6.7
Table Of Contents
- Title Page
- Contents
- Using This Guide
- Working with the Project Window: Advanced
- Working with User Profiles
- Managing Folders and Bins
- Using the Info Display
- Customizing the Appearance of the Avid User Interface
- Customizing Your Workspace
- Sharing Bins and Projects in an Avid Unity Environment
- Using Tools
- Logging: Advanced
- Capturing Media: Advanced
- Advanced Capture Settings
- Understanding Drop-Frame and Non-Drop-Frame Timecode
- Preparing for Audio Input: Advanced
- Preparing for Video Input: Advanced
- Using Function Keys When Capturing
- Special Capture Procedures
- Logging Errors to the Console Window
- Creating Subclips While Capturing
- Creating Timed Subclips While Capturing
- Adding Locators On-the-Fly
- Naming a New Tape from the Keyboard
- Controlling Decks from the Keyboard
- Working in Quick Record Mode
- Adding Extra Text Fields in the Capture Tool
- Mapping the Record Button
- Ejecting Tapes with a Button or Key
- Returning to the Previous Place in the Select Tape Dialog Box
- Understanding DV Capture Offset
- Capturing DV Material with Offset
- Delaying Audio
- Capturing in Satellite Mode or No Device Control
- Setting a Timed Capture
- Capturing to the Timeline
- Remote Play, Capture, and Punch-In
- Modifying the Pulldown Phase After Capturing
- DV and HDV Scene Extraction
- Support for Panasonic VariCam
- Importing Files: Advanced
- Importing Photoshop Graphics
- Importing Media from XDCAM Devices
- Importing Editcam Files
- Importing Sequences from Pro Tools through Interplay
- Working with Bins: Advanced
- Advanced Bin Procedures
- Using Text View: Advanced
- Working with Restricted Material
- Printing Bins
- Preparing Digital Bars and Tone
- Importing Color Bars and Other Test Patterns
- Creating Leader
- Managing Media Files: Advanced
- Using Panasonic DVCPRO P2 Equipment
- Panasonic P2 Formats
- P2 Files and Folders
- Workflow for Editing with P2 Media
- Installing the Panasonic P2 Drivers
- Preparing to Mount P2 Cards as Drives
- Mounting P2 Cards as Drives
- Copying P2 Files to a FireWire or Network Drive
- Copying P2 Files to a Local Media Drive
- Changing P2 Cards in the Card Reader
- Importing P2 Clips and Media Directly from a P2 Card or a Copy of a P2 Card
- Dragging P2 Master Clips from the Media Tool to a Bin
- Working with Spanned Clips
- Sharing P2 Clips and Sequences
- Exporting Your Clip or Sequence to a P2 Card
- Deleting P2 Clips
- Finding a Related Media File
- Relinking Media Files
- Unlinking Media Files
- Using Videotapes for Archiving and Restoring Media Files
- Using Panasonic DVCPRO P2 Equipment
- Script-Based Editing
- Viewing and Marking Footage: Advanced
- Displaying the Info Window
- Displaying Timecode in the Timecode Window
- Adjusting the Play Delay Offset
- Using the Tool Palette
- Playing Selected Clips in a Loop
- Using Locators
- Creating and Editing Sequences: Advanced
- Using the Timeline: Advanced
- Working in Trim Mode: Advanced
- Working with Audio: Advanced
- Audio Gain Staging and an Audio Editing Workflow
- Using External Fader Controllers
- Using the Digi 002 and Command|8
- Configuring USB-to-MIDI Software for External Controllers
- Using the FaderMaster Pro and MCS-3000X
- Using the Yamaha 01V/96 or the Yamaha 01V
- Using the Audio EQ Tool
- Recording Voice-Over Narration
- Connecting Voice-Over Recording Hardware
- Recording Voice-Over Narration Using the Capture Tool
- Understanding the Audio Punch-In Tool
- Recording Voice-Over Narration Using Audio Punch-in
- Monitoring Previously Recorded Tracks While Recording Voice-Over Narration
- Using Peak Hold While Recording Voice-Over Narration
- Using a GPI Device with the Audio Punch-In Tool
- Displaying Audio Formats in Bins
- Using Automatic Voice-Over
- Using AudioSuite Plug-Ins
- Understanding Digidesign AudioSuite Plug-Ins
- Installing AudioSuite Plug-Ins
- Using Digidesign AudioSuite Plug-Ins
- Applying an AudioSuite Plug-in to a Clip in the Timeline
- Using an AudioSuite Plug-In Dialog Box
- AudioSuite Fast Menu
- Rendering AudioSuite Plug-in Effects
- Creating New Master Clips with AudioSuite Plug-Ins
- Using AudioSuite Plug-Ins in Stereo
- AudioSuite Plug-in Limitations
- Troubleshooting AudioSuite Plug-Ins
- Core AudioSuite Plug-Ins
- Chorus AudioSuite Plug-In
- D-Verb AudioSuite Plug-In
- Compressor AudioSuite Plug-In
- Limiter AudioSuite Plug-In
- Expander-Gate AudioSuite Plug-In
- Gate AudioSuite Plug-In
- DeEsser AudioSuite Plug-In
- EQ AudioSuite Plug-Ins
- Flanger AudioSuite Plug-In
- Invert AudioSuite Plug-In
- Duplicate AudioSuite Plug-In
- Delay AudioSuite Plug-In
- Multi-Tap Delay AudioSuite Plug-In
- Normalize AudioSuite Plug-In
- Gain AudioSuite Plug-In
- Ping-Pong Delay AudioSuite Plug-In
- Reverse AudioSuite Plug-In
- DC Offset Removal AudioSuite Plug-In
- Signal Generator AudioSuite Plug-In
- Time Compression Expansion AudioSuite Plug-In
- Pitch Shift AudioSuite Plug-In
- Time Shift AudioSuite Plug-In
- Non-Core AudioSuite Plug-Ins
- Understanding Digidesign AudioSuite Plug-Ins
- Exporting and Transferring Material: Advanced
- Exporting Using Send To Templates
- Exporting OMFI and AAF Files
- Exporting Projects and Bins Using AFE Files
- Exporting Video in DV Stream Format
- Exporting QuickTime Movies
- Exporting As an AVI File
- Installing or Copying the Avid Codecs for QuickTime on Other Systems
- Exporting from a Third-Party QuickTime or AVI Application
- Exporting as Windows Media
- Exporting Tracks As Audio Files
- Exporting As a Graphic File
- Exporting Media to XDCAM Devices
- Generating Output: Advanced
- Advanced Video Output Calibration
- Using the Digital Cut Tool: Advanced
- Using EDL Manager
- Preserving Information in the Vertical Blanking Interval
- Preserving HD Closed Captioning and Ancillary Data
- MultiCamera Editing
- Using Settings
- Using the Settings List
- Understanding Settings
- Defining Settings
- Displaying Project Settings
- Working with Settings
- Selecting Another User
- Modifying Settings
- Working with Multiple Settings
- Duplicating Settings
- Naming Settings
- Selecting Among Multiple Settings
- Deleting Settings
- Restoring Default Settings
- Copying Settings Between Settings Files
- Using Site Settings
- Manipulating Settings by Importing User Profiles or Copying Files Manually
- 24p Settings
- Audio Settings
- Audio Project Settings
- Bin Settings
- Capture Settings
- Communication (Serial) Ports Tool Settings
- Controller Settings
- Correction Settings
- Deck Configuration Settings
- Deck Settings
- Deck Preferences Settings
- Effect Editor Settings
- Export Settings
- Export Settings Dialog Box Options
- Export Settings: QuickTime Reference Options
- Export Settings: QuickTime Movie Export Options
- Export Settings: QuickTime Movie Settings
- Export Settings: QuickTime Compression Settings
- Export Settings: HDV
- Export Settings: DV Stream
- Export Settings: OMFI, AAF, and AFE
- Export Settings: AVI
- Export Settings: AVI Video Compression
- Export Settings: Windows Media Export Options
- Export Settings: Audio
- Export Settings: Graphic
- Export Settings: Graphic Format
- P2 Export Settings
- Export Settings: XDCAM
- Full Screen Playback Settings
- General Settings
- Grid Settings
- Import Settings
- Interface Settings
- Interplay Folder Settings
- Interplay Server Settings
- Interplay User Settings
- Keyboard Settings
- Marquee Title Settings
- Media Creation Settings
- Media Services Settings
- Mouse Settings
- NRCS Settings
- PortServer Settings
- Remote Play and Capture Settings
- Render Settings
- Safe Colors Settings
- Script Settings
- Sound Card Configuration Settings
- Timeline Settings
- Trim Settings
- Video Display Settings
- Video Input Tool Settings
- Video Output Tool Settings
- Workspace Settings
- Using the Settings List
- File Format Specifications
- Resolutions and Storage Requirements
- Film-to-Tape Transfer Methods
- Working with HD Media
- International Character Support
- Using a Local Language Operating System
- Choosing a Locale on an English Language Operating System
- Recommendations and Restrictions for International Character Support
- Avid Supports English Plus One Locale
- Entering ASCII Characters in Double-Byte Systems
- Characters to Avoid When Naming Avid Elements
- EDL Manager Does Not Save Diacritical Marks or Chinese Characters
- Traditional Chinese Big 5 Character Set
- Rebuilding the asifont.map File (Windows Only)
- Additional Tips and Limitations for International Character Support
- Index
Remote Play, Capture, and Punch-In
147
Enabling Remote Capture
Before you enable Remote Play and Capture, be sure the controller is properly connected.
To enable Remote Capture:
1. Double-click Communication (Serial) Ports in the Settings list of the Project window.
The Communication (Serial) Ports tool opens.
2. Select Remote Play and Capture > port.
3. Close the Communication (Serial) Ports tool.
The system saves the setting as a Site setting, effective for all projects.
4. Double-click Remote Play and Capture in the Settings list of the Project window.
The Remote Play and Capture Settings dialog box opens.
5. Select Mode > Remote Capture.
6. Select Device Code > device.
7. Specify the time (measured in frames) it takes the deck to start playing from a cued
position in the Runup area.
8. Select Clip > Remote Play and Capture when you are ready to use the system for
capturing.
A check mark appears next to the command to indicate that the system is ready. A
yellow outline appears around the Play button in the Source/Record monitor to indicate
that Remote Play and Capture is active.
n
The Remote Play and Capture command behaves like a Local/Remote switch on a playback
device, with the VTR in Local mode by default when you start the system.
9. Select Tools > Capture.
The Capture tool opens.
10. Select the tracks onto which you want to capture by clicking the Channel Selection
buttons.
11. Choose Bin > bin.