8.0
Table Of Contents
- Title Page
- Contents
- List of Figures
- List of Tables
- Desktop Basics
- Starting a Work Session
- Opening a Project
- Backing Up Your Project Information
- Ending a Work Session
- Mounting and Ejecting Media Drives
- Using Context Menus
- Using Help
- Opening and Closing the Help System
- Getting Help for Windows and Dialog Boxes
- Getting Help for Screen Objects
- Finding Information with the Help Topics Dialog Box
- How Help Windows Work
- Using Buttons in a Help Topic
- Printing Help Topics
- Copying from a Help Topic
- Changing the Font Size of Help Topics
- Transferring Help to Another Macintosh System
- Session Check List
- Working with the Project Window
- Opening and Closing the Project Window
- Using the Bins Display
- Using the Settings Display
- Using the Info Display
- Customizing Your Workspace
- Using Basic Tools
- Logging
- Preparing to Digitize
- Preparing the Hardware
- Selecting Settings
- Entering Capture Mode
- Setting Up the Compression Tool
- Setting Up the Digitize Tool
- Selecting a Deck
- Selecting a Tape
- Selecting Source Tracks
- Choosing a Resolution in the Digitize Tool
- Choosing a Target Bin
- Selecting the Target Drives
- Interpreting the Time-Remaining Display
- Selecting a Custom Preroll
- Digitizing to Multiple Media Files
- Digitizing Across Timecode Breaks
- General Digitize Settings Options
- Preparing for Audio Input
- Preparing for Video Input
- Digitize Preparations Check List
- Digitizing
- Importing Files
- Organizing with Bins
- Before You Begin
- About Bin Display Views
- Basic Bin Procedures
- Setting the Bin Font
- Selecting Clips and Sequences
- Duplicating Clips and Sequences
- Moving Clips and Sequences
- Copying Clips and Sequences
- Deleting Clips and Sequences
- Assigning Colors to Bin Objects
- Sifting Clips and Sequences
- Locking Items in the Bin
- Selecting Offline Items in a Bin
- Selecting Media Relatives for an Object
- Selecting Sources Used by an Object
- Selecting Unreferenced Clips
- Using Text View
- Using Frame View
- Using Script View
- Printing Bins
- Gathering Format Elements
- Storyboard Worksheet
- Managing Media Files
- Using Script Integration
- Viewing and Marking Footage
- Customizing the Composer Window
- Changing the Composer Window Background Color
- Using the 16 x 9 Display Format
- Displaying Tracking Information
- Tracking Format Options
- Setting the Font and Point Size for Monitor Displays
- Displaying the Clip Information Window
- Displaying Timecode
- Setting Multiple Timecode Displays
- Composer Window Settings Options
- Miscellaneous Composer Options
- Viewing Methods
- Loading and Clearing Footage
- Resizing Monitors
- Controlling Playback
- Marking and Subcataloging Footage
- Finding Frames, Clips, and Bins
- Customizing the Composer Window
- Editing in Source/Record Mode
- Using the Timeline
- Customizing Timeline Views
- Using the Timeline Fast Menu
- Additional Procedures for Customizing the Timeline
- Changing the Timeline Background Color
- Changing the Timeline Track Color
- Assigning Local Colors to Clips in the Timeline
- Displaying Local and Source Colors in the Timeline
- Highlighting Offline Media Clips
- Saving a Customized Timeline View
- Replacing a Timeline View
- Setting the Scroll Option for the Timeline
- Timeline Settings Options
- Restoring the Default Timeline View
- Navigating in the Timeline
- Using Segment Mode
- Using Advanced Timeline Techniques
- Working with Multiple Tracks
- Additional Offline Aids
- Printing the Timeline
- Customizing Timeline Views
- Working in Trim Mode
- Working with Audio
- About Audio Tools
- Accessing Audio Effect Tools
- Audio Editing Aids
- Using the Audio Mix Tool
- Using Audio Gain Automation
- Automation Gain Values and System Clip Gain Values
- Adjusting Volume in the Timeline
- Using an External Fader Box to Adjust Volume
- About the Automation Gain Tool Window
- Recording Audio Gain Information
- Connecting an External Fader to Your Avid System
- Using the Automation Gain Tool and Audio Mix Tool Windows
- Using the Audio EQ Tool
- Using Digidesign AudioSuite Plug-Ins
- Installing AudioSuite Plug-Ins
- Starting and Quitting the DAE Application
- Setting Playback Buffer Size
- Using Digidesign AudioSuite Plug-Ins
- Applying an AudioSuite Plug-In to a Clip in the Timeline
- Using a Plug-In Dialog Box
- Rendering Plug-In Effects
- Creating New Master Clips
- Plug-In Limitations
- Troubleshooting AudioSuite Plug-Ins
- Recording Voice-Over Narration
- Fine-Tuning Audio Transitions
- Mixing Down Audio Tracks
- Syncing Methods
- Multicamera Editing
- Output Options
- Preparing for Output
- Establishing Sync for Output
- Using the Digital Cut Tool
- Recording a Digital Cut to Tape (Remote Mode)
- Recording a Digital Cut to Tape (Local Mode)
- Accessing EDL Manager
- Using the Matchback Option
- VTR Play Emulation
- Exporting and Exchanging Material
- About Exporting Files
- Creating and Using Export Settings
- Preparing to Export a Sequence
- Exporting Frames, Clips, or Sequences
- Using Drag-and-Drop Method to Export Frames, Clips, and Sequences
- About OMF Interchange
- Using the Avid QuickTime Codec
- Transferring a Project Between Media Composer (Macintosh) Systems
- Using AudioSuite Plug-Ins
- File Format Specifications
- Compression Ratios and Storage Requirements
- Avid Log Specifications
- Index
422
Using Locators
Locators are a type of electronic bookmark. They allow you to find and
identify specific frames during editing. Key words you enter into the
comments attached to a locator allow you to use standard Find proce-
dures to call up the clips quickly.
You can map Add Loca-
tor buttons, as
described in “About
Button Mapping” on
page 114.
There are eight Add Locator buttons on the More tab of the Command
palette. Each Add Locator button is a different color, which allows you
to group locators by color. For example, you can use the red Add Loca-
tor button to identify color correction frames and use the blue Add
Locator button to identify cutaway shots.
Ways to Use Locators
There are many possible uses for locators. A few examples are:
• Color correction notations: Use locators to mark clips or specify
frames that require color correction, noting the specific correction
to perform if someone else does the job.
• Visual track alignments: Use locators at matching points in syn-
chronized audio and video tracks so that if the tracks lose sync,
you can visually realign the locators in the Timeline to restore
sync. For more information on sync, see Chapter 17
.
• Music cues: Use locators to mark the IN and OUT points for
music.
• Trim markers: Use locators in the Timeline to return directly to an
edit you have designated for further trimming at a later time.
• Cutaway markers: Use locators to identify cutaway shots with
comments so that when you return to cover jump-frame edits with
cutaway footage, you can quickly call up the shots using basic
Find procedures.
When you insert a locator, it appears as an oval in the Timeline, in the
position bar, and at the bottom of the frame in the monitor. The color
of the oval corresponds to the color of the locator button you used.