User's Manual

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HORNS OF HELL – Manual - 22
Reverb: Sets the send-level to the included convolution reverb. With this control, the amount
of reverb on each instrument can be adjusted. If set to -infdB, the master reverb will not
affect this slot at all. This way depth and distances in the orchestra can be adjusted.
3.3.2 OUTPUT ROUTING:
On the mixer page, there is a dropdown menu below
the channel strip of every instrument slot, that
assigns specific Kontakt outputs to that particular
slot.
If no outputs are displayed, you can create, rename
and assign new outputs in the Outputs-Menu of
Kontakt (F2). They will be available immediately in
the dropdown menu of our mixer page. Consult the
documentation of Kontakt and your DAW to learn how to implement multi-timbral
instruments within your particular audio software.
Please note: Even though the dry signals will be split to the separate outputs, the send-
reverb will remain on the default channel, as splitting the reverb would be very taxing on
your CPU. For best results, we suggest to use this feature with the internal convolution
reverb turned off, and add a master reverb in the DAW.
3.3.3 MASTER EFFECTS:
Equalizer: Choose between two Master-EQ settings that were prepared specifically for this
instrument.
Compressor: Adjust the dynamics of the instrument by setting the threshold of the
compressor and adjust the makeup gain to the right.
Reverb: This is the master convolution reverb with ten high quality impulse responses from
different legendary effect processors. You can choose an impulse response in the menu to
the left and adjust the send return level of the reverb with the mix-control.
3.3.4 REVERB LOCK:
Next to the reverb toggle switch you can find the Reverb
Lock. If activated the reverb settings will stay the same
when you browse through different presets. "