5.5

Table Of Contents
14 Creating and Editing Sequences
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For example, with a talking head you might select tracks V1 (picture) and A2 (sound) if
the voice was recorded on that track. You would deselect track A1, that might have
unwanted wild sound picked up from a second microphone or no sound at all.
As another example, if you lay down a music track first, you would select track A1 or
A2 depending on where the music was recorded, and deselect V1.
4. Click the Splice-in button to add the edit to the sequence in the Record monitor.
The Record monitor displays the end of the last frame of the new edit. (You can drag the
position indicator in the Timeline or the position bar beneath the monitor to review the
clip.) The edit also generates a graphical display of the cut in the Timeline.
Screen display for the first edit in a sequence. Top: monitor window with the source clip on the left and the
sequence on the right. The Splice-in button and the indicator of the end of the last frame for the edit are
highlighted. Bottom: the new edit in the Timeline.
Creating an Instant Rough Cut
As an alternative to creating a new sequence by editing clips one at a time, you can create a
rough cut by creating a storyboard in the bin, and then load these clips directly into the
Timeline.