User Manual

Table Of Contents
Chapter 24: Audio Recording 533
Expanding Alternate Takes to New
Tracks
Expanding alternate takes to new tracks readily fa-
cilitates auditioning, editing, and mixing alternate
takes, each on separate tracks.
To expand alternate takes to new tracks:
1 Identify the clip on the main playlist with
matching alternate clips (takes).
2 Do one of the following:
Right-click the clip and choose
Matches >
Expand Alternates To New Tracks
.
If the clip is selected, with the Selector tool,
Command-click (Mac) or Control-click (Win-
dows) anywhere on the selected clip and choose
Matches > Expand Alternates To New Tracks.
If the clip is not selected, with the Selector tool,
Command-click (Mac) or Control-click (Win-
dows) at the precise beginning of the loop or
punch range and choose
Matches >
Expand Alternates To New Tracks
.
3 Then choose one of the following from the Ex-
pand Alternates To New Tracks sub-menu:
By Track Name
Names all new tracks after the
source track name.
By Clip Name
Names each new tracks after the
corresponding original clip names that you see in
the Matches list.
By Track and Clip Name
Names all new tracks af-
ter the source track name, but with the correspond-
ing original clip names in parenthesis.
All matching alternate clips are copied to new
tracks.
Recording from a Digital
Source
If you plan to use a DAT player, digital-output CD
recorder, or other digital device with your
Pro Tools system, make sure it supports the correct
digital format. For example, your Pro Tools audio
interface’s AES/EBU inputs and outputs should
only be connected to another AES/EBU device.
Pro Tools HD Audio Interface
Digital Options
HD I/O and HD OMNI include AES/EBU,
S/PDIF, and ADAT digital options. Additionally,
the HD I/O with a Digital Expansion card includes
TDIF digital I/O options.
HD MADI includes both optical and coaxial
MADI I/O (for more information, see the
HD MADI Guide).
Pro Tools | MTRX includes built-in AES3 and
MADI coaxial digital interfaces. Additionally, you
can install optional digital I/O expansion cards for
AES3 I/O, Dual SDI/HD/3G, and Dual MADI I/O,
and a 64-Channel IP Audio Dante module.
On HD I/O and HD OMNI, Pro Tools can receive
digital audio from the factory-installed Optical
(ADAT) I/O at any time (if it is not set to S/PDIF).
However, Pro Tools can only receive digital audio
from one of its enclosure [Encl] digital sources—
AES/EBU, S/PDIF, or Optical (S/PDIF)—at a
time.
For additional information on configuring
your particular Pro Tools system for record-
ing from a digital source, see your User
Guide.