6.x
Table Of Contents
- Title Page
- Contents
- Using This Guide
- Planning a Project
- Logging
- Preparing to Capture
- Understanding Digital Video (DV)
- Preparing the Hardware
- Selecting Settings
- Configuring Decks
- Understanding Drop-Frame and Non-Drop-Frame Timecode
- Setting Up the Capture Tool
- Opening the Capture Tool
- Changing the Power Scheme
- Setting the Video and Audio Input
- Selecting a Deck
- Selecting a Tape
- Selecting Source Tracks
- Detecting Valid or Locked Capture Input
- Selecting a Resolution in the Capture Tool
- Selecting a Format in the Capture Tool
- Setting Media Creation Resolutions and Selecting Drives
- Selecting a Media Type
- Disabling Editor Resolutions
- Selecting a Draft Resolution for DV Media
- Selecting a Target Bin
- Selecting the Target Drives
- Interpreting the Time Remaining Display
- Capturing to Multiple Media Files
- Selecting the Preroll Method
- Capturing Across Timecode Breaks
- Preparing for Audio Input
- Audio Meters in the Timeline
- Calibrating for Video Input
- Capturing Media
- Before You Begin Capturing
- Adding Clip Names and Comments On-the-Fly
- Adding Extra Text Fields in the Capture Tool
- Adding Locators On-the-Fly
- Creating Subclips While Capturing
- DV Capture Offset
- Capturing DV 50 and DVCPRO HD Media Directly from a DV Device
- Delaying Audio
- Capturing and Logging at the Same Time
- Remote Play and Capture
- Capturing Audio from a Music CD
- Capturing to the Timeline
- Batch Capturing from Logged Clips
- Modifying the Pulldown Phase After Capturing
- DV Scene Extraction
- Recapturing Your Material
- Other Capture Functions
- Importing Files
- Preparing to Import Files
- Working with Mixed-Resolution Projects
- Creating and Using Import Settings
- Importing Files
- Using the Drag-and-Drop Method to Import Files
- Importing Photoshop Graphics
- Importing Media from XDCAM Devices
- Importing Editcam Files
- Reimporting Files
- Output Options
- Preparing for Output
- Using the Digital Cut Tool
- Selecting a Deck in the Digital Cut Tool
- Using ExpertRender to Prepare Effects for a Digital Cut
- Previewing a Digital Cut
- Outputting DV 50 DVCPRO HD Media Directly to a DV Device
- Selecting Output and Timecode Formats for 23.976p and 25p Projects
- Performing a Digital Cut to Tape (Remote Mode)
- Crash Recording
- Performing a Digital Cut to Tape (Local Mode)
- Output Mode Resolution Options
- DV Digital Cut Offset
- Understanding Passthrough
- Using EDL Manager
- Exporting and Exchanging Material
- Exporting Files
- Preparing to Export a Sequence
- Mixing Down Video Tracks
- Exporting Frames, Clips, or Sequences
- Using Distributed Media Services
- Using ProEncode
- Improving Workflow Using Send To
- Exporting Video in DV Stream Format
- Customizing Export Settings
- Exporting OMFI and AAF Files
- Exchanging Titles in OMFI Format
- QuickTime Reference Movies
- Exporting as a QuickTime Movie
- Avid Codecs
- Exporting As an AVI File
- Exporting as Windows Media
- Exporting Tracks As Audio Files
- Exporting As a Graphics File
- Transferring a Project Between Systems
- Transferring Media to and from a Video Server
- Using the NRCS Tool
- Configuring the NRCS Tool
- Starting the NRCS Tool
- Understanding the NRCS Tool
- Using the Directory Panel
- Changing the Text Display
- Editing Story Text (iNEWS Only)
- Rearranging Text in a Story (iNEWS Only)
- Marking Text As Presenter Instructions (iNEWS Only)
- Marking Text As Closed Caption (iNEWS Only)
- Adding a Production Cue (iNEWS Only)
- Deleting a Production Cue (iNEWS Only)
- Marking Text As Machine Control (iNEWS Only)
- Formatting Text (iNEWS Only)
- Marking Text As Normal (iNEWS Only)
- Adding a Loaded Cue (iNEWS Only)
- Using a Loaded Cue (iNEWS Only)
- Deleting a Loaded Cue (iNEWS Only)
- Finding the Read Time of a Story
- Building a Sequence from a Story
- Adjusting the Story Timing (iNEWS Only)
- Using Associated Sequences
- Saving Changes to a Story (iNEWS Only)
- Using the Post to Web Feature
- Sending and Receiving NRCS Mail (iNEWS Only)
- Disconnecting from Your NRCS Server
- Working with HD Media
- Index
Importing Editcam Files
231
Editing and Finishing High-Resolution Media
Once you have imported the high-resolution media, you can play back and edit
your sequence with full resolution and in real time using the standard Avid
editing functions. You can also send the sequence to a broadcast playback
server using Avid Unity TransferManager.
As you edit your sequence, you can move between the proxy media and the
high-resolution media by relinking your clips with the corresponding media
files. When you relink proxy media to the high-resolution media, select one of
the following Relink Method options:
- Highest Quality
- Most Compressed
n
Do not select Specific Resolution as the Relink Method.
This allows the audio tracks to relink to the appropriate audio files. For more
information about the Relink command, see “Relinking Media Files” in the
Help.
Importing Editcam Files
You can import clips captured with the Ikegami
®
disk-based Editcam
™
or
Editcam-station products. The Editcam is a digital news-gathering (DNG)
camera that uses Avid's CamCutter
®
technology.
To import Editcam files:
1. (Option) Select File > Mount All.
Performing this step is not necessary if you performed it previously or if
you inserted the FieldPak
®
drive before starting the Avid editing
application.
2. Open a bin.
3. Select File > Import.
The Select files to Import dialog box opens.