Reference Guide

368 Arranging and editing

Take lanes and comping takes

• You use loop recording in Sound on Sound mode, and choose to store takes in a single track.

• You record over some pre-existing data while in Sound on Sound mode.

• The track contains at least one overlapping clip.

See:

“Take lane controls” on page 368

“Using Take lanes” on page 370

“Take lanes and comping takes” on page 367

Take lane controls

Most of the controls in Take lanes are identical to the controls found in tracks.

Figure 88. Take lane controls.

A. Expand/collapse Take lanes B. Select lane C. Remove lane D. Insert new lane E. Lane name F. Edit Filter

G. Mute H. Solo I. Arm for recording J. Comments

The following controls are shown in each Take lane:

• Remove lane . Remove lane and all data in the lane.

• Insert new lane . Add a new empty lane below the clicked lane. Each track can have an

unlimited number of lanes. New Take lanes are automatically named T1, T2, T3, etc.

• Select. Click to select the lane and its parent track. Lanes support the same selection gestures

as tracks.

• Edit Filter. Use a track’s Edit Filter control to specify the type of data you want to edit.

• Clips. The selected tool operates on clips.

• Audio Transients. The selected tool operates on audio transients (only available for audio

GF J