User Manual

Core Avid Audio Plug-Ins
937
Dolby E plug-in effect from your sequence. This allows you to continue to monitor and edit
the surround sound audio. Alternately, you can leave the effect in the Timeline as long as
you do not perform either a render or mixdown of the sequence.
For more information, see the documentation that came with your Dolby E plug-in.
Core Avid Audio Plug-Ins
A set of core audio plug-ins installs with your Avid editing application. RTAS and AudioSuite
Plug-ins supported by Avid, such as the core set, appear in the RTAS tool and the AudioSuite
Plug-in Selection menu with their plug-in name.
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Other audio plug-ins might get installed on your system for use with Pro Tools, or you might
download plug-ins. Avid does not recommend using unsupported plug-ins with Avid editing
applications.
Avid supports other RTAS and AudioSuite plug-ins that do not install with your Avid editing
application. You can use these plug-ins on a trial basis and then purchase them through Avid.
These plug-ins have their own detailed documentation. For information on Avid and third-party
plug-ins, go to the Avid Web site at www.avid.com.
The following table provides a brief description of each of the core plug-ins, with
cross-references to more detailed information in the remaining topics in this section.
You can use RTAS track effect plug-ins on both mono and stereo tracks. You can use some
AudioSuite plug-ins in either mono or stereo clips. For more information, see “Using AudioSuite
Plug-Ins in Stereo” on page 935.
Audio Plug-ins
Plug-In Description
AIR Chorus Gives depth and space to the audio signal.by applying a short modulated delay. For
more information, see “AIR Chorus (RTAS)” on page 941.
AIR Distortion Modifies the audio signal with various types of distortion. For more information, see
“AIR Distortion (RTAS)” on page 941.
AIR Dynamic Delay Creates a delay line that can synchronize to the tempo of your audio sequence. For
more information, see “AIR Dynamic Delay (RTAS)” on page 942.
AIR Enhancer Enhances the low and high broadband frequencies of the audio signal. For more
information, see “AIR Enhancer (RTAS)” on page 944.