Specifications

56
57
ULTRA FUZZ UZ400
Recreate the mind-warping sound of the ‘60s and ‘70s with this
screaming stomp box. The UZ400’s dedicated Fuzz, Tone and
Level controls take you to all corners of the proto-punk universe,
giving you buzzsaw power chords and fi ery solos.
WARP DISTORTION WD300
This demon’s dual ultra-gain circuit creates a vicious modern
metal tone with a boosted bottom end. The dedicated Gain,
Warp, Level and Sub controls turn your amps into instruments of
sonic destruction.
DISTORTION-X XD300
This stomp box easily handles all things heavy: thrash, metal
and hard rock. Its Distortion, Punch, Contour and Level controls
let you add a brutal low end with gobs of high-end bite to any
style of rock n’ roll.
VINTAGE TIME MACHINE VM1
The VM1 is an awesome combination of eff ects including
chorus, vibrato and pure analog delay. With up to 550 ms of
organic echo, it easily competes head-to-head with most
vintage tape delays. Dial in the sounds of the ’70s with this
fantastic piece of gear and let your sounds travel back in time
comfortably, leaving the struggle with nasty tape loops and
worn-out mechanical gear behind you.
Reverb Delay
VINTAGE DELAY VD400
Though sound technology constantly evolves, nothing sounds
quite like the true analog bliss of the VD400 VINTAGE DELAY.
From trippy, fading repeats to vintage slap-back echo, the
Vintage Delay sends riff s into the stratosphere by harnessing the
authentic sounds of 1960s studio insanity. With its dedicated
Repeat Rate, Intensity and Echo dials, this stomp box delivers up
to 300 milliseconds of delay powered by true analog circuitry.
From quick and choppy to slow and spacey, the VD400 is the
old-school way to delay.
ECHO MACHINE EM600
Every branch of the delay family tree—analog, tape and
digital—is packed into this pedal and ready to send your tone
into orbit. BEHRINGER RSM technology gives you access to every
imaginable fl avor of this most curious ambient garnish.
DIGITAL DELAY DD600
The DD600 is no mere pedal—it’s a veritable studio in a box! Its
11 unique delay modes are powered by BEHRINGER Real Sound
Modeling technology and emulate real acoustic environments,
providing delay you can almost reach out and touch.
DIGITAL DELAY DD400
The DD400 eff ects pedal off ers 7 diff erent time modes
for everything from subtle to radical stereo delay and
echo capabilities, with resolution comparable to that of
state- of- the- art studio rackmount processors. The DD400 will
add tremendous dimensionality to your tone.
REVERB/DELAY DR400
This digital reverb/delay sounds just like a state-of-the-art
studio processor! It uses BEHRINGER Real Sound Modeling (RSM)
to combine DSP technology with sophisticated algorithms
to emulate real acoustic environments—all in 24-bit
high- resolution stereo sound!
DIGITAL REVERB DR600
Whether you choose a classic Spring, Plate or Hall reverb, DR600’s
24-bit stereo engine will take your music to the best sounding
aural spaces you’ve ever experienced. It’s reverb like nothing
you’ve heard before, plus Gate, Room and Modulate settings!
Guitar Stompboxes
Guitar Stompboxes
What exactly is RSM?
Eff ects processing devices have been
around for a very long time. They have
taken the form of everything from
mechanical doohickies that raise and lower
the pitch of a string, like a “whammy bar,”
to the electronic circuitry that recreates
the highly complex refl ected sound of
a subterranean cavern. Ever since early
mortals began making sounds, we’ve been
trying to make the sound better or alter it to
our liking. It’s part of our very nature.
At BEHRINGER, we build some of the fi nest
audio gear around, so it was only natural
for us to use our expertise to build a better
stomp box. But to do so, we fi rst had to
develop an entirely new technology—
Real Sound Modeling. Our RSM technology
combines state-of-the-art DSP technology
with sophisticated algorithms that emulate
real-world acoustic environments. Such
high-level processing requires electronic
architecture that takes into account virtually
all factors aff ecting sound.
The sound of a musical instrument is
aff ected signifi cantly by a number of factors
before it is actually heard: the materials used,
the instrument’s design and construction,
and the components incorporated into the
transducer and amplifi cation system. Even the
subtle interaction between amplifi er stages
can aff ect the overall quality of the sound
generated by real instruments through
real amps. This is especially true in tube
amplifi ers, where the gain structure of
preamp stages creates a cascading eff ect
all the way to the output.
Put simply, the average stomp box
processor does not have the power to
mimic these subtle nuances, which are
so critical to attaining the level of realism
that BEHRINGER RSM technology achieves.
Thorough research and analysis of these
factors has enabled us to reinvent the
stomp box! RSM equipped pedals deliver
the detail of true-to-life amplifi er and
eff ects modeling, without unwanted
artifacts or fake-sounding approximations.
The high-performance RSM engine is only
available in BEHRINGER products that bear
the RSM logo. Hearing is believing.
REVERB MACHINE RV600
With its RSM processor and DSP technology, the RV600 Reverb
Machine delivers dead-on modeling of Ducking, Space, Cave,
Tile, Echo, Vintage ’63 Spring, Spring, Plate, Room, Chamber and
Hall reverbs. Simple controls—simply amazing!
DIGITAL MULTI-FX FX600
The FX600 off ers an incredible array of 24-bit high-resolution
stereo eff ects, including Flanger, Chorus, Phaser, Delay, Tremolo
and Pitch Shifter. With its dual inputs and outputs, you can send
and receive a true stereo signal that’ll blow your mind.
CHORUS SPACE-C CC300
Sometimes the simplest approach works best. Just select
any combination of the CC300’s four super-cool presets and
relax. Each of the optimized presets covers a wide range of
applications. Stereo chorusing has never been this easy.
CHORUS SPACE-D CD400
While most chorus pedals give you only limited high-frequency
capabilities, the CD400’s EQ knob lets you take full control of
critical high frequency content. The Level, Rate and Depth
controls will help turn your coolest riff s into stone-cold classics.
Modulation
CHORUS ORCHESTRA CO600
This ultra-versatile stomp box lets you dial in anything from
a mild vintage chorus to a super-thick, spacious stereo eff ect.
Dual outputs send signals to separate amps, allowing every
crescendo to come through in true stereo sound.
ULTRA CHORUS UC200
You get incredibly thick, cool chorusing with the UC200 Ultra
Chorus Pedal. The dual outputs allow you to send signals to
two separate amps or destinations for true stereo processing.
Achieve great tone by putting your foot down—on the UC200!
FLANGER MACHINE FL600
This far-out fl ange pedal packs three killer sounds into one
amazing stomp box. BEHRINGER RSM (Real Sound Modeling)
technology gives you analog, tape and digital fl ange, with
sound quality rivaling that of studio processors.
SUPER FLANGER SF400
Send your amp into the ozone with the SF400 Super Flanger.
BEHRINGER Real Sound Modeling technology lets you choose
between modern or vintage fl ange that’ll put a trippy,
oscillating spin on your sound.