10.0
Table Of Contents
- Title Page
- Contents
- Using This Guide
- Starting a Project
- Turning on Your Equipment
- Working with the Desktop
- Starting Your Avid Editing Application (Windows)
- Working with Projects
- Creating a New Project
- Setting Project-Naming Conventions
- Opening and Closing Projects
- Deleting a Project
- Quitting and Turning Off Equipment
- Changing Project and User Names
- Backing Up Your Project Information
- Avid Attic Folder
- Working with the Project Window
- Overview of the Project Window
- Controlling Project Window Display
- Using the Bins Tab
- Using the Settings Tab
- Using the Format Tab
- Working with Color Spaces in HD Projects
- Changing the Project Color Space for an HD Project
- Using the Info Tab
- Managing Bins and Memory
- Understanding User Profiles
- Managing User Profiles
- Customizing the Avid User Interface
- Using Workspaces
- Working with Bins and Projects in an Avid Shared Storage Environment
- Using Tools
- Logging
- Using Avid Log Exchange to Prepare Log Files for Import
- Converting Log Files with Avid Log Exchange (Windows)
- Using Drag-and-Drop Conversion for Log Files (Windows)
- Converting Log Files with Avid Log Exchange (Macintosh)
- Using Drag-and-Drop Conversion for Log Files (Macintosh)
- Viewing ASC Color Decision List (CDL) Parameters in Avid Log Exchange
- Log Formats Compatible with Avid Log Exchange
- Avid Log Specifications
- Creating an Avid Log
- Double-Checking Log Files
- Logging Directly into a Bin
- Understanding the Pulldown Phase
- Setting the Pulldown Phase
- Using Avid Log Exchange to Prepare Log Files for Import
- Preparing for Capture
- Logging and Shot Logs
- Importing Shot Log Files
- Preparing the Hardware for Capture
- Selecting Settings for Capture
- Configuring Decks
- Understanding Timecode
- Connecting a DV Device
- Setting Up the Capture Tool
- Opening the Capture Tool
- Selecting a Deck in the Capture Tool
- Activating Playback from an Available Deck
- Selecting a Source Tape
- Selecting Source Tracks and Audio Channels
- Setting the Video and Audio Input in the Capture Tool
- Detecting a Valid or Locked Sync Signal
- Selecting a Resolution in the Capture Tool
- Selecting a Target Bin
- Selecting the Target Drives
- Selecting a Custom Preroll
- Preparing to Capture Audio
- Audio Project Settings for Capture
- Selecting the Audio Sample Rate and Controlling Audio Sample Rate Conversion
- Selecting the Audio File Format
- Selecting the Audio Input Source
- Configuring the Sound Card (Software-Only Systems)
- Understanding the Audio Tool
- Opening the Audio Tool
- Adjusting Audio Input Levels
- Creating Tone Media
- Using the Passthrough Mix Tool
- Calibrating Audio Hardware for Avid Nitris DX and Avid Mojo DX
- Using the Console Window to Check Audio Levels
- Preparing to Capture Video
- Capture Preparations Check List
- Capturing Media
- Capturing and Logging at the Same Time
- Capturing Directly from a DV Device
- Capturing Audio from a Music CD
- Frame Chase Capture
- Batch Capturing from Logged Clips
- Recapturing and Decomposing
- Alternate Source Capture
- Using Capture Function Keys
- Handling Errors During the Capture Process
- Creating Subclips While Capturing
- Adding Markers On-the-Fly While Capturing
- Naming a New Tape from the Keyboard While Capturing
- Controlling Decks from the Keyboard
- Adding Extra Text Fields in the Capture Tool
- Ejecting Tapes with a Button or Key
- Using Dolby E Media
- Delaying Audio During Capture
- Working in Quick Record Mode
- Capturing in Satellite Mode or No Device Control
- Scheduling a Capture Session
- Capturing to the Timeline
- Capturing Video Without Pulldown into a 24p NTSC Project
- Remote Play, Capture, and Punch-In
- Modifying the Pulldown Phase After Capturing
- DV and HDV Scene Extraction
- Using the Panasonic VariCam
- Importing Files
- Preparing to Import Files
- Creating and Modifying Import Settings
- Importing Media Files
- Importing with Multichannel Audio
- Importing Audio Files from a Music CD
- Adjusting Gain Before Importing Audio Files
- Sample Rate Conversion and Audio Import
- Setting Sample Rate Conversion Options Before Importing Audio Files
- Photoshop Graphics Import
- Digital Bars and Tone
- Importing Color Bars and Other Test Patterns
- Importing Editcam Files
- Setting XDCAM Import Options
- Importing XDCAM Media
- Importing XDCAM EX Media
- Automatically Importing Proxy Media from an XDCAM Device
- Importing Proxy Media from an XDCAM Disk
- Copying XDCAM Proxy Media to a Local Drive or a Server
- Manually Importing XDCAM Media from the XDCAM Disk
- Importing Essence Marks as Markers in XDCAM Media
- Editing XDCAM Proxy Media
- Batch Importing High-Resolution XDCAM Media from the XDCAM Disk
- Editing and Finishing High-Resolution XDCAM Media
- Importing P2 Clips and Media
- Importing Sequences from Pro Tools through Interplay
- Using the Drag-and-Drop Method to Import Files
- Reimporting Files
- Batch Import Dialog Box
- Working with Bins
- Object Icons in Bins
- Bin Views
- Bin Procedures
- Using Bin Tabs
- Using the Bin Fast Menu
- Selecting Clips and Sequences
- Duplicating, Copying, and Moving Clips and Sequences
- Copying Clips and Sequences
- Deleting Items from a Bin
- Changing the Bin Background Color
- Assigning Colors to Objects in a Bin
- Locking and Unlocking Items in a Bin
- Selecting Offline Items in a Bin
- Selecting Media Relatives for an Object in a Bin
- Selecting Unreferenced Items in a Bin
- Working with Bin Columns
- Moving, Aligning, and Deleting Bin Columns
- Duplicating Bin Columns with Timecode Information
- Adding Customized Columns to a Bin
- Changing a Custom Bin Column Heading
- Adding a Metadata Bin Column Heading
- Moving Within Column Cells
- Copying Information Between Columns
- Displaying Timecodes in a 24p or 25p Project
- Adding Timecode Columns to a Bin or the Media Tool
- Frame Counting for Timecodes
- Adding Timecode Values to the Timecode Columns
- Modifying Clip Information
- Working with Film Information in Bins
- Creating a Storyboard
- Setting the Bin Display
- Sifting Clips and Sequences
- Working with Restricted Material
- Printing Bins
- File Based Media - AMA
- XDCAM, XDCAM EX and HDCAM SR Media
- XDCAM and XDCAM EX Formats and Resolutions
- HDCAM SR Formats and Resolutions
- Working with XDCAM HD Media
- Working with AMA XDCAM Multiple Resolution Media
- Installing the XDCAM Drivers
- Connecting the XDCAM or XDCAM EX Device
- Spanned Clips and XDCAM EX
- Ejecting an XDCAM EX Card (Windows only)
- Ejecting an XDCAM EX Card (Macintosh only)
- Copying XDCAM or XDCAM EX Files to a FireWire or Network Drive
- P2 Media
- Panasonic P2 Formats
- P2 Files and Folders
- Installing the Panasonic P2 Drivers
- Preparing to Mount P2 Cards as Drives
- Setting up a P2 Card Reader (Windows only)
- Mounting P2 Cards as Drives
- Copying P2 Files to a FireWire or Network Drive
- Changing P2 Cards in the Card Reader
- Sharing P2 Clips and Sequences
- Spanned Clips and P2
- AVCHD Media
- Canon XF Media
- GFCAM Media
- RED Media
- RED Formats and Resolutions
- RED Files and Folders
- Connecting the RED ONE Drive or Card
- Spanned Clips and RED
- Copying RED Files to a FireWire or Network Drive
- Adjusting RED Source Settings
- Using Source Settings
- Applying a Source Setting
- Understanding the Source Settings Histogram
- Adjusting the Source Settings Histogram
- Preparing your RED Clip for Transcode, Mixdown, or Render
- QuickTime Media
- MXF Media
- The Avid Media Access (AMA) Workflow
- Selecting the AMA Settings
- Viewing Installed AMA Plug-ins
- Understanding Linking with AMA
- AMA Linking with Ancillary Data
- AMA Linking with Multichannel Audio
- Linking Media with AMA
- Working with AMA Multiple Resolution Media
- Linking to AMA Multiple Resolution Media
- Switching Between Multiple Resolution Media
- Consolidating Multiple Resolution Media
- Relinking to AMA Files
- The AMA Plug-in Log File
- Using Virtual Volumes
- Virtual Volumes and AMA Bins
- Deleting Clips
- Workflows for Editing with AMA
- Workflow for Editing XDCAM and XDCAM EX Clips with AMA
- Workflow for Editing XDCAM Multiple Resolution Clips with AMA
- Workflow for Editing P2 Clips with AMA
- Workflow for Editing AVCHD Clips with AMA
- Workflow for Editing Canon XF Clips with AMA
- Workflow for Editing GFCAM Clips with AMA
- Workflow for Editing RED Clips with AMA
- Workflow for Editing QuickTime Clips with AMA
- Workflow for Editing MXF Clips with AMA
- Workflow for Editing Clips with Ancillary Data and AMA
- XDCAM, XDCAM EX and HDCAM SR Media
- Managing Media Files
- Working with Media Files in an Avid Interplay Environment
- Using Avid Editing Systems in an Avid LANshare Workgroup
- Viewing Media with a 100Base-T Connection to Avid ISIS
- Understanding Drive Mounting
- Mounting and Unmounting Drives
- Using the Media Tool
- Consolidating Media
- Using the Consolidate Command
- Using the Transcode Command
- Loading the Media Database
- Refreshing Media Directories
- Deleting Unreferenced Clips and Media
- Backing Up Media Files
- Finding a Related Media File
- Relinking Media Files
- Unlinking Media Files
- Archiving and Restoring Media Files to Videotape
- Sequence and Clip Information Summary
- Viewing and Marking Footage
- Viewing Methods
- Customizing Monitors
- Using the Info Window
- Using the Timecode Window
- Playing Video to the Client Monitor
- Activating and Deactivating the Client Monitor Display
- Selecting the Video Display Settings
- Playing Video to a Full-Screen Monitor
- Adjusting the Play Delay Offset
- Using the Tool Palette
- Playing Selected Clips in a Loop
- Loading and Clearing Footage
- Controlling Playback
- Playing Back to a DV Device
- Video Quality Options for Playback
- Setting the Video Quality for Playback
- Marking and Subcataloging Footage
- Using Markers
- Suggested Uses for Markers
- Adding Markers While Editing
- Adding Markers On-the-Fly while Playing
- Finding Markers
- Editing Marker Information
- Marking an Area Using Markers
- Moving to the Previous or Next Marker
- Deleting Markers
- Using the Markers Window
- Viewing Markers in the Markers Window
- Working in the Markers Window
- Exporting and Importing Markers
- Creating a Marker Text (.txt) File
- Copying and Pasting Markers Using the Markers Window
- Printing the Contents of the Markers Window
- Disabling the Marker Edit Window
- Finding Frames, Clips, and Bins
- Sequence and Clip Information Summary
- PhraseFind
- Purchasing and Activating PhraseFind
- How Do I Purchase PhraseFind?
- How Do I Activate PhraseFind?
- What Will I Need to Activate PhraseFind?
- Running the 30-Day Trial of PhraseFind
- If You Purchased PhraseFind Through the Find Window
- If You Purchased PhraseFind through an Avid Reseller or Directly Online
- Activating PhraseFind with the Avid License Control Tool
- Activating Additional Regional Language Packs
- Deactivating the PhraseFind License
- Understanding PhraseFind
- Using PhraseFind
- The Results Window
- Filtering Your Find Results
- Find Window Attributes
- Purchasing and Activating PhraseFind
- Creating and Editing Sequences
- Creating a New Sequence
- Making a First Edit
- Creating an Instant Rough Cut
- Undoing or Redoing Edits
- Editing Additional Clips into the Sequence
- Mixing Frame Rates and Field Motion Types
- Mixing Frame Sizes and Aspect Ratios
- Refreshing Sequences to Use Current Clip Attributes
- Lifting, Extracting, and Copying Material
- Adding Comments to Sequence Clips
- Playing Back a Sequence
- Understanding Sync Breaks
- Fixing Sync Breaks
- Understanding Sync Lock
- Ganging Footage in Monitors
- Autosyncing Clips
- Understanding AutoSequence
- Adding Audio or Video to Original Videotape Using AutoSequence
- Working with Phantom Marks
- Creating Video and Audio Leaders
- Using MetaSync to Synchronize Metadata
- Script-Based Editing
- Understanding Lined Scripts
- Script Integration — Lining in the Digital Realm
- Understanding the Script Window
- Working with the Script Window
- Working with Script Text
- Working with Page or Scene Numbers and Searching in a Script
- Linking Clips to a Script
- Interpolating Position for Script Integration
- Working with Slates in the Script Window
- Working with Takes in the Script Window
- Indicating Off-Screen Dialog in a Script
- Using Color Indicators in the Script Window
- Script Marks
- Finding Clips and Script
- Editing From the Script Window
- Using the Timeline
- Customizing Timeline Views
- Examples of Customized Timeline Views
- Using the Timeline Fast Menu
- Timeline Fast Menu Options
- Enlarging and Reducing Timeline Tracks
- Displaying Clip Colors in the Timeline
- Changing the Timeline Background or Track Color
- Assigning Local Colors to Clips in the Timeline
- Displaying Timecode Tracks in the Timeline
- Showing Markers in the Timeline
- Setting the Playback Option for the Timeline
- Disabling the Smart Tool in the Timeline
- Using the Full-Screen Timeline
- The Timeline Palette
- The Track Control Panel
- Using the Track Control Panel
- Displaying Source Material in the Timeline
- Displaying the Timeline Top Toolbar
- Managing Customized Timeline Views
- Using Timeline View Buttons
- Navigating in the Timeline
- Working with Segments
- Guidelines for Segment Editing
- Selecting and Deselecting Segments
- Linked Clips
- Selecting Linked Clips
- Selecting Multiple Segments
- Maintaining Sync with Segment Edits
- Moving Segments with Drag and Drop
- Deleting Segments
- Marking Clips and Sequences
- Cutting, Copying, and Pasting in the Timeline
- Setting the Default Segment Edit Tool
- Enabling Only One Segment Edit Tool at a Time
- Bin Editing into the Timeline
- Working with Multiple Tracks
- Understanding the Track Selector Panel
- Selecting Tracks
- Understanding Track Monitoring
- Monitoring and Soloing Tracks
- Patching Tracks
- Performing an Alternate Edit
- Understanding Locking and Sync Locking
- Locking and Sync Locking Tracks
- Adding and Deleting Tracks
- Splitting Stereo Tracks to Mono Tracks
- Backtiming Edits
- In to Out Highlighting in the Timeline
- Editing in Heads or Heads Tails View
- Performing a Quick Edit Using the Top and Tail Commands
- Working with Add Edits (Match Frames)
- Dupe Detection
- Editing with the Film Track
- Finding Black Holes and Flash Frames
- Printing the Timeline
- Customizing Timeline Views
- Working with Trim Edits
- Trimming with the Timeline Palette
- Understanding Trim Displays
- Trim Settings Overview
- Timeline Trim States
- Selecting Trim Sides
- Overwrite Trimming
- Ripple Trimming
- Dual-Roller Trimming
- Refining Trims
- Reviewing Trim Edits
- Trimming with the J-K-L Keys
- Trimming On-the-Fly
- Trimming During a Playback Loop
- Creating Overlap Edits
- Extending an Edit
- Maintaining Sync While Trimming
- Slipping or Sliding Segments
- Trimming in Two Directions
- Working with Audio
- Overview of Audio Tools
- Working with Multichannel Audio Tracks
- The Track Control Panel
- Using Audio Scrub
- Audio Displays in the Timeline
- Displaying Audio Formats in Bins
- Working with Surround Sound Audio
- Adjusting the Play Buffer Size for Audio (Software-only Models)
- Using the Audio Mixer Tool
- Rendering and Unrendering Order for Audio Effects
- Audio Volume Staging and an Audio Editing Workflow
- Using Clip Volume and Pan Mode
- Adjusting Clip Volume and Pan for Audio Tracks
- Surround Sound Pan Controls
- Using the Pan Grid for Surround Panning
- Using the Advanced Panner for Surround Sound Panning
- Using the Center Percentage and LFE Controls
- Audio Mixer Fast Menu: Clip Volume and Pan Mode
- Bypassing Existing Volume Settings
- Adjusting Volume While Playing a Clip Volume Effect
- Improving Response Time When Adjusting Volume
- Modifying How Your Avid Editing Application Interprets Pan
- Using the Center Pan Command
- Isolating Clip Portions for Audio Adjustment
- Using Volume and Pan Automation
- Using Live Mix Mode
- Fading and Dipping Audio
- Audio Sample Rate Conversion
- Changing the Audio Sample Rate for Sequences and Audio Clips
- Mixing Down Audio Tracks
- Splitting Multichannel Tracks to Mono Tracks
- Using the Audio EQ Tool
- Recording Voice-Over Narration
- Using Automatic Voice-Over
- Using External Audio Devices
- Configuring an External Controller
- Configuring External Controller Settings
- Using an External Fader Controller or Mixer to Record Volume Automation
- Adjusting the Volume or Pan of Individual Keyframes
- Using the 002 and the Command|8
- Using the Command|8 with Your Avid Editing System
- Configuring the Command|8
- Mapping Buttons and Menu Commands for the Avid 002 or Command|8
- Mapping Controller Menu Commands for the 002 or Command|8
- Using 002 or Command|8 Buttons to Change Focus in your Avid Editing Application Interface
- Using a Foot Pedal as a Foot Switch with the 002 or Command|8
- Switching Between the 002 and Command|8
- Using a 002 or Command|8 to Record Pan
- Using the Latch Mode Feature on the 002 and Command|8
- Using Mbox Family Audio Devices
- Configuring USB-to-MIDI Software for External Controllers
- Avid Pro Tools|HD Native Hardware Configuration for Avid Editing Systems
- Using a GPI Device with the Audio Punch-In Tool
- Using Avid Artist Series Controllers
- Installing EuControl Software
- Configuring Avid Artist Series Controller Settings
- Configuring Ethernet Connections (Macintosh)
- Setting the IP Address
- Configuring EuControl Settings
- Artist Series Controller Button Mappings
- Customizing Avid Artist Series Controls
- Moving Through Footage with Artist Series Controllers
- Volume Automation and Pan on Artist Series Controllers
- Recording Volume Automation and Pan with Artist Series Controllers
- Using the Latch Mode Feature on Artist Series Controllers
- Using the Artist Series Controller for Editing Media
- Controller Application Sets
- Using Audio Plug-Ins
- Real-Time AudioSuite Plug-Ins
- Avid AudioSuite Plug-Ins
- AudioSuite Plug-Ins Installation
- Using Avid AudioSuite Plug-Ins
- Applying an AudioSuite Plug-in to a Clip in the Timeline
- Common Buttons in the AudioSuite Plug-In Dialog Box
- AudioSuite Fast Menu
- Rendering AudioSuite Plug-in Effects
- Creating New Master Clips with AudioSuite Plug-Ins
- AudioSuite Controls for Creating New Master Clips
- Mono, Stereo, and Multichannel Processing in AudioSuite Plug-Ins
- Using AudioSuite Plug-ins to Create New Master Clips
- Using AudioSuite Effect Templates
- Using AudioSuite Plug-Ins in Stereo
- AudioSuite Plug-in Limitations
- Troubleshooting AudioSuite Plug-Ins
- Working with Dolby E Surround Sound Plug-ins
- Core Avid Audio Plug-Ins
- AIR Chorus (RTAS)
- AIR Distortion (RTAS)
- AIR Dynamic Delay (RTAS)
- AIR Enhancer (RTAS)
- AIR Ensemble (RTAS)
- AIR Filter Gate (RTAS)
- AIR Flanger (RTAS)
- AIR Frequency Shifter (RTAS)
- AIR Fuzz-Wah (RTAS)
- AIR Kill EQ (RTAS)
- AIR Lo Fi (RTAS)
- AIR Multi-Chorus (RTAS)
- AIR Multi-Delay (RTAS)
- AIR Non-Linear Reverb (RTAS)
- AIR Phaser (RTAS)
- AIR Reverb (RTAS)
- AIR Spring Reverb (RTAS)
- AIR Stereo Width (RTAS)
- AIR Talkbox (RTAS)
- AIR Vintage Filter (RTAS)
- BF Essential Clip Remover (AudioSuite)
- Bomb Factory BF76 (RTAS and AudioSuite)
- Chorus (AudioSuite)
- Compressor/Limiter III — Dynamics III (RTAS and AudioSuite)
- D-Verb (RTAS and AudioSuite)
- DC Offset Removal (AudioSuite)
- DeEsser III — Dynamics III (RTAS and AudioSuite)
- Delay Plug-In (RTAS and AudioSuite)
- Duplicate (AudioSuite)
- EQ (AudioSuite)
- Expander/Gate III — Dynamics III (RTAS and AudioSuite)
- Flanger (AudioSuite)
- Funk Logic Mastererizer (AudioSuite)
- Gain (AudioSuite)
- Invert (AudioSuite)
- Lo-Fi Plug-In (RTAS and AudioSuite)
- Multi-Tap Delay (AudioSuite)
- Normalize (AudioSuite)
- PhaseScope (RTAS)
- Ping-Pong Delay (AudioSuite)
- Pitch Shift (AudioSuite)
- Recti-Fi (RTAS and AudioSuite)
- Reverse (AudioSuite)
- Sci-Fi (RTAS and AudioSuite)
- Signal Generator (RTAS and AudioSuite)
- Time Compression Expansion (AudioSuite)
- Time Shift (AudioSuite)
- Trim (RTAS)
- Exporting Frames, Clips, or Sequences
- Understanding Export
- Preparing to Export a Sequence
- Exporting With the Send To Templates
- Send To Templates Reference
- Creating a Custom Send To Template for Exporting to Third-Party Applications
- Exporting With the Export Command or the Drag-and-Drop Method
- Customizing Export Settings
- Guidelines for Exporting OMFI and AAF Files
- Exporting Projects and Bins Using AFE Files (Windows Only)
- Exporting QuickTime Movies
- Installing or Copying the Avid Codecs for QuickTime on Other Systems
- Exporting from a Third-Party QuickTime or AVI Application
- Exporting as Windows Media (Windows Only)
- Creating a Custom Profile for Windows Media Export (Windows Only)
- Exporting Media to XDCAM Devices
- Exporting to XDCAM
- Exporting XDCAM OP1a Media
- Exporting Your Clip or Sequence to a P2 Card
- Exporting as Windows Media Using a VC1 Resolution
- Using Avid Interplay Media Services
- Generating Output
- Preparing for Output: Overview
- Selecting the Device for Output
- Selecting the Sync Source for Output
- Selecting a Video Output Signal
- Calibrating for Video Output
- Preparing for Converting HD Formats
- Preparing for Audio Output
- Preparing Record Tapes
- Enabling Assemble-Edit Recording
- Using ExpertRender to Prepare Effects for a Digital Cut
- Using the Digital Cut Tool
- Output Mode Resolution Options
- Outputting DV 50 and DVCPRO HD Media Directly to a DV Device
- Selecting Output and Timecode Formats for 23.976p and 25p Projects
- Selecting Output Formats for 23.976p and 25p Projects
- Output Format Reference for 23.976p and 25p Projects
- Selecting the Timecode Format for Output
- Outputting Drop-Frame and Non-Drop-Frame Timecode Simultaneously for Downstream Encoding
- Indicating the Destination Timecode Rate
- Selecting the Video Pulldown Cadence
- Digital Cuts and Audio
- Changing the Default Pulldown Phase for Sequences
- Understanding DV Digital Cut Delay
- Delaying the Sequence for a Digital Cut
- Understanding Passthrough
- Vertical Blanking Information
- Preserving HD Closed Captioning and Ancillary Data
- Data Track Method
- Adding a Data Track
- Ancillary Data and AMA
- Moving from Legacy Method to Data Track Method
- Ancillary Data and Avid Editing Functions
- Legacy Method
- Controlling Ancillary Data through a Settings Window - Data Track Method
- Controlling Ancillary Data through a Settings Window - Legacy Method
- Controlling Ancillary Data with a Console Command (Legacy Method only)
- Capturing Ancillary Data with a Data Track
- Performing a Data Mixdown
- Exporting a Sequence with Data Tracks
- Transferring Projects
- Using the NRCS Tool
- Configuring the NRCS Tool
- Starting the NRCS Tool
- NRCS Tool Components
- Using the Directory Panel
- Changing the Text Display
- Editing Story Text (iNEWS Only)
- Finding the Read Time of a Story
- Sequences and Stories
- Associating a Sequence with a Story
- Adjusting the Story Timing (iNEWS Only)
- Using Associated Sequences
- Saving Changes to a Story (iNEWS Only)
- Using the Post to Web Feature
- Processing the Script for Post to Web
- Creating a Web Page for Post to Web
- Linking Clips for Post to Web
- Understanding Post to Web Templates
- Using the Story Tag in Post to Web Templates
- Using the Text Tag in Post to Web Templates
- Using the Clip Tag in Post to Web Templates
- Using the Videoformat Tag in Post to Web Templates
- Using the Hyperclip Tag in Post to Web Templates
- Using a Template with Post to Web
- Posting a Story to the Web
- Sending and Receiving NRCS Mail (iNEWS Only)
- Disconnecting from Your NRCS Server
- Working with Avid Interplay from an Avid Editing System
- Dos and Don’ts for Editors Working with Avid Interplay
- Checklist for Editors Working with Interplay
- Working with Interplay and Remote Assets
- Administrator Settings for Avid Editing Clients
- Using the Interplay Window
- Connecting to the Avid Interplay Database
- Creating Avid Editing Projects in an Interplay Environment
- Connecting to Avid Shared Storage and Mounting Workspaces
- Editing with Remote Assets
- Checking Avid Assets Out Using the Interplay Window
- Creating a Duplicate Asset When Dragging to a Bin
- Checking Out the Same Sequence to More than One Bin
- Checking Avid Assets Out Using Interplay Access
- Checking Avid Assets In to the Interplay Database
- Automatically Checking In Avid Assets
- Updating Remote Assets in Bins
- Editing with Avid Assets in the Interplay Window
- Understanding In-Progress Clips
- Editing with In-Progress Clips
- Limitations When Working With In-Progress Clips
- Managing Remote Assets with the Interplay Window
- Understanding Reservations
- Understanding Restrictions
- Understanding Access Control for Avid Assets
- Moving, Copying, Duplicating, and Deleting Avid Assets
- Creating Folders and Shortcuts in the Interplay Window
- Modifying the Appearance of the Interplay Window
- Understanding Column Display in the Interplay Window
- Modifying Column Display in the Interplay Window
- Selecting Values for a Custom Property
- Selecting Asset Types
- Media Objects in the Interplay Window
- Renaming Clips in the Interplay Window
- Adding Comments in the Interplay Window
- Updating the Display in the Interplay Window
- Navigating to a Folder that Contains a Selected Asset
- Updating Writable Properties in the Property Merge Dialog Box
- Using Custom Layouts for the Interplay Window
- Opening Multiple Tabs in the Interplay Window
- Selecting Font Options from the Context Menu in the Interplay Window
- Finding Remote Assets
- Capturing Media to Interplay Folders
- Performing a Send-to-Playback as a Background Process from an Avid Editing Application
- Using Interplay Transfer to Export Media
- Using MultiRez and Dynamic Relink
- Understanding MultiRez and Proxy Editing
- Acquiring Media at Multiple Resolutions
- Understanding How Clips are Associated with Multiple Resolutions
- Options for Clip and Media Association
- Understanding Dynamic Relink
- Workflow: Editing a Film or HD Project using MultiRez
- Considerations When Working with Dynamic Relink
- Using the Dynamic Relink Settings Dialog Box
- Relinking in Frame Chase Editing
- Using the Relink Dialog Box in an Avid Interplay Environment
- Displaying Whether Media Is Available for Dynamic Relinking
- MultiRez Button Menu
- MultiRez Bin Headings
- Understanding Options for Deleting MultiRez Clips and Media
- Deleting MultiRez Clips and Media from a Bin
- Working with Partially Online Files
- Quality Matching
- MultiCamera Editing
- Understanding Grouping and Multigrouping Clips
- Creating Group Clips
- Creating Multigroup Clips
- MultiCamera Displays
- MultiCamera Editing Techniques
- Switching Clips with the Arrow Keys During Multicamera Editing
- Numeric Keypad and Mouse Support for MultiCamera Editing
- Using the Add Edit Button During Multicamera Editing
- Using the Group Menu for Multicamera Editing
- Using the Multi-angle View Menus During Multicamera Editing
- Using Match Frame in MultiCamera Editing
- Committing MultiCamera Edits
- Selective Camera Cutting
- The Avid Marketplace
- Avid Marketplace Media Libraries
- Avid Marketplace Media Libraries Quick Start
- Creating a User Sign In and Password
- Licensing Options
- About the Stock Footage Clips
- Searching through Stock Footage
- Downloading Stock Footage Clips to Your Avid Bin
- Purchasing Your Stock Footage
- Downloading your High Resolution Stock Footage
- Relinking High Resolution Media to Your Sequence
- Avid Marketplace Plug-ins
- Purchasing and Downloading a Plug-in from the Avid Marketplace
- Settings
- Understanding Settings
- Working with Settings
- Options for Moving User Settings Files
- Summary of Settings
- AMA Settings
- Audio Settings
- Audio Project Settings
- Bin Settings
- Capture Settings
- Communication (Serial) Ports Tool Settings
- Controller Settings
- Correction Settings
- Deck Configuration Settings
- Deck Settings
- Deck Preferences Settings
- Desktop Play Delay
- Dynamic Relink Settings
- Effect Editor Settings
- E-mail Settings
- Export Settings
- Common Export Settings
- Export Settings: OMFI, AAF, and AFE
- Export Settings: QuickTime Reference Options
- Export Settings: QuickTime Movie Export Options
- Export Settings: QuickTime Movie Settings
- Export Settings: QuickTime Compression Settings
- Export Settings: HDV
- Export Settings: DV Stream
- Export Settings: AVI Through QuickTime
- Export Settings: AVI Video Compression
- Export Settings: Windows Media (Windows Only)
- Export Settings: Audio
- Export Settings: Graphic
- Export Settings: Graphic Format
- Export Settings: P2
- Export Settings: XDCAM
- Full Screen Playback Settings
- General Settings
- Grid Settings
- Import Settings
- Interface Settings
- Interplay Folder, Interplay Server, and Interplay User Settings
- Keyboard Settings
- Marquee Title Settings
- Media Creation Settings
- Media Services Settings (Windows Only)
- Mouse Settings
- NRCS Settings
- Passthrough Mix Tool
- PortServer Settings
- Remote Play and Capture Settings
- Render Settings
- S3D Settings
- Safe Colors Settings
- Script Settings
- Sound Card Configuration Settings (Windows Only)
- Timeline Settings
- Transfer Settings
- Trim Settings
- Video Display Settings
- Video Input Tool Settings
- Video Output Tool Settings
- Video Satellite Settings
- Workspace Linking Settings
- File Format Specifications
- Resolutions and Storage Requirements
- Compression and Avid Editing Applications
- Monitor Display Resolutions
- Resolution Specifications
- Resolution Specifications: HD
- Resolution Specifications: AVC-Intra with AVC-I Codec Module
- Resolution Specifications: JFIF Interlaced
- Resolution Specifications: JFIF Progressive
- Resolution Specifications: Multicam
- Resolution Specifications: Digital Video (DV)
- Resolution Specifications: MPEG
- Resolution Specifications: VC1
- Resolution Specifications SD: Apple ProRes
- Support for Uncompressed HD Media
- Mixing Resolutions
- Resolution Groups and Image Quality
- Estimating Drive Space Requirements
- Storage Requirements
- Considerations for Managing Storage
- Working in High-Resolution Projects
- Delivery Methods for Film & Video
- Workflow: Film Reel Editing
- Checklist: Editing Film Reel Footage in Media Composer
- Transferring Film to Tape
- Workflow: File-based Editing with MetaFuze
- Checklist: Film to File Editing in Media Composer (via MetaFuze)
- Workflow: File-based Editing with AMA
- Checklist: File-based Editing in Media Composer via AMA
- HD Workflow: Video-Based Television
- Producing Graphics for Broadcast
- Creating a Film-Based Project
- Editing with High-Resolution Media
- Working with RED Media
- Editing with Low-Res RED Media
- Color Management with RED Media
- Outputting a Sequence
- Working with HDV
- Understanding HDV
- HDV Workflow
- Capturing and Importing HDV
- Playing Back HDV Media
- Outputting HDV
- Raster Dimensions
- Raster Sizes
- International Character Support (ICS) in Avid Editing Applications
- Open I/O Support
- Numerics
- A
- AAF (Advanced Authoring Format) files
- AAF export
- Aborting
- Accepting transfers 1173
- Activating PhraseFind 517
- Activating ScriptSync 613
- Active Palette option (Command palette) 100
- Adaptive deinterlacing 551
- Add Alt Key button (Command palette, Other tab) 97
- Add Channel button (Deck Configuration dialog box) 151
- Add Comments command (Clip Name menu) 566
- Add Control Key button (Command palette, Other tab) 97
- Add Deck button (Deck Configuration dialog box) 151
- Add Dissolve button
- Add Edit button 765
- Add Edit function
- Add Filler at Start command (Clip menu) 541
- Add Keyframe button
- Add Marker button 489
- Add New Column dialog box (Interplay Window) 1153
- Add Option Key button (Command palette, Other tab) 97
- Add Page button (Script window) 595
- Add Scene button (Script window) 595
- Add Scene/Page dialog box 595
- Adding
- bin columns 320
- clip names during capturing 196
- color indicators (Script window) 606
- comments during capturing 196
- comments during editing 566
- edits 681
- filler during trimming 707
- filler to a sequence 541
- markers while editing 489
- memory mark 129
- new tracks 674
- off-screen indicators (Script window) 605
- page and scene numbers in the Script window 595
- Production cues (NRCS tool) 1080
- script marks 607
- takes in the Script window 603
- Adjust Auto Volume/Pan command (Audio Mixer Tool Fast menu) 772
- Adjust Deck command (Deck Selection menu in Capture tool) 159
- Adjust Deck command (Deck Selection menu in Digital Cut tool) 1022
- Adjust Pan/Vols command (Audio Mixer Tool Fast menu) 761
- Adjusting
- audio buffer size 740
- audio input levels 175
- chrominance and luminance settings for video output 1002
- margins in the Script window 590
- Motion Adapter effect 551
- offset between audio and video playback 468
- output 1013
- pan in the Audio Mixer tool 749
- pan, using an external fader or mixer 816
- take lines in the Script window 603
- video levels 183
- video levels for tapes without color bars 192
- volume and pan in Timeline 766
- volume in the Audio Mixer tool 749
- volume, using an external fader or mixer 816
- adjustments 762
- Advanced keyframes
- AFE
- AFE files
- Affinity model
- AIFF-C file format 170
- AIR Chorus RTAS plug-in 897
- AIR Distortion RTAS plug-in 897
- AIR Dynamic Delay RTAS plug-in 899
- AIR Enhancer RTAS plug-in 901
- AIR Ensemble RTAS plug-in 901
- AIR Filter Gate RTAS plug-in 902
- AIR Flanger RTAS plug-in 903
- AIR Frequency Shifter RTAS plug-in 905
- AIR Fuzz-Wah RTAS plug-in 906
- AIR Kill EQ RTAS plug-in 907
- AIR Lo Fi RTAS plug-in 908
- AIR Multi-Chorus RTAS plug-in 910
- AIR Multi-Delay RTAS plug-in 911
- AIR Non-Linear Reverb RTAS plug-in 912
- AIR Phaser RTAS plug-in 913
- AIR Reverb RTAS plug-in 915
- AIR Spring Reverb RTAS plug-in 917
- AIR Stereo Width RTAS plug-in 919
- AIR Talkbox RTAS plug-in 920
- AIR Vintage Filter RTAS plug-in 922
- ALE (Avid Log Exchange)
- Alias file format
- Align Selected to Grid command (Bin menu) 304
- Align to Grid command (Bin menu) 304, 319
- Aligning columns in a bin 319
- Alpha channel
- Alpha channel, options in Import settings 1352
- Alternate Edit button 671
- Alternate edits
- Alternate source capture 224
- AMA 345, 345, 350, 357, 359, 361, 364, 376, 381
- AMA Plug-in
- AMA plug-in 345
- AMA settings
- Ancillary data
- Ancillary data and AMA
- Animation file formats
- Animation files
- Annotate feature 196
- Anti-aliased images 1389
- Application display
- Application sets
- Applying
- Archive to Videotape dialog box 445
- Archiving
- Archiving, media files 444
- Arrow keys
- ASCII characters, in double-byte systems 1492
- ASCII file format
- ASCII text files
- A-side (outgoing frames)
- ASIO driver configuration 831
- Aspect Ratio options (Import settings) 1352
- Assemble-edit recording 1017
- Assembling a rough cut
- Asset Manager
- Asset manager
- accessing assets 1141
- automatically checking in assets 1140
- Avid Unity media network 1116
- capturing media 1169
- checking in to 1137
- checking out from 1133
- connecting to 1116
- logging in 1116
- remote assets 1107
- settings for 413
- using 413
- using drag-and-drop method to check in assets 1137
- using menu command to check in assets 1137
- Asset types, selecting 1158
- Associated sequences
- Attic folder
- Attributes
- Audio
- 16-channel output 1015
- 5.1 732
- 7.1 732
- adjusting pan defaults 764
- adjusting volume 730
- adjusting volume in Audio Mixer tool 749
- adjusting volume in Timeline 766
- adjusting volume while playing 762
- and digital cuts 1037
- Auto VO 808
- buffer size adjustment 740
- centering pan 764
- creating leader 581
- crossfading 779, 1296
- digital scrub, described 721
- digital scrub, performing 723
- dipping 779
- dissolves 779, 1296
- editing workflow 748
- embedded, and sample rate conversion 1015
- fading 779, 1296
- file format, selecting 170
- file formats (Audio Project settings) 1296
- fine-tuning transitions 765, 779
- HDMI 732, 738
- identifying sample rates 728
- input levels, adjusting 1296, 1296
- input, adjusting levels 175
- input, selecting source 171
- keyboard shortcuts for keyframing 773
- levels, adjusting 750
- Live Mix mode 774
- locked 1296
- mapping output channels 1296
- marking clips 488
- Master volume 1296
- media for shoots 1441
- mixing down 783
- monitoring tracks 668
- multichannel 715
- muting 730
- number of tracks supported 663
- output 738
- output options 1296
- output, calibrating 1011
- output, calibrating global levels 1012
- output, calibration tone for 1011
- output, monitoring global levels 1011
- output, preparing for 1011
- output, settings options 1013
- overview of tools 713
- pain and gain automation display 724
- pan, adjusting in Audio Mixer tool 749
- Project settings, adjusting 168
- Project settings, audio file formats 170
- Project settings, overview 168
- quality matching for 1232
- sample rate conversion during capture 169
- sample rate, changing for a clip or sequence 782
- sample rate, conversion overview 782
- sample rate, selecting 169
- scrub, defined 721
- scrub, performing smooth 722
- scrub, selecting tracks for 721
- scrub, solo tracks 719
- searching for 530
- selecting mix modes 1296
- settings, adjusting 168
- settings, Default Pan options 764
- settings, Digital Scrub options 723
- solo feature, in Trim mode 698
- solo feature, monitoring one track 668
- sound card configuration 172
- splitting stereo tracks to mono 676, 785
- surround sound 732
- sync, on output 997
- time compression 885
- timecode for shoots 1441
- tools, accessing 713
- tracks, adjusting in Audio Mixer tool 750
- tracks, soloing 719
- transfer options 1447
- using leader to maintain sync 573
- voice-over 800, 800
- volume, adjusting in Audio Mixer tool 750
- volume, adjusting in Timeline 767
- waveform plots 725
- Audio Data commands (Timeline Fast menu) 725, 767, 771
- Audio effects
- Audio EQ 766
- Audio EQ (Equalization)
- Audio EQ command (Tools menu) 713, 786
- Audio EQ tool
- Audio File format
- Audio file sample size 1296
- Audio hardware calibration 178
- Audio hardware options
- Audio IN and OUT points
- Audio input levels
- Audio Mark IN button 488
- Audio Mark OUT button 488
- Audio Meter menu button 730
- Audio Mixdown command (Special menu) 783
- Audio Mixdown dialog box 783
- Audio Mixer command (Tools menu) 713, 749, 750, 771
- Audio Mixer tool
- adjusting clip gain and pan on a single track 750
- adjusting levels by typing values 745
- adjusting volume and pan on multiple tracks 750
- Clip Gain and Pan mode 749
- controls, described 741
- Live Mix mode 774
- Live Mix mode Fast menu commands 777
- opening 741
- resizing 745
- selecting modes 741
- setting default mode 741
- showing and hiding sliders 745
- sliders for Live Mix mode 776
- sliders, for volume automation and pan 771
- switching from Live Mix mode to other modes 776
- track selection behavior 745
- Volume Automation and Pan controls, described 769
- Volume Automation and Pan Fast menu commands 772
- Audio output
- Audio output options
- Audio peak levels
- Audio Project Settings
- Audio Project settings
- Audio Project Settings dialog box 1013
- Audio Punch-In tool
- Audio Punch-in tool
- audio sample clock 1296
- Audio sample rate
- Audio settings
- Audio Settings dialog box
- Audio Source Tape TC Rate (Film and 24p Settings dialog box) 150
- Audio timecode 714
- Audio tone media
- Audio tool
- Audio Tool command (Tools menu) 750, 1011, 1012, 1017
- Audio Track Monitor button (Track Selector panel)
- Audio tracks
- Audio transfer
- Audio Transfer Rate (Film and 24p Settings dialog box) 150
- Audio Volume Automation
- Audio-only output 1037
- AudioSuite command (Tools menu) 713
- AudioSuite plug-ins
- applying 881
- BF Essential Clip Remover 923
- Bomb Factory BF76 924
- Chorus 924
- Compressor/Limiter III (Dynamics III) 926
- core plug-ins 893
- creating new master clips with 885
- DC Offset Removal 931
- DeEsser III (Dynamics III) 931
- Delay 933
- described
- dialog box 883
- Duplicate 934
- D-Verb 930
- EQ 935
- Expander/Gate III (Dynamics III) 940
- Fast menu 884
- Flanger 942
- Funk Logic Mastererizer 943
- Gain 944
- installing 880
- Invert 944
- limitations 891
- Lo-Fi 945
- Multi-Tap Delay 946
- Normalize 947
- PhaseScope 947
- Ping-Pong Delay 950
- Pitch Shift 950
- Recti-Fi 952
- rendering 885
- Reverse 953
- Sci-Fi 953
- Signal Generator 955
- supported 893
- Time Compression Expansion 956
- Time Shift 958
- Trim 961
- troubleshooting 891
- Authoring a DVD in Avid DVD by Sonic 966
- Auto Pan command (Timeline Fast menu) 767, 771
- Auto VO 808
- Auto Volume command (Timeline Fast menu) 767, 771
- Autocapturing 202
- Auto-configure command (Deck Selection menu in Capture tool) 159
- Auto-configure command (Deck Selection menu in Digital Cut tool) 1022
- Auto-indexing
- Automatic opening of projects 45
- Automounting workspaces
- Auto-Save
- AutoSync command (Bin menu) 577
- Autosync feature
- AVCHD
- AVI file format
- AVI files
- Avid
- Avid Artist Control
- Avid Artist Mix
- Avid Artist Series controller
- Avid Artist Transport
- Avid Asset Manager 1058
- Avid assets
- Avid Attic files setting (Bin settings) 1302
- Avid Attic folder
- Avid Calculator tool 100
- Avid clients 1064
- Avid Clipboard
- Avid Codecs for QuickTime
- Avid DNA command (Device submenu of Special menu) 484, 997
- Avid DNA hardware
- Avid DS
- Avid DV Codec, exporting with 1327, 1329
- Avid editing application
- Avid Interplay
- Avid Interplay Administrator
- Avid Interplay Archive
- Avid Interplay Engine 413
- Avid Interplay ProEncode
- Avid Interplay Transcode
- Avid Interplay Transfer
- Avid Interplay Window
- Avid License Control tool 522, 617
- Avid logs
- Avid MCXpress for Windows NT
- Avid Media Access
- Avid Media Access (AMA)
- Avid Media Store 1251
- Avid MediaFiles folder
- Avid Plugin Store 1278
- Avid Projects folder
- Avid Unity 1058
- Avid Unity Connection Manager 1129
- Avid Unity ISIS Client Manager
- Avid Unity PortServer Pro 414
- Avid Unity workspaces 85
- Avid Users folder
- Avid-controlled deck
- B
- Background color
- Backing up
- Backtiming edits 678
- Backup options (Bin settings) 1302
- Bandwidths in Audio EQ tool 787
- Bars and tone
- Batch capture
- Batch Capture command (Bin menu) 223
- Batch Capture command (Clip menu) 212, 1190
- Batch capturing
- Batch Import command (Clip menu) 292, 1192
- Batch Import dialog box 295, 1192
- Batch importing
- Best Performance command (Video Quality menu) 482
- Best-light transfers
- BF Essential Clip Remover AudioSuite plug-in 923
- Big Trim mode
- Bin columns
- Bin display 334
- Bin editing
- Bin Fast menu
- Bin headings
- Bin settings
- Bin views
- Bins
- adding columns 320
- adding text in Script view 306
- aligning columns 319
- aligning frames in 304
- auto-save function 63
- Bin View menu 302
- changing background color 314
- changing fonts 77
- closing 60
- creating 59
- creating a storyboard 334
- creating rough cuts in 543
- defined 58
- deleting 62
- deleting columns 319
- deleting items 312
- display views 299
- displaying audio formats in 716, 731
- displaying in Project window 58
- displaying objects in 334
- editing from, in Segment mode 662
- exporting as AFE files 981
- extra text fields 232
- finding 511
- finding from the Script window 624
- Frame view 304
- headings for MultiRez 1223
- highlights for mixed resolutions 334
- Info display 70
- information in the Console 101
- list of, viewing 59
- listing timecodes in 323
- locking items in 315
- logging directly into 122
- moving columns 319
- opening 60
- playing clips in Script view 306
- printing 342
- rearranging clips in Frame view 304
- rearranging clips in Script view 306
- remote assets 1112
- renaming 60
- retrieving backup of 52
- saving automatically 63
- saving manually 63
- Script view 306
- selecting offline items 317
- selecting unreferenced clips 318
- setting Reformat value 559
- shared, locking and unlocking 88
- shared, performance suggestions 89
- sharing on Avid Unity 85
- showing and hiding columns 299
- tabs 308
- targeting for capturing 164
- Text view 299
- using system backup to save 51
- Bins tab (Project window) 59
- Bit depth
- Black burst sync
- Black holes 686
- Black level
- Black segment
- Blank button (Command palette, Other tab) 97
- Blue bar
- Blue-only feature 1002
- BMP file format
- Bomb Factory BF76 AudioSuite plug-in 924
- Browse button (Select Project dialog box) 45
- Browsing
- B-side (incoming frames)
- Buffer size
- Build Sequence button (NRCS tool) 1071, 1084
- Burn-in code 1441
- Buttons
- Add Alt Key (Command palette, Other tab) 97
- Add Control Key (Command palette, Other tab) 97
- Add Marker 489, 491
- Add Page (Script window) 595
- Add Scene (Script window) 595
- Alternate Edit 671
- assigning workspaces to 82
- Blank (Command palette, Other tab) 97
- Build Sequence (NRCS tool) 1071, 1084
- Disconnect (NRCS tool) 1071
- displaying second row in the Source/Record monitor 457
- Edit mode (NRCS tool) 1077
- Edit/Save (NRCS tool) 1071
- extra fields 232
- Gang 575
- Go to Next Marker 495
- Go to Previous Marker 495
- in the Avid Artist Series controllers 854
- mapping 98
- Mark Markers 495
- Next In Group 1244
- Nine Split 1238
- Play (Script window) 603
- Post To Web (NRCS tool) 1092
- Previous In Group 1244
- Quad Split 1238
- Save Story (NRCS tool) 1071
- Send Mail (NRCS tool) 1071
- Set Color (Script window) 606
- Set Offscreen (Script window) 605
- Tail 680
- Toggle Source/Record in Timeline 645
- Top 680
- Buttons,
- Buttons, user-selectable
- BWF (Broadcast Wave Format) files
- BY Gain slider
- Bypass volume settings 762, 1296
- Bypassing
- C
- Calculator command (Tools menu) 100
- Calculator tool 100
- Calibrate command (Peak Hold Menu button) 178, 178, 178
- Calibrate Hardware Sliders command (Audio Mixer Tool Fast menu) 772
- Calibrating
- calibrating
- calibrating audio output 178
- Calibration tone
- CamCutter files
- Camera roll keypunch 1441
- Camera setups
- Canon
- Canon media 357, 359
- Capture command (Tools menu, Toolset menus) 157, 1169
- Capture command (Tools menu) 124
- Capture in Progress slide in monitors 208
- Capture mode
- Capture Settings
- Capture settings
- Capture Tool
- Capture tool
- capture video and audio 1296
- Capturing
- See also Autocapturing
- See also Batch capturing
- See also Recapturing
- across control track breaks 211
- across timecode breaks 147
- adding clip names during 196
- adding comments (annotating) during 196
- ancillary data 1054
- audio sample rate conversion 169
- bad frames 1303
- bars and tone 274
- Capture Tool setup 157
- creating subclips during 228
- detecting locked sync signal 164
- Dolby E media 234, 236
- DV 50, DVCPRO HD, or HDV 204
- DV media 203
- establishing sync for audio-only input 139
- Frame Chase, aborting 210
- Frame Chase, overview 208
- Frame Chase, requirements and guidelines 210
- Frame Chase, settings 209
- Frame Chase, unavailable resolutions 210
- Frame Chase, update interval 209
- from a mark IN to a mark OUT 197
- from consumer grade decks 185
- from music CDs 206
- from non-Avid-controlled device 239
- hardware considerations 138
- HDV 1473
- in Satellite mode 239
- Interplay Folders option 1169
- LTC timecode 239
- media to remote projects 1169
- multiple resolutions 1190
- on-the-fly 199
- preparations check list 193
- preparing decks 159
- preparing for video input 183
- resolution selection 164
- setting custom preroll 168
- setting only one mark 198
- settings for 141
- single video frame (General Capture Settings) 1303
- source track selection 161
- storage guidelines 1423
- sync requirements 138
- tape selection 160
- targeting bins 164
- targeting drives for 165
- to multiple media files 148
- to the Timeline 244
- using time-of-day timecode 203
- video transferred without pulldown 246
- while logging 195
- with external timecode 239
- CCIR
- CCIR video levels, Import settings 1352
- Center Pan command (Clip menu) 764
- Change Sample Rate command (Clip menu) 782
- Change Scene/Page dialog box 595
- Changing
- background color in bins 314
- default pulldown frame 1037
- font in the Script window 593
- fonts in user interface 77
- frame identifying a clip 304
- frame sizes in bins 304
- interface components color 75
- page and scene numbers in the Script window 595
- representative frame in takes 603
- resolution by transcoding 428
- track color in the Timeline 636
- user profiles 73
- Channel selection buttons (Capture tool) 161
- Characters, avoiding when naming elements 1492
- Check Decks command (Deck Selection menu in Capture tool) 159
- Check Decks command (Deck Selection menu in Digital Cut tool) 1022
- Check In All Open Bins To Interplay command (Bin menu) 1137
- Check In Bin To Interplay command (Bin menu) 1137
- Check lists
- check marks
- Checking in
- Checking out
- Choosing
- Choosing a locale (Macintosh) 1484
- Choosing a locale (Windows) 1483
- Chorus AudioSuite plug-in 924
- Chrominance settings
- Chunking 1303
- Chyron file format
- Cineon file format
- Clear Both Marks button 484
- Clear button (Project window) 71
- Clear IN Mark button 484
- Clear Monitor command (Clip Name menu in Source monitor) 472
- Clear OUT Mark button 484
- Clearing
- Client Manager
- Client monitor
- Clip colors
- Clip data
- Clip Frames command (Timeline Fast menu) 629
- Clip Gain and Pan mode (Audio Mixer tool) 749
- Clip Gain effect, adjusting volume while playing 762
- Clip Info dialog box 539
- Clip information
- clip information
- Clip Name menu
- Clip parameters
- Clip tag (Post to Web) 1098
- Clip Text command (Timeline Fast menu) 629
- Clipboard
- Clipboard Contents command (Clip Name menu) 565
- Clipboard Monitor command (Tools menu) 565
- Clips
- See also Master clips
- See also Subclips
- assigning local colors in the Timeline 636
- assigning source colors in bins 314
- audio, marking 488
- autosyncing 576
- batch capturing 212
- changing identifying frame 304
- changing resolution by transcoding 428, 428
- clearing from monitors 472
- copying 310, 311
- creating group clips 1236
- creating multigroup clips 1237
- creating multiple resolutions 1190
- deleting 312
- deleting MultiRez 1226
- deleting unreferenced 433
- displaying information about 462
- displaying source colors in bins 314
- duplicating 310
- exporting 973
- finding from the Script window 624
- finding names 506
- finding with Match Frame 509
- in-progress, capture overview 208
- in-progress, duration of 208
- in-progress, editing overview 1142
- in-progress, editing workflow 1143
- in-progress, limitations 1144
- in-progress, sending sequences to playback 1142
- linking to script 597
- linking to script with ScriptSync 610
- loading 1159
- loading into monitors 471
- locating master clip from subclip 512
- locking in a bin 315
- marking 486
- marking IN and OUT points 484
- mixed rate 548
- moving 310
- playing in a loop 470
- playing in Script view 306
- playing using buttons 476
- rearranging in bin Frame view 304
- rearranging in bin Script view 306
- renaming in Interplay Window 1159
- searching for 506
- selecting 309
- sifting 335
- switching between 471
- Timeline display colors 632
- tracking duration 459
- transferring 1181
- Close Bin command (File menu) 60
- Close Project command (File menu) 45, 57
- Closed Caption
- Closed captioning and Vertical Blanking Interval 1001, 1040, 1382
- Closing
- Codec
- Codecs
- Coincidence Wait mode 242
- Color
- Color bars
- Color column
- Color correction
- Color indicators (script integration)
- Color Match control
- Color Match eyedropper 1309
- Color submenu (Script menu) 606
- Colors
- Column headings
- Column Titles
- Columns
- Command Palette
- Command palette
- Command Palette command (Tools menu) 30
- Command|8 770
- Command|8 controller 103
- Commands
- Comments
- Committing multicamera edits 1249
- Communication (Serial) Ports Tool settings
- Composer settings
- Compression
- Compression ratios
- Compression ratios (JFIF)
- Configuring
- Connect
- Connecting
- Connection Manager 1129
- Console command (Tools menu) 101
- Console window 101, 182
- Consolidate/Transcode command (Clip menu) 424
- Consolidate/Transcode dialog box
- Consolidating media files
- Consumer level audio
- Consumer-grade video deck
- Context menus 29
- Control track
- Control track breaks
- Controller settings 775
- Controller Settings dialog box 775, 818
- Controllers
- Converting
- Converting shot log files
- Coordinates
- Copy to Clipboard button 564
- Copying
- Copying XDCAM files 284
- Core AudioSuite plug-ins 893
- CoreAudio driver configuration 833
- Correction Mode settings
- Correction settings
- Crash recording 1026
- Creating
- Criterion menu (Custom Sift dialog box) 335
- Crossconverted sequences
- Crossconverting HD
- Crossfading audio 779, 1296
- Custom colors
- Custom preroll
- Custom Profile Audio Settings 1336
- Custom property
- Custom Sift
- Custom Titles
- Customizing
- Cutaways
- Cutting
- Cycle Picture/Sound button 665
- Cycle Trim Sides button 695
- Cycling
- D
- D1 VTR
- DAT
- Data entries
- Data Track
- Data track
- Databases
- DC Offset Removal AudioSuite plug-in 931
- Deck
- Deck Configuration settings
- Deck controller 94
- Deck Preferences dialog box
- Deck Preferences settings
- Deck Selection menu (Capture tool) 159
- Deck Selection menu (Digital Cut tool) 1022
- Deck settings
- Deck Settings options (Deck Configuration settings) 1311
- Deck templates 1310
- Decks
- Decompose command (Bin menu) 218
- Decomposing
- DeEsser III (Dynamics III) AudioSuite plug-in 931
- Default function buttons
- Default Pan options (Audio settings) 764
- Default pulldown frame
- Default settings
- Default Setup command (Timeline Fast menu) 647
- Defining
- Deinterlacing 1463
- Delay AudioSuite plug-in 933
- Delay, DV digital cut 1038
- Delete command (Edit menu)
- Delete Current Layout command (Interplay Window Layout menu) 1162
- Delete dialog box 312
- Delete Take command (Script menu) 600
- Deleting
- add edits (match frames) 681
- bin columns 319
- bins 62
- clips and sequences 312
- columns 319
- deck configurations 155
- markers 495, 497, 499
- media files in bins 312
- media files with Media tool 420
- MultiRez clips 1226
- page and scene numbers in the Script window 595
- Production cues (NRCS tool) 1080
- projects 49
- remote assets 1149
- script marks 623
- segments, in Segment mode 659
- settings 1287
- slates in the Script window 600
- stories (NRCS tool) 1076
- takes in the Script window 603
- text in the Script window 593
- tracks 674
- unreferenced clips 433
- user profiles 73
- volume automation and pan keyframes 767
- deleting clips 399
- Deleting folders 1159
- Desktop Play Delay dialog box 468
- Destination bins
- Destination drives
- Destination timecode rate 1035
- Details command (View menu in Windows Explorer) 53
- Device Code option (Remote Play and Capture settings) 1369
- Device commands (Special menu) 204, 481, 997
- Devices for transferring files 1058
- Dialog
- Dialog boxes
- Add Scene/Page 595
- Archive to Videotape 445
- audio export settings 1340
- Change Scene/Page 595
- Controller Settings 818
- Custom Sift 335
- Delete (script integration) 595, 603
- Export Settings 1321
- Film and 24p Settings (transfer settings) 150
- General settings (for capturing) 150
- Group Clips 1236
- Left Margin 590
- Restore from Videotape 448
- Script Settings 590
- Select Tape 124
- Send To 966, 971
- Set Bin Display 334
- Set Font 77, 593
- Sync Selection 577
- Tape Lengths 445
- View Name (bin) 302
- Digi 002 770
- Digi 002 controller 103
- DigiDelivery, exporting to 966
- Digidesign
- Digidesign AudioSuite plug-ins
- Digital audio
- Digital Audio Scrub options (Audio settings) 723
- Digital audiotape (DAT)
- Digital bars and tone
- Digital Betacam VTR
- Digital cut
- Digital Cut command (Clip menu) 1027
- Digital Cut command (Output menu) 1022, 1023
- Digital cut delay, DV 1038
- Digital Cut tool
- Digital cuts
- Digital scale (Audio tool) 174
- Dipping
- Directory panel
- Directory panel (Interplay Window)
- Disabling available resolutions 143
- Disconnect button (NRCS tool) 1071
- Disconnecting from the iNEWS server (NRCS tool) 1106
- Displaying
- Displaying 24p and 25p media
- Dissolve effects
- Dissolve Icons command (Timeline Fast menu) 629
- DNA/1394 button
- DNxHD Native command (Video Quality menu) 482
- DNxHD resolutions
- DNxHD-TR
- Dolby E 234, 235, 236
- Dominance
- Dominance, Import settings options 1352
- Double-byte systems, ASCII characters in 1492
- Downconverted sequences
- Downconverting HD
- downloading plugins 1278
- downloading stock footage 1274
- Draft Quality command (Video Quality menu) 482
- Drag-and-drop method
- Dragging
- Drive filtering
- Drive Filtering and Indexing tab 1362
- Drive space
- Drive striping
- Drives
- Drop-frame timecode
- Dropped frames
- Dual monitor display 456
- Dupe checking 1376
- Dupe Detection 682
- Dupe Detection Handles option (Timeline settings) 1376
- Duplicate AudioSuite plug-in 934
- Duplicate command (Edit menu)
- Duplicating
- Duration tracking 459
- DV
- DV audio pattern 1296
- DV capture offset
- DV Codec 1327, 1329
- DV digital cut delay
- DV resolutions
- DV Scene Extraction
- DV Stream files
- DVCPro HD resolution
- DVD
- DVD authoring, exporting to 966
- DVD One Step
- D-Verb AudioSuite plug-in 930
- Dynamic relink
- Dynamic Relink Settings command (MultiRez menu in Timeline) 1209
- Dynamic Relink Settings dialog box
- E
- Edit controller
- Edit mode
- Edit Review button 702
- Edit/Save button (NRCS tool) 1071, 1077
- Editcam files
- Editing
- adding new tracks during 674
- deleting tracks during 674
- directly from a bin 662
- in Heads and Heads Tails views 679
- multicamera material 1235
- proxy media (XDCAM) 286
- Segment Mode, guidelines 653
- stories (NRCS tool) 1077
- sync breaks, avoiding 569
- types of selective camera cutting (MultiCamera) 1249
- with film track 685
- with the Script window 624
- Editor Database Settings 1140
- Edits
- Effect Editor Settings
- Effect templates
- Effects
- Ejecting drives
- Ejecting tapes with a button or key 234
- Embedded audio and sample rate conversion 1015
- Empty Trash command (Bin display Fast menu) 62
- Enable Clip Coloring command (MultiRez menu in Timeline) 1218
- Enable Confidence View
- Enable Track buttons (Digital Cut tool) 1020
- End key 478
- Enlarge Frame command (Edit menu) 304, 600
- Enlarge Track command (Edit menu) 631
- Enlarging
- ENPS
- ENPS server
- Entering
- EQ AudioSuite plug-ins 935
- EQ effects
- ERIMovie file format
- Errors
- Essence Marks 285
- Estimating drive space requirements 1422
- EuControl
- Existing Windows Media Custom Profile 1336
- Exit command (File menu) 49
- Exiting
- Expander/Gate III (Dynamics III) AudioSuite plug-in 940
- Expert Decompose
- ExpertRender
- ExpertRender In/Out command (Clip menu) 1019
- Export as dialog box 973
- Export command (File menu) 973, 981
- Export Settings
- Export settings
- Audio 1340
- AVI 1335
- AVI Video Compression 1335
- DV Stream 1334
- Graphic 1341, 1345
- Graphic Format 1342
- OMFI, AAF, and AFE 1324
- QuickTime Compression settings 1332
- QuickTime Movie Export options 1329
- QuickTime Movie settings 1331
- QuickTime Reference options 1327
- Video Compression options 1058
- video compression options 1335
- Windows Media Export options 1336
- XDCAM 1345
- Export Settings dialog box 976
- Export Settings dialog box options 1321
- Export settings, video compression options 1335
- Exporting
- AAF files 978
- audio tracks 1340
- AVI files 1335
- bins as AFE files 981
- clips 973
- data track 1055
- DV Stream files 1321
- frames 973
- from a third-party QuickTime or AVI application 986
- graphic files 1341
- OMFI files 978
- preparing sequences for 965
- procedure for 973
- projects as AFE files 981
- QuickTime movies 982
- QuickTime movies procedure 982
- QuickTime reference movie 982
- reasons for 964
- sequences 973
- settings for, creating 976
- TARGA files 1342
- to Avid DS 966
- to Avid DVD by Sonic 966, 966
- to DigiDelivery 966
- to Digidesign Pro Tools 966
- to DVD 966, 966
- to HDV device 1475
- to HDV settings 1333
- to Sorenson Squeeze 966
- to third-party applications 971
- user profiles 73
- using drag-and-drop method 973
- VC1 media 993
- Wavefront files 1342
- Windows Media 986
- with Avid Codecs for QuickTime, described 982
- with Avid Codecs for QuickTime, procedure for 982
- XDCAM 988, 989
- YUV files 1342
- Exporting files
- Exporting sequences to P2 card 992
- Extend button 706
- Extending
- External devices
- External display monitor
- External drive
- External fader controller
- External timecode 239
- Extra text fields 232
- Extract button 564
- Extracting material 564
- Eyedropper
- F
- F5 button, refreshing with 1159
- Factory preset buttons
- Fader controller
- Fader controllers
- Fading
- Fading audio 1296
- Fast command (Vertical Scroll Speed menu in Mouse Settings dialog box) 30
- Fast Cue option (Deck settings) 1311
- Fast Forward button
- Fast menus
- Field dominance
- Field dominance, Import Settings options 1352
- Field Motion bin column 553
- Field Motion clip attribute
- Field motion types
- Field ordering
- FieldPak
- Field-stepping
- File formats
- File management 412
- File names
- Files
- batch import 295
- exporting using drag-and-drop method 973
- exporting, procedure for 973
- exporting, reasons for 964
- importing 259
- importing, guidelines 257
- importing, using drag-and-drop method 292
- reimporting 292
- specifications for importing graphics 1389, 1389
- specifications for importing OMFI 1397
- transferring, reference of devices and methods 1058
- Fill Sorted command (Bin menu) 304
- Fill Window command (Bin menu) 304
- Filler
- Film
- Film and 24p settings
- Film speed
- Film track, editing with 685
- Film Type for shoots 1441
- Film Wind for shoots 1441
- Film-to-tape transfer
- Filter Automation Pan command (Audio Mixer Tool Fast menu) 772
- Filter Volume Automation command (Audio Mixer Tool Fast menu) 772
- Filtering
- Filtering drives 92
- Filtering results 532
- Final Cut Pro
- Find 530
- Find Bin button 511, 512
- Find Black Holes command (Clip menu) 686
- Find command (Edit menu) 506, 595
- Find Flash Frames command (Clip menu) 686
- Find Next Mismatched or Unavailable Clip command (MultiRez menu in Timeline) 1222
- Find Script button 624
- Find window 506, 535
- Finding
- Finding bins
- Finding markers 494
- FireWire
- Flanger AudioSuite plug-in 942
- Flash frames 686
- Flat View command (Bin display Fast menu) 61
- Focus button (Timeline) 650, 702
- Focusing
- Folders
- Fonts
- Fonts, changing 1164
- Footage
- Foreign keyboard mapping 1491
- Format display in the Project window
- Format elements
- Format tab (Project window) 66
- Four-frame display, trimming in 710
- Frame Chase
- Frame Chase editing 1216
- Frame count numbers
- Frame offset 503
- Frame rates
- Frame view (bin display)
- Frame-accurate recording 1016
- Frame-by-frame movement in Timeline 652
- Frames
- aligning in bins 304
- changing frame identifying a clip 304
- changing size in bins 304
- changing size in Research panel (Interplay Window) 1153
- enlarging or reducing in Research panel (Interplay Window) 1153
- exporting 973
- finding with Match Frame 509
- finding with timecode offset 503
- rearranging in bin Frame view 304
- rearranging in bin Script view 306
- Framestore file format
- Frequencies (audio), adjusting 786
- Full Quality 10-bit command (Video Quality menu) 482
- Full Quality command (Video Quality menu) 482
- Full Screen Playback
- Full Screen Playback command (Special menu) 468
- Full-Monitor Display 1238, 1238
- Full-screen image size
- Full-screen Timeline 639
- Function key commands (Capture Settings) 226
- Funk Logic Mastererizer AudioSuite plug-in 926, 943
- G
- Gain
- Gain AudioSuite plug-in 944
- Gang button 575
- Ganging
- General settings
- General Settings dialog box 150
- General-purpose interface (GPI) device
- Get Bin Info command (File menu) 101
- Get Position Info command (File menu) 101
- Get Sequence Info command (File menu) 539
- GFCAM
- GFCAM media 361
- Global settings
- Global Titles
- Go To Capture Mode command (Bin menu) 157, 202
- Go To Page command (Script menu) 595
- Go To Scene command (Script menu) 595
- GOP (Group of Pictures)
- GPI settings
- Graphics (image) files
- Grid
- Grid settings
- Group clips
- Group menu 1246
- Grouped clips
- Grouping
- Grouping procedures 1236
- Guidelines
- H
- Halt Digital Cut button (Digital Cut tool)
- Hard subclips 228
- Hardware
- Hardware command (Tools menu) 103
- Hardware tool
- HD
- HD media
- HD SDI embedded audio
- HDCAM SR Lite
- HDCAM SR Lite media 345
- HDCAM SR Lite plug-in 345
- HDMI 732, 738
- HDTV
- HDV
- capturing 1473
- capturing through IEEE port 1473
- described 1471
- exporting to HDV device 1475
- exporting to HDV settings 1333
- exporting transport stream 1477, 1477
- finishing on Avid DS Nitris 1479
- importing 1473
- Long GOP splicing 1475
- outputting digital cut by transcoding 1477
- raster type 1480
- rendering 1474
- transcoding 1474
- Head frames 1081
- Headings (Interplay Window)
- Headings command (Bin menu) 299, 314
- Heads and Heads Tails views
- Hide Video command (Composer window context menu) 456
- Hiding
- High shelf in Audio EQ tool 787
- High-definition television
- Hinted streaming, exporting as 1331
- Histogram
- Holding slates on screen 600
- Home command (Windows menu) 639
- Home key 478
- House sync
- Hue slider
- Hyperclip tag (Post to Web) 1101
- I
- ICS
- IEEE 1394 command (Device submenu of Special menu) 481, 484, 997
- IEEE-1394
- IFF file format
- Image files
- Image quality
- Import command (File menu) 135, 259
- Import Options section (Batch Import dialog box) 295
- Import Settings
- Import settings
- Import Settings dialog box 257
- Import Target section (Batch Import dialog box) 295
- Importing
- a script 590
- animation files 1395
- converting sample rates 267
- files, basic procedure 259
- files, batch import 295
- files, batch importing multiple resolutions 1192
- files, drag-and-drop method 292
- files, guidelines 257
- files, preparing for 257
- files, settings for 257
- HDV transport stream file 1473
- sample rate conversion options 268
- shot log files 135
- test patterns 275
- XDCAM media 278, 278, 283, 285
- Importing clips and media from P2 card 290, 290
- Importing files
- IMX resolutions
- IN and OUT points
- In/Out buttons (Audio tool) 174
- Indent Rows command 1317
- Indicating off-screen dialog 605
- iNEWS server
- Info display (Project window)
- Info window
- Inhibit Preloading option (Remote Play and Capture settings) 1369
- Ink numbers
- In-progress clips
- Input
- Input Gain 1296, 1296
- Input Level slider 1296, 1296
- Insert edits 546
- Insert-edit recording 1017
- Installing
- Installing AudioSuite plug-ins 880
- Interactive screenings in Script window 624
- Interface settings
- Interface settings (Appearance tab)
- Interlaced clips
- Interlaced resolutions
- Internal command (Sync Lock menu in Video Output tool) 997
- International character support (ICS)
- International operating system 1484
- Interplay
- Interplay Asset Manager 1058
- Interplay Assist
- Interplay environment
- Interplay Folder Settings 1360
- Interplay Folder settings
- Interplay Folder Settings dialog box 1116
- Interplay Folders option (Capture tool) 1169
- Interplay Host, specifying settings 413
- Interplay Login dialog box 1119
- Interplay Media Indexer
- Interplay Media Services 995
- Interplay Root Folder
- Interplay Server
- Interplay Server settings
- Interplay Server Settings dialog box 1116
- Interplay settings 1116
- Interplay Transfer 1058
- Interplay User
- Interplay User settings
- Interplay User Settings dialog box 1116, 1119
- Interplay User, specifying settings 413
- Interplay Window
- checking in assets to the Interplay Root Folder 1137
- column display options 1153
- connecting to database 1116
- creating new columns 1153
- defined 1107
- described 1146
- Interplay folders 1107
- local bins 1107
- Media Directory panel 1146
- Media Search tab 1146
- modifying the display 1152
- opening 1119
- permissions 1148
- Research panel 1146
- searching 1166
- sorting columns 1153
- workgroup projects 1112
- Interplay window
- Interplay Window command (Tools menu) 1119, 1133, 1137, 1141, 1169
- Interpolating position
- Invert AudioSuite plug-in 944
- ITU-R 292M
- ITU-R 601
- J
- K
- L
- Language
- Language, setting (Macintosh) 1484
- Languages
- LANshare 414
- Large Text command 1317
- Lassoing
- latch mode (Avid Artist Series controllers) 863
- Launch 34
- Layer effects, preserving 273
- Layout (Interplay Window)
- Layout button (Interplay Window) 1152
- L-cut edit (Overlap edit)
- Leader
- Left Arrow key
- Left Margin command (Script menu) 590
- Left Margin dialog box 590
- Less Detail command (Timeline Fast menu) 629
- Lift button 564
- Lifting material 564
- Limitations
- Line slider (Waveform monitor) 185
- Linear timecode
- Lined script 584
- Linked clips
- Linking clips to script 597
- Linking clips to script with ScriptSync 610
- Live Mix mode 774
- Load Filler command (Clip Name menu) 541
- Load Media Database command (File menu) 432
- Loaded cues
- Loading
- Loading clips 1159
- Local colors
- Local language operating system, using 1484
- Locales, using characters from only one 1492
- Lock Bin Selection command (Clip menu) 315
- Lock icon (Track Selector panel) 672
- Lock Tracks command (Clip menu) 673
- Locking and unlocking
- Lo-Fi AudioSuite plug-in 945
- Log files
- Logging 104, 135
- automatic, during film transfer 1441
- automatically with DV 253
- bypassing by autocapturing 202
- directly into a bin, with a non-Avid-controlled deck 129
- directly into a bin, with an Avid-controlled deck 124
- errors during capturing 227
- errors to the Console window 101
- guidelines for 122
- pausing deck while 128
- preroll 122
- timecode 122
- while capturing 195
- logging in to the Avid Media Store 1254
- Logs
- Long GOP splicing 1475
- Loop Selected Clips command (Bin Fast menu) 470
- Low shelf in Audio EQ Tool 787
- LTC (longitudinal timecode)
- Luminance settings
- M
- Maintaining synchronized sound 1446
- Make New
- Make Subclip button 487
- Managing
- Mapping
- Margins
- Mark Clip button 486
- Mark IN button 484
- Mark In Time option (Digital Cut tool) 1023
- Mark Markers button 495
- Mark OUT button 484
- Marker edit entry window 494
- Marker icon
- Marker window
- Markers
- adding while capturing 230
- adding while editing 491, 492
- creating automatically with DV 253
- deleting 495, 497, 499
- displaying comments 495
- displaying in the Timeline 638
- editing 494
- Essence Marks (XDCAM) 285
- finding 494
- finding text of 506
- for managing sync breaks 573
- limitations with mixed-rate clips 555
- marking an area with 495
- moving to next or previous 495
- printing 501
- selecting in Markers window 497
- using 489
- Markers window
- Marking
- Marking tape location
- Marks
- Marquee Title Settings
- Master clips
- Master shot, in the lined script 584
- Master Volume button 730
- Match Frame
- Match Frame button 509, 512
- Match Frame feature
- Match Frame Track command (Timeline context menu) 511
- Match framing (adding edits) 681
- Matchback
- Matching
- Maximizing drive space 1434
- Mbox
- Media
- Media creation
- Media Creation command (Tools menu) 141, 145, 259, 292
- Media Creation dialog box
- Media Creation settings
- Media databases
- Media Directory panel
- Media drives
- Media drives, unmounting 416
- Media files
- archiving 444
- backing up 434
- capturing to multiple 148
- consolidating, described 422
- consolidating, options for 424
- consolidating, procedure 424
- deleting in bins 312
- deleting unreferenced clips 433
- deleting using Media tool 420
- finding related 435
- managing in a workgroup environment 413
- managing, overview 412
- manipulating with the Media tool 417
- restoring from videotape 448
- unlinking 443
- Media Files Capture settings 148
- Media Indexer
- Media Search tab
- Media Services Broker 1365
- Media Services Settings 995
- Media Services settings
- Media Store 1251
- Media tool
- Media Tool command (Tools menu) 419
- Memory information 70
- Memory marks
- Memory usage
- Memory window
- Menu commands
- Add Comments (Clip Name menu) 566
- Align to Grid (Bin menu) 319
- Audio EQ (Tools menu) 786
- AutoSync (Bin menu) 577
- Calculator (Tools menu) 100
- Calibrate (Peak Hold Menu button) 178, 178, 178
- Capture Tools (Tools menu) 124
- Color (Script menu) 606
- Console (Tools menu) 101, 101, 182
- Custom Sift (Bin menu) 335
- Delete (Edit menu) columns 319
- Delete Take (Script menu) 600
- Duplicate (Edit menu) 1286
- Enlarge Frame (Edit menu) 600
- Export (File menu) 981
- Find (Edit menu) 595
- Find Black Holes (Clip menu) 686
- Find Flash Frames (Clip menu) 686
- Get Bin Info (File menu) 101
- Get Position Info (File menu) 101
- Go To Page (Script menu) 595
- Go To Scene (Script menu) 595
- Group Clips (Bin menu) 1236
- Hardware (Tools menu) 103
- Home (Windows menu) 639
- Left Margin (Script menu) 590
- Lock Bin Selection (Clip menu) 315
- mapping 99
- Mount All (File menu) 416
- New Deck Controller (Tools menu) 94
- New Script (File menu) 590
- Page Setup (File menu) 342
- Print Bin (File menu) 342
- Print Frame (File menu) 342
- Print Timeline (File menu) 688
- Reduce Frame (Edit menu) 600
- Remote Play and Capture (Clip menu) 249
- Remote Play and Capture (Special menu) 247, 248
- Reveal File (File menu) 435
- Select All (Edit menu) 212
- Select Media Relatives (Bin menu) 317
- Select Offline Items (Bin menu) 317
- Select Unreferenced Clips (Bin menu) 318
- Set Bin Display (Bin menu) 334
- Set Font (Edit menu) 593
- Show All Takes (Script menu) 600
- Show Every Frame (Timeline Fast menu) 685
- Show Frames (Script menu) 600
- Show Track (Timeline Fast menu) 685
- Unlock Bin Selection (Clip menu) 315
- Unmount (File menu) 416
- Video Input Tool (Tools menu) 183, 185
- View Type (Timeline Fast menu) 679
- Message-of-the-Day options (NRCS tool)
- MetaSync
- MetaSync information
- MII component video standard
- Millivolts (mVolts) 1373
- Mix Mode Selection 1296
- Mixed rate clips
- Mixed resolutions
- Mixed-rate clips
- Mixed-rate sequences
- Mixer
- Mixing
- Mixing and matching
- Mixing and monitoring audio 173
- Mixing down audio 783
- Mode option (Remote Play and Capture settings) 1369
- Moderate command (Vertical Scroll Speed menu in Mouse Settings dialog box) 30
- Modify command
- Modifying
- Monitor resolutions
- Monitoring
- Monitors
- Mono option (audio) 783
- More Detail command (Timeline Fast menu) 629
- Motion Adapter effect
- Motion Adapter effects
- Motion effects
- Motion mode indicator (Timeline) 652
- Mount All command (File menu) 416
- Mounting workspaces
- Mouse
- Mouse Settings
- Mouse Settings dialog box 30
- Mouse support for multicamera editing 1245
- Movement in Timeline, controlling 652
- Moving
- Moving settings
- MPEG resolutions
- Multi-angle View menus 1247
- MultiCamera
- MultiCamera mode
- Multicamera resolutions
- Multi-channel audio
- Multichannel audio 715
- Multigroup clips
- Multilayered files, importing 273
- Multilevel sorting of columns 300
- Multiple text fields 232
- Multiple tracks 663
- MultiRez
- bin and column headings for 1223
- clip coloring for 1218
- deleting clips 1226
- described 1188
- examples 1218
- partially online clips, consolidating and deleting original media 1229
- partially online clips, restoring from an archive 1202, 1229
- partially online clips, viewing source in Timeline 1228
- quality matching 1230
- Send to Playback command with 1217
- Multirez
- MultiRez button (Timeline)
- Multi-Tap Delay AudioSuite plug-in 946
- Mute button 730
- Muting audio 730
- mVolt (millivolt) units 1373
- MXF
- MXF file format 141
- MXF media 381
- N
- Naming tapes 122
- Narration, recording voice-over 800, 800
- Navigating
- Navigation buttons
- NCSID option (NRCS tool)
- Nested effects 663
- Nesting
- Network drives
- Network drives command 101
- New Audio Track command (Clip menu) 540, 674
- New Bin button (Project window) 59
- New Bin command (File menu) 59
- New Deck Controller command (Tools menu) 94
- New Folder command (Bin display Fast menu) 61
- New Meta Track command (Clip menu) 674
- New Project button (Select Project dialog box) 42, 1459
- New Script command (File menu) 590
- New sequence
- New Sequence command (Clip menu) 538
- New Video Track command (Clip menu) 540, 674
- Next In Group button 1244
- Nine Split button 1238, 1238
- Nine Split Source view 1238, 1238
- Non-Avid-controlled deck
- Non-drop-frame timecode
- Non-English character support (Macintosh) 1484
- Non-English characters
- Non-English keyboard layout 1488
- Non-square pixels 1389
- Normal command (Vertical Scroll Speed menu in Mouse Settings dialog box) 30
- Normalize AudioSuite plug-in 947
- NRCS Settings
- NRCS tool
- adding loaded cues 1081
- adding production cues 1080
- adjusting story timing 1089
- associated sequences 1088, 1091
- building a sequence from a story 1084
- deleting a story 1076
- deleting production cues 1080
- disconnecting from the server 1106
- editing stories 1077
- elements of, described 1071
- ENPS tab options 1065
- entering Edit mode 1077
- finding read time of a story 1083
- formatting text 1079
- head frames 1081
- linked clips 1093
- loaded cues 1081
- Logging out option 1065
- Mail Directory options 1065
- making shortcuts to directories 1076
- marking text as Closed Caption 1078
- marking text as machine control 1078
- marking text as normal 1079
- marking text as Presenter Instructions 1078
- Message-of-the-Day options 1065
- NCSID option 1065
- opening a story 1074
- overview 1063
- Page column 1074
- Post to Web feature 1092, 1095, 1102
- processing scripts 1092
- rearranging text 1078
- receiving mail 1105
- removing shortcuts to directories 1076
- saving a story 1091
- saving changes to a story 1091
- sending mail 1104
- starting 1070
- Status column 1074
- story lock 1077
- user interface reference 1071
- using loaded cues 1081
- using the Directory panel 1074
- VideoID column 1074
- WPM rate 1083
- NTSC (National Television System Committee) video
- NTSC Has Setup option 150
- NTSC Has Setup option (General Settings dialog box) 1001
- NTSC-EIAJ format
- Numeric keypad support for multicamera editing 1245
- O
- Offline editing
- Offline items
- Off-screen dialog
- Off-screen indicators (script integration)
- Offset between audio and video playback, adjusting 468
- Offset, DV Capture 204
- OMF
- OMF file format 141
- OMF Interchange files
- OMFI MediaFiles folder
- One-light transfers 1441
- Online support 25
- Open Bin command (File menu) 53, 60
- Open Selected Bins command (File menu) 60
- Opening
- Optical connection
- Optimizing
- Orphans
- Other Bins folder (Project window) 60
- OUT points
- Output
- assemble-edit recording 1018
- audio 738, 1037, 1296
- audio settings options 1013
- audio, preparing for 1011
- crash recording 1026
- crossconverted sequences 1008
- crossconverting and downconverting HD 1008
- Digital Cut, overview 1020
- downconverted sequences 1008
- establishing sync for 997
- factory preset buttons 1002
- generating 996
- longitudinal timecode (LTC) 998
- mapping audio channels 1296
- multiformat 1030, 1030, 1030
- optical 1296
- options 996
- preparing for 996
- rendering effects before 1019
- selecting analog video signal 1000
- selecting device for 997
- video calibration for NTSC-EIAJ 1001
- video, adjusting luminance settings 1007
- video, basic calibration 1002
- video, calibrating 1001
- Output formats
- Output Gain 1296
- Output timecodes
- Output to DV Device command (Video Quality menu) 481
- Overlap edits
- Override Working Settings with Target Settings command (MultiRez menu in Timeline) 1214
- Overriding
- Overwrite button
- Overwrite edits 547
- P
- P2
- P2 card
- Page and scene numbers (Script window)
- Page column (NRCS tool) 1074
- Page Setup command (File menu) 342
- PAL (Phase Alternating Line) video
- PAL Method 1
- PAL Method 2
- Pan
- Pan and gain automation display (Timeline) 724
- Pan automation 766
- Panasonic P2
- Panasonic P2 media 350
- Parametric midrange in Audio EQtool 787
- Partially online clips
- Passthrough
- Passthrough Mix tool
- Pasting
- Patching
- Pause button 476
- PCX file format
- Peak Hold menu (Audio tool) 174
- Performing
- Phantom marks 580
- Phase controls
- PhaseScope AudioSuite plug-in 947
- Phonetic indexing
- Phonetic search 517, 530
- Photo CD file format
- Photoshop file format
- Photoshop files
- PhraseFind 517, 530
- PICS file format
- PICT file format
- PICT files
- Picture quality
- Pin button (Interplay Window) 1164, 1169
- Ping-Pong Delay AudioSuite plug-in 950
- Pitch Shift AudioSuite plug-in 950
- Pixar file format
- Pixel aspect ratio 1389
- Pixels
- Play button 476
- Play button (Script window) 603
- Play Calibration Tone command (Peak Hold menu in Audio tool) 1011, 1012, 1017
- Play Delay, adjusting 468
- Play Digital Cut button (Digital Cut tool) 1023, 1027
- Play IN to OUT button 567
- Play Loop button 702
- Play Reverse button 476
- Play Standby button 476
- Playback
- changing speed of 479
- controlling with buttons 476
- controlling with position bars and indicator 474
- full screen 468
- improving performance of 568
- improving performance of (storage management) 1434
- limitations on multicamera media 1244
- loop, starting 567
- loop, trim during 704
- optimizing 482
- with audio scrub 721
- with DV devices 481
- Playback control
- Playback devices
- Playing
- Plug-in
- Plug-in effects
- Plugin store 1278
- plugin store 1278
- Plug-ins
- plugins
- PNG file format
- PortServer Pro 414
- PortServer Settings
- Position bar
- Position indicator
- Position indicator lights (Volume Automation and Pan) 746
- Post to Web
- Postroll
- Power schemes (Windows) 157
- Preferences
- Premultiplied alpha 1389
- Preparing
- Preroll
- Preroll option (Deck settings) 1311
- Presenter Instructions (NRCS tool)
- Preserving
- Preset buttons
- Preset buttons (Video tools) 1002
- Prestriped tapes 1017
- Preview Digital Cut button (Digital Cut tool) 1022
- Previewing
- Previous In Group button 1244
- Print Bin command (File menu) 342
- Print Frame command (File menu) 342
- Print Timeline command (File menu) 688
- Printing
- Pro Tools
- Production cues (NRCS tool)
- ProEncode
- Profiles
- Profiles, user
- Progressive clips
- Progressive media
- Progressive resolutions
- Project command (Tools menu) 57
- Project settings
- Project window
- Projects
- 24p and 25p 1437
- browsing for 45
- changing formats 1464
- changing name 50
- closing 45
- creating folders within 62
- creating new 42, 1459
- creating shortcuts in Interplay Window 1151
- deleting 49
- exporting as AFE files 981
- files, restoring from backup 51
- opening 45
- opening automatically 45
- Raster Type selection 42
- relinking media files for 443
- remote assets 1112
- removing shortcuts in Interplay Window 1151
- restricted characters in names 42
- saving 51
- shared, opening 87
- sharing on Avid Unity 85
- startup 45
- types 41
- video, using script integration in 586
- workgroup project settings 1112
- Projects folder
- Promoting
- Properties
- Property Merge dialog box (Interplay window) 1161
- Proxy editing
- Proxy media
- Pulldown
- Pulldown frame
- Pulldown phase
- Pullin
- Pullin frame
- Pullout column 1037
- Pullup
- Purchasing PhraseFind 517
- Purchasing ScriptSync 613
- purchasing stock footage 1251, 1272
- Q
- QRT file format
- Quad Split button 1238
- Quad Split display 1238
- Quad Split Source view 1238
- Quality matching
- Quality of film-to-tape transfer 1441
- Quick Record mode 237
- Quick Transition button
- Quick Trim mode 690
- QuickTime
- QuickTime files 1395
- QuickTime movie export 1331
- QuickTime Movie files
- QuickTime movies
- QuickTime Reference Movie files
- QuickTime reference movies
- Quitting
- R
- Raster sizes 1481
- Raster types
- Ratcheting
- Read Audio Timecode
- Read Audio Timecode dialog box 714
- Read time, finding (NRCS tool) 1083
- Real Time Update option 1317
- Realtime Encoding command (Video Quality menu) 481
- Rearranging
- Recapturing
- Receiving mail (NRCS tool) 1105
- Record Deck Time option (Digital Cut tool) 1023
- Record monitor
- Record tool
- Recording
- Recording voice-over narration 800, 800
- Recovering
- Recti-Fi AudioSuite plug-in 952
- RED
- RED media 364
- Redo command (Edit menu) 545
- Redoing
- Reduce Frame command (Edit menu) 304, 600
- Reduce Track command (Edit menu) 631
- Reducing
- Reference command (Sync Lock menu in Video Output tool) 997
- Reformat attribute 558, 559, 561
- Reformatting
- Refresh All button, refreshing application with 1159
- Refresh button, refreshing the Research panel with 1159
- Refresh Media Directories command (File menu) 433
- Refreshing
- Regional keyboard support 1488
- Reimporting
- Reimporting imported files 287
- Relationships for color correction
- Relink dialog box
- Relinking
- Remote assets
- See also Interplay Window
- accessing assets 1141
- automatically checking in to asset manager 1140
- Avid assets 1107
- capturing to asset manager 1169
- checking in all open bins 1137
- checking in bin contents 1137
- checking in to asset manager 1137
- checking out assets by updating 1140
- checking out from asset manager 1133
- checking out from Interplay database 1136
- copying 1149, 1159
- deleting 1149
- finding 1166
- moving 1149, 1159
- permissions 1148
- reservations 1146, 1147
- restrictions 1146, 1148
- searching 1166
- updating in local bin 1140
- using drag-and-drop method to check in 1137
- using menu command to check in 1137
- Remote Capture 1369
- Remote Play
- Remote Play and Capture
- Remote Play and Capture settings
- Removable media
- Removable storage, sending to Pro Tools on 966
- Remove Auto Volume/Pan command (Audio Mixer Tool Fast menu) 772
- Remove Automation Pan command (Audio Mixer Tool Fast menu) 772
- Remove Clip Gain command (Audio Mixer Tool Fast menu) 761
- Remove Pan command (Audio Mixer Tool Fast menu) 761
- Remove Pan/Vols command (Audio Mixer Tool Fast menu) 761
- Remove Volume Automation command (Audio Mixer Tool Fast menu) 772
- Removing
- Renaming
- Render order for audio effects 747
- Render settings
- Rendering
- Rendition file format
- Replace Edit button 547
- Replace edits 547
- Replacing
- Replacing edits 671
- reports
- Res (Resolution) menu (Capture tool) 164
- Research panel
- Research panel (Interplay Window)
- Research Panel tabs 1164
- Reservations 1146, 1147
- Reset Peak button (Audio tool) 174
- Resizing
- Resolution groups
- Resolution Tracking command (Clip Color submenu in Timeline Fast menu) 1218
- Resolutions
- Response
- Restore Default Patch command (Special menu) 669
- Restore from Videotape dialog box 448
- Restoring
- Restricted characters
- Restricting available resolutions 143
- Restrictions 1146, 1148
- Results window 506, 517
- Retrieving
- Reveal File command (File menu) 435
- Reverse AudioSuite plug-in 953
- Reverse Match Frame button 510
- Reverse Selection command (Bin menu) 309, 433
- Reviewing
- Revising
- Rewind button 476
- RGB graphics levels, Import settings 1352
- RGB values
- Right Arrow key
- Right-click menus 29
- Rollers
- Rough cut
- Rough cuts
- RS422 output 1034
- RTAS
- RTAS plug-ins
- AIR Chorus 897
- AIR Distortion 897
- AIR Dynamic Delay 899
- AIR Enhancer 901
- AIR Ensemble 901
- AIR Filter Gate 902
- AIR Flanger 903
- AIR Frequency Shifter 905
- AIR Fuzz-Wah 906
- AIR Kill EQ 907
- AIR Lo Fi 908
- AIR Multi-Chorus 910
- AIR Multi-Delay 911
- AIR Non-Linear Reverb 912
- AIR Phaser 913
- AIR Reverb 915
- AIR Spring Reverb 917
- AIR Stereo Width 919
- AIR Talkbox 920
- AIR Vintage Filter 922
- Rundowns
- Runup option (Remote Play and Capture settings) 1369
- RY Gain slider
- S
- Safe Action option (Grid settings) 1350
- Safe Colors
- Safe Colors settings
- Safe Title option (Grid settings) 1350
- Sample Plot command (Timeline Fast menu) 728
- Sample rate
- Sample rates
- Sat slider
- Satellite mode
- Satellite mode, capturing in 239
- Save All command (File menu) 63
- Save As command (Timeline View menu) 647
- Save Bin command (File menu) 63, 63
- Save Layout As command (Interplay Window Layout menu) 1162
- Save Story button (NRCS tool) 1071
- Saving
- Saving settings
- SC phase
- Scale bar (Timeline) 650
- Scanning for tapes 124, 239
- Scene and page numbers (Script window)
- Schedule, satellite feed 242
- Schedules
- Sci-Fi AudioSuite plug-in 953
- Screen resolutions
- Screenings
- Script box in Script view 306
- Script integration
- described 586
- elements of 586
- for video projects 586
- holding slates on screen 600
- importing a script for 590
- in Script window 605
- in slates 586
- in takes 605
- interpolating position for 599
- lining conventions in 584
- using color indicators 606
- using off-screen indicators 605
- using script marks 606
- workflow 586, 624
- Script Mark button 607
- Script marks
- Script range, splicing 626
- Script settings
- Script Settings dialog box 590
- Script text
- Script view (bin display)
- Script window
- adding color indicators 606
- adding page and scene numbers 595
- adding takes 603
- adjusting margins 590
- adjusting take lines 603
- changing fonts 593
- changing scene or page numbers 595
- cutting, copying, and pasting text in 593
- deleting slates 600
- deleting takes 603
- displaying clip and sequence information 590
- displaying take numbers 603
- editing with 624
- exploring 590
- finding bins from 624
- finding clips from 624
- hiding slate frames in 600
- holding slates on screen in 600
- indicating off-screen dialog in 605
- interactive screening in 624
- linking clips to 597
- loading takes from 603
- moving slates in 600
- opening, closing, and saving 590
- playing takes from 603
- removing text in 593
- resizing slates in 600
- screening and marking in 608
- searching through 595, 595
- selecting slates 600
- selecting text 593
- splicing a range of script from 626
- Scripts
- ScriptSync 610
- Scroll bar in Timeline 650
- Scroll bar/position bar in Timeline 650
- Scroll wheel
- Scrubbing
- SDI embedded audio
- Search results
- Search tab (Interplay Window) 1146
- Searches
- Searching 532
- searching for stock footage clips 1256
- searching through the Avid Media Store 1256
- Second row of buttons 457
- Segment Drag Sync Locks option (Timeline settings) 657
- Segment Mode
- Segment mode
- Segment Mode buttons 654
- Segments
- Select All command (Edit menu) 212
- Select All Tracks command (Edit menu) 665
- Select Media Relatives command (Bin menu) 317
- Select Offline Items command (Bin menu) 317
- Select Project dialog box 40
- Select Sources command (Bin menu) 433
- Select Tape dialog box 124
- Select Unreferenced Clips command (Bin menu) 318
- Selected Clips section (Batch Import dialog box) 295
- Selecting
- audio file format 170
- audio sample rate 169
- clips and sequences 309
- custom preroll 168
- deck configuration settings 151
- decks for capturing 159
- drives for capturing 165
- DV device 204
- media drives 141
- offline items in bins 317
- segments in Timeline 654
- settings before capturing 141
- slates in the Script window 600
- takes in Script window 603
- tapes for capturing 160
- text in the Script window 593
- tracks 665
- tracks for capturing 161
- tracks, for audio scrub 721
- tracks, for audio scrub (soloing) 719
- transitions for trimming 697
- transitions in Trim mode 697
- trim sides 695, 703
- unreferenced clips in the bin 318
- video resolutions 141
- Selecting a language
- Send Mail button (NRCS tool) 1071
- Send To
- Send To dialog box 966, 971
- Send to Playback
- Send to Playback command
- Sending mail (NRCS tool) 1105
- Sequence Info dialog box 539
- Sequence information
- sequence information
- Sequence Time option (Digital Cut tool) 1023
- Sequence Track buttons (Digital Cut tool) 1020
- Sequenced image files 1395
- Sequences
- adding comments to 566
- adding tracks to 540
- associating with NRCS stories (NRCS tool) 1088
- building from a story (NRCS tool) 1084
- changing audio sample rate for 782
- changing resolution by transcoding 428, 428
- changing start timecode for 539
- consolidating 422
- copying 310, 311
- creating new 538
- crossconverted, outputting 1008
- decomposing 216, 218
- deleting 312
- displaying information about 462, 539
- downconverted, outputting 1008
- duplicating 310
- exporting 973
- finding original bin for 512
- locating by association 1091
- locking in a bin 315
- making the first edit in 542
- marking IN and OUT points in 484
- modifying formats 1215
- moving 310
- output options for 996
- playback loop in 567
- playback performance tips for 568
- playing 567
- playing using buttons 476
- preparing for export 965
- recapturing 215
- recapturing without Decompose 223
- refreshing Motion Adapter effects 563
- renaming 539
- replacing grouped clips 1249
- reviewing 567
- rough cut 543
- searching for 506
- searching remote assets 1168
- selecting 309
- setting up 538
- sifting 335
- transcoding 428
- writing to P2 card 992
- Serial digital input
- Serial digital output
- Serial port output 1034
- Servo-lock 237
- Set Bin Background command (Edit menu) 314
- Set Bin Display command (Bin menu) 334
- Set Bin Display dialog box 334
- Set Calibration Tone command (Peak Hold menu in Audio tool) 1011
- Set Color button (Script window) 606
- Set Font
- Set Font command (Edit menu) 77
- Set Level commands (Audio Mixer Tool Fast menu) 761
- Set Live Mix as Automation command (Audio Mixer Tool Fast menu) 777
- Set Live Mix to Automation command (Audio Mixer Tool Fast menu) 777
- Set Live Mix to Default command (Audio Mixer Tool Fast menu) 777
- Set Offscreen button (Script window) 605
- Set Pan commands (Audio Mixer Tool Fast menu) 761
- Set Position To Keyframe command 1317
- Set Type Filter dialog box 1158
- Setting a language (Macintosh) 1484
- Setting the bin display 334
- Settings
- AMA 1293
- asset manager 413
- Audio 1295
- Audio export 1340
- audio pan defaults 764
- Audio Project 168, 1296
- Audio Project, DV audio pattern 1296
- audio transfer 1447
- Bin 1302
- Capture 1303
- Communication (Serial) Ports Tool 1308
- Controller 775, 1308
- copying between files 1288
- Correction 1309
- Deck 1311
- Deck Configuration 1310
- deck configuration 151
- Deck Preferences 1313
- default 1287
- deleting 1287
- described 1281
- displaying project 1285
- duplicating 1286
- DV Stream export 1321
- dynamic relinking 1314
- Effect Editor 1317
- Export 1321
- for configuring asset manager 413
- Frame Chase capture 209
- Full Screen Playback 1346
- General 1349
- GPI 839
- Grid 1350
- import 257, 1352
- in Video Input tool 190
- Interface 1358
- interface (Appearance tab) 75
- Interplay Folder 1360
- Interplay Server 1360
- Interplay User 1360
- location of 38
- Marquee Title 1361
- Media Creation 1362
- Media Files Capture 148
- Media Services 995, 1365
- modifying 1284
- Mouse 30, 1365
- moving between settings files 1288
- moving between systems 1060
- multiple, working with 1281
- NRCS 1092
- OMFI export 1324
- opening 64
- overview of 1281
- PortServer 1368
- project described 1281
- Remote Play and Capture 1369
- renaming 1286
- Render 1370
- restoring defaults 1287
- Safe Colors 1373
- Script 1373
- selecting before capturing 141
- site described 1281
- sound card configuration 172
- tab 1281
- Timeline 1375
- Timeline, showing toolbar 646
- Trim 1379
- Trim, basic information 693
- user 1281
- user, linking to workspaces 80
- using site 1289
- Video Display 1379
- Video display 466
- Video Input Tool 1381
- Video Output Tool 1382
- viewing 1284
- settings
- Settings list 1173, 1281
- Settings Options
- Settings tab (Project window) 64
- SGI file format
- Shared volume segmentation (chunking) 1303
- Shortcut menus 29
- Shortcuts
- Shot log files
- Shot logs
- Shot marks
- Show Add Keyframe Mode Menu command 1317
- Show All Takes command (Script menu) 600
- Show Entire Sequence command (Timeline Fast menu) 629
- Show Every Frame command (Timeline Fast menu) 629, 685
- Show Frames command (Script menu) 600
- Show Markers command (Timeline Fast menu) 638
- Show Mismatched Render Ranges command (MultiRez menu in Timeline) 1222
- Show Mismatches command (MultiRez menu in Timeline) 1217
- Show Target Availability command (MultiRez menu in Timeline) 1217
- Show Track submenu (Timeline Fast menu) 685
- Showing
- Shutting down the system 49
- Shuttle ring
- Shuttling
- Sifting clips and sequences 335
- Signal Generator AudioSuite plug-in 955
- Signal sequences
- Signal, servo-lock 237
- Single track monitoring
- Single/Dual Drive Mode button (Capture tool) 165
- Single-field step 476
- Site settings
- Sixteen by nine (16:9) format 1441
- Skip Existing Transition Effects option 779
- Slate information for shoots 1441
- Slates (script integration)
- Sliders option 1317
- Slipping and sliding clips or segments in Trim mode 710
- Slipping and sliding shots
- Slowing film speed 1446
- Small Trim mode
- Smart tool
- Smooth audio scrub
- SMPTE bars 1002
- SMPTE timecode
- SMPTE/EBU component standard
- Snapping
- Soft Keys (Avid Artist Series controllers) 855
- Softimage file format
- Software DV25 codec 1303
- Solo track monitoring
- Soloing
- Sonic
- Sony XDCAM
- Sony XDCAM and XDCAM EX
- Sony XDCAM low-resolution
- Sorenson Squeeze
- Sorting
- Sorting transfers 1186
- Sound Card Configuration settings 1374
- Sound roll
- Source and Record monitors
- Source colors
- Source material
- Source monitor
- Source settings
- Source Settings Histogram 373, 381
- Source tapes
- Source tracks
- Source/Record monitor
- spanned clips
- Specifications
- Splice-in button
- Splice-in edits 546
- Splicing a script range 626
- Split edits (Overlap edits)
- Square pixels 1389
- Squeeze
- Standard definition television (SDTV)
- Standard Titles
- Start timecode
- Starting
- Startup project
- Status column (NRCS tool) 1074
- Step Backward buttons 476
- Step Backward One Field button 476
- Step Forward buttons 476
- Step Forward One Field button 476
- Stepping
- Stereo option (audio) 783
- stock footage 1251
- stock footage clips
- stock footage report 1271
- Stop button 476
- Storage
- Storage estimates
- Storage requirements
- Stories
- Storing 24p and 25p media 1463
- Story body
- Story lock (NRCS tool) 1077
- Story panel (NRCS tool)
- Story tag (Post to Web) 1096
- Story timing
- Storyboard
- Storyboard editing from the Script window 626
- Stream Limit
- Striped drives
- Striping
- Subcataloging
- Subclip status (Capture tool) 228
- Subclips
- SunRaster file format
- Surround sound 738
- surround sound 732
- S-Video deck
- Swap Cam Bank button 1238
- Switching multicamera angles 1244, 1245
- Sync
- autosyncing 576
- breaks, avoiding when editing 569
- breaks, defined 569
- breaks, displaying 569
- breaks, fixing 571
- detecting locked signal when capturing 164
- establishing for audio-only input 139
- establishing for output 997
- for capturing video 138
- issues with Client monitor 465
- maintaining during segment move 657
- maintaining during trim 707
- maintaining with Add Edit 575
- maintaining with leader 573
- maintaining with markers 573
- methods for shoots 1441
- options for HD formats 998
- trimming 698
- trimming with sync-locked tracks 707
- video input 185
- Sync Breaks command (Timeline Fast menu) 571
- Sync Lock All button (Track Selector panel) 707
- Sync Lock button (Track Selector panel) 707
- Sync Lock icon (Track Selector panel) 672
- Sync Lock menu (Video Output tool) 997
- Sync locking tracks in the Timeline 672, 673
- Sync mode 1296
- Sync Selection dialog box 577
- Synchronized sound
- Synchronizing
- Sync-locked tracks 572
- System information
- System memory usage 71
- T
- Tabs
- Tail button 680
- Tail command
- Takes (script integration)
- adding 603
- adjusting lines in 603
- applying color indicators 606
- applying off-screen indicators to 605
- changing representative frame for 603
- deleting 603
- described 586
- displaying numbers for 603
- loading 603
- loading from script marks 622
- playing 603
- removing color indicators 606
- removing off-screen indicators 605
- selecting 603
- showing one per slate 600
- Tape deck
- Tape Lengths dialog box 445
- Tape name
- Tapes
- TARGA file format
- Target bin
- Target Drive menu (Capture tool) 165
- Target settings for dynamic relink
- Taskbar 28
- Telecine
- Templates
- Test patterns
- Test patterns, importing 275
- Text
- adding in bin Script view 306
- copying (NRCS tool) 1078
- cutting (NRCS tool) 1078
- deleting (NRCS tool) 1078
- formatting (NRCS tool) 1079
- marking as Closed Caption (NRCS tool) 1078
- marking as machine control (NRCS tool) 1078
- marking as normal (NRCS tool) 1079
- marking as Presenter Instructions (NRCS tool) 1078
- pasting (NRCS tool) 1078
- rearranging (NRCS tool) 1078
- Text editors
- Text fields in the Record tool 232
- Text in the Script window
- Text tag (Post to Web) 1097
- Text view (bin display)
- Three-button play (J-K-L keys) 479, 703
- Three-point editing
- Thumbwheels option 1317
- TIFF file format
- Time Compression Expansion AudioSuite plug-in 956
- Time markers
- Time pad
- Time Shift AudioSuite plug-in 958
- Timecode
- breaks, capturing across 147
- changing 539
- default starting 1349
- display options for 24p and 25p projects 323
- drop-frame and non-drop-frame described 155
- external, capturing with 239
- finding frames with 503
- formats for entering SMPTE standard 503
- indicating the destination rate 1035
- logging drop-frame and non-drop-frame 122
- selecting format for output 1034
- time-of-day, capturing with 203
- Timecode window 463
- Timecodes
- Timed (scene-by-scene) transfers 1441
- Timed Record option 242
- Timeline
- adding new tracks to 674
- adjusting volume in 767
- assigning local colors to 636
- capturing to 244
- changing background color in 636
- clip coloring for MultiRez 1218
- controlling movement in 652
- copying and pasting in 661
- creating views 647
- customizing 627, 629
- cutting in 661
- deleting tracks in 674
- disabling Smart too 639
- displaying clip colors 632
- displaying comments 566
- displaying detail 650
- displaying markers 638
- Dupe Detection Handles option 1376
- dupe detection in 682
- editing with film track in 685
- examples of custom views 627
- finding clip text in 506
- focusing 650
- full-screen view of 639
- Heads and Heads Tails views of 679
- identifying audio sample rate 728
- identifying mixed rate clips 551
- IN to OUT highlighting in 679
- locking tracks in 672, 673
- monitoring tracks 668
- motion mode indicator 652
- nesting in 663
- paging option 638
- patching tracks 669
- position indicator in 650
- printing 688
- removing add edits in 681
- resizing 639
- saving 647
- scale bar 650
- scroll bar in 650
- scroll bar/position bar in 650
- scrolling option 638
- Segment mode 640, 652
- selecting segments 654
- selecting tracks 665
- setting the scroll bar 650
- settings, Start Filler Duration option 541
- soloing audio tracks 719
- soloing tracks 668
- source material, displaying 645
- top toolbar 646
- Track Control panel 643, 718
- track selection behavior 745
- Track Selector panel 664
- viewing footage 455
- views, replacing 647
- views, restoring default 647
- views, saving 647
- volume automation keyframes in 767
- window, summary of elements 649
- working with multiple tracks 663
- zooming in and out of 650
- Timeline palette
- Timeline settings
- Time-of-Day Information, using to log 253
- Time-of-day timecode
- Time-remaining display (Capture tool) 165
- Timewarp effect
- Tips
- Title tool
- Toggle Source/Record in Timeline button (Timeline) 565, 645
- tone generator
- Tone media
- Tool palette
- Toolbar, top Timeline 646
- Tools
- Top button 680
- Top command
- Track buttons
- Track color, changing in Timeline 636
- Track Control panel
- Track effects
- Track Hinter settings, for hinted streaming export 1331
- Track Panel command (Timeline Fast menu) 629
- Track Selector panel
- Track Solo and Track Mute buttons (Volume Automation and Pan) 746
- Tracking frames with frame numbers 321, 321
- Tracking information
- Tracking Information menu
- Tracks
- adding 674
- audio, adjusting in Audio Mixer tool 750
- audio, mixing down 783
- cycling through 665
- deleting in Segment mode 674
- deleting with Media tool 420
- enlarging and reducing 631
- grouping on an Avid Artist Series controller 861
- locking 672, 673
- matchframing 511
- monitoring 668
- number supported 663
- patching 669
- selecting 665
- selecting for audio scrub 721
- selecting for audio scrub (soloing) 719
- selecting for capturing 161
- setting up for a new sequence 540
- soloing 668
- soloing, advantages of 667
- sync locking 672, 673
- trimming with sync-locked 707
- Training services 26
- Transcode
- Transcoding
- Transcoding HDV 1474
- Transfer settings
- Transferring
- Transferring files
- Transferring film to tape
- Transfers
- Transition effects
- Transitions
- Transparency
- Transport stream
- Trash
- Tri-level command (Sync Lock menu in Video Output tool) 997
- Tri-level sync
- Trim
- Trim A-side button 695
- Trim AudioSuite plug-in 961
- Trim B-side button 695
- Trim mode
- basic trimming procedure 701
- Big, described 690
- customizing 690
- described 690
- entering 700
- exiting 700
- playing transition loop parameters 702
- Quick, described 690
- reviewing edits 702
- selecting several transitions 697
- selecting single transitions 697
- selecting trim sides 695
- selecting video tracks 697
- Small, described 690
- trimming on-the-fly 703
- using the four-frame display 710
- Trim Mode button (Timeline) 697
- Trim settings
- Trimming
- Troubleshooting 25
- Turning off equipment 49
- Turnover points in the Audio EQ tool 787
- Two-field media
- Two-field mode indicators 476
- U
- U-matic deck
- Unattended batch capturing 211
- Uncompressed video
- Undo command (Edit menu) 545
- Undo Only Record Events option (Composer settings) 545
- Undo/Redo List command (Edit menu) 545
- Undoing and redoing
- Units of measurement
- Unity 1058
- Universal Mastering 1030
- Unlinking 440
- Unlinking media files 443
- Unlock Bin Selection command (Clip menu) 315
- Unlock Tracks command (Clip menu) 673
- Unlocking and locking
- Unmount command (File menu) 416
- Unmounting drives 415
- Unreferenced clips
- Update from Interplay command (Bin menu, Bin Fast menu) 1140
- Update from Interplay command (Bin menu) 1143
- Update Media Status command (MultiRez menu in Timeline) 1222
- Update Position While Playing command 1317
- Updating
- USB-to-MIDI converter
- User
- User bits in LTC
- User files
- User interface
- User profiles
- User settings
- Users folder
- User-selectable buttons
- V
- Variable-speed play 479, 703
- Varicam
- VBI (Vertical Blanking Interval) 1040, 1382
- VC1 (Windows Media option) 993, 1417
- Vectorscope monitor
- Vertical Blanking Interval
- VHS decks
- Video
- creating leader 581
- display settings, selecting 466
- hiding in monitors 456
- input, adjusting chrominance settings for 185
- input, adjusting luminance settings 185
- input, calibrating 185
- input, preparing for 183
- input, sync for 185
- leader, using to maintain sync 573
- monitoring tracks 668
- number of supported tracks 663
- output, calibration 1001
- output, calibration for NTSC-EIAJ 1001
- resolutions, dynamic relinking 1232
- resolutions, selecting 141
- resolutions, selecting in the Capture tool 164
- soloing 668
- trimming tracks 697
- Video compression
- Video Compression options (Export settings) 1058, 1335
- Video decks
- Video Display settings
- Video Display Settings command (Video Quality menu) 484
- Video Display Settings dialog box 466
- Video Effect Safe Mode button (Digital Cut tool) 1023, 1027
- Video Input menu (Video Input tool) 185
- Video Input tool
- Video Input Tool command (Tools menu) 183, 185
- Video Input Tool settings
- Video levels
- Video Mixdown
- Video Output tool
- Video Output Tool command (Tools menu) 997, 1000, 1002, 1008, 1017
- Video Output Tool settings
- Video projects
- Video quality
- Video Quality Menu button 482
- Video resolutions
- Video test patterns 1005
- Videoformat tag (Post to Web) 1099
- VideoID column (NRCS tool) 1074
- Videotape
- Videotape decks
- Videotapes
- View mode (NRCS tool)
- View Name dialog box (bin) 302
- View Type command (Timeline Fast menu) 679
- View, bin
- View, Timeline
- Viewing
- Virtual volumes
- VITC (Vertical Interval Timecode)
- V-LAN VLXi 151
- V-LAN VLXi controller
- Voice-over narration 800, 800
- Volume
- Volume automation 766
- Volume Automation and Pan 766
- adjusting gain with sliders 767
- Audio Mixer Fast menu commands 772
- Audio Mixer tool sliders 771
- controls in Audio Mixer tool, described 769
- deleting keyframes in 767
- enabling and adding keyframes in 767
- fader controller or mixer, testing 828
- keyboard shortcuts 773
- recording 770
- Track Solo and Track Mute buttons 746
- Volume control 730
- Volume unit scale (Audio tool) 174
- Volumen Automation and Pan
- VTR
- VTR Emulation
- W
- WAVE file format 170
- Waveform monitor
- Waveform plots
- Wavefront file format
- Web page
- Web templates
- Wide-screen format (16:9) 138
- Windows
- Windows Media
- Windows Media Legacy Template 1336, 1336
- Windows Media Options Video settings 1336
- Windows power schemes 157
- Windows taskbar 28
- Word processor
- workflow
- Workflows
- AMA 387
- ancillary data and AMA 410
- audio editing 748
- AVCHD 404
- film scene 332
- film source 1437, 1437
- GFCAM 406, 406
- graphics for HDTV 1458
- MXF 409
- Panasonic P2 403, 405
- QuickTime 407
- script integration 586
- Segment mode 640, 652
- Sony XDCAM 279
- Sony XDCAM and XDCAM EX 400
- Sony XDCAM low-resolution 401
- video-based HDTV 1457
- Workgroup environment
- Workgroup settings 1116
- Workgroups
- Working settings for dynamic relink
- Workspace settings 1388
- Workspaces
- WPM rate (NRCS tool)
- Wrap Around command (Timeline Fast menu) 629
- Writable Interplay properties 1161
- Writable P2 device 992
- X
- XDCAM
- AMA plug-in 345
- batch import 287
- connecting device 348
- copying files 284
- editing 286, 290
- Essence Marks 285
- exporting 988, 989
- high-resolution media 287, 290
- import options 278, 278, 285
- importing proxy media 282, 283
- markers 285
- proxy media 286, 988
- resolutions 988
- workflow 988
- XDCAM HD 1480
- XDCAM raster type 1480
- XDCAM AMA media
- XDCAM EX
- XDCAM EX media 345
- XDCAM media 345
- XLR adaptor
- XWindows file format
- XDCAM
- Y
- Z
- Index
Options for Clip and Media Association
1196
n
Avid CaptureManager also uses a source ID to associate a master clip with any media created at
the same time, such as a clip captured with two resolutions in a dual-ingest configuration.
However, instead of associating all clips from the same tape with the same source ID,
CaptureManager creates a new source ID every time it captures a new clip.
For details of the possible ways that master clips and media files might be associated with one
another in a MultiRez environment, see “Options for Clip and Media Association” on page 1196.
Guidelines for MultiRez Tape Management
When working in a MultiRez workflow, it is important to name tapes properly. In particular, you
should keep the following in mind:
• Whenever you create a new tape, your Avid editing application generates a new source ID,
even if the name you type for the new tape exactly matches that of an existing tape. You
cannot dynamically relink media that does not share a source ID.
• Do not use the same name for two different tapes or different names for the same tape. This
might cause incorrect media association.
• Do not use the default tape name “New Tape.”
Options for Clip and Media Association
You can associate a single master clip with multiple media files. You can also associate two or
more master clips with the same media if the clips share a source ID and timecode.
Single Clip, Multiple Resolutions
The following illustration shows a single master clip that was captured in two resolutions: 15:1s
and 1:1 (uncompressed). This could be the result of a batch capture, a dual-ingest operation, or
transcoding.
D
V