User`s manual

Each Super8 Sound System has been designed to accomplish
a specific production or post-production function — TV
News, Film School Class, Lowest Cost, etc. — and to provide
guidance to those selecting a new system or completing an
existing one. Super8 Sound Systems also have a money-saving
aspect, since Super8 Sound has priced them at an additional
discount of five percent below our already low prices for
the individual items. Each System contains components
carefully chosen to complement one another at the given
price level and generally includes a minimum of four units:
Location Unit
with capability of filming and recording sync
sound — generally includes Super8 Sound Sync Camera, Sync
Recorder, Microphone, Monitor Headphones, Chestpod, and
all necessary cables. Optional equipment could include
additional Sync Cameras and Recorders, Wild Recorders,
Camera Silencers, Crystal Camera Control, Fishpole Boom
and Shock Mount, Tripods, Extension Cables, Carrying Cases,
Slate.
Studio Unit
with capability for sync transfers from location
sync tape to Super 8 fullcoat magnetic film. Optional Equalizer,
Mixer, Multi-track Recorder, additional Fullcoat Recorders,
Compressor/Expander, Dolby Unit, Microphone, and Micro-
phone Stand.
Editing Unit
with double-system capability for separately
cutting picture and mag film, including an Editing Bench or
Editing Table and Splicer. Optional Single-System Track
Reader, Displacement Recorder, Multiple Strand Editing
Equipment.
Projection Unit
with capability for double-system and
single-system screenings, including Super8 Sound Sync
Projector, PhotoStart and necessary cables. Used in conjunc-
tion with Studio Unit, the Projection Unit provides for
double-system transfers to and from mag stripe. Optional
DoubleBand Projector, Screen, Amplifier, Speaker(s),
Xenon Arc Projector.
There are many accessories for each of these units, and there
are a few production units that perform distinctly different
functions from the basic sync sound units above. These
include:
Video Unit,
e.g. Kodak Videoplayer, SONY Trinitron Monitor
or Receiver and Video Cassette Recorder. An alternative to the
Kodak Videoplayer would be a Super 3 Telecine Projector
in a video film chain.
Lighting Unit,
e.g. new quartz miniature broads, spots, tiny
"Tota-Lights", diffusers, gels, etc.
Titling/Optical Printing/Rephotography Unit,
e.g. an anima-
tion stand, a step printer with fades, dissolves, etc., a syn-
chronized projector and camera set-up to permit pans and
zooms on Super 8 original material.
Processing Unit,
e.g. the new fully automatic Kodak Super-
matic
8 Processor.
Special Function Units,
e.g. Crystal Sync Location Units,
Cinema Lab Transfer Units, Mixing Studio Units.
Each Super8 Sound System consists of components
selected for their suitability and complementarity at the
given price level. Nevertheless, a unit from one System is
always compatible and may be used with other units from
other Systems, since at every stage standard double-system
or single-system techniques are being employed.
In
planning
your own system, feel free to rearrange or substitute compon-
ent units and accessories to fit your particular needs. We
suggest you use the System Plan and Order Form that
accompanies this flyer (extra copies available on request).
This will simplify our price quotation procedure and facili-
tate our making critical comments on the system, if you wish
them. To get more information on particular system compon-
ents, send for the Super8 Sound Catalog and the Reference
Book Super 8, a 500-page compendium of all manufacturers'
technical literature on sync Super 8 equipment.
Super8 Sound Syst ems
52
Super 8 Sound
,
Inc
.
95 Harvey Street, Cambridge, Mass. 02140