Product Information

Guitar Amp Modeler/
Direct Recording Preamp/DI Box
Guitar Stompboxes
V-TONE GUITAR DRIVER DI
GDI21
Product Information Document
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Analog guitar modeling preamp/
stompbox with DI recording output
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This BEHRINGER product has been
designed to compete head to head
with leading products on the market
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Authentic V-TONE modeling
technology for 3 classic guitar amps,
3 gain modes and 3 mic placements
for a total of 27 con gurations.
Easilyachieve the most sought-
after tube amp sounds from clean,
crunchto super-fat distortion
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Provides a truckload of great amps
in a single stomp box—simply
choose your favourite sounds with a
 ick of a switch
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Precise level and drive control
plus musical 2-band EQ for
ultimatesound
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Dual DI mode for either direct
recording output with speaker
simulation or standard active direct
injection box in bypass mode
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Output available on ¼'' TS
or balanced, gold-plated
XLRconnectors
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Ground lift switch eliminates typical
ground loop problems
Our authentic V-TONE modeling
technology recreates 3 of the most
sought-after classic guitar amps, with
3 gain modes and 3 mic placements for
a total of 27 possible con gurations.
You get a truckload of great amps in
one convenient stomp box, allowing
you to go from clean or crunch to
super-fat distortion in a  ash. And if
you don’t want to use the emulation
feature, just step on the switch and the GDI21 functions as a superb active
DI box.
Extremely User-Friendly
Operation is simple; just choose the type
of amp, from the smooth Calif (Californian),
the bright, punchy Twed (Tweed), or the
Brit (British) with its incredible sustain
and aggressive mids. Then select the gain
mode, Cln (clean), Hot or Hi G (high gain).
Lastly, choose the mic placement from the
three available selections. This feature is a
BEHRINGER exclusive, allowing you to place
the “virtual mic” in any of three positions:
1. (OFF X)—At the edge of the speaker
cone, producing a smoother, softer sound
with less midrange content
2. (CNTR)—Positioned at the center of the
cone, for more upper mids and beefy low-end
3. (CLSIC)—Slightly in front of the cabinet, for high midrange content with tons
ofde nition