6.7

ManualsBrandsAvid Digidesign M-Audio Pinnacle Sibelius ManualsApplicationsNewsCutter

451

452

453

454

455

456

457

458

459

460

Table Of Contents

Title Page
Contents
Using This Guide
- Symbols and Conventions
- If You Need Help
- Accessing the Online Library
- How to Order Documentation
- Avid Educational Services
Working with the Project Window: Advanced
- Working with User Profiles
  - Understanding User Profiles
  - Managing User Profiles
- Managing Folders and Bins
- Using the Info Display
  - Viewing Memory
  - Accessing the Hardware Tool
- Customizing the Appearance of the Avid User Interface
- Customizing Your Workspace
- Sharing Bins and Projects in an Avid Unity Environment
Using Tools
- Using the Tools Menu
- Using the Deck Controller
- Using the Command Palette
- Using the Avid Calculator
- Using the Console Window
- Using the Hardware Tool
- Using External Controllers as Editing Control Surfaces
Logging: Advanced
- Preparing Log Files for Import
- Understanding Avid Log Specifications
  - Avid Log Specifications
  - Sample Avid Log
- Creating Avid Logs
- Double-Checking Log Files
- Logging Directly into a Bin
- Setting the Pulldown Phase
- Modifying Clip Information Before Capturing
- Exporting Shot Log Files
Capturing Media: Advanced
- Advanced Capture Settings
- Understanding Drop-Frame and Non-Drop-Frame Timecode
- Preparing for Audio Input: Advanced
- Preparing for Video Input: Advanced
- Using Function Keys When Capturing
- Special Capture Procedures
- Understanding DV Capture Offset
- Capturing DV Material with Offset
- Delaying Audio
- Capturing in Satellite Mode or No Device Control
- Setting a Timed Capture
- Capturing to the Timeline
  - Patching When Capturing to the Timeline
- Remote Play, Capture, and Punch-In
- Modifying the Pulldown Phase After Capturing
- DV and HDV Scene Extraction
  - Setting Up DV and HDV Scene Extraction Before Capturing
  - Setting Up DV Scene Extraction After Capturing
- Support for Panasonic VariCam
Importing Files: Advanced
- Importing Photoshop Graphics
  - Importing Single-Layer Photoshop Graphics
  - Importing Multilayered Photoshop Graphics
- Importing Media from XDCAM Devices
- Importing Editcam Files
- Importing Sequences from Pro Tools through Interplay
Working with Bins: Advanced
- Advanced Bin Procedures
- Using Text View: Advanced
- Working with Restricted Material
- Printing Bins
- Preparing Digital Bars and Tone
- Importing Color Bars and Other Test Patterns
- Creating Leader
  - Creating Video Leader
  - Creating Audio Leader
Managing Media Files: Advanced
- Using Panasonic DVCPRO P2 Equipment
- Finding a Related Media File
- Relinking Media Files
- Unlinking Media Files
- Using Videotapes for Archiving and Restoring Media Files
Script-Based Editing
- Lined Script Basics
- Script Window Basics
- Manipulating Script Text
- Searching Through Script
  - Using Page and Scene Numbers
  - Conducting a Text Search
- Linking Clips to the Script
- Interpolating Position for Script Integration
- Manipulating Slates
- Manipulating Takes
- Using Script Marks
- Finding Clips and Script
  - Finding Script
  - Finding Clips and Bins from the Script Window
- Editing with the Script Window
Viewing and Marking Footage: Advanced
- Displaying the Info Window
- Displaying Timecode in the Timecode Window
- Adjusting the Play Delay Offset
- Using the Tool Palette
- Playing Selected Clips in a Loop
- Using Locators
Creating and Editing Sequences: Advanced
- Playback Performance Tips
- Playing a Limited Duration of a Sequence
- Autosyncing Clips
  - Understanding Autosyncing
  - Creating an Autosynced Subclip
- Managing Sync with Multiple Tracks
- Ganging Footage in Monitors
- Synchronizing Metadata Using MetaSync
Using the Timeline: Advanced
- Timeline Views: Advanced
- Navigating in the Timeline: Advanced
- Using Advanced Timeline Techniques
- Adding an Edit (Match Framing)
  - Adding Edits to Filler Clips
  - Removing Match-Frame Edits
- Detecting Duplicate Frames
- Adjusting Handle Length in Dupe Detection
- Finding Black Holes and Flash Frames
- Printing the Timeline
Working in Trim Mode: Advanced
- Creating Overlap Edits
- Extending an Edit
- Maintaining Sync While Trimming
  - Adding Black When Trimming
  - Trimming with Sync-Locked Tracks
- Slipping or Sliding Segments
Working with Audio: Advanced
- Audio Gain Staging and an Audio Editing Workflow
- Using External Fader Controllers
- Using the Digi 002 and Command|8
- Configuring USB-to-MIDI Software for External Controllers
- Using the FaderMaster Pro and MCS-3000X
- Using the Yamaha 01V/96 or the Yamaha 01V
- Using the Audio EQ Tool
- Recording Voice-Over Narration
- Using a GPI Device with the Audio Punch-In Tool
- Displaying Audio Formats in Bins
- Using Automatic Voice-Over
Using AudioSuite Plug-Ins
- Understanding Digidesign AudioSuite Plug-Ins
- Core AudioSuite Plug-Ins
- Non-Core AudioSuite Plug-Ins
Exporting and Transferring Material: Advanced
- Exporting Using Send To Templates
- Exporting OMFI and AAF Files
- Exporting Projects and Bins Using AFE Files
- Exporting Video in DV Stream Format
- Exporting QuickTime Movies
- Exporting As an AVI File
- Installing or Copying the Avid Codecs for QuickTime on Other Systems
- Exporting from a Third-Party QuickTime or AVI Application
- Exporting as Windows Media
- Exporting Tracks As Audio Files
- Exporting As a Graphic File
- Exporting Media to XDCAM Devices
  - Exporting to XDCAM
Generating Output: Advanced
- Advanced Video Output Calibration
  - Using Test Patterns
  - Calibrating the System with Passthrough Signals
- Using the Digital Cut Tool: Advanced
- Using EDL Manager
- Preserving Information in the Vertical Blanking Interval
- Preserving HD Closed Captioning and Ancillary Data
MultiCamera Editing
- Understanding Grouping and Multigrouping Clips
- Creating Group Clips
- Creating Multigroup Clips
- MultiCamera Displays
- MultiCamera Editing Techniques
- Selective Camera Cutting
Using Settings
- Using the Settings List
  - Understanding Settings
  - Defining Settings
  - Displaying Project Settings
  - Working with Settings
- 24p Settings
- Audio Settings
- Audio Project Settings
  - Audio Projects Settings: Main Tab
  - Audio Project Settings: Input Tab
  - Audio Project Settings: Output Tab
  - Audio Project Settings: Hardware Tab
  - Audio Project Settings: Effects Tab
- Bin Settings
- Capture Settings
  - Capture Settings: General Tab
  - Capture Settings: Batch Tab
  - Capture Settings: Edit Tab
  - Capture Settings: OMF Media Files Tab
  - Capture Settings: MXF Media Files Tab
  - Capture Settings: DV Options Tab
  - Capture Settings: Keys Tab
- Communication (Serial) Ports Tool Settings
- Controller Settings
- Correction Settings
  - Correction Settings: Features Tab
  - Correction Settings: AutoCorrect Tab
- Deck Configuration Settings
- Deck Settings
- Deck Preferences Settings
- Effect Editor Settings
- Export Settings
  - Export Settings Dialog Box Options
  - Export Settings: QuickTime Reference Options
  - Export Settings: QuickTime Movie Export Options
  - Export Settings: QuickTime Movie Settings
  - Export Settings: QuickTime Compression Settings
  - Export Settings: HDV
  - Export Settings: DV Stream
  - Export Settings: OMFI, AAF, and AFE
  - Export Settings: AVI
  - Export Settings: AVI Video Compression
  - Export Settings: Windows Media Export Options
  - Export Settings: Audio
  - Export Settings: Graphic
  - Export Settings: Graphic Format
  - P2 Export Settings
  - Export Settings: XDCAM
- Full Screen Playback Settings
- General Settings
- Grid Settings
  - Grid Settings: Coordinates Tab
  - Grid Settings: Display Tab
- Import Settings
  - Import Settings: Image Tab
  - Import Settings: OMFI Tab
  - Import Settings: Shot Log Tab
  - Import Settings: Audio Tab
  - Import Settings: XDCAM Tab
- Interface Settings
  - Interface Settings: General Tab
  - Interface Settings: Appearance Tab
- Interplay Folder Settings
- Interplay Server Settings
- Interplay User Settings
- Keyboard Settings
- Marquee Title Settings
- Media Creation Settings
  - Media Creation Settings: Drive Filtering & Indexing Tab
  - Media Creation Settings: Capture, Titles, Import, and Mixdown & Transcode Tabs
  - Media Creation Settings: Motion Effects Tab
  - Media Creation Settings: Render Tab
  - Media Creation Settings: Media Type Tab
- Media Services Settings
- Mouse Settings
- NRCS Settings
  - NRCS Settings: NRCS Tab
  - NRCS Settings: iNEWS Tab
  - NRCS Settings: ENPS Tab
  - NRCS Settings: Post to Web Tab
- PortServer Settings
- Remote Play and Capture Settings
- Render Settings
- Safe Colors Settings
- Script Settings
- Sound Card Configuration Settings
- Timeline Settings
  - Timeline Settings: Display Tab
  - Timeline Settings: Edit Tab
- Trim Settings
  - Trim Settings: Play Loop Tab
  - Trim Settings: Features Tab
- Video Display Settings
- Video Input Tool Settings
- Video Output Tool Settings
  - Video Output Tool Settings: SD Tab
  - Video Output Tool Settings: HD Tab (Adrenaline Only)
- Workspace Settings
File Format Specifications
- Graphics (Image) Files
- Animation Files
- Audio File Formats
- MXF Files
- OMFI Files
- BWF Files
- Field Ordering in Graphic Imports and Exports
Resolutions and Storage Requirements
- Compression and Avid Editing Systems
- Monitor Display Resolutions
- Compression and Resolutions
- Storage Requirements
  - Estimating Drive Space Requirements
  - Estimated Storage Requirements
- Maximizing Drive Space
- Managing Storage to Improve Playback Performance
Film-to-Tape Transfer Methods
- Understanding the Film-to-Tape Transfer Process
- Transferring 24-fps Film to NTSC Video
  - Stage 1: Transferring Film to Video
  - Stage 2: Capturing at 24 fps
- Transferring 24-fps Film to PAL Video
  - PAL Method 1
  - PAL Method 2
- How Avid Editing Applications Store and Display 24p and 25p Media
  - Displaying Media While Editing
  - Displaying Media During a Digital Cut
- Film-to-Tape Transfer Guidelines
- Film-to-Tape Transfer Options
  - Transfer Quality
  - Additional Film Transfer Aids
Working with HD Media
- High-Definition Television
- HDTV Workflows
- Editing in HD
- Working with HDV
International Character Support
- Using a Local Language Operating System
- Choosing a Locale on an English Language Operating System
  - Non-English Character Support
  - Using Foreign Keyboard Mapping (Windows Only)
- Recommendations and Restrictions for International Character Support
Index

Exporting Using Send To Templates

453

Send To DigiDelivery

You can export a sequence directly to DigiDelivery

, the file-exchange service from Avid

Digidesign

. You must have a DigiDelivery account to deliver your exported sequence. For

information about obtaining an account, go to the Avid DigiDesign web site,

www.digidesign.com, and select Products > DigiDelivery.

To export directly to DigiDelivery:

1. Prepare the sequence, as described in “Preparing to Export a Sequence” in the Help.

2. Select a sequence in a bin.

3. Do one of the following:

t Select File > Send To > DigiDelivery.

t Right-click the clip or sequence in the bin, and select Send To > DigiDelivery.

The DigiDelivery template options appear.

4. Select one of the options in the following table.

Send To DigiDelivery Options

Option Description

Avid Video - Embed Audio Select this option to send to a Digidesign Pro Tools

system that supports

playing back Avid video. The Pro Tools system has either an Avid Mojo or a

Digi V10 for video playback.

A video mixdown of the tracks is created at DV 25; the audio is consolidated

and embedded into the AAF file.

QuickTime - Embed Audio Select this option to send to a Digidesign Pro Tools system that supports

QuickTime video only. The system does not have an Avid Mojo or a Digi V10.

A QuickTime movie of video is created; the audio is consolidated and

embedded into the AAF file.