Owner's Manual
Table Of Contents
Minimum Phase
Filter
20
-
20
-40
iii
-60
~
"'
-80
"0
3
-
~
·
100
~
120
-140
·
160
180
-
200
I
1-
-----t----
I
i
--
--1--
I
, I
f-h--
0.1
0.2
0.3 0.4 0.5 0.6
0.
7
frequency/FS (in put sampling
rate)
Frequen
cy
response
i
.
--
-1 --
0.8
0.9
The Minimum
Phase filter
is another
highly regarded audio
filter
that
offers even
lower ripple
in the pass and stop bands.
Unlike
the Linear
Phase filter,
group
delay
is not constant; however, phase
shift
is low
and
the
particular
benefit with this
filter
is
that
the
impulse
response exhibits
no
pre-ringing.
Impulse res ponse
-=Ttl
-
+-1
= ~.
---r
. ' I
--+-
--
---
+--
---1
I
--l-
--j-
I
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r--.
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I.
20
40
60
80
100 120
140 160 180
T
ime
(sa
mples)
azur
851C
Steep
Filter
Frequency
response
20
I
0
20
-40
iii
-60
~
"'
-80
'5
.t<
-100
&,
"'
:2'
120
-
140
160
-
180
-
200
0.1
0.2
0.3
0.4
0.5
0.6
0.7 0.8 0.9
frequency/FS
(i
nput
sampling
rate)
Our Steep
filter
is a
linear
phase
filter
that
has been optimised for stop
band attenuation
of
close-in aliasing
images. Here
we
have traded a
little
attenuation
of
the very highest frequency response (-2dB
at
20kHz
for 44.1kHz
material)
and a
little more pre- and post-ringing for a very
steep attenuation
just
outside the pass band. The Steep
filter
is
able
to attenuate aliasing
at
22kHz
by
some
80dB
for 44.1kHz
material
for
instance.
Impul
se
response
-
---1
-i-
--
20
40
60
80
100 120
140
1
60
180
Time
(samples)
Note:
All
filters
exhibit the same
ultimate roll-off
of approximately
140d8.
The following table
shows the
filter
stop band attenuation for 44.1kHz
material:
Linear
Phase
Minimum
Phase
Steep
Roll-off
at
-0.1dB
-0.1dB -2dB
20kHz
Roll-off
at
-10dB -10dB
-82dB
22kHz
Ultimate roll-off
140dB
140dB 140dB
We
encourage you to experiment with the
filters
to determine which
sound best to your ears and using your source equipment/programme
material.
The 851C remembers and
recalls
the
selected filter
type for
each input
individually,
making
it
possible,
for example,
to
select Steep
for the
USB
input and Linear
Phase
for
Digital Input
1, and
so
on.
13
I