User Manual

Working with Multichannel Audio Tracks
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5. Click the Destination Track menu, and select the target auxiliary timecode bin column for
recording the audio timecode.
Auxiliary TC1 is the default selection.
6. Do one of the following:
t Select Fill Undecodeable Frames to instruct the system to fill in any timecode breaks
with continuing timecode. This is the default.
t Deselect Fill Undecodeable Frames if you do not want to fill timecode breaks.
For example, in a 3-minute master clip, the audio timecode starts at 1:00:20:20. At
1:00:22:10, the timecode ends. With the Fill Undecodeable Frames option selected, the
system assigns 1:00:22:11 to the next frame and continues assigning timecode.
7. Click OK to complete the procedure.
The timecode appears in the bin in the auxiliary timecode column that you selected.
Working with Multichannel Audio Tracks
Video and audio information in your project can be represented as tracks, channels, and voices.
The following list defines these terms as used in this documentation:
•Tracks
- A region of a clip or sequence on which audio or video is placed.
- A playback channel represented in a sequence as either a video track or an audio track.
You edit tracks in the Timeline.
• Channels
- A physical audio input or output. You capture audio channels, which then become audio
tracks in your clip or sequence.
- The separate audio signals that compose an audio track. Stereo tracks have two audio
channels. 7.1 surround sound tracks have 8 channels.
•Voices
- Discrete audio streams that you send from audio tracks to physical audio outputs, such
as speakers or output channels. Typically, any audio channel for a track in your sequence
uses a single voice. A mono audio clip uses one voice, a stereo clip uses two voices, and