User Manual

18
Part Names and Functions
MODE List
* You can choose how the sound is output from the OUTPUT jacks in “Setting the Output
Mode” (p. 30); select either “STEREO OUTPUT” or “A: Direct Sound, B: Effect Sound.”
SOS
(Sound On Sound)
In this mode, you can record up to 23 seconds of material and repeat-
edly play back the phrases from the material. What's more, you can
record new phrases and add them to the previous material (overdub)
as many times as you like.
→ “How to Use SOS (Sound On Sound)” (p. 21)
TWIST
This is a new type of delay that produces an aggressive, spinning sen-
sation. Using this with distortion creates an even wilder twist.
→ “How to Use TWIST” (p. 22)
WARP
This simultaneously controls the delay sound's feedback level and vol-
ume to produce a totally unreal delay.
→ “How to Use WARP” (p. 22)
TAPE
This tone is modeled on the Roland “RE-201” Tape Echo. You can ad-
just the settings to change the number of “heads.”
* The delay time can be set in a range from 120 milliseconds to 23 seconds.
→ “How to Use TAPE” (p. 23)
ANALOG This tone is modeled on the BOSS “DM-2” Compact Delay.
STANDARD This is normal delay.
DUAL
This is a delay with short and long delays connected in series.
→ “How to Use DUAL” (p. 24)
PAN
This is a panning delay, with the delay sound output alternately from
the left and right sides (OUTPUT A/B).
SMOOTH
This delay spreads out spatially, producing a more natural reverbera-
tion effect.
MODULATE
This delay adds a pleasant wavering effect to the sound.
→ “How to Use MODULATE” (p. 25)
REVERSE
This creates a reverse playback effect. You can adjust the E.LEVEL
knob setting to get two different kinds of effect, “Direct Sound + Effect
Sound” and “Effect Sound Only.”
Turning the E.LEVEL knob completely to the right switches this to “Ef-
fect Sound Only.”
* The delay time can be set in a range from 10 milliseconds to 23 seconds.