User Manual

Resyncing Subframe Audio
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The system creates a synchronized sequence with the clips you selected. The new sequence
appears in the Record monitor and in the Timeline. The sequence also appears in the bin
with the same name as the tape name (for tape-based media) or the same name as the source
file name (for file-based media) with a .xx (.01, .02, .03) extension.
5. Edit the audio or video tracks.
6. Record a digital cut of the audio or video directly onto the original videotape when you
finish editing the sequence.
7. (Option) Press and hold the Alt (Windows) or Option key (Macintosh) while you select
Bin > AutoSequence to build a sequence without filler.
The system creates a sequence without gaps by placing the clips in ascending timecode
order.
Resyncing Subframe Audio
When you work with a 24p or 25p project (35mm, 4-perf or 35mm, 3-perf only), you can adjust
the sync between the audio and video portions of subclips at the subframe or perforation level
(1/4-frame adjustments for 4-perf and 1/3-frame adjustment for 3-perf) for more exact sync.
When you perform a subframe resync, you can obtain a closer relationship between audio
samples and film frames than the relationship established in the film-to-tape transfer process. For
example, when a film lab punches the correct clapsticks frame to match the audio clap, during
telecine transfer, the process of aligning the sync points is inexact. As a result, true sync might be
off by one or more perforations.
The following conditions apply to resyncing at the perforation level:
• You can adjust the sync between a single video and a single audio track within subclips only.
Use the subclips created:
- When you autosync
- Manually from master clips in preparation for editing
- From an imported shot log
- While you capture