounced mix
to CD.
Bounce options for creating CD burnable tracks
Entering a name for the bounced file
Bouncing to Disk dialog
Make certain that you configure your CD
burning application to create an audio CD
rather than a data CD.