6.5
Table Of Contents
- Title Page
- Contents
- Using This Guide
- Starting a Project
- Working with the Project Window
- Capturing Media
- Understanding Logging and Shot Logs
- Importing Shot Log Files
- Preparing the Hardware for Capture
- Selecting Settings for Capture
- Configuring Decks
- Capturing DV Media Directly from a DV Device
- Setting Up the Capture Tool
- Opening the Capture Tool
- Changing the Power Scheme
- Selecting a Deck in the Capture Tool
- Selecting a Source Tape
- Selecting Source Tracks
- Setting the Video and Audio Input in the Capture Tool
- Detecting a Valid or Locked Sync Signal
- Selecting a Resolution in the Capture Tool
- Selecting a Target Bin
- Selecting the Target Drives
- Interpreting the Time-Remaining Display
- Selecting a Custom Preroll
- Preparing for Audio Input
- Preparing for Video Input
- Capture Preparations Check List
- Capturing and Logging at the Same Time
- Capturing Audio from a Music CD
- Frame Chase Capture
- Batch Capturing from Logged Clips
- Recapturing Your Material
- Importing Files
- Working with Bins
- Managing Media Files
- Viewing and Marking Footage
- Viewing Methods
- Customizing the Source/Record Monitor
- Playing Video to the Client Monitor
- Selecting the Video Display Settings
- Playing Video to a Full-Screen Monitor
- Loading and Clearing Footage
- Controlling Playback
- Playing Back to a DV Device
- Optimizing Your Playback Performance
- Marking and Subcataloging Footage
- Finding Frames, Clips, and Bins
- Creating and Editing Sequences
- Using the Timeline
- Working in Trim Mode
- Understanding Trim Mode
- Entering and Exiting Trim Mode
- Using Basic Trim Procedures
- Working with Audio
- Overview of Audio Tools
- Accessing Audio Effect Tools
- Audio Editing Aids
- Using Audio Timecode
- Understanding Audio Scrub
- Selecting Tracks for Audio Scrubbing
- Performing Smooth Audio Scrub
- Understanding Digital Audio Scrub
- Adjusting Digital Scrub Parameters
- Performing Digital Audio Scrub
- Soloing Audio Tracks in the Timeline
- Displaying Waveform Plots
- Using Audio Meters in the Timeline
- Adjusting Volume Control
- Adjusting Buffer Size (Software-only Models)
- Identifying the Sample Rate by Color
- Muting the Audio
- Using the Audio Mixer Tool
- Using Clip Gain and Pan Mode
- Using Automation Gain and Pan
- Using Live Mix Mode
- Fine-Tuning Audio Transitions
- Converting the Audio Sample Rate
- Mixing Down Audio Tracks
- Working with Effects
- Types of Effects
- Understanding the Effect Palette
- Displaying and Adjusting the Effect Palette
- Applying Effects
- Deleting Effects in a Sequence
- Sizing Effects to Fit the Media
- Adjusting Effects
- Working with Effect Templates
- Working with Keyframes
- Playing Effects
- Real-Time Playback of Video Effects
- Basics of Effects Rendering
- Working with Titles
- Opening the Title Tools
- Using Marquee
- Workflow for Creating Titles
- Understanding the Title Tool
- Using the Selection and Text Tools
- Setting Up the Drawing Environment
- Creating Text
- Sizing and Positioning Text Objects
- Editing a Text String
- Formatting Text
- Creating Graphic Objects
- Modifying and Manipulating Title Objects
- Adding Shadows to Title Objects
- Saving Titles
- Editing with Titles
- Title Effect Clips in the Bin
- Editing a Title into a Sequence
- Removing a Title
- Replacing a Title
- Fading a Title
- Color Correction
- Exporting and Transferring Material
- Generating Output
- Preparing for Output
- Using the Digital Cut Tool
- Understanding Passthrough
- Using the NRCS Tool
- Configuring the NRCS Tool
- Starting the NRCS Tool
- Understanding the NRCS Tool
- Using the Directory Panel
- Changing the Text Display
- Editing Story Text (iNEWS Only)
- Rearranging Text in a Story (iNEWS Only)
- Marking Text As Presenter Instructions (iNEWS Only)
- Marking Text As Closed Caption (iNEWS Only)
- Adding a Production Cue (iNEWS Only)
- Deleting a Production Cue (iNEWS Only)
- Marking Text As Machine Control (iNEWS Only)
- Formatting Text (iNEWS Only)
- Marking Text As Normal (iNEWS Only)
- Adding a Loaded Cue (iNEWS Only)
- Using a Loaded Cue (iNEWS Only)
- Deleting a Loaded Cue (iNEWS Only)
- Finding the Read Time of a Story
- Building a Sequence from a Story
- Associating a Sequence with a Story
- Adjusting the Story Timing (iNEWS Only)
- Using Associated Sequences
- Saving Changes to a Story (iNEWS Only)
- Using the Post to Web Feature
- Sending and Receiving NRCS Mail (iNEWS Only)
- Disconnecting from Your NRCS Server
- Working with the Avid Interplay Window
- Using Remote Assets
- Managing Remote Assets
- Understanding Reservations
- Understanding Restrictions
- Reviewing Remote Assets
- Moving, Copying, and Deleting Avid Assets
- Creating Folders and Shortcuts in the Interplay Window
- Modifying the Display of the Interplay Window
- Media Column Headings in the Interplay Window
- Moving and Rearranging Columns in the Interplay Window
- Hiding and Showing Columns in the Interplay Window
- Adding Columns in the Interplay Window
- Creating New Columns in the Interplay Window
- Enlarging or Reducing Column Width in the Interplay Window
- Renaming Clips in the Interplay Window
- Adding Comments in the Interplay Window
- Using the Property Merge Dialog Box
- Using Custom Layouts for the Interplay Window
- Opening Multiple Tabs in the Interplay Window
- Setting the Interplay Window Display
- Editing with Remote Assets
- Finding Remote Assets
- Capturing Media to Interplay Folders
- Using MultiRez and Dynamic Relink
- Understanding MultiRez and Proxy Editing
- Creating Multiple Resolutions of a Master Clip
- Understanding How Clips and Media Are Associated
- Understanding Dynamic Relink
- Working with MultiRez and Dynamic Relink
- Index
Chapter 18 Working with the Avid Interplay Window
550
Working with In-Progress Clips
If your Avid editing application is part of a workgroup environment managed by Avid
Interplay, you can edit using in-progress clips. In-progress clips are created using Frame
Chase capture capabilities, either on another Avid editing application or with a line feed or
ingest device such as an Avid AirSpeed
®
.
In-progress clips are available for viewing and for use in editing while the capture is still in
progress. The length of in-progress clips is based on their expected duration in the capture
device. Portions of the clip that have already been captured are available for viewing in
monitors, and you can edit those portions into a sequence. Portions of the clip that have not
yet been captured are represented in monitors by a “Capture in Progress” slide.
You can send a sequence that includes material from in-progress clips to playback at any
time. You do not have to wait until the capture completes.
For more information on how the Frame Chase capture process works, see “Understanding
Frame Chase Capture” in the Help.
The following topics provide more information on working with in-progress clips:
• Editing with In-Progress Clips
• Limitations When Working With In-Progress Clips
Editing with In-Progress Clips
The following procedure outlines the basic steps for editing using an in-progress clip when
you use the Interplay Window to access the Interplay database. For information on
limitations when working with in-progress clips, see “Limitations When Working With
In-Progress Clips” on page 551.
To edit using an in-progress clip:
1. Open your Avid editing application, open a project, and open the Interplay Window.
2. In the Interplay Window, navigate to the folder that holds the clip that you want to use
for editing. If you know some information about the clip, you can use the Search feature.
A clip that is being captured displays an in-progress icon.