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BASS V-AMP/BASS V-AMP PRO SAFETY PRECAUTIONS DETAILED SAFETY INSTRUCTIONS: 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this device near water. CAUTION: WARNING: To reduce the risk of electric shock, do not remove the cover (or back). No user serviceable parts inside; refer servicing to qualified personnel. To reduce the risk of fire or electric shock, do not expose this device to rain and moisture.
BASS V-AMP/BASS V-AMP PRO BASS V-AMP/BASS V-AMP PRO The Ultimate Tone Toolbox for Bass, Acoustic/Electric Guitar and Keyboard Amp Modeling BASSV-AMP/BASS V-AMP PRO s 32 unsurpassed authentic amp models: 16 classic bass amps, 8 of the best V-AMP amp models, 4 typical keyboard amps and 4 acoustic models s 23 renowned cabinet simulations: from traditional to contemporary sounds with original characterfrom 1 x 8" to 8 x 10", all the way to 18" speakers s 16 absolutely first-class effects, e.g.
BASS V-AMP/BASS V-AMP PRO FOREWORD Dear Customer, welcome to the team of BEHRINGER users, and thank you very much for expressing your confidence in us by purchasing the BASS V-AMP/ BASS V-AMP PRO.
BASS V-AMP/BASS V-AMP PRO 1. INTRODUCTION Congratulations! By purchasing the BASS V-AMP/ BASS V-AMP PRO, you have selected a modern virtual bass amplifier that sets new standards in the world of bass preamps. Our primary goal was to achieve the classic sound of bass amps by using Physical Modeling and implementing the newest DSP effects.
BASS V-AMP/BASS V-AMP PRO + + + The MID control lowers or elevates the mid frequencies. MID-SHIFT/SHAPE: When you select an amp simulation using the AMPS control, press the TAP button to use the MID control to adjust the mid frequency range (SHIFT). With amp simulations that dont originally have such a function, pressing the TAP button as described above activates the BEHRINGER SHAPE filter instead. The TREBLE control regulates the upper frequency range of an activated preset.
BASS V-AMP/BASS V-AMP PRO s Compressor: The compressor control regulates the ). attack time when the TAP key is kept pressed (see + DISPLAY shows the selected effects bank and gives information about the changes occurring while editing. When the tuner is enabled, the display shows the tuning of the connected instrument. When one of the amp simulations numbered 17 - 32 is selected, the LED located in the lower left corner of the DISPLAY lights up.
BASS V-AMP/BASS V-AMP PRO The ground connection is interrupted when the switch is depressed (LIFT). The volume of the signal fed into the AUX IN input is adjusted by using the AUX LEVEL control. The balanced stereo signal of your BASS V-AMP PRO can be taken at the DI OUT. This output should be connected to two balanced channel inputs on your mixing console. The signal level is set at +4 dBu in studio modes and at -10 dBu for live modes.
BASS V-AMP/BASS V-AMP PRO 2SHUDWLRQ PRGH Studio 1 (S1) Studio 2 (S2) Studio 3 (S3) Live 1 (L1) Live 2 (L2) Live 3 (L3) %$66 9 $03 2873876 / 2873876 5 %$66 9 $03 352 2873876 / 2873876 5 6WHUHR RSHUDWLRQ with the selected effects and 6WHUHR RSHUDWLRQ with the selected effects and speaker simulations speaker simulations Amp w/out FX + Cab Sim Amp, Cab Sim + FX Amp, Cab Sim + FX DI Out (unprocessed direct signal) Amp w/out FX + Cab Sim Amp, Cab Sim + FX XLR/Phones: ULTRA-G active (digital Cab
BASS V-AMP/BASS V-AMP PRO The display of the BASS V-AMP/BASS V-AMP PRO always shows which preset bank is selected. To recall a preset after selecting a different preset bank, press one of the A - E keys. Which preset from the respective bank is currectly active is always displayed in the key LED. CONFIGURATION want to revert to the previously saved configuration: Simply select a different preset. Each time you recall a different preset, unsaved edits from the current edit are lost.
BASS V-AMP/BASS V-AMP PRO BRITISH 70s: This virtual amp is based on the 69 Marshall Major. Its a classic among tube amps, and was used by Jack Bruce, among others. The sound remains warm even in high drive settings, and gets a natural-sounding distortion characteristic, commonly found on old Cream records. BRITISH 80s: A sound coined in the 80s by musicians such as Trace Elliot or Mark King from Level 42. Its a very transparent and wirily sound that produced a lot of pressure.
BASS V-AMP/BASS V-AMP PRO MIC SIM: A guitar with steel strings miked with a dynamic microphone is simulated here. While piezo pickups have the tendency to make the sound rather hard, using a mic makes the sound much more evened-out. Of course, the feedback typical for miking acoustic instruments is no longer an issue. MAGNETIC EQ: Magnetic pick ups are very common in western guitars because they can easily be mounted into the instruments cavity.
BASS V-AMP/BASS V-AMP PRO + &DELQHW VLPXODWLRQV - BYPASS (NO SPEAKER SIMULATION) 1 AMPEG SVT 8 x 10" ’97 2 TRACE ELLIOT 4 x 10" 3 SWR GOLIATH 4 x 10" 4 AMPEG 4 x 10" 5 GALLIEN KRUEGER B120 6 68 MARSHALL 4 x 12" 7 AMPEG B15 1 x 15" CLOSED BACK COMBO 8 POLYTONE A101 1 x 15" CLOSED BACK COMBO 9 VOX AC100 2 x 15" The multi-effects processor functions basically in stereo.
BASS V-AMP/BASS V-AMP PRO R QW FH II ( Controller 40 ())(&76 7$3 EXWWRQ ())(&76 3267 ); 7$3 EXWWRQ 0,', 0,', 0,', 0,', Controller 46 Controller 42 Controller 43 Controller 44 Controller 45 Controller 41 1 VCF + FLANGER VCF Mix Flanger Mix VCF Speed Speed/Depth Flanger Feedback VCF Frequency VCF Q 2 DELAY + CHORUS Delay Mix Chorus Mix Delay Time Feedback Feedback LP Speed/Depth Delay Time 3 STEREO DELAY Delay Mix Feedback Delay Time - Feedback LP - Delay
BASS V-AMP/BASS V-AMP PRO 6.3.4 Virtual analog bass synth SYNTH: This effect gives you a rad three-voice synthie bass and has many parameters that are pre-configured in 9 variants and can be selected via TAP and EFFECT. The TAP key can be used to control the envelope (ADSR) of the synthie sounds (short tap = short tone, slow tapping = long tone).
BASS V-AMP/BASS V-AMP PRO 8.4 MIDI connections The MIDI standard (Musical Instruments Digital Interface) was first developed at the beginning of the 80s, with the goal of enabling mutual communication between electronic instruments of various manufacturers. Over the years, the number of possible MIDI applications has increased substantially; nowadays, it is perfectly normal to connect entire studios via MIDI.
BASS V-AMP/BASS V-AMP PRO 9. SPECIFICATIONS $8',2 ,13876 %$66 9 $03 %$66 9 $03 352 1/4" TS connector, unbalanced INSTRUMENT INPUT Input impedance 1 MΩ Max. input level +3 dBu AUX IN Input impedance PRE DSP RETURN LINE IN Input impedance Max. input level 1/4" TRS connector, balanced - 50 kΩ - - 1/4" TS connector, unbalanced - 45 kΩ - +9 dBu - 1/4" TS connector, unbalanced Input impedance - 40 kΩ Max.
BASS V-AMP/BASS V-AMP PRO ',*,7$/ 6,*1$/ 352&(66,1* %$66 9 $03 %$66 9 $03 352 24-bit Delta-Sigma, 64/128-times oversampling Converter 100 dB @ preamp bypass Dynamics A/D 92 dB Dynamics D/A 31.250 kHz Sample rate 100 Mips DSP Delay time Run time (Line In ',63/$< Æ Line Out) max. 1023 ms stereo/sampler delay: 15.36 s approx. 5 ms 2-digit 7-segment-LED display Type 32:(5 6833/< USA/Canada 120 V~, 60 Hz USA/Canada 120 V~, 60 Hz U.K./Australia 240 V~, 50 Hz Europe/U.K.
BASS V-AMP/BASS V-AMP PRO 10.
BASS V-AMP/BASS V-AMP PRO 11. WARRANTY § 1 WARRANTY CARD/ONLINE REGISTRATION To be protected by the extended warranty, the buyer must complete and return the enclosed warranty card within 14 days of the date of purchase to BEHRINGER Spezielle Studiotechnik GmbH, in accordance with the conditions stipulated in § 3. Failure to return the card in due time (date as per postmark) will void any extended warranty claims.
