Owner's Manual

FLANGER MACHINE FL600
Ultimate Flanger Modeling Eects Pedal
Thank you for showing your condence in us by purchasing the BEHRINGER FLANGER MACHINE FL600.
This high-quality eects pedal delivers 11 extraordinary anger modes with extensive parameter control that
allow for maximum creativity so you always have the best sound regardless of the situation.
1. Controls
(1) The TYPE switch lets you choose between
a high-delity, DIGI(tal) anger with a
at frequency response, a vintage-type,
ANALOG bucket-brigade delay with ltered
frequency response and a classic studio
anger from the ‘70s (TAPE).
(2) With the TIME control, you can adjust the
anger delay time. Longer delay times produce
a sharper, more detuned sound, very close to a
chorus eect.
(3) The SPEED control determines the speed of the
anger eect. In CHORUS, VINTAGE, SINE,
SAW UP and SAW DOWN modes, turning this
control to the MIN(imum) brings the LFO to a halt.
(4) The F.BACK control determines the amount of
output signal fed back into the anger input in
order to confer more or less intensity to the eect.
(5) The blue ON/BATT LED illuminates when the eect is activated. It also serves as a battery level indicator.
(6) Turn up the DEPTH control to achieve a fuller and deeper eect sound.
(7) This control lets you choose between dierent anger eect modes:
TRG DWN: The modulation signal triggers a linearly falling wave envelope with a falling time
determined by the SPEED control.
TRG UP: The same as TRG DWN but with a linearly rising wave envelope.
CHORUS: The signal is modulated by a wide-range, triangular wave with a large oset producing a chorus-like eect.
VINTAGE: A simulation of the classic MXR anger.
RANDOM: A random value generator produces a modulation signal whose level varies with each cycle
of the LFO, which has a smoothing lter applied to the output.
STEP: The same as RANDOM but without the smoothing lter at the LFO’s output.
SINE: The signal is modulated by a sine wave.
ENV UP: The anger’s delay time is modulated according to the amplitude variations in the input signal as
detected by an envelope follower.
ENV DOWN: The inverted version of ENV UP.
SAW UP: A positive sawtooth wave modulates the signal.
SAW DOWN: A negative sawtooth wave modulates the signal.
(8) POL lets you choose between NEG(ative) and POS(itive) feedback anger modes.
(9) Use the two ¼" TS connectors IN A and IN B to plug in a stereo input signal. For mono use connect to IN A.
(10) The two ¼" TS connectors OUT A and OUTB send the signal to your amp. Use both outputs to achieve a
full stereo eect. For mono use, connect to OUT A.
In CHORUS, VINTAGE, SINE, SAW UP and SAW DOWN stereo modes, both channel signals are processed
with inverted phase LFOs. In SAW UP and SAW DOWN mono modes, both delay lines are mixed to create a
continuous rise/fall signal.
(3)
(2)
(7)
(8)
(11)
(10) (9)
(5)
(1)
(4) (6)