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ManualsBrandsAvid Digidesign M-Audio Pinnacle Sibelius ManualsApplicationsMedia Composer

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Table Of Contents

Title Page
Contents
List of Figures
List of Tables
Desktop Basics
- About the Media Composer Folder
- Managing Avid Project and Avid User Folders
- Retrieving Bin Files from the Attic Folder
- Starting the Media Composer Application
Starting a Work Session
- Opening a Project
- Backing Up Your Project Information
  - Saving Your Project Information
  - Restoring from a Backup
- Ending a Work Session
  - Quitting the Avid Application
  - Turning Off Your Equipment
- Mounting and Ejecting Media Drives
  - Ejecting Drives
  - Mounting All Drives
- Using Context Menus
- Using Help
- Session Check List
Working with the Project Window
- Opening and Closing the Project Window
- Using the Bins Display
- Using the Settings Display
- Using the Info Display
- Customizing Your Workspace
Using Basic Tools
- Using the Tools Menu
- Using the Deck Controller
- Using the Command Palette
- Using the Avid Calculator
- Using the Console
- Using the Hardware Tool
- Using the Serial Ports Tool
Logging
- Logging Tips
- Preparing Logs for Import
- Importing Shot Log Files
- Logging Directly into a Bin
  - Logging with an Avid-Controlled Deck
  - Logging with Non-Avid-Controlled Decks
- Modifying Clip Information Before Digitizing
  - Using the Modify Command
    - Modify Command Options
- Exporting Shot Log Files
Preparing to Digitize
- Preparing the Hardware
- Selecting Settings
- Entering Capture Mode
- Setting Up the Compression Tool
  - About the Color Rate Option
- Setting Up the Digitize Tool
- Preparing for Audio Input
- Preparing for Video Input
- Digitize Preparations Check List
Digitizing
- Before You Begin
- Special Digitizing Procedures
- Digitizing and Logging at the Same Time
- Digitizing to the Timeline
- Batch Digitizing from Logged Clips
- Redigitizing Your Material
  - Redigitizing Master Clips and Subclips
  - Redigitizing Sequences
Importing Files
- Preparing to Import Files
- Working with Mixed-Resolution Projects
- Creating and Using Import Settings
  - Import Settings Options
- Importing Files
- Using Drag-and-Drop Method to Import Files
- Reimporting Files
Organizing with Bins
- Before You Begin
- About Bin Display Views
  - Bin Fast Menu
- Basic Bin Procedures
- Using Text View
- Using Frame View
- Using Script View
  - Adding Text in Script View
  - Rearranging Clips in Script View
- Printing Bins
- Gathering Format Elements
- Storyboard Worksheet
Managing Media Files
- Using the Media Tool
- Freeing Storage Space
- Consolidating Media
- Backing Up Media Files
- Finding a Related Media File
- Relinking Media Files
- Unlinking Media Files
Using Script Integration
- Line Script Basics
- Script Window Basics
- Manipulating Script Text
- Searching Through Script
  - Using Page and Scene Numbers
  - Conducting a Text Search
- Linking Clips to the Script
- Interpolating Position for Script Integration
- Manipulating Slates
- Manipulating Takes
- Using Script Marks
- Finding Clips and Script
  - Finding Script
  - Finding Clips and Bins from the Script Window
- Editing with the Script Window
Viewing and Marking Footage
- Customizing the Composer Window
- Viewing Methods
- Loading and Clearing Footage
- Resizing Monitors
  - Hiding the Video in a Monitor
  - Resizing a Monitor
- Controlling Playback
- Marking and Subcataloging Footage
- Finding Frames, Clips, and Bins
Editing in Source/Record Mode
- Entering Source/Record Mode
- Setting Up a New Sequence
- Making an Edit
  - Creating an Instant Rough Cut
- Undoing or Redoing Edits
- Editing Additional Shots into the Sequence
- Using Phantom Marks
  - Setting One Mark
  - Adding a Second Mark
- Lifting, Extracting, and Copying Material
- Adding Comments to Sequence Clips
- Playing the New Sequence
- How to Fine-Tune the Sequence
Using the Timeline
- Customizing Timeline Views
- Restoring the Default Timeline View
- Navigating in the Timeline
- Using Segment Mode
- Using Advanced Timeline Techniques
- Working with Multiple Tracks
- Additional Offline Aids
  - Detecting Duplicate Frames
  - Tracking Color-Frame Shifts
- Printing the Timeline
Working in Trim Mode
- Customizing Trim Mode
  - Trim Settings Options
- Using Basic Trim Procedures
- Creating Overlap Edits
- Extending an Edit
- Slipping or Sliding Shots
- Maintaining Sync While Trimming
  - Adding Black When Trimming
  - Trimming with Sync-Locked Tracks
- Using the Transition Corner Display
Working with Audio
- About Audio Tools
- Accessing Audio Effect Tools
- Audio Editing Aids
- Using the Audio Mix Tool
- Using Audio Gain Automation
- Using the Audio EQ Tool
- Using Digidesign AudioSuite Plug-Ins
- Recording Voice-Over Narration
- Fine-Tuning Audio Transitions
  - Fading and Dipping Audio
    - Fading Audio
    - Dipping Audio
- Mixing Down Audio Tracks
Syncing Methods
- Autosyncing Clips
- Managing Sync Breaks
- Managing Sync with Multiple Tracks
- Using Sync Point Editing
- Ganging Footage in Monitors
- Using Match Frame
Multicamera Editing
- Developing a Postproduction Model
- Grouping and Multigrouping Clips
  - Creating Group Clips
  - Creating Multigroup Clips
- Multicamera Edit Modes
- Multicamera Editing Techniques
- Workflow Options
Output Options
- Preparing for Output
- Establishing Sync for Output
- Using the Digital Cut Tool
- Recording a Digital Cut to Tape (Remote Mode)
- Recording a Digital Cut to Tape (Local Mode)
- Accessing EDL Manager
- Using the Matchback Option
- VTR Play Emulation
Exporting and Exchanging Material
- About Exporting Files
- Creating and Using Export Settings
- Preparing to Export a Sequence
  - Mixing Down Video Tracks
- Exporting Frames, Clips, or Sequences
- Using Drag-and-Drop Method to Export Frames, Clips, and Sequences
- About OMF Interchange
  - Choosing an OMFI Transfer Method
- Using the Avid QuickTime Codec
- Transferring a Project Between Media Composer (Macintosh) Systems
Using AudioSuite Plug-Ins
- Supported AudioSuite Plug-Ins
  - Core AudioSuite Plug-Ins
  - Additional Supported Plug-Ins
    - Digidesign D-FX™ Plug-Ins
    - Digidesign D-Fi™ Plug-Ins
- Core Plug-In Descriptions
File Format Specifications
- Graphics (Image) Files
  - Preparing Graphics Files for Import
  - Graphics File Import Specifications
- Animation Files
- Audio File Formats
- OMF Files
- Two-Field Media Files and Field Dominance
Compression Ratios and Storage Requirements
- Screen Resolution
- Compression Ratios
- Storage Requirements
  - Estimating Drive Space Requirements
- Maximizing Drive Space
  - Managing Storage to Improve Playback Performance
Avid Log Specifications
- Understanding Avid Log Specifications
- Describing an Avid Log File
- Sample Avid Log
Index

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The basic features of Quad Split are as follows:

• Provides source-oriented control of multicamera material, like Full-

Monitor display. You can switch camera angles, playback (one

camera angle at a time), cue, and mark material without affecting

the sequence.

• Provides the same Source monitor controls that are available when

editing other clips in Source/Record mode.

• Provides all the special multicamera editing features that are avail-

able in Full-Monitor and MultiCamera mode, as described in

“Multicamera Editing Techniques” on page 671

• Provides a list of all group clip video and audio tracks in the

Group menu for custom selection and patching.

• Allows you to use the Quad Split button to switch the Source

monitor between Full-Monitor and Quad Split viewing and edit-

ing (editing functions are the same in both).

• Displays whichever monitor is active in the third, full-screen mon-

itor (you can switch between Quad Split and full-screen as

needed).

MultiCamera Mode

After loading a group clip into the Source monitor and editing it to cre-

ate a new sequence, you choose MultiCamera Mode from the Special

menu to activate the features. MultiCamera mode takes the Quad Split

one step further: it gangs all shots in the group clip displayed in the

Source monitor to the sequence footage displayed in the Record moni-

tor. All shots are synchronized and continuously updated during

editing.