9.0
Table Of Contents
- Title Page
- Contents
- Figures
- Tables
- Editing Overview
- Desktop Basics
- Starting a Work Session
- Opening a Project
- Backing Up Your Project Information
- Ending a Work Session
- Mounting and Ejecting Media Drives
- Using Context Menus
- Using Help
- Opening and Closing the Help System
- Getting Help for Windows and Dialog Boxes
- Getting Help for Screen Objects
- Finding Information with the Help Topics Dialog Box
- How Help Windows Work
- Using Buttons in a Help Topic
- Printing Help Topics
- Copying from a Help Topic
- Changing the Font Size of Help Topics
- Keeping Help on Top
- Changing the Color of Help Windows
- Adding a Note to a Help Topic
- Accessing Information from the Help Menu
- Session Check List
- Working with the Project Window
- Opening and Closing the Project Window
- Using the Bins Display
- Using the Settings Display
- Using the Info Display
- Customizing Your Workspace
- Using Basic Tools
- Organizing with Bins
- Before You Begin
- About Bin Display Views
- Basic Bin Procedures
- Setting the Bin Font
- Selecting Clips and Sequences
- Duplicating Clips and Sequences
- Moving Clips and Sequences
- Copying Clips and Sequences
- Deleting Clips and Sequences
- Assigning Colors to Bin Objects
- Sifting Clips and Sequences
- Locking Items in the Bin
- Selecting Offline Items in a Bin
- Selecting Media Relatives for an Object
- Selecting Sources Used by an Object
- Selecting Unreferenced Clips
- Using Text View
- Using Frame View
- Using Script View
- Printing Bins
- Gathering Format Elements
- Storyboard Worksheet
- Managing Media Files
- Using Script Integration
- Viewing and Marking Footage
- Customizing the Composer Window
- Changing the Composer Window Background Color
- Using the 16:9 Display Format
- Using 16:9 for 24p Editing
- Displaying Tracking Information
- Tracking Format Options
- Setting the Font and Point Size for Monitor Displays
- Displaying the Clip Information Window
- Displaying Timecode in the Timecode Window
- Displaying Multiple Timecodes
- Composer Window Settings Options
- Miscellaneous Composer Window Options
- Viewing Methods
- Fast Frame Display in 24p Projects
- Loading and Clearing Footage
- Resizing Monitors
- Controlling Playback
- Marking and Subcataloging Footage
- Finding Frames, Clips, and Bins
- Customizing the Composer Window
- Editing in Source/Record Mode
- Using the Timeline
- Customizing Timeline Views
- Using the Timeline Fast Menu
- Additional Procedures for Customizing the Timeline
- Displaying Timecode Tracks in the Timeline
- Changing the Timeline Background Color
- Changing the Timeline Track Color
- Assigning Local Colors to Clips in the Timeline
- Displaying Local and Source Colors in the Timeline
- Highlighting Offline Media Clips
- Saving a Customized Timeline View
- Replacing a Timeline View
- Setting the Scroll Option for the Timeline
- Restoring the Default Timeline View
- Timeline Settings Options
- Navigating in the Timeline
- Using Segment Mode
- Using Advanced Timeline Techniques
- Working with Multiple Tracks
- Additional Offline Aids
- Printing the Timeline
- Customizing Timeline Views
- Working in Trim Mode
- Working with Audio
- About Audio Tools
- Accessing Audio Effect Tools
- Audio Editing Aids
- Using the Audio Mix Tool
- Using Audio Gain Automation
- Using the Audio EQ Tool
- Digidesign AudioSuite Plug-Ins
- Recording Voice-Over Narration
- Fine-Tuning Audio Transitions
- Mixing Down Audio Tracks
- Displaying Audio Formats in Bins
- Syncing Methods
- Multicamera Editing
- Using AudioSuite Plug-Ins
- Connecting an External Fader Box to Your Avid System
- Keyboard Shortcuts: Macintosh and Windows NT Equivalents
- Index
551
• The Group function allows you to sync clips based on common
source timecode, auxiliary timecode, or marks placed in the foot-
age. Because of the need for complete accuracy in sorting and
grouping the clips, multigrouping is performed on the basis of
common source timecode only.
• The MultiGroup function is designed primarily for situation com-
edies and similar productions that record multiple takes sequen-
tially on the same source tapes. Multigrouping does not provide
any benefit when you edit with clips that do not share common
timecode or were not recorded sequentially, and might even cause
the wrong clips to be grouped together.
• Because the Group function allows you to sync the clips based on
customized IN marks or OUT points, you can group any collection
of shots for quick cutting of montage sequences or music-video
sequences.
Creating Group Clips
In addition to the multicamera context, grouped clips can be useful in
other circumstances. Unlike multigrouping, which requires clips with
matching source timecode, you can group clips that were shot at dif-
ferent times, on different days, and on completely different source
tapes. This means that you can:
• Use group clips to create montage sequences quickly with fast-
cutting between unrelated shots.
• Use group clips to sync and edit an audio track (music for
instance) with two or more video tracks (especially useful in
music-video editing).
• Use group clips for multicamera editing when you want to isolate
each take as a group, and edit selectively, rather than build a larger
sequence clip.
• Use carefully synchronized marks to group selected portions of
multicamera clips.