Owner`s manual

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DISTORTION-X XD300
This stomp box easily handles all things heavy: thrash, metal
and hard rock. Its Distortion, Punch, Contour and Level controls
let you add a brutal low end with gobs of high-end bite to any
style of rock n’ roll.
VINTAGE TIME MACHINE VM1
The VM1 is an awesome combination of e ects including
chorus, vibrato and pure analog delay. With up to 550 ms of
organic echo, it easily competes head-to-head with most
vintage tape delays. Dial in the sounds of the ’70s with this
fantastic piece of gear and let your sounds travel back in time
comfortably, leaving the struggle with nasty tape loops and
worn-out mechanical gear behind you.
Reverb Delay
VINTAGE DELAY VD400
Though sound technology constantly evolves, nothing sounds
quite like the true analog bliss of the VD400 VINTAGE DELAY.
From trippy, fading repeats to vintage slap-back echo, the
Vintage Delay sends ri s into the stratosphere by harnessing the
authentic sounds of 1960s studio insanity. With its dedicated
Repeat Rate, Intensity and Echo dials, this stomp box delivers up
to 300 milliseconds of delay powered by true analog circuitry.
From quick and choppy to slow and spacey, the VD400 is the
old-school way to delay.
ECHO MACHINE EM600
Every branch of the delay family tree—analog, tape and
digital—is packed into this pedal and ready to send your tone
into orbit. BEHRINGER RSM technology gives you access to every
imaginable  avor of this most curious ambient garnish.
8IBUFYBDUMZJT34.
E ects processing devices have been
around for a very long time. They
have taken the form of everything
from mechanical doohickies that raise
and lower the pitch of a string, like a
“whammy bar,” to the electronic circuitry
that recreates the highly complex
re ected sound of a subterranean cavern.
Ever since early mortals began making
sounds, we’ve been trying to make the
sound better or alter it to our liking.
It’s part of our very nature.
At BEHRINGER, we build some of the
 nest audio gear around, so it was only
natural for us to use our expertise to build a
better stomp box. But to do so, we  rst had
to develop an entirely new technology—
Real Sound Modeling. Our RSM technology
combines state-of-the-art DSP technology
with sophisticated algorithms that
emulate real-world acoustic environments.
Such high-level processing requires
electronic architecture that takes into
account virtually all factors a ecting sound.
The sound of a musical instrument is
a ected signi cantly by a number
of factors before it is actually heard:
the materials used, the instrument’s design
and construction, and the components
incorporated into the transducer and
ampli cation system. Even the subtle
interaction between ampli er stages can
a ect the overall quality of the sound
generated by real instruments through
real amps. This is especially true in tube
ampli ers, where the gain structure of
preamp stages creates a cascading e ect
all the way to the output.
Put simply, the average stomp box
processor does not have the power to
mimic these subtle nuances, which are
so critical to attaining the level of realism
that BEHRINGER RSM technology achieves.
Thorough research and analysis of these
factors has enabled us to reinvent the
stomp box! RSM equipped pedals deliver
the detail of true-to-life ampli er and
e ects modeling, without unwanted
artifacts or fake-sounding approximations.
The high-performance RSM engine is only
available in BEHRINGER products that bear
the RSM logo. Hearing is believing.
ULTRA FUZZ UZ400
Recreate the mind-warping sound of the ‘60s and ‘70s with this
screaming stomp box. The UZ400’s dedicated Fuzz, Tone and
Level controls take you to all corners of the proto-punk universe,
giving you buzzsaw power chords and  ery solos.
WARP DISTORTION WD300
This demon’s dual ultra-gain circuit creates a vicious modern
metal tone with a boosted bottom end. The dedicated Gain,
Warp, Level and Sub controls turn your amps into instruments of
sonic destruction.
HEAVY DISTORTION HD300
This devastating distortion pedal enhances with both a gain and
bass boost, giving you bottom-heavy crunch like none other.
Its dedicated Gain-Boost, Distortion, Tone, Bottom and Level
controls let you create a whole new standard in metal.
HEAVY METAL HM300
This heavy distortion box features ultra-high gain
circuitry to give you thick distortion with endless sustain.
Dedicated Distortion, 2-band EQ and Level controls let you
personalize your own style of brutal rock.
OVERDRIVE/DISTORTION OD300
It’s two pedals in one! Take o with overdrive, distortion or a
combination of both e ects in one powerful pedal. Dedicated
Level, Tone, Drive and Mode controls for awesome sound shaping,
blue status LED for e ect on/o and battery check and  rst-class
electronic On/O switch for highest signal integrity in bypass mode.
OVERDRIVE OD400
The OD400 gives you the warm, tube-like overdrive that allows
your unique style to shine through. Its dual-stage overdrive
circuitry o ers bigger and fuller sound than competing models,
complete with endless sustain and compression.
POWER OVERDRIVE PO300
This supercharged pedal is built to blast larger-than- life
overdriven tone that packs the low-end punch of a
tube- powered 4 x 12" cabinet. Its incredible overdrive circuit
o ers endless sustain and smooth compression.
SUPER FUZZ SF300
This wild thing has three di erent sound modes to give you the
choice of classic fuzz, garage rock or a good old-fashioned gain
boost. The dedicated Gain, 2-band EQ and Level dials control a
wide spectrum of primal rock power.
SUPER METAL SM400
The SM400 will satisfy your craving for extreme distortion and
endless sustain. With its High and Low frequency EQ controls,
the SM400 can generate anything from a slight crunch to a
fat-bottomed juggernaut that will not be denied!
TUBE AMP MODELER TM300
The TM300 is loaded with modeling sounds, including
3 authentic classic amps, 3 gain modes and 3 mic placements,
for a total of 27 stunning con gurations. Achieve the most
sought-after tube amp sounds, from squeaky clean to
tube- stack distor tion.
VINTAGE TUBE OVERDRIVE TO800
Get the sound of valve-powered overdrive with smooth sustain
and crunchy chords with the TO800. It’s simple circuit has been
used for decades to overdrive real tube amps. This workhorse
uses original 4558 ICs and MA150 distortion diodes for
authentic vintage sound.
TUBE OVERDRIVE TO100
The sound of an overdriven valve amp is as timeless as
rock n’ roll, and everything you love about it is packed into the
TO100. Whether you dial in smooth overdrive or howling crunch,
this pedal lets every nuance of your playing shine through.
ULTRA DISTORTION UD300
The UD300’s dual-mode switch lets you choose between warm
overdrive and screaming distortion. Just twist the dedicated
Level, Tone and Distortion dials to create a distortion that’s
distinctly yours.
ULTRA METAL UM300
With the UM300 ULTRA METAL, you get control of not just the
Mids, but of the Mids within the Mids! The Distortion, High,
Low, Level and dual Mid controls give you full control over thick
distortion with merciless sustain.
Guitar Stompboxes
Guitar Stompboxes