User Manual
Table Of Contents
- English
- 日本語
- Français
- Deutsch
- Español
- 中文
- 한국어
- Русский
- Italiano
- Português
- Türkçe
- Getting Started
- Recording
- Playback
- Changing Settings
- Entering Metadata
- Recording Blackmagic RAW on Video Assist 12G HDR
- Storage Media
- Using Video Assist as a Webcam
- Blackmagic Video Assist Setup
- Using DaVinci Resolve
- Project Manager
- Editing with the Cut Page
- Adding Clips to the Timeline
- Editing Clips on the Timeline
- Adding Titles
- Working with Blackmagic RAW Files
- Color Correcting your Clips with the Color Page
- Adding a Power Window
- Using Plugins
- Mixing Your Audio
- Adding VFX and Compositing on the Fusion Page
- Mastering Your Edit
- Quick Export
- The Deliver Page
- Post Production Workflow
- Help
- Regulatory Notices
- Safety Information
- Warranty
- はじめに
- 収録
- 再生
- 設定の変更
- メタデータ入力
- Video Assist 12G HDRのBlackmagic RAW収録
- ストレージメディア
- Video Assistをウェブカムとして使用
- Blackmagic Video Assist Setup
- DaVinci Resolveの使用
- ポストプロダクション・ワークフロー
- ヘルプ
- 規制に関する警告
- 安全情報
- 保証
- Mise en route
- Enregistrement
- Lecture
- Modifier les paramètres
- Saisir des métadonnées
- Enregistrer en Blackmagic RAW sur le Video Assist 12G HDR
- Supports de stockage
- Se servir du Video Assist comme d’une Webcam
- Blackmagic Video Assist Setup
- Utiliser DaVinci Resolve
- Gestionnaire de projet
- Monter avec la page Cut
- Ajouter des clips à la timeline
- Monter des clips dans la timeline
- Ajouter des titres
- Travailler avec des fichiers Blackmagic RAW
- Étalonner vos clips avec la page Étalonnage
- Ajouter une Power Window
- Utilisation de plug-ins
- Mixer l’audio
- VFX et compositing sur la page Fusion
- Mastériser votre montage
- Exportation rapide
- Page Exportation
- Workflow de post-production
- Assistance
- Avis règlementaires
- Informations de sécurité
- Garantie
- Erste Schritte
- Aufzeichnung
- Wiedergabe
- Ändern von Einstellungen
- Eingabe von Metadaten
- Aufzeichnen in Blackmagic RAW auf dem Video Assist 12G HDR
- Speicherträger
- Verwenden des Video Assist als Webcam
- Blackmagic Video Assist Setup
- Arbeiten mit DaVinci Resolve
- Project Manager
- Schneiden im Cut-Arbeitsraum
- Einfügen von Clips in die Timeline
- Bearbeiten von Clips in der Timeline
- Hinzufügen von Titeln
- Mit Blackmagic-RAW-Dateien arbeiten
- Farbkorrektur von Clips im Color-Arbeitsraum
- Hinzufügen eines Power Windows
- Arbeiten mit Plug-ins
- Mixen von Ton
- Hinzufügen von VFX und Compositing im Fusion-Arbeitsraum
- Mastern Ihres Schnitts
- Quick Export
- Der Deliver-Arbeitsraum
- Postproduktions-Workflow
- Hilfe
- Gesetzliche Vorschriften
- Sicherheitshinweise
- Garantie
- Primeros pasos
- Grabación
- Reproducción
- Modificación de ajustes
- Metadatos
- Grabación en Blackmagic RAW en el modelo Blackmagic Video Assist 12G HDR
- Unidades de almacenamiento
- Uso del dispositivo como una cámara web
- Blackmagic Video Assist Setup
- DaVinci Resolve
- Organizador de proyectos
- Edición con el módulo Montaje
- Agregar clips a la línea de tiempo
- Editar clips en la línea de tiempo
- Agregar títulos
- Archivos Blackmagic RAW
- Etalonar los clips en el módulo Color
- Creación de Power Windows
- Complementos
- Mezcla de audio
- Agregar efectos visuales (VFX) y composiciones desde el módulo Fusion
- Masterización
- Exportación rápida
- Módulo Entrega
- Proceso de posproducción
- Ayuda
- Normativas
- Seguridad
- Garantía
- 入门
- 记录
- 播放
- 更改设置
- 录入元数据
- 在Video Assist 12G HDR上记录Blackmagic RAW
- 存储介质
- 将Video Assist作为网络摄像头使用
- Blackmagic Video Assist Setup
- 使用DaVinci Resolve
- 后期制作工作流程
- 帮助
- 监管告知
- 安全信息
- 保修
- 시작하기
- 녹화
- 재생
- 설정 변경하기
- 메타데이터 입력
- Video Assist 12G HDR에서 Blackmagic RAW 녹화하기
- 저장 미디어
- Video Assist를 웹캠처럼 사용하기
- Blackmagic Video Assist Setup
- DaVinci Resolve 사용하기
- 후반 제작 워크플로
- 도움말
- 규제 사항
- 안전 정보
- 보증
- Подготовка к работе
- Запись
- Воспроизведение
- Изменение настроек
- Ввод метаданных
- Запись в Blackmagic RAW на Video Assist 12G HDR
- Работа с накопителями
- Использование модели Video Assist в качестве веб-камеры
- Blackmagic Video Assist Setup
- Работа с DaVinci Resolve
- Менеджер проектов
- Монтаж на странице «Сборка»
- Добавление клипов на временную шкалу
- Редактирование клипов на временной шкале
- Добавление титров
- Работа с файлами Blackmagic RAW
- Цветокоррекция клипов на стр. «Цвет»
- Добавление Power-зоны
- Использование плагинов
- Микширование звука
- Добавление визуальных эффектов и композитинг на стр. Fusion
- Создание мастер-копий
- Быстрый экспорт
- Страница «Экспорт»
- Этап постобработки
- Помощь
- Соблюдение нормативных требований
- Правила безопасности
- Гарантия
- Operazioni preliminari
- Registrazione
- Riproduzione
- Cambiare le impostazioni
- Inserire i metadati
- Registrare in Blackmagic RAW su Video Assist 12G HDR
- Supporti di memoria
- Utilizzare Video Assist come webcam
- Blackmagic Video Assist Setup
- DaVinci Resolve
- Project Manager
- Montaggio sulla pagina Cut
- Aggiungere le clip nella timeline
- Montare le clip sulla timeline
- Inserire i titoli
- Lavorare con i file Blackmagic RAW
- Correzione colore sulla pagina Color
- Aggiungere una finestra Power Window
- Usare i plug-in
- Mixare l'audio
- VFX e compositing sulla pagina Fusion
- Fare il mastering della sequenza montata
- Esportazione veloce
- La pagina Deliver
- Flusso di lavoro di post produzione
- Assistenza
- Normative
- Sicurezza
- Garanzia
- Instruções Preliminares
- Gravação
- Reprodução
- Alterar Configurações
- Inserção de Metadados
- Gravar Blackmagic RAW no Video Assist 12G HDR
- Mídias de Armazenamento
- Usar o Video Assist como uma Webcam
- Blackmagic Video Assist Setup
- Usar o DaVinci Resolve
- Gerente de Projetos
- Editar com a Página Corte
- Adicionar Clipes à Linha de Tempo
- Editar Clipes na Linha de Tempo
- Adicionar Títulos
- Trabalhar com Arquivos Blackmagic RAW
- Corrigir Cores dos seus Clipes com a Página Cor
- Adicionar uma Power Window
- Usar Plug-ins
- Misturar seu Áudio
- Adicionar VFX e Composições na Página Fusion
- Masterizar sua Edição
- Exportação Rápida
- Página Entrega
- Fluxo de Trabalho de Pós-Produção
- Ajuda
- Informações Regulatórias
- Informações de Segurança
- Garantia
- Başlarken
- Kayıt
- Oynatım
- Ayarların Değiştirilmesi
- Metaveri Girilmesi
- Video Assist 12G HDR’de Blackmagic RAW Kaydı
- Depolama Ortamı
- Video Assist’in Web Kamerası Olarak Kullanımı
- Blackmagic Video Assist Kurulumu
- DaVinci Resolve’nin kullanımı
- Proje Yöneticisi
- Hızlı kurgu (Cut) Sayfası ile Kurgulama
- Timeline’ye Kliplerin İlave Edilmesi
- Timeline Üzerinde Kliplerin Düzenlenmesi
- Yazıların İlave Edilmesi
- Blackmagic RAW Dosyalarıyla Çalışma
- Renk (Color) Sayfası ile Kliplerinizin Renginin Düzeltilmesi
- Bir Görünmez Pencerenin (Power Window) İlave Edilmesi
- Eklentilerin Kullanımı
- Ses Miksajı
- Fusion Sayfası ile VFX ve Görüntü Birleştirme (Compositing) İşlemleri
- Kurgunuzun Master Dosyasını Çıkarma
- Quick Export (Hızlı Dışa Aktarma)
- Teslimat (Deliver) Sayfası
- Post Prodüksiyon İş Akışı
- Yardım
- Mevzuata İlişkin Bildirimler
- Güvenlik Bilgileri
- Garanti
So Blackmagic RAW set to the constant quality setting will just let the file grow as big as it
needs to be to encode your images. It also means the files could be larger or smaller
depending on what you are shooting. I guess if you leave your lens cap on the lens, you won’t
waste space on your media!
It is also worth noting that the quality settings for Blackmagic RAW are not obscure names,
butare more meaningful as they are derived from what’s happening technically. So for example
when you have selected the constant bitrate codec, you will see quality settings of 3:1, 5:1,
8:1and 12:1. These are the ratios of the uncompressed RAW file size vs the file sizes you should
expect when shooting in Blackmagic RAW. 3:1 is better quality as the file is larger, while 12:1 is
the smallest file size with the lowest quality. Many users of Blackmagic RAW find that 12:1 has
been perfectly ok and they have not seen any quality limitations. However it’s best to
experiment and try various settings for yourself.
When using Blackmagic RAW in constant quality you will see the settings are Q0 and Q5.
Theseare the compression parameters passed to the codec and they are setting how much
compression is applied in a more technical way. This setting is different because the codec
operates differently between constant bitrate vs constant quality. In this constant quality setting,
you really cannot tell what the file size ratio will become as it varies a lot based on what you
areshooting. So in this case the setting is different and the file will become the size needed
tostore your media.
Constant Bitrate Settings
The names for 3:1, 5:1, 8:1 and 12:1 represent the compression ratio. For example,
12:1compression produces a file size roughly 12 times smaller than uncompressed RAW.
Constant Quality Settings
Q0 and Q5 refer to different levels of quantization. Q5 has a greater level of quantization but
offers a greatly improved data rate. As mentioned above, the constant quality setting can result
in files that grow and shrink quite a lot, depending on what you are shooting. This also means
it’s possible to shoot something and see the file size increase to beyond what your media card
can keep up with. It could result in dropped frames. However the benefit is that you can
instantly see if this happens on a shoot and then investigate your settings vs quality.
Blackmagic RAW Player
The Blackmagic RAW player included in your Blackmagic camera’s software installer is a
streamlined application for reviewing clips. Simply double click on a Blackmagic RAW file to
open it, and you can quickly play and scroll through the file with its full resolution and bit depth.
When decoding frames, the CPU acceleration in the SDK library supports all main architectures,
and also supports GPU acceleration via Apple Metal, Nvidia CUDA and OpenCL. It also works
with the Blackmagic eGPU for extra performance. Blackmagic RAW player is available for Mac,
Windows and Linux.
Sidecar Files
Blackmagic RAW sidecar files let you override metadata in a file without overwriting embedded
metadata in the original file. This metadata includes the Blackmagic RAW settings as well as
information on iris, focus, focal length, while balance, tint, color space, project name, take
number and more. Metadata is encoded frame by frame over the duration of the clip, which is
important for lens data if the lens is adjusted during a shot. You can add or edit metadata in
sidecar files with DaVinci Resolve or even a text editor because it’s a human readable format.
45Recording Blackmagic RAW on Video Assist 12G HDR