5.0
Table Of Contents
- Title Page
- Contents
- Tables
- Using This Guide
- Desktop Basics
- Starting a Project
- Working with the Project Window
- Changing, Closing, and Reopening the Project Window
- Using the Bins Display
- Viewing a List of Bins
- Displaying Bins
- Creating a Folder in a Project
- Creating a New Bin
- Renaming a Bin
- Opening and Closing a Bin
- Deleting a Bin or Folder
- Viewing Contents in the Trash
- Emptying the Trash
- Managing Folders and Bins
- Saving Bins Automatically
- Saving Bins Manually
- Retrieving Bin Files from the Avid Attic Folder
- Conserving Screen Real Estate with the SuperBin
- Using the Settings Scroll List
- Viewing the Effect Palette
- Using the Info Display
- Customizing Your Workspace
- Navigating in Dialog Boxes and Menus
- Sharing Bins and Projects on Avid Unity MediaNetwork
- Using Basic Tools
- Organizing with Bins
- Setting the Bin Display
- Basic Bin Procedures
- Using Bin Display Views
- Changing the Bin Display View Size
- Custom Bin Views
- The Bin Fast Menu
- Setting the Font and Point Size
- Selecting Clips and Sequences
- Duplicating Clips and Sequences
- Moving Clips and Sequences
- Copying Clips and Sequences
- Deleting Clips and Sequences
- Assigning Colors to Bin Objects
- Sifting Clips and Sequences
- Locking and Unlocking Items in the Bin
- Selecting Offline Items in a Bin
- Selecting Media Relatives for an Object
- Selecting Unreferenced Clips
- Using Brief View
- Using Text View
- Using Frame View
- Using Script View
- Printing Bins
- Gathering Format Elements
- Managing Media Files
- Viewing and Marking Footage
- Customizing the Source/Record Monitor
- Expanding the Source/Record Monitor
- Changing the Pop-up Monitor Size
- Using the 16:9 Display Format
- Using 16:9 for 24p and 25p Editing
- Displaying Tracking Information
- Tracking Format Options
- Displaying Clip Information
- Copying Text from the Info Window
- Displaying the Timecode Window
- Displaying Multiple Timecodes
- Setting the Font and Point Size for Monitor Displays
- Pop-up Monitors
- Displaying a Second Row of Buttons
- Viewing Methods
- Loading and Clearing Footage
- Resizing Monitors
- Controlling Playback
- Playing Video to the Client Monitor
- Marking and Subcataloging Footage
- Marking IN and OUT Points
- Marking an Entire Clip or Segment
- Marking Audio Clips
- Using the Tool Palette
- Using the Timeline Top Toolbar
- Creating Subclips
- Subclips and Audio Sync for 24p and 25p Projects
- Using Locators
- Using the Locators Window
- Viewing and Navigating in the Locators Window
- Sorting Information in the Locators Window
- Displaying Frames in the Locators Window
- Changing the Color of the Locator Icon
- Accessing a Locator in a Sequence or Clip
- Printing the Contents of the Locators Window
- Deleting Locators by Using the Locators Window
- Displaying Information in the Locators Window
- Finding Frames and Clips
- Using Frame Offset Timecode to Cue a Frame
- Using Timecode to Find a Frame
- Searching for a Clip or Sequence
- Using Match Frame
- Performing a Reverse Match Frame
- Selecting Tracks for Matching Frames
- Using Match Frame to Locate the Source Clips of Motion Effects
- Finding a Bin
- Locating a Master Clip from a Subclip in a Sequence
- Customizing the Source/Record Monitor
- First Edits
- Using the Timeline
- Customizing Timeline Views
- Navigating in the Timeline
- Editing in the Timeline
- Segment Mode Editing
- Bin Editing into the Timeline
- Bin Editing Directly into a Sequence
- Using the Top and Tail Commands
- Setting the Duration for Filler at the Start of a Sequence
- Cutting, Copying, and Pasting in the Timeline
- Effects Editing
- Nesting
- Using the Track Selector Panel
- Selecting Tracks
- Monitoring Tracks
- Cycling Through a Selection of Tracks
- Performing an Alternate Edit
- Locking Tracks
- Patching Tracks
- Sync Locking Tracks
- Deleting Tracks
- Adding an Edit
- Removing Match-Frame Edits
- Backtiming Edits
- Printing the Timeline
- Working in Trim Mode
- Customizing Trim Mode
- Using Basic Trim Procedures
- Creating Overlap Edits
- Extending an Edit
- Maintaining Sync While Trimming
- Working with Audio
- Audio Tools
- Accessing Audio Effect Tools
- Audio Editing Aids
- Using the Audio Mix Tool
- Using Audio Gain Automation
- Using the Audio EQ Tool
- Digidesign AudioSuite Plug-Ins
- Recording Voice-Over Narration
- Creating the Voice-Over with the Capture Tool
- Creating the Voice-Over with the Audio Punch-In Tool
- Using the MCS3 with the Audio Punch-In Tool
- Using a GPI Device with the Audio Punch-In Tool
- Understanding GPI Trigger Signals
- GPI Signal Sequence When Using the Audio Punch-In Tool with Preroll and Postroll
- Voice-Over Media Files
- Monitoring the Recording
- Monitoring Previously Recorded Tracks While Recording a Voice- Over Narration
- Using Automatic Voice-Over
- Fine-Tuning Audio Transitions
- Mixing Down Audio Tracks
- Changing the Sample Rate
- Identifying the Sample Rate by Color
- Syncing Methods
- MultiCamera Editing
- Index
Chapter 6 Managing Media Files
214
6. (Option) Select “Match case when comparing tape names.”
7. Click OK.
The system searches the selected media drives, and relinks clips and
sequences if possible. The system disregards capture rate, video
resolution, and audio resolution when matching media files.
n
To maintain the original Capture settings for a subclip or sequence, use the
Batch Capture command; do not use the Relink command. Make sure you
select the following options, located on the Batch tab of the Capture
Settings dialog box: “Capture the tracks logged for each clip,” “Use the
audio sample rate logged for each clip,” “Use the audio sample size
logged for each clip,” and “Use the video compression logged for each
clip.” For information on batch digitizing, see “Batch Capture from
Logged Clips” in the input and output guide for your Avid system.
Relinking to Selected Clips
You can also use the Relink command for connecting subclips or
sequences to selected master clips and subclips.
To relink to selected master clips and subclips:
1. Move the subclips or sequences that you want to relink into the bin
containing the clips.
2. Select the clips targeted for relinking.
3. Select Bin > Relink.
The Relink dialog box opens.
4. Select “Relink all non-master clips to selected online items” to relink
related subclips or sequences to the highlighted clip in the bin.
5. Click the “Relink to media on volume” pop-up menu, and select an
option:
t Select All Available Drives to search across all media drives that
are online.
t Select a specific drive volume if you know the location of the
media or if you want to relink to media on a specific media drive.