Description Your camera is supplied with: 1 Aspheron super wide-angle v\....v v'tJv Y 50 cm remote-c'ontrol sunshade U - , ...."" .... II to(~uslna ring and zoom to the fixed focus 'tJvv IJU~-Iv 13): • press the battery connecting switch 34* against the pistol grip: • press on the release: everything situated between about 6 feet and infinity will be 'sharp and properly exposed provided the lighting conditions are normal. those used in the cepiers.
27 Film cartridge housing catch 28 Button for setting filming speed of 45 frames/second 29 Film plane guide 30 Action Light 31 ActionLight 32 . n n 33 34 batteries 35 Battery recharging 36 Eyepiece locking ring 37 Handstrap N.B. We strongly recommend you to film at least one cartridge mine the results before lea a trip or filming an important event with your new camera.
• Correction of the exposure level setting for backlight shots. He'tle;K VlevvtHldEH \i'Vltlh large • Film speeds: 25 and 100 ASA (15 and 21 DIN), daylight; 40 and 160 ASA (18 and 23 DIN), artificial light. Mechanism • Focusing by split-image rangefinder. • filming speeds: 9, 18, 24 f.p.s. • Single-frame filming. • Electromagnetic release. • Shutter opening to 190°. • General power by 5 1.5 V batteries. • recha ilfty of using Ni- Cd batteries ble in the camera.
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• Put the holder back in the housing, the side marked with an arrow facing 5
N.B.! er lea . ordinary or rechargeable batteries in the camera if you are not using it for some time. Any caused by the electrolyte inside camera our guarantee.
To the mtime to adjust automatically, the batteries must be connected up about 2 seconds before you press on the release. Between two make sure that the bar is in the position so as to avoid unnecessary wear on the batteries.
for tn~~ Olur[)ose Cln t:oo you a per second: on screen, when projecting at the normal speed of
at adjustable 0.2 seconds to 1 minute.
The counter shows you how much of the 50 ft. has been starts the and moves towards 1/1 position as the film unwinds. The counter automatically returns "a" whenever you take out the cartridge. It for one reason or other, you wish to take out a partially exposed cartridge, first of all turn. the memory disk until the mark (white dot) is opposite the end of the red band.
Automatic setting of the aperture Your camera is equipped with a device for the automatic setting of the correct aperture, with throughthe-lens (TTL) measurement of the light, which allows to concentrate on filming having to worry about changes in lighting. It automatically takes into account the sensitivity of the film used (see Technical Specifications).
t j s than in be unlC1er-e)(PCJsel:t If the red shaded the left of the after the value 14
Locking the diaphragm and manual setting A special 10 system makes it possible to keep a particular aperture. set for the main subject You can make use of this feature to film scenes with violent lig contrasts.
Automatic justment of the exposure time according to the • in almost all cases, it will be vitaltouseatri will therefore have 16
N.B. The the the steadier your foca I lengths between 40 and mm, we recommend you, whenever possible, to use a tripod or a steady support.
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··Synchro-flash" (' ro-sound") socket fade-in Filming with electronic flash By tron ic elecsocket can effects (growth of a flower, for example), The open to to a extent on the ,..,.1""',""'+ .. ,... ..... ,..,. flash you use (number of flashes between two recharges, strength of flash, .
tXj3mOle: guide number 80 distance 10 ft. 80 10 Lock the diaphragm at the aperture determined by the formula. 9 wi1:h stapalratet sYlnc F sound The contact used for tronic flash one per frame and can also be control a tape-recorder utilized cord sound separately with a to synchronization afterwards. l"\Jr"1"'h,r,..,Y"'\,?lnrt II 1 II JIJ 1 ...
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22 0,21-00 0,53- 00 0,49-00 0,45-00 0,37-00 0,29-00 0,21-00 0,15-00 0,20- 00 0,15- 00 0,20- 00 0,15-00 0,19-00 0,14- 00 0,18-00 0,14- 00 0,24-00 0,18- 00 0,14-00 0,23-00 0,17-00 0,13- 00 23
0,68-00 0,50-00 0,47-00 0,33- 00 0,24-00 0,45- 00 0,32-00 0,24-00 0,31-00 0,23- 00 0,56-00 0,43- 00 0,51-00 0,40- 00 047-00 037-00 0,33-00 24
0,31-00 0,69-00 0,64- 00 0,61-00 0,56- 00 0,51- 00 0,47- 00 0,44-00 0,64-10 0,58-3,8 0,49- 00 0,41- 00 25
10 5 3 2 1 26 0,79;"-1,40
22 2,28- 00 1,86- 00 1,49-00 1,\1""-'" .1,20-6,2 1,00-3.1 0,86-2,03 0,75-1.52 3.3 -00 2.48-00 1,99- 00 1.39-3.6 1,25-5.1 1,13-2.25 1,03-2,77 1.02-1.47 0.95-1.64 0,88-1,90 0,87-1.18 0.82-1,29 0,77-1.
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-0,1 + +0,1 -U.
Bolex Macro Set The Bolex Macro Set comprises a nu mber of accessories simplifying the taking of Macro shots of slides, postcards and small sut)lec~ts, stationary or moving titles, as well as iris effects, filming through cut-out masks (keyhole, heart binoculars) .. The accessories forming part of the Bolex Macro Set include a slide holder, a card holder, a Macro Close- Up lens, a slide and transparent celluloids for titles, printed letter transfers, a mask for iris effects, cutout masks.
sound), frame counter, film cleaner, Sound Fader (for the total or gradual erase of a given portion of the sound recorded on the magnetic stripe of the film, or a gradual fade-out-fadein). emulsion side, aperture, thereby practically all risks of scratching the emu Ision. t hA l.r::Jrne screen (150 x 110 mm) with the lens (16 mm f/3.5) 1 (6 V110 W) system ensures conven ient viewing even in daylight.
Mu (S8/N8), robust and cOlmpllete vVltl'1ln very reduced dimensions. An instrument which will show you r best advanlife to your tage. Which will projection. All this thanks to the many advantages of forward and reverse operation, slow motion (there are four different still projection, the PO:SSIIJllrty controlling the of a tape recorder to the projector by accessory cable.
Bolex SM80 electronic: it is equipped with two sets of magf!~tic heads for recording, superimposition the regular and playback, not mag netic track but on the balance along the perforated edge of the Bolex SP8 special~ Bolex SP8 E reoresent above all a very refined n::;)r~()rc'1lnn technique brought reach amateur. For more elaborate and at the same easier sound effects.