User Manual

Resyncing Audio for a Selected Subclip
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- From imported audio media (OMFI, AIFF-C, or WAVE format), master clips generated
by AudioSuite plug-ins, or tone generator media
• You cannot slip at the perforation level of the imported QuickTime audio media.
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The batch import process does not create new clips; therefore, slipping at the perforation level is
not available when you batch import audio clips from Symphony versions earlier than v3.5.3 and
Avid editing application versions earlier than v10.5.3.
• You cannot slip beyond the duration boundaries of the source master clip.
• The sync adjustments you make are referenced in any cut list you output for any sequence
that uses the adjusted subclip.
• The number of perfs you slip appears in the Slip column when you select the Slip heading to
display in the bin.
Resyncing Audio for a Selected Subclip
To resync audio for a selected subclip:
1. Load the subclip into the Source monitor.
2. Use one of the audio scrub techniques described in “Using Audio Scrub” on page 768 to
locate the closing slate frame.
3. Click Slip Left One Perf or Slip Right One Perf button to move the audio sync either
backward or forward in 1-perf increments.
Each click of the perf button performs the sync adjustment.
4. Play the subclip in the Source monitor to evaluate your sync adjustment. Repeat the previous
steps to further adjust the sync, up to eight perfs in either direction.
5. Use the resynced clip to edit into the sequence.
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If you find a subclip frame sync problem within an edited sequence, be sure to correct the audio
sync in the original subclip used in the edit. The sequence is then updated. The telecine facility
must correct sync problems with 16mm format.
Working with Phantom Marks
Phantom marks provide visual guidance when you edit according to the three-mark rules. For
information on editing using three marks, see “Editing Additional Clips into the Sequence” on
page 584.