6.7
Table Of Contents
- Title Page
- Contents
- Using This Guide
- Working with the Project Window: Advanced
- Working with User Profiles
- Managing Folders and Bins
- Using the Info Display
- Customizing the Appearance of the Avid User Interface
- Customizing Your Workspace
- Sharing Bins and Projects in an Avid Unity Environment
- Using Tools
- Logging: Advanced
- Capturing Media: Advanced
- Advanced Capture Settings
- Understanding Drop-Frame and Non-Drop-Frame Timecode
- Preparing for Audio Input: Advanced
- Preparing for Video Input: Advanced
- Using Function Keys When Capturing
- Special Capture Procedures
- Logging Errors to the Console Window
- Creating Subclips While Capturing
- Creating Timed Subclips While Capturing
- Adding Locators On-the-Fly
- Naming a New Tape from the Keyboard
- Controlling Decks from the Keyboard
- Working in Quick Record Mode
- Adding Extra Text Fields in the Capture Tool
- Mapping the Record Button
- Ejecting Tapes with a Button or Key
- Returning to the Previous Place in the Select Tape Dialog Box
- Understanding DV Capture Offset
- Capturing DV Material with Offset
- Delaying Audio
- Capturing in Satellite Mode or No Device Control
- Setting a Timed Capture
- Capturing to the Timeline
- Remote Play, Capture, and Punch-In
- Modifying the Pulldown Phase After Capturing
- DV and HDV Scene Extraction
- Support for Panasonic VariCam
- Importing Files: Advanced
- Importing Photoshop Graphics
- Importing Media from XDCAM Devices
- Importing Editcam Files
- Importing Sequences from Pro Tools through Interplay
- Working with Bins: Advanced
- Advanced Bin Procedures
- Using Text View: Advanced
- Working with Restricted Material
- Printing Bins
- Preparing Digital Bars and Tone
- Importing Color Bars and Other Test Patterns
- Creating Leader
- Managing Media Files: Advanced
- Using Panasonic DVCPRO P2 Equipment
- Panasonic P2 Formats
- P2 Files and Folders
- Workflow for Editing with P2 Media
- Installing the Panasonic P2 Drivers
- Preparing to Mount P2 Cards as Drives
- Mounting P2 Cards as Drives
- Copying P2 Files to a FireWire or Network Drive
- Copying P2 Files to a Local Media Drive
- Changing P2 Cards in the Card Reader
- Importing P2 Clips and Media Directly from a P2 Card or a Copy of a P2 Card
- Dragging P2 Master Clips from the Media Tool to a Bin
- Working with Spanned Clips
- Sharing P2 Clips and Sequences
- Exporting Your Clip or Sequence to a P2 Card
- Deleting P2 Clips
- Finding a Related Media File
- Relinking Media Files
- Unlinking Media Files
- Using Videotapes for Archiving and Restoring Media Files
- Using Panasonic DVCPRO P2 Equipment
- Script-Based Editing
- Viewing and Marking Footage: Advanced
- Displaying the Info Window
- Displaying Timecode in the Timecode Window
- Adjusting the Play Delay Offset
- Using the Tool Palette
- Playing Selected Clips in a Loop
- Using Locators
- Creating and Editing Sequences: Advanced
- Using the Timeline: Advanced
- Working in Trim Mode: Advanced
- Working with Audio: Advanced
- Audio Gain Staging and an Audio Editing Workflow
- Using External Fader Controllers
- Using the Digi 002 and Command|8
- Configuring USB-to-MIDI Software for External Controllers
- Using the FaderMaster Pro and MCS-3000X
- Using the Yamaha 01V/96 or the Yamaha 01V
- Using the Audio EQ Tool
- Recording Voice-Over Narration
- Connecting Voice-Over Recording Hardware
- Recording Voice-Over Narration Using the Capture Tool
- Understanding the Audio Punch-In Tool
- Recording Voice-Over Narration Using Audio Punch-in
- Monitoring Previously Recorded Tracks While Recording Voice-Over Narration
- Using Peak Hold While Recording Voice-Over Narration
- Using a GPI Device with the Audio Punch-In Tool
- Displaying Audio Formats in Bins
- Using Automatic Voice-Over
- Using AudioSuite Plug-Ins
- Understanding Digidesign AudioSuite Plug-Ins
- Installing AudioSuite Plug-Ins
- Using Digidesign AudioSuite Plug-Ins
- Applying an AudioSuite Plug-in to a Clip in the Timeline
- Using an AudioSuite Plug-In Dialog Box
- AudioSuite Fast Menu
- Rendering AudioSuite Plug-in Effects
- Creating New Master Clips with AudioSuite Plug-Ins
- Using AudioSuite Plug-Ins in Stereo
- AudioSuite Plug-in Limitations
- Troubleshooting AudioSuite Plug-Ins
- Core AudioSuite Plug-Ins
- Chorus AudioSuite Plug-In
- D-Verb AudioSuite Plug-In
- Compressor AudioSuite Plug-In
- Limiter AudioSuite Plug-In
- Expander-Gate AudioSuite Plug-In
- Gate AudioSuite Plug-In
- DeEsser AudioSuite Plug-In
- EQ AudioSuite Plug-Ins
- Flanger AudioSuite Plug-In
- Invert AudioSuite Plug-In
- Duplicate AudioSuite Plug-In
- Delay AudioSuite Plug-In
- Multi-Tap Delay AudioSuite Plug-In
- Normalize AudioSuite Plug-In
- Gain AudioSuite Plug-In
- Ping-Pong Delay AudioSuite Plug-In
- Reverse AudioSuite Plug-In
- DC Offset Removal AudioSuite Plug-In
- Signal Generator AudioSuite Plug-In
- Time Compression Expansion AudioSuite Plug-In
- Pitch Shift AudioSuite Plug-In
- Time Shift AudioSuite Plug-In
- Non-Core AudioSuite Plug-Ins
- Understanding Digidesign AudioSuite Plug-Ins
- Exporting and Transferring Material: Advanced
- Exporting Using Send To Templates
- Exporting OMFI and AAF Files
- Exporting Projects and Bins Using AFE Files
- Exporting Video in DV Stream Format
- Exporting QuickTime Movies
- Exporting As an AVI File
- Installing or Copying the Avid Codecs for QuickTime on Other Systems
- Exporting from a Third-Party QuickTime or AVI Application
- Exporting as Windows Media
- Exporting Tracks As Audio Files
- Exporting As a Graphic File
- Exporting Media to XDCAM Devices
- Generating Output: Advanced
- Advanced Video Output Calibration
- Using the Digital Cut Tool: Advanced
- Using EDL Manager
- Preserving Information in the Vertical Blanking Interval
- Preserving HD Closed Captioning and Ancillary Data
- MultiCamera Editing
- Using Settings
- Using the Settings List
- Understanding Settings
- Defining Settings
- Displaying Project Settings
- Working with Settings
- Selecting Another User
- Modifying Settings
- Working with Multiple Settings
- Duplicating Settings
- Naming Settings
- Selecting Among Multiple Settings
- Deleting Settings
- Restoring Default Settings
- Copying Settings Between Settings Files
- Using Site Settings
- Manipulating Settings by Importing User Profiles or Copying Files Manually
- 24p Settings
- Audio Settings
- Audio Project Settings
- Bin Settings
- Capture Settings
- Communication (Serial) Ports Tool Settings
- Controller Settings
- Correction Settings
- Deck Configuration Settings
- Deck Settings
- Deck Preferences Settings
- Effect Editor Settings
- Export Settings
- Export Settings Dialog Box Options
- Export Settings: QuickTime Reference Options
- Export Settings: QuickTime Movie Export Options
- Export Settings: QuickTime Movie Settings
- Export Settings: QuickTime Compression Settings
- Export Settings: HDV
- Export Settings: DV Stream
- Export Settings: OMFI, AAF, and AFE
- Export Settings: AVI
- Export Settings: AVI Video Compression
- Export Settings: Windows Media Export Options
- Export Settings: Audio
- Export Settings: Graphic
- Export Settings: Graphic Format
- P2 Export Settings
- Export Settings: XDCAM
- Full Screen Playback Settings
- General Settings
- Grid Settings
- Import Settings
- Interface Settings
- Interplay Folder Settings
- Interplay Server Settings
- Interplay User Settings
- Keyboard Settings
- Marquee Title Settings
- Media Creation Settings
- Media Services Settings
- Mouse Settings
- NRCS Settings
- PortServer Settings
- Remote Play and Capture Settings
- Render Settings
- Safe Colors Settings
- Script Settings
- Sound Card Configuration Settings
- Timeline Settings
- Trim Settings
- Video Display Settings
- Video Input Tool Settings
- Video Output Tool Settings
- Workspace Settings
- Using the Settings List
- File Format Specifications
- Resolutions and Storage Requirements
- Film-to-Tape Transfer Methods
- Working with HD Media
- International Character Support
- Using a Local Language Operating System
- Choosing a Locale on an English Language Operating System
- Recommendations and Restrictions for International Character Support
- Avid Supports English Plus One Locale
- Entering ASCII Characters in Double-Byte Systems
- Characters to Avoid When Naming Avid Elements
- EDL Manager Does Not Save Diacritical Marks or Chinese Characters
- Traditional Chinese Big 5 Character Set
- Rebuilding the asifont.map File (Windows Only)
- Additional Tips and Limitations for International Character Support
- Index
Chapter 20 Resolutions and Storage Requirements
700
14:1 0 14.6 (NTSC)
12.1 (PAL)
68.5 MB
82.6 MB
685 MB
826 MB
2.05 GB
2.48 GB
1 13.6 (NTSC)
11.4 (PAL)
73.8 MB
87.9 MB
738 MB
879 MB
2.21 GB
2.64 GB
2 12.6 (NTSC)
10.7 (PAL)
79.1 MB
93.2 MB
791 MB
932 MB
2.37 GB
2.80 GB
3 11.8 (NTSC)
10.1 (PAL)
84.4 MB
98.5 MB
844 MB
985 MB
2.53 GB
2.96 GB
4 11.1 (NTSC)
9.6 (PAL)
89.7 MB
103 MB
897 MB
1.04 GB
2.69 GB
3.12 GB
89.0 (NTSC)
8.0 (PAL)
111 MB
125 MB
1.11 GB
1.25 GB
3.33 GB
3.75 GB
3:1 03.6 (NTSC)
3.0 (PAL)
278 MB
333 MB
2.78 GB
3.33 GB
8.33 GB
10.0 GB
13.5 (NTSC)
3.0 (PAL)
283 MB
339 MB
2.83 GB
3.39 GB
8.49 GB
10.2 GB
23.5 (NTSC)
2.9 (PAL)
288 MB
344 MB
2.88 GB
3.44 GB
8.65 GB
10.3 GB
33.4 (NTSC)
2.9 (PAL)
294 MB
349 MB
2.94 GB
3.49 GB
8.81 GB
10.5 GB
43.3 (NTSC)
2.8 (PAL)
299 MB
355 MB
2.99 GB
3.55 GB
8.97 GB
10.6 GB
83.1 (NTSC)
2.7 (PAL)
320 MB
376 MB
3.20 GB
3.76 GB
9.61 GB
11.3 GB
Estimated Storage Requirements: JFIF Progressive (Continued)
Resolution
Audio
Tracks
Minutes Per
Gigabyte
Drive Space
Needed for
1 Minute of
Media
Drive Space
Needed for
10 Minutes of
Media
Drive Space
Needed for
30 Minutes of
Media