Reference Guide

567
AudioSnap (Producer and Studio only)
Why would I use it?
Here are some common uses for AudioSnap:
Aligning measure lines and tempo to audio or MIDI tracks that were recorded without a
metronome (see “Synchronizing audio and the project tempo” on page 586).
Fixing timing errors (see “Fixing timing problems in audio clips” on page 593).
Synchronizing the rhythms of out-of-sync tracks (see “Making multiple clips/tracks groove
together” on page 600).
Doubling existing sounds with other sounds (see “Extracting MIDI timing information from audio”
on page 610).
Changing the tempo of existing projects (see “Changing a project’s tempo” on page 592).
Snapping both audio and MIDI edits to audio beats (see “Snapping edits to audio beats” on page
612).
Fixing timing errors in multi-track recordings while maintaining phase relationships (see
“Adjusting the timing of a multi-track performance while maintaining phase relationships” on page
595).
If you want to edit audio right away with AudioSnap, see “Synchronizing audio and the project
tempo” on page 586 and “Fixing timing problems in audio clips” on page 593. If you want to learn
more about all the AudioSnap tools and options, see the following links.
See:
“Using global tools on AudioSnap transient markers” on page 568
“Editing transient markers” on page 573
“Using the AudioSnap palette” on page 582
“Synchronizing audio and the project tempo” on page 586
“Fixing timing problems in audio clips” on page 593
“Extracting MIDI timing information from audio” on page 610
“General editing” on page 612
“Using the Pool” on page 621
“Algorithms and rendering” on page 624