BELKIN User Manual Guide d'Utilisation Manual del Usuario TUNESTUDIO™
TABLE OF CONTENTS WELCOME Key Features TUNESTUDIO BASICS What You Can Do with Your TuneStudio What You Can Connect to Your TuneStudio WHAT'S IN THE BOX? Cables You May Need iPod, WINDOWS, AND Mac COMPATIBILITY iPod Windows Macintosh SETTING UP YOUR TUNESTUDIO To set up your TuneStudio TUNESTUDIO TOUR TuneStudio Inputs and Outputs SETTING THE RECORDING LEVEL RECORDING WITH MICROPHONES Types of Microphones Recording with Multiple Microphones RECORDING A PODCAST Tips for Record ing a Pod cast RECORDING LIVE MU
TABLE OF CONTENTS PROTECTING YOUR HEARING TROUBLESHOOTING If the Recording Menu button doesn't work If your TuneStudio won't turn on If you don't hear anything in the studio monitors or headphones If the microphone volume is too low If an instrument's volume is too low If the sound is distorted If you hear a "hum" sound in the recording If your recordings are only in the left channel If your computer doesn't see your TuneStudio TUNESTUDIO SPECIFICATIONS LEARNING MORE GLOSSARY Balance Boost Clipping Cut dB (
WELCOME Thank you for purchasing a TuneStudio iPod recording studio. We designed TuneStudio for a wide range of users, from novice pod casters to experienced musicians. It's compact, portable, and sturdy enough to stand up to life in a rehearsal room. Its shape gives you easy access to the controls and simplifies cable management. The iPod docking cradle keeps your iPod secured in a position that allows convenient and comfortable access to the screen and click wheel.
TUNESTUDIO BASICS Your TuneStudio combines multiple audio sources ("channels") into one stereo signal.
WHAT'S IN THE BOX The following items should be in your TuneStudio box: • TuneStudio • CD with recording software • 1/8" (3.5mm) to 1/4" (6.
iPod, WINDOWS, AND Mac COMPATIBILITY iPod iPod classic 80GB 160GB iPod nanD 3rd generation (video) 4GB 8GB iPod 5th generation (video) 30GB 60GB 80GB iPod nanD 2nd generation (aluminum) 2GB 4GB 8GB Windows Pentium® II 350MHz (Pentium III 500MHz or faster recommended) 64MB RAM (128MB recommended) Windows® XP or Windows Vista™ CD drive USB 1.1 or USB 2.0 port (USB 2.0 recommended) Macintosh 83, G4, iMac, iBook, or PowerBook with native USB support 64MB RAM (128MB recommended) CD drive Mac OS X version 10.2.
SETTING UP YOUR TUNESTUDIO It only takes a few minutes to set up your TuneStudio and start recording. To set up your TuneStudio: 1 Verify all devices are turned off and all level controls are set to 2 Connect the input sources. 3 Insert your iPod into your TuneStudio's iPod dock. 4 Connect the PC, studio monitors, and/or headphones. 5 Plug TuneStudio and other devices into AC power.
TUNESTUDIO TOUR Take a few minutes to learn how to use the inputs and controls on your TuneStudio.
TUNESTUDIO TOUR You can use the inputs and outputs to connect instruments, mics, computers, speakers, and headphones to your TuneStudio. Input/Output Description CD XLR Mic Inputs Inputs 1 and 2 provide XLR cable microphone inputs with optional phantom power for condenser mics. A condenser mic usually requires phantom power unless it has its own power source, such as a battery. Dynamic and ribbon mics don't usually require phantom power.
TUNESTUDIO TOUR You can use your TuneStudio's controls to fine-tune and monitor your recordings. Control Description (j)Gain (inputs 1 and 2) The gain control determines how much of the source signal is sent to the rest of the mix. If the gain is too high, the sound will be distorted. If the gain is too low, background hiss may be more noticeable. You can add up to 60 dB of gain to the XLR inputs and 40 dB of gain to the 1/4" TRS inputs.
TUNESTUDIO TOUR Control Description @ Compressor The compressor can be used to enhance your recordings and keep the volume levels within the recording limits of the iPod. With the compressor, you can make softer sounds louder without making louder sounds too loud. It is especially useful when recording vocals and instruments together. The three LEDs to the right of the compressor button indicate how many decibels (dBs) of compression are being applied. @.H..
SETTING THE RECORDING LEVEL Setting the recording level will help you create clear, distortion-free recordings. You should set the recording level for each channel that you're using. To set the recording level: 1 If you're using input 1 or 2, set the "Gain" control completely to the left. 2 Set the "Low", "Mid", and "High" EO controls to O. 3 Set the "Pan" control to O. 4 Set the "Level" control to 5 Connect the microphone or instrument cable to the channel's input.
RECORDING WITH MICROPHONES Read on to learn how to select and place a mic when recording. Using a well-placed microphone will drastically improve your sound quality. You should experiment with microphone placement to find the best location. Types of Microphones There are two types of microphones: condenser and dynamic. Condenser Microphones Condenser (or "capacitor") microphones are usually used for live recordings.
RECORDING A PODCAST The diagram below shows a typical 2-mic setup for recording a podcast. You can connect an iPod or a computer to include background music.
RECORDING A PODCAST Tips for Recording a Podcast You will become much more comfortable and adept at recording pod casts after you have done it a few times. Here are some tips to help you get started: • Test the recording level before recording. The left and right recording level LEOs should not b!3 constantly red (0 dB). If the 0 dB LED is constantly lit, the "peaks" of the recording may be clipped and the sound quality will usually be poor. • Use a well-placed, high-quality mic.
RECORDING LIVE MUSIC The diagram below shows a typical setup for recording live music. You can connect different instruments as needed. For example, you can connect a drum machine instead of a second mic. 9"'~c10 r------- n c6I \e .~JI\l~ ·•.·.·.[I~ (~ ~ . '.·.·.'·.
RECORDING LIVE MUSIC Tips for Recording Acoustic Instruments Acoustic instruments can be difficult to record. Here are a few tips to improve your acoustic guitar recordings: • Record in a highly acoustic room, such as a room with a wooden or tile floor. • Use a condenser microphone ("mic"). It can capture softer instruments better than a dynamic mic. • Try positioning the mic about 24 inches from the instrument. • Use multiple mics, and experiment with different angles and placements.
RECORDING A CHOIR The diagram below shows a typical setup for recording a choir. You can connect an iPod or CD player to include background music. Tips for Recording a Choir • Use a condenser mic for recording vocalists. They usually work better than dynamic mics for vocals. • Use multiple mics. If possible, place them above the choir and aimed down. • Try positioning two mics in the middle and aim them toward the vocalists in the back corners.
RECORDING TO OR FROM A COMPUTER The diagram below shows a typical setup for recording to a computer.
RECORDING TO OR FROM A COMPUTER Tips for Recording to or from a Computer You'll need to select your TuneStudio as your input and output audio device to record audio to or from a Mac computer or Windows PC. To record to or from a Mac computer: 1 Connect your TuneStudio to your Mac computer's USB port. 2 Select "System Preferences" from the Apple menu. 3 Select the "Sound" preference pane. 4 Click the "Output" tab. 5 Select "USB Audio Codec" as your default input and output device.
EQUALIZING (EO) TIPS The following EO tips will help you create high-quality recordings. The high, mid, and low EOs can be used to increase or decrease the volume of your source inputs by up to 12 dB at the following levels: Low: 80Hz Mid: 2.5kHz High: 12kHz The following table provides tips for recording different instruments and vocals. These tips are recommended starting points-you should experiment to find the best settings for your instrument and environment.
MIXING TIPS The following tips will help you produce the best mix possible. • Listen to commercial recordings through your TuneStudio using a studio monitor or headphones to develop a sound reference. • Don't pan kick drums or bass instruments to the left or right. These "high energy" sounds should be shared equally between the speakers for best results. • Don't vary the level of drums or bass guitars. These instruments provide a foundation for other instruments.
LISTENING TO A RECORDING Your recordings are saved as voice memos on your iPod. Each recording is an uncompressed WAV file, and the file name is the recording's date and time. To listen to a recording: • Select "Extras> Voice Memos" on the iPod. • Select the recording and press "Play". Recordings that have been imported into iTunes (see below) can be found in the Voice Memos playlist on your iPod. Select "Music> Playlists > Voice Memos".
PROTECTING YOUR HEARING As with any sound recording or listening device, you should be careful to protect your hearing when using your TuneStudio. Following these sound-level recommendations can minimize your risk of hearing damage. Remember, the longer you listen, the lower the volume should be. Hours per day Max sound level (dB) Sample sound 8 90 4 95 2 100 1 105 Typical portable stereo at maximum volume 0.5 110 Rock concert <0.
TROUBLESHOOTING Most problems with your TuneStudio can be solved quickly by following the advice in this chapter. If you continue to have trouble, contact Belkin Customer Service at 800-223-5546 ext. 2263 or on the web at http://www.belkin.com/support. If the Recording Menu button doesn't work: • Make sure you're using an iPod 5th generation (video). This button does not work with the iPod classic. • If you are using the iPod classic, simply navigate to the "Voice Memo" menu on the iPod itself.
TROUBLESHOOTING If the sound is distorted: If the left or right +6 dB recording level LED lights up: • Turn down the volume on your instrument. • Turn down the channel's level control. • Turn down the master recording level control. If you hear a "hum" sound in the recording: • If you're using a condenser microphone, try turning on phantom power and increase the level control. • If you're recording an instrument, turn up the instrument's volume control.
TUNESTUDIO SPECIFICATIONS General Channel Performance (Channels 1-4, iPod Playback) Specification Value Notes THD 0.004% THD+N 0.008% Frequency Response ±0.
TUNESTUDIO SPECIFICATIONS CH4 RCA Inputs Specification Value Max Input Level 5.4Vrms (+16.9 dBu) Input Impedance 22kQ Notes USB Output (from TuneStudio to Computer) Specification Value SNR, 44.1kHz, 16-bit 81 dB, 84 dB (A-weighed) SNR, 48kHz, 16-bit 84 dB, 87 dB (A-weighted) Stereo Separation > 80 dB THD+N 0.
LEARNING MORE Want to learn more about recording audio, mixing, or creating podcasts? The following table provides some recommended websites and books. References to Third-Party Information: Belkin provides references to third-party information for your convenience. The inclusion of any such references does not imply Belkin's endorsement of the info. The referenced media are not under Belkin's control and Belkin is not responsible for the content of any such publication or any link contained in such site.
GLOSSARY The following terms are often used when recording and mixing audio. Balance: The relative volume levels of the left and right channels of a stereo signal. Boost: An increase in volume, especially at higher frequencies. Clipping: Severe distortion that occurs when the peak signal's voltage is limited by the power supply's voltage. Cut: A reduction in volume, especially at lower frequencies. dB (decibel): A measurement for the "loudness" of a sound.
INFORMATION FCC Statement This equipment has been tested and found to comply with the limits for a Class 8 digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.
INFORMATION Belkin International, Inc., Limited 1-Year Product Warranty What this warranty covers. Belkin International, Inc. ("Belkin") warrants to the original purchaser of this Belkin product that the product shall be free of defects in design, assembly, material, or workmanship. What the period of coverage is. Belkin warrants the Belkin product for one year. What will we do to correct problems? Product Warranty.
INFORMATION Belkin reserves the right to review the damaged Belkin product. All costs of shipping the Belkin product to Belkin for inspection shall be borne solely by the purchaser. If Belkin determines, in its sole discretion, that it is impractical to ship the damaged equipment to Belkin, Belkin may designate, in its sole discretion, an equipment repair facility to inspect and estimate the cost to repair such equipment.
NOTES
Belkin Tech Support US: 800-223-5546, ext. 2263 310-898-1100, ext. 2263 UK: 0845 607 77 87 Australia: 1800235546 New Zealand: 0800235546 Singapore: 65 64857620 Europe: www.belkin.com/support Belkin International, Inc. 501 West Walnut Los Angeles, CA 310-898-1100 310-898-1111 fax a.lkin Ltd. Express Business Park, Shipton Way Rushden, NN10 6GL, United Kingdom +44 (0) 1933 35 2000 +44 (0) 1933 31 2000 fax Belkin B.V.
BELKIN . cakewalk.
TuneStudio™ BELKIN® .. ,'(- cakewalk@ Music Creator™ LE This CD contains your free copy of Cakewalk Music Creator™ LE, to help you get started with recording and editing your sound creations from your Belkin TuneStudio. Simply insert this disk in your PC's CD drive, and follow the on-screen instructions to install the software. The disk also contains the software manual and information about other Cakewalk® products. © 2007 Belkin International, Inc. All rights reserved.
