Behringer DeepMind 12
the synth’s unison modes that stack 
voices in a variety of modes – from 
simple doubling to a monumental 12 
voice monophonic sandwich. Given 
the relatively pitch-stable DCOs, the 
Detune parameter plays an important 
role in fattening everything up by 
shifting the pitch of combined voices 
up to 50 cents off centre.
This section is also home to the 
parameters that allow DeepMind to 
be a little more like its less linear 
forebears by applying ‘drift’ to 
oscillator tuning (and other 
parameters via the separate Param 
Drift setting). Drift Rate, provided by 
a randomised ramp generator, is also 
available to tweak. These three 
parameters do help DeepMind escape 
its, at times, somewhat clinical sound 
engine. It also would have been great 
to have had a wider detune range, 
especially when combined with the 
ability to use one of the envelopes to 
control detune amount.
Next, the filter section, which 
offers both 24dB and 12dB/octave 
button for this is found below the 
HPF control which, like the Juno’s, is 
a globally applied high-pass filter.
The VCA section consists of one 
front-panel slider level, which does 
facilitate overloading the VCA if 
required. The VCA is hard-wired to 
Envelope 1 and gets a depth control 
in the edit menu screen shared with 
velocity sensitivity and a voice 
panning parameter. The latter spreads 
voices across the stereo spectrum – a 
feature that sounds great when 
combined with the unison modes.
The DeepMind has independent, 
software-generated, envelopes for 
both the VCA and VCF sections, with 
flavours. In both guises the filter can 
be pushed into self-resonance without 
an oscillator signal present and can 
therefore be pressed into service as a 
pitch-stable third oscillator (with 
keyboard tracking fully engaged). 
Front panel access is also provided 
for Envelope Depth (hard-wired to 
Envelope 2) and LFO modulation. 
The source for this, velocity control 
over envelope depth, and other 
modulation settings are accessible via 
the VCF Parameter Menu. Here you’ll 
also notice that there’s a Bass Boost 
feature, which takes its cue from 
Roland’s Juno range, and gives the 
low-end a bump. The front panel 
DEEP EffECTS
Given that Behringer’s holding company own a smorgasbord of music tech companies, 
including Klark Teknik and TC Electronic, it’s no surprise that they’ve taken advantage of 
this for the effects. The manual names the ‘device inspiration’ for each of the 34 DSP-
derived effects and many are based on classic units from Lexicon, Roland and others.
There are four effect slots that can be placed together in an insert or FX send 
configuration. Used as a send, the effects do not interfere with the audio path of the 
analogue synth engine. Ten different routings, including some with feedback, allow for 
some very creative effect configurations that go much further than most onboard effects. 
The quality of effects, and 
the scope for editing, is 
also high. For example, you 
can add a chorus followed 
by modulated hall reverb 
(inspired by the Lexicon 
480L) that also feeds back 
into a pitchshifter and 
delay which is then routed 
into the reverb. Instant 
Eno/Lanois ‘shimmer’.
While the effects may 
not be quite as good as the 
real thing, or some of the 
better plug-in emulations, 
they are an integral and 
welcome part of the 
DeepMind sound.
THE ALTERNATIVES
Roland Juno-106 
£700 (used)
One of the most 
famous DCO-based 
polysynths. Limited 
in scope and 
polyphony, and with 
just a noisy (though 
great-sounding) 
chorus for effects, 
the 106 still 
manages to be both 
engaging and useful.
www.ebay.co.uk
DSI Prophet 
Rev2 £1,450 
(projected)
The recently 
announced follow-up 
to the Prophet 08 
has two multi-
waveshape DCOs 
plus a sub-oscillator 
and Curtis-derived 
filters per voice. 
Could this be where 
the DeepMind’s 
future competition 
will lie?
www.davesmith 
instruments.com
Korg Minilogue 
£499
Smaller in size, 
shape, polyphony 
and price. The 
Minilogue is a dual 
VCO polysynth that 
integrates polyphonic 
sequencing and an 
analogue delay.
www.korg.com
Unison modes stack voices, 
from simple doubling to a 
monumental 12 voices
Reviews | Behringer DeepMind 12
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