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Table Of Contents

Title Page
Contents
Using This Guide
- Symbols and Conventions
- If You Need Help
- Accessing the Goodies Folder
- Avid Training Services
Starting a Project
- Turning on Your Equipment
- Working with the Desktop
- Starting Your Avid Editing Application (Windows)
- Working with Projects
- Creating a New Project
- Setting Project-Naming Conventions
- Opening and Closing Projects
- Deleting a Project
- Quitting and Turning Off Equipment
- Changing Project and User Names
- Backing Up Your Project Information
- Avid Attic Folder
  - Retrieving Files from the Avid Attic Folder (Windows)
Working with the Project Window
- Overview of the Project Window
- Controlling Project Window Display
- Using the Bins Tab
- Using the Settings Tab
- Using the Format Tab
- Working with Color Spaces in HD Projects
- Changing the Project Color Space for an HD Project
- Using the Info Tab
- Managing Bins and Memory
- Understanding User Profiles
- Managing User Profiles
- Customizing the Avid User Interface
  - Changing Interface Component Colors
  - Changing Font and Point Size
- Using Workspaces
- Working with Bins and Projects in an Avid Shared Storage Environment
Using Tools
- Using the Tools Menu
- Using Tabs
- Using a Deck Controller
- Deck Controller Window Reference
- The Command Palette
- Using the Avid Calculator
- Using The Console Window
- Using the Hardware Tool
- External Controllers as Editing Control Surfaces
Logging
- Using Avid Log Exchange to Prepare Log Files for Import
- Avid Log Specifications
- Creating an Avid Log
- Double-Checking Log Files
- Logging Directly into a Bin
- Understanding the Pulldown Phase
- Setting the Pulldown Phase
Preparing for Capture
- Logging and Shot Logs
- Importing Shot Log Files
- Preparing the Hardware for Capture
  - Getting Information About Striped Drives
  - Establishing Sync for Audio-Only Input
- Selecting Settings for Capture
- Configuring Decks
  - Configuring a Deck or Multiple Decks
  - Deleting Deck Configuration Elements
- Understanding Timecode
- Connecting a DV Device
- Setting Up the Capture Tool
- Preparing to Capture Audio
- Preparing to Capture Video
- Capture Preparations Check List
Capturing Media
- Capturing and Logging at the Same Time
  - Naming Clips and Adding Comments in the Capture Tool
  - Capturing by Setting Both Marks
  - Capturing by Setting Only One Mark
  - Capturing On-the-Fly
  - Preparing to Autocapture
  - Autocapturing
  - Capturing with Time-of-Day Timecode
- Capturing Directly from a DV Device
  - Capturing DV 25 Media
  - Selecting the DV 25 Software Codec
  - Capturing DV 50, DVCPRO HD, or HDV Media
  - Selecting a DV Device
  - Understanding DV Capture Offset
  - Capturing DV Material with Offset
- Capturing Audio from a Music CD
- Frame Chase Capture
  - Understanding Frame Chase Capture
  - Enabling Frame Chase Capture
  - Requirements and Guidelines for Frame Chase Capture
- Batch Capturing from Logged Clips
  - Preparing to Batch Capture
  - Batch Capturing Clips
- Recapturing and Decomposing
  - Understanding Recapturing
  - Understanding Decompose and Expert Decompose
  - Decomposing Sequences
  - Using Expert Decompose
  - Recapturing a Sequence Without Using Decompose
- Alternate Source Capture
- Using Capture Function Keys
- Handling Errors During the Capture Process
- Creating Subclips While Capturing
- Adding Markers On-the-Fly While Capturing
- Naming a New Tape from the Keyboard While Capturing
- Controlling Decks from the Keyboard
- Adding Extra Text Fields in the Capture Tool
- Ejecting Tapes with a Button or Key
- Using Dolby E Media
  - Selecting Dolby E Safe Settings
  - Capturing Media with Dolby E Information
- Delaying Audio During Capture
- Working in Quick Record Mode
- Capturing in Satellite Mode or No Device Control
- Scheduling a Capture Session
- Capturing to the Timeline
- Capturing Video Without Pulldown into a 24p NTSC Project
- Remote Play, Capture, and Punch-In
  - Selecting Remote Play and Capture Settings
  - Enabling Remote Capture
  - Enabling Remote Play
  - Setting up Your System for Remote Punch-In
- Modifying the Pulldown Phase After Capturing
- DV and HDV Scene Extraction
- Using the Panasonic VariCam
Importing Files
- Preparing to Import Files
- Creating and Modifying Import Settings
- Importing Media Files
- Importing with Multichannel Audio
- Importing Audio Files from a Music CD
- Adjusting Gain Before Importing Audio Files
- Sample Rate Conversion and Audio Import
- Setting Sample Rate Conversion Options Before Importing Audio Files
- Photoshop Graphics Import
  - Support for Multilayered Photoshop Graphics Import
  - Importing Photoshop Files
- Digital Bars and Tone
- Importing Color Bars and Other Test Patterns
- Importing Editcam Files
- Setting XDCAM Import Options
- Importing XDCAM Media
- Importing XDCAM EX Media
- Automatically Importing Proxy Media from an XDCAM Device
- Importing Proxy Media from an XDCAM Disk
- Copying XDCAM Proxy Media to a Local Drive or a Server
- Manually Importing XDCAM Media from the XDCAM Disk
- Importing Essence Marks as Markers in XDCAM Media
- Editing XDCAM Proxy Media
- Batch Importing High-Resolution XDCAM Media from the XDCAM Disk
- Editing and Finishing High-Resolution XDCAM Media
- Importing P2 Clips and Media
- Importing Sequences from Pro Tools through Interplay
- Using the Drag-and-Drop Method to Import Files
- Reimporting Files
- Batch Import Dialog Box
Working with Bins
- Object Icons in Bins
- Bin Views
- Bin Procedures
- Working with Bin Columns
- Modifying Clip Information
- Working with Film Information in Bins
- Creating a Storyboard
- Setting the Bin Display
- Sifting Clips and Sequences
  - Understanding Sifting Timecodes or Keycode Ranges
  - Sifting Timecodes or Keycode Ranges
- Working with Restricted Material
- Printing Bins
File Based Media - AMA
- XDCAM, XDCAM EX and HDCAM SR Media
- P2 Media
- AVCHD Media
- Canon XF Media
- GFCAM Media
- RED Media
- QuickTime Media
- MXF Media
  - MXF Media and AMA
  - MXF Formats and Resolutions
- The Avid Media Access (AMA) Workflow
- Workflows for Editing with AMA
Managing Media Files
- Working with Media Files in an Avid Interplay Environment
- Using Avid Editing Systems in an Avid LANshare Workgroup
- Viewing Media with a 100Base-T Connection to Avid ISIS
- Understanding Drive Mounting
- Mounting and Unmounting Drives
- Using the Media Tool
- Consolidating Media
- Using the Consolidate Command
- Using the Transcode Command
- Loading the Media Database
- Refreshing Media Directories
- Deleting Unreferenced Clips and Media
- Backing Up Media Files
- Finding a Related Media File
- Relinking Media Files
- Unlinking Media Files
- Archiving and Restoring Media Files to Videotape
  - Archiving Media Files
  - Restoring an Archive from Videotape
- Sequence and Clip Information Summary
  - Creating a Summary of Effects and Source Information
  - Summary Information Options
Viewing and Marking Footage
- Viewing Methods
- Customizing Monitors
  - Resizing the Monitors
  - Displaying a Second Row of Buttons
  - Displaying Tracking Information
  - Tracking Format Options
- Using the Info Window
- Using the Timecode Window
- Playing Video to the Client Monitor
- Activating and Deactivating the Client Monitor Display
- Selecting the Video Display Settings
- Playing Video to a Full-Screen Monitor
- Adjusting the Play Delay Offset
- Using the Tool Palette
- Playing Selected Clips in a Loop
- Loading and Clearing Footage
  - Loading Clips or Sequences into Monitors
  - Switching Between Loaded Clips
  - Clearing Clips from Monitors
- Controlling Playback
  - Using Position Bars and Position Indicators
  - Playback Control Buttons
  - Stepping Forward and Backward by Field
  - Playback Control Using the Keyboard
  - Playing Footage with the J-K-L Keys (Three-Button Play)
- Playing Back to a DV Device
- Video Quality Options for Playback
- Setting the Video Quality for Playback
- Marking and Subcataloging Footage
  - Marking IN and OUT Points
  - Marking an Entire Clip or Segment
  - Creating Subclips
  - Marking Audio Clips
- Using Markers
  - Suggested Uses for Markers
  - Adding Markers While Editing
  - Adding Markers On-the-Fly while Playing
  - Finding Markers
  - Editing Marker Information
  - Marking an Area Using Markers
  - Moving to the Previous or Next Marker
  - Deleting Markers
  - Using the Markers Window
  - Viewing Markers in the Markers Window
  - Working in the Markers Window
  - Exporting and Importing Markers
  - Creating a Marker Text (.txt) File
  - Copying and Pasting Markers Using the Markers Window
  - Printing the Contents of the Markers Window
  - Disabling the Marker Edit Window
- Finding Frames, Clips, and Bins
  - Using Timecode to Find a Frame
  - Searching for a Clip or Sequence with Text Find
  - Using Match Frame
  - Performing a Reverse Match Frame
  - Selecting Tracks for Matching Frames
  - Finding a Bin
  - Locating a Master Clip from a Subclip in a Sequence
- Sequence and Clip Information Summary
  - Creating a Summary of Effects and Source Information
  - Summary Information Options
PhraseFind
- Purchasing and Activating PhraseFind
- Understanding PhraseFind
  - Selecting a Language
- Using PhraseFind
- The Results Window
- Filtering Your Find Results
- Find Window Attributes
Creating and Editing Sequences
- Creating a New Sequence
  - Changing the Name and Timecode for a Sequence
  - Track Display for New Sequences
  - Adding Filler
- Making a First Edit
- Creating an Instant Rough Cut
- Undoing or Redoing Edits
- Editing Additional Clips into the Sequence
  - Performing an Insert or Splice-in Edit
  - Performing an Overwrite Edit
  - Performing a Replace Edit
- Mixing Frame Rates and Field Motion Types
  - How Your Avid Editing Application Handles Mixed Rate Clips
  - Viewing Mixed Rate Clips in the Timeline
  - Viewing and Adjusting Motion Adapter Parameters
  - Modifying the Field Motion Attribute for a Clip
  - Considerations When Working with Mixed Rate Clips
- Mixing Frame Sizes and Aspect Ratios
  - How Your Avid Editing Application Reformats Clips in Sequences
  - Changing the Aspect Ratio for a Project
  - Modifying the Reformat Attribute for a Clip
  - Reformatting Options Reference
- Refreshing Sequences to Use Current Clip Attributes
- Lifting, Extracting, and Copying Material
  - Using the Avid Clipboard
- Adding Comments to Sequence Clips
- Playing Back a Sequence
  - Playback Performance Tips
  - Playing a Limited Duration of a Sequence
- Understanding Sync Breaks
- Fixing Sync Breaks
- Understanding Sync Lock
  - Syncing with Tail Leader
  - Syncing with Markers
  - Using Add Edit When Trimming
- Ganging Footage in Monitors
- Autosyncing Clips
  - Understanding Autosyncing
  - Creating an Autosynced Subclip
- Understanding AutoSequence
- Adding Audio or Video to Original Videotape Using AutoSequence
- Working with Phantom Marks
- Creating Video and Audio Leaders
- Using MetaSync to Synchronize Metadata
Script-Based Editing
- Understanding Lined Scripts
- Script Integration — Lining in the Digital Realm
- Understanding the Script Window
- Working with the Script Window
- Working with Script Text
- Working with Page or Scene Numbers and Searching in a Script
- Linking Clips to a Script
- Interpolating Position for Script Integration
- Working with Slates in the Script Window
- Working with Takes in the Script Window
- Indicating Off-Screen Dialog in a Script
- Using Color Indicators in the Script Window
- Script Marks
- Finding Clips and Script
- Editing From the Script Window
  - Assembling a Rough Cut From the Script Window
  - Splicing a Script Range
Using the Timeline
- Customizing Timeline Views
- Navigating in the Timeline
- Working with Segments
- Working with Multiple Tracks
- In to Out Highlighting in the Timeline
- Editing in Heads or Heads Tails View
- Performing a Quick Edit Using the Top and Tail Commands
- Working with Add Edits (Match Frames)
- Dupe Detection
- Editing with the Film Track
- Finding Black Holes and Flash Frames
- Printing the Timeline
Working with Trim Edits
- Trimming with the Timeline Palette
- Understanding Trim Displays
- Trim Settings Overview
- Timeline Trim States
- Selecting Trim Sides
- Overwrite Trimming
- Ripple Trimming
- Dual-Roller Trimming
- Refining Trims
- Reviewing Trim Edits
- Trimming with the J-K-L Keys
- Trimming On-the-Fly
- Trimming During a Playback Loop
- Creating Overlap Edits
- Extending an Edit
- Maintaining Sync While Trimming
- Slipping or Sliding Segments
- Trimming in Two Directions
Working with Audio
- Overview of Audio Tools
  - Accessing Audio Effect Tools
  - Using Audio Timecode
- Working with Multichannel Audio Tracks
  - Displaying Track Formats in Bins
  - Modifying Track Formats in Bins
- The Track Control Panel
  - Using the Track Control Panel
  - Soloing Audio Tracks
  - Making Tracks Inactive
- Using Audio Scrub
  - Selecting Tracks for Audio Scrubbing
  - Performing Smooth Audio Scrub
  - Adjusting Digital Scrub Parameters
  - Performing Digital Audio Scrub
- Audio Displays in the Timeline
  - Displaying Audio Waveforms
  - Displaying Volume and Pan Values
  - Identifying Sample Rates by Color
  - Using Audio Meters in the Timeline
  - Adjusting Volume
- Displaying Audio Formats in Bins
- Working with Surround Sound Audio
  - Surround Mixing
  - Surround Monitoring
  - Assigning Surround Sound Mix Output
  - Setting Up the Analog Audio Output for Surround Sound Audio (Avid Nitris DX and Avid Mojo DX Only)
  - Setting Up the Audio Output with HDMI (Avid Nitris DX and Avid Mojo DX Only)
- Adjusting the Play Buffer Size for Audio (Software-only Models)
- Using the Audio Mixer Tool
  - Accessing the Audio Mixer and Audio Mixer Modes
  - Audio Mixer Tool Controls
  - Resizing the Audio Mixer Tool
  - Track Selection in the Audio Mixer Tool and in the Timeline
  - Using the Track Solo and Track Mute Buttons
  - Interpreting Position Indicator Lights
- Rendering and Unrendering Order for Audio Effects
- Audio Volume Staging and an Audio Editing Workflow
- Using Clip Volume and Pan Mode
  - Adjusting Clip Volume and Pan for Audio Tracks
  - Surround Sound Pan Controls
  - Using the Pan Grid for Surround Panning
  - Using the Advanced Panner for Surround Sound Panning
  - Using the Center Percentage and LFE Controls
  - Audio Mixer Fast Menu: Clip Volume and Pan Mode
  - Bypassing Existing Volume Settings
  - Adjusting Volume While Playing a Clip Volume Effect
  - Improving Response Time When Adjusting Volume
  - Modifying How Your Avid Editing Application Interprets Pan
  - Using the Center Pan Command
  - Isolating Clip Portions for Audio Adjustment
- Using Volume and Pan Automation
  - Using Volume and Pan Automation in the Timeline
  - Volume and Pan Automation Mode
  - Understanding Volume or Pan Automation Recording
  - Using the Audio Mixer Tool for Volume and Pan Automation
  - Audio Mixer Tool Fast Menu: Volume and Pan Automation Mode
  - Using Keyboard Shortcuts with Audio Keyframes
- Using Live Mix Mode
  - Entering Live Mix Mode
  - Using Live Mix Mode with an External Controller
  - Using Live Mix Mode Without an External Controller
  - Switching Between Live Mix Mode and Other Audio Mixer Modes
  - Audio Mixer Tool Fast Menu: Live Mix Mode
  - Live Mix Mode Example
- Fading and Dipping Audio
- Audio Sample Rate Conversion
- Changing the Audio Sample Rate for Sequences and Audio Clips
- Mixing Down Audio Tracks
- Splitting Multichannel Tracks to Mono Tracks
- Using the Audio EQ Tool
  - Audio EQ Tool Features
  - Applying Audio EQ Effects
  - Saving Audio EQ Effects
  - Removing Audio EQ Effects with the Fast Menu
  - Removing Audio EQ Effects with the Remove Effect Button
  - Audio EQ Examples
  - Using Audio EQ Templates
  - Adjusting EQ While Playing an Audio Effect
- Recording Voice-Over Narration
  - Recording Voice-Over Narration Using the Capture Tool
  - Audio Punch-in Tool Features
  - Audio Punch-in Tool Scenarios
  - Recording Voice-Over Narration Using Audio Punch-in
  - Monitoring Previously Recorded Tracks While Recording Voice-Over Narration
  - Using Peak Hold While Recording Voice-Over Narration
- Using Automatic Voice-Over
Using External Audio Devices
- Configuring an External Controller
- Configuring External Controller Settings
- Using an External Fader Controller or Mixer to Record Volume Automation
- Adjusting the Volume or Pan of Individual Keyframes
- Using the 002 and the Command|8
- Using Mbox Family Audio Devices
  - Configuring the Mbox Device
  - Setting Up the Mbox Pro for Passthrough Monitoring (Windows Only)
- Configuring USB-to-MIDI Software for External Controllers
- Avid Pro Tools|HD Native Hardware Configuration for Avid Editing Systems
  - Configuring the ASIO Driver (Windows)
  - Configuring the CoreAudio Driver (Macintosh)
- Using a GPI Device with the Audio Punch-In Tool
Using Avid Artist Series Controllers
- Installing EuControl Software
- Configuring Avid Artist Series Controller Settings
- Configuring Ethernet Connections (Macintosh)
- Setting the IP Address
- Configuring EuControl Settings
- Artist Series Controller Button Mappings
- Customizing Avid Artist Series Controls
- Moving Through Footage with Artist Series Controllers
- Volume Automation and Pan on Artist Series Controllers
- Recording Volume Automation and Pan with Artist Series Controllers
- Using the Latch Mode Feature on Artist Series Controllers
- Using the Artist Series Controller for Editing Media
- Controller Application Sets
Using Audio Plug-Ins
- Real-Time AudioSuite Plug-Ins
- Avid AudioSuite Plug-Ins
- Working with Dolby E Surround Sound Plug-ins
- Core Avid Audio Plug-Ins
Exporting Frames, Clips, or Sequences
- Understanding Export
- Preparing to Export a Sequence
- Exporting With the Send To Templates
- Send To Templates Reference
- Creating a Custom Send To Template for Exporting to Third-Party Applications
- Exporting With the Export Command or the Drag-and-Drop Method
- Customizing Export Settings
- Guidelines for Exporting OMFI and AAF Files
- Exporting Projects and Bins Using AFE Files (Windows Only)
  - Exporting the AFE File to Avid DS
- Exporting QuickTime Movies
- Installing or Copying the Avid Codecs for QuickTime on Other Systems
- Exporting from a Third-Party QuickTime or AVI Application
- Exporting as Windows Media (Windows Only)
- Creating a Custom Profile for Windows Media Export (Windows Only)
- Exporting Media to XDCAM Devices
- Exporting to XDCAM
- Exporting XDCAM OP1a Media
- Exporting Your Clip or Sequence to a P2 Card
- Exporting as Windows Media Using a VC1 Resolution
- Using Avid Interplay Media Services
Generating Output
- Preparing for Output: Overview
- Selecting the Device for Output
- Selecting the Sync Source for Output
  - Sync Options for HD Formats
  - Using LTC Timecode for Output
  - Adding LTC Out During Preroll
  - LTC Output During Digital Scrub (When Using Nitris DX only)
- Selecting a Video Output Signal
- Calibrating for Video Output
  - Using the Factory Preset Buttons in the Video Output Tool
  - Basic Video Output Calibration
  - Using Test Patterns
  - Calibrating the System with Passthrough Signals
  - Luminance Settings for Video Output
  - Adjusting Phase Controls
- Preparing for Converting HD Formats
  - Crossconversion and Downconversion Formats
  - Considerations for Crossconversion and Downconversion
- Preparing for Audio Output
  - Setting the Calibration Tone
  - Calibrating Global Output Levels
  - Setting Audio Output Options
  - Enabling 16-Channel Audio Output
  - Embedded Audio and Output Sample Rate Conversion
  - Using an XLR Adapter for Consumer-Level Analog Output
- Preparing Record Tapes
  - Striping Record Tapes (Recording Black with Timecode)
  - Recording Bars and Tone
- Enabling Assemble-Edit Recording
- Using ExpertRender to Prepare Effects for a Digital Cut
- Using the Digital Cut Tool
  - Selecting a Deck in the Digital Cut Tool
  - Previewing a Digital Cut
  - Recording a Digital Cut to Tape (Remote Mode)
  - Crash Recording Through Remote Deck Control
  - Recording a Digital Cut to Tape (Local Mode)
- Output Mode Resolution Options
- Outputting DV 50 and DVCPRO HD Media Directly to a DV Device
- Selecting Output and Timecode Formats for 23.976p and 25p Projects
- Selecting Output Formats for 23.976p and 25p Projects
- Output Format Reference for 23.976p and 25p Projects
- Selecting the Timecode Format for Output
- Outputting Drop-Frame and Non-Drop-Frame Timecode Simultaneously for Downstream Encoding
- Indicating the Destination Timecode Rate
- Selecting the Video Pulldown Cadence
- Digital Cuts and Audio
- Changing the Default Pulldown Phase for Sequences
- Understanding DV Digital Cut Delay
- Delaying the Sequence for a Digital Cut
- Understanding Passthrough
- Vertical Blanking Information
  - Vertical Blanking Interval Line Ranges
  - Displaying and Preserving Vertical Blanking Information
  - Editing a Sequence with Vertical Blanking Information
  - Effects of Preserving Vertical Blanking Information on Compressed Video Quality
  - Comparison with Vertical Blanking Information on Meridien Systems
- Preserving HD Closed Captioning and Ancillary Data
  - Data Track Method
  - Adding a Data Track
  - Ancillary Data and AMA
  - Moving from Legacy Method to Data Track Method
  - Ancillary Data and Avid Editing Functions
  - Legacy Method
  - Controlling Ancillary Data through a Settings Window - Data Track Method
  - Controlling Ancillary Data through a Settings Window - Legacy Method
  - Controlling Ancillary Data with a Console Command (Legacy Method only)
  - Capturing Ancillary Data with a Data Track
  - Performing a Data Mixdown
  - Exporting a Sequence with Data Tracks
Transferring Projects
- Transferring Project and Media Files Between Avid Editing Systems
Using the NRCS Tool
- Configuring the NRCS Tool
  - Configuring the ENPS Server for Avid Clients
  - Configuring the NRCS Settings
- Starting the NRCS Tool
- NRCS Tool Components
- Using the Directory Panel
- Changing the Text Display
- Editing Story Text (iNEWS Only)
- Finding the Read Time of a Story
- Sequences and Stories
- Associating a Sequence with a Story
- Adjusting the Story Timing (iNEWS Only)
  - Adjusting the Story Timing with a Time Marker (iNEWS Only)
  - Adjusting the Story Timing with a Time Pad (iNEWS Only)
- Using Associated Sequences
- Saving Changes to a Story (iNEWS Only)
- Using the Post to Web Feature
- Sending and Receiving NRCS Mail (iNEWS Only)
  - Sending NRCS Tool Mail (iNEWS only)
  - Receiving NRCS Tool Mail (iNEWS only)
- Disconnecting from Your NRCS Server
Working with Avid Interplay from an Avid Editing System
- Dos and Don’ts for Editors Working with Avid Interplay
- Checklist for Editors Working with Interplay
- Working with Interplay and Remote Assets
- Administrator Settings for Avid Editing Clients
- Using the Interplay Window
- Connecting to the Avid Interplay Database
- Creating Avid Editing Projects in an Interplay Environment
- Connecting to Avid Shared Storage and Mounting Workspaces
  - Mounting Workspaces on an Avid Unity MediaNetwork System
  - Mounting Workspaces on an Avid ISIS System
- Editing with Remote Assets
- Managing Remote Assets with the Interplay Window
- Finding Remote Assets
- Capturing Media to Interplay Folders
- Performing a Send-to-Playback as a Background Process from an Avid Editing Application
Using Interplay Transfer to Export Media
- Installing the Interplay Transfer Client Software
- Setting Transfer Settings in the Avid Editing Application
  - Send to Playback with Multichannel Audio Tracks
  - Mapping Audio Tracks to Output Channels
- Transferring Avid Assets from an Avid Editing Application
- Transferring Avid Assets to a Playback Device
- Monitoring Transfers from Within the Avid Editing Application
Using MultiRez and Dynamic Relink
- Understanding MultiRez and Proxy Editing
- Acquiring Media at Multiple Resolutions
- Understanding How Clips are Associated with Multiple Resolutions
- Options for Clip and Media Association
- Understanding Dynamic Relink
- Workflow: Editing a Film or HD Project using MultiRez
- Considerations When Working with Dynamic Relink
- Using the Dynamic Relink Settings Dialog Box
- Relinking in Frame Chase Editing
- Using the Relink Dialog Box in an Avid Interplay Environment
- Displaying Whether Media Is Available for Dynamic Relinking
- MultiRez Button Menu
- MultiRez Bin Headings
- Understanding Options for Deleting MultiRez Clips and Media
- Deleting MultiRez Clips and Media from a Bin
- Working with Partially Online Files
- Quality Matching
  - Quality Matching Reference
  - Example of Quality Matching
MultiCamera Editing
- Understanding Grouping and Multigrouping Clips
- Creating Group Clips
- Creating Multigroup Clips
- MultiCamera Displays
  - Real-time Playback in MultiCamera Mode
  - Limitations on Playback of MultiCamera Media
- MultiCamera Editing Techniques
- Selective Camera Cutting
The Avid Marketplace
- Avid Marketplace Media Libraries
- Avid Marketplace Media Libraries Quick Start
- Creating a User Sign In and Password
- Licensing Options
- About the Stock Footage Clips
- Searching through Stock Footage
- Downloading Stock Footage Clips to Your Avid Bin
- Purchasing Your Stock Footage
- Downloading your High Resolution Stock Footage
- Relinking High Resolution Media to Your Sequence
- Avid Marketplace Plug-ins
- Purchasing and Downloading a Plug-in from the Avid Marketplace
Settings
- Understanding Settings
- Working with Settings
  - Viewing and Modifying Settings
  - Filtering the Settings List
  - Switching to Another Set of User Settings
  - Duplicating Settings
  - Naming Settings
  - Selecting Among Multiple Settings
  - Deleting Settings
  - Restoring Default Settings
  - Copying Settings Between Settings Files
  - Using Site Settings
- Options for Moving User Settings Files
- Summary of Settings
- AMA Settings
- Audio Settings
- Audio Project Settings
- Bin Settings
- Capture Settings
- Communication (Serial) Ports Tool Settings
- Controller Settings
- Correction Settings
- Deck Configuration Settings
- Deck Settings
- Deck Preferences Settings
- Desktop Play Delay
- Dynamic Relink Settings
- Effect Editor Settings
- E-mail Settings
- Export Settings
  - Common Export Settings
  - Export Settings: OMFI, AAF, and AFE
  - Export Settings: QuickTime Reference Options
  - Export Settings: QuickTime Movie Export Options
  - Export Settings: QuickTime Movie Settings
  - Export Settings: QuickTime Compression Settings
  - Export Settings: HDV
  - Export Settings: DV Stream
  - Export Settings: AVI Through QuickTime
  - Export Settings: AVI Video Compression
  - Export Settings: Windows Media (Windows Only)
  - Export Settings: Audio
  - Export Settings: Graphic
  - Export Settings: Graphic Format
  - Export Settings: P2
  - Export Settings: XDCAM
- Full Screen Playback Settings
- General Settings
- Grid Settings
- Import Settings
- Interface Settings
- Interplay Folder, Interplay Server, and Interplay User Settings
- Keyboard Settings
- Marquee Title Settings
- Media Creation Settings
- Media Services Settings (Windows Only)
- Mouse Settings
- NRCS Settings
- Passthrough Mix Tool
- PortServer Settings
- Remote Play and Capture Settings
- Render Settings
- S3D Settings
- Safe Colors Settings
- Script Settings
- Sound Card Configuration Settings (Windows Only)
- Timeline Settings
- Transfer Settings
- Trim Settings
- Video Display Settings
- Video Input Tool Settings
- Video Output Tool Settings
- Video Satellite Settings
- Workspace Linking Settings
File Format Specifications
- Specifications for Graphics (Image) Files
- Specifications for Animation Files
- Specifications for Importing OMFI Files
- Working with BWF Files
- Field Ordering in Graphic Imports and Exports
Resolutions and Storage Requirements
- Compression and Avid Editing Applications
- Monitor Display Resolutions
- Resolution Specifications
- Support for Uncompressed HD Media
- Mixing Resolutions
- Resolution Groups and Image Quality
- Estimating Drive Space Requirements
- Storage Requirements
- Considerations for Managing Storage
Working in High-Resolution Projects
- Delivery Methods for Film & Video
- Workflow: Film Reel Editing
- Checklist: Editing Film Reel Footage in Media Composer
- Transferring Film to Tape
  - Transfer of 24-fps Film to NTSC Video
  - Transfer of 24-fps Film to PAL Video
  - Viewing Video Dailies
- Workflow: File-based Editing with MetaFuze
- Checklist: Film to File Editing in Media Composer (via MetaFuze)
- Workflow: File-based Editing with AMA
- Checklist: File-based Editing in Media Composer via AMA
- HD Workflow: Video-Based Television
- Producing Graphics for Broadcast
- Creating a Film-Based Project
  - Selecting a Project Format during Capture
  - Selecting a Project Format during Output
- Editing with High-Resolution Media
  - Displaying 24p and 25p Media
  - Changing the Project Format
  - Changing the Sequence Format
  - Converting a 23.976p NTSC Sequence to 720p/23.976
  - Editing at 60 fps
- Working with RED Media
- Editing with Low-Res RED Media
- Color Management with RED Media
- Outputting a Sequence
- Working with HDV
- Understanding HDV
- HDV Workflow
- Capturing and Importing HDV
- Playing Back HDV Media
- Outputting HDV
  - Long-GOP Splicing for HDV Encoding
  - Exporting to an HDV Device
  - Outputting HDV through Avid Input/Output Hardware
  - Exporting an HDV Transport Stream
  - Exporting HDV as Windows Media
  - Finishing HDV on Avid DS
- Raster Dimensions
- Raster Sizes
International Character Support (ICS) in Avid Editing Applications
- Choosing a Locale on an English Language Operating System
- Using a Local Language Operating System (Windows Only)
- Non-English Character Support (Macintosh)
- Non-English Character Support (Windows)
- Using Foreign Keyboard Mapping (Windows)
- Considerations for International Character Support
Open I/O Support
- Numerics
  - 1 Pass encoding 1336
  - 1:1 video
    - defined 1406
  - 1394
    - capturing HDV through 1473
    - capturing through 203, 204
    - connecting devices 156
  - 1394 button
    - playback to DV device with 481
    - selecting DV device with 204
    - selecting output device with 997
    - setting video quality with 484
  - 15-day trial
    - PhraseFind 519
    - ScriptSync 615
  - 16:9 format 138, 1441
  - 16-channel audio
    - enabling 1015
  - 2 Pass encoding 1336
  - 2:3 pulldown
    - transferring film to video with 1446
  - 23.976p projects
    - converting NTSC sequence to 720p/23.976 1467
  - 24-fps film
    - transferring to NTSC video 1445
    - transferring to PAL video 1447
  - 24p and 25p projects
    - creating 42, 1459
    - displaying media while editing 1463
    - displaying timecodes in 323
    - indicating the destination timecode rate 1035
    - output formats 1030, 1030, 1030
    - planning 1437
    - timecode for output 1034
  - 24p media
    - capturing without pulldown 246
    - described 1437
    - stored and displayed 1463
  - 25p media
    - described 1437
    - stored and displayed 1463
  - 3 x 3 averaging
    - setting eyedropper option 1309
  - 30i NTSC projects
    - creating 42
  - 5.1 audio 732
  - 60 fps
    - editing 720p project 1467
  - 7.1 audio 732
  - 720p/23.976 projects
    - converting NTSC sequence from 23.976p 1467
  - 8-bit units 1373
- A
  - AAF (Advanced Authoring Format) files
    - described 978
    - exporting 978
    - methods for exporting 978
  - AAF export
    - exporting to Pro Tools 978
  - Aborting
    - Frame Chase captures 210
  - Accepting transfers 1173
  - Activating PhraseFind 517
    - PhraseFind
  - Activating ScriptSync 613
  - Active Palette option (Command palette) 100
  - Adaptive deinterlacing 551
  - Add Alt Key button (Command palette, Other tab) 97
  - Add Channel button (Deck Configuration dialog box) 151
  - Add Comments command (Clip Name menu) 566
  - Add Control Key button (Command palette, Other tab) 97
  - Add Deck button (Deck Configuration dialog box) 151
  - Add Dissolve button
    - See Quick Transition button
  - Add Edit button 765
    - for maintaining sync 575
    - for MultiCamera editing 1245
  - Add Edit function
    - for maintaining sync 575
    - using 681
  - Add Filler at Start command (Clip menu) 541
  - Add Keyframe button
    - commands 1317
  - Add Marker button 489
  - Add New Column dialog box (Interplay Window) 1153
  - Add Option Key button (Command palette, Other tab) 97
  - Add Page button (Script window) 595
  - Add Scene button (Script window) 595
  - Add Scene/Page dialog box 595
  - Adding
    - bin columns 320
    - clip names during capturing 196
    - color indicators (Script window) 606
    - comments during capturing 196
    - comments during editing 566
    - edits 681
    - filler during trimming 707
    - filler to a sequence 541
    - markers while editing 489
    - memory mark 129
    - new tracks 674
    - off-screen indicators (Script window) 605
    - page and scene numbers in the Script window 595
    - Production cues (NRCS tool) 1080
    - script marks 607
    - takes in the Script window 603
  - Adjust Auto Volume/Pan command (Audio Mixer Tool Fast menu) 772
  - Adjust Deck command (Deck Selection menu in Capture tool) 159
  - Adjust Deck command (Deck Selection menu in Digital Cut tool) 1022
  - Adjust Pan/Vols command (Audio Mixer Tool Fast menu) 761
  - Adjusting
    - audio buffer size 740
    - audio input levels 175
    - chrominance and luminance settings for video output 1002
    - margins in the Script window 590
    - Motion Adapter effect 551
    - offset between audio and video playback 468
    - output 1013
    - pan in the Audio Mixer tool 749
    - pan, using an external fader or mixer 816
    - take lines in the Script window 603
    - video levels 183
    - video levels for tapes without color bars 192
    - volume and pan in Timeline 766
    - volume in the Audio Mixer tool 749
    - volume, using an external fader or mixer 816
  - adjustments 762
  - Advanced keyframes
    - Add Keyframe button commands 1317
    - Indent Rows command 1317
    - Large Text command 1317
    - Real-Time Update option 1317
    - Set Position To Keyframe command 1317
    - Show Add Keyframe Mode Menu command 1317
    - Sliders option 1317
    - Thumbwheels option 1317
    - Update Position While Playing command 1317
  - AFE
    - exporting as 966
  - AFE files
    - described 981
    - exporting projects and bins 981
  - Affinity model
    - described 1196
  - AIFF-C file format 170
    - option in Audio Project settings 1296
  - AIR Chorus RTAS plug-in 897
  - AIR Distortion RTAS plug-in 897
  - AIR Dynamic Delay RTAS plug-in 899
  - AIR Enhancer RTAS plug-in 901
  - AIR Ensemble RTAS plug-in 901
  - AIR Filter Gate RTAS plug-in 902
  - AIR Flanger RTAS plug-in 903
  - AIR Frequency Shifter RTAS plug-in 905
  - AIR Fuzz-Wah RTAS plug-in 906
  - AIR Kill EQ RTAS plug-in 907
  - AIR Lo Fi RTAS plug-in 908
  - AIR Multi-Chorus RTAS plug-in 910
  - AIR Multi-Delay RTAS plug-in 911
  - AIR Non-Linear Reverb RTAS plug-in 912
  - AIR Phaser RTAS plug-in 913
  - AIR Reverb RTAS plug-in 915
  - AIR Spring Reverb RTAS plug-in 917
  - AIR Stereo Width RTAS plug-in 919
  - AIR Talkbox RTAS plug-in 920
  - AIR Vintage Filter RTAS plug-in 922
  - ALE (Avid Log Exchange)
    - converting shot log files with (Macintosh) 109
    - converting shot log files with (Windows) 105
  - Alias file format
    - import specifications for 1390
  - Align Selected to Grid command (Bin menu) 304
  - Align to Grid command (Bin menu) 304, 319
  - Aligning columns in a bin 319
  - Alpha channel
    - adding to a graphics image 1389
    - defined 1389
    - support in graphics formats 1389
  - Alpha channel, options in Import settings 1352
  - Alternate Edit button 671
  - Alternate edits
    - creating 671
  - Alternate source capture 224
  - AMA 345, 345, 350, 357, 359, 361, 364, 376, 381
    - ancillary data 1048
    - QuickTime 376
    - supported QuickTime codecs 377
    - virtual volumes 398, 399
    - Workflow 384
  - AMA Plug-in
    - Canon 357, 359
    - GFCAM 361
    - MXF 381
    - P2 350
    - QuickTime 376
    - RED 364
    - XDCAM 345
    - XDCAM EX 345
  - AMA plug-in 345
  - AMA settings
    - described 1293
  - Ancillary data
    - AMA 1048
    - Data Track method 1046
    - Legacy Method 1051
  - Ancillary data and AMA
    - workflow 410
  - Animation file formats
    - described 1395
  - Animation files
    - importing 1395
  - Annotate feature 196
  - Anti-aliased images 1389
  - Application display
    - updating 1159
  - Application sets
    - Avid Artist Series controllers 864, 865, 868, 870
  - Applying
    - target settings for dynamic relink 1209
    - working settings for dynamic relink 1209
  - Archive to Videotape dialog box 445
  - Archiving
    - with MultiRez 1188
  - Archiving, media files 444
  - Arrow keys
    - stepping with 478
  - ASCII characters, in double-byte systems 1492
  - ASCII file format
    - importing Avid logs 121
  - ASCII text files
    - importing to a Script window 590
  - A-side (outgoing frames)
    - in trims 695, 703
  - ASIO driver configuration 831
  - Aspect Ratio options (Import settings) 1352
  - Assemble-edit recording 1017
    - enabling in Deck Preferences 1018
  - Assembling a rough cut
    - in the Script window 625
  - Asset Manager
    - specifying settings 413
  - Asset manager
    - accessing assets 1141
    - automatically checking in assets 1140
    - Avid Unity media network 1116
    - capturing media 1169
    - checking in to 1137
    - checking out from 1133
    - connecting to 1116
    - logging in 1116
    - remote assets 1107
    - settings for 413
    - using 413
    - using drag-and-drop method to check in assets 1137
    - using menu command to check in assets 1137
  - Asset types, selecting 1158
  - Associated sequences
    - described 1091
    - linking a sequence to a story 1088
    - locating sequences 1091
    - locating stories 1091
  - Attic folder
    - described 63
    - See Avid Attic folder
  - Attributes
    - searching remote assets for 1168
  - Audio
    - 16-channel output 1015
    - 5.1 732
    - 7.1 732
    - adjusting pan defaults 764
    - adjusting volume 730
    - adjusting volume in Audio Mixer tool 749
    - adjusting volume in Timeline 766
    - adjusting volume while playing 762
    - and digital cuts 1037
    - Auto VO 808
    - buffer size adjustment 740
    - centering pan 764
    - creating leader 581
    - crossfading 779, 1296
    - digital scrub, described 721
    - digital scrub, performing 723
    - dipping 779
    - dissolves 779, 1296
    - editing workflow 748
    - embedded, and sample rate conversion 1015
    - fading 779, 1296
    - file format, selecting 170
    - file formats (Audio Project settings) 1296
    - fine-tuning transitions 765, 779
    - HDMI 732, 738
    - identifying sample rates 728
    - input levels, adjusting 1296, 1296
    - input, adjusting levels 175
    - input, selecting source 171
    - keyboard shortcuts for keyframing 773
    - levels, adjusting 750
    - Live Mix mode 774
    - locked 1296
    - mapping output channels 1296
    - marking clips 488
    - Master volume 1296
    - media for shoots 1441
    - mixing down 783
    - monitoring tracks 668
    - multichannel 715
    - muting 730
    - number of tracks supported 663
    - output 738
    - output options 1296
    - output, calibrating 1011
    - output, calibrating global levels 1012
    - output, calibration tone for 1011
    - output, monitoring global levels 1011
    - output, preparing for 1011
    - output, settings options 1013
    - overview of tools 713
    - pain and gain automation display 724
    - pan, adjusting in Audio Mixer tool 749
    - Project settings, adjusting 168
    - Project settings, audio file formats 170
    - Project settings, overview 168
    - quality matching for 1232
    - sample rate conversion during capture 169
    - sample rate, changing for a clip or sequence 782
    - sample rate, conversion overview 782
    - sample rate, selecting 169
    - scrub, defined 721
    - scrub, performing smooth 722
    - scrub, selecting tracks for 721
    - scrub, solo tracks 719
    - searching for 530
    - selecting mix modes 1296
    - settings, adjusting 168
    - settings, Default Pan options 764
    - settings, Digital Scrub options 723
    - solo feature, in Trim mode 698
    - solo feature, monitoring one track 668
    - sound card configuration 172
    - splitting stereo tracks to mono 676, 785
    - surround sound 732
    - sync, on output 997
    - time compression 885
    - timecode for shoots 1441
    - tools, accessing 713
    - tracks, adjusting in Audio Mixer tool 750
    - tracks, soloing 719
    - transfer options 1447
    - using leader to maintain sync 573
    - voice-over 800, 800
    - volume, adjusting in Audio Mixer tool 750
    - volume, adjusting in Timeline 767
    - waveform plots 725
  - Audio Data commands (Timeline Fast menu) 725, 767, 771
  - Audio effects
    - rendering order 747
  - Audio EQ 766
  - Audio EQ (Equalization)
    - adjusting while playing 799
    - removing 794
    - saving 792
    - templates 797, 797
  - Audio EQ command (Tools menu) 713, 786
  - Audio EQ tool
    - examples of usage 794
    - Fast menu options 790
    - features of 787
    - opening 786
    - saving effects with 792
  - Audio File format
    - displaying in bins 716, 731
    - options 1296
  - Audio file sample size 1296
  - Audio hardware calibration 178
  - Audio hardware options
    - project settings 1296
  - Audio IN and OUT points
    - removing 488
  - Audio input levels
    - adjusting 1296, 1296
    - calibrating for audio I/O device 178
    - calibrating with a tone generator 178
  - Audio Mark IN button 488
  - Audio Mark OUT button 488
  - Audio Meter menu button 730
  - Audio Mixdown command (Special menu) 783
  - Audio Mixdown dialog box 783
  - Audio Mixer command (Tools menu) 713, 749, 750, 771
  - Audio Mixer tool
    - adjusting clip gain and pan on a single track 750
    - adjusting levels by typing values 745
    - adjusting volume and pan on multiple tracks 750
    - Clip Gain and Pan mode 749
    - controls, described 741
    - Live Mix mode 774
    - Live Mix mode Fast menu commands 777
    - opening 741
    - resizing 745
    - selecting modes 741
    - setting default mode 741
    - showing and hiding sliders 745
    - sliders for Live Mix mode 776
    - sliders, for volume automation and pan 771
    - switching from Live Mix mode to other modes 776
    - track selection behavior 745
    - Volume Automation and Pan controls, described 769
    - Volume Automation and Pan Fast menu commands 772
  - Audio output
    - calibrating with an external meter 178
  - Audio output options
    - project settings 1296
  - Audio peak levels
    - checking 182
  - Audio Project Settings
    - Dolby E Safe settings 235
  - Audio Project settings
    - audio file formats 1296
    - described 1296
    - Effects tab 1296
    - Hardware tab 1296
    - Main tab 1296
    - Output tab 1296
    - saving 1296
  - Audio Project Settings dialog box 1013
  - Audio Punch-In tool
    - described 802
    - removing extra filler 1296
    - scenarios for using 805
    - using a GPI device with 835
  - Audio Punch-in tool
    - using 805
  - audio sample clock 1296
  - Audio sample rate
    - options 1296
  - Audio settings
    - described 1295
  - Audio Settings dialog box
    - adjusting digital scrub parameters 723
  - Audio Source Tape TC Rate (Film and 24p Settings dialog box) 150
  - Audio timecode 714
  - Audio tone media
    - creating 176
  - Audio tool
    - Calibrate mode 178, 178, 178
    - checking input levels 175
    - described 173
    - digital scale 174
    - input levels, adjusting 175
    - opening 173
    - volume unit scale 174
  - Audio Tool command (Tools menu) 750, 1011, 1012, 1017
  - Audio Track Monitor button (Track Selector panel)
    - selecting tracks for scrubbing with 721
    - soloing tracks with 719
  - Audio tracks
    - making tracks inactive 720
    - selection in Timeline and in Audio Mixer tool 745
    - splitting stereo tracks to mono 676, 785
  - Audio transfer
    - Info tab 1447
  - Audio Transfer Rate (Film and 24p Settings dialog box) 150
  - Audio Volume Automation
    - configuring USB-to-MIDI software 828
  - Audio-only output 1037
  - AudioSuite command (Tools menu) 713
  - AudioSuite plug-ins
    - applying 881
    - BF Essential Clip Remover 923
    - Bomb Factory BF76 924
    - Chorus 924
    - Compressor/Limiter III (Dynamics III) 926
    - core plug-ins 893
    - creating new master clips with 885
    - DC Offset Removal 931
    - DeEsser III (Dynamics III) 931
    - Delay 933
    - described
    - dialog box 883
    - Duplicate 934
    - D-Verb 930
    - EQ 935
    - Expander/Gate III (Dynamics III) 940
    - Fast menu 884
    - Flanger 942
    - Funk Logic Mastererizer 943
    - Gain 944
    - installing 880
    - Invert 944
    - limitations 891
    - Lo-Fi 945
    - Multi-Tap Delay 946
    - Normalize 947
    - PhaseScope 947
    - Ping-Pong Delay 950
    - Pitch Shift 950
    - Recti-Fi 952
    - rendering 885
    - Reverse 953
    - Sci-Fi 953
    - Signal Generator 955
    - supported 893
    - Time Compression Expansion 956
    - Time Shift 958
    - Trim 961
    - troubleshooting 891
  - Authoring a DVD in Avid DVD by Sonic 966
  - Auto Pan command (Timeline Fast menu) 767, 771
  - Auto VO 808
  - Auto Volume command (Timeline Fast menu) 767, 771
  - Autocapturing 202
    - See also Batch capturing
    - See also Capturing
    - See also Recapturing
  - Auto-configure command (Deck Selection menu in Capture tool) 159
  - Auto-configure command (Deck Selection menu in Digital Cut tool) 1022
  - Auto-indexing
    - by Media Indexer 1362
  - Automatic opening of projects 45
  - Automounting workspaces
    - ISIS v2.0 and later 1130
    - MediaNetwork 1129
  - Auto-Save
    - function 63
    - options (Bin settings) 1302
  - AutoSync command (Bin menu) 577
  - Autosync feature
    - syncing clips 576
  - AVCHD
    - workflow 404
  - AVI file format
    - brief description 1395
  - AVI files
    - methods for exporting 1335
  - Avid
    - online support 25
    - training services 26
  - Avid Artist Control
    - application sets 865
  - Avid Artist Mix
    - application sets 870
  - Avid Artist Series controller
    - application sets 864
    - customization 855
    - described 843
    - editing media 864
    - Ethernet connections 846
    - EuControl 844
    - EuControl settings 851
    - grouping faders 861
    - IP addresses 848
    - Jog mode 859
    - latch mode 863
    - recording volumen automation and pan 861
    - Shuttle ring 859
    - soft keys 855
    - volume automation and pan 860
  - Avid Artist Transport
    - application sets 868
  - Avid Asset Manager 1058
  - Avid assets
    - accessing assets 1141
    - automatically checking in to asset manager 1140
    - checking in and checking out 1136
    - checking in to asset manager 1137
    - checking out from asset manager 1133
    - checking out from Interplay database 1136
    - defined 1107
    - local bins 1112
    - permissions 1148
    - reservations 1147
    - restrictions 1148
  - Avid Attic files setting (Bin settings) 1302
  - Avid Attic folder
    - described 63
    - retrieving files from 52
  - Avid Calculator tool 100
  - Avid clients 1064
  - Avid Clipboard
    - See Clipboard
  - Avid Codecs for QuickTime
    - copying to another system 984
    - described 982
    - installing 984
  - Avid DNA command (Device submenu of Special menu) 484, 997
  - Avid DNA hardware
    - sync sources 997
  - Avid DS
    - exporting to 966
    - finishing HDV on 1479
  - Avid DV Codec, exporting with 1327, 1329
  - Avid editing application
    - backing up Title Tool titles when promoting to Marquee 1361
    - location on system (Windows) 34
    - quitting 49
    - starting (Windows) 34
  - Avid Interplay
    - See Interplay
  - Avid Interplay Administrator
    - Editor Database Settings 1140
  - Avid Interplay Archive
    - Services 995
  - Avid Interplay Engine 413
  - Avid Interplay ProEncode
    - Services 995
  - Avid Interplay Transcode
    - Services 995
  - Avid Interplay Transfer
    - using 413
  - Avid Interplay Window
    - See Interplay Window
  - Avid License Control tool 522, 617
  - Avid logs
    - See also Shot log files
    - See Shot log files
    - clip data in 117
    - creating 113
    - custom Titles in 115
    - data entries in 117
    - formatting guidelines 113
    - global Titles in 114
    - importing ASCII file format 121
    - sample created with text editor 120
    - specifications 113
    - standard Titles in 115
  - Avid MCXpress for Windows NT
    - importing files from 1397
  - Avid Media Access
    - Workflow 384
  - Avid Media Access (AMA)
    - workflow 387
  - Avid Media Store 1251
    - login 1254
    - searching 1256
  - Avid MediaFiles folder
    - backing up 434
    - transferring media 1060
  - Avid Plugin Store 1278
  - Avid Projects folder
    - described 38
    - location 38
    - renaming 50
  - Avid Unity 1058
    - environment 413
    - LANshare 414
    - mapping workspaces on a network 1368
    - sending sequences to Pro Tools 966
    - sharing bins and projects 85
    - transferring projects 1060
    - unmounting and mounting 415
    - using Zone 3 connection with Avid Unity ISIS 415
  - Avid Unity Connection Manager 1129
  - Avid Unity ISIS Client Manager
    - v2.0 and later 1130
  - Avid Unity PortServer Pro 414
  - Avid Unity workspaces 85
  - Avid Users folder
    - described 38
    - location 38
    - renaming 50
  - Avid-controlled deck
    - logging 124
- B
  - Background color
    - changing
    - changing in bins 314
  - Backing up
    - automatically to Avid Attic folder 52
    - media files 434
    - Title Tool titles when promoting to Marquee 1361
  - Backtiming edits 678
  - Backup options (Bin settings) 1302
  - Bandwidths in Audio EQ tool 787
  - Bars and tone
    - preparing for capturing 274
    - recording to tape 1017
  - Batch capture
    - alternate source 224
  - Batch Capture command (Bin menu) 223
  - Batch Capture command (Clip menu) 212, 1190
  - Batch capturing
    - See also Autocapturing
    - See also Capturing
    - See also Recapturing
    - from logged clips 211
    - multiple resolutions 1190
    - options 212
    - preparing for 211
    - procedure 212
    - unattended 211
  - Batch Import command (Clip menu) 292, 1192
  - Batch Import dialog box 295, 1192
  - Batch importing
    - multiple resolutions 1192
    - procedure 292
    - XDCAM media 287
  - Best Performance command (Video Quality menu) 482
  - Best-light transfers
    - defined 1441
  - BF Essential Clip Remover AudioSuite plug-in 923
  - Big Trim mode
    - described 690
  - Bin columns
    - copying information 323
    - Field Motion 553
  - Bin display 334
  - Bin editing
    - in Segment mode 662
    - using the keyboard 662
  - Bin Fast menu
    - described 309
    - Loop Selected Clips command 470
    - opening 309
  - Bin headings
    - modifying data in 325
    - setting audio format in 716, 731
  - Bin settings
    - Auto-Save options 1302
    - Avid Attic files setting 1302
    - backup options 1302
    - described 1302
  - Bin views
    - customizing 302
    - saving 302
    - types of 302
  - Bins
    - adding columns 320
    - adding text in Script view 306
    - aligning columns 319
    - aligning frames in 304
    - auto-save function 63
    - Bin View menu 302
    - changing background color 314
    - changing fonts 77
    - closing 60
    - creating 59
    - creating a storyboard 334
    - creating rough cuts in 543
    - defined 58
    - deleting 62
    - deleting columns 319
    - deleting items 312
    - display views 299
    - displaying audio formats in 716, 731
    - displaying in Project window 58
    - displaying objects in 334
    - editing from, in Segment mode 662
    - exporting as AFE files 981
    - extra text fields 232
    - finding 511
    - finding from the Script window 624
    - Frame view 304
    - headings for MultiRez 1223
    - highlights for mixed resolutions 334
    - Info display 70
    - information in the Console 101
    - list of, viewing 59
    - listing timecodes in 323
    - locking items in 315
    - logging directly into 122
    - moving columns 319
    - opening 60
    - playing clips in Script view 306
    - printing 342
    - rearranging clips in Frame view 304
    - rearranging clips in Script view 306
    - remote assets 1112
    - renaming 60
    - retrieving backup of 52
    - saving automatically 63
    - saving manually 63
    - Script view 306
    - selecting offline items 317
    - selecting unreferenced clips 318
    - setting Reformat value 559
    - shared, locking and unlocking 88
    - shared, performance suggestions 89
    - sharing on Avid Unity 85
    - showing and hiding columns 299
    - tabs 308
    - targeting for capturing 164
    - Text view 299
    - using system backup to save 51
  - Bins tab (Project window) 59
  - Bit depth
    - defined 1389
  - Black burst sync
    - for output 997
    - HD formats 998
  - Black holes 686
  - Black level
    - adjusting for input 185
    - adjusting for output 1002
  - Black segment
    - See Filler
  - Blank button (Command palette, Other tab) 97
  - Blue bar
    - See Position indicator
  - Blue-only feature 1002
  - BMP file format
    - additional export options 1342
    - import specifications for 1390
  - Bomb Factory BF76 AudioSuite plug-in 924
  - Browse button (Select Project dialog box) 45
  - Browsing
    - for projects 45
  - B-side (incoming frames)
    - in trims 695, 703
  - Buffer size
    - audio, adjusting 740
  - Build Sequence button (NRCS tool) 1071, 1084
  - Burn-in code 1441
  - Buttons
    - Add Alt Key (Command palette, Other tab) 97
    - Add Control Key (Command palette, Other tab) 97
    - Add Marker 489, 491
    - Add Page (Script window) 595
    - Add Scene (Script window) 595
    - Alternate Edit 671
    - assigning workspaces to 82
    - Blank (Command palette, Other tab) 97
    - Build Sequence (NRCS tool) 1071, 1084
    - Disconnect (NRCS tool) 1071
    - displaying second row in the Source/Record monitor 457
    - Edit mode (NRCS tool) 1077
    - Edit/Save (NRCS tool) 1071
    - extra fields 232
    - Gang 575
    - Go to Next Marker 495
    - Go to Previous Marker 495
    - in the Avid Artist Series controllers 854
    - mapping 98
    - Mark Markers 495
    - Next In Group 1244
    - Nine Split 1238
    - Play (Script window) 603
    - Post To Web (NRCS tool) 1092
    - Previous In Group 1244
    - Quad Split 1238
    - Save Story (NRCS tool) 1071
    - Send Mail (NRCS tool) 1071
    - Set Color (Script window) 606
    - Set Offscreen (Script window) 605
    - Tail 680
    - Toggle Source/Record in Timeline 645
    - Top 680
  - Buttons,
    - Add Option Key (Command palette, Other tab) 97
  - Buttons, user-selectable
    - Add Edit 681
    - Add Script Mark 607
    - Find Script 624
    - Mark Markers 495
    - Next In Group 1244
    - Nine Split 1238
    - Previous In Group 1244
    - Quad Split 1238
  - BWF (Broadcast Wave Format) files
    - bin columns for 1398
    - custom information 1399
    - importing and syncing 1400
    - reimporting 1400
    - support for 1398
  - BY Gain slider
    - adjusting for video input 185
    - adjusting for video output 1002
  - Bypass volume settings 762, 1296
  - Bypassing
    - pan settings 764
    - volume settings 762
- C
  - Calculator command (Tools menu) 100
  - Calculator tool 100
  - Calibrate command (Peak Hold Menu button) 178, 178, 178
  - Calibrate Hardware Sliders command (Audio Mixer Tool Fast menu) 772
  - Calibrating
    - global output levels for audio 1012
    - phase controls 1007
    - video input 185
    - video output using test patterns 1005
    - video output, basic procedures 1002
    - video output, methods described 1001
  - calibrating
    - audio 178
  - calibrating audio output 178
  - Calibration tone
    - audio output 1011
    - creating media for 176
  - CamCutter files
    - importing 276
  - Camera roll keypunch 1441
  - Camera setups
    - in the lined script 584
  - Canon
    - AMA plug-in 357, 359
  - Canon media 357, 359
  - Capture command (Tools menu, Toolset menus) 157, 1169
  - Capture command (Tools menu) 124
  - Capture in Progress slide in monitors 208
  - Capture mode
    - entering 157
  - Capture Settings
    - DV Options tab 1303
  - Capture settings
    - Batch tab 1303
    - described 1303
    - DV Options 253
    - Edit options 244
    - Edit tab 1303
    - General tab 1303
    - Keys tab 226, 1303
    - MXF Media Files tab 1303
    - OMF Media Files tab 1303
  - Capture Tool
    - Dolby E Safe button 236
  - Capture tool
    - Interplay Folders option 1169
    - logging with 124
    - resizing 211
    - resolution, selecting 164
    - setting up 157
    - subclip status in 228
    - timed recording 242
  - capture video and audio 1296
  - Capturing
    - See also Autocapturing
    - See also Batch capturing
    - See also Recapturing
    - across control track breaks 211
    - across timecode breaks 147
    - adding clip names during 196
    - adding comments (annotating) during 196
    - ancillary data 1054
    - audio sample rate conversion 169
    - bad frames 1303
    - bars and tone 274
    - Capture Tool setup 157
    - creating subclips during 228
    - detecting locked sync signal 164
    - Dolby E media 234, 236
    - DV 50, DVCPRO HD, or HDV 204
    - DV media 203
    - establishing sync for audio-only input 139
    - Frame Chase, aborting 210
    - Frame Chase, overview 208
    - Frame Chase, requirements and guidelines 210
    - Frame Chase, settings 209
    - Frame Chase, unavailable resolutions 210
    - Frame Chase, update interval 209
    - from a mark IN to a mark OUT 197
    - from consumer grade decks 185
    - from music CDs 206
    - from non-Avid-controlled device 239
    - hardware considerations 138
    - HDV 1473
    - in Satellite mode 239
    - Interplay Folders option 1169
    - LTC timecode 239
    - media to remote projects 1169
    - multiple resolutions 1190
    - on-the-fly 199
    - preparations check list 193
    - preparing decks 159
    - preparing for video input 183
    - resolution selection 164
    - setting custom preroll 168
    - setting only one mark 198
    - settings for 141
    - single video frame (General Capture Settings) 1303
    - source track selection 161
    - storage guidelines 1423
    - sync requirements 138
    - tape selection 160
    - targeting bins 164
    - targeting drives for 165
    - to multiple media files 148
    - to the Timeline 244
    - using time-of-day timecode 203
    - video transferred without pulldown 246
    - while logging 195
    - with external timecode 239
  - CCIR
    - See ITU-R 601
  - CCIR video levels, Import settings 1352
  - Center Pan command (Clip menu) 764
  - Change Sample Rate command (Clip menu) 782
  - Change Scene/Page dialog box 595
  - Changing
    - background color in bins 314
    - default pulldown frame 1037
    - font in the Script window 593
    - fonts in user interface 77
    - frame identifying a clip 304
    - frame sizes in bins 304
    - interface components color 75
    - page and scene numbers in the Script window 595
    - representative frame in takes 603
    - resolution by transcoding 428
    - track color in the Timeline 636
    - user profiles 73
  - Channel selection buttons (Capture tool) 161
  - Characters, avoiding when naming elements 1492
  - Check Decks command (Deck Selection menu in Capture tool) 159
  - Check Decks command (Deck Selection menu in Digital Cut tool) 1022
  - Check In All Open Bins To Interplay command (Bin menu) 1137
  - Check In Bin To Interplay command (Bin menu) 1137
  - Check lists
    - capture preparations 193
    - preparing hardware before capturing 138
  - check marks
    - GFCAM 364
  - Checking in
    - Avid assets 1136
    - confirmation message 1120
  - Checking out
    - Avid assets 1136
  - Choosing
    - a locale (Windows) 1483
  - Choosing a locale (Macintosh) 1484
  - Choosing a locale (Windows) 1483
  - Chorus AudioSuite plug-in 924
  - Chrominance settings
    - adjusting for video input 185
    - adjusting for video output 1002
  - Chunking 1303
  - Chyron file format
    - import specifications for 1390
  - Cineon file format
    - additional Export options 1342
    - import specifications for 1390
  - Clear Both Marks button 484
  - Clear button (Project window) 71
  - Clear IN Mark button 484
  - Clear Monitor command (Clip Name menu in Source monitor) 472
  - Clear OUT Mark button 484
  - Clearing
    - clips from monitors 472
    - marks 484
  - Client Manager
    - v2.0 and later 1130
  - Client monitor
    - connecting 465
    - playing video to 465
    - selecting setting 466
    - viewing 16:9 format 138
  - Clip colors
    - assigning source colors 314
    - for MultiRez 1218
    - viewing in bins 314
  - Clip data
    - in Avid logs 117
  - Clip Frames command (Timeline Fast menu) 629
  - Clip Gain and Pan mode (Audio Mixer tool) 749
  - Clip Gain effect, adjusting volume while playing 762
  - Clip Info dialog box 539
  - Clip information
    - displaying in the Info window 462
    - displaying, in a Script window 590
    - summary 449, 512
  - clip information
    - effect summary 449, 512
  - Clip Name menu
    - clearing clips with 472
    - switching between clips with 471
  - Clip parameters
    - QuickTime 377
    - RED 367
  - Clip tag (Post to Web) 1098
  - Clip Text command (Timeline Fast menu) 629
  - Clipboard
    - copying to 564
    - described 565
    - preserving contents 565
    - recovering material from 565
  - Clipboard Contents command (Clip Name menu) 565
  - Clipboard Monitor command (Tools menu) 565
  - Clips
    - See also Master clips
    - See also Subclips
    - assigning local colors in the Timeline 636
    - assigning source colors in bins 314
    - audio, marking 488
    - autosyncing 576
    - batch capturing 212
    - changing identifying frame 304
    - changing resolution by transcoding 428, 428
    - clearing from monitors 472
    - copying 310, 311
    - creating group clips 1236
    - creating multigroup clips 1237
    - creating multiple resolutions 1190
    - deleting 312
    - deleting MultiRez 1226
    - deleting unreferenced 433
    - displaying information about 462
    - displaying source colors in bins 314
    - duplicating 310
    - exporting 973
    - finding from the Script window 624
    - finding names 506
    - finding with Match Frame 509
    - in-progress, capture overview 208
    - in-progress, duration of 208
    - in-progress, editing overview 1142
    - in-progress, editing workflow 1143
    - in-progress, limitations 1144
    - in-progress, sending sequences to playback 1142
    - linking to script 597
    - linking to script with ScriptSync 610
    - loading 1159
    - loading into monitors 471
    - locating master clip from subclip 512
    - locking in a bin 315
    - marking 486
    - marking IN and OUT points 484
    - mixed rate 548
    - moving 310
    - playing in a loop 470
    - playing in Script view 306
    - playing using buttons 476
    - rearranging in bin Frame view 304
    - rearranging in bin Script view 306
    - renaming in Interplay Window 1159
    - searching for 506
    - selecting 309
    - sifting 335
    - switching between 471
    - Timeline display colors 632
    - tracking duration 459
    - transferring 1181
  - Close Bin command (File menu) 60
  - Close Project command (File menu) 45, 57
  - Closed Caption
    - marking text for (NRCS tool) 1078
  - Closed captioning and Vertical Blanking Interval 1001, 1040, 1382
  - Closing
    - bins 60
    - Project window 57
    - projects 45
    - the Script window 590
  - Codec
    - DV25 software 1303
  - Codecs
    - Avid for QuickTime 982
    - Avid for use with other applications 986
    - copying Avid 984
    - DV 1327, 1329
    - DV25 203
  - Coincidence Wait mode 242
  - Color
    - assigning local colors in the Timeline 636
    - assigning source color in bins 314
    - changing in interface 75
  - Color bars
    - adjusting video levels for tapes without 192
    - in Dupe Detection 682
    - recording bars and tone 1017
    - types of 185
  - Color column
    - adding to bins 314
  - Color correction
    - settings 1309
  - Color indicators (script integration)
    - adding to takes 606
    - described 586
  - Color Match control
    - 3 x 3 averaging of pixels, setting 1309
  - Color Match eyedropper 1309
  - Color submenu (Script menu) 606
  - Colors
    - local and source, displaying in Timeline 632
  - Column headings
    - for MultiRez 1223
    - setting audio format in 716, 731
  - Column Titles
    - in Avid log file 115
  - Columns
    - adding (Interplay Window) 1153
    - bins 232
    - changing size in Research panel (Interplay Window) 1153
    - creating (Interplay Window) 1153
    - display options in Interplay Window 1153
    - enlarging and reducing in Research panel (Interplay Window) 1153
    - hiding (Interplay Window) 1153
    - moving (Interplay Window) 1153
    - See Bins
  - Command Palette
    - Track buttons 665
  - Command palette
    - activating commands from 100
    - assigning functions to mouse buttons 30
    - described 96
    - mapping buttons 98
    - mapping buttons to fader controllers 813
    - mapping menu commands 99
  - Command Palette command (Tools menu) 30
  - Command|8 770
    - configuring 818
    - recording volume automation 815
    - using with Avid editing systems 817
  - Command|8 controller 103
  - Commands
    - See listings by menu command name
  - Comments
    - adding during capturing 196
    - adding to Research panel (Interplay Window) 1159
    - adding to sequence clips 566
    - displaying in Timeline 566
  - Committing multicamera edits 1249
  - Communication (Serial) Ports Tool settings
    - described 1308
  - Composer settings
    - described 1281
    - Undo Only Record Events 545
  - Compression
    - defined 1406
    - in relation to drive space 1406
    - in relation to image quality 1406
  - Compression ratios
    - See also Video resolutions
    - mixing 1421
  - Compression ratios (JFIF)
    - defined 1413
  - Configuring
    - Command|8 818
    - decks 151, 151
    - Digi 002 818
  - Connect
    - as a client 1064
  - Connecting
    - DV devices 156
    - XDCAM device 348
  - Connection Manager 1129
  - Console command (Tools menu) 101
  - Console window 101, 182
    - checking peak audio levels with 182
    - described 101
    - displaying bin information in 101
    - displaying system information 101
    - logging capturing errors to 227
    - network drives 101
    - printing marker information from 501
  - Consolidate/Transcode command (Clip menu) 424
  - Consolidate/Transcode dialog box
    - options 428
  - Consolidating media files
    - described 422
    - master clips 422
    - options 428
    - options for 424
    - procedure 424
    - sequences 422
    - subclips 422
  - Consumer level audio
    - selecting an XLR adaptor 1016
  - Consumer-grade video deck
    - capturing from 185
    - limitations when capturing 189
  - Context menus 29
  - Control track
    - using for preroll 147
  - Control track breaks
    - capturing across 211
  - Controller settings 775
    - Avid Artist Series controller 846
    - described 1308
  - Controller Settings dialog box 775, 818
  - Controllers
    - Command|8 103
    - configuring 103
    - Digi 002 103
  - Converting
    - audio sample rates 782
  - Converting shot log files
    - using Avid Log Exchange (Macintosh) 109
    - using drag-and-drop conversion (Macintosh) 111
    - using drag-and-drop conversion (Windows) 107
  - Coordinates
    - displaying, in monitors 1350
  - Copy to Clipboard button 564
  - Copying
    - clips and sequences 310, 311
    - Ikegami GFCAM files 359, 361, 363
    - information between bin columns 323
    - Panasonic P2 files 349, 354
    - RED files 366
    - remote assets 1149, 1159
    - segments in Timeline 661
    - text from the Info window 462
    - text in the Script window 593
    - to Clipboard 564
  - Copying XDCAM files 284
  - Core AudioSuite plug-ins 893
  - CoreAudio driver configuration 833
  - Correction Mode settings
    - Features tab 1309
  - Correction settings
    - AutoCorrect tab 1309
    - described 1309
  - Crash recording 1026
  - Creating
    - a folder in a project 62
    - Avid log files 113
    - bins 59
    - folders in projects 61
    - group clips 1236
    - multigroup clips 1237
    - overlap edits 705
    - projects 42, 1459
    - rough cuts 543
    - subclips 487
    - subclips during capturing 228
    - tone media 176
    - user profiles 73
    - Web page 1092
  - Criterion menu (Custom Sift dialog box) 335
  - Crossconverted sequences
    - outputting 1008
  - Crossconverting HD
    - for output 1008
  - Crossfading audio 779, 1296
  - Custom colors
    - options for naming 1309
  - Custom preroll
    - selecting 168
  - Custom Profile Audio Settings 1336
  - Custom property
    - value for 1155
  - Custom Sift
    - command (Bin menu) 335
    - dialog box 335
  - Custom Titles
    - in Avid logs 115
  - Customizing
    - appearance of user interface 75
    - bin views 302
    - timecode 539
    - Timeline 627
    - Trim mode 690
  - Cutaways
    - marking with markers 489
  - Cutting
    - segments from Timeline 661
    - text in the Script window 593
  - Cycle Picture/Sound button 665
  - Cycle Trim Sides button 695
  - Cycling
    - tracks 665
- D
  - D1 VTR
    - calibrating input from 183
    - recording to 1002
  - DAT
    - See Digital audiotape (DAT)
  - Data entries
    - in Avid log file 117
  - Data Track
    - adding 1047
    - ancillary data 1046
    - capturing 1054
  - Data track
    - Data mixdown 1055
    - exporting 1055
  - Databases
    - checking out Avid assets 1136
  - DC Offset Removal AudioSuite plug-in 931
  - Deck
    - pausing while logging 128
  - Deck Configuration settings
    - Add Channel options 151
    - adjusting 151
    - Deck settings 1311
    - deleting elements in 155
    - described 1310
  - Deck controller 94
    - in Digital Cut tool 1022
  - Deck Preferences dialog box
    - enabling assemble-edit recording 1018
  - Deck Preferences settings
    - described 1313
    - for assemble-edit recording 1018
  - Deck Selection menu (Capture tool) 159
  - Deck Selection menu (Digital Cut tool) 1022
  - Deck settings
    - described 1311
    - Fast Cue option 1311
    - options 1311
    - Preroll option 1311
  - Deck Settings options (Deck Configuration settings) 1311
  - Deck templates 1310
  - Decks
    - capturing from consumer-grade 185
    - configuring 151
    - for digital cut 1022
    - limitations on consumer-grade 189
    - logging with Avid-controlled 124
    - logging with non-Avid-controlled 129
    - selecting 159
    - templates for 151
    - using the keyboard to control decks 231
  - Decompose command (Bin menu) 218
  - Decomposing
    - described 216
    - Expert Decompose feature 216
    - including or excluding material 221
    - mixed-rate sequences 216
    - selecting target formats 221
    - sequences 216
  - DeEsser III (Dynamics III) AudioSuite plug-in 931
  - Default function buttons
    - Avid Artist Series controller 854
  - Default Pan options (Audio settings) 764
  - Default pulldown frame
    - changing the 1037
  - Default settings
    - restoring 1287
  - Default Setup command (Timeline Fast menu) 647
  - Defining
    - units of measurement 1373
  - Deinterlacing 1463
  - Delay AudioSuite plug-in 933
  - Delay, DV digital cut 1038
  - Delete command (Edit menu)
    - deleting columns 319
    - removing items from bins with 312
    - removing media files with 420
  - Delete Current Layout command (Interplay Window Layout menu) 1162
  - Delete dialog box 312
  - Delete Take command (Script menu) 600
  - Deleting
    - add edits (match frames) 681
    - bin columns 319
    - bins 62
    - clips and sequences 312
    - columns 319
    - deck configurations 155
    - markers 495, 497, 499
    - media files in bins 312
    - media files with Media tool 420
    - MultiRez clips 1226
    - page and scene numbers in the Script window 595
    - Production cues (NRCS tool) 1080
    - projects 49
    - remote assets 1149
    - script marks 623
    - segments, in Segment mode 659
    - settings 1287
    - slates in the Script window 600
    - stories (NRCS tool) 1076
    - takes in the Script window 603
    - text in the Script window 593
    - tracks 674
    - unreferenced clips 433
    - user profiles 73
    - volume automation and pan keyframes 767
  - deleting clips 399
  - Deleting folders 1159
  - Desktop Play Delay dialog box 468
  - Destination bins
    - selecting 164
  - Destination drives
    - selecting 165
  - Destination timecode rate 1035
  - Details command (View menu in Windows Explorer) 53
  - Device Code option (Remote Play and Capture settings) 1369
  - Device commands (Special menu) 204, 481, 997
  - Devices for transferring files 1058
  - Dialog
    - in the lined script 584
  - Dialog boxes
    - Add Scene/Page 595
    - Archive to Videotape 445
    - audio export settings 1340
    - Change Scene/Page 595
    - Controller Settings 818
    - Custom Sift 335
    - Delete (script integration) 595, 603
    - Export Settings 1321
    - Film and 24p Settings (transfer settings) 150
    - General settings (for capturing) 150
    - Group Clips 1236
    - Left Margin 590
    - Restore from Videotape 448
    - Script Settings 590
    - Select Tape 124
    - Send To 966, 971
    - Set Bin Display 334
    - Set Font 77, 593
    - Sync Selection 577
    - Tape Lengths 445
    - View Name (bin) 302
  - Digi 002 770
    - configuring 818
  - Digi 002 controller 103
  - DigiDelivery, exporting to 966
  - Digidesign
    - exporting to 966
  - Digidesign AudioSuite plug-ins
    - See AudioSuite plug-ins
  - Digital audio
    - scrub, compared to smooth audio scrub 721
    - scrub, described 721
    - scrub, performing 723
  - Digital Audio Scrub options (Audio settings) 723
  - Digital audiotape (DAT)
    - capturing from 138
  - Digital bars and tone
    - preparing 274
  - Digital Betacam VTR
    - calibrating input from 183
    - recording to 1002
  - Digital cut
    - HDV 1474
    - outputting transcoded HDV sequence 1477
    - passthrough pausing during 1040
  - Digital Cut command (Clip menu) 1027
  - Digital Cut command (Output menu) 1022, 1023
  - Digital cut delay, DV 1038
  - Digital Cut tool
    - 24p and 25p output formats 1030, 1030, 1030
    - deck controller in 1022
    - selecting decks from 1022
    - using 1020
  - Digital cuts
    - audio-only 1037
    - custom preroll for 1023
    - previewing 1022
    - record options 1023
    - recording 1020
    - recording using Local mode 1027
    - recording using Remote mode 1023
    - rendering effects for 1019
  - Digital scale (Audio tool) 174
  - Dipping
    - audio 779
  - Directory panel
    - changing fonts 1164
    - deleting folders in 1159
    - deleting stories 1076
    - making shortcuts 1076
    - opening a story 1074
    - removing shortcuts 1076
    - saving stories 1091
    - using 1074
  - Directory panel (Interplay Window)
    - See Media Directory panel
  - Disabling available resolutions 143
  - Disconnect button (NRCS tool) 1071
  - Disconnecting from the iNEWS server (NRCS tool) 1106
  - Displaying
    - audio pan and gain automation 724
    - audio waveforms 725
    - bin column headings 325
    - changing fonts 1164
    - column headings (Interplay Window) 1153
    - marker comments 495
    - sync breaks 569
    - take numbers in slates 603
    - tracking information 457
  - Displaying 24p and 25p media
    - during a digital cut 1463
    - while editing 1463
  - Dissolve effects
    - audio 779
    - Skip Existing Transition Effects option 779
  - Dissolve Icons command (Timeline Fast menu) 629
  - DNA/1394 button
    - playback to DV device with 481
    - selecting DV device with 204
    - selecting output device with 997
    - setting video quality with 484
  - DNxHD Native command (Video Quality menu) 482
  - DNxHD resolutions
    - described 1408
    - specifications 1408
    - storage requirements 1423
  - DNxHD-TR
    - rendering HDV media to 1474
  - Dolby E 234, 235, 236
  - Dominance
    - described 1405
  - Dominance, Import settings options 1352
  - Double-byte systems, ASCII characters in 1492
  - Downconverted sequences
    - outputting 1008
  - Downconverting HD
    - for output 1008
  - downloading plugins 1278
  - downloading stock footage 1274
  - Draft Quality command (Video Quality menu) 482
  - Drag-and-drop method
    - exporting files with 973
    - for converting files to ALE format (Macintosh) 111
    - for converting files to ALE format (Windows) 107
    - importing files 292
  - Dragging
    - IN and OUT points 484
    - marks 484
  - Drive filtering
    - in networked workflows 92
    - setting 145
  - Drive Filtering and Indexing tab 1362
  - Drive space
    - managing to improve playback performance 1434
    - maximizing use of 1434
    - planning 1423
  - Drive striping
    - in relation to resolutions 1408
  - Drives
    - See also Media drives
    - filtering 92, 145
    - saving work on 51
    - selecting 141
    - selecting for capturing 165
    - striped for capturing 138
    - striping 139
  - Drop-frame timecode
    - described 155
    - output 1034
    - simultaneous output with non-drop-frame 1035, 1035
  - Dropped frames
    - avoiding during output 1019
    - during digital cut 1023, 1027
  - Dual monitor display 456
  - Dupe checking 1376
  - Dupe Detection 682
  - Dupe Detection Handles option (Timeline settings) 1376
  - Duplicate AudioSuite plug-in 934
  - Duplicate command (Edit menu)
    - creating new import settings with 257
    - duplicating clips and sequences with 310
    - duplicating settings 1286
  - Duplicating
    - assets when dragging from the Interplay Window 1135
    - clips and sequences 310
    - settings 1286
  - Duration tracking 459
  - DV
    - capturing 204
    - capturing, overview 203
    - devices, connecting 156
    - devices, selecting 204
    - devices, selecting for output 997
    - DV 25 software codec 203
    - DV 25, capturing 203
    - playing back 481
  - DV audio pattern 1296
  - DV capture offset
    - described 204
  - DV Codec 1327, 1329
  - DV digital cut delay
    - described 1038
    - procedure for 1038
  - DV resolutions
    - Avid DV Codec for QuickTime 982
    - described 1416
    - specifications 1416
    - storage requirements 1434
  - DV Scene Extraction
    - described 253
    - setting up 253
  - DV Stream files
    - exporting 1321
    - options 1321
  - DVCPro HD resolution
    - raster type 1480
  - DVD
    - exporting to 966, 966
  - DVD authoring, exporting to 966
  - DVD One Step
    - exporting to 966
  - D-Verb AudioSuite plug-in 930
  - Dynamic relink
    - applying target settings 1209
    - applying working settings 1209
    - described 1200
    - displaying available media 1216
    - limitations 1208
    - quality matching 1230
    - to target settings 1214
  - Dynamic Relink Settings command (MultiRez menu in Timeline) 1209
  - Dynamic Relink Settings dialog box
    - opening 1208
    - options 1314
    - settings for quality matching 1230
- E
  - Edit controller
    - with Remote Play, Capture, and Punch-In 246
  - Edit mode
    - entering (NRCS tool) 1077
  - Edit Review button 702
  - Edit/Save button (NRCS tool) 1071, 1077
  - Editcam files
    - importing 276
  - Editing
    - adding new tracks during 674
    - deleting tracks during 674
    - directly from a bin 662
    - in Heads and Heads Tails views 679
    - multicamera material 1235
    - proxy media (XDCAM) 286
    - Segment Mode, guidelines 653
    - stories (NRCS tool) 1077
    - sync breaks, avoiding 569
    - types of selective camera cutting (MultiCamera) 1249
    - with film track 685
    - with the Script window 624
  - Editor Database Settings 1140
  - Edits
    - adding (match-framing) 681
    - backtiming 678
    - copying to Clipboard 564
    - extending 706
    - Extract 564
    - Insert 546
    - Lift 564
    - Overwrite 547
    - Replace 547
    - replace clips 671
    - reviewing 702
    - rough cut 543
    - Splice-in 546
    - undoing or redoing 545
  - Effect Editor Settings
    - described 1317
  - Effect templates
    - using with mixed rate clips 555
  - Effects
    - Audio EQ 786
    - finding information about 449, 512
    - location 449, 512
    - nesting described 663
    - rendering AudioSuite plug-in 885
    - rendering, for digital cut 1019
  - Ejecting drives
    - See Unmounting drives
  - Ejecting tapes with a button or key 234
  - Embedded audio and sample rate conversion 1015
  - Empty Trash command (Bin display Fast menu) 62
  - Enable Clip Coloring command (MultiRez menu in Timeline) 1218
  - Enable Confidence View
    - video display setting 1379
  - Enable Track buttons (Digital Cut tool) 1020
  - End key 478
  - Enlarge Frame command (Edit menu) 304, 600
  - Enlarge Track command (Edit menu) 631
  - Enlarging
    - frames in the bin 304
    - tracks in the Timeline 631
  - ENPS
    - server 1064
  - ENPS server
    - configuring (NRCS tool) 1065
  - Entering
    - Segment mode 654
    - Trim mode 700
  - EQ AudioSuite plug-ins 935
  - EQ effects
    - adjusting while playing 799
    - applying 787
    - removing 794
    - templates for 797
  - ERIMovie file format
    - additional export options 1342
    - brief description 1395
  - Errors
    - logged during capturing 227
    - viewing capturing errors in the Console window 227
    - viewing log of, in the Console window 101
  - Essence Marks 285
  - Estimating drive space requirements 1422
  - EuControl
    - configuration 851
    - installation 844
  - Existing Windows Media Custom Profile 1336
  - Exit command (File menu) 49
  - Exiting
    - Trim mode 700
  - Expander/Gate III (Dynamics III) AudioSuite plug-in 940
  - Expert Decompose
    - activating 218
    - described 216
    - target format reference 216
    - using 221
  - ExpertRender
    - using, for digital cut 1019
  - ExpertRender In/Out command (Clip menu) 1019
  - Export as dialog box 973
  - Export command (File menu) 973, 981
  - Export Settings
    - described 1321
  - Export settings
    - Audio 1340
    - AVI 1335
    - AVI Video Compression 1335
    - DV Stream 1334
    - Graphic 1341, 1345
    - Graphic Format 1342
    - OMFI, AAF, and AFE 1324
    - QuickTime Compression settings 1332
    - QuickTime Movie Export options 1329
    - QuickTime Movie settings 1331
    - QuickTime Reference options 1327
    - Video Compression options 1058
    - video compression options 1335
    - Windows Media Export options 1336
    - XDCAM 1345
  - Export Settings dialog box 976
  - Export Settings dialog box options 1321
  - Export settings, video compression options 1335
  - Exporting
    - AAF files 978
    - audio tracks 1340
    - AVI files 1335
    - bins as AFE files 981
    - clips 973
    - data track 1055
    - DV Stream files 1321
    - frames 973
    - from a third-party QuickTime or AVI application 986
    - graphic files 1341
    - OMFI files 978
    - preparing sequences for 965
    - procedure for 973
    - projects as AFE files 981
    - QuickTime movies 982
    - QuickTime movies procedure 982
    - QuickTime reference movie 982
    - reasons for 964
    - sequences 973
    - settings for, creating 976
    - TARGA files 1342
    - to Avid DS 966
    - to Avid DVD by Sonic 966, 966
    - to DigiDelivery 966
    - to Digidesign Pro Tools 966
    - to DVD 966, 966
    - to HDV device 1475
    - to HDV settings 1333
    - to Sorenson Squeeze 966
    - to third-party applications 971
    - user profiles 73
    - using drag-and-drop method 973
    - VC1 media 993
    - Wavefront files 1342
    - Windows Media 986
    - with Avid Codecs for QuickTime, described 982
    - with Avid Codecs for QuickTime, procedure for 982
    - XDCAM 988, 989
    - YUV files 1342
  - Exporting files
    - with Avid DV Codec 1327, 1329
  - Exporting sequences to P2 card 992
  - Extend button 706
  - Extending
    - edits 706
  - External devices
    - turning off 49
    - turning on 27
  - External display monitor
    - connecting 465
    - selecting setting 466
    - viewing with 465
  - External drive
    - See Media drive
  - External fader controller
    - adjusting pan with 816
    - adjusting volume with 816
    - connecting to a system 812
    - troubleshooting connections 830
    - using 815, 823
  - External timecode 239
    - capturing with 239
  - Extra text fields 232
  - Extract button 564
  - Extracting material 564
  - Eyedropper
    - 3 x 3 averaging of pixels, setting 1309
    - Color Match 1309
- F
  - F5 button, refreshing with 1159
  - Factory preset buttons
    - in Video Input tool 185
    - in Video Output tool 1002
  - Fader controller
    - external, adjusting pan with 816
    - external, adjusting volume with 816
    - external, using 815, 823
    - recording audio volume 815
  - Fader controllers
    - described 810
    - external, adjusting pan with 770
    - external, adjusting volume with 770
    - Live Mix mode 775
  - Fading
    - audio 779
  - Fading audio 1296
  - Fast command (Vertical Scroll Speed menu in Mouse Settings dialog box) 30
  - Fast Cue option (Deck settings) 1311
  - Fast Forward button
    - described 476
    - moving between audio keyframes with 773
  - Fast menus
    - Settings display in the Project window 1285
  - Field dominance
    - described 1405
  - Field dominance, Import Settings options 1352
  - Field Motion bin column 553
  - Field Motion clip attribute
    - overriding 553
  - Field motion types
    - mixing and matching 548
  - Field ordering
    - described 1403
  - FieldPak
    - importing files from 276
  - Field-stepping
    - mixed rate clips in draft qualities 555
  - File formats
    - animation 1395
  - File management 412
  - File names
    - for Avid Projects folder 38
    - for Avid Users folder 38
  - Files
    - batch import 295
    - exporting using drag-and-drop method 973
    - exporting, procedure for 973
    - exporting, reasons for 964
    - importing 259
    - importing, guidelines 257
    - importing, using drag-and-drop method 292
    - reimporting 292
    - specifications for importing graphics 1389, 1389
    - specifications for importing OMFI 1397
    - transferring, reference of devices and methods 1058
  - Fill Sorted command (Bin menu) 304
  - Fill Window command (Bin menu) 304
  - Filler
    - adding during trimming 707
    - adding to a sequence 541
    - setting duration of 541
  - Film
    - matchback options 42
    - project workflow 1437, 1437
    - scene workflow 332
    - selecting options 42, 1459
    - shoot specifications 1441
    - transferring to NTSC 1445
    - transferring to PAL 1447
  - Film and 24p settings
    - for transfer 150
    - pulldown phase 131, 131
  - Film speed
    - slowing to 23.976 fps 1446
  - Film track, editing with 685
  - Film Type for shoots 1441
  - Film Wind for shoots 1441
  - Film-to-tape transfer
    - guidelines for 1441
    - options for 1441
  - Filter Automation Pan command (Audio Mixer Tool Fast menu) 772
  - Filter Volume Automation command (Audio Mixer Tool Fast menu) 772
  - Filtering
    - drives 145
    - search results 534
  - Filtering drives 92
  - Filtering results 532
  - Final Cut Pro
    - importing shot logs from 105
  - Find 530
  - Find Bin button 511, 512
    - in the Script window 624
  - Find Black Holes command (Clip menu) 686
  - Find command (Edit menu) 506, 595
  - Find Flash Frames command (Clip menu) 686
  - Find Next Mismatched or Unavailable Clip command (MultiRez menu in Timeline) 1222
  - Find Script button 624
  - Find window 506, 535
  - Finding
    - bins from a monitor 511
    - black holes 686
    - clip names 506
    - clips 506
    - flash frames 686
    - frames, with the Find command 506
    - frames, with timecode offset 503
    - marker text 506
    - related media files 435
    - script from marked takes 624
    - text in the Script window 595
  - Finding bins
    - from the Script window 624
  - Finding markers 494
  - FireWire
    - capturing through 203, 204
    - connecting devices 156
    - drives, for transfer between systems 1058
    - selecting channel type 151
  - Flanger AudioSuite plug-in 942
  - Flash frames 686
  - Flat View command (Bin display Fast menu) 61
  - Focus button (Timeline) 650, 702
  - Focusing
    - Timeline 650
  - Folders
    - Avid Projects 38
    - Avid Users 38
    - creating in projects 62
    - deleting 1159
    - navigating to from a selected asset 1160
  - Fonts
    - changing in the Script window 593
    - changing in user interface 77
  - Fonts, changing 1164
  - Footage
    - finding 503
    - loading into monitors 471
    - marking 484
    - marking IN and OUT 484
    - subcataloging 484
    - viewing in monitors 455
    - viewing in Timeline 455
    - viewing, overview 455
  - Foreign keyboard mapping 1491
  - Format display in the Project window
    - described 1464
  - Format elements
    - preparing leader for tracks 581
  - Format tab (Project window) 66
  - Four-frame display, trimming in 710
  - Frame Chase
    - capture settings 209
    - capture, aborting 210
    - capture, overview 208
    - capture, requirements and guidelines 210
    - capture, update interval 209
    - clip duration 208
    - editing workflow 1143
    - editing, limitations 1144
    - editing, overview 1142
    - sending sequences to playback 1142
    - unavailable resolutions 210
  - Frame Chase editing 1216
    - limitations 1144
  - Frame count numbers
    - tracking with ink numbers and file names 321, 321
  - Frame offset 503
  - Frame rates
    - mixing and matching 548
  - Frame view (bin display)
    - arranging 304
    - described 304
    - in the Media tool 417
  - Frame-accurate recording 1016
  - Frame-by-frame movement in Timeline 652
  - Frames
    - aligning in bins 304
    - changing frame identifying a clip 304
    - changing size in bins 304
    - changing size in Research panel (Interplay Window) 1153
    - enlarging or reducing in Research panel (Interplay Window) 1153
    - exporting 973
    - finding with Match Frame 509
    - finding with timecode offset 503
    - rearranging in bin Frame view 304
    - rearranging in bin Script view 306
  - Framestore file format
    - import specifications for 1390
  - Frequencies (audio), adjusting 786
  - Full Quality 10-bit command (Video Quality menu) 482
  - Full Quality command (Video Quality menu) 482
  - Full Screen Playback
    - enabling 468
    - settings 1346
  - Full Screen Playback command (Special menu) 468
  - Full-Monitor Display 1238, 1238
  - Full-screen image size
    - defined 1389
  - Full-screen Timeline 639
  - Function key commands (Capture Settings) 226
  - Funk Logic Mastererizer AudioSuite plug-in 926, 943
- G
  - Gain
    - viewing gain values 727
  - Gain AudioSuite plug-in 944
  - Gang button 575
  - Ganging
    - footage in monitors 575
  - General settings
    - described 1349
  - General Settings dialog box 150
  - General-purpose interface (GPI) device
    - configuring with VLAN-VLXi controller 839
    - trigger signals 836, 837
    - using 835
    - using with V-LAN VLXi controller 838
  - Get Bin Info command (File menu) 101
  - Get Position Info command (File menu) 101
  - Get Sequence Info command (File menu) 539
  - GFCAM
    - AMA plug-in 361
    - files and folders 358, 360, 362
    - formats 358, 360, 362
    - Shot marks 364
    - transferring files 359, 361, 363
    - workflow 406, 406
  - GFCAM media 361
  - Global settings
    - Import 257
  - Global Titles
    - in Avid log file 114
  - Go To Capture Mode command (Bin menu) 157, 202
  - Go To Page command (Script menu) 595
  - Go To Scene command (Script menu) 595
  - GOP (Group of Pictures)
    - described 1471
  - GPI settings
    - creating 839
    - deleting 839
    - editing 839
  - Graphics (image) files
    - exporting 1341
    - field ordering in 1403
    - import specifications 1389, 1389
    - preparing for import of 1389
    - recommended field settings 1404
  - Grid
    - Safe Action setting 1350
    - Safe Title setting 1350
  - Grid settings
    - Coordinates tab 1350
    - described 1350
    - Display tab 1350
  - Group clips
    - command (Bin menu) 1236
    - creating 1236
    - dialog box options 1236
    - Video Quality settings 1243
  - Group menu 1246
  - Grouped clips
    - frame rate limitations 555
  - Grouping
    - multiple tracks on an Avid Artist Series controller 861
  - Grouping procedures 1236
  - Guidelines
    - for film-to-tape transfers 1441
    - for logging 122
    - for naming tapes 122
- H
  - Halt Digital Cut button (Digital Cut tool)
    - stopping Digital Cut preview with 1022
    - stopping Digital Cut with 1023, 1027
  - Hard subclips 228
  - Hardware
    - check list for capturing 138
    - turning off 49
    - turning on 27
  - Hardware command (Tools menu) 103
  - Hardware tool
    - displaying information 70
    - using 103
  - HD
    - Component signal, adjusting output 1008
    - crossconverting and downconverting 1008
    - Raster Type selection for projects 41
    - sync options 998
  - HD media
    - offline formats for 1464
  - HD SDI embedded audio
    - and sample rate conversion 1015
  - HDCAM SR Lite
    - formats 347
  - HDCAM SR Lite media 345
  - HDCAM SR Lite plug-in 345
  - HDMI 732, 738
  - HDTV
    - aspect ratio 1436
    - broadcast graphics workflow 1458
    - supported formats
    - using 16:9 format for 138
    - video-based workflow 1457
  - HDV
    - capturing 1473
    - capturing through IEEE port 1473
    - described 1471
    - exporting to HDV device 1475
    - exporting to HDV settings 1333
    - exporting transport stream 1477, 1477
    - finishing on Avid DS Nitris 1479
    - importing 1473
    - Long GOP splicing 1475
    - outputting digital cut by transcoding 1477
    - raster type 1480
    - rendering 1474
    - transcoding 1474
  - Head frames 1081
  - Headings (Interplay Window)
    - adding 1153
    - creating 1153
  - Headings command (Bin menu) 299, 314
  - Heads and Heads Tails views
    - in the Timeline 679
  - Hide Video command (Composer window context menu) 456
  - Hiding
    - bin column headings 325
    - bin columns 299
    - column headings (Interplay Window) 1153
    - slate frames 600
    - Timeline top toolbar 646
  - High shelf in Audio EQ tool 787
  - High-definition television
    - See HDTV
  - Hinted streaming, exporting as 1331
  - Histogram
    - QuickTime 381, 381
    - RED 373, 373
  - Holding slates on screen 600
  - Home command (Windows menu) 639
  - Home key 478
  - House sync
    - for output 997
  - Hue slider
    - adjusting for video input 185
    - adjusting for video output 1002
  - Hyperclip tag (Post to Web) 1101
- I
  - ICS
    - choosing a locale for (Macintosh) 1484
    - choosing a locale for (Windows) 1483, 1483
    - recommendations and restrictions 1492
    - using to display and input characters 1483
  - IEEE 1394 command (Device submenu of Special menu) 481, 484, 997
  - IEEE-1394
    - capturing through 203, 204
    - connecting devices 156
  - IFF file format
    - import specifications for 1390
  - Image files
    - sequenced, naming for import 1395
  - Image quality
    - for interlaced resolutions 1414
  - Import command (File menu) 135, 259
  - Import Options section (Batch Import dialog box) 295
  - Import Settings
    - XDCAM tab 1357
  - Import settings
    - alpha channel options 1352
    - aspect ratio options 1352
    - Audio tab 1356
    - CCIR video levels 1352
    - described 1352
    - dominance options 1352
    - Image tab 1352
    - modifying 257
    - OMFI tab 1355
    - overview 257
    - RGB graphics levels 1352
    - Shot Log tab 1355
    - XDCAM tab 278
  - Import Settings dialog box 257
  - Import Target section (Batch Import dialog box) 295
  - Importing
    - a script 590
    - animation files 1395
    - converting sample rates 267
    - files, basic procedure 259
    - files, batch import 295
    - files, batch importing multiple resolutions 1192
    - files, drag-and-drop method 292
    - files, guidelines 257
    - files, preparing for 257
    - files, settings for 257
    - HDV transport stream file 1473
    - sample rate conversion options 268
    - shot log files 135
    - test patterns 275
    - XDCAM media 278, 278, 283, 285
  - Importing clips and media from P2 card 290, 290
  - Importing files
    - EditCam 276
    - Photoshop files 269
    - preparing for 1389
    - specifications for graphics files 1389, 1389
    - specifications for OMFI files 1397
    - XDCAM 278, 285
  - IMX resolutions
    - See MPEG resolutions
  - IN and OUT points
    - dragging 484
    - marking 484
    - moving 484
    - using to define segment relationships 1309
  - In/Out buttons (Audio tool) 174
  - Indent Rows command 1317
  - Indicating off-screen dialog 605
  - iNEWS server
    - configuring (NRCS tool) 1065
    - disconnecting from (NRCS tool) 1106
    - setting up (NRCS tool) 1065
  - Info display (Project window)
    - described 70
    - displaying Hardware 70
    - displaying Memory 70
  - Info window
    - opening from a monitor 462
    - opening from a Script window 590
  - Inhibit Preloading option (Remote Play and Capture settings) 1369
  - Ink numbers
    - displaying frame count numbers 321, 321
  - In-progress clips
    - capturing, overview 208
    - duration 208
    - editing overview 1142
    - editing workflow 1143
    - limitations 1144, 1144
    - sending sequences to playback 1142
  - Input
    - audio 171
  - Input Gain 1296, 1296
  - Input Level slider 1296, 1296
  - Insert edits 546
  - Insert-edit recording 1017
  - Installing
    - Avid Codecs for QuickTime 984
  - Installing AudioSuite plug-ins 880
  - Interactive screenings in Script window 624
  - Interface settings
    - described 1358
    - General tab 1358
  - Interface settings (Appearance tab)
    - changing color of 75
    - changing text font and size 77
    - described 75
  - Interlaced clips
    - mixing with progressive 548
  - Interlaced resolutions
    - specifications for 1414
    - storage requirements for 1428
  - Internal command (Sync Lock menu in Video Output tool) 997
  - International character support (ICS)
    - taking advantage of 1483
  - International operating system 1484
  - Interplay
    - Media tool with 418
  - Interplay Asset Manager 1058
  - Interplay Assist
    - restrictions through 1148
  - Interplay environment
    - relinking in 1216
  - Interplay Folder Settings 1360
  - Interplay Folder settings
    - described 1360
  - Interplay Folder Settings dialog box 1116
  - Interplay Folders option (Capture tool) 1169
  - Interplay Host, specifying settings 413
  - Interplay Login dialog box 1119
  - Interplay Media Indexer
    - managing Media tool display 418
  - Interplay Media Services 995
  - Interplay Root Folder
    - checking in assets 1137
    - specifying settings 1116
  - Interplay Server
    - specifying settings 1116
  - Interplay Server settings
    - described 1360
  - Interplay Server Settings dialog box 1116
  - Interplay settings 1116
  - Interplay Transfer 1058
  - Interplay User
    - specifying settings 1116
  - Interplay User settings
    - described 1360
  - Interplay User Settings dialog box 1116, 1119
  - Interplay User, specifying settings 413
  - Interplay Window
    - checking in assets to the Interplay Root Folder 1137
    - column display options 1153
    - connecting to database 1116
    - creating new columns 1153
    - defined 1107
    - described 1146
    - Interplay folders 1107
    - local bins 1107
    - Media Directory panel 1146
    - Media Search tab 1146
    - modifying the display 1152
    - opening 1119
    - permissions 1148
    - Research panel 1146
    - searching 1166
    - sorting columns 1153
    - workgroup projects 1112
  - Interplay window
    - Property Merge dialog box 1161
  - Interplay Window command (Tools menu) 1119, 1133, 1137, 1141, 1169
  - Interpolating position
    - for script integration 599
  - Invert AudioSuite plug-in 944
  - ITU-R 292M
    - video standards 1406
  - ITU-R 601
    - video standards 1406
- J
  - JFIF interlaced media
    - specifications 1413
    - storage requirements 1428
  - JFIF progressive media
    - specifications 1415
    - storage requirements 1431
  - J-K-L keys
  - J-K-L keys (Three-Button Play) 703
  - Jog mode
    - Avid Artist Series controller 859
  - JPEG file format
    - additional Export options for 1342
    - import specifications for 1390
- K
  - Keyboard
  - Keyboard shortcuts
    - audio keyframing 773
    - Volume Automation and Pan 773
  - Keyframes
  - Keypunch
    - camera roll 1441
- L
  - Language
    - non-English keyboard mapping 1491
    - non-English, typing in 1488
    - specifying in Get Info dialog box (Macintosh) 1484
  - Language, setting (Macintosh) 1484
  - Languages
    - selecting for PhraseFind 529
  - LANshare 414
  - Large Text command 1317
  - Lassoing
    - objects 309
    - segments 654
  - latch mode (Avid Artist Series controllers) 863
  - Launch 34
  - Layer effects, preserving 273
  - Layout (Interplay Window)
    - changing 1162
    - custom 1162
    - deleting 1162
    - saving 1162
  - Layout button (Interplay Window) 1152
  - L-cut edit (Overlap edit)
    - described 705
    - for audio clips 488
  - Leader
    - creating 581
    - for managing sync breaks 573
  - Left Arrow key
    - moving through footage with 478
  - Left Margin command (Script menu) 590
  - Left Margin dialog box 590
  - Less Detail command (Timeline Fast menu) 629
  - Lift button 564
  - Lifting material 564
  - Limitations
    - for adjusting volume 763
  - Line slider (Waveform monitor) 185
  - Linear timecode
    - See LTC (longitudinal timecode)
  - Lined script 584
  - Linked clips
    - described 1093
  - Linking clips to script 597
  - Linking clips to script with ScriptSync 610
  - Live Mix mode 774
    - Audio Mixer Tool controls 776
    - Audio Mixer tool Fast menu commands 777
    - entering 775
    - example 778
    - external controllers 775
    - switching to other Audio Mixer modes 776
  - Load Filler command (Clip Name menu) 541
  - Load Media Database command (File menu) 432
  - Loaded cues
    - adding 1081
    - displaying head frames 1081
    - using 1081
  - Loading
    - filler 541
    - footage 471
    - media databases 432
    - takes from the Script window 603, 622
  - Loading clips 1159
  - Local colors
    - assigning in the Timeline 636
    - displaying in Timeline 632
  - Local language operating system, using 1484
  - Locales, using characters from only one 1492
  - Lock Bin Selection command (Clip menu) 315
  - Lock icon (Track Selector panel) 672
  - Lock Tracks command (Clip menu) 673
  - Locking and unlocking
    - bin items 315
    - shared bins 88
    - tracks 672, 673
  - Lo-Fi AudioSuite plug-in 945
  - Log files
    - importing from film-to-tape transfer systems 302
    - See Shot log files
  - Logging 104, 135
    - automatic, during film transfer 1441
    - automatically with DV 253
    - bypassing by autocapturing 202
    - directly into a bin, with a non-Avid-controlled deck 129
    - directly into a bin, with an Avid-controlled deck 124
    - errors during capturing 227
    - errors to the Console window 101
    - guidelines for 122
    - pausing deck while 128
    - preroll 122
    - timecode 122
    - while capturing 195
  - logging in to the Avid Media Store 1254
  - Logs
    - See Shot log files
  - Long GOP splicing 1475
  - Loop Selected Clips command (Bin Fast menu) 470
  - Low shelf in Audio EQ Tool 787
  - LTC (longitudinal timecode)
    - capturing with 239
    - establishing sync for output 998
    - output for 24p and 25p projects 1034
    - output for downstream encoding 1035, 1035
    - reading user bits in 714
  - Luminance settings
    - adjusting for video input 185
    - adjusting for video output 1007
    - table of 1007
    - video input 185
- M
  - Mail
    - configuring directory for NRCS tool 1065
    - receiving (NRCS tool) 1105
    - sending (NRCS tool) 1104, 1105
  - Maintaining synchronized sound 1446
  - Make New
    - using template 971
  - Make Subclip button 487
  - Managing
    - media files 412
  - Mapping
    - buttons 98
    - buttons to Timeline top toolbar 646
    - menu commands 99
  - Margins
    - script, adjusting in Script window 590
  - Mark Clip button 486
    - marking clips in Segment Mode 660, 661, 662
  - Mark IN button 484
  - Mark In Time option (Digital Cut tool) 1023
  - Mark Markers button 495
  - Mark OUT button 484
  - Marker edit entry window 494
  - Marker icon
    - changing color of 494, 497
  - Marker window
    - selecting marker items 497
  - Markers
    - adding while capturing 230
    - adding while editing 491, 492
    - creating automatically with DV 253
    - deleting 495, 497, 499
    - displaying comments 495
    - displaying in the Timeline 638
    - editing 494
    - Essence Marks (XDCAM) 285
    - finding 494
    - finding text of 506
    - for managing sync breaks 573
    - limitations with mixed-rate clips 555
    - marking an area with 495
    - moving to next or previous 495
    - printing 501
    - selecting in Markers window 497
    - using 489
  - Markers window
    - deleting markers from 497
    - displaying frames in 497
    - displaying MetaSync information 497
    - displaying timecode or footage column in 497
    - exporting 498
    - importing 498
    - printing 501
    - sorting markers in 497, 497
  - Marking
    - audio clips 488
    - clips 486
    - footage 484
    - IN and OUT points 484
    - segments 486
    - segments in Segment mode 660, 661, 662
    - text as Closed Caption (NRCS tool) 1078
    - text as machine control (NRCS tool) 1078
    - text as normal (NRCS tool) 1079
    - text as Presenter Instructions (NRCS tool) 1078
    - with markers 489, 495
  - Marking tape location
    - using Mark Memory button 129
  - Marks
    - clearing 484
    - IN and OUT points 484
    - phantom 580
  - Marquee Title Settings
    - described 1361
  - Master clips
    - See also Clips
    - See also Subclips
    - consolidating 422
    - copying 310, 311
    - creating new, with AudioSuite 885
    - deleting 312
    - duplicating 310
    - importing from P2 card 290, 290
    - locating from subclips 512
    - locking 315
    - moving 310
    - recapturing 215
    - searching remote assets 1168
    - selecting 309
    - sifting 335
  - Master shot, in the lined script 584
  - Master Volume button 730
  - Match Frame
    - described 509
    - reverse 510
    - tracks 511
  - Match Frame button 509, 512
  - Match Frame feature
    - for MultiCamera editing 1248
  - Match Frame Track command (Timeline context menu) 511
  - Match framing (adding edits) 681
  - Matchback
    - options for 42
  - Matching
    - frames 509
  - Maximizing drive space 1434
  - Mbox
    - audio devices compared 824
    - configuring 825
    - passthrough monitoring 826
  - Media
    - importing from P2 card 290, 290
  - Media creation
    - restricting resolutions for 143
  - Media Creation command (Tools menu) 141, 145, 259, 292
  - Media Creation dialog box
    - setting file format for import 259
  - Media Creation settings
    - Capture tab 1363, 1363
    - described 1362
    - Drive Filtering and Indexing tab 1362
    - Import tab 1363, 1363
    - Media Type tab 1364
    - Mixdown & Transcode tab 1363, 1363
    - Render tab 1364
    - Titles tab 1363, 1363
  - Media databases
    - loading 432
    - refreshing directories 433
  - Media Directory panel
    - creating shortcuts 1151
    - described 1146
    - removing shortcuts 1151
  - Media drives
    - See also Drives
    - selecting 141
    - targeting 165
  - Media drives, unmounting 416
  - Media files
    - archiving 444
    - backing up 434
    - capturing to multiple 148
    - consolidating, described 422
    - consolidating, options for 424
    - consolidating, procedure 424
    - deleting in bins 312
    - deleting unreferenced clips 433
    - deleting using Media tool 420
    - finding related 435
    - managing in a workgroup environment 413
    - managing, overview 412
    - manipulating with the Media tool 417
    - restoring from videotape 448
    - unlinking 443
  - Media Files Capture settings 148
  - Media Indexer
    - auto-indexing local drives 1362
    - described 1188
  - Media Search tab
    - Interplay Window 1146
    - searching in Interplay Window 1166
  - Media Services Broker 1365
  - Media Services Settings 995
  - Media Services settings
    - described 1365
  - Media Store 1251
  - Media tool
    - deleting files 420
    - in an Interplay environment 418
    - opening 419
    - summary of features 417
  - Media Tool command (Tools menu) 419
  - Memory information 70
  - Memory marks
    - adding 129
  - Memory usage
    - system 71
  - Memory window
    - for checking system performance 568
    - for viewing memory 70
  - Menu commands
    - Add Comments (Clip Name menu) 566
    - Align to Grid (Bin menu) 319
    - Audio EQ (Tools menu) 786
    - AutoSync (Bin menu) 577
    - Calculator (Tools menu) 100
    - Calibrate (Peak Hold Menu button) 178, 178, 178
    - Capture Tools (Tools menu) 124
    - Color (Script menu) 606
    - Console (Tools menu) 101, 101, 182
    - Custom Sift (Bin menu) 335
    - Delete (Edit menu) columns 319
    - Delete Take (Script menu) 600
    - Duplicate (Edit menu) 1286
    - Enlarge Frame (Edit menu) 600
    - Export (File menu) 981
    - Find (Edit menu) 595
    - Find Black Holes (Clip menu) 686
    - Find Flash Frames (Clip menu) 686
    - Get Bin Info (File menu) 101
    - Get Position Info (File menu) 101
    - Go To Page (Script menu) 595
    - Go To Scene (Script menu) 595
    - Group Clips (Bin menu) 1236
    - Hardware (Tools menu) 103
    - Home (Windows menu) 639
    - Left Margin (Script menu) 590
    - Lock Bin Selection (Clip menu) 315
    - mapping 99
    - Mount All (File menu) 416
    - New Deck Controller (Tools menu) 94
    - New Script (File menu) 590
    - Page Setup (File menu) 342
    - Print Bin (File menu) 342
    - Print Frame (File menu) 342
    - Print Timeline (File menu) 688
    - Reduce Frame (Edit menu) 600
    - Remote Play and Capture (Clip menu) 249
    - Remote Play and Capture (Special menu) 247, 248
    - Reveal File (File menu) 435
    - Select All (Edit menu) 212
    - Select Media Relatives (Bin menu) 317
    - Select Offline Items (Bin menu) 317
    - Select Unreferenced Clips (Bin menu) 318
    - Set Bin Display (Bin menu) 334
    - Set Font (Edit menu) 593
    - Show All Takes (Script menu) 600
    - Show Every Frame (Timeline Fast menu) 685
    - Show Frames (Script menu) 600
    - Show Track (Timeline Fast menu) 685
    - Unlock Bin Selection (Clip menu) 315
    - Unmount (File menu) 416
    - Video Input Tool (Tools menu) 183, 185
    - View Type (Timeline Fast menu) 679
  - Message-of-the-Day options (NRCS tool)
    - configuring 1065
  - MetaSync
    - described 583
  - MetaSync information
    - in Markers window 497
  - MII component video standard
    - unsupported 1381, 1381
  - Millivolts (mVolts) 1373
  - Mix Mode Selection 1296
  - Mixed rate clips
    - defined 548
    - field-stepping in draft qualities 555
    - identifying in Timeline 551
    - limitations with XDCAM AMA media 555
    - summary of user interface 549
    - transcoding 555
    - using dynamic relink with 1215
    - using effect templates with 555
  - Mixed resolutions
    - highlighting in bins 334
  - Mixed-rate clips
    - limitations with markers 555
  - Mixed-rate sequences
    - decomposing 216
  - Mixer
    - adjusting pan with 816
    - adjusting volume with 816
    - using 815, 823
  - Mixing
    - video resolutions 1421
  - Mixing and matching
    - field motion types 548
    - frame rates 548
  - Mixing and monitoring audio 173
  - Mixing down audio 783
  - Mode option (Remote Play and Capture settings) 1369
  - Moderate command (Vertical Scroll Speed menu in Mouse Settings dialog box) 30
  - Modify command
    - changing sequence format 1466
  - Modifying
    - data in bin headings 325
    - Import settings 257
    - pan values 749
    - settings 1284
    - the pulldown phase after capturing 251
  - Monitor resolutions
    - NTSC, PAL, HD 1407
  - Monitoring
    - audio output global levels 1011
    - icons (Track Selector panel) 668
    - tracks 668
  - Monitors
    - Capture in Progress slide 208
    - clearing clips from 472
    - displaying sequence information using 462
    - expanding 456
    - ganging footage in 575
    - hiding video in 456
    - loading footage 471
    - resizing 456
  - Mono option (audio) 783
  - More Detail command (Timeline Fast menu) 629
  - Motion Adapter effect
    - adjusting 551
    - field-stepping in draft qualities 555
    - promoting to Timewarp 551
  - Motion Adapter effects
    - defined 549
    - refreshing in sequences 563
  - Motion effects
    - rendering options 1370
  - Motion mode indicator (Timeline) 652
  - Mount All command (File menu) 416
  - Mounting workspaces
    - ISIS v2.0 and later 1130
    - MediaNetwork 1129
  - Mouse
    - assigning functions to buttons 30
    - setting up the scroll wheel 30
    - settings 30
    - using scroll wheel 30
  - Mouse Settings
    - described 1365
  - Mouse Settings dialog box 30
  - Mouse support for multicamera editing 1245
  - Movement in Timeline, controlling 652
  - Moving
    - bin columns 319
    - clips and sequences 310
    - frames in the bin 304
    - IN and OUT points 484
    - remote assets 1149, 1159
    - script marks 623
    - settings between systems 1060
    - slates in the Script window 600
    - through clips 476
  - Moving settings
    - between settings files 1288
  - MPEG resolutions
    - described 1417
    - specifications
    - storage requirements for 1434
  - Multi-angle View menus 1247
  - MultiCamera
    - editing 1235
    - Full-Monitor Display 1238
    - Nine Split Source view 1238
    - Quad Split Source view 1238
  - MultiCamera mode
    - committing edits 1249
    - described 1238
    - Group menu 1246
    - grouping 1236
    - Multi-angle menus 1247
    - MultiCamera Nine Split Edit 1238
    - MultiCamera Quad Split Edit 1238
    - Nine Split Source view 1238
    - Quad Split Source view 1238
    - selective cutting in 1249
    - switching camera angles in 1244, 1245
    - techniques 1244
    - video quality 1243
  - Multicamera resolutions
    - specifications 1415
  - Multi-channel audio
    - and Direct Out mode 1177
  - Multichannel audio 715
  - Multigroup clips
    - creating 1237
  - Multilayered files, importing 273
  - Multilevel sorting of columns 300
  - Multiple text fields 232
  - Multiple tracks 663
  - MultiRez
    - bin and column headings for 1223
    - clip coloring for 1218
    - deleting clips 1226
    - described 1188
    - examples 1218
    - partially online clips, consolidating and deleting original media 1229
    - partially online clips, restoring from an archive 1202, 1229
    - partially online clips, viewing source in Timeline 1228
    - quality matching 1230
    - Send to Playback command with 1217
  - Multirez
    - clip coloring examples 1219
  - MultiRez button (Timeline)
    - enabling dynamic relink 1209
    - showing available media 1217
    - summary of right-click menu commands from 1222
  - Multi-Tap Delay AudioSuite plug-in 946
  - Mute button 730
  - Muting audio 730
  - mVolt (millivolt) units 1373
  - MXF
    - AMA plug-in 381
    - formats 383
    - Media Files tab 148
    - Media Files Tab (Capture Settings dialog box) 1303
    - Panasonic P2 files 351
    - workflow 409
  - MXF file format 141
    - choosing at target audio format for transcode 424
    - choosing target audio format for transcoding 428
    - transcoding to OMF 428
  - MXF media 381
- N
  - Naming tapes 122
  - Narration, recording voice-over 800, 800
  - Navigating
    - to a folder from a selected asset 1160
  - Navigation buttons
    - Avid Artist Series controller 854
  - NCSID option (NRCS tool)
    - configuring 1065
  - Nested effects 663
  - Nesting
    - tracks 663
  - Network drives
    - accessing from Console window 101
  - Network drives command 101
  - New Audio Track command (Clip menu) 540, 674
  - New Bin button (Project window) 59
  - New Bin command (File menu) 59
  - New Deck Controller command (Tools menu) 94
  - New Folder command (Bin display Fast menu) 61
  - New Meta Track command (Clip menu) 674
  - New Project button (Select Project dialog box) 42, 1459
  - New Script command (File menu) 590
  - New sequence
    - setting up 538
  - New Sequence command (Clip menu) 538
  - New Video Track command (Clip menu) 540, 674
  - Next In Group button 1244
  - Nine Split button 1238, 1238
  - Nine Split Source view 1238, 1238
  - Non-Avid-controlled deck
    - logging with a 129
  - Non-drop-frame timecode
    - described 155
    - output 1034
    - simultaneous output with drop-frame 1035, 1035
  - Non-English character support (Macintosh) 1484
  - Non-English characters
    - recommendations and restrictions 1492
    - using only one locale 1492
  - Non-English keyboard layout 1488
  - Non-square pixels 1389
  - Normal command (Vertical Scroll Speed menu in Mouse Settings dialog box) 30
  - Normalize AudioSuite plug-in 947
  - NRCS Settings
    - ENPS tab 1367
    - iNEWS tab 1366
    - NRCS tab 1366
    - Post to Web tab 1367
  - NRCS tool
    - adding loaded cues 1081
    - adding production cues 1080
    - adjusting story timing 1089
    - associated sequences 1088, 1091
    - building a sequence from a story 1084
    - deleting a story 1076
    - deleting production cues 1080
    - disconnecting from the server 1106
    - editing stories 1077
    - elements of, described 1071
    - ENPS tab options 1065
    - entering Edit mode 1077
    - finding read time of a story 1083
    - formatting text 1079
    - head frames 1081
    - linked clips 1093
    - loaded cues 1081
    - Logging out option 1065
    - Mail Directory options 1065
    - making shortcuts to directories 1076
    - marking text as Closed Caption 1078
    - marking text as machine control 1078
    - marking text as normal 1079
    - marking text as Presenter Instructions 1078
    - Message-of-the-Day options 1065
    - NCSID option 1065
    - opening a story 1074
    - overview 1063
    - Page column 1074
    - Post to Web feature 1092, 1095, 1102
    - processing scripts 1092
    - rearranging text 1078
    - receiving mail 1105
    - removing shortcuts to directories 1076
    - saving a story 1091
    - saving changes to a story 1091
    - sending mail 1104
    - starting 1070
    - Status column 1074
    - story lock 1077
    - user interface reference 1071
    - using loaded cues 1081
    - using the Directory panel 1074
    - VideoID column 1074
    - WPM rate 1083
  - NTSC (National Television System Committee) video
    - creating Avid log files for 121
    - logging and capturing 195
    - luminance values 1007
    - transferring 24-fps film to 1445
    - waveform values 185
  - NTSC Has Setup option 150
  - NTSC Has Setup option (General Settings dialog box) 1001
  - NTSC-EIAJ format
    - setting 150
    - video output calibration 1001
    - waveform values 185
  - Numeric keypad support for multicamera editing 1245
- O
  - Offline editing
    - detecting duplicate frames during 682
  - Offline items
    - selecting in bins 317
  - Off-screen dialog
    - in the lined script 584
    - indicating in the Script window 605
  - Off-screen indicators (script integration)
    - adding to takes 605
    - described 586
  - Offset between audio and video playback, adjusting 468
  - Offset, DV Capture 204
  - OMF
    - capturing media files 148
    - Media Files tab 148
    - Media Files tab (Capture Settings dialog box) 1303
  - OMF file format 141
    - preparing to export a sequence as 965
    - transcoding to MXF 428
  - OMF Interchange files
    - additional export options for 1342
    - described 978
    - exporting 978
    - import specifications 1390, 1397
    - methods for exporting 978
  - OMFI MediaFiles folder
    - backing up 434
    - transferring media 1060
  - One-light transfers 1441
  - Online support 25
  - Open Bin command (File menu) 53, 60
  - Open Selected Bins command (File menu) 60
  - Opening
    - Audio Mixer tool 741
    - Audio tool 173
    - Bin Fast menu 309
    - bins 60
    - Media tool 419
    - Project window 57
    - projects 45
    - projects automatically 45
    - settings 64
    - shared projects 87
    - startup project 45
    - stories (NRCS tool) 1074
    - the Script window 590
  - Optical connection
    - project settings 1296
  - Optimizing
    - playback 482
  - Orphans
    - See Offline items
  - Other Bins folder (Project window) 60
  - OUT points
    - See IN and OUT points
  - Output
    - assemble-edit recording 1018
    - audio 738, 1037, 1296
    - audio settings options 1013
    - audio, preparing for 1011
    - crash recording 1026
    - crossconverted sequences 1008
    - crossconverting and downconverting HD 1008
    - Digital Cut, overview 1020
    - downconverted sequences 1008
    - establishing sync for 997
    - factory preset buttons 1002
    - generating 996
    - longitudinal timecode (LTC) 998
    - mapping audio channels 1296
    - multiformat 1030, 1030, 1030
    - optical 1296
    - options 996
    - preparing for 996
    - rendering effects before 1019
    - selecting analog video signal 1000
    - selecting device for 997
    - video calibration for NTSC-EIAJ 1001
    - video, adjusting luminance settings 1007
    - video, basic calibration 1002
    - video, calibrating 1001
  - Output formats
    - for 24p and 25p projects 1030, 1030, 1030
  - Output Gain 1296
  - Output timecodes
    - displaying in bins 323
  - Output to DV Device command (Video Quality menu) 481
  - Overlap edits
    - audio 488
    - creating 705
    - using extend edits 706
  - Override Working Settings with Target Settings command (MultiRez menu in Timeline) 1214
  - Overriding
    - Field Motion clip attribute 553
  - Overwrite button
    - overwrite edits with 547
  - Overwrite edits 547
- P
  - P2
    - AMA plug-in 350
    - spanned clips 348, 356, 359, 360
  - P2 card
    - importing clips from 290, 290
    - writing sequences to 992
  - Page and scene numbers (Script window)
    - adding 595
    - changing 595
    - deleting 595
    - searching for 595
  - Page column (NRCS tool) 1074
  - Page Setup command (File menu) 342
  - PAL (Phase Alternating Line) video
    - logging and capturing 195
    - luminance values 1007
    - transferring film to 1447
    - waveform values 185
  - PAL Method 1
    - described 1447
  - PAL Method 2
    - described 1447
  - Pan
    - adjusting for individual keyframes 816
    - adjusting in Audio Mixer tool 772
    - adjusting in audio tracks 750
    - adjustment, bypassing 764
    - centering 764
    - default settings 764
    - modifying values 749
    - viewing automation pan values 727
  - Pan and gain automation display (Timeline) 724
  - Pan automation 766
  - Panasonic P2
    - changing cards 355
    - exporting sequences to 992
    - files and folders 351
    - formats 350
    - importing master clips 290, 290
    - loading drivers 352
    - mounting cards 352
    - transferring files 349, 354
    - updating drive list 352
    - workflow 403, 405
  - Panasonic P2 media 350
  - Parametric midrange in Audio EQtool 787
  - Partially online clips
    - consolidating and deleting original media 1229
    - restoring from an archive 1202, 1229
    - viewing source in Timeline 1228
  - Passthrough
    - described 1040
  - Passthrough Mix tool
    - using 176
  - Pasting
    - See Copying
    - text in the Script window 593
  - Patching
    - tracks 669
    - when capturing to the Timeline 244
  - Pause button 476
  - PCX file format
    - import specifications for 1390
  - Peak Hold menu (Audio tool) 174
  - Performing
    - digital audio scrub 723
  - Phantom marks 580
  - Phase controls
    - adjusting for output 1007
  - PhaseScope AudioSuite plug-in 947
  - Phonetic indexing
    - using to link clips with script 610
  - Phonetic search 517, 530
  - Photo CD file format
    - import specifications for 1391
  - Photoshop file format
    - additional export options for 1342
    - import specifications for 1391
  - Photoshop files
    - importing multilayered 269
    - importing single-layer 273
  - PhraseFind 517, 530
    - 15-day trial 519
    - activating 517
    - purchasing 517
    - selecting a language 529
  - PICS file format
    - brief description 1395
  - PICT file format
    - additional export options for 1342
    - import specifications for 1391
  - PICT files
    - of bars, importing 275
  - Picture quality
    - ensuring by calibrating input levels 185
  - Pin button (Interplay Window) 1164, 1169
  - Ping-Pong Delay AudioSuite plug-in 950
  - Pitch Shift AudioSuite plug-in 950
  - Pixar file format
    - import specifications for 1391
  - Pixel aspect ratio 1389
  - Pixels
    - square and non-square for import 1389
  - Play button 476
  - Play button (Script window) 603
  - Play Calibration Tone command (Peak Hold menu in Audio tool) 1011, 1012, 1017
  - Play Delay, adjusting 468
  - Play Digital Cut button (Digital Cut tool) 1023, 1027
  - Play IN to OUT button 567
  - Play Loop button 702
  - Play Reverse button 476
  - Play Standby button 476
  - Playback
    - changing speed of 479
    - controlling with buttons 476
    - controlling with position bars and indicator 474
    - full screen 468
    - improving performance of 568
    - improving performance of (storage management) 1434
    - limitations on multicamera media 1244
    - loop, starting 567
    - loop, trim during 704
    - optimizing 482
    - with audio scrub 721
    - with DV devices 481
  - Playback control
    - using keyboard 478
  - Playback devices
    - transferring files to 1182
  - Playing
    - clips and sequences using buttons 476
    - clips in a loop 470
    - takes from the Script window 603
  - Plug-in
    - Canon 357, 359
    - GFCAM 361
    - MXF 381
    - P2 350
    - QuickTime 376
    - RED 364
    - XDCAM 345
    - XDCAM EX 345
  - Plug-in effects
    - dialog box 883
    - Digidesign AudioSuite described
    - Fast menu 884
  - Plugin store 1278
  - plugin store 1278
  - Plug-ins
    - See AudioSuite plug-ins
  - plugins
    - downloading 1278
  - PNG file format
    - additional export options for 1342
    - import specifications for 1391
  - PortServer Pro 414
  - PortServer Settings
    - described 1368
  - Position bar
    - described 474
    - in Timeline 650
  - Position indicator
    - in Timeline 650
    - using 474
  - Position indicator lights (Volume Automation and Pan) 746
  - Post to Web
    - Clip tag 1098
    - creating a Web page 1092
    - described 1092
    - export options 1102
    - Hyperclip tag 1101
    - linked clips 1093
    - processing scripts 1092
    - ProEncode 1102
    - Story tag 1096, 1096
    - Text tag 1097
    - Videoformat tag 1099
    - Web templates 1095
  - Postroll
    - in Trim mode playback loop 702
  - Power schemes (Windows) 157
  - Preferences
    - fonts 1164
  - Premultiplied alpha 1389
  - Preparing
    - for batch capturing 211
    - for importing files 257
    - for output 996
    - for video input 183
    - hardware before capturing 138
    - record tapes 1016
    - sequences for export 965
    - shot log files with text editors 121
  - Preroll
    - custom for capturing 168
    - custom for digital cut 1023
    - in Trim mode playback loop 702
    - logging 122
    - method for setting 147
    - using control track for 147
  - Preroll option (Deck settings) 1311
  - Presenter Instructions (NRCS tool)
    - marking text 1078
  - Preserving
    - clipboard contents 565
  - Preset buttons
    - in Video Input tool 185
  - Preset buttons (Video tools) 1002
  - Prestriped tapes 1017
  - Preview Digital Cut button (Digital Cut tool) 1022
  - Previewing
    - a digital cut 1022
  - Previous In Group button 1244
  - Print Bin command (File menu) 342
  - Print Frame command (File menu) 342
  - Print Timeline command (File menu) 688
  - Printing
    - bins 342
    - markers 501
    - the Timeline 688
  - Pro Tools
    - AAF export to 978
    - exporting to 966
    - HD Native configuration 830
  - Production cues (NRCS tool)
    - adding 1080
    - deleting 1080
  - ProEncode
    - Post to Web 1102
  - Profiles
    - Windows media .prx files 1336
  - Profiles, user
    - changing 73
    - creating 73
    - deleting 73
    - described 72
    - exporting 73
    - updating 73
  - Progressive clips
    - mixing with interlaced 548
  - Progressive media
    - described 1437
  - Progressive resolutions
    - storage requirements for 1431
  - Project command (Tools menu) 57
  - Project settings
    - audio transfer 1447
    - described 1281
    - displaying 1285
  - Project window
    - Bins tab 59
    - closing 57
    - displaying bins 58
    - displaying settings 1281
    - Format display, using 1464
    - Format tab 66
    - Info display 70
    - Info tab, using 1447
    - opening 57
    - Other Bins folder 60
    - overview of elements 57
    - Settings tab 64
    - Trash 62
  - Projects
    - 24p and 25p 1437
    - browsing for 45
    - changing formats 1464
    - changing name 50
    - closing 45
    - creating folders within 62
    - creating new 42, 1459
    - creating shortcuts in Interplay Window 1151
    - deleting 49
    - exporting as AFE files 981
    - files, restoring from backup 51
    - opening 45
    - opening automatically 45
    - Raster Type selection 42
    - relinking media files for 443
    - remote assets 1112
    - removing shortcuts in Interplay Window 1151
    - restricted characters in names 42
    - saving 51
    - shared, opening 87
    - sharing on Avid Unity 85
    - startup 45
    - types 41
    - video, using script integration in 586
    - workgroup project settings 1112
  - Projects folder
    - See Avid Projects folder
  - Promoting
    - Motion Adapter effect to Timewarp 551
    - Title Tool titles, back up option 1361
  - Properties
    - selecting from a custom list 1155
  - Property Merge dialog box (Interplay window) 1161
  - Proxy editing
    - described 1188
  - Proxy media
    - editing 286
    - importing 282, 283
    - XDCAM 282, 988
  - Pulldown
    - capturing without 246
    - converting sample rates on import 267
    - described 1446
    - output for downstream encoding 1035, 1035
  - Pulldown frame
    - changing the default 1037
  - Pulldown phase
    - modifying after capturing 251
    - option in Film and 24p Settings dialog box 131, 131
  - Pullin
    - changing 1037
  - Pullin frame
    - modifying 251
  - Pullout column 1037
  - Pullup
    - converting sample rates on import 267
  - Purchasing PhraseFind 517
  - Purchasing ScriptSync 613
  - purchasing stock footage 1251, 1272
- Q
  - QRT file format
    - import specifications for 1391
  - Quad Split button 1238
  - Quad Split display 1238
  - Quad Split Source view 1238
  - Quality matching
  - Quality of film-to-tape transfer 1441
  - Quick Record mode 237
  - Quick Transition button
    - fading audio with 779
  - Quick Trim mode 690
  - QuickTime
  - QuickTime files 1395
  - QuickTime movie export 1331
  - QuickTime Movie files
    - exporting with Avid DV Codec 1329
  - QuickTime movies
    - exporting 982
    - methods for exporting 982
  - QuickTime Reference Movie files
    - exporting with Avid DV Codec 1327
  - QuickTime reference movies
    - exporting 982
  - Quitting
    - Avid editing application 49
- R
  - Raster sizes 1481
  - Raster types
    - described 1480
    - DVCPro HD 1480
    - HDV 1480
    - raster sizes 1481
    - Standard 1480
    - XDCAM HD 1480
  - Ratcheting
    - play speed 479
  - Read Audio Timecode
    - command (Special menu) 714
  - Read Audio Timecode dialog box 714
  - Read time, finding (NRCS tool) 1083
  - Real Time Update option 1317
  - Realtime Encoding command (Video Quality menu) 481
  - Rearranging
    - clips in bin Frame view 304
    - clips in bin Script view 306
  - Recapturing
    - See also Autocapturing
    - See also Batch capturing
    - See also Capturing
    - master clips and subclips 215
    - mixed-rate sequences 215
    - overview 215
    - sequences 215
    - using Decompose 216, 218
    - without Decompose 223
  - Receiving mail (NRCS tool) 1105
  - Record Deck Time option (Digital Cut tool) 1023
  - Record monitor
    - described 455
    - displaying information in 462
  - Record tool
    - extra text fields 232
    - quick record 237
  - Recording
    - assemble-edit 1018
    - digital cuts 1020
    - digital cuts, using Local mode 1027
    - digital cuts, using Remote mode 1023
    - preparing tapes 1016
    - volume automation information 770
  - Recording voice-over narration 800, 800
  - Recovering
    - material from clipboard 565
  - Recti-Fi AudioSuite plug-in 952
  - RED
    - AMA plug-in 364
    - clip parameters 367
    - files and folders 365
    - formats 365
    - Histogram 373, 373
    - source settings 367, 371
    - transcoding clip 375
    - transferring files 366
  - RED media 364
  - Redo command (Edit menu) 545
  - Redoing
    - edits 545
  - Reduce Frame command (Edit menu) 304, 600
  - Reduce Track command (Edit menu) 631
  - Reducing
    - frames in the bin 304
    - tracks in the Timeline 631
  - Reference command (Sync Lock menu in Video Output tool) 997
  - Reformat attribute 558, 559, 561
  - Reformatting
    - clips and sequences 558
    - Reformat options 561
    - setting Reformat value 559
  - Refresh All button, refreshing application with 1159
  - Refresh button, refreshing the Research panel with 1159
  - Refresh Media Directories command (File menu) 433
  - Refreshing
    - Motion Adapter effects 563
  - Regional keyboard support 1488
  - Reimporting
    - files, overview 292
    - files, procedure 292
  - Reimporting imported files 287
  - Relationships for color correction
    - defining with IN and OUT points 1309
  - Relink dialog box
    - in an Interplay environment 1216
  - Relinking
    - by resolution 440
    - consolidated clips 442
    - dynamic relink 1200
    - in an Interplay environment 1216
    - moved projects 443
    - selected clips 441
  - Remote assets
    - See also Interplay Window
    - accessing assets 1141
    - automatically checking in to asset manager 1140
    - Avid assets 1107
    - capturing to asset manager 1169
    - checking in all open bins 1137
    - checking in bin contents 1137
    - checking in to asset manager 1137
    - checking out assets by updating 1140
    - checking out from asset manager 1133
    - checking out from Interplay database 1136
    - copying 1149, 1159
    - deleting 1149
    - finding 1166
    - moving 1149, 1159
    - permissions 1148
    - reservations 1146, 1147
    - restrictions 1146, 1148
    - searching 1166
    - updating in local bin 1140
    - using drag-and-drop method to check in 1137
    - using menu command to check in 1137
  - Remote Capture 1369
    - enabling 247
  - Remote Play
    - enabling 248
  - Remote Play and Capture
    - command (Clip menu) 249
    - command (Special menu) 247, 248
    - Device Code option 1369
    - Inhibit Preloading option 1369
    - Mode type option 1369
    - Runup option 1369
    - setting ports for 1369
  - Remote Play and Capture settings
    - described 1369
  - Removable media
    - saving work on 51
  - Removable storage, sending to Pro Tools on 966
  - Remove Auto Volume/Pan command (Audio Mixer Tool Fast menu) 772
  - Remove Automation Pan command (Audio Mixer Tool Fast menu) 772
  - Remove Clip Gain command (Audio Mixer Tool Fast menu) 761
  - Remove Pan command (Audio Mixer Tool Fast menu) 761
  - Remove Pan/Vols command (Audio Mixer Tool Fast menu) 761
  - Remove Volume Automation command (Audio Mixer Tool Fast menu) 772
  - Removing
    - add edits (match frames) 681
    - audio EQ effects 794
    - audio IN and OUT points 488
    - color indicators (Script window) 606
    - deck configuration elements 155
    - off-screen indicators (Script window) 605
    - text from the Script window 593
  - Renaming
    - bins 60
    - clips in Interplay Window 1159
    - settings 1286
  - Render order for audio effects 747
  - Render settings
    - described 1370
  - Rendering
    - AudioSuite plug-in effects 885
    - motion effects 1370
  - Rendition file format
    - import specifications for 1391
  - Replace Edit button 547
  - Replace edits 547
  - Replacing
    - deck configuration elements 155
    - Timeline views 647
  - Replacing edits 671
  - reports
    - stock footage 1271
  - Res (Resolution) menu (Capture tool) 164
  - Research panel
    - changing fonts 1164
    - refreshing 1159
  - Research panel (Interplay Window)
    - adding columns 1153
    - changing the custom layout 1162
    - closing tabs 1164
    - comments 1159
    - creating new columns 1153
    - deleting a saved layout 1162
    - described 1146
    - displaying multiple tabs 1164
    - hiding columns 1153
    - Media Search tab 1166
    - modifying the display 1152
    - moving columns 1153
    - sorting columns 1153
  - Research Panel tabs 1164
  - Reservations 1146, 1147
  - Reset Peak button (Audio tool) 174
  - Resizing
    - Audio Mixer tool 745
    - Capture tool 211
    - slates in the Script window 600
    - Source and Record monitors 456
  - Resolution groups
    - image quality and 1421
  - Resolution Tracking command (Clip Color submenu in Timeline Fast menu) 1218
  - Resolutions
    - relinking by 440
    - See also Screen resolutions
    - See also Video resolutions
  - Response
    - system, with external monitor 465
  - Restore Default Patch command (Special menu) 669
  - Restore from Videotape dialog box 448
  - Restoring
    - default settings 1287
    - default Timeline view 647
    - files from backup 51
    - media files from videotape 448
  - Restricted characters
    - in project names 42
  - Restricting available resolutions 143
  - Restrictions 1146, 1148
  - Results window 506, 517
    - PhraseFind 532
    - Text Find 532
  - Retrieving
    - files 52
  - Reveal File command (File menu) 435
  - Reverse AudioSuite plug-in 953
  - Reverse Match Frame button 510
  - Reverse Selection command (Bin menu) 309, 433
  - Reviewing
    - edits 702
    - trim edits 702
  - Revising
    - scripts 624
  - Rewind button 476
    - moving between audio keyframes with 773
  - RGB graphics levels, Import settings 1352
  - RGB values
    - reference black and white 1373
  - Right Arrow key
    - moving through footage with 478
  - Right-click menus 29
  - Rollers
    - See Trim mode
  - Rough cut
    - assembling, in the Script window 625
  - Rough cuts
    - creating 543
  - RS422 output 1034
  - RTAS
    - copying plug-ins 878
    - editing plug-ins 876
    - inserting plug-ins 874
    - moving plug-ins 878
    - ordering plug-ins on a track 878
    - removing inserts 879
    - using RTAS effect templates 879
  - RTAS plug-ins
    - AIR Chorus 897
    - AIR Distortion 897
    - AIR Dynamic Delay 899
    - AIR Enhancer 901
    - AIR Ensemble 901
    - AIR Filter Gate 902
    - AIR Flanger 903
    - AIR Frequency Shifter 905
    - AIR Fuzz-Wah 906
    - AIR Kill EQ 907
    - AIR Lo Fi 908
    - AIR Multi-Chorus 910
    - AIR Multi-Delay 911
    - AIR Non-Linear Reverb 912
    - AIR Phaser 913
    - AIR Reverb 915
    - AIR Spring Reverb 917
    - AIR Stereo Width 919
    - AIR Talkbox 920
    - AIR Vintage Filter 922
  - Rundowns
    - working with 1183
  - Runup option (Remote Play and Capture settings) 1369
  - RY Gain slider
    - adjusting for video input 185
    - adjusting for video output 1002
- S
  - Safe Action option (Grid settings) 1350
  - Safe Colors
    - defining units of measurement for 1373
  - Safe Colors settings
    - described 1373
  - Safe Title option (Grid settings) 1350
  - Sample Plot command (Timeline Fast menu) 728
  - Sample rate
    - audio, converting during capture 169
    - changing conversion quality 1296, 1296
    - converting 1296
    - converting on import 267
    - displaying mismatched 1296
    - mixing 1296
    - options 1296
    - options for import 268
  - Sample rates
    - audio, changing 782
    - audio, conversion overview 782
    - conversion for embedded audio 1015
    - identifying by color 728
  - Sat slider
    - adjusting for video input 185
    - adjusting for video output 1002
  - Satellite mode
    - timed capturing 242
  - Satellite mode, capturing in 239
  - Save All command (File menu) 63
  - Save As command (Timeline View menu) 647
  - Save Bin command (File menu) 63, 63
  - Save Layout As command (Interplay Window Layout menu) 1162
  - Save Story button (NRCS tool) 1071
  - Saving
    - audio EQ effects 792
    - bins automatically 63
    - bins, manually 63
    - changes to a story (NRCS tool) 1091
    - custom bin views 302
    - projects and bins 51
    - the Script window 590
    - Timeline views 647
    - work to drives or removable media 51
  - Saving settings
    - in Video Input tool 190
  - SC phase
    - adjusting for output 1002
  - Scale bar (Timeline) 650
  - Scanning for tapes 124, 239
  - Scene and page numbers (Script window)
    - adding 595
    - changing 595
    - deleting 595
    - searching for 595
  - Schedule, satellite feed 242
  - Schedules
    - working with 1183
  - Sci-Fi AudioSuite plug-in 953
  - Screen resolutions
    - NTSC, PAL, HD 1407
  - Screenings
    - interactive, in Script window 624
  - Script box in Script view 306
  - Script integration
    - described 586
    - elements of 586
    - for video projects 586
    - holding slates on screen 600
    - importing a script for 590
    - in Script window 605
    - in slates 586
    - in takes 605
    - interpolating position for 599
    - lining conventions in 584
    - using color indicators 606
    - using off-screen indicators 605
    - using script marks 606
    - workflow 586, 624
  - Script Mark button 607
  - Script marks
    - adding 607
    - adding during automatic screening 608
    - deleting 623
    - described 586
    - manually placing 607
    - moving 623
    - using 606
    - using for playback 622
    - using to find script 624
  - Script range, splicing 626
  - Script settings
    - described 1373
    - using 590
  - Script Settings dialog box 590
  - Script text
    - changing font of 593
    - cutting, copying, and pasting 593
    - removing 593
    - selecting 593
  - Script view (bin display)
    - adding text 306
    - described 306
    - in the Media tool 417
    - playing clips in 306
  - Script window
    - adding color indicators 606
    - adding page and scene numbers 595
    - adding takes 603
    - adjusting margins 590
    - adjusting take lines 603
    - changing fonts 593
    - changing scene or page numbers 595
    - cutting, copying, and pasting text in 593
    - deleting slates 600
    - deleting takes 603
    - displaying clip and sequence information 590
    - displaying take numbers 603
    - editing with 624
    - exploring 590
    - finding bins from 624
    - finding clips from 624
    - hiding slate frames in 600
    - holding slates on screen in 600
    - indicating off-screen dialog in 605
    - interactive screening in 624
    - linking clips to 597
    - loading takes from 603
    - moving slates in 600
    - opening, closing, and saving 590
    - playing takes from 603
    - removing text in 593
    - resizing slates in 600
    - screening and marking in 608
    - searching through 595, 595
    - selecting slates 600
    - selecting text 593
    - splicing a range of script from 626
  - Scripts
    - importing into the Script windows 590
    - linking clips to 597
    - linking clips to with ScriptSync 610
    - Post to Web options 1092
    - processing for Web 1092
    - revising 624
  - ScriptSync 610
    - 15-day trial 615
    - activating 613
    - linking clips to script with 610
    - purchasing 613
  - Scroll bar in Timeline 650
  - Scroll bar/position bar in Timeline 650
  - Scroll wheel
    - mouse, using 30
    - setting up 30
  - Scrubbing
    - audio 721
    - displaying markers during 1375
  - SDI embedded audio
    - and sample rate conversion 1015
  - Search results
    - filtering 534
  - Search tab (Interplay Window) 1146
  - Searches
    - Category attribute 1168
    - Interplay Window 1166
    - keeping open 1169
    - performing 1166
    - remote assets attributes 1168
    - saving 1169
    - Text attribute 1168
    - Time attribute 1168
    - Types attribute 1168
  - Searching 532
    - audio 530
    - for page and scene numbers in the Script window 595
    - in the Script window 595, 595
  - searching for stock footage clips 1256
  - searching through the Avid Media Store 1256
  - Second row of buttons 457
  - Segment Drag Sync Locks option (Timeline settings) 657
  - Segment Mode
    - editing guidelines 653
  - Segment mode
    - adding comments 566
    - deleting segments 659
    - editing from a bin in 662
    - in the Timeline 662
    - marking segments 660, 661, 662
    - Segment Drag Sync Locks option 657
    - using 640, 652
    - workflow 640, 652
  - Segment Mode buttons 654
  - Segments
    - copying and pasting in Timeline 661
    - cutting from Timeline 661
    - deleting in Segment mode 659
    - lassoing 654
    - marking 486
    - marking in Segment mode 660, 661, 662
    - moving in sync 657
    - selecting 654
  - Select All command (Edit menu) 212
  - Select All Tracks command (Edit menu) 665
  - Select Media Relatives command (Bin menu) 317
  - Select Offline Items command (Bin menu) 317
  - Select Project dialog box 40
  - Select Sources command (Bin menu) 433
  - Select Tape dialog box 124
    - finding a tape in 239
    - returning to previous 160
  - Select Unreferenced Clips command (Bin menu) 318
  - Selected Clips section (Batch Import dialog box) 295
  - Selecting
    - audio file format 170
    - audio sample rate 169
    - clips and sequences 309
    - custom preroll 168
    - deck configuration settings 151
    - decks for capturing 159
    - drives for capturing 165
    - DV device 204
    - media drives 141
    - offline items in bins 317
    - segments in Timeline 654
    - settings before capturing 141
    - slates in the Script window 600
    - takes in Script window 603
    - tapes for capturing 160
    - text in the Script window 593
    - tracks 665
    - tracks for capturing 161
    - tracks, for audio scrub 721
    - tracks, for audio scrub (soloing) 719
    - transitions for trimming 697
    - transitions in Trim mode 697
    - trim sides 695, 703
    - unreferenced clips in the bin 318
    - video resolutions 141
  - Selecting a language
    - PhraseFind 529
  - Send Mail button (NRCS tool) 1071
  - Send To
    - DigiDelivery 966
    - Digidesign Pro Tools 966
    - DVD 966, 966
    - DVD authoring 966
    - DVD One Step 966
    - Sorenson Squeeze 966
    - using predefined templates 966
  - Send To dialog box 966, 971
  - Send to Playback
    - from an Avid editing system 1171
  - Send to Playback command
    - with MultiRez 1217
  - Sending mail (NRCS tool) 1105
  - Sequence Info dialog box 539
  - Sequence information
    - displaying, in a Script window 590
    - summary 449, 512
  - sequence information
    - effect summary 449, 512
  - Sequence Time option (Digital Cut tool) 1023
  - Sequence Track buttons (Digital Cut tool) 1020
  - Sequenced image files 1395
  - Sequences
    - adding comments to 566
    - adding tracks to 540
    - associating with NRCS stories (NRCS tool) 1088
    - building from a story (NRCS tool) 1084
    - changing audio sample rate for 782
    - changing resolution by transcoding 428, 428
    - changing start timecode for 539
    - consolidating 422
    - copying 310, 311
    - creating new 538
    - crossconverted, outputting 1008
    - decomposing 216, 218
    - deleting 312
    - displaying information about 462, 539
    - downconverted, outputting 1008
    - duplicating 310
    - exporting 973
    - finding original bin for 512
    - locating by association 1091
    - locking in a bin 315
    - making the first edit in 542
    - marking IN and OUT points in 484
    - modifying formats 1215
    - moving 310
    - output options for 996
    - playback loop in 567
    - playback performance tips for 568
    - playing 567
    - playing using buttons 476
    - preparing for export 965
    - recapturing 215
    - recapturing without Decompose 223
    - refreshing Motion Adapter effects 563
    - renaming 539
    - replacing grouped clips 1249
    - reviewing 567
    - rough cut 543
    - searching for 506
    - searching remote assets 1168
    - selecting 309
    - setting up 538
    - sifting 335
    - transcoding 428
    - writing to P2 card 992
  - Serial digital input
    - calibrating 183
  - Serial digital output
    - calibrating 1002
  - Serial port output 1034
  - Servo-lock 237
  - Set Bin Background command (Edit menu) 314
  - Set Bin Display command (Bin menu) 334
  - Set Bin Display dialog box 334
  - Set Calibration Tone command (Peak Hold menu in Audio tool) 1011
  - Set Color button (Script window) 606
  - Set Font
    - command (Edit menu) 593
    - dialog box 77, 593
  - Set Font command (Edit menu) 77
  - Set Level commands (Audio Mixer Tool Fast menu) 761
  - Set Live Mix as Automation command (Audio Mixer Tool Fast menu) 777
  - Set Live Mix to Automation command (Audio Mixer Tool Fast menu) 777
  - Set Live Mix to Default command (Audio Mixer Tool Fast menu) 777
  - Set Offscreen button (Script window) 605
  - Set Pan commands (Audio Mixer Tool Fast menu) 761
  - Set Position To Keyframe command 1317
  - Set Type Filter dialog box 1158
  - Setting a language (Macintosh) 1484
  - Setting the bin display 334
  - Settings
    - AMA 1293
    - asset manager 413
    - Audio 1295
    - Audio export 1340
    - audio pan defaults 764
    - Audio Project 168, 1296
    - Audio Project, DV audio pattern 1296
    - audio transfer 1447
    - Bin 1302
    - Capture 1303
    - Communication (Serial) Ports Tool 1308
    - Controller 775, 1308
    - copying between files 1288
    - Correction 1309
    - Deck 1311
    - Deck Configuration 1310
    - deck configuration 151
    - Deck Preferences 1313
    - default 1287
    - deleting 1287
    - described 1281
    - displaying project 1285
    - duplicating 1286
    - DV Stream export 1321
    - dynamic relinking 1314
    - Effect Editor 1317
    - Export 1321
    - for configuring asset manager 413
    - Frame Chase capture 209
    - Full Screen Playback 1346
    - General 1349
    - GPI 839
    - Grid 1350
    - import 257, 1352
    - in Video Input tool 190
    - Interface 1358
    - interface (Appearance tab) 75
    - Interplay Folder 1360
    - Interplay Server 1360
    - Interplay User 1360
    - location of 38
    - Marquee Title 1361
    - Media Creation 1362
    - Media Files Capture 148
    - Media Services 995, 1365
    - modifying 1284
    - Mouse 30, 1365
    - moving between settings files 1288
    - moving between systems 1060
    - multiple, working with 1281
    - NRCS 1092
    - OMFI export 1324
    - opening 64
    - overview of 1281
    - PortServer 1368
    - project described 1281
    - Remote Play and Capture 1369
    - renaming 1286
    - Render 1370
    - restoring defaults 1287
    - Safe Colors 1373
    - Script 1373
    - selecting before capturing 141
    - site described 1281
    - sound card configuration 172
    - tab 1281
    - Timeline 1375
    - Timeline, showing toolbar 646
    - Trim 1379
    - Trim, basic information 693
    - user 1281
    - user, linking to workspaces 80
    - using site 1289
    - Video Display 1379
    - Video display 466
    - Video Input Tool 1381
    - Video Output Tool 1382
    - viewing 1284
  - settings
    - Sound Card Configuration 1374
  - Settings list 1173, 1281
    - Composer 1281
    - Controller settings 813, 846
  - Settings Options
    - GPI 841
  - Settings tab (Project window) 64
  - SGI file format
    - additional export options for 1342
    - import specifications for 1391
  - Shared volume segmentation (chunking) 1303
  - Shortcut menus 29
  - Shortcuts
    - creating in Media Directory panel 1151
    - making (NRCS tool) 1076
    - removing (NRCS tool) 1076
    - removing from Media Directory panel 1151
  - Shot log files
    - Avid log file specifications 113
    - converting with Avid Log Exchange (Macintosh) 109
    - converting with Avid Log Exchange (Windows) 105
    - importing 135
    - importing file from Final Cut Pro 105
    - preparing text editors for 121
  - Shot logs
    - See Shot log files
  - Shot marks
    - GFCAM 364
  - Show Add Keyframe Mode Menu command 1317
  - Show All Takes command (Script menu) 600
  - Show Entire Sequence command (Timeline Fast menu) 629
  - Show Every Frame command (Timeline Fast menu) 629, 685
  - Show Frames command (Script menu) 600
  - Show Markers command (Timeline Fast menu) 638
  - Show Mismatched Render Ranges command (MultiRez menu in Timeline) 1222
  - Show Mismatches command (MultiRez menu in Timeline) 1217
  - Show Target Availability command (MultiRez menu in Timeline) 1217
  - Show Track submenu (Timeline Fast menu) 685
  - Showing
    - bin columns 299
    - Timeline top toolbar 646
  - Shutting down the system 49
  - Shuttle ring
    - Avid Artist Series controller 859
  - Shuttling
    - J-K-L key method 479
    - with J-K-L keys 703
  - Sifting clips and sequences 335
  - Signal Generator AudioSuite plug-in 955
  - Signal sequences
    - GPI 836
  - Signal, servo-lock 237
  - Single track monitoring
    - See Solo track monitoring
  - Single/Dual Drive Mode button (Capture tool) 165
  - Single-field step 476
  - Site settings
    - described 1281
    - moving between systems 1060
    - using 1289
  - Sixteen by nine (16:9) format 1441
  - Skip Existing Transition Effects option 779
  - Slate information for shoots 1441
  - Slates (script integration)
    - creating 597
    - deleting 600
    - described 586
    - hiding frames in 600
    - holding on screen 600
    - moving 600
    - resizing 600
    - selecting 600
    - showing one take in 600
  - Sliders option 1317
  - Slipping and sliding clips or segments in Trim mode 710
  - Slipping and sliding shots
    - in Trim mode 708
  - Slowing film speed 1446
  - Small Trim mode
    - described 690
  - Smart tool
    - disabling 639
  - Smooth audio scrub
    - compared to digital audio scrub 721
    - performing 722
  - SMPTE bars 1002
  - SMPTE timecode
    - formats for entering 503
  - SMPTE/EBU component standard
    - support 1381, 1381
  - Snapping
    - to transitions in Timeline 652
  - Soft Keys (Avid Artist Series controllers) 855
  - Softimage file format
    - import specifications for 1392
  - Software DV25 codec 1303
  - Solo track monitoring
    - in Timeline 668
    - in Trim mode 698
  - Soloing
    - audio tracks 719
    - tracks 668
    - tracks, advantages of 667
  - Sonic
    - authoring DVDs in 966
    - burning DVD in one step 966
  - Sony XDCAM
    - loading drivers 348
    - workflow 279
  - Sony XDCAM and XDCAM EX
    - workflow 400
  - Sony XDCAM low-resolution
    - workflow 401
  - Sorenson Squeeze
    - exporting to 966
  - Sorting
    - clips 300
    - columns (Interplay Window) 1153
    - columns, multilevel 300
  - Sorting transfers 1186
  - Sound Card Configuration settings 1374
    - configuring sound cards 172
  - Sound roll
    - cues for shoots 1441
  - Source and Record monitors
    - resizing 456
  - Source colors
    - assigning in bins 314
    - displaying in Timeline 632
  - Source material
    - displaying in the Timeline 645
    - loading into monitors 471
  - Source monitor
    - described 455
  - Source settings
    - QuickTime 377
    - RED 367, 371
  - Source Settings Histogram 373, 381
  - Source tapes
    - selecting for capturing 160
  - Source tracks
    - selecting for capturing 161
  - Source/Record monitor
    - customizing 455
    - expanding 456
  - spanned clips
    - P2 348, 356, 359, 360
  - Specifications
    - Avid log 113
    - for film shoots 1441
    - graphics file import 1389, 1389
    - OMF file import 1397
  - Splice-in button
    - insert edits with 546
    - making basic edit with 542
  - Splice-in edits 546
  - Splicing a script range 626
  - Split edits (Overlap edits)
    - audio 488
    - creating 705
    - using extend edits 706
  - Square pixels 1389
  - Squeeze
    - exporting to 966
  - Standard definition television (SDTV)
  - Standard Titles
    - in Avid log files 115
  - Start timecode
    - changing 539
  - Starting
    - Avid editing application (Windows) 34
  - Startup project
    - opening 45
  - Status column (NRCS tool) 1074
  - Step Backward buttons 476
  - Step Backward One Field button 476
  - Step Forward buttons 476
  - Step Forward One Field button 476
  - Stepping
    - J-K-L key method 479
    - single-field 476
    - with buttons 476
    - with J-K-L keys 703
  - Stereo option (audio) 783
  - stock footage 1251
    - downloading 1274
    - purchasing 1272
  - stock footage clips
    - about 1256
  - stock footage report 1271
  - Stop button 476
  - Storage
    - estimating drive space requirements for 1422
    - managing to improve playback performance 1434
    - maximizing 1434
    - planning 1423
  - Storage estimates
    - in minutes per gigabyte 1423
  - Storage requirements
    - DNxHD 1423
    - DV resolutions 1434
    - JFIF interlaced 1428
    - JFIF progressive 1431
    - MPEG resolutions 1434
  - Stories
    - adjusting timing (NRCS tool) 1089
    - associating sequences with (NRCS tool) 1088
    - building a sequence (NRCS tool) 1084
    - deleting (NRCS tool) 1076
    - editing (NRCS tool) 1077
    - finding read time (NRCS tool) 1083
    - saving (NRCS tool) 1091
    - saving changes to (NRCS tool) 1091
  - Storing 24p and 25p media 1463
  - Story body
    - changing fonts 1164
  - Story lock (NRCS tool) 1077
  - Story panel (NRCS tool)
    - adding production cues 1080
  - Story tag (Post to Web) 1096
  - Story timing
    - adjusting (NRCS tool) 1089
    - adjusting with time markers (NRCS tool) 1089
    - adjusting with time pad (NRCS tool) 1089
  - Storyboard
    - creating from a bin 334
  - Storyboard editing from the Script window 626
  - Stream Limit
    - video display setting 1379
  - Striped drives
    - capturing 138
    - online information for 139
  - Striping
    - record tapes 1017
  - Subcataloging
    - footage 484
  - Subclip status (Capture tool) 228
  - Subclips
    - consolidating 422
    - copying 310, 311
    - creating 487
    - creating automatically with DV 253
    - creating during capturing 228
    - deleting 312
    - duplicating 310
    - handles 487
    - locating a master clip from 512
    - moving 310
    - recapturing 215
    - searching remote assets 1168
    - selecting 309
    - sifting 335
  - SunRaster file format
    - import specifications for 1392
  - Surround sound 738
  - surround sound 732
  - S-Video deck
    - capturing from 185
    - limitations when capturing 189
  - Swap Cam Bank button 1238
  - Switching multicamera angles 1244, 1245
  - Sync
    - autosyncing 576
    - breaks, avoiding when editing 569
    - breaks, defined 569
    - breaks, displaying 569
    - breaks, fixing 571
    - detecting locked signal when capturing 164
    - establishing for audio-only input 139
    - establishing for output 997
    - for capturing video 138
    - issues with Client monitor 465
    - maintaining during segment move 657
    - maintaining during trim 707
    - maintaining with Add Edit 575
    - maintaining with leader 573
    - maintaining with markers 573
    - methods for shoots 1441
    - options for HD formats 998
    - trimming 698
    - trimming with sync-locked tracks 707
    - video input 185
  - Sync Breaks command (Timeline Fast menu) 571
  - Sync Lock All button (Track Selector panel) 707
  - Sync Lock button (Track Selector panel) 707
  - Sync Lock icon (Track Selector panel) 672
  - Sync Lock menu (Video Output tool) 997
  - Sync locking tracks in the Timeline 672, 673
  - Sync mode 1296
  - Sync Selection dialog box 577
  - Synchronized sound
    - maintaining 1446
  - Synchronizing
    - video and audio subclips 576
  - Sync-locked tracks 572
  - System information
    - displaying 101
  - System memory usage 71
- T
  - Tabs
    - bins 308
  - Tail button 680
  - Tail command
    - performing a quick edit with 680
  - Takes (script integration)
    - adding 603
    - adjusting lines in 603
    - applying color indicators 606
    - applying off-screen indicators to 605
    - changing representative frame for 603
    - deleting 603
    - described 586
    - displaying numbers for 603
    - loading 603
    - loading from script marks 622
    - playing 603
    - removing color indicators 606
    - removing off-screen indicators 605
    - selecting 603
    - showing one per slate 600
  - Tape deck
    - See Decks
  - Tape Lengths dialog box 445
  - Tape name
    - finding 124, 239
  - Tapes
    - ejecting 234
    - managing names for MultiRez 1195
    - preparing for output 1017
    - preparing for recording output 1016
    - recording digital cut to 1020
    - recording to 1016
    - recording tone and bars to 1017
    - returning to previous tape 160
    - See Videotape
    - striping requirements for 1017
  - TARGA file format
    - additional Export options 1342
    - import specifications for 1392
  - Target bin
    - selecting 164
  - Target Drive menu (Capture tool) 165
  - Target settings for dynamic relink
    - applying 1209
    - described 1200
    - relinking to 1214
  - Taskbar 28
  - Telecine
    - importing log file from 302
    - transfer quality 1441
  - Templates
    - Clip tag 1098
    - Hyperclip tag 1101
    - placeholders 1101
    - Post to Web 1095
    - Story tag 1096
    - Text tag 1097
    - using placeholders 1095
    - Videoformat tag 1099
  - Test patterns
    - for calibrating video output 1005
  - Test patterns, importing 275
  - Text
    - adding in bin Script view 306
    - copying (NRCS tool) 1078
    - cutting (NRCS tool) 1078
    - deleting (NRCS tool) 1078
    - formatting (NRCS tool) 1079
    - marking as Closed Caption (NRCS tool) 1078
    - marking as machine control (NRCS tool) 1078
    - marking as normal (NRCS tool) 1079
    - marking as Presenter Instructions (NRCS tool) 1078
    - pasting (NRCS tool) 1078
    - rearranging (NRCS tool) 1078
  - Text editors
    - creating Avid logs with 113
    - for Avid logs 121
  - Text fields in the Record tool 232
  - Text in the Script window
    - changing font of 593
    - cutting, copying, and pasting 593
    - linking clips to 597
    - linking clips to with 610
    - removing 593
    - searching through 595, 595
    - selecting 593
  - Text tag (Post to Web) 1097
  - Text view (bin display)
    - described 299
    - in the Media tool 417
  - Three-button play (J-K-L keys) 479, 703
  - Three-point editing
    - with phantom marks 580
  - Thumbwheels option 1317
  - TIFF file format
    - additional Export options 1342
    - import specifications for 1392
  - Time Compression Expansion AudioSuite plug-in 956
    - using to change media length 885
  - Time markers
    - adjusting story timing (NRCS tool) 1089
  - Time pad
    - adjusting story timing (NRCS tool) 1089
  - Time Shift AudioSuite plug-in 958
  - Timecode
    - breaks, capturing across 147
    - changing 539
    - default starting 1349
    - display options for 24p and 25p projects 323
    - drop-frame and non-drop-frame described 155
    - external, capturing with 239
    - finding frames with 503
    - formats for entering SMPTE standard 503
    - indicating the destination rate 1035
    - logging drop-frame and non-drop-frame 122
    - selecting format for output 1034
    - time-of-day, capturing with 203
  - Timecode window 463
  - Timecodes
    - display options in the Timecode window 463
  - Timed (scene-by-scene) transfers 1441
  - Timed Record option 242
  - Timeline
    - adding new tracks to 674
    - adjusting volume in 767
    - assigning local colors to 636
    - capturing to 244
    - changing background color in 636
    - clip coloring for MultiRez 1218
    - controlling movement in 652
    - copying and pasting in 661
    - creating views 647
    - customizing 627, 629
    - cutting in 661
    - deleting tracks in 674
    - disabling Smart too 639
    - displaying clip colors 632
    - displaying comments 566
    - displaying detail 650
    - displaying markers 638
    - Dupe Detection Handles option 1376
    - dupe detection in 682
    - editing with film track in 685
    - examples of custom views 627
    - finding clip text in 506
    - focusing 650
    - full-screen view of 639
    - Heads and Heads Tails views of 679
    - identifying audio sample rate 728
    - identifying mixed rate clips 551
    - IN to OUT highlighting in 679
    - locking tracks in 672, 673
    - monitoring tracks 668
    - motion mode indicator 652
    - nesting in 663
    - paging option 638
    - patching tracks 669
    - position indicator in 650
    - printing 688
    - removing add edits in 681
    - resizing 639
    - saving 647
    - scale bar 650
    - scroll bar in 650
    - scroll bar/position bar in 650
    - scrolling option 638
    - Segment mode 640, 652
    - selecting segments 654
    - selecting tracks 665
    - setting the scroll bar 650
    - settings, Start Filler Duration option 541
    - soloing audio tracks 719
    - soloing tracks 668
    - source material, displaying 645
    - top toolbar 646
    - Track Control panel 643, 718
    - track selection behavior 745
    - Track Selector panel 664
    - viewing footage 455
    - views, replacing 647
    - views, restoring default 647
    - views, saving 647
    - volume automation keyframes in 767
    - window, summary of elements 649
    - working with multiple tracks 663
    - zooming in and out of 650
  - Timeline palette
    - trimming 690, 694
  - Timeline settings
    - described 1375
    - Display tab 1375
    - Edit tab 1376
    - Play Loop tab 1379
  - Time-of-Day Information, using to log 253
  - Time-of-day timecode
    - capturing with 203
    - external source 239
  - Time-remaining display (Capture tool) 165
  - Timewarp effect
    - field-stepping in draft qualities 555
  - Tips
    - logging 122
    - playback performance 568
  - Title tool
    - backing up titles when promoting to Marquee 1361
  - Toggle Source/Record in Timeline button (Timeline) 565, 645
  - tone generator
    - calibrating audio 178
  - Tone media
    - creating 176
    - recording to tape 1017
  - Tool palette
    - displaying text labels 469
    - using 469
  - Toolbar, top Timeline 646
  - Tools
    - Audio EQ 786
    - Audio Mixer 741
    - Audio Punch-In 802
    - Audio Punch-in 805
    - Calculator 100
    - Capture 157
    - Console 101
    - Deck Controller 94
    - Hardware 103
    - Media 419
    - Video Input 183
    - Video Output 1002
  - Top button 680
  - Top command
    - performing a quick edit with 680
  - Track buttons
    - Command Palette 665
  - Track color, changing in Timeline 636
  - Track Control panel
    - components 643, 718
    - displaying 644, 719
    - hiding 644, 719
    - making tracks inactive 720
  - Track effects
    - copying RTAS plug-ins 878
    - editing RTAS plug-ins 876
    - inserting RTAS plug-ins 874
    - moving RTAS plug-ins 878
    - ordering RTAS plug-ins on a track 878
    - removing RTAS plug-ins 879
    - using RTAS effect templates 879
  - Track Hinter settings, for hinted streaming export 1331
  - Track Panel command (Timeline Fast menu) 629
  - Track Selector panel
    - Lock icon 672
    - Sync Lock icon 672
    - using 664
  - Track Solo and Track Mute buttons (Volume Automation and Pan) 746
  - Tracking frames with frame numbers 321, 321
  - Tracking information
    - clip duration 459
    - displaying 457
    - options 459
  - Tracking Information menu
    - displaying 457
  - Tracks
    - adding 674
    - audio, adjusting in Audio Mixer tool 750
    - audio, mixing down 783
    - cycling through 665
    - deleting in Segment mode 674
    - deleting with Media tool 420
    - enlarging and reducing 631
    - grouping on an Avid Artist Series controller 861
    - locking 672, 673
    - matchframing 511
    - monitoring 668
    - number supported 663
    - patching 669
    - selecting 665
    - selecting for audio scrub 721
    - selecting for audio scrub (soloing) 719
    - selecting for capturing 161
    - setting up for a new sequence 540
    - soloing 668
    - soloing, advantages of 667
    - sync locking 672, 673
    - trimming with sync-locked 707
  - Training services 26
  - Transcode
    - RED clip 375
  - Transcoding
    - mixed-rate clips 555
    - options for 428
    - procedure for 428
  - Transcoding HDV 1474
  - Transfer settings
    - in an Avid editing application 1173
  - Transferring
    - files, reference of devices and methods 1058
    - projects between systems 1060
    - settings between systems 1060
    - through AFE 981
  - Transferring files
    - from within an Avid application 1181
    - to a playback device 1182
  - Transferring film to tape
    - aids to 1441
    - in NTSC format 1445
    - in PAL format 1447
    - quality options 1441
    - without sound (PAL) 1447
  - Transfers
    - method of accepting incoming 1173
    - setting up the Avid editing system for 1173
    - sorting 1186
  - Transition effects
    - audio, fine-tuning 779
    - Skip Existing Transition Effects option 779
  - Transitions
    - selecting additional for trimming 697
    - selecting for trimming 697
  - Transparency
    - adding to a graphics image 1389
  - Transport stream
    - creating 1474
  - Trash
    - emptying 62
    - moving bins from 62, 62
    - viewing contents of 62
  - Tri-level command (Sync Lock menu in Video Output tool) 997
  - Tri-level sync
    - for output 997
    - HD formats 998
  - Trim
    - settings, basic information 693
    - slip and slide procedures 708
  - Trim A-side button 695
  - Trim AudioSuite plug-in 961
  - Trim B-side button 695
  - Trim mode
    - basic trimming procedure 701
    - Big, described 690
    - customizing 690
    - described 690
    - entering 700
    - exiting 700
    - playing transition loop parameters 702
    - Quick, described 690
    - reviewing edits 702
    - selecting several transitions 697
    - selecting single transitions 697
    - selecting trim sides 695
    - selecting video tracks 697
    - Small, described 690
    - trimming on-the-fly 703
    - using the four-frame display 710
  - Trim Mode button (Timeline) 697
  - Trim settings
    - described 1379
  - Trimming
    - adding filler during 707
    - basic procedure 701
    - during a playback loop 704
    - J-K-L keys 703
    - maintaining sync during 707
    - on-the-fly 703
    - reviewing 702
    - selecting sides 695, 703
    - single roller trim 698, 699
    - Timeline palette 690
    - trim states 694
    - two heads or tails 697
    - video tracks 697
    - with sync-locked tracks 707
  - Troubleshooting 25
    - vertical blanking interval information problems 1043
  - Turning off equipment 49
  - Turnover points in the Audio EQ tool 787
  - Two-field media
    - and field dominance 1405
    - and field ordering 1403
  - Two-field mode indicators 476
- U
  - U-matic deck
    - capturing from 185
    - limitations when capturing 189
  - Unattended batch capturing 211
  - Uncompressed video
    - defined 1406
  - Undo command (Edit menu) 545
  - Undo Only Record Events option (Composer settings) 545
  - Undo/Redo List command (Edit menu) 545
  - Undoing and redoing
    - edits 545
  - Units of measurement
    - defining for Safe Colors feature 1373
  - Unity 1058
    - LANshare 414
    - PortServer Pro 414
    - See Avid Unity
    - Zone 3 configuration in Avid Unity ISIS 415
  - Universal Mastering 1030
  - Unlinking 440
  - Unlinking media files 443
  - Unlock Bin Selection command (Clip menu) 315
  - Unlock Tracks command (Clip menu) 673
  - Unlocking and locking
    - bin items 315
    - tracks 672, 673
  - Unmount command (File menu) 416
  - Unmounting drives 415
  - Unreferenced clips
    - deleting 433
    - selecting in the bin 318
  - Update from Interplay command (Bin menu, Bin Fast menu) 1140
  - Update from Interplay command (Bin menu) 1143
  - Update Media Status command (MultiRez menu in Timeline) 1222
  - Update Position While Playing command 1317
  - Updating
    - remote assets 1140
    - user profiles 73
    - writable properties (Interplay window) 1161
  - USB-to-MIDI converter
    - configuring software 828
    - testing installation 828
    - troubleshooting connections 830
  - User
    - changing folder name 50
    - selecting another 1286
  - User bits in LTC
    - reading 714
  - User files
    - restoring from backup 51
  - User interface
    - customizing appearance 75
  - User profiles
    - changing 73
    - creating 73
    - deleting 73
    - described 72
    - exporting 73
    - items created by system 38
    - updating 73
  - User settings
    - described 1281
    - linking with workspaces 80
    - selecting a user from 1286
  - Users folder
    - See Avid Users folder
  - User-selectable buttons
    - Add Marker 493
- V
  - Variable-speed play 479, 703
  - Varicam
    - support for Panasonic camera 255
  - VBI (Vertical Blanking Interval) 1040, 1382
    - preserving information 1001
  - VC1 (Windows Media option) 993, 1417
  - Vectorscope monitor
    - using 185
  - Vertical Blanking Interval
    - and effects 1043
    - and video quality 1043
    - line ranges in 1040
    - preserving information 1040, 1382
  - VHS decks
    - capturing from 185
    - limitations when capturing 189
  - Video
    - creating leader 581
    - display settings, selecting 466
    - hiding in monitors 456
    - input, adjusting chrominance settings for 185
    - input, adjusting luminance settings 185
    - input, calibrating 185
    - input, preparing for 183
    - input, sync for 185
    - leader, using to maintain sync 573
    - monitoring tracks 668
    - number of supported tracks 663
    - output, calibration 1001
    - output, calibration for NTSC-EIAJ 1001
    - resolutions, dynamic relinking 1232
    - resolutions, selecting 141
    - resolutions, selecting in the Capture tool 164
    - soloing 668
    - trimming tracks 697
  - Video compression
    - defined 1406
  - Video Compression options (Export settings) 1058, 1335
  - Video decks
    - See Decks
  - Video Display settings
    - described 1379
  - Video Display Settings command (Video Quality menu) 484
  - Video Display Settings dialog box 466
  - Video Effect Safe Mode button (Digital Cut tool) 1023, 1027
  - Video Input menu (Video Input tool) 185
  - Video Input tool
    - Line slider 185
    - saving settings in 190
    - Vectorscope monitor 185
    - Waveform monitor 185
  - Video Input Tool command (Tools menu) 183, 185
  - Video Input Tool settings
    - described 1381
  - Video levels
    - adjusting without color bars 192
  - Video Mixdown
    - AAF export to Pro Tools 978
  - Video Output tool
    - options display 1002
    - Sync Lock menu 997
    - using preset buttons in 1002
  - Video Output Tool command (Tools menu) 997, 1000, 1002, 1008, 1017
  - Video Output Tool settings
    - described 1382
    - HD tab 1386
    - SD tab 1382, 1385
  - Video projects
    - using script integration in 586
  - Video quality
    - settings with multicamera and group clips 1243
  - Video Quality Menu button 482
  - Video resolutions
    - availability for Frame Chase capture 210
    - disabling 143
    - drive striping requirements 1408
    - guidelines for use 1406
    - mixing 1421
    - specifications 1408
    - storage in minutes per gigabyte 1423
    - storage requirements for 1422
  - Video test patterns 1005
  - Videoformat tag (Post to Web) 1099
  - VideoID column (NRCS tool) 1074
  - Videotape
    - archiving media files with 444
    - capturing bars and tone from 275
    - guidelines for naming 122
    - restoring media files from 448
  - Videotape decks
    - See Decks
  - Videotapes
    - See Tapes
  - View mode (NRCS tool)
    - editing in 1077
  - View Name dialog box (bin) 302
  - View Type command (Timeline Fast menu) 679
  - View, bin
    - customizing 302
    - saving 302
    - types of 302
  - View, Timeline
    - Heads and Heads Tails 679
  - Viewing
    - bins, list of 59
    - footage, in monitors 455
    - footage, in Timeline 455
    - footage, overview 455
  - Virtual volumes
    - AMA 398, 399
  - VITC (Vertical Interval Timecode)
    - for downstream encoding 1035, 1035
    - in a bin 325
  - V-LAN VLXi 151
  - V-LAN VLXi controller
    - configuring with general-purpose interface (GPI) device 839
    - using with general-purpose interface (GPI) device 838
  - Voice-over narration 800, 800
    - creating 800
  - Volume
    - adjusting for individual keyframes 816
    - adjusting in the Audio Mixer tool 750
    - bypassing adjustments 1296
    - in Timeline 767
    - limitations for adjusting 763
    - meters, in the Timeline 767
    - recording audio volume 770
    - while playing an effect 762, 766
  - Volume automation 766
  - Volume Automation and Pan 766
    - adjusting gain with sliders 767
    - Audio Mixer Fast menu commands 772
    - Audio Mixer tool sliders 771
    - controls in Audio Mixer tool, described 769
    - deleting keyframes in 767
    - enabling and adding keyframes in 767
    - fader controller or mixer, testing 828
    - keyboard shortcuts 773
    - recording 770
    - Track Solo and Track Mute buttons 746
  - Volume control 730
  - Volume unit scale (Audio tool) 174
  - Volumen Automation and Pan
    - moving keyframes in 767
  - VTR
    - See Decks
  - VTR Emulation
    - See Remote Play and Capture
- W
  - WAVE file format 170
    - option in Audio Project settings 1296
  - Waveform monitor
    - calibrating input 185
  - Waveform plots
    - options in the Timeline Fast menu 725
  - Wavefront file format
    - additional Export options 1342
    - import specifications for 1392
  - Web page
    - creating 1092
  - Web templates
    - Clip tag 1098
    - formatting stories 1095
    - HTML tags 1095
    - Hyperclip tag 1101
    - placeholders 1101
    - Story tag 1096
    - Text tag 1097
    - using placeholders 1095
    - Videoformat tag 1099
  - Wide-screen format (16:9) 138
  - Windows
    - changing fonts 77
    - Interplay 1119
    - Marker edit entry 494
    - Project 57
  - Windows Media
    - exporting as 986
    - exporting as VC1 993
    - VC1 resolution 1417
  - Windows Media Legacy Template 1336, 1336
  - Windows Media Options Video settings 1336
  - Windows power schemes 157
  - Windows taskbar 28
  - Word processor
    - creating Avid logs with 113
  - workflow
    - AMA 384
  - Workflows
    - AMA 387
    - ancillary data and AMA 410
    - audio editing 748
    - AVCHD 404
    - film scene 332
    - film source 1437, 1437
    - GFCAM 406, 406
    - graphics for HDTV 1458
    - MXF 409
    - Panasonic P2 403, 405
    - QuickTime 407
    - script integration 586
    - Segment mode 640, 652
    - Sony XDCAM 279
    - Sony XDCAM and XDCAM EX 400
    - Sony XDCAM low-resolution 401
    - video-based HDTV 1457
  - Workgroup environment
    - working with Avid Interplay 413
    - working with media files 413
  - Workgroup settings 1116
  - Workgroups
    - configuring Interplay Server settings 1116
    - configuring Interplay settings 1116
    - logging in 1116
    - project settings 1112
    - projects with remote assets 1112
    - working with Avid assets 1148
    - working with remote assets 1107
  - Working settings for dynamic relink
    - applying 1209
    - described 1200
  - Workspace settings 1388
  - Workspaces
    - assigning to buttons 82
    - Avid Unity 85
    - described 78
    - linking to user settings 80
    - mounting, ISIS v2.0 and later 1130
    - mounting, MediaNetwork 1129
  - WPM rate (NRCS tool)
    - finding 1083
  - Wrap Around command (Timeline Fast menu) 629
  - Writable Interplay properties 1161
  - Writable P2 device 992
- X
  - XDCAM
  - XDCAM AMA media
    - limitations with mixed rate clips 555
  - XDCAM EX
    - AMA plug-in 345
  - XDCAM EX media 345
  - XDCAM media 345
  - XLR adaptor
    - for consumer level audio 1016
  - XWindows file format
    - import specifications for 1392
- Y
  - YUV file format
    - additional Export options for 1342
    - import specifications for 1392
- Z
  - Zoom Back command (Timeline Fast menu) 650
  - Zoom In command (Timeliine Fast menu) 650
Index

Importing Editcam Files

276

9. Click Open.

The clip for the imported file appears in the selected bin.

When you import SMPTE_Bars.pct, the file does not exactly match the SMPTE bars

generated by the Video Output tool. The I and Q blocks in the bottom portion of the pattern

cannot be exactly represented in the RGB color space used when importing files.

10. If you must have I and Q blocks correct in a sequence, do one of the following:

t Record SMPTE bars from a signal generator.

t Use the Video Output tool to generate SMPTE bars, and record them to tape using the

controls on the deck. Then, capture them back into the system from the tape.

11. Load the new color bars clip into the Source/Record monitor, and create a subclip of

appropriate length for use in sequences (1 minute is a common standard).

12. Select the new subclip, Ctrl+click (Windows) or Command+click (Macintosh) the audio clip

containing the tone, and select Bin > AutoSync.

A new subclip containing bars and tone appears in the bin.

13. Rename the clip as necessary.

Importing Editcam Files

You can import clips recorded with Ikegami

disk-based Editcam

™

or Editcam-station products.

The Editcam is a digital news-gathering (DNG) camera that uses Avid's CamCutter

technology.

For more information about Editcam, CamCutter technology, and how these systems operate

with nonlinear editors, see the Web site www.nltek.com.

Note the following restrictions:

• The CamCutter clips are not copied onto a media drive. The bin references clips physically

located on the FieldPak. If you remove the FieldPak, the referenced clips appear as Media

Offline.

• The FieldPak has limited performance and is used only to record and play back clips. If you

require multiple streams of video for advanced effects, the data might not be supplied fast

enough for proper operation. If this situation occurs, you can do one of the following:

- Render the effects. See “Rendering Effects” in the Help.

- Consolidate the sequence to a valid media drive. See “Consolidating Media” on

page 422.

- Import the CamCutter clips as OMFI files. This effectively copies the clips to a media

drive. See “Import Settings” on page 1352.