V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H User Manual A50-21113-00005
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H Important Safety Instructions 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this apparatus near water. 6) Clean only with dry cloth. Caution: Warning: To reduce the risk of electric shock, do not remove the top cover (or the rear section). No user serviceable parts inside. Refer servicing to qualified personnel.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H Foreword Table of contents Dear Customer, welcome to the team of BEHRINGER users, and thank you very much for expressing your confidence in us by purchasing the BEHRINGER V-TONE.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 1. Introduction 1.3 Before you get started Thank you for the trust that you have placed in us by buying your V-TONE. You have gotten your hands on a latest-generation guitar amp that sets completely new standards when it comes to analog modeling. The V-TONE was carefully packed at the assembly plant to ensure secure transport.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H (yet still sophisticated) sounds can be dialed up if you select CALIF.(ORNIAN); perfect for lead sounds! 1.3.3 Online registration Please register your new BEHRINGER equipment right after your purchase by visiting http://www.behringer.com and read the terms and conditions of our warranty carefully. Should your BEHRINGER product malfunction, it is our intention to have it repaired as quickly as possible.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 2.2 Rear panel (21) Connect the stereo jack connector of the provided footswitch to the FOOTSWITCH connector. The footswitch has several functions: it lets you switch between two channels, and it also lets you activate/deactivate an effect. Additionally, the tuner can also be activated using the footswitch. To do that, keep the CHANNEL key pressed for about 2 seconds. (22) MIDI IN. This connector lets you remotely control your V-TONE via MIDI.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 3.2 Recording setup with an external effects device 3. Applications The V-TONE features many different connectors, allowing you to adapt to all kinds of application challenges. We have listed just a few examples to show the flexibility your V-TONE. 3.1 Practice setup with playback Fig. 3.2: Recording setup Fig. 3.1: Standard setup To use your V-TONE in practice rooms, or to jam at home, connect your V-TONE as illustrated in figure 3.1.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 3.3 Live setup with a MIDI foot controller 3.4 Wiring the GMX1200H The GMX1200H head features two LOUDSPEAKER outputs (EXT LEFT and EXT RIGHT) that can be used to connect one or two external loudspeakers. To get the most power from the GMX1200H, both loudspeaker outputs should be used and connected to speakers with minimum 8 Ohms impedance. Loudspeaker outputs are automatically muted as soon as you activate the tuner or connect a set of headphones (see section 5.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 4. Effects processor Effects are the icing on the cake when it comes to creative sound designs. On the one hand, direct recordings (i.e. recordings without a microphone, which is possible with the V-TONE) are all about placing the guitar sound in an artificially created space since no natural ambience is possible. On the other, effects such as delay, chorus, flanger and tremolo are an integral part of the modern guitar sound.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 4.2 The effects 0 Reverb: Reverb is still the most important effect for mixing or live performance. That’s why we at BEHRINGER make a point of giving you as many as nine different reverb programs so that you can use the most suitable reverb program for any situation. The Reverb effect 0 uses a medium pre-delay. 01-02 Spring Reverb: Even on a guitar amp with digital multieffects, you should still be able to use a classic spring reverb.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 4.3 MIDI control 75-81 Pitch Shifter: This effect modifies the pitch of the input signal. Musical intervals and harmonics are created, and the propagation of a single voice can be adjusted. You can create signals that are majorly out of tune (e.g. signals shifted upward by several half-tones), such as the strange-sounding voices often used in cartoons. There are several default intervals already built into the presets.
Effect Preset No.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 5. Tuner V 6. Installation The integrated tuner is activated by pressing the CHANNEL key for about 2 seconds (directly on the amp or on the footswitch). 5.1 Tuning your guitar The chromatic tuner automatically recognizes the frequencies of guitar notes. For A string, this means a frequency of 110 Hz. When you connect your guitar to the V-TONE and strum a string, the tuner tries to recognize the tone and shows it in the display.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H Since SPEAKER and LOUDSPEAKER outputs are 7. Appendix connectors where amplified signals are given out, never connect equipment with line-level inputs to these two connectors, e. g. mixer inputs. 7.1 MIDI implementation 6.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 0 REVERB 1 SPRING REVERB 2 3 STUDIO 4 5 CHAMBER 6 7 STAGE 8 9 CONCERT 10 11 PLATE 12 EARLY 13 14 REFLECTIONS 15 AMBIENCE 16 17 DELAY / 18 REVERB 19 20 21 22 23 24 STEREO 25 DELAY 26 27 28 29 30 31 PHASER 32 33 34 35 CHORUS 36 37 38 39 CHORUS / 40 REVERB 41 42 43 44 CHORUS / 45 DELAY 46 47 48 49 FLANGER 50 51 40 25 25 40 40 30 30 35 40 40 40 50 50 50 50 40 40 40 45 40 50 60 70 50 70 75 80 60 70 100 25 50 25 90 60 70 60 30 40 40 20 50 40 70 50 50 30 40 90 127 60 6
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 8. Specifications GMX110 Audio Inputs GUITAR IN Input impedance INSERT RETURN Input impedance GMX112 GMX210 ¼" TS jack, RF filtered approx. 1 MΩ unbalanced ¼" TS jack approx. 10 kΩ unbalanced SLAVE IN - ¼" TRS jack (tip = input) Input impedance - approx. 30 kΩ unbalanced AUX IN Input impedance - ¼" TRS jack approx. 10 kΩ unbalanced TAPE IN RCA connector Input impedance approx.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H GMX212 Audio Inputs GUITAR IN Input impedance ¼" TS jack, RF filtered approx. 1 MΩ unbalanced INSERT RETURN ¼" TS jack Input impedance SLAVE IN approx. 10 kΩ unbalanced ¼" TRS jack (tip = input) Input impedance approx. 30 kΩ unbalanced ¼" TRS jack AUX IN Input impedance TAPE IN Input impedance Audio Outputs INSERT SEND Output impedance LINE OUT Output impedance Max. output level GMX1200H approx. 10 kΩ unbalanced RCA connector approx.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H 9. Warranty § 1 Other warranty rights and national law 1. This warranty does not exclude or limit the buyer’s statutory rights provided by national law, in particular, any such rights against the seller that arise from a legally effective purchase contract. 2. The warranty regulations mentioned herein are applicable unless they constitute an infringement of national warranty law.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION V-TONE GMX110 / GMX112 / GMX210 / GMX212 / GMX1200H Responsible party name: BEHRINGER USA, Inc. Address: 18912 North Creek Parkway, Suite 200 Bothell, WA 98011, USA Phone/Fax No.
