User Manual V-TONE GMX1200H True Analog Modeling 2 x 60-Watt Stereo Guitar Amplifier Head with 2 Independent Channels, each Featuring 27 Modeled Sounds, FX Processor, Tuner and MIDI Control GMX212 True Analog Modeling 2 x 60-Watt Stereo Guitar Amplifier with 2 Independent Channels, each Featuring 27 Modeled Sounds, FX Processor, Tuner and MIDI Control GMX210 True Analog Modeling 2 x 30-Watt Stereo Guitar Amp with 2 Independent Channels, each Featuring 27 Modeled Sounds, FX Processor, Tuner and MIDI Co
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual Table of Contents Important Safety Instructions....................................... 3 Legal Disclaimer.............................................................. 3 Limited Warranty............................................................ 3 1. Introduction................................................................ 5 1.1 The concept........................................................................... 5 1.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual Important Safety Instructions Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock. Use only high-quality professional speaker cables with ¼" TS or twist-locking plugs pre-installed. All other installation or modification should be performed only by qualified personnel.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual “Support” at behringer.com. If your country is not listed, please check if your problem can be dealt with by our “Online Support” which may also be found under “Support” at behringer.com. Alternatively, please submit an online warranty claim at behringer.com BEFORE returning the product. All inquiries must be accompanied by a description of the problem and the serial number of the product.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 1. Introduction Thank you for the trust that you have placed in us by buying your V-TONE. You have gotten your hands on a latest-generation guitar amp that sets completely new standards when it comes to analog modeling. Our primary goal during development was to simulate the typical sounds of analog guitar amps, and at the same time give you a powerful sound tool that you can use flexibly.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 1.3.3 Online registration Please register your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of our warranty carefully. Should your BEHRINGER product malfunction, it is our intention to have it repaired as quickly as possible. To arrange for warranty service, please contact the BEHRINGER retailer from whom the equipment was purchased.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 2.2 Rear panel (22) MIDI IN. This connector lets you remotely control your V-TONE via MIDI. You can activate/deactivate effects or switch between channels. You can use effect bypass via program changes and parameter edits as well as edit the presets via controllers (also see sections 6.3 and 7.1). (30) The AUX IN lets you feed an additional stereo signal into the amp.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 3. Applications The V-TONE features many different connectors, allowing you to adapt to all kinds of application challenges. We have listed just a few examples to show the flexibility your V-TONE. 3.1 Practice setup with playback 3.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual If you want to use another guitar preamp, or a modeling amp (e. g. the V-AMP 2 or the V-AMP PRO), connect it to the SLAVE IN connectors (except for the GMX110 and GMX112). The V-TONE now operates only as a power amp, with its preamp section inactive. 3.3 Live setup with a MIDI foot controller BEHRINGER ULTRASTACK BG412V Sound Reinforcement System In this illustration, we’ve omitted the headphones and the additional equipment from figure 3.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual BEHRINGER V-TONE GMX1200H Loudspeaker Output Left Loudspeaker Output Right The multi-effects processor works basically in stereo, whereby only the TAPE and PHONES outputs are influenced in the case of the GMX110/GMX112. Both signals (left and right) are added up for the speaker and the mono power amp of the GMX110/GMX112.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 09-10 Concert: Here, you can choose between a small theater (preset 9) and a big concert hall (preset 10). Compared to Studio Reverb, this reverb is livelier and has richer highs. 11-12 Plate: The sound of the classic plates. A true classic, it gives your guitar sound a nice, pleasant note. Reverbs 01 to 12 are all available in two versions. The first one basically uses a short pre-delay (a delay until the reverb tail starts).
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 90-91 Compressor: A signal’s dynamic characteristics are often limited to assure its integration into the overall mix. This can be done by using a compressor or a limiter. A limiter confines the signal to the values above or below a previously determined threshold value rather abruptly, whereas the compressor does basically the same, but the threshold area is rather “softly” delineated, so program intervention is not so suddenly felt.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual Channel switching: Changing modeling CHANNELS is done via controller #10. If you send value 0 via this controller, then channel 1 is active. Sending value 1 activates channel change to channel 2. Program change instructions can also be used to change channels. Program change #123 activates channels 1 and program change #124 activates channel 2 of your V-TONE. In addition to switching channels, you can also deactivate the effect.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual ¼" TRS headphones connector strain relief clamp 7. Appendix 7.1 MIDI implementation sleeve ring tip sleeve ground/shield ring right signal tip left signal MIDI Implementation Chart Function Transmitted Recognized Basic Channel Default Changed Mode Default Messages Altered Note Number True Voice X X X X X X X X X X X X X OFF, 1 - 16 OFF, 1 - 16 1, 2 X X X X X X X X X O O 0 - 99 123 124 127 Velocity 6.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 7.2 Effect presets Preset-No. Effect Variation FX MIX Default Preset-No. 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 REVERB medium Pre-Delay short Pre-Delay long Pre-Delay short Pre-Delay long Pre-Delay short Pre-Delay long Pre-Delay short Pre-Delay long Pre-Delay short Pre-Delay long Pre-Delay short Pre-Delay long Pre-Delay min.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 8. Specifications GMX1200H Audio Inputs MIDI Interface GUITAR IN ¼" TS jack, RF filtered Input impedance approx. 1 MΩ unbalanced INSERT RETURN ¼" TS jack Input impedance approx. 10 kΩ unbalanced SLAVE IN ¼" TRS jack (tip = input) Input impedance approx. 30 kΩ unbalanced AUX IN ¼" TRS jack Input impedance approx. 10 kΩ unbalanced TAPE IN RCA connector Input impedance approx.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual GMX212 Audio Inputs MIDI Interface GUITAR IN ¼" TS jack, RF filtered Input impedance approx. 1 MΩ unbalanced INSERT RETURN ¼" TS jack Input impedance approx. 10 kΩ unbalanced SLAVE IN ¼" TRS jack (tip = input) Input impedance approx. 30 kΩ unbalanced AUX IN ¼" TRS jack Input impedance approx. 10 kΩ unbalanced TAPE IN RCA connector Input impedance approx.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual GMX210 Audio Inputs MIDI Interface GUITAR IN ¼" TS jack, RF filtered Input impedance approx. 1 MΩ unbalanced INSERT RETURN ¼" TS jack Input impedance approx. 10 kΩ unbalanced SLAVE IN ¼" TRS jack (tip = input) Input impedance approx. 30 kΩ unbalanced AUX IN ¼" TRS jack Input impedance approx. 10 kΩ unbalanced TAPE IN RCA connector Input impedance approx.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual GMX112 Audio Inputs Display GUITAR IN ¼" TS jack, RF filtered Input impedance approx. 1 MΩ unbalanced INSERT RETURN ¼" TS jack Input impedance approx. 10 kΩ unbalanced TAPE IN RCA connector Input impedance approx. 10 kΩ unbalanced INSERT SEND ¼" TS jack, low-impedance, line-level Output impedance approx. 1 kΩ unbalanced TAPE OUT RCA connector Output impedance approx. 3 kΩ unbalanced Max.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual GMX110 Audio Inputs Display GUITAR IN ¼" TS jack, RF filtered Input impedance approx. 1 MΩ unbalanced INSERT RETURN ¼" TS jack Input impedance approx. 10 kΩ unbalanced TAPE IN RCA connector Input impedance approx. 10 kΩ unbalanced INSERT SEND ¼" TS jack, low-impedance, line-level Output impedance approx. 1 kΩ unbalanced TAPE OUT RCA connector Output impedance approx. 3 kΩ unbalanced Max.
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual
V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION V-TONE GMX1200H/GMX212/GMX210/ GMX112/GMX110 Responsible Party Name: MUSIC Group Services US Inc. Address: 18912 North Creek Parkway, Suite 200 Bothell, WA 98011, USA Phone/Fax No.
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