EOS REBEL T6S (W) EOS 760D (W) E INSTRUCTION MANUAL
Introduction The EOS REBEL T6S or EOS 760D is a digital single-lens reflex camera featuring a fine-detail CMOS sensor with approx. 24.2 effective megapixels, DIGIC 6, high-precision and high-speed 19-point AF (cross-type AF point: max. 19 points), approx. 5.0 fps continuous shooting, Live View shooting, Full High-Definition (Full HD) movie shooting, and Wi-Fi/NFC function.
Item Check List Before starting, check that all the following items are included with your camera. If anything is missing, contact your dealer. Camera (with eyecup and body cap) Wide Strap Battery Pack LP-E17 (with protective cover) Battery Charger LC-E17/LC-E17E* Interface Cable * Battery Charger LC-E17 or LC-E17E is provided. (The LC-E17E comes with a power cord.) The Instruction Manuals and CD-ROMs provided are listed on the next page.
Instruction Manual and CD-ROMs The instruction manual consists of a booklet and electronic manuals (PDF files on the CD-ROM). The booklet is the Basic Instruction Manual. For more detailed instructions, see the Camera Instruction Manual on the CD-ROM.
Compatible Cards The camera can use the following cards regardless of capacity: If the card is new or was previously formatted by another camera or computer, format the card with this camera (p.65). • SD memory cards • SDHC memory cards* • SDXC memory cards* * UHS-I cards supported. Cards that Can Record Movies When shooting movies, use a large-capacity SD card rated SD Speed Class 6 “ ” or higher. If you use a slow-writing card when shooting movies, the movie may not be recorded properly.
Quick Start Guide Insert the battery (p.38). 1 To charge the battery, see page 36. Insert the card (p.39). 2 3 With the card’s label facing toward the back of the camera, insert it into the card slot. White index Red index Attach the lens (p.47). Align the lens’s white or red mount index with the camera’s mount index of the same color. 4 Set the lens focus mode switch to (p.47). 5 Set the power switch to <1>, then set the Mode Dial to (Scene Intelligent Auto) (p.76).
Quick Start Guide 6 Flip out the LCD monitor (p.41). 7 Focus on the subject (p.52). 8 Take the picture (p.52). 9 Review the picture. When the LCD monitor displays the date/time/zone setting screens, see page 44. Look through the viewfinder and aim the viewfinder center over the subject. Press the shutter button halfway, and the camera will focus on the subject. If necessary, the built-in flash will be raised. Press the shutter button completely to take the picture.
Conventions Used in this Manual Icons in this Manual <6> : Indicates the Main Dial. <5> : Indicates the Quick Control Dial. : Indicates the direction of the shift or move when the key on the Quick Control Dial is pressed. <0> : Indicates the Setting button. 0, 9, 7, 8 : Indicates that each function remains active for 4 sec., 6 sec., 10 sec., or 16 sec. after you let go of the button.
Chapters Introduction 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 2 Getting Started 35 Basic Shooting and Image Playback 75 Setting the AF and Drive Modes 109 Image Settings 125 Advanced Operations 157 Flash Photography 175 Shooting with the LCD Monitor (Live View Shooting) 201 Shooting Movies 233 Handy Features 271 Image Playback 291 Post-Processing Images 325 Printing Images 333 Customizing the Camera 349 Reference 361 Viewing the CD-ROM Instruction Manuals / Downloading Images to Y
Contents at a Glance Shooting Shoot automatically p.75-106 (Basic Zone modes) Shoot continuously p.122 (i Continuous shooting) Take a picture of yourself in a group p.124 (j Self-timer) Freeze the action Blur the action p.160 (s Shutter-priority AE) Blur the background p.82 (C Creative Auto) Keep the background in sharp focus p.162 (f Aperture-priority AE) Adjust the image brightness (exposure) p.169 (Exposure compensation) Shoot in low light p.
Take many pictures p.126 (7a, 8a, b, c) AF (Focusing) Change the AF area selection mode p.114 (S AF area selection mode) Shoot a moving subject p.89, 91, 112 (AI Servo AF) Playback View the images on the camera p.107 (x Playback) Search for pictures quickly p.292 (H Index display) p.293 (I Image browsing) Rate images p.298 (Ratings) Prevent important images from accidental deletion p.316 (K Image protect) Delete unnecessary images p.
Index to Features Power Battery • Charging • Installing/Removing • Battery check • Checking battery information AF AF operation p.36 p.38 p.43 p.364 p.110 AF area selection mode p.114 AF point selection p.116 Manual focusing p.121 Drive Household power outlet p.365 Drive mode p.122 Auto power off Continuous shooting p.122 Self-timer p.124 Maximum burst p.128 p.42 Cards Installing/Removing p.39 Formatting p.
Index to Features Exposure Adjustment Playback Exposure compensation p.169 AEB p.170 AE lock p.172 Flash Built-in flash External flash Flash function settings p.176 p.181 p.183 Wireless shooting p.189 Live View Shooting Image review time p.273 Single-image display p.107 Shooting information display p.320 Index display p.292 Image browsing (Jump display) p.293 Magnified view p.294 Image rotate p.297 Rating p.298 Movie playback p.
Contents Introduction 2 Item Check List................................................................................. 3 Instruction Manual and CD-ROMs ................................................... 4 Compatible Cards............................................................................. 5 Quick Start Guide ............................................................................. 6 Conventions Used in this Manual..................................................... 8 Chapters.............
Contents 2 Basic Shooting and Image Playback 75 A Fully Automatic Shooting (Scene Intelligent Auto) ...................76 A Full Auto Techniques (Scene Intelligent Auto)..........................79 7 Disabling Flash ......................................................................... 81 C Creative Auto Shooting.............................................................82 2 Shooting Portraits ...................................................................... 86 3 Shooting Landscapes ..........
Contents A Selecting a Picture Style ...................................................... 135 A Customizing a Picture Style ................................................. 137 A Registering a Picture Style ................................................... 140 B: Matching the Light Source (White balance) ......................... 142 u Adjusting the Color Tone for the Light Source......................... 144 Auto Correction of Brightness and Contrast (Auto Lighting Optimizer) ...
Contents U Applying Creative Filters ......................................................... 210 Menu Function Settings ................................................................ 214 Changing the Autofocus Operation (AF operation)....................... 216 Using AF to Focus (AF Method) ................................................... 218 x Shooting with the Touch Shutter .............................................226 MF: Focusing Manually.......................................................
Contents f Automatic Sensor Cleaning ................................................... 286 Appending Dust Delete Data ........................................................ 287 Manual Sensor Cleaning .............................................................. 289 10 Image Playback 291 x Searching for Images Quickly ................................................ 292 u/y Magnified View ................................................................... 294 d Playing Back with the Touch Screen ..
Contents 13 Customizing the Camera 349 Setting Custom Functions............................................................. 350 Custom Function Settings............................................................. 352 C.Fn I : Exposure .....................................................................352 C.Fn II : Image .......................................................................... 353 C.Fn III : Autofocus/Drive ...........................................................354 C.
Safety Precautions The following precautions are provided to prevent harm or injury to yourself and others. Make sure to thoroughly understand and follow these precautions before using the product. If you experience any malfunctions, problems, or damage to the product, contact the nearest Canon Service Center or the dealer from whom you purchased the product. Warnings Follow the warnings below. Otherwise, death or serious injuries may result.
Safety Precautions Do not fire the flash near a person’s eyes. It may impair the person’s vision. When using flash to photograph an infant, keep at least 1 meter/3.3 feet away. When the camera or accessories are not in use, make sure to remove the battery and disconnect the power plug from the equipment before storing. This is to prevent electrical shock, excessive heat, fire, or corrosion. Do not use the equipment where there is flammable gas. This is to prevent an explosion or a fire.
Safety Precautions Cautions Follow the cautions below. Otherwise, physical injury or property damage may result. Do not use or store the product inside a car under the hot sun or near a heat source. The product may become hot and cause skin burns. Doing so may also cause battery leakage or explosion, which will degrade the performance or shorten the life of the product. Do not carry the camera around when it is attached to a tripod. Doing so may cause injury.
Handling Precautions Camera Care This camera is a precision instrument. Do not drop it or subject it to physical shock. The camera is not waterproof and cannot be used underwater. If you accidentally drop the camera into water, promptly consult the nearest Canon Service Center. Wipe off any water droplets with a dry and clean cloth. If the camera has been exposed to salty air, wipe it with a well-wrung wet cloth.
Handling Precautions Avoid storing the camera where there are chemicals that result in rust and corrosion such as in a chemical lab. If the camera has not been used for an extended period, test all its functions before using it. If you have not used the camera for some time or if there is an important shoot such as a foreign trip coming up, have the camera checked by your nearest Canon Service Center or check the camera yourself and make sure it is working properly.
Handling Precautions Smudges Adhering to the Front of the Sensor Besides dust entering the camera from outside, in rare cases lubricant from the camera’s internal parts may adhere to the front of the sensor. If visible spots remain on the image, having the sensor cleaned by a Canon Service Center is recommended. Lens Contacts After detaching the lens from the camera, put down the lens with the rear end up and attach the rear lens cap to avoid scratching the lens surface and electrical contacts.
Nomenclature Built-in flash/AF-assist beam (p.176/113) EF Lens mount index (p.47) Flash sync contacts Focal plane mark (p.88) Hot shoe (p.181) EF-S Lens mount index (p.47) AF area selection button (p.115) Flash button (p.176) ISO speed setting button (p.132) Mode Dial lock-release button (p.53) <6> Main Dial (p.53) Mode Dial (p.31) LCD panel illumination button (p.55) Strap mount (p.35) Shutter button (p.52) Speaker (p.304) Red-eye reduction/Selftimer lamp (p.
Nomenclature Display-off sensor (p.67, 285) Viewfinder eyepiece Dioptric adjustment knob (p.51) Live View shooting/ Movie shooting button (p.201/234) Quick Control button (p.57) Eyecup (p.367) AE lock/ FE lock button/Index/ Reduce button (p.172/179/292, 294) Info button (p.67, 107, 204, 239, 362) AF point selection/ Magnify button (p.116/294) Power switch (p.42) Menu button (p.59) Access lamp (p.40) LCD monitor/ Touch screen (p.59, 273/ 62, 295, 306) Card slot cover (p.
Nomenclature Shooting Function Settings (in Creative Zone modes, p.31) Shutter speed Multi function lock (LOCK) (p.55) Exposure level indicator Exposure compensation amount (p.169) AEB range (p.170) Multi function lock (LOCK) (p.55) Aperture Multi function lock (LOCK) (p.55) Auto Lighting Optimizer (p.146) ISO speed (p.132) Highlight tone priority (p.353) Shooting mode y Flash exposure compensation (p.178, 199) Picture Style (p.135) AF operation (p.
Nomenclature LCD Panel ISO speed (p.132) ISO speed (p.132) Battery check (p.43) Highlight tone priority (p.353) Exposure level indicator Exposure compensation amount (p.169) AEB range (p.
Nomenclature Viewfinder Information Spot metering circle (p.167) Single-point AF (Manual selection) (p.114) Focusing screen Zone AF (Manual selection of zone) (p.114) 19-point automatic selection AF (p.114) AF point (p.114) Grid (p.69) Area AF frame (p.114) Aspect ratio line (p.130) Flicker detection (p.72, 154) Electronic level (p.
Nomenclature Mode Dial You can set the shooting mode. Turn the Mode Dial while holding down the Mode Dial center (Mode Dial lock release button). Creative Zone These modes give you more control for shooting various subjects as desired. d : Program AE (p.158) s : Shutter-priority AE (p.160) f : Aperture-priority AE (p.162) a : Manual exposure (p.165) Basic Zone All you do is press the shutter button. The camera sets everything to suit the subject or scene for shooting. A : Scene Intelligent Auto (p.
Nomenclature Lens without a Distance Scale Focusing ring (p.121, 228) Focus mode switch (p.47) Hood mount (p.49) Zoom position index (p.48) Zoom ring lock lever (p.48) Filter thread (front of lens) Zoom ring (p.48) Image Stabilizer switch (p.50) Lens mount index (p.47) 32 Contacts (p.
Nomenclature Battery Charger LC-E17 Charger for Battery Pack LP-E17 (p.36). Power plug Charge lamp Full-charge lamp Battery pack slot IMPORTANT SAFETY INSTRUCTIONS-SAVE THESE INSTRUCTIONS. DANGER-TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, CAREFULLY FOLLOW THESE INSTRUCTIONS. For connection to a supply not in the U.S.A., use an attachment plug adapter of the proper configuration for the power outlet, if needed. Battery Charger LC-E17E Charger for Battery Pack LP-E17 (p.36).
1 Getting Started This chapter explains preparatory steps before you start shooting and basic camera operations. Attaching the Provided Strap Pass the end of the strap through the camera’s strap mount eyelet from the bottom. Then pass it through the strap’s buckle as shown in the illustration. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle. The eyepiece cover is also attached to the strap (p.367).
Charging the Battery 1 Remove the protective cover. Detach the protective cover provided with the battery. the battery. 2 Attach As shown in the illustration, attach the battery securely to the charger. To detach the battery, follow the above procedure in reverse. LC-E17 the battery. 3 Recharge For LC-E17 As shown by the arrow, flip out the battery charger’s prongs and insert the prongs into a power outlet.
Charging the Battery Tips for Using the Battery and Charger Upon purchase, the battery is not fully charged. Charge the battery before use. Recharge the battery on the day before or on the day it is to be used. Even during storage, a charged battery will gradually drain and lose its capacity. After recharging the battery, detach it and disconnect the charger from the power outlet. When not using the camera, remove the battery.
Installing and Removing the Battery Load a fully charged Battery Pack LP-E17 into the camera. The camera’s viewfinder becomes bright when a battery is installed, and darkens when the battery is removed. Installing the Battery 1 Open the cover. Slide the lever as shown by the arrows and open the cover. the battery. 2 Insert Insert the end with the battery contacts. Insert the battery until it locks in place. the cover. 3 Close Press the cover until it snaps shut.
Installing and Removing the Card The card (sold separately) can be an SD, SDHC, or SDXC memory card. SDHC and SDXC memory cards with UHS-I can also be used. The captured images are recorded onto the card. Make sure the card’s write-protect switch is set upward to enable writing and erasing. Installing the Card 1 Write-protect switch Open the cover. Slide the cover as shown by the arrows to open it. the card.
Installing and Removing the Card Removing the Card 1 Access lamp Open the cover. Set the power switch to <2>. Make sure the access lamp is off, then open the cover. If [Recording...] is displayed, close the cover. the card. 2 Remove Gently push in the card, then let go to eject it. Pull the card straight out, then close the cover. When the access lamp is lit or blinking, it indicates that images are being written to, read from, or erased from the card, or data is being transferred.
Using the LCD Monitor After you flip out the LCD monitor, you can set menu functions, use Live View shooting, shoot movies, and play back images and movies. You can change the direction and angle of the LCD monitor. 1 Flip out the LCD monitor. the LCD monitor. 2 Rotate When the LCD monitor is swung out, 180° 90° 175° you can rotate it up, down, or over 180° to face the subject. The indicated angle is only approximate. it toward you.
Turning on the Power If you turn on the power switch and the date/time/zone setting screen appears, see page 44 to set the date/time/zone. <1> <2> : The camera turns on. You can shoot movies (p.234). : The camera turns on. You can shoot still photos. : The camera is turned off and does not operate. Set to this position when not using the camera. Automatic Sensor Cleaning Whenever you set the power switch to <1> or <2>, sensor cleaning will be executed automatically. (A small sound may be heard.
Turning on the Power z Checking the Battery Level When the power is turned on, the battery level will be indicated in one of the four levels. H : Battery level is sufficient. I : Battery level is low, but the camera can still be used. v : Battery will be exhausted soon. (Blinks) w : Recharge the battery. Number of Possible Shots (Approx.
3 Setting the Date, Time, and Zone When you turn on the power for the first time or if the date/time/zone are reset, the date/time/zone setting screen will appear. Follow the steps below, making sure to set the time zone first. Set the camera to the time zone in which you currently live so that, when you travel, you can simply change the setting to the correct time zone for your destination, and the camera will automatically adjust the date/time.
3 Setting the Date, Time, and Zone the date and time. 4 Set Press the keys to select the number. Press <0> so is displayed. Press the keys to set the number, then press <0>. (Returns to .) the daylight saving time. 5 Set Set it if necessary. Press the keys to select [Y]. Press <0> so is displayed. Press the keys to select [Z], then press <0>. When the daylight saving time is set to [Z], the time set in step 4 will advance by 1 hour.
3 Selecting the Interface Language 1 Display the menu screen. Press the button to display the menu screen. the [52] tab, select 2 Under [LanguageK]. Press the keys to select the [52] tab. Press the keys to select [LanguageK], then press <0>. the desired language. 3 Set Press the keys to select the language, then press <0>. The interface language will change.
Attaching and Detaching a Lens The camera is compatible with all Canon EF and EF-S lenses. The camera cannot be used with EF-M lenses. Attaching a Lens 1 Remove the caps. Remove the rear lens cap and the body cap by turning them as shown by the arrows. the lens. 2 Attach Align the lens’s red or white index White index with the camera’s index matching the same color. Turn the lens as shown by the arrow until it clicks in place. Red index the lens’s focus mode switch 3 Set to .
Attaching and Detaching a Lens Zooming Turn the zoom ring on the lens with your fingers. If you want to zoom, do it before focusing. Turning the zoom ring after achieving focus may throw off the focus. Detaching the Lens While pressing the lens release button, turn the lens as shown by the arrow. Turn the lens until it stops, then detach it. Attach the rear lens cap to the detached lens. To owners of the EF-S18-135mm f/3.5-5.6 IS STM lens or EF-S18-200mm f/3.5-5.
Attaching and Detaching a Lens Attaching a Lens Hood A lens hood can block unwanted light and prevent rain, snow, dust, etc. adhering to the front of the lens. When storing the lens in a bag, etc., you can also attach the hood in reverse. If there is no index mark on the lens and hood: Attach the lens hood. Turn the hood as shown by the arrow to attach it securely.
Lens Image Stabilizer When you use the IS lens’s built-in Image Stabilizer, camera shake is corrected to obtain a sharper shot. The procedure explained here is based on the EF-S18-135mm f/3.5-5.6 IS STM lens as an example. * IS stands for Image Stabilizer. 1 Set the IS switch to <1>. Set also the camera’s power switch to <1>. the shutter button halfway. 2 Press The Image Stabilizer will operate. the picture.
Basic Operation Adjusting the Viewfinder Clarity Turn the dioptric adjustment knob. Turn the knob left or right so that the AF points in the viewfinder look the sharpest. If the camera dioptric adjustment still cannot provide a sharp viewfinder image, using E-series Dioptric Adjustment Lenses (sold separately) is recommended. Holding the Camera To obtain sharp images, hold the camera still to minimize camera shake. Horizontal shooting Vertical shooting 1.
Basic Operation Shutter Button The shutter button has two steps. You can press the shutter button halfway. Then you can further press the shutter button completely. Pressing Halfway This activates autofocusing and the automatic exposure system that sets the shutter speed and aperture. The exposure setting (shutter speed and aperture) is displayed in the viewfinder and on the LCD panel (0). Pressing Completely This releases the shutter and takes the picture.
Basic Operation Mode Dial Turn the dial while holding down the lock release button at the center of the dial. Use it to set the shooting mode. 6 Main Dial (1) After pressing a button, turn the <6> dial. After pressing a button such as , turn the <6> dial to change the setting. For the button, the function remains selected for 6 sec. (9) after pressing the button. When the function selection ends or if you press the shutter button halfway, the camera will be ready to shoot.
Basic Operation 5 Quick Control Dial (1) After pressing a button, turn the <5> dial. After pressing a button such as , turn the <5> dial to change the setting. For the button, the function remains selected for 6 sec. (9) after pressing the button. When the function selection ends or if you press the shutter button halfway, the camera will be ready to shoot. Use this dial to select or set the ISO speed, white balance, Picture Style, drive mode, AF operation, AF point, etc.
Basic Operation R Multi Function Lock By setting [13: Multi function lock] under [54: Custom Functions (C.Fn)] (p.359) and moving the switch to the right, you can prevent the Main Dial and Quick Control Dial from moving and changing a setting inadvertently. switch set to the left: Lock released switch set to the right: Lock engaged If the switch is set to the right and you try to use one of the locked camera controls, will be displayed in the viewfinder and on the LCD panel.
Basic Operation Displaying Shooting Function Settings After you press the button a number of times, the shooting function settings will be displayed. With the shooting function settings displayed, you can turn the Mode Dial to see the settings for each shooting mode. Pressing the button enables Quick Control of the shooting function settings (p.57). Press the button again to turn off the display.
Q Quick Control for Shooting Functions You can directly select and set the shooting functions displayed on the LCD monitor. This is called Quick Control. 1 Press the button (7). The Quick Control screen will appear. the desired functions. 2 Set Press the or keys to select a function. The selected function and Feature guide (p.73) will appear. Turn the <6> or <5> dial to change the setting. Basic Zone modes Creative Zone modes the picture.
Q Quick Control for Shooting Functions Sample Quick Control Screen Aperture (p.162) Shutter speed (p.160) Shooting mode* (p.31) Highlight tone priority* (p.353) Exposure compensation/ AEB setting (p.169/170) Picture Style (p.135) ISO speed (p.132) Flash exposure compensation (p.178) Built-in flash settings (p.186) AF operation (p.110) Return Image-recording quality (p.126) White balance (p.142) AF area selection mode (p.115) Auto Lighting Optimizer (p.146) White balance correction (p.
3 Menu Operations You can set various settings with the menus such as the imagerecording quality, date and time, etc. button <0> button Quick Control Dial LCD monitor Menu Screen The menu tabs and items displayed will differ depending on the shooting mode.
3 Menu Operations Menu Setting Procedure 1 Display the menu screen. Press the button to display the menu screen. a tab. 2 Select Press the Quick Control Dial’s keys to select a tab (group of functions). For example, in this manual, “the [z3] tab” refers to the screen displayed when the third z (Shooting) tab from the left [t] is selected. the desired item. 3 Select Press the Quick Control Dial’s keys to select the item, then press <0>. the setting.
3 Menu Operations In step 2, you can also turn the <6> dial to select a menu tab. In step 4, you can also turn the <5> dial to select certain settings. In steps 2 to 5, you can also use the LCD monitor’s touch screen (p.62). The explanation of menu functions hereinafter assumes that you have pressed the button to display the menu screen. To cancel, press the button. For details about each menu item, see page 378.
d Using the Touch Screen The LCD monitor is a touch-sensitive panel that you can operate with your fingers. Tap Quick Control (Sample display) Use your finger to tap on (touch briefly and then remove your finger from) the LCD monitor. By tapping, you can select menus, icons, etc., displayed on the LCD monitor. When touch-screen operation is possible, a frame will appear around the icon (except on menu screens). For example, when you tap on [Q], the Quick Control screen appears.
d Using the Touch Screen Drag Menu screen (Sample display) Slide your finger while touching the LCD monitor.
d Using the Touch Screen 3 Touch Control Settings 1 Select [Touch control]. Under the [53] tab, select [Touch control], then press <0>. the touch control setting. 2 Set Select the preferred setting, then press <0>. [Standard] is the normal setting. [Sensitive] provides a more reactive touch response than [Standard]. Try using both settings and select the one you prefer. To disable touch-screen operations, select [Disable].
3 Formatting the Card If the card is new or was previously formatted by another camera or computer, format the card with this camera. When the card is formatted, all images and data on the card will be erased. Even protected images will be erased, so make sure there is nothing you need to keep. If necessary, transfer the images and data to a computer, etc., before formatting the card. 1 Select [Format card]. Under the [51] tab, select [Format card], then press <0>. the card.
3 Formatting the Card Execute [Format card] in the following cases: The card is new. The card was formatted by a different camera or a computer. The card is full with images or data. A card-related error is displayed (p.399). Low-level Formatting Perform low-level formatting if the card’s recording or reading speed seems slow or if you want to totally erase data on the card.
Switching the LCD Monitor Display The LCD monitor can display the shooting settings screen, menu screen, captured images, etc. Shooting Settings When you turn on the power, the shooting settings will be displayed. When your eye is near the viewfinder eyepiece, the display-off sensor (p.27, 285) will turn off the LCD monitor to prevent glare. When your eye leaves the viewfinder eyepiece, the LCD monitor will turn on again.
Switching the LCD Monitor Display Under [52: LCD auto off], you can prevent the LCD monitor from turning off automatically (p.285). Even when the menu screen or captured image is displayed, pressing the shutter button will enable you to shoot immediately. If you look through the viewfinder eyepiece while wearing sunglasses, the LCD monitor may not turn off automatically. If this occurs, press the button to turn off the LCD monitor.
lDisplaying the Grid You can display a grid in the viewfinder to help you check the camera tilt or compose the shot. 1 Select [Viewfinder display]. Under the [52] tab, select [Viewfinder display], then press <0>. [Grid display]. 2 Select Select [Grid display], then press <0>. [Show]. 3 Select Select [Show], then press <0>. When you exit the menu, the grid will appear in the viewfinder. You can display a grid on the LCD monitor during Live View shooting and before you start shooting a movie (p.
Q Displaying the Electronic Level You can display the electronic level on the LCD monitor and in the viewfinder to help you correct the camera tilt. Note that you can check only the horizontal tilt and not the forward/backward tilt. Displaying the Electronic Level on the LCD Monitor 1 Press the button. Each time you press the button, the screen display will change. Display the electronic level.
Q Displaying the Electronic Level 3 Displaying the Electronic Level in the Viewfinder A simple electronic level using a camera icon can be displayed in the viewfinder. Since this can be displayed while you shoot, you can correct any tilt during handheld shooting. 1 Select [Viewfinder display]. Under the [52] tab, select [Viewfinder display], then press <0>. [Electronic level]. 2 Select Select [Electronic level], then press <0>. [Show]. 3 Select Select [Show], then press <0>.
Displaying the Flicker DetectionK If you set this function, will appear in the viewfinder when the camera detects flicker caused by the blinking of the light source. By default, flicker detection is set to [Show]. 1 Select [Viewfinder display]. Under the [52] tab, select [Viewfinder display], then press <0>. [Flicker detection]. 2 Select Select [Flicker detection], then press <0>. [Show]. 3 Select Select [Show], then press <0>. If you set [z3: Anti-flicker shoot.
Feature Guide The Feature guide appears when you change the shooting mode or set a shooting function, Live View shooting, movie shooting, or Quick Control for playback, and displays a brief description of that mode, function or option. It also displays a description when you select a function or option on the Quick Control screen. The Feature guide turns off when you tap on the description or proceed with the operation.
2 Basic Shooting and Image Playback This chapter explains how to use the Basic Zone modes on the Mode Dial for best results and how to play back images. With Basic Zone modes, all you do is point and shoot while the camera sets everything automatically (p.99, 370). Also, to prevent botched pictures due to mistaken operations, advanced shooting function settings cannot be changed.
A Fully Automatic Shooting (Scene Intelligent Auto) is a fully automatic mode. The camera analyzes the scene and sets the optimum settings automatically. It also adjusts focus automatically by detecting whether the subject is still or moving (p.79). 1 Area AF frame Set the Mode Dial to . Turn the Mode Dial while holding down the lock release button at the center. the Area AF frame over the 2 Aim subject. All the AF points will be used to focus, and the camera will focus on the closest object.
A Fully Automatic Shooting (Scene Intelligent Auto) the picture. 4 Take Press the shutter button completely to take the picture. The captured image will be displayed for 2 sec. on the LCD monitor. After you finish shooting, push down the built-in flash with your fingers. The mode makes the colors look more impressive in nature, outdoor, and sunset scenes.
A Fully Automatic Shooting (Scene Intelligent Auto) The beeper continues to beep softly. (The focus indicator does not light up.) It indicates that the camera is focusing continuously on a moving subject. (The focus indicator does not light up.) You can take sharp pictures of a moving subject. Note that the focus lock (p.79) will not work in this case. Pressing the shutter button halfway does not focus on the subject.
A Full Auto Techniques (Scene Intelligent Auto) Recomposing the Shot Depending on the scene, position the subject toward the left or right to create a balanced background and good perspective. In the mode, pressing the shutter button halfway to focus on a still subject will lock the focus on that subject. Recompose the shot while keeping the shutter button pressed halfway, and then press the shutter button completely to take the picture. This is called “focus lock”.
A Full Auto Techniques (Scene Intelligent Auto) A Live View Shooting You can shoot while viewing the image on the LCD monitor. This is called “Live View shooting”. For details, see page 201. 1 Display the Live View image on the LCD monitor. Press the button. The Live View image will appear on the LCD monitor. on the subject. 2 Focus Press the shutter button halfway to focus. When focus is achieved, the AF point will turn green and the beeper will sound. the picture.
7 Disabling Flash The camera analyzes the scene and sets the optimum settings automatically. In places where flash photography is prohibited such as in a museum or an aquarium, use the <7> (Flash Off) mode. Shooting Tips Prevent camera shake if the numeric display in the viewfinder blinks. Under low light when camera shake is prone to occur, the viewfinder’s shutter speed display will blink. Hold the camera steady or use a tripod.
C Creative Auto Shooting In the mode, you can set the following functions for shooting: (1) Extra Effect Shot, (2) Ambience-based shots, (3) Background blur, (4) Drive mode, and (5) Flash firing. The default settings are the same as the mode. * CA stands for Creative Auto. 1 Set the Mode Dial to . the button (7). 2 Press The Quick Control screen will appear. the desired function. 3 Set Press the or keys to select a function.
C Creative Auto Shooting (1) Shutter speed Aperture ISO speed (2) (3) (5) (4) If you set (1), (2) or (3) when the camera is set for Live View shooting, you can see the effect on the screen before you start shooting. (1) Extra Effect Shot • You can select any of the following effects for shooting: Creative filters (p.210), Picture Styles (p.135), and Ambience-based shots (p.100). • Turn the <5> dial to select [ : Enable]. Turn the <6> dial to select a shooting effect and shoot.
C Creative Auto Shooting (2) Ambience-based shots • You can select and shoot with the ambience you want to convey in your images. • Turn the <5> dial to select the ambience. For details, see page 100. (3) Background blur • If [OFF] is set, the degree of background blur will change depending on the brightness. • If it is set to any setting other than [OFF], you can adjust the background blur regardless of the brightness.
C Creative Auto Shooting (4) Drive mode: Use the <6> or <5> dial to make the selection. Single shooting: Shoot one image at a time. Continuous shooting: While you hold down the shutter button completely, shots will be taken continuously. You can shoot up to approx. 5.0 shots per second. Silent single shooting*: Single shooting with less shooting sound than . Silent continuous shooting*: Continuous shooting (max. approx. 3.0 shots per second) with less shooting sound than .
2 Shooting Portraits The <2> (Portrait) mode blurs the background to make the human subject stand out. It also makes skin tones and hair look softer. Shooting Tips Select the location where the distance between the subject and the background is the farthest. The further the distance between the subject and background, the more blurred the background will look. The subject will also stand out better against an uncluttered dark background. Use a telephoto lens.
3 Shooting Landscapes Use the <3> (Landscape) mode for wide scenery or to have everything in focus from near to far. For vivid blues and greens, and very sharp and crisp images. Shooting Tips With a zoom lens, use the wide-angle end. When using the wide-angle end of a zoom lens, objects near and far will be in focus better than at the telephoto end. It also adds breadth to landscapes. Shooting night scenes. The <3> mode is also good for night scenes because it disables the built-in flash.
4 Shooting Close-ups When you want to shoot flowers or small things up close, use the <4> (Close-up) mode. To make small things appear much larger, use a macro lens (sold separately). Shooting Tips Use a simple background. A simple background makes small objects such as flowers stand out better. Move in as close as possible to the subject. Check the lens for its minimum focusing distance. Some lenses have indications such as on them.
5 Shooting Moving Subjects Use the <5> (Sports) mode to shoot a moving subject, such as a running person or a moving vehicle. Shooting Tips Use a telephoto lens. The use of a telephoto lens is recommended for shooting from a distance. Track the subject with the Area AF frame. Aim the center AF point over the subject, then press the shutter button halfway to start autofocusing in Area AF frame. During autofocusing, the beeper will continue beeping softly.
8: Special Scene Mode The camera will automatically choose the appropriate settings when you select a shooting mode for your subject or scene. 1 Set the Mode Dial to <8>. the button (7). 2 Press The Quick Control screen will appear. a shooting mode. 3 Select Press the or keys to select the desired shooting mode’s icon. Turn the <6> or <5> dial to select a shooting mode.
C Shooting Children When you want to continuously focus and shoot children running around, use (Kids). Skin tones will look healthy. Shooting Tips Track the subject with the Area AF frame. Aim the center AF point over the subject, then press the shutter button halfway to start autofocusing in Area AF frame. During autofocusing, the beeper will continue beeping softly. If focus cannot be achieved, the focus indicator will blink. Shoot continuously.
P Shooting Food When shooting food, use
(Food). The photo will look bright and vivid. Shooting Tips Change the color tone. You can change [Color tone]. Food photos with a reddish tinge usually make the food look more vivid. To increase the food’s reddish tinge, set it toward [Warm tone]. Set it toward [Cool tone] if it looks too red. Shoot the subject in close-up. If you have a zoom lens, use the telephoto end to shoot the food in close-up. Avoid using flash.
x Shooting Candlelight Portraits When shooting a human subject in candlelight, use (Candlelight). The candlelight color tones will be retained in the photo. Shooting Tips Use the center AF point to focus. Aim the center AF point in the viewfinder over the subject, then shoot. Prevent camera shake if the shutter speed in the viewfinder blinks. Under low light when camera shake is prone to occur, the viewfinder’s shutter speed display will blink. Hold the camera steady or use a tripod.
6 Shooting Night Portraits (With a Tripod) To shoot people at night and obtain a natural-looking night scene in the background, use the <6> (Night Portrait) mode. Using a tripod is recommended. Shooting Tips Use a wide-angle lens and a tripod. When using a zoom lens, use the wide-angle end to obtain a wide night view. Also, use a tripod to prevent camera shake. Check the subject’s brightness. Under low light, the built-in flash will fire automatically to obtain a good exposure of the subject.
F Shooting Night Scenes (Handheld) Using a tripod when shooting a night scene gives the best results. However, the (Handheld Night Scene) mode enables you to shoot night scenes even while handholding the camera. Four shots are taken continuously for each picture, and the resulting one image with reduced camera shake is recorded. Shooting Tips Hold the camera firmly. While shooting, hold the camera firmly and steadily. In this mode, four shots are aligned and merged into a single image.
G Shooting Backlit Scenes When shooting a scene having both bright and dark areas, use the (HDR Backlight Control) mode. When you take one picture in this mode, three continuous shots are taken at different exposures. This results in one image, with a wide tonal range, that has minimized the clipped shadows caused by backlighting. Shooting Tips Hold the camera firmly. While shooting, hold the camera firmly and steadily. In this mode, three shots are aligned and merged into a single image.
Cautions for both <6> (Night Portrait) and (Handheld Night Scene) During Live View shooting, it may be difficult to focus on dots of light such as in a night scene. In such a case, set the lens’s focus mode switch to and focus manually. The Live View image displayed will not look exactly the same as the actual image shot. Cautions for (Handheld Night Scene) When shooting flash photography, if the subject is too close to the camera, the picture may come out extremely bright (overexposure).
Q Quick Control Cautions for (HDR Backlight Control) Note that the image may not be rendered with a smooth gradation and may look irregular or have significant noise. HDR Backlight Control may not be effective for excessively backlit scenes or extremely high-contrast scenes. When shooting subjects that are sufficiently bright, for example for normally lit scenes, the image may look unnatural because of the applied HDR effect.
Q Quick Control Settable Functions in Basic Zone Modes o: Default setting k: User selectable Function Drive mode (p.122) Flash firing A u: Single shooting o i: Continuous shooting k B: Silent single shooting k M: Silent continuous shooting k Q (10 sec.) k l (2 sec.) k q (Continuous) k a: Automatic firing o D: Flash on (Fires at all times) k b: Flash off k 7 o k k k k k k o Ambience-based shots (p.100) C o k k k k k k o k k k Light/scene-based shots (p.
Shoot by Ambience Selection Except in the , <7>, and Basic Zone modes, you can select the ambience for shooting.
Shoot by Ambience Selection Press the keys to select the desired ambience. The LCD monitor will display how the image will look with the selected ambience. the ambience effect. 4 Set Press the keys to select the effect so that [Effect] appears at the bottom. Press the keys to select the desired effect. the picture. 5 Take Press the shutter button completely to take the picture. To return to viewfinder shooting, press the button to exit Live View shooting.
Shoot by Ambience Selection Ambience Settings mStandard setting Standard image characteristics for the respective shooting mode. Note that <2> has image characteristics geared for portraits and <3> is geared for landscapes. Each ambience is a modification of the respective shooting mode’s image characteristics. n Vivid The subject will look sharp and vivid. It makes the photo look more impressive than with [m Standard setting]. o Soft The subject will look softer and more dainty.
Shoot by Ambience Selection v Brighter The picture will look brighter. x Darker The picture will look darker. y Monochrome The picture will be monochrome. You can select the monochrome color to be blue, black and white, or sepia. When [Monochrome] is selected, <0> will appear in the viewfinder.
Shoot by Lighting or Scene Type In the <2>, <3>, <4>, <5>, and Basic Zone modes, you can shoot with the settings matching the lighting or scene type. Normally, [e Default setting] is adequate, but if the settings match the lighting condition or scene, the picture will look more accurate to your eyes. For Live View shooting, if you set both [Light/scene-based shots] and [Ambience-based shots] (p.100), you should first set [Light/scenebased shots].
Shoot by Lighting or Scene Type the Quick Control screen, 3 On select the lighting or scene type. Press the button (7). Press the keys to select [e Default setting]. [Light/scenebased shots] will appear on the screen. Press the keys to select the lighting or scene type. The resulting image with the selected lighting or scene type will be displayed. the picture. 4 Take Press the shutter button completely to take the picture.
Shoot by Lighting or Scene Type Lighting or Scene Type Settings e Default setting Default setting suited for most subjects. f Daylight For subjects under sunlight. Gives more natural-looking blue skies and greenery and reproduces light-colored flowers better. g Shade For subjects in the shade. Suitable for skin tones, which may look too bluish, and for light-colored flowers. h Cloudy For subjects under overcast skies.
x Image Playback The easiest way to play back images is explained below. For more details on the playback procedure, see page 291. 1 Play back the image. Press the button. The last image captured or played back will appear. an image. 2 Select To play back images starting with the last image captured, turn the <5> dial counterclockwise. To play back images starting with the first captured image, turn the <5> dial clockwise.
x Image Playback the image playback. 3 Exit Press the button to exit the image playback and return to shooting-ready state. Shooting Information Display With the shooting information screen displayed (p.107), you can press the keys to change the shooting information displayed at the screen’s bottom as follows. For details, see pages 321-322.
3 Setting the AF and Drive Modes The 19 AF points in the viewfinder make AF shooting suitable for a wide variety of subjects and scenes. You can also select the AF operation and drive mode that best match the shooting conditions and subject. The J icon at the upper right of the page title indicates that the function is available only in Creative Zone modes (p.31). In Basic Zone modes, the AF operation and AF point (AF area selection mode) are set automatically. stands for autofocus.
f: Changing the Autofocus OperationK You can select the AF (autofocus) operation characteristics suiting the shooting conditions or subject. In Basic Zone modes, the optimum AF operation is set automatically for the respective shooting mode. 1 Set the lens’s focus mode switch to . the button. 2 Press [AF operation] will appear. the AF operation. 3 Select Press the keys to select the desired AF operation, then press <0>. on the subject.
f: Changing the Autofocus OperationK One-Shot AF for Still Subjects Suited for still subjects. When you press the shutter button halfway, the camera will focus only once. When focus is achieved, the AF point that achieved focus will be displayed, and the focus indicator in the viewfinder will also light up. With evaluative metering, the AF point exposure setting will be set at the Focus indicator same time focus is achieved.
f: Changing the Autofocus OperationK AI Servo AF for Moving Subjects This AF operation is suited for moving subjects when the focusing distance keeps changing. While you hold down the shutter button halfway, the subject will be focused on continuously. The exposure is set at the moment the picture is taken. When the AF area selection mode is set to 19-point automatic selection AF (p.114), the camera first uses the manually-selected AF point to focus.
f: Changing the Autofocus OperationK AF Points Lighting Up in Red By default, the AF points light up in red when focus is achieved in lowlight conditions. In Creative Zone modes, you can set whether to have the AF points light up in red when focus is achieved (p.356). AF-Assist Beam with the Built-in Flash Under low-light conditions, when you press the shutter button halfway, the built-in flash may fire a brief burst of flashes. This illuminates the subject to help autofocusing.
S Selecting the AF Area and AF PointK 19 AF points are provided for autofocusing. You can select the AF area selection mode and AF point(s) suiting the scene or subject. AF Area Selection Mode You can select one of three AF area selection modes. See the next page for the selection procedure. h: Single-point AF (Manual selection) Select one AF point to focus. q: Zone AF (Manual selection of zone) The 19 AF points are divided into five zones for focusing.
S Selecting the AF Area and AF PointK Selecting the AF Area Selection Mode 1 Press the or button (9). Look through the viewfinder and press the or button. the button. 2 Press Each time you press the AF area selection mode button, the AF area selection mode changes. The AF area selection mode currently set is indicated on the top of the viewfinder.
S Selecting the AF Area and AF PointK Selecting the AF Point Manually You can manually select the AF point or zone. If 19-point automatic selection AF + AI Servo AF has been set, you can select any position where AI Servo AF is to start. 1 Press the or button (9). The AF points will be displayed in the viewfinder. In the Zone AF mode, the selected zone will be displayed. <6> <5> an AF point.
AF Area Selection ModesK h Single-point AF (Manual Selection) Select one AF point to be used for focusing. q Zone AF (Manual Selection of Zone) The 19 AF points are divided into five zones for focusing. All the AF points in the selected zone are used for the automatic selection of the focusing point(s). It is effective for moving subjects. However, since it is inclined to focus the nearest subject, focusing a specific target is harder than with single-point AF.
AF Area Selection ModesK r 19-point Automatic Selection AF All the AF points are used to focus. This mode is set automatically in Basic Zone modes (except ). With One-Shot AF, pressing the shutter button halfway will display the AF point(s) that achieved focus. If multiple AF points are displayed, it means they all have achieved focus. With AI Servo AF, the manually-selected (p.116) AF point is used first to achieve focus. The AF point(s) achieving focus is displayed as .
AF Area Selection ModesK AF Operation and Maximum Lens Apertures Maximum Lens Aperture: f/3.2 - f/5.6 With all AF points, cross-type AF sensitive to both vertical and horizontal lines is possible. However, with the lenses below, the peripheral AF points will detect only vertical or horizontal lines (no cross-type focusing).
Subjects Difficult to Focus on Autofocus can fail to achieve focus (viewfinder’s focus indicator blinks) with certain subjects such as the following: Very low-contrast subjects (Example: Blue sky, solid-color walls, etc.) Subjects in very low light Strongly backlit or reflective subjects (Example: Car with a highly reflective body, etc.) Near and distant subjects framed close to an AF point (Example: Animal in a cage, etc.
Subjects Difficult to Focus on MF: Manual Focus the lens focus mode switch to 1 Set . on the subject. 2 Focus Focus by turning the lens focusing Focusing ring ring until the subject looks sharp in the viewfinder. If you press the shutter button halfway during manual focusing, the AF point that achieved focus and the focus indicator will light up in the viewfinder.
i Selecting the Drive Mode Single and continuous drive modes are provided. 1 Press the button. [Drive mode] will appear. the drive mode. 2 Select Press the keys to select the desired drive mode, then press <0>. u : Single shooting When you press the shutter button completely, only one shot will be taken. i : Continuous shooting (Max. approx. 5.0 shots/sec.) While you hold down the shutter button completely, shots will be taken continuously.
i Selecting the Drive Mode If or is set, the time lag from when you press the shutter button completely until the picture is shot will be longer than with normal single or continuous shooting. With Live View shooting, and cannot be set. When the battery level is low, the continuous shooting speed may become slightly slower. In AI Servo AF operation, the continuous shooting speed may become slightly slower depending on the subject and the lens used.
j Using the Self-timer the button. 1 Press [Drive mode] will appear. the self-timer. 2 Select Press the keys to select the self-timer, then press <0>. Q: 10-sec. self-timer The remote controller can also be used (p.366). l: 2-sec. self-timer (p.85) q: 10-sec. self-timer plus continuous shots Press the keys to set the number of multiple shots (2 to 10) to be taken with the self-timer. the picture.
4 Image Settings This chapter explains image-related function settings: Image-recording quality, ISO speed, Picture Style, white balance, Auto Lighting Optimizer, noise reduction, lens aberration correction, anti-flicker shooting, and other functions. In Basic Zone modes, only the following can be set as described in this chapter: Image-recording quality and lens aberration correction.
3 Setting the Image-Recording Quality You can select the pixel count and the image quality. Ten imagerecording quality settings are provided: 73, 83, 74, 84, 7a, 8a, b, c, 1+73, 1. 1 Select the image-recording quality. Under the [z1] tab, select [Image quality], then press <0>. [Image quality] will appear. Pixels recorded (pixel count) Possible shots the image-recording quality.
3 Setting the Image-Recording Quality Guide to Image-recording Quality Settings Image Quality 73 83 High quality 24 (24M) 74 Medium 84 quality 7a 8a b 10.6 (11M) JPEG 5.9 (5.9M) Low quality c 1+73 1 Pixels Recorded (megapixels) High quality File Size (MB) (Approx.) Possible Shots Maximum Burst 7.6 940 180 (940) 3.9 1810 1810 (1810) 4.0 1770 1770 (1770) 2.0 3500 3500 (3500) 2.5 2830 2830 (2830) 1.3 5320 5320 (5320) 2.5 (2.5M) 1.3 5320 5320 (5320) 0.35 (0.3M) 0.
3 Setting the Image-Recording Quality FAQ I want to select the image-recording quality matching the paper size for printing. Refer to the diagram on the left when Paper size choosing the image-recording quality. If A2(59.4x42cm/23.4x16.5in.) you want to crop the image, selecting a 73 higher quality (more pixels) such as 73, A3(42x29.7cm/ 83 1+73 83, 1+73, or 1 is recommended. 16.5x11.7in.) 74 1 b is suitable for playing back the image 84 7a with a digital photo frame.
3 Setting the Image-Recording Quality 1 1 is the raw image data before it is made into 73 or other images. 1 images cannot be viewed on a computer without the use of EOS software, such as Digital Photo Professional (p.420). However, you can perform various adjustments on them that are impossible with other image types such as 73. 1 is effective when you want to precisely adjust the image yourself or shoot an important subject. 1+73 1+73 records a 1 image and a 73 image with a single shot.
3Changing the Image’s Aspect RatioK You can change the image’s aspect ratio. [3:2] is set by default. When [4:3], [16:9], or [1:1] is set, lines will appear to indicate the shooting range. During Live View shooting, the image appears with the surrounding area masked in black. 1 Select the aspect ratio. Under the [z3] tab, select [Aspect ratio], then press <0>. [Aspect ratio] will appear. the aspect ratio. 2 Set Select an aspect ratio, then press <0>.
3Changing the Image’s Aspect RatioK The table below shows the aspect ratio and the number of recorded pixels for each image-recording quality. Image Quality 3 1 Aspect Ratio and Pixel Count (approx.) 3:2 4:3 16:9 1:1 6000x4000 5328x4000* 6000x3368* 4000x4000 (24.0 megapixels) (21.3 megapixels) (20.2 megapixels) (16.0 megapixels) 4 3984x2656 3552x2664 (10.6 megapixels) (9.5 megapixels) 3984x2240* (8.9 megapixels) 2656x2656 (7.1 megapixels) a 2976x1984 (5.9 megapixels) 2656x1992 (5.
g: Changing the ISO Speed to Suit the LightK Set the ISO speed (image sensor’s sensitivity to light) to suit the ambient light level. In Basic Zone modes, the ISO speed is set automatically (p.134). 1 Press the button (9). the ISO speed. 2 Set While looking at the LCD panel or in the viewfinder, turn the <6> or <5> dial. “A” indicates ISO Auto. The ISO speed will be set automatically (p.134).
g: Changing the ISO Speed to Suit the LightK When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable. If you use a high ISO speed and flash to shoot a close subject, overexposure may result. When shooting in conditions that produce an extreme amount of noise, such as a combination of high ISO speed, high temperature and long exposure, images may not be recorded properly.
g: Changing the ISO Speed to Suit the LightK ISO [AUTO] If the ISO speed is set to “A” (Auto), the actual ISO speed setting will be displayed when you press the shutter button halfway. As indicated below, the ISO speed will be set automatically to suit the shooting mode.
A Selecting a Picture StyleK By selecting a Picture Style, you can obtain image characteristics matching your photographic expression or the subject. In Basic Zone modes, [D] (Auto) is set automatically. 1 Press the button. The Picture Style selection screen will appear. a Picture Style. 2 Select Select a Picture Style, then press <0>. The Picture Style will be set. You can also set the Picture Style with [z2: Picture Style].
A Selecting a Picture StyleK Q Portrait For nice skin tones. The image looks softer. Suited for close-up portraits. By changing the [Color tone] (p.138), you can adjust the skin tone. R Landscape For vivid blues and greens, and very sharp and crisp images. Effective for impressive landscapes. S Neutral This Picture Style is for users who prefer to process images with their computer. For natural colors and subdued images with modest brightness and color saturation.
A Customizing a Picture StyleK You can customize a Picture Style by adjusting individual parameters such as [Sharpness] and [Contrast]. To see the resulting effects, take test shots. To customize [Monochrome], see page 139. 1 Press the button. The Picture Style selection screen will appear. a Picture Style. 2 Select Select a Picture Style, then press the button. a parameter. 3 Select Select a parameter such as [Sharpness], then press <0>. the parameter.
A Customizing a Picture StyleK Parameter Settings and Effects g Sharpness Adjusts the sharpness of the image. To make it less sharp, set it toward the E end. The closer it is to E, the softer the image will look. To make it sharper, set it toward the F end. The closer it is to F, the sharper the image will look. h Contrast Adjusts the image contrast and the vividness of colors. To decrease the contrast, set it toward the minus end. The closer it is to G, the more muted the image will look.
A Customizing a Picture StyleK V Monochrome Adjustment For Monochrome, you can also set [Filter effect] and [Toning effect] in addition to [Sharpness] and [Contrast] explained on the preceding page. kFilter Effect With a filter effect applied to a monochrome image, you can make white clouds or green trees stand out more. Filter Sample Effects N: None Normal black-and-white image with no filter effects. Ye: Yellow The blue sky will look more natural, and the white clouds will look crisper.
A Registering a Picture StyleK You can select a base Picture Style such as [Portrait] or [Landscape], adjust its parameters as desired and register it under [User Def. 1], [User Def. 2], or [User Def. 3]. You can create multiple Picture Styles with different settings for parameters such as sharpness and contrast. You can also adjust the parameters of a Picture Style that is registered to the camera with EOS Utility (EOS software, p.420). 1 Press the button.
A Registering a Picture StyleK a parameter. 5 Select Select a parameter such as [Sharpness], then press <0>. the parameter. 6 Set Press the keys to adjust the parameter as desired, then press <0>. For details, see “Customizing a Picture Style” on pages 137-139. Press the button to register the modified Picture Style. The Picture Style selection screen will then reappear. The base Picture Style will be indicated on the right of [User Def. *].
B: Matching the Light SourceK The function adjusting the color tone so that white objects look white in the picture is called white balance (WB). Normally, the [Q] (Auto) setting will obtain the correct white balance. If natural-looking colors cannot be obtained with [Q], you can select the white balance to match the light source or set it manually by shooting a white object. 1 Press the button. [White balance] will appear. a white balance setting.
B: Matching the Light SourceK [Custom White Balance]. 2 Select Under the [z2] tab, select [Custom White Balance], then press <0>. The custom white balance selection screen will appear. the white balance data. 3 Import Select the image that was captured in step 1, then press <0>. On the dialog screen that appears, select [OK] and the data will be imported. When the menu reappears, press the button to exit the menu. [O (Custom)]. 4 Select Press the button.
u Adjusting the Color Tone for the Light SourceK You can correct the white balance that is set. This adjustment will have the same effect as using a commercially-available color temperature conversion filter or color compensating filter. Each color can be corrected to one of nine levels. This function is for advanced users who are familiar with using color temperature conversion or color compensating filters. White Balance Correction 1 Select [WB Shift/Bkt.]. Under the [z2] tab, select [WB Shift/Bkt.
u Adjusting the Color Tone for the Light SourceK White Balance Auto Bracketing With just one shot, three images with different color tones can be recorded simultaneously. Based on the color temperature of the current white balance setting, the image will be bracketed with a blue/amber bias or magenta/green bias. This is called white balance bracketing (WB Bkt.). White balance bracketing is possible up to ±3 levels in single-level increments. Set the white balance bracketing amount.
3 Auto Correction of Brightness and ContrastK If the image comes out dark or the contrast is low, the brightness and contrast can be corrected automatically. This function is called Auto Lighting Optimizer. The default setting is [Standard]. With JPEG images, the correction is applied when the image is captured. In Basic Zone modes, [Standard] is set automatically. 1 Select [Auto Lighting Optimizer]. Under the [z2] tab, select [Auto Lighting Optimizer], then press <0>. the setting.
3 Setting Noise ReductionK High ISO Speed Noise Reduction This function reduces the noise generated in the image. Although noise reduction is applied at all ISO speeds, it is particularly effective at high ISO speeds. At low ISO speeds, the noise in the darker parts of the image (shadow areas) is further reduced. Change the setting to suit the noise level. 1 Select [High ISO speed NR]. Under the [z3] tab, select [High ISO speed NR], then press <0>. the level.
3 Setting Noise ReductionK When [Multi Shot Noise Reduction] is Set If there is significant misalignment in the image due to camera shake, the noise reduction effect may be minimal. If you are handholding the camera, keep it steady to prevent camera shake. Using a tripod is recommended. If you shoot a moving subject, the moving subject may leave afterimages. The image alignment may not function properly with repetitive patterns (lattice, stripes, etc.) or flat, single-tone images.
3 Setting Noise ReductionK the desired setting. 2 Set Select the desired setting, then press <0>. [Auto] For exposures of 1 sec. or longer, noise reduction is performed automatically if noise typical of long exposures is detected. This [Auto] setting is effective in most cases. [Enable] Noise reduction is performed for all exposures of 1 sec. or longer. The [Enable] setting may reduce noise that cannot be detected with the [Auto] setting. the picture.
3 Correction of Lens Peripheral Illumination and Aberrations Peripheral light fall-off is a phenomenon that makes the image corners look darker due to the lens characteristics. Color fringing along subject outlines is called chromatic aberration. And image distortion due to lens characteristics is called distortion. These lens aberrations and light falloff can be corrected.
3 Correction of Lens Peripheral Illumination and Aberrations Chromatic Aberration Correction 1 Select the setting. Check that [Correction data available] is displayed for the attached lens. Select [Chromatic aberration], then press <0>. Select [Enable], then press <0>. the picture. 2 Take The image will be recorded with the chromatic aberration corrected. Distortion Correction 1 Select the setting. Check that [Correction data available] is displayed for the attached lens.
3 Correction of Lens Peripheral Illumination and Aberrations When distortion correction is enabled, the camera records an image range narrower than the one seen through the viewfinder. (Image periphery will be slightly cropped and resolution slightly lowered.) Distortion correction will be reflected in the captured image, but not in the viewfinder or Live View image during shooting. If you set [Distortion] to [Enable], the continuous shooting speed will decrease.
3 Correction of Lens Peripheral Illumination and Aberrations Cautions for Lens Correction Peripheral illumination correction, chromatic aberration correction, and distortion correction cannot be applied to JPEG images already taken. When using a non-Canon lens, setting the corrections to [Disable] is recommended, even if [Correction data available] is displayed.
3 Reducing FlickerK If you shoot an image with a fast shutter speed under a light source such as fluorescent light, the blinking of the light source causes flicker and the image may be vertically unevenly exposed. If continuous shooting is used under these conditions, uneven exposures or colors across the images may result. With anti-flicker shooting, the camera detects the frequency of the light source’s blinking and takes the picture when the flicker causes less effect on exposure or color.
3 Reducing FlickerK Under [54: Custom Functions (C.Fn)], if you set [9: Mirror lockup] to [1: Enable], the [Anti-flicker shoot.] setting will automatically switch to [Disable]. If the subject is against a dark background or if there is a bright light in the image, flicker may not be detected. Under certain special types of lighting, the camera may not be able to reduce the effects of the flicker even when is displayed. Depending on the light source, flicker may not be detected properly.
3 Setting the Color Reproduction RangeK The range of reproducible colors is called the color space. With this camera, you can set the color space for captured images to sRGB or Adobe RGB. For normal shooting, sRGB is recommended. In Basic Zone modes, sRGB is set automatically. 1 Select [Color space]. Under the [z2] tab, select [Color space], then press <0>. the desired color space. 2 Set Select [sRGB] or [Adobe RGB], then press <0>.
5 Advanced Operations Cre ati v e ne Zo In Creative Zone modes, you can change various settings of the camera as you desire to obtain a wide variety of shooting results, by selecting the shutter speed and/or aperture, adjusting the exposure as you prefer, etc. The J icon at the upper right of the page title indicates that the function is available only in Creative Zone modes.
d: Program AE The camera automatically sets the shutter speed and aperture to suit the subject’s brightness. This is called Program AE. * stands for Program. * AE stands for Auto Exposure. 1 Set the Mode Dial to . on the subject. 2 Focus Look through the viewfinder and aim the AF point over the subject. Then press the shutter button halfway. When focus is achieved, the focus indicator on the viewfinder’s bottom right will light up (when in One-Shot AF mode).
d: Program AE Shooting Tips Change the ISO speed. Use the built-in flash. To match the subject and ambient lighting level, you can change the ISO speed (p.132) or use the built-in flash (p.176). In the mode, the built-in flash will not fire automatically. Therefore, press the (flash) button to raise the built-in flash when indoors or shooting in low light. Change the program using Program shift.
s: Conveying the Subject’s Movement You can either freeze the action or create motion blur with the (Shutter-priority AE) mode on the Mode Dial. * stands for Time value. Blurred motion (Slow shutter speed: 1/30 sec.) 1 Frozen action (Fast shutter speed: 1/2000 sec.) Set the Mode Dial to . the desired shutter speed. 2 Set While looking at the LCD panel or in the viewfinder, turn the <6> dial. See “Shooting Tips” on the next page for advice on setting the shutter speed.
s: Conveying the Subject’s Movement Shooting Tips To freeze the motion of a fast-moving subject Use a fast shutter speed such as 1/4000 sec. to 1/500 sec. To blur a running child or animal and convey an impression of motion Use a medium shutter speed such as 1/250 sec. to 1/30 sec. Follow the moving subject through the viewfinder and press the shutter button to take the picture. If you use a telephoto lens, hold it steady to prevent camera shake.
f: Changing the Depth of Field To blur the background or to make everything near and far look sharp, set the Mode Dial to (Aperture-priority AE) to adjust the depth of field (range of acceptable focus). * stands for Aperture value, which is the size of the diaphragm hole inside the lens. Blurred background (With a low aperture f/number: f/5.6) 1 Sharp foreground and background (With a high aperture f/number: f/32) Set the Mode Dial to . the desired aperture.
f: Changing the Depth of Field Shooting Tips When using an aperture with a high f/number or shooting in low light scenes, note that camera shake can occur. A higher aperture f/number will make the shutter speed slower. Under low light, the shutter speed can be as long as 30 sec. In such cases, increase the ISO speed and hold the camera steady or use a tripod. The depth of field depends not only on the aperture, but also on the lens and on the subject distance.
f: Changing the Depth of Field D Using the Built-in Flash To obtain a correct flash exposure, the flash output will be set automatically to match the set aperture (autoflash exposure). The shutter speed will be set automatically between 1/200 sec. - 30 sec. to suit the scene’s brightness. In low light, the main subject is exposed with the auto flash metering, and the background is exposed with a slow shutter speed set automatically.
a: Manual Exposure You can set both the shutter speed and aperture manually as desired. While referring to the exposure level indicator in the viewfinder, you can set the exposure as desired. This method is called manual exposure. * stands for Manual. 1 Set the Mode Dial to . 2 Set the ISO speed (p.132). the shutter speed and aperture. 3 Set To set the shutter speed, turn the <6> <5> Standard exposure index Exposure level mark <6> dial. To set the aperture, turn the <5> dial.
a: Manual Exposure Under [z2: Auto Lighting Optimizer], if the checkmark for [Disable during man expo] is removed, the Auto Lighting Optimizer can be set even in the mode (p.146). When ISO Auto is set, you can press the button to lock the ISO speed. If you press the button and recompose the shot, you can see the exposure level difference on the exposure level indicator compared to when the button was pressed.
q Changing the Metering ModeK Four methods (metering modes) to measure the subject’s brightness are provided. Normally, evaluative metering is recommended. In Basic Zone modes, metering mode is set automatically. 1 Select [Metering mode]. Under the [z2] tab, select [Metering mode], then press <0>. the metering mode. 2 Set Select the desired metering mode, then press <0>. q Evaluative metering General-purpose metering mode suited even for backlit subjects.
q Changing the Metering ModeK e Center-weighted average metering The brightness is metered at the image center and then averaged for the entire scene. This metering mode is for advanced users. With q (Evaluative metering), the exposure setting will be locked when you press the shutter button halfway and focus is achieved. In the w (Partial metering), r (Spot metering), and e (Center-weighted average metering) modes, the exposure is set at the moment the picture is taken.
Setting Exposure CompensationK Set exposure compensation if the exposure (without flash) does not come out as desired. This feature can be used in Creative Zone modes (except ). You can set the exposure compensation up to ±5 stops in 1/3-stop increments. 1 Increased exposure for a brighter image Check the exposure level indicator. Press the shutter button halfway (0) and check the exposure level indicator. the compensation amount.
3 Auto Exposure BracketingK This feature takes exposure compensation a step further by varying the exposure automatically (up to ±2 stops in 1/3-stop increments) with three shots as shown below. You can then choose the best exposure. This is called AEB (Auto Exposure Bracketing). Standard exposure Darker exposure (Decreased exposure) 1 Brighter exposure (Increased exposure) Select [Expo.comp./AEB]. Under the [z2] tab, select [Expo.comp./AEB], then press <0>. the AEB range.
3 Auto Exposure BracketingK Canceling AEB Follow steps 1 and 2 to turn off the AEB range display (set to 0). The AEB setting will also be canceled automatically if the power switch is set to <2>, flash recycling is completed, etc. Shooting Tips Using AEB with continuous shooting If the drive mode is set to or (p.
A Locking the ExposureK You can lock the exposure when the area of focus is to be different from the exposure metering area or when you want to take multiple shots at the same exposure setting. Press the button to lock the exposure, then recompose and take the picture. This is called AE lock. It is effective for backlit subjects, etc. 1 Focus on the subject. Press the shutter button halfway. The exposure setting will be displayed. the button.
Mirror Lockup to Reduce Camera ShakeK Camera vibrations caused by the mirror’s reflex action is called “mirror shock”. Mirror lockup can reduce the blur caused by camera vibrations. This is useful especially when you are using a super telephoto lens or shooting closeups (macro photography). Mirror lockup is enabled by setting [9: Mirror lockup] to [1: Enable] in [54: Custom Functions (C.Fn)] (p.356). 1 Focus on the subject, then press the shutter button completely. The mirror will swing up.
Mirror Lockup to Reduce Camera ShakeK Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera’s internal components. In very bright light, such as at the beach or a ski slope on a sunny day, take the picture promptly after mirror lockup is stabilized.
6 Flash Photography This chapter explains how to shoot with built-in flash and external Speedlites (EX-series, sold separately), how to set flash settings with the camera’s menu screen, and how to use the built-in flash for wireless flash shooting. Flash cannot be used with movie shooting. It will not fire. AEB cannot be used with flash.
D Using the Built-in Flash In indoor, low light, or backlit conditions in daylight, just raise the built-in flash and press the shutter button to take flash pictures. In the mode, the shutter speed (1/60 sec. - 1/200 sec.) will be set automatically to prevent camera shake. 1 Press the button. In Creative Zone modes, you can press the button anytime to take flash pictures. While the flash is recycling, “buSY” is displayed in the viewfinder and on the LCD panel. the shutter button halfway.
D Using the Built-in Flash Shooting Tips In bright light, decrease the ISO speed. If the exposure setting in the viewfinder blinks, decrease the ISO speed. Detach the lens hood. Do not get too close to the subject. If the lens has a hood attached or you are too close to the subject, the bottom of the picture may look dark due to the obstructed flash. For important shots, check the image on the LCD monitor to make sure the flash exposure looks natural (not dark at the bottom).
D Using the Built-in Flash y Flash Exposure CompensationK Set flash exposure compensation if the flash exposure of the subject does not come out as desired. You can set the exposure compensation up to ±2 stops in 1/3-stop increments. 1 Press the button (7). The Quick Control screen will appear (p.57). [y]. 2 Select Press the or keys to select [y*]. [Flash exposure comp.] will be displayed at the bottom. the exposure compensation 3 Set amount.
D Using the Built-in Flash The exposure compensation amount will remain in effect even after you set the power switch to <2>. You can also set flash exposure compensation with [Built-in flash settings] in [z1: Flash control] (p.186). A Locking the Flash Exposure (FE lock)K If the subject is on the side of the frame and you use flash, the subject may turn out to be too bright or dark depending on the background, etc. Use FE lock in such a case.
D Using the Built-in Flash the picture. 4 Take Compose the shot and press the shutter button completely. The flash is fired, and the picture is taken. If the subject is too far away and beyond the effective range of the flash, the icon will blink. Move closer to the subject and repeat steps 2 to 4. FE lock is not possible during Live View shooting.
D Using an External Speedlite EOS-dedicated, EX-series Speedlites Basically operates like a built-in flash for easy operation. When an EX-series Speedlite (sold separately) is attached to the camera, almost all the autoflash control is done by the camera. In other words, it is like a high-output flash attached externally in place of the built-in flash. For detailed instructions, refer to the EX-series Speedlite’s instruction manual.
D Using an External Speedlite Canon Speedlites Other Than the EX-series With an EZ/E/EG/ML/TL-series Speedlite set in TTL or A-TTL autoflash mode, the flash can be fired at full output only. Set the camera’s shooting mode to (manual exposure) or (aperture-priority AE) and adjust the aperture setting before shooting. When using a Speedlite that has manual flash mode, shoot in the manual flash mode.
3 Setting the FlashK With the built-in flash or an EX-series, external Speedlite compatible with flash function settings, you can use the camera’s menu to set flash functions and the external Speedlite’s Custom Functions. If you use an external Speedlite, attach the Speedlite to the camera and turn on the Speedlite before setting the flash functions. For details on the external Speedlite’s flash functions, refer to the Speedlite’s instruction manual. Select [Flash control].
3 Setting the FlashK [Flash sync. speed in Av mode] You can set the flash-sync speed for flash photography in the aperture-priority AE (f) mode. N: Auto The flash sync speed is set automatically within a range of 1/200 sec. to 30 sec. to suit the scene’s brightness. High-speed sync is also possible. V: 1/200-1/60 sec. auto Prevents a slow shutter speed from being set in low-light conditions. It is effective for preventing subject blur and camera shake.
3 Setting the FlashK Displaying the Flash Function Setting Screen Directly When you use the built-in flash or an external, EX-series Speedlite compatible with flash function settings, you can press the button to directly display the [Built-in flash settings] or [External flash func. setting] screen without first displaying the menu screen. With built-in flash Press the button twice. The built-in flash will be raised. Press the button again to display the [Built-in flash settings] screen.
3 Setting the FlashK [Built-in flash settings] and [External flash func. setting] You can set the functions in the table below. The functions displayed under [External flash func. setting] vary depending on the Speedlite model. Select [Built-in flash settings] or [External flash func. setting]. The flash function setting screen will be displayed. With [Built-in flash settings], only the highlighted functions can be selected and set.
3 Setting the FlashK Flash mode When using an external Speedlite, you can select the flash mode to suit your desired flash shooting. [E-TTL II] is the standard mode of EX-series Speedlites for automatic flash shooting. [Manual flash] is for advanced users who want to set the [Flash output] (1/1 to 1/128) themselves. Regarding other flash modes, refer to the instruction manual of a Speedlite compatible with the functions.
3 Setting the FlashK Setting the External Speedlite Custom Functions The Custom Functions displayed under [External flash C.Fn setting] vary depending on the Speedlite model. 1 Display the Custom Function. With the camera ready to shoot with an external Speedlite, select [External flash C.Fn setting], then press <0>. the Custom Function. 2 Set Press the keys to select the function number, then set the function. The procedure is the same as setting the camera’s Custom Functions (p.350).
Using Wireless FlashK The camera’s built-in flash can work as a master unit for Canon EXseries, external Speedlites having a wireless slave feature. It can wirelessly trigger the Speedlite(s) to fire via optical transmission. Be sure to read the instructions and cautions about wireless flash photography (optical transmission) in the Speedlite’s instruction manual. Slave Unit Settings and Position Regarding your Speedlite (slave unit), refer to its instruction manual and set it as follows.
Using Wireless FlashK *1: If the Speedlite does not have a transmission channel setting function, it operates regardless of the channel set on the camera. *2: In small rooms, the slave unit may work even if its wireless sensor does not face the camera. The camera’s wireless signals can bounce off the walls and be received by the slave unit. When using an EX-series Speedlite with fixed lightemitting unit (flash head) and wireless sensor, take pictures while making sure it can fire.
Using Wireless FlashK Wireless Flash Shooting Configurations The tables below show the possible configurations for wireless flash shooting. Choose the configuration suiting the subject, shooting conditions, the number of external Speedlites you use, etc. External Speedlite A:B Flash Quantity Ratio Built-in Page Flash Setting Wireless Firing Group Functions Single - - p.192 0 Single - Used p.195 0:3 - Multiple - - p.194 0 1 All Set - p.
Easy Wireless Flash ShootingK The basics of easy, fully automatic wireless flash shooting are explained below. Fully Automatic Shooting with One External Speedlite Steps 1 to 4 and 6 apply to all wireless flash shooting. Therefore, these steps are omitted in other wireless flash setups explained on the pages hereafter. 1 Press the button to raise the built-in flash. For wireless flash shooting, be sure to raise the built-in flash. [Flash control].
Easy Wireless Flash ShootingK [Built-in flash settings]. 4 Select Select [Built-in flash settings], then press <0>. [EasyWireless]. 5 Select For [Built-in flash], select [EasyWireless], then press <0>. [Channel]. 6 Set Set the transmission channel (1-4) to the same one as the slave unit. the picture. 7 Take Set the camera and take the picture in the same way as with normal shooting. the wireless flash shooting. 8 Exit For [Built-in flash], select [NormalFiring]. Setting [E-TTL II meter.
Easy Wireless Flash ShootingK Fully Automatic Shooting with Multiple External Speedlites You can have multiple slave units fire as if they were a single Speedlite. This is convenient when you need a large flash output. Basic settings: Flash mode E-TTL II meter. Built-in flash Channel : E-TTL II : Evaluative : EasyWireless : (Same as slave units) All the slave units will fire at the same output and be controlled to obtain a standard exposure.
Custom Wireless Flash ShootingK Fully Automatic Shooting with One External Speedlite and Built-in Flash This is fully automatic wireless flash shooting with one external Speedlite and the built-in flash. You can change the flash ratio between the external Speedlite and built-in flash to adjust how the shadows cast on the subject. On the menu screens, the <0> and <1> icons indicate the external Speedlite, and the <3> and <2> icons indicate the built-in flash. 1 Select [CustWireless].
Custom Wireless Flash ShootingK Fully Automatic Shooting with Multiple External Speedlites Multiple Speedlite slave units can be fired as one flash unit, or separated into slave groups for shooting with flash ratio control. The basic settings are shown below. By changing the [Firing group] setting, you can shoot with various wireless flash setups with multiple Speedlites. Basic settings: Flash mode E-TTL II meter. Wireless func.
Custom Wireless Flash ShootingK [1 (A:B)] Firing multiple slave units in multiple groups A B 1 You can divide the slave units into groups A and B, and change the flash ratio to obtain the desired lighting effect. Refer to the Speedlite’s instruction manual and set one slave unit to firing group A and the other to firing group B. Position the Speedlites as shown in the illustration. Select [Wireless func.]. Follow step 2 on page 195 to select [0], then press <0>. 2 Set [Firing group] to [1 (A:B)].
Custom Wireless Flash ShootingK Fully Automatic Shooting with the Built-in Flash and Multiple External Speedlites The built-in flash can also be added to wireless flash shooting explained on pages 196-197. The basic settings are shown below. By changing the [Firing group] setting, you can shoot with various wireless flash setups of multiple Speedlites complemented with the built-in flash. 1 Basic settings: Flash mode E-TTL II meter. Wireless func.
Custom Wireless Flash ShootingK Flash Exposure Compensation When [Flash mode] is set to [E-TTL II], flash exposure compensation can be set. The flash exposure compensation settings (see below) which can be set vary depending on the [Wireless func.] and [Firing group] settings. [Flash exp. comp.] The set amount of flash exposure compensation will be applied to the built-in flash and all the external Speedlites. [2 exp. comp.] Flash exposure compensation is applied only to the built-in flash. [1 exp.
Custom Wireless Flash ShootingK Setting the Flash Output Manually for Wireless Flash Shooting When [Flash mode] is set to [Manual flash], flash exposure can be set manually. The flash output settings that can be set ([1 flash output], [Group A output], etc.) vary depending on the [Wireless func.] setting (see below). [Wireless func.0] [Firing group: 1All]: The manual flash output setting is applied to all the external Speedlites.
7 Shooting with the LCD Monitor (Live View Shooting) You can shoot while viewing the picture on the camera’s LCD monitor. This is called “Live View shooting”. If you handhold the camera and shoot while viewing the LCD monitor, camera shake can cause blurred images. Using a tripod is recommended. Remote Live View Shooting With EOS Utility (EOS software, p.420) installed on your computer, you can connect the camera to the computer and shoot remotely while viewing the computer screen.
A Shooting with the LCD Monitor 1 Display the Live View image. Press the button. The Live View image will appear on the LCD monitor. In the mode, the scene icon for the scene detected by the camera is displayed on the upper left (p.206). By default, Continuous AF (p.214) will take effect. The Live View image will closely reflect the brightness level of the actual image you capture. on the subject.
A Shooting with the LCD Monitor Enabling Live View Shooting Set [A: Live View shoot.] to [Enable]. Number of Possible Shots with Live View Shooting (Approx. number of shots) Temperature Room Temperature (23°C / 73°F) Low Temperatures (0°C / 32°F) No Flash 200 170 50% Flash Use 180 150 The figures above are based on a fully-charged Battery Pack LP-E17 and CIPA (Camera & Imaging Products Association) testing standards.
A Shooting with the LCD Monitor Information Display Each time you press the button, the information display will change.
A Shooting with the LCD Monitor You can display the electronic level by pressing the button (p.70). Note that if the AF method is set to [u+Tracking] or the camera is connected to a TV set with a HDMI cable, the electronic level cannot be displayed. You can display the histogram by pressing the button. However, the histogram is not displayed while pressing the shutter button completely.
A Shooting with the LCD Monitor Scene Icons In the shooting mode, the camera will detect the scene type and set everything automatically to suit the scene. The detected scene type is indicated on the upper left of the screen. For certain scenes or shooting conditions, the icon displayed may not match the actual scene.
A Shooting with the LCD Monitor *5: Displayed with any of the lenses below: • EF-S18-55mm f/3.5-5.6 IS II • EF-S55-250mm f/4-5.6 IS II • EF300mm f/2.8L IS II USM • EF400mm f/2.8L IS II USM • Image Stabilizer lenses marketed in 2012 or later. *4+*5: If the conditions in both *4 and *5 are met, the shutter speed will slow down.
Shooting Function Settings Function settings particular to Live View shooting are explained here. Q Quick Control If you press the button when the image is displayed on the LCD monitor in a Creative Zone mode, you can set the following: AF method, AF operation, Drive mode, Metering mode, Image-recording quality, White balance, Picture Style, Auto Lighting Optimizer, and Creative filters.
Shooting Function Settings the setting. 3 Exit Press <0> to finalize the setting and return to Live View shooting. You can also select [2] to return to Live View shooting. In Creative Zone modes, you can set the ISO speed by pressing the button. With Live View shooting, you cannot set or for the drive mode. When you set w (Partial metering) or r (Spot metering), a circle indicating the metering area will be displayed on the center of the screen.
U Applying Creative Filters While viewing the Live View image, you can apply a filter effect (Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, or Miniature effect) for shooting. These are called Creative filters. When you take the picture, the camera saves only the image with the Creative filter applied. If you also want to save the image without a Creative filter applied, take the picture without a Creative filter.
U Applying Creative Filters the filter effect. 5 Adjust Press the button (except for Miniature effect). Press the keys to adjust the filter effect, then press <0>. For the Miniature effect, press <0>, then press the keys to move the white frame to where you want the image to look sharp. the picture. 6 Take The image is shot with the filter applied. Even if you set the drive mode to or , the camera will still shoot in single shooting mode.
U Applying Creative Filters Creative Filter Characteristics V Grainy B/W Creates a grainy black-and-white photo. You can change the blackand-white effect by adjusting the contrast. W Soft focus Gives the image a soft look. You can change the degree of softness by adjusting the blur. X Fish-eye effect Gives the effect of a fish-eye lens. The image will have a barrel-type distortion. Depending on the level of this filter effect, the area trimmed along the periphery of the image changes.
U Applying Creative Filters bToy camera effect Darkens the photo’s corners and applies a color tone that makes it look as if it was shot by a toy camera. You can change the color cast by adjusting the color tone. c Miniature effect Creates a diorama effect. You can change where the image looks sharp. In step 5 on page 211, if you press the button (or tap [T] on the lower right of the screen), you can switch between the white frame’s vertical and horizontal orientations.
3 Menu Function Settings The menu options displayed are as follows. The settable functions on this menu screen apply only to Live View shooting. They do not work with viewfinder shooting (settings are disabled). Live View shooting You can set Live View shooting to [Enable] or [Disable]. AF method You can select [u+Tracking], [FlexiZone - Multi], or [FlexiZone Single]. See pages 218-225 for more about the AF method. Continuous AF The default setting is [Enable].
3 Menu Function Settings Metering timerK You can change how long the exposure setting is displayed (AE lock time). In Basic Zone modes, metering timer is fixed at 8 sec. Selecting any of the following operations will stop Live View shooting. To start Live View shooting again, press the button. • [z3: Dust Delete Data], [53: Sensor cleaning], [54: Clear settings], or [54: z firmware ver.
Changing the Autofocus OperationK You can select the AF (autofocus) operation characteristics suiting the shooting conditions or subject. In Basic Zone modes, the optimum AF operation is set for the respective shooting mode. the button. 1 Press The Quick Control screen will appear. [X]. 2 Select Press the keys to select [X] (AF operation) on the screen’s left side. the AF operation. 3 Select Press the keys to select the desired AF operation, then press <0>.
Changing the Autofocus OperationK One-Shot AF for Still Subjects Suited for still subjects. When you press the shutter button halfway, the camera will focus only once. When focus is achieved, the AF point will turn green and the beeper will sound. While you hold down the shutter button halfway, the focus will be locked. You can then recompose the shot if desired. If [z1: Beep] is set to [Disable], the beeper will not sound when focus is achieved.
Using AF to Focus (AF Method) Selecting the AF Method You can select an AF method to suit the shooting conditions and your subject. The following AF methods are provided: [u(face)+Tracking], [FlexiZone - Multi] (p.220), and [FlexiZone - Single] (p.222). If you want to achieve precise focus, set the lens focus mode switch to , magnify the image, and focus manually (p.228). Select the AF method. Under the [A] tab, select [AF method]. Select the desired AF method, then press <0>.
Using AF to Focus (AF Method) If multiple faces are detected, will be displayed. Use the keys to move the frame over the face you want to focus on. You can also tap on the LCD monitor screen to select the face or subject. If the subject is not a face, will be displayed. If no faces can be detected, or if you tap on the LCD monitor but do not select any face or subject, the camera will switch to [FlexiZone - Multi] with automatic selection (p.220). on the subject.
Using AF to Focus (AF Method) If you press <0> or the button, the AF point will appear at the center and you can use the or keys to move the AF point. Since AF is not possible with a face detected near the edge of the picture, the will be grayed out. If you press the shutter button halfway, the subject will be focused on, in FlexiZone - Multi method with automatic selection. FlexiZone - Multi:o You can use up to 49 AF points for wide-area focusing (automatic selection).
Using AF to Focus (AF Method) on the subject. 3 Focus Aim the AF point over the subject and press the shutter button halfway. When focus is achieved, the AF point will turn green and the beeper will sound. If focus is not achieved, the area frame will turn orange. the picture. 4 Take Check the focus and exposure, then press the shutter button completely to take the picture (p.202).
Using AF to Focus (AF Method) FlexiZone - Single: d The camera focuses with a single AF point. This is effective when you want to focus on a particular subject. the Live View image. 1 Display Press the button. AF point The Live View image will appear on the LCD monitor. The AF point < > will appear. During movie shooting, if [Movie Servo AF] is set to [Enable], the AF point will be displayed in a larger size. the AF point.
Using AF to Focus (AF Method) Notes for AF AF Operation Even when focus is achieved, pressing the shutter button halfway will focus again. The image brightness may change during and after the AF operation. Depending on the subject or shooting conditions, etc., focusing may take longer or the continuous shooting speed may become slower. If the light source changes while the Live View image is displayed, the screen may flicker and focusing may be difficult.
Using AF to Focus (AF Method) Shooting Conditions that Make Focusing Difficult Low-contrast subjects such as the blue sky, solid-color flat surfaces or when highlight or shadow details are lost. Subjects in low light. Stripes and other patterns where there is contrast only in the horizontal direction. Subjects with repetitive patterns (Example: Skyscraper windows, computer keyboards, etc.). Fine lines and subject outlines. Under a light source whose brightness, color, or pattern keeps changing.
Using AF to Focus (AF Method) If focus is not achieved with the shooting conditions on the preceding page, set the lens focus mode switch to and focus manually. If you use AF with any of the following lenses, focusing may take longer or correct focus may not be achieved. EF50mm f/1.4 USM, EF50mm f/1.8 II, EF50mm f/2.5 Compact Macro, EF75-300mm f/4-5.6 III, EF75-300mm f/4-5.6 III USM For information on discontinued lenses, refer to the Canon Web site.
x Shooting with the Touch Shutter Just by tapping on the LCD monitor screen, you can focus and take the picture automatically. This works in all shooting modes. 1 Display the Live View image. Press the button. The Live View image will appear on the LCD monitor. the touch shutter. 2 Enable Tap [y] on the screen’s bottom left. Each time you tap on the icon, it will toggle between [y] and [x]. [x] (Touch shutter: Enable) You can tap on the spot to focus and shoot.
x Shooting with the Touch Shutter Even if you set the drive mode to , the camera will still shoot in single shooting mode. Even if [AF operation] is set to [Servo AF], [One-Shot AF] will take effect when touch shutter is used. The touch shutter does not work with the magnified view. If the Fish-eye effect Creative filter is set, the camera will focus using the AF point on the center of the screen regardless of the point you tap on.
MF: Focusing Manually You can magnify the image and focus precisely with manual focus. 1 Set the lens focus mode switch to . Turn the lens focusing ring to focus roughly. the magnifying frame. 2 Display Press the button. The magnifying frame will appear. You can also tap [s] on the screen to magnify the image. the magnifying frame. 3 Move Press the or Magnifying frame keys to move the magnifying frame to the position where you want to focus.
MF: Focusing Manually manually. 5 Focus While looking at the magnified image, turn the lens focusing ring to focus. After achieving focus, press the button to return to the normal view. the picture. 6 Take Check the focus and exposure, then press the shutter button to take the picture (p.202).
General Live View Shooting Cautions Image Quality When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable. Shooting in high temperatures may cause noise and irregular colors in the image. If Live View shooting is used continuously for a prolonged period, the camera’s internal temperature may rise, and image quality may deteriorate. Always exit Live View shooting when you are not shooting.
General Live View Shooting Cautions Live View Image Under low- or bright-light conditions, the Live View image may not reflect the brightness of the captured image. Even if a low ISO speed is set, noise may be noticeable in the displayed Live View image under low light. However, when you shoot, the image recorded will have minimal noise. (The image quality of the Live View image is different from that of the recorded image.
8 Shooting Movies Movie shooting is enabled by setting the power switch to . The movie recording format will be MP4. For cards that can record movies, see page 5. If you handhold the camera and shoot movies, camera shake can cause blurred movies. Using a tripod is recommended. To shoot while handholding the camera, see page 80. Full HD 1080 Full HD 1080 indicates compatibility with HighDefinition featuring 1080 vertical pixels (scanning lines).
k Shooting Movies Connecting the camera to a TV set is recommended to play back the movies shot (p.312-315). Autoexposure Shooting When the shooting mode is set to any mode other than , autoexposure control will take effect to suit the scene’s current brightness. 1 Set the power switch to . The reflex mirror will make a sound, then the image will appear on the LCD monitor. any shooting mode except 2 Set . on the subject. 3 Focus Before shooting a movie, focus with AF or manual focus (p.
k Shooting Movies General Movie Shooting Cautions are on pages 268-269. If necessary, also read the General Live View Shooting Cautions on pages 230-231. In Basic Zone modes, the shooting result will be the same as with . Also, the scene icon for the scene detected by the camera is displayed on the upper left (p.236). In the and shooting modes, movies will be taken with the same settings as in the mode.
k Shooting Movies Scene Icons During movie shooting in a Basic Zone mode, an icon representing the scene detected by the camera will be displayed and the shooting will be adapted to that scene. For certain scenes or shooting conditions, the icon displayed may not match the actual scene.
k Shooting Movies Manual Exposure Shooting In the mode, you can freely set the shutter speed, aperture, and ISO speed for movie shooting. Using manual exposure to shoot movies is for advanced users. 1 Set the power switch to . The reflex mirror will make a sound, then the image will appear on the LCD monitor. 2 Set the Mode Dial to . the ISO speed. 3 Set Press the button and turn the <6> or <5> dial to select the ISO speed. For details on the ISO speed, see the next page.
k Shooting Movies and shoot the movie. 5 Focus The procedure is the same as steps 3 and 4 for “Autoexposure Shooting” (p.234). ISO Speed During Manual Exposure Shooting With [AUTO] (A), the ISO speed will be set automatically within ISO 100 - ISO 6400. You can set the ISO speed manually within ISO 100 - ISO 6400 in whole-stop increments. Under [54: Custom Functions (C.
k Shooting Movies Information Display Each time you press the button, the information display will change.
k Shooting Movies You can display the electronic level by pressing the button (p.70). Note that if the AF method is set to [u+Tracking] or the camera is connected to a TV set with a cable, the electronic level cannot be displayed. The electronic level, grid lines, or histogram cannot be displayed during movie shooting. (The display will disappear when you start shooting a movie.) When movie shooting starts, the movie shooting remaining time will change to the elapsed time.
k Shooting Movies Movie-related settings are under the [Z1] and [Z2] tabs (p.263). A movie file is recorded each time you shoot a movie. If the file size exceeds 4 GB, a new file will be created for every subsequent 4 GB. The movie image’s field of view is approx. 100% (with movie recording size set to [A]). Stereo sound is recorded by the camera’s built-in microphones (p.234). Most external microphones (commercially available) equipped with a 3.5 mm diameter mini plug can be used.
k Shooting Movies Shooting Still Photos While shooting a movie, you can also take a still photo by pressing the shutter button completely. Taking Still Photos during Movie Shooting If you take a still photo during movie shooting, the movie will record a still moment lasting approx. 1 sec. The captured still photo will be recorded to the card, and the movie shooting will resume automatically when the Live View image is displayed.
k Shooting Movies When you press the shutter button halfway to autofocus during movie shooting, the following phenomena may occur. • Focus may become far off momentarily. • The brightness of the recorded movie may change. • The recorded movie may be momentarily still. • The movie may record the lens operation noise. • You cannot shoot still photos when focus is not achieved, such as when the subject is moving.
Shooting Function Settings Function settings particular to movie shooting are explained here. Q Quick Control If you press the button while the image is displayed on the LCD monitor, you can set any of the following: AF method, Drive mode, Movie recording size, Digital zoom, Video snapshots, White balance, Picture Style, Auto Lighting Optimizer, and Miniature effect movie. In Basic Zone modes, only the functions in bold can be set. 1 Press the button (7).
3 Setting the Movie Recording Size With [Z2: Movie rec. size], you can set the movie recording size (image size, frame rate, and compression method) and other functions. Image Size L 1920x1080 Full High-Definition (Full HD) recording quality. The aspect ratio is 16:9. w 1280x720 High-Definition (HD) recording quality. The aspect ratio is 16:9. x 640x480 Standard-definition recording quality. The aspect ratio is 4:3. Frame Rate (fps: frames per second) D 29.97 fps/F 59.
3 Setting the Movie Recording Size Compression Method Standard Compresses multiple frames at a time efficiently for recording. Light (v) The movie is recorded at a low bit rate for playback on various devices, resulting in a smaller file size than with [Standard]. Therefore, you can shoot longer than with [Standard]. If you change the [53: Video system] setting, set the movie recording size again.
3 Setting the Movie Recording Size Total Movie Recording Time and File Size Per Minute Movie Recording Size L DCB Standard [1920x DC Light 1080] w [1280x 720] x [640x 480] FE Standard DC Light DC Standard DC Light HDR Movie Shooting [1280x720] Total Recording Time on Card 4 GB 17 min. 43 min. 20 min. 8 GB 35 min. 16 GB (Approx.) File Size 1 hr. 10 min. 216 MB/min. 1 hr. 26 min. 2 hr. 53 min. 87 MB/min. 40 min. 1 hr. 21 min. 187 MB/min. 2 hr. 5 min. 4 hr. 10 min. 8 hr. 20 min. 30 MB/min.
3 Using Movie Digital Zoom When the movie size is [1920x1080] (Full HD), you can shoot with an approx. 3x to 10x digital zoom. 1 Select [Digital zoom]. Under the [Z2] tab, select [Digital zoom], then press <0>. [Approx. 3-10x zoom]. 2 Select Select [Approx. 3-10x zoom], then press <0>. Press the button to exit the menu and return to movie shooting. digital zoom. 3 Use Press the keys. The digital zoom bar will appear. Press the key to zoom in or press the key to zoom out.
Shooting HDR Movies You can shoot movies by reducing the clipped highlight details of bright areas even in high-contrast scenes. This function is settable in Basic Zone modes. 1 Set the Mode Dial to a Basic Zone mode. the button (7). 2 Press The Quick Control screen will appear. [4]. 3 Select Press the keys to select [4] (HDR Movie Shooting) on the screen’s right side. [Enable]. 4 Select Press the keys to select [Enable], then press <0>.
Shooting HDR Movies The recording size is fixed at [1280x720 29.97fps (Standard)] (it is fixed at [1280x720 25.00fps (Standard)] if [53: Video system] is set to [PAL]). If [HDR Movie Shooting: Disable] is set, the recording size will revert to the original setting. Since multiple frames are merged to create an HDR movie, a part of the movie may be distorted. During shooting while handholding the camera, the distortion caused by camera shake may be noticeable. Using a tripod is recommended.
Shooting Miniature Effect Movies You can shoot movies having a Miniature (diorama) effect. Select the playback speed and shoot. 1 Press the button. The Quick Control screen will appear. [T]. 2 Select Press the keys to select [T] (Miniature effect movie) on the right of the screen. the playback speed. 3 Select Press the keys to select [5x], [10x], or [20x], then press <0>. the white frame over the 4 Position part you want to look sharp.
Shooting Miniature Effect Movies the movie. 5 Shoot The AF method will be FlexiZone Single to focus on the center of the white frame. The white frame is not displayed while you shoot. Playback Speed and Length (for 1-minute movie) Speed O (5x) Playback Length Approx. 12 sec. P (10x) Approx. 6 sec. Q (20x) Approx. 3 sec. Sound will not be recorded. With Miniature effect movies, Movie Servo AF will not work.
3 Shooting Video Snapshots You can shoot a series of short movie clips lasting approx. 2 sec., 4 sec., or 8 sec. called video snapshots. The video snapshots can be joined together into a single movie called a video snapshot album. You can thereby show quick highlights of a trip or event. A video snapshot album can also be played back together with background music (p.260, 311).
3 Shooting Video Snapshots [Album settings]. 3 Select Select [Album settings], then press <0>. [Create a new album]. 4 Select Select [Create a new album], then press <0>. the snapshot length. 5 Select Press <0> and use the keys to select the snapshot’s length, then press <0>. [OK]. 6 Select Select [OK], then press <0>. Shooting duration 254 Press the button to exit the menu. A blue bar will appear to indicate the snapshot length. Go to “Creating a Video Snapshot Album” (p.
3 Shooting Video Snapshots Creating a Video Snapshot Album the first video snapshot. 7 Shoot Press the button, then shoot. The blue bar indicating the shooting duration will gradually decrease. After the set shooting duration elapses, the shooting stops automatically. The confirmation screen will appear (p.256-257). as a video snapshot album. 8 Save Select [J Save as album], then press <0>. The movie clip will be saved as the video snapshot album’s first video snapshot.
3 Shooting Video Snapshots Options in Steps 8 and 9 Function Description J Save as album (Step 8) The movie clip will be saved as the video snapshot album’s first video snapshot. J Add to album (Step 9) The video snapshot just recorded will be added to the album recorded immediately before. W Save as a new album (Step 9) A new video snapshot album is created and the movie clip is saved as the first video snapshot. The new album will be a different file from the previously recorded album.
3 Shooting Video Snapshots [Playback video snapshot] Operations in Steps 8 and 9 Function Playback Description 7 Play By pressing <0>, you can play back or pause the video snapshot recorded immediately before. 5 First frame Displays the first scene of the album’s first video snapshot. P Skip backward* Each time you press <0>, the video snapshot skips back by a few seconds. time you press <0>, the previous frame is 3 Previous frame Each displayed. If you hold down <0>, it will rewind the movie.
3 Shooting Video Snapshots Adding to an Existing Album 1 Select [Add to existing album]. Follow step 4 on page 254 to select [Add to existing album], then press <0>. an existing album. 2 Select Turn the <5> dial to select an existing album, then press <0>. Select [OK], then press <0>. Certain video snapshot settings will change to match the existing album’s settings. Press the button to exit the menu. The video snapshot shooting screen will appear. the video snapshot.
3 Shooting Video Snapshots Cautions for Shooting Video Snapshots You can add to an album only video snapshots with the same duration (approx. 2 sec., 4 sec., or 8 sec. each). Note that if you do any of the following while shooting video snapshots, a new album will be created for subsequent video snapshots. • Changing the [Movie rec. size]. • Changing the [Sound rec.] setting from [Auto]/[Manual] to [Disable] or from [Disable] to [Auto]/[Manual]. • Updating the firmware.
3 Shooting Video Snapshots Playing back an Album You can play back a video snapshot album in the same way as a normal movie (p.304). 1 Play back the movie. Press the button to display an image. the album. 2 Select In the single-image display, the [st] icon displayed on the upper left of the screen indicates a video snapshot album. Turn the <5> dial to select an album. back the album. 3 Play Press <0>. On the movie playback panel displayed, select [7] (Play), then press <0>.
3 Shooting Video Snapshots Editing an Album After shooting, you can rearrange, delete, or play back the video snapshots in the album. 1 Select [X]. On the movie playback panel displayed, select [X] (Edit), then press <0>. The editing screen will be displayed. an editing operation. 2 Select Select an editing option, then press <0>. Function Description T Move snapshot Press the keys to select the video snapshot you want to move, then press <0>.
3 Shooting Video Snapshots the edited album. 3 Save Press the button to return to the Editing panel at the screen’s bottom. Select [W] (Save), then press <0>. The save screen will appear. To save it as a new album, select [New file]. To save it and overwrite the original album, select [Overwrite], then press <0>. If the card does not have enough free space, [New file] will not be available. When the battery level is low, editing albums is not possible. Use a fullycharged battery.
3 Menu Function Settings Z1 When you set the power switch to , the [Z1] and [Z2] tabs will show functions dedicated to movie shooting. AF method The AF methods are the same as described on pages 218-225. You can select [u+Tracking], [FlexiZone - Multi], or [FlexiZone Single]. Movie Servo AF During movie shooting, the camera focuses on the subject continuously. The default setting is [Enable].
3 Menu Function Settings If you want to keep the focus at a specific point, or if you do not want the lens operation noise to be recorded, you can temporarily stop Movie Servo AF as follows. When you stop Movie Servo AF, the AF point will turn gray. When you perform the same steps below, Movie Servo AF will resume. • Press the button. • Tap the [P] icon on the lower left of the screen. • If [10: Shutter/AE lock button] is set to [2: AF/AF lock, no AE lock] in the [54: Custom Functions (C.
3 Menu Function Settings AF with shutter button during movie recording While shooting a movie, you can also take a still photo by pressing the shutter button completely. By default, AF operation is set to [One-Shot AF]. When [One-Shot AF] is set: • You can refocus and shoot a still photo by pressing the shutter button halfway while shooting a movie. • When shooting a still subject, you can perform shooting in precise focus.
3 Menu Function Settings Sound recording J Level meter Normally, the built-in microphones will record stereo sound. If a commerciallyavailable external stereo microphone equipped with a mini plug (3.5 mm diameter) is connected to the camera’s external microphone IN terminal (p.26), it will be given priority. [Sound rec./Rec. level] options [Auto] : The sound-recording level is adjusted automatically. Auto level control will operate automatically in response to the sound level.
3 Menu Function Settings In Basic Zone modes, the settings available for [Sound recording] will be [On] or [Off]. If [On] is set, the sound-recording level will be adjusted automatically (same as with [Auto]), and the wind filter function will take effect. The sound volume balance between L (left) and R (right) cannot be adjusted. Both L and R record audio at a 48 kHz/16-bit sampling rate. Video snapshots You can shoot video snapshots. For details, see page 253.
General Movie Shooting Cautions White and Red Internal Temperature Warning Icons If the camera’s internal temperature increases due to prolonged movie shooting or under a high ambient temperature, a white or red icon will appear. The white icon indicates that the image quality of still photos will deteriorate. It is recommended that you stop still photo shooting for a while and allow the camera to cool down.
General Movie Shooting Cautions Recording and Image Quality If you use a card with a slow writing speed, a five-level indicator may appear on the right of the screen during movie shooting. It indicates how much data has not yet been written to the card (remaining capacity of the internal buffer memory). The slower the card, the faster the indicator will climb upward. If the indicator becomes full, movie shooting will stop automatically.
9 Handy Features Disabling the Beeper (p.272) Card Reminder (p.272) Setting the Image Review Time (p.273) Setting the Auto Power-off Time (p.273) Adjusting the LCD Monitor Brightness (p.274) Creating and Selecting a Folder (p.275) File Numbering Methods (p.277) Setting Copyright Information (p.279) Auto Rotation of Vertical Images (p.281) Reverting the Camera to the Default Settings (p.282) Preventing the LCD Monitor from Turning Off Automatically (p.
Handy Features 3 Disabling the Beeper You can prevent the beeper from sounding when focus is achieved during self-timer shooting and touch screen operations. Under the [z1] tab, select [Beep], then press <0>. Select [Disable], then press <0>. To silence the beeper only during touch screen operations, select [Touch to y]. 3 Card Reminder This setting prevents shooting if there is no card in the camera. Under the [z1] tab, select [Release shutter without card], then press <0>.
Handy Features 3 Setting the Image Review Time You can set how long the image is displayed on the LCD monitor just after shooting. If [Off] is set, the image will not be displayed just after shooting. If [Hold] is set, the image review will be displayed up until the [Auto power off] time has elapsed. During image review, if you operate any camera controls such as pressing the shutter button halfway, the image review will end. Under the [z1] tab, select [Image review], then press <0>.
Handy Features 3 Adjusting the LCD Monitor Brightness You can adjust the brightness of the LCD monitor to make it easier to read. Under the [52] tab, select [LCD brightness], then press <0>. Press the keys to adjust the brightness on the adjustment screen, then press <0>. When checking the exposure of an image, set the LCD monitor brightness to 4 and prevent the ambient light from affecting the image.
Handy Features 3 Creating and Selecting a Folder You can freely create and select the folder where the captured images are to be saved. This operation is optional since a folder will be created automatically for saving captured images. Creating a Folder 1 Select [Select folder]. Under the [51] tab, select [Select folder], then press <0>. [Create folder]. 2 Select Select [Create folder], then press <0>. a new folder. 3 Create Select [OK], then press <0>.
Handy Features Selecting a Folder Lowest file number Number of images in folder With the folder selection screen displayed, select a folder and press <0>. The folder where the captured images will be saved is selected. Subsequent captured images will be recorded into the selected folder. Folder name Highest file number Folders As with “100CANON” for example, the folder name starts with three digits (the folder number) followed by five alphanumeric characters.
Handy Features 3 File Numbering Methods The image files will be numbered from 0001 to 9999 in the order the images are taken, then saved in a folder. You can change how the file number is assigned. The file number will appear on your computer in this format: IMG_0001.JPG. Under the [51] tab, select [File numbering], then press <0>. The available settings are described below. Select the option, then press <0>.
Handy Features [Auto reset]: The file numbering restarts from 0001 each time the card is replaced or a new folder is created. When you replace the card or create a folder, the file numbering restarts from 0001 for the new images saved. This is convenient if you want to organize images by cards or folders.
Handy Features 3 Setting Copyright InformationK When you set the copyright information, it will be appended to the image as Exif information. 1 Select [Copyright information]. Under the [54] tab, select [Copyright information], then press <0>. the option to be set. 2 Select Select [Enter author’s name] or [Enter copyright details], then press <0>. The text entry screen will appear. Select [Display copyright info.] to check the copyright information currently set.
Handy Features Text Entry Procedure Changing the Entry Area: Press the button to toggle between the top and bottom entry areas. Moving the Cursor: Press the keys in the top area to move the cursor. Entering Text: In the bottom area, press the or keys to select a character, then press <0> to enter it. Changing the Entry Mode:* Select [E] at the bottom right of the bottom entry area.
Handy Features 3 Auto Rotation of Vertical Images Vertical images are rotated automatically so they are displayed vertically on the camera’s LCD monitor and on the computer instead of horizontally. You can change the setting for this feature. Under the [51] tab, select [Auto rotate], then press <0>. The available settings are described below. Select the option, then press <0>. [OnzD] : The vertical image is automatically rotated during playback on both the camera’s LCD monitor and on the computer.
Handy Features 3 Reverting the Camera to the Default SettingsK The camera’s shooting function settings and menu settings can be reverted to their defaults. This option is available in Creative Zone modes. 1 Select [Clear settings]. Under the [54] tab, select [Clear settings], then press <0>. [Clear all camera settings]. 2 Select Select [Clear all camera settings], then press <0>. [OK]. 3 Select Select [OK], then press <0>.
Handy Features Shooting Function Settings Image Recording Settings <8> mode C (Kids) Image quality 73 AF operation One-Shot AF Picture Style Auto AF area selection mode Auto selection:19 pt AF Auto Lighting Optimizer Standard Drive mode u (Single shooting) Metering mode q (Evaluative metering) Peripheral illumination correction Enable / Correction data retained ISO speed AUTO (Auto) ISO Auto Maximum 6400 Chromatic aberration correction Enable / Correction data retained Exposure co
Handy Features Camera Settings Live View Shooting Settings 30 sec. Live View shooting Enable Beep Enable AF method u+Tracking Release shutter without card Enable Continuous AF Enable Image review 2 sec. Touch Shutter Disable AF point display Disable Grid display Off Histogram display Brightness Metering timer 8 sec.
Handy Features 3 Preventing the LCD Monitor from Turning Off Automatically You can prevent the display-off sensor from turning off the LCD monitor when your eye approaches the viewfinder. Under the [52] tab, select [LCD auto off], then press <0>. Select [Disable], then press <0>. When Angle Finder C (sold separately) is attached to the viewfinder, set it to [Disable]. If [Enable] is set, the LCD monitor may remain off.
f Automatic Sensor Cleaning Whenever you set the power switch to <1> or <2>, the Self Cleaning Sensor Unit operates to automatically shake off the dust on the front of the sensor. Normally, you need not pay attention to this operation. However, you can choose to perform sensor cleaning manually, or disable it. Cleaning the Sensor Now 1 Select [Sensor cleaning]. Under the [53] tab, select [Sensor cleaning], then press <0>. [Clean nowf]. 2 Select Select [Clean nowf], then press <0>.
3 Appending Dust Delete DataK Normally, the Self Cleaning Sensor Unit will eliminate most of the dust that may be visible on captured images. However, in case visible dust still remains, you can append the Dust Delete Data to the image for erasing the dust spots later. The Dust Delete Data is used by Digital Photo Professional (EOS software, p.420) to erase the dust spots automatically. Preparation Prepare a solid white object such as a sheet of paper. Set the lens focal length to 50 mm or longer.
3 Appending Dust Delete DataK a solid-white object. 3 Shoot At a distance of 20 cm - 30 cm (0.7 ft. - 1.0 ft.), fill the viewfinder with a patternless, solid-white object and take a picture. The picture will be taken in aperturepriority AE mode at an aperture of f/22. Since the image will not be saved, the data can still be obtained even if there is no card in the camera. When the picture is taken, the camera will start collecting the Dust Delete Data.
3 Manual Sensor CleaningK Dust that could not be removed by the automatic sensor cleaning can be removed manually with a commercially-available blower, etc. Before cleaning the sensor, detach the lens from the camera. The image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it done by a Canon Service Center is recommended. 1 Select [Sensor cleaning]. Under the [53] tab, select [Sensor cleaning], then press <0>. [Clean manually].
3 Manual Sensor CleaningK While cleaning the sensor, never do any of the following. If the power is cut off, the shutter will close and the shutter curtains and image sensor may get damaged. • Setting the power switch to <2>. • Removing or inserting the battery. The surface of the image sensor is extremely delicate. Clean the sensor with care. Use a plain blower without any brush attached. A brush can scratch the sensor. Do not insert the blower tip inside the camera beyond the lens mount.
10 Image Playback This chapter explains functions related to viewing photos and movies, with more advanced uses than in Chapter 2 “Basic Shooting and Image Playback”. Here you will find explanations of how to play back and erase photos and movies with the camera and view them on a TV set. Images shot and saved with another device The camera may not be able to properly display images captured with a different camera, edited with a computer, or that have had their file names changed.
x Searching for Images Quickly H Displaying Multiple Images on One Screen (Index Display) Search for images quickly with the index display showing 4, 9, 36, or 100 images on one screen. 1 Play back the image. When you press the button, the last image captured will be displayed. to the index display. 2 Switch Press the button. The 4-image index display will appear. The selected image is highlighted with an orange frame.
x Searching for Images Quickly I Jumping through Images (Jump Display) In the single-image display, you can turn the <6> dial to jump through the images forward or backward according to the jump method set. 1 Select [Image jump w/6]. Under the [x2] tab, select [Image jump w/6], then press <0>. the jump method. 2 Select Turn the <5> dial to select the jump method, then press <0>.
u/y Magnified View You can magnify a captured image by approx. 1.5x to 10x on the LCD monitor. 1 Magnify the image. Press the button during image playback. The image will be magnified. If you hold down the button, the image will be magnified until it reaches the maximum magnification. Press the button to reduce the magnification. If you hold down the button, the magnification will be reduced to the single-image display. Magnified area position around the image.
d Playing Back with the Touch Screen The LCD monitor is a touch-sensitive panel that you can touch with your fingers for various playback operations. First, press the button to play back images. Browsing Images Swipe with one finger. With single-image display, touch the LCD monitor with one finger. You can browse to the next or previous image by swiping your finger to the left or right. Swipe to the left to see the next (newer) image, or swipe to the right to see the previous (older) image.
d Playing Back with the Touch Screen Reducing Image (Index Display) Pinch two fingers. Touch the screen with two fingers spread apart, and pinch your fingers together on the screen. Each time you pinch your fingers, the single-image display will change to the index display. When you select an image, the orange frame will appear. Tap on the image again to display it as a single image. Magnifying Image Spread two fingers apart.
b Rotating the Image You can rotate the displayed image to the desired orientation. 1 Select [Rotate image]. Under the [x1] tab, select [Rotate image], then press <0>. an image. 2 Select Turn the <5> dial to select the image to be rotated. You can also select an image in the index display (p.292). the image. 3 Rotate Each time you press <0>, the image will rotate clockwise as follows: 90° 9 270° 9 0°. To rotate another image, repeat steps 2 and 3.
3 Setting Ratings You can rate images (still photos and movies) with one of five rating marks: l/m/n/o/p. This function is called rating. 1 Select [Rating]. Under the [x2] tab, select [Rating], then press <0>. an image. 2 Select Turn the <5> dial to select an image or movie to be rated, then press <0>. By pressing the button, you can select images from a three-image display. To return to the single-image display, press the button. the image.
3 Setting Ratings A total of up to 999 images of a given rating can be displayed. If there are more than 999 images with a given rating, [###] will be displayed. Taking Advantage of Ratings With [x2: Image jump w/6], you can display only images having the specified rating. With [x2: Slide show], you can play back only images having the specified rating. With Digital Photo Professional (EOS software, p.420), you can select only images with a specific rating (still photos only). With Windows 8.
Q Quick Control for Playback During playback, you can press the button to set the following: [J: Protect images, b: Rotate image, 9: Rating, U: Creative filters, S: Resize (JPEG images only), N: Cropping, K: AF point display, e: Image jump w/6, k: Wi-Fi function*]. For movies, only the functions in bold above can be set. * Not selectable if [51: Wi-Fi/NFC] is set to [Disable]. 1 Press the button. During image playback, press the button. The Quick Control options will appear.
Q Quick Control for Playback To rotate an image, set [51: Auto rotate] to [OnzD]. If [51: Auto rotate] is set to [OnD] or [Off], the [b Rotate image] setting will be recorded to the image, but the camera will not rotate the image for display. Pressing the button during the index display will switch to the single-image display and the Quick Control screen will appear. Pressing the button again will return to the index display.
k Enjoying Movies You can play back movies in the following three ways: Playback on a TV Set (p.312-315) Use the HDMI cable HTC-100 (sold separately) or stereo AV cable AVCDC400ST (sold separately) to connect the camera to a TV set. Then you can play back captured movies and still photos on the TV set. If you have a High-Definition TV set and connect your camera with an HDMI cable, you can watch Full High-Definition (Full HD: 1920x1080) and HighDefinition (HD: 1280x720) movies with higher image quality.
k Enjoying Movies Playback and Editing with a Computer To play back or edit a movie, use preinstalled or general-purpose software, compatible with the movie’s recording format. If you want to play back or edit a movie with commercially-available software, use software compatible with MP4-format movies. For details on commercially-available software, contact the software manufacturer.
k Playing Back Movies 1 Play back the image. Press the button to display an image. a movie. 2 Select Turn the <5> dial to select the movie to be played back. In the single-image display, the icon displayed on the upper left of the screen indicates a movie. If the movie is a video snapshot, will be displayed. In the index display, perforations at the left edge of a thumbnail indicate a movie.
k Playing Back Movies Movie Playback Panel Operation Playback Description 7 Play Pressing <0> toggles between play and stop. 8 Slow motion Adjust the slow motion speed by pressing the keys. The slow motion speed is indicated on the upper right of the screen. 5 First frame Displays the movie’s first frame. 3 Previous frame Each time you press <0>, the previous frame is displayed. If you hold down <0>, it will rewind the movie.
X Editing a Movie’s First and Last Scenes Playback with the Touch Screen Tap [7] on the center of the screen. The movie will start playing back. To display the movie playback panel, tap on the upper left of the screen. To pause the movie while it is playing back, tap on the screen. The movie playback panel will also appear. X Editing a Movie’s First and Last Scenes You can edit out the first and last scenes of a movie in approx. 1-sec. increments. 1 On the movie playback screen, select [X].
X Editing a Movie’s First and Last Scenes the edited movie. 3 Check Select [7] and press <0> to play back the edited movie. To change the editing, go back to step 2. To cancel the editing, press the button, then select [OK] on the confirmation dialog. the edited movie. 4 Save Select [W], then press <0>. The save screen will appear. To save it as a new movie, select [New file]. To save it and overwrite the original movie file, select [Overwrite], then press <0>.
3 Slide Show (Auto Playback) You can play back the images on the card as an automatic slide show. 1 Number of images to be played back Select [Slide show]. Under the [x2] tab, select [Slide show], then press <0>. the images to be played 2 Select back. Press the keys to select the desired option, then press <0>. All images/Movies/Stills Press the keys to select one of the following: [OAll images] [kMovies] [zStills]. Then press <0>.
3 Slide Show (Auto Playback) Item Playback Description OAll images All the still photos and movies on the card will be played back. iDate Still photos and movies taken on the selected shooting date will be played back. nFolder Still photos and movies in the selected folder will be played back. kMovies Only the movies on the card will be played back. zStills Only the still photos on the card will be played back.
3 Slide Show (Auto Playback) [Transition effect] [Background music] the slide show. 4 Start Press the keys to select [Start], then press <0>. After [Loading image...] is displayed, the slide show will start. the slide show. 5 Exit To exit the slide show and return to the setting screen, press the button. To pause the slide show, press <0>. During pause, [G] will be displayed on the upper left of the image. Press <0> again to resume the slide show.
3 Slide Show (Auto Playback) Selecting the Background Music After you use EOS Utility (EOS software) to copy background music to the card, you can play background music together with the slide show. 1 Select [Background music]. Set [Background music] to [On], then press <0>. If the card has no background music, you cannot perform step 2. the background music. 2 Select Press the keys to select the desired background music, then press <0>.
Viewing Images on a TV Set You can view still photos and movies on a TV set. If the video system format does not match the TV set’s, movies will not be displayed properly. In such a case, switch to the proper video system format with [53: Video system]. If [51: Wi-Fi/NFC] is set to [Enable], the camera cannot be connected to a TV set. Set [Wi-Fi/NFC] to [Disable], then reconnect the camera to the TV set with an HDMI cable or stereo AV cable.
Viewing Images on a TV Set the button. 5 Press The image will appear on the TV screen. (Nothing will be displayed on the camera’s LCD monitor.) The images will automatically be displayed at the optimum resolution of the TV set. By pressing the button, you can change the display format. To play back movies, see page 304. The images cannot be output at the same time from both the and terminals. Do not connect any other device’s output to the camera’s terminal.
Viewing Images on a TV Set the camera to a TV set. 2 Connect Use an HDMI cable to connect the camera to the TV set. The TV set’s input will switch automatically to the HDMI port connected to the camera. If it does not switch automatically, use the TV set’s remote control to select the HDMI IN port the cable is connected to. the camera’s button. 3 Press An image will appear on the TV screen and you can use the TV set’s remote control to play back images. an image.
Viewing Images on a TV Set Viewing on Non-HD TV Sets (Connected with AV Cable) Stereo AV Cable AVC-DC400ST (sold separately) is required. 1 Connect the AV cable to the camera. With the plug’s logo facing the back of the camera, insert it into the terminal. the AV cable to the TV 2 Connect set. (Red) (White) AUDIO (Yellow) VIDEO Connect the AV cable to the TV set’s video IN terminal and audio IN terminals.
K Protecting Images You can set protections to prevent the precious images from being erased accidentally. 3 Protecting a Single Image 1 Select [Protect images]. Under the [31] tab, select [Protect images], then press <0>. [Select images]. 2 Select Select [Select images], then press <0>. An image will be displayed. Image protect icon the image. 3 Protect Turn the <5> dial to select the 316 image to be protected, then press <0>.
K Protecting Images 3 Protecting All Images in a Folder or on a Card You can protect all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [31: Protect images], all the images in the folder or on the card will be protected. To cancel the image protection, select [Unprotect all images in folder] or [Unprotect all images on card]. If you format the card (p.65), the protected images will also be erased. Movies can also be protected.
L Erasing Images You can either select and erase unnecessary images one by one or erase them in one batch. Protected images (p.316) will not be erased. Once an image is erased, it cannot be recovered. Make sure you no longer need the image before erasing it. To prevent important images from being erased accidentally, protect them. Erasing a RAW+JPEG image will erase both the RAW and JPEG images. Erasing a Single Image 1 Play back the image to be erased. the button.
L Erasing Images [Select and erase images]. 2 Select Select [Select and erase images], then press <0>. An image will be displayed. the images to be erased. 3 Select Turn the <5> dial to select the image to be erased, then press <0>. A checkmark will be displayed on the upper left of the screen. By pressing the button, you can select images from a three-image display. To return to the single-image display, press the button. To select other images to be erased, repeat step 3.
B: Shooting Information Display The information displayed varies depending on the shooting mode and settings.
B: Shooting Information Display Shooting information display • Detailed information Exposure compensation amount Histogram (Brightness/RGB) Shooting date and time Shutter speed ISO speed Shooting mode Scroll bar Highlight tone priority White balance Metering mode File size Auto Lighting Optimizer Flash exposure compensation amount / Multi Shot Noise Reduction White balance correction Aperture Image-recording quality Picture Style/Settings * When you shoot in [1+73] image quality, the 1 file s
B: Shooting Information Display • Lens/Histogram information Histogram display (Brightness) Lens name Focal length Histogram display (RGB) • White balance information • Picture Style information • Color space / Noise reduction information • Lens aberration correction information • GPS information Latitude Longitude Elevation Direction UTC (Coordinated Universal Time) If GPS information was not recorded for the image, the GPS information screen will not be displayed.
B: Shooting Information Display Sample Movie Information Display Playback Aperture Shutter speed Shooting mode Movie recording size Frame rate Movie file size Shooting time, Playback time Compression method * If manual exposure is used, the shutter speed, aperture, and ISO speed (when set manually) will be displayed. * The icon will be displayed for video snapshots. * The icon will be displayed for HDR movies. * The icon will be displayed for Miniature effect movies.
B: Shooting Information Display Highlight Alert When the shooting information is displayed, any overexposed areas of the image will blink. To obtain more image detail in the overexposed, blinking areas, set the exposure compensation to a negative amount and shoot again. Histogram The brightness histogram shows the exposure level distribution and overall brightness. The RGB histogram is for checking the color saturation and gradation. The display can be switched with [x2: Histogram disp].
11 Post-Processing Images After taking a picture, you can apply a Creative filter, resize the JPEG image (reduce the number of pixels), or crop the image. The camera may not be able to process images taken with another camera. Post-processing images as described in this chapter cannot be performed when the camera is connected to a computer via the terminal.
U Applying Creative Filters You can apply the following Creative filters to an image and save it as a new image: Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, and Miniature effect. 1 Select [Creative filters]. Under the [x1] tab, select [Creative filters], then press <0>. An image will be displayed. an image. 2 Select Select the image you want to apply a filter to.
U Applying Creative Filters the image. 5 Save Select [OK] to save the image. Check the destination folder and image file number, then select [OK]. To apply a filter to another image, repeat steps 2 to 5. To return to the menu, press the button. When shooting 1+73 or 1 image, the filter effect will be applied to the 1 image and the image will be saved as a JPEG image.
U Applying Creative Filters X Fish-eye effect Gives the effect of a fish-eye lens. The image will have a barrel-type distortion. Depending on the level of this filter effect, the area trimmed along the periphery of the image changes. Also, since this filter effect will magnify the image center, the apparent resolution at the center may degrade depending on the number of recorded pixels. Set the filter effect in step 4 while checking the resulting image.
S Resizing JPEG Images You can resize a JPEG image to make the pixel count lower and save it as a new image. Resizing an image is possible only with JPEG 3/4/a/ b images. JPEG c and RAW images cannot be resized. 1 Select [Resize]. Under the [31] tab, select [Resize], then press <0>. An image will be displayed. an image. 2 Select Select the image you want to resize. By pressing the button, you can switch to the index display and select an image. the desired image size.
S Resizing JPEG Images Resize Options by Original Image Size Available Resize Settings Original Image Size 4 a b c 3 k k k k k k k k k 4 a k b Image Sizes The image sizes displayed in step 3 on the preceding page, such as [***M ****x****], have a 3:2 aspect ratio. The image sizes by aspect ratios are shown in the table below. The asterisked image-recording quality figures do not exactly match the aspect ratio. The image will be cropped slightly.
N Cropping JPEG Images You can crop the image as desired and save it as a new image. JPEG c and RAW images cannot be cropped. The 1+73 image’s JPEG image can be cropped. 1 Select [Cropping]. Under the [x2] tab, select [Cropping], then press <0>. An image will be displayed. an image. 2 Select Select the image you want to crop. By pressing the button, you can switch to the index display and select an image. the cropping frame size, 3 Set aspect ratio, position, and orientation.
N Cropping JPEG Images Moving the Cropping Frame Press the or keys. The cropping frame will move up, down, left, or right. You can also touch the cropping frame and drag it to the desired position. Rotating the Cropping Frame Orientation Press the button. The cropping frame will switch between the vertical and horizontal orientations. This enables you to create a vertical image from a horizontal one, and vice versa. the cropped image in the 4 Display full view.
12 Printing Images Printing (p.334) You can connect the camera directly to a printer and print out the images on the card. The camera is compliant with “wPictBridge”, which is the standard for direct printing. You can also use a wireless LAN to send images to a PictBridge (Wireless LAN) printer and print them. For details, refer to the Wi-Fi/NFC Function Instruction Manual. Digital Print Order Format (DPOF) (p.
Preparing to Print The direct printing procedure can be performed entirely with the camera while looking at the setting screens on camera’s LCD monitor. Connecting the Camera to a Printer 1 Set the camera’s power switch to <2>. up the printer. 2 Set For details, refer to the printer’s instruction manual. the camera to the 3 Connect printer. Use the interface cable provided with the camera.
Preparing to Print back the image. 6 Play Press the button. The image will appear with the icon on the upper left of the screen to indicate that the camera is connected to a printer. Before using the printer, make sure it has a PictBridge connection port. Movies cannot be printed. The camera cannot be used with printers compatible only with CP Direct or Bubble Jet Direct. Do not use any interface cable other than the one provided.
w Printing The screen display and setting options will differ depending on the printer. Some settings may not be available. For details, refer to the printer’s instruction manual. Printer-connected icon 1 Select the image to be printed. Check that the icon is displayed on the upper left of the LCD monitor. Turn the <5> dial to select the image to be printed. <0>. 2 Press The print setting screen will appear. Print setting screen Sets the printing effects (p.338).
w Printing Q Setting the Paper Size Select the size of the paper loaded in the printer, then press <0>. The paper type screen will appear. Y Setting the Paper Type Select the type of the paper loaded in the printer, then press <0>. The page layout screen will appear. U Setting the Page Layout Select the page layout, then press <0>. The print setting screen will reappear. Bordered Prints with white borders along the edges. Borderless Prints with no borders.
w Printing the printing effects (image 4 Set optimization). Set them if necessary. If you do not need to set any printing effects, go to step 5. Contents displayed on the screen vary depending on the printer. Select the option, then press <0>. Select the desired printing effect, then press <0>. If the icon is displayed brightly, you can also adjust the printing effects (p.340). Printing Effect Description EOn Prints with the printer’s standard colors.
w Printing the date and file number 5 Set imprinting. Set them if necessary. Select , then press <0>. Set the print settings as desired, then press <0>. the number of copies. 6 Set Set it if necessary. Select , then press <0>. Set the number of copies, then press <0>. printing. 7 Start Select [Print], then press <0>. The [Default] setting for printing effects and other options are the printer’s own default settings as set by the printer’s manufacturer.
w Printing e Adjusting Printing Effects In step 4 on page 338, select the printing effect. When the icon is displayed brightly, you can press the button. You can then adjust the printing effects. What can be adjusted or what is displayed will depend on the selection made in step 4. Brightness The image brightness can be adjusted. Adjust levels When you select [Manual], you can change the histogram’s distribution and adjust the image’s brightness and contrast.
w Printing Cropping the Image Tilt correction You can crop the image and print only an enlarged version of the cropped portion, as if the image is recomposed. Set the cropping right before printing. If you change the print settings after setting the cropping, you may have to set the cropping again before printing. 1 On the print setting screen, select [Cropping]. 2 Set the cropping frame size, position, and aspect ratio. The image area within the cropping frame will be printed.
w Printing Depending on the printer, the cropped image area may not be printed as you specified. The smaller you make the cropping frame, the grainier the picture will look in the print. Check the camera’s LCD monitor while cropping the image. If you look at the image on a TV screen, the cropping frame may not be displayed accurately. Handling Printer Errors If printing does not resume after you resolve a printer error (no ink, no paper, etc.
W Digital Print Order Format (DPOF) You can set the print type, date imprinting, and file number imprinting. The print settings will be applied to all print-ordered images. (They cannot be set individually for each image.) Setting the Printing Options 1 Select [Print order]. Under the [x1] tab, select [Print order], then press <0>. [Set up]. 2 Select Select [Set up], then press <0>. the option as desired. 3 Set Set the [Print type], [Date], and [File No.].
W Digital Print Order Format (DPOF) Print type Date File number K Standard Prints one image on one sheet. L Index Multiple thumbnail images are printed on one sheet. K L Both Prints both the standard and index prints. On Off On Off [On] imprints the recorded date on the print. [On] imprints the file number on the print. the setting. 4 Exit Press the <7> button. The print order screen will reappear. Next, select [Sel.Image], [Byn], or [All image] to order the images to be printed.
W Digital Print Order Format (DPOF) Print Ordering Sel.Image Select and order images one by one. By pressing the button, you can select images from a three-image display. To return to the single-image display, press the button. Press the button to save the print order to the card. Quantity Total images selected Checkmark Index icon [Standard] [Both] Press the keys to set the number of copies to be printed for the displayed image. [Index] Press <0> to add a checkmark to the box .
W Direct Printing of Print-Ordered Images With a PictBridge printer, you can easily print images with DPOF. 1 Prepare to print. See page 334. Follow the “Connecting the Camera to a Printer” procedure up to step 5. 2 Under the [x1] tab, select [Print order]. 3 Select [Print]. [Print] will be displayed only if the camera is connected to a printer and printing is possible. 4 Set the [Paper settings] (p.336). Set the printing effects (p.338) if necessary. 5 Select [OK].
p Specifying Images for a Photobook You can specify up to 998 images to be printed in a photobook. When you use EOS Utility (EOS software) to transfer images to a computer, the specified images will be copied to a dedicated folder. This function is useful for ordering photobooks online. Specifying One Image at a Time 1 Select [Photobook Set-up]. Under the [x1] tab, select [Photobook Set-up], then press <0>. [Select images]. 2 Select Select [Select images], then press <0>.
p Specifying Images for a Photobook Specifying All Images in a Folder or on a Card You can specify all the images in a folder or on a card at once. When [x1: Photobook Set-up] is set to [All images in folder] or [All images on card], all the images in the folder or on the card will be specified. To cancel the image specification, select [Clear all in folder] or [Clear all on card]. RAW images and movies cannot be specified.
13 Customizing the Camera You can customize various camera functions to suit your picture-taking preferences with Custom Functions. Custom Functions can be set and used only in Creative Zone modes.
3 Setting Custom FunctionsK 1 Custom Function number Select [Custom Functions (C.Fn)]. Under the [54] tab, select [Custom Functions (C.Fn)], then press <0>. the Custom Function 2 Select number. Press the keys to select the Custom Function number, then press <0>. the setting as desired. 3 Change Press the keys to select the desired setting (number), then press <0>. Repeat steps 2 and 3 if you want to set other Custom Functions.
3 Setting Custom FunctionsK Custom Functions C.Fn I: Exposure 1 Exposure level increments 2 ISO expansion p.352 A LV Shooting kMovie Shooting k k k In a k k C.Fn II: Image 3 Highlight tone priority p.353 C.Fn III: Autofocus/Drive 4 AF-assist beam firing 5 AF area selection method 6 Auto AF point selection: Color Tracking 7 AF point display during focus 8 VF display illumination 9 Mirror lockup p.354 k* p.355 p.
3 Custom Function SettingsK Custom Functions are organized into four groups based on the function type: C.Fn I: Exposure, C.Fn II: Image, C.Fn III: Autofocus/Drive, C.Fn IV: Operation/Others. C.Fn I: Exposure C.Fn-1 Exposure level increments 0: 1/3-stop 1: 1/2-stop Sets 1/2-stop increments for the shutter speed, aperture, exposure compensation, AEB, flash exposure compensation, etc. This is effective when you prefer to control the exposure in less fine increments than 1/3-stop increments.
3 Custom Function SettingsK C.Fn II: Image C.Fn-3 Highlight tone priority 0: Disable 1: Enable Improves the highlight detail. The dynamic range is expanded from the standard 18% gray to bright highlights. The gradation between the grays and highlights becomes smoother. With setting 1, the Auto Lighting Optimizer (p.146) is automatically set to [Disable] and the setting cannot be changed. With setting 1, noise (grainy image, banding, etc.) may become slightly more noticeable than with setting 0.
3 Custom Function SettingsK C.Fn III: Autofocus/Drive C.Fn-4 AF-assist beam firing Enables or disables the built-in flash’s AF-assist beam or the EOSdedicated external Speedlite’s AF-assist beam. 0: Enable The AF-assist beam will be emitted when necessary. 1: Disable The AF-assist beam will not be emitted. This prevents the AFassist beam from disturbing others. 2: Enable external flash only If an external Speedlite is attached, it will emit the AF-assist beam when necessary.
3 Custom Function SettingsK C.Fn-6 Auto AF point selection: Color Tracking Use this function to autofocus by recognizing colors equivalent to skin tones. This function works in One-Shot AF mode when the AF area selection mode is set to Zone AF (manual selection of zone) or 19-point AF auto selection. 0: One-Shot AF only In One-Shot AF mode, the camera selects AF points automatically based on AF information and information on colors equivalent to skin tones.
3 Custom Function SettingsK C.Fn-8 VF display illumination You can set whether or not the AF points in the viewfinder will light up in red when focus is achieved. 0: Auto The AF points automatically light up in red under low light. 1: Enable The AF points light up in red regardless of the ambient light level. 2: Disable The AF points do not light up in red. When AI Servo AF is set, there is no illumination in red even when focus is achieved.
3 Custom Function SettingsK C.Fn IV: Operation/Others C.Fn-10 Shutter/AE lock button 0: AF/AE lock 1: AE lock/AF This is convenient when you want to focus and meter separately. Press the button to autofocus, and press the shutter button halfway to apply AE lock. 2: AF/AF lock, no AE lock During AI Servo AF (or Servo AF for Live View shooting), you can press the button to pause the AF operation momentarily.
3 Custom Function SettingsK C.Fn-11 Assign SET button You can assign a frequently-used function to <0>. When the camera is ready to shoot, pressing the <0> button will display the respective function setting screen. 0: Normal (disabled) 1: Image quality The image quality setting screen will appear. 2: Flash exposure compensation The flash exposure compensation setting screen will appear. 3: LCD monitor On/Off You can turn on or off the LCD monitor. 4: Menu display The menu screen will appear.
3 Custom Function SettingsK C.Fn-13 Multi function lock When the switch is set to the right, it can prevent the <6> and <5> dials from accidentally changing a setting. Select the camera control you want to lock, then press <0> to append a checkmark and select [OK]. 6: Main Dial 5 : Quick Control Dial If the switch is set and you try to use one of the locked camera controls, [L] will be displayed in the viewfinder and on the LCD panel. Also, on the shooting function settings display (p.
3 Registering My MenuK Under the My Menu tab, you can register up to six menu options and Custom Functions whose settings you change frequently. 1 Select [My Menu settings]. Under the [9] tab, select [My Menu settings], then press <0>. [Register to My Menu]. 2 Select Select [Register to My Menu], then press <0>. the desired items. 3 Register Select the item, then press <0>. On the confirmation dialog, select [OK] and press <0> to register the item. You can register up to six items.
14 Reference This chapter provides reference information for camera features, system accessories, etc. Certification Logo Select [54: Certification Logo Display] and press <0> to display some of the logos of the camera’s certifications. Other certification logos can be found in this Instruction Manual, on the camera body, and on the camera’s package.
B Button Functions If you press the button when the camera is ready to shoot, the screens for [Displays camera settings], [Electronic level] (p.70), and [Displays shooting function] (p.363) will be displayed in sequence. Under the [53] tab, [z button display options] enables you to select the options displayed when the button is pressed. Select the desired display option and press <0> to append a checkmark . After making the selection, select [OK], then press <0>.
B Button Functions Shooting Function Settings White balance correction Shutter speed Aperture ISO speed Shooting mode Highlight tone priority Exposure level indicator Flash exposure compensation Picture Style Auto Lighting Optimizer AF operation Image-recording quality Quick Control icon Number of possible shots Battery level AF area selection mode White balance Eye-Fi transmission status Metering mode Multi Shot Noise Reduction White balance bracketing Drive mode GPS connection indicator Pr
3 Checking the Battery Information You can check the battery’s condition on the LCD monitor. Select [Battery info.]. Under the [53] tab, select [Battery info.], then press <0>. The battery info. screen will appear. Battery position Battery model or household power source being used. The battery level icon (p.43) is displayed. Battery’s recharge performance level is displayed in one of three levels. (Green) : Battery’s recharge performance is fine.
Using a Household Power Outlet With AC Adapter Kit ACK-E18 (sold separately), you can connect the camera to a household power outlet and not worry about the remaining battery level. 1 Connect the DC Coupler’s plug. Connect the DC Coupler’s plug to the AC Adapter’s socket. the power cord. 2 Connect Connect the power cord as shown in the illustration. After using the camera, unplug the power plug from the power outlet. the DC Coupler.
Remote Control Shooting Remote Controller RC-6 (Sold Separately) This remote controller enables you to take pictures wirelessly up to approx. 5 meters/16.4 feet away from the camera. You can either shoot immediately or use a 2-sec. delay. Remote control sensor Set the drive mode to (p.124). Point the remote controller toward the camera’s remote control sensor and press the transmit button. The camera will autofocus.
Remote Control Shooting F Remote Switch RS-60E3 (Sold Separately) Remote Switch RS-60E3 (sold separately) comes with an approx. 60 cm/2.0 ft cord. When connected to the camera’s remote control terminal, it can be pressed halfway and completely, just like the shutter button. Using the Eyepiece Cover When you use the self-timer, bulb, or Remote Switch and do not look through the viewfinder, stray light entering the viewfinder can cause the picture to look dark. To prevent this, use the eyepiece cover (p.
H Using Eye-Fi Cards With a commercially-available Eye-Fi card already set up, you can automatically transfer captured images to a computer or upload them to an online service via a wireless LAN. The image transfer is a function of the Eye-Fi card. For instructions on how to set up and use the Eye-Fi card or to troubleshoot any image transfer problems, refer to the Eye-Fi card’s instruction manual or contact the card manufacturer.
H Using Eye-Fi Cards the [Access point SSID:]. 5 Check Check that an access point is displayed for [Access point SSID:]. You can also check the Eye-Fi card’s MAC address and firmware version. Press the button three times to exit the menu. the picture. 6 Take The picture is transferred and the icon switches from gray (not connected) to one of the icons below. For transferred images, O is displayed in the shooting information Transmission status icon display (p.320).
Function Availability Table by Shooting Mode Still Photo Shooting in Basic Zone Modes o: Set automatically k: User selectable Function A 7 C 2 3 4 5 : Not selectable/Disabled 8 C P x 6 F G All image quality settings selectable k k k k k k k k k k k k*1 k*1 Automatically set/Auto o o o o o o o o o o o o o ISO speed Manually set Picture Style Automatically set/Auto D D D D D D D D D D D D Extra Effect Shot*1 Ambience-based shots Lighting/scene based shots Background blur Color tone Creative filters*1*2
Function Availability Table by Shooting Mode Function AF operation One-Shot AF (Viewfinder AI Servo AF shooting) AI Focus AF AF operation One-Shot AF (Live View shooting) Servo AF A 7 C 2 3 4 5 8 C P x 6 F G o o o o o o o o o o o o o o o o o o o o o o o o o AF area selection mode AF AF point selection AF-assist beam Continuous AF*2 o o o o o o o o o o o o o o o o o o o o o o k k k k k k k k k k k k k Program shift Exposure compensation Exposure AEB AE lock Depth-of-field preview Single shootin
Function Availability Table by Shooting Mode Still Photo Shooting in Creative Zone Modes o: Set automatically k: User selectable Function s f a k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k Peripheral illumination correction k k k k Chromatic aberration correction k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k All image quality settings selectable ISO speed Picture Style : Not selectable/Disabled d Autom
Function Availability Table by Shooting Mode Function d s f a AF point selection k k k k k k k k k k k k k k k k k k k k k k k k k k k k AF-assist beam k k k k Continuous AF*2 k k k k Program shift k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k One-Shot AF AF operation AI Servo AF (Viewfinder shooting) AI Focus AF One-Shot AF AF operation (Live View shooting) Servo AF AF area selection mode AF Exposure compensation Exposu
Function Availability Table by Shooting Mode Movie Shooting o: Set automatically k: User selectable : Not selectable/Disabled Movies Function y All image quality settings selectable (movie) All image quality settings selectable (still photos) Still Photos z*1 A 7 C 2 3 4 5 8 d sfa k My k M k k k k k k k k k k k k k k k Video snapshot k k k k k k k k k k k k HDR movie shooting k k k k k k k k Miniature effect movie k k k k k k k k k k k k k*2 k*2 k*2 Digital zoom k k k k k k k k k k k k ISO
Function Availability Table by Shooting Mode Movies Function Still Photos A 7 C 2 3 4 5 8 d sfa y k z*1 My k M Metering mode AF Face+Tracking k k k k k k k k k k k k k k k FlexiZone - Multi k k k k k k k k k k k k k k k FlexiZone - Single k k k k k k k k k k k k k k k Manual focus (MF) k k k k k k k k k k k k k k k Servo AF k k k k k k k k k k k k k k k Program shift k k k AE lock Exposure Exposure compensation *3 k k k k *3 k AEB Depth-of-field preview k k k Single shooting Dri
System Map ST-E2 ST-E3-RT 90EX Eyepiece Extender EP-EX15ll Magnifier MG-Ef 270EX II 320EX 430EX II 600EX-RT/ Macro Ring Lite Macro Twin Lite 600EX MR-14EX II MT-24EX Bundled Accessories Eyecup Ef Rubber Frame Ef Wide Strap E-series Dioptric Adjustment Lenses Angle Finder C AC Adapter Kit ACK-E18 Semi Hard Case EH26-L/EH27-L Battery Pack LP-E17 AC Adapter AC-E6 Hand Strap E2 Battery Grip BG-E18 376 Battery Charger LC-E17 or LC-E17E DC Coupler DR-E18
System Map GPS Receiver GP-E2 Remote Controller RC-6 Remote Switch RS-60E3 EF lenses EF-S lenses External microphone HDMI Cable HTC-100 (2.9 m/9.5 ft.) TV/Video Stereo AV Cable AVC-DC400ST (1.3 m/4.3 ft.) Connect Station CS100 EOS DIGITAL Solution Disk PictBridge-compatible printer Interface Cable (1.3 m/4.3 ft.) Interface Cable IFC-200U/500U (1.9 m/6.2 ft.) / (4.7 m/15.4 ft.) USB port SD/SDHC/SDXC memory card Card reader Computer Card slot * All cable lengths given are approximate figures.
3 Menu Settings Viewfinder Shooting and Live View Shooting r Shooting 1 (Red) Page Image quality 73 / 83 / 74 / 84 / 7a / 8a / b / c / 1+73* / 1* 126 Beep Enable / Touch to y / Disable 272 Release shutter without card Enable / Disable 272 Image review Off / 2 sec. / 4 sec. / 8 sec.
3 Menu Settings t Shooting 3 (Red) Page Dust Delete Data Obtain data to be used by EOS software to delete dust spots 287 ISO Auto Max. ISO 400, Max. ISO 800, Max. ISO 1600, Max. ISO 3200, Max.
3 Menu Settings 2 Playback 2 (Blue) Page Cropping Crop part of the image 331 Rating [OFF] / l / m / n / o / p 298 Slide show Playback description / Display time / Repeat / Transition effect / Background music 308 Image jump with 6 1 image / 10 images / 100 images / Date / Folder / Movies / Stills / Rating 293 AF point display Disable / Enable 323 Histogram display Brightness / RGB 324 Control over HDMI Disable / Enable 313 Select folder Create and select a folder 275 File numberin
3 Menu Settings 6 Set-up 2 (Yellow) Page Auto power off 30 sec. / 1 min. / 2 min. / 4 min. / 8 min. / 15 min. / Disable 273 LCD brightness Adjust the brightness (seven levels) 274 LCD auto off Enable / Disable 285 Date/Time/Zone Date (year, month, day) / Time (hr., min., sec.
3 Menu Settings 7 Set-up 3 (Yellow) Page Screen color Select the shooting settings screen color 285 73 Feature guide Enable / Disable Touch control Standard / Sensitive / Disable 64 Battery information Remaining capacity / Recharge performance 364 Auto cleaning: Enable / Disable Sensor cleaning Clean now 286 Clean manually 289 zbutton display options Displays camera settings / Electronic level / Displays shooting functions 362 Video system NTSC / PAL 312 Certification Logo Display
3 Menu Settings k Movie Shooting r Shooting 1 (Red) Page Image quality 73 / 83 / 74 / 84 / 7a / 8a / b / c / 1+73 / 1 126 Beep Enable / Touch to y / Disable 272 Release shutter without card Enable / Disable 272 Image review Off / 2 sec. / 4 sec. / 8 sec.
3 Menu Settings t Shooting 3 (Red) Dust Delete Data Page Obtain data to be used by EOS software to delete dust spots 287 v Movie 1 (Red) AF method u+Tracking / FlexiZone - Multi / FlexiZone - Single 263 Movie Servo AF Enable / Disable 263 AF with shutter button during movie shooting One-Shot AF / Disable k 265 Grid display Off / Grid 1l / Grid 2m 265 Metering timer 4 sec. / 8 sec. / 16 sec. / 30 sec. / 1 min. / 10 min. / 30 min.
Troubleshooting Guide If a problem occurs with the camera, first consult this Troubleshooting Guide. If this Troubleshooting Guide does not resolve the problem, contact your dealer or nearest Canon Service Center. Power-Related Problems The battery pack does not recharge. Do not use any battery pack other than a genuine Battery Pack LP-E17. The battery charger’s lamp blinks.
Troubleshooting Guide [Battery communication error. Does this battery/do these batteries display the Canon logo?] is displayed. Do not use any battery pack other than a genuine Battery Pack LPE17. Remove and install the battery again (p.38). If the battery contacts are dirty, use a soft cloth to clean them. The battery becomes exhausted quickly. Use a fully-charged battery pack (p.36). The battery performance may have degraded. See [53: Battery info.
Troubleshooting Guide Shooting-Related Problems The lens cannot be attached. The camera cannot be used with EF-M lenses (p.47). The viewfinder is dark. Install a recharged battery pack in the camera (p.36). No images can be shot or recorded. Make sure the card is properly inserted (p.39). Slide the card’s write-protect switch to the write/erase position (p.39). If the card is full, replace the card or delete unnecessary images to make space (p.39, 318).
Troubleshooting Guide I cannot lock the focus and recompose the shot. Set the AF operation to One-Shot AF. Focus lock is not possible in the AI Servo AF mode, or when servo takes effect in AI Focus AF mode (p.110). Linear noise or moire appears in the image. Depending on the subject, linear noise or moire may be recorded in the image. It is likely to occur especially in the following cases. • Shooting fine horizontal stripes, lattice patterns, etc.
Troubleshooting Guide The continuous shooting speed is slow. Depending on the lens type, shutter speed, aperture, subject conditions, brightness, etc., the continuous shooting speed may become slower. If [z3: Anti-flicker shoot.] is set to [Enable] and you shoot under a flickering light source, the continuous shooting speed may become slightly slower, or the continuous shooting interval may become irregular. Also, the time lag until shutter release may be slightly longer than usual (p.154).
Troubleshooting Guide Even though I set a decreased exposure compensation, the image comes out bright. Set [z2: Auto Lighting Optimizer] to [Disable]. When [Low], [Standard], or [High] is set, even if you set a decreased exposure compensation or flash exposure compensation, the image may come out bright (p.146). When I use the mode with flash, the shutter speed becomes slow.
Troubleshooting Guide Flash exposure compensation cannot be set for the external Speedlite. If flash exposure compensation is set with the external Speedlite, flash exposure compensation cannot be set with the camera. When the external Speedlite’s flash exposure compensation is canceled (set to 0), flash exposure compensation can be set with the camera. High-speed sync cannot be set in the mode. Under [z1: Flash control], set [Flash sync. speed in Av mode] to [Auto] (p.184).
Troubleshooting Guide Movie shooting stops by itself. If the card’s writing speed is slow, movie shooting may stop automatically. Use an SD Speed Class 6 “ ” or faster card. To find out the card’s reading/writing speed, refer to the card manufacturer’s Web site, etc. If the movie shooting time reaches 29 min. 59 sec., the movie shooting will stop automatically. The ISO speed cannot be set for movie shooting. In shooting modes other than , the ISO speed is set automatically.
Troubleshooting Guide Wi-Fi Wi-Fi cannot be set. If the camera is connected to a computer, printer, GPS receiver, TV set, or other device with a cable, Wi-Fi cannot be set ([51: Wi-Fi/NFC] will be grayed out). Disconnect the cable before changing any settings. For details, refer to the Wi-Fi/NFC Function Instruction Manual. Operation Problems I cannot change the setting with the <6> dial or <5> dial. Set the switch to the left (lock release, p.55).
Troubleshooting Guide The menu screen shows fewer tabs and options. In Basic Zone modes and in movie shooting mode, certain tabs and menu options are not displayed. Set the shooting mode to a Creative Zone mode (p.59). The file name’s first character is an underscore (“_”). Set the color space to sRGB. If Adobe RGB is set, the first character will be an underscore (p.156). The file name starts with “MVI_”. It is a movie file (p.278). The file numbering does not start from 0001.
Troubleshooting Guide [###] is displayed. If the number of images recorded on the card exceeds the number the camera can display, [###] will be displayed (p.299). The LCD monitor does not display a clear image. If the LCD monitor is dirty, use a soft cloth to clean it. In low or high temperatures, the LCD monitor display may seem slow or may look black. It will return to normal at room temperature. [Eye-Fi settings] does not appear.
Troubleshooting Guide Camera operation noise can be heard when the movie is played back. If you operate the camera’s dials or lens during movie shooting, the operation noise will also be recorded. Using an external microphone (commercially available) is recommended (p.266). The movie has still moments. During autoexposure movie shooting, if there is a drastic change in the exposure level, the recording will stop momentarily until the brightness stabilizes. In such cases, shoot in mode (p.237).
Troubleshooting Guide A red box is displayed on the image. [32: AF point disp.] is set to [Enable] (p.323). A red box is not displayed on the image. Even if [32: AF point display] is set to [Enable] (p.323), the red box is not displayed for the following images: • Images shot with Multi Shot Noise Reduction (p.147) • Images recorded with distortion correction enabled (p.151) • Images shot with or in <8> mode • Cropped images (p.331) • Images with Fish-eye effect applied after shooting (p.
Troubleshooting Guide Printing-Related Problems There are fewer printing effects than listed in the instruction manual. Contents displayed on the screen vary depending on the printer. This instruction manual lists all the printing effects available (p.338). Direct printing does not work. If any of the following shooting modes or functions is set, the camera cannot be connected to a printer. Cancel all the relevant settings, then reconnect the camera to the printer with an interface cable.
Error Codes Error number If there is a problem with the camera, an error message will appear. Follow the onscreen instructions. Cause and countermeasures Number 01 02 Error Message and Solution Communications between the camera and lens is faulty. Clean the lens contacts. Clean the electrical contacts on the camera and lens, use a Canon lens, or remove and install the battery pack again (p.25, 26, 38). Card cannot be accessed. Reinsert/change card or format card with camera.
Handling Precautions: STM Lenses (Kit Lenses) Kit lenses* use a stepping motor that drives the focus lens. The motor controls the focus lens even during zooming. * EF-S18-135mm f/3.5-5.6 IS STM, EF-S18-55mm f/3.5-5.6 IS STM, and EF-S55-250mm f/4-5.6 IS STM 1. When the camera is OFF The motor does not operate while the camera is OFF or when the camera is OFF due to the auto power off function. Therefore, users must be aware of the following points. Manual focusing is not possible.
Specifications • Type Type: Recording media: Image sensor size: Compatible lenses: Lens mount: Digital, single-lens reflex, AF/AE camera with built-in flash SD/SDHC*/SDXC* memory cards * Compatible with UHS-I cards Approx. 22.3 x 14.9 mm Canon EF lenses (including EF-S lenses) * Excluding EF-M lenses (35 mm-equivalent focal length is approx. 1.6 times the lens focal length) Canon EF mount • Image Sensor Type: Effective pixels: Aspect ratio: Dust delete feature: CMOS sensor Approx. 24.
Specifications Noise reduction: Automatic image brightness correction: Highlight tone priority: Lens aberration correction: Applicable to long exposures and high ISO speed shots Auto Lighting Optimizer Provided Peripheral illumination correction, Chromatic aberration correction, Distortion correction • Viewfinder Type: Coverage: Magnification: Eye point: Built-in dioptric adjustment: Focusing screen: Grid display: Electronic level display: Mirror: Depth-of-field preview: Eye-level pentamirror Vertical/
Specifications • Exposure Control Metering mode: 63-zone TTL full-aperture metering using 7560-pixel RGB plus IR metering sensor • Evaluative metering (linked to all AF points) • Partial metering (approx. 6.0% of viewfinder at center) • Spot metering (approx. 3.
Specifications Max. burst (Approx.): JPEG Large/Fine: 180 (940) shots RAW: 7 (8) shots RAW+JPEG Large/Fine: 6 (6) shots * Figures are based on Canon’s testing standards (3:2 aspect ratio, ISO 100 and Standard Picture Style) using an 8 GB card. * Figures in parentheses apply to an UHS-I compatible 8 GB card based on Canon’s testing standards. • Flash Built-in flash: External flash: Flash metering: Flash exposure compensation: FE lock: PC terminal: Flash control: Retractable, auto pop-up flash Guide No.
Specifications • Movie Shooting Recording format: Movie: MP4 MPEG-4 AVC/H.264 Variable (average) bit rate Audio: AAC Recording size and Full HD (1920x1080) : 29.97p/25.00p/23.98p frame rate: HD (1280x720) : 59.94p/50.00p/29.97p/25.00p VGA (640x480) : 29.97p/25.00p Compression method: Standard/Light File size: Full HD (29.97p/25.00p/23.98p) (Standard) : Approx. 216 MB/min. Full HD (29.97p/25.00p) (Light) : Approx. 87 MB/min. HD (59.94p/50.00p) (Standard) : Approx. 187 MB/min. HD (29.97p/25.
Specifications • LCD Monitor Type: Monitor size and dots: Brightness adjustment: Electronic level display: Interface languages: Touch screen technology: Feature guide: TFT color liquid-crystal monitor Wide, 7.7 cm (3.0-in.) (3:2) with approx. 1.
Specifications • Custom Functions Custom Functions: My Menu registration: Copyright information: 14 Possible Entry and inclusion enabled • Interface Audio/video OUT/Digital Analog video (compatible with NTSC/PAL)/stereo audio terminal: output Hi-Speed USB equivalent: Computer communication, Direct printing, GPS Receiver GP-E2, Connect Station CS100 connection HDMI mini OUT Type C (Auto switching of resolution), CEC-compatible terminal: External microphone IN 3.
Specifications • Battery Pack LP-E17 Type: Rechargeable lithium-ion battery Rated voltage: 7.2 V DC Battery capacity: 1040 mAh Working temperature During charging: 5°C - 40°C / 41°F - 104°F range: During shooting: 0°C - 40°C / 32°F - 104°F Working humidity: 85% or less Dimensions (W x H x D): Approx. 33.0 x 14.0 x 49.4 mm / 1.30 x 0.55 x 1.94 in. Weight: Approx. 45 g / 1.59 oz. (excluding protective cover) • Battery Charger LC-E17 Compatible battery: Battery Pack LP-E17 Recharging time: Approx.
Specifications • EF-S18-135mm f/3.5-5.6 IS STM Focal length / Speed: Lens construction: Minimum aperture: 18 mm-135 mm f/3.5-5.6 16 elements in 12 groups f/22 - 36 * f/22-38 when 1/2-stop increments set for aperture. Angle of view: Diagonal extent: 74°20´ - 11°30´ Vertical extent: 45°30´ - 6°20´ Horizontal extent: 64°30´ - 9°30´ Closest focusing distance: 0.39 m / 1.28 ft. Max. magnification: 0.28x (at 135 mm focal length) Field of view: Approx. 248 x 372 - 53 x 80 mm / 9.76 x 14.65 - 2.09 x 3.15 in.
Specifications • EF-S55-250mm f/4-5.6 IS STM Focal length / Speed: Lens construction: Minimum aperture: Angle of view: 55 mm-250 mm f/4-5.6 15 elements in 12 groups f/22 - 32 Diagonal extent: 27°50´ - 6°15´ Vertical extent: 15°40´ - 3°30´ Horizontal extent: 23°20´ - 5°20´ Closest focusing distance: 0.85 m / 2.79 ft. Max. magnification: 0.29x (at 250 mm focal length) Field of view: Approx. 197 x 296 - 52 x 78 mm / 7.76 x 11.69 - 2.05 x 3.07 in. (at 0.85 m / 2.79 ft.) Filter size: 58 mm Max.
Specifications Trademarks Adobe is a trademark of Adobe Systems Incorporated. Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. Macintosh and Mac OS are trademarks of Apple Inc., registered in the U.S. and other countries. SDXC logo is a trademark of SD-3C, LLC. HDMI, HDMI logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.
Use of genuine Canon accessories is recommended This product is designed to achieve excellent performance when used with genuine Canon accessories. Canon shall not be liable for any damage to this product and/or accidents such as fire, etc., caused by the malfunction of non-genuine Canon accessories (e.g., a leakage and/or explosion of a battery pack).
Digital Camera Model DS126481 Systems This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Note: This equipment has been tested and found to comply with the limits for class B digital devices, pursuant to Part 15 of the FCC Rules.
USA and Canada only: The Lithium ion/polymer battery that powers the product is recyclable. Please call 1-800-8-BATTERY for information on how to recycle this battery. For CA, USA only Included lithium battery contains Perchlorate Material – special handling may apply. See www.dtsc.ca.gov/hazardouswaste/perchlorate/ for details. CAUTION RISK OF EXPLOSION IF BATTERY IS REPLACED BY AN INCORRECT TYPE. DISPOSE OF USED BATTERIES ACCORDING TO LOCAL REGULATION.
15 Viewing the CD-ROM Instruction Manuals / Downloading Images to Your Computer This chapter explains how to view the Camera Instruction Manual CD-ROM on your computer, download images from the camera to your computer, gives an overview of the software in the EOS DIGITAL Solution Disk (CD-ROM), and explains how to install the software on your computer. It also explains how to view the Software Instruction Manuals.
Viewing the Camera Instruction Manual CD-ROM The Camera Instruction Manual CD-ROM contains instruction manuals (PDF files) related to this product. Viewing the Camera Instruction Manual CD-ROM To view the instruction manuals (PDF files), Adobe Reader 6.0 or higher must be installed on your computer. Adobe Reader can be downloaded free from the Internet. After installing Adobe Reader, follow the procedure below. the “CAMERA INSTRUCTION 1 Insert MANUAL” CD-ROM into your computer. the CD-ROM.
Viewing the Camera Instruction Manual CD-ROM 4 Click your language. the instruction manual you want to 5 Click read. The manual will be displayed. You can save the PDF file to your computer. To learn how to use Adobe Reader, refer to Adobe Reader’s Help section.
Downloading Images to a Computer You can use the EOS software to download the images in the camera to your computer. There are two ways to do this. Downloading by Connecting the Camera to the Computer 1 Install the software (p.421). the provided interface cable 2 Use to connect the camera to your computer. Use the interface cable provided with the camera. Connect the cable to the camera’s digital terminal with the cable plug’s icon facing the front of the camera.
Downloading Images to a Computer Downloading Images with a Card Reader You can also use a card reader to download images to your computer. Install the software (p.421). 1 the card into the card 2 Insert reader. Digital Photo Professional to 3 Use download the images. Refer to the Digital Photo Professional Instruction Manual (p.422). When downloading images from the camera to your computer with a card reader without using EOS software, copy the DCIM folder on the card to your computer.
Software Overview EOS DIGITAL Solution Disk Various software for EOS DIGITAL cameras are contained on the EOS DIGITAL Solution Disk. EOS Utility With the camera connected to a computer, EOS Utility enables you to transfer still photos and movies shot with the camera to the computer. You can use this software to set various camera settings and shoot remotely from the computer connected to the camera. Also, you can copy background music tracks, such as EOS Sample Music*, to the card.
Installing the Software Do not connect the camera to your computer before you install the software. The software will not be installed correctly. If a previous version is installed, follow the steps below to reinstall the software. (The newer version will overwrite the previous version.) 1 Insert the EOS DIGITAL Solution Disk into your computer. For Macintosh, double-click to open the CD-ROM icon displayed on the desktop, then double-click on [setup].
Software Instruction Manual Software Instruction Manuals are contained on the EOS DIGITAL Solution Disk. You can copy and view the software instruction manual (PDF files) as follows: 1 Insert the EOS DIGITAL Solution Disk into your computer. 2 Close the install screen. When the EOS DIGITAL Solution Disk install screen appears, close the install screen. 3 Open the CD-ROM. 4 Open the [Manual] folder. 5 Copy the [English] folder to your computer. Instruction Manual PDFs with the names below are copied.
Index Numerics 10- or 2-sec. self-timer ..................124 1280x720 ......................................245 1920x1080 ....................................245 19-point AF auto selection ............114 640x480 ........................................245 A A (Scene Intelligent Auto) ............76 AC Adapter Kit ..............................365 Access lamp....................................40 Accessories.......................................3 Adobe RGB...................................156 AE lock...
Index Camera shake ..........................50, 51 Candlelight......................................93 Cards ..................................24, 39, 65 Card reminder ..........................272 Formatting ..................................65 Low-level formatting ...................66 SD speed class ............................5 Troubleshooting....................40, 66 Write-protect switch....................39 Center-weighted average metering........................................168 Charger........
Index File extension................................278 File name ......................................277 File size.........................127, 247, 321 Filter effect ............................139, 326 Final image simulation ..........207, 241 Fine (image-recording quality) ........28 Firmware version ..........................382 First-curtain synchronization .........187 Fish-eye effect ......................212, 328 Flash Built-in flash ..............................176 Custom Functions............
Index Index display ............................292 Jump display (image browsing)......................293 Magnified view..........................294 Manual rotate ...........................297 Playback...........................107, 291 Protecting .................................316 Rating .......................................298 Review time..............................273 Shooting information ................320 Slide show ................................308 Transfer ...............................
Index Menu ...............................................59 My Menu...................................360 Setting procedure .......................60 Settings.....................................378 3 icon .........................................8 Metering mode ..............................167 Metering timer .......................215, 265 MF (manual focusing) ...........121, 228 Microphone ...................................234 Miniature effect .....................213, 328 Miniature effect movies ....
Index Recharge..............................36, 43 Recharge performance.............364 Pressing completely........................52 Pressing halfway.............................52 Printing..........................................333 Cropping...................................341 Page layout ..............................337 Paper settings ..........................336 Photobook set-up .....................347 Print order (DPOF) ...................343 Printing effects..........................
Index Single-point AF .............................114 Slide show.....................................308 Small (image-recording quality) ........28, 329 Soft focus ..............................212, 327 Software........................................420 Speaker.........................................304 Special scene mode........................90 Specifications ................................401 Sports..............................................89 Spot metering................................
The descriptions in this Instruction Manual are current as of January 2015. For information on the compatibility with any products introduced after this date, contact any Canon Service Center. For the latest version Instruction Manual, refer to the Canon Web site. CPX-E123-000 © CANON INC.
Quick Start Guide Quick Reference Guide This quick reference guide explains the basic function settings and how to shoot and play back images. You can take this guide with you when shooting. For detailed instructions, refer to the EOS REBEL T6S (W) or EOS 760D (W) Instruction Manual. Insert a card. E White index Red index Preparation 4 Set the lens focus mode switch to . 5 Set the power switch to < 1 >, then set the Mode Dial to (Scene Intelligent Auto).
Shooting Operation Nomenclature LCD panel illumination button <6> Main Dial Shutter button Basic Zone Modes LCD Panel ISO speed ISO speed setting button AF area selection mode button Mode Dial lockrelease button Mode Dial Flash button Battery check Wi-Fi function Exposure level indicator Possible shots Aperture Shutter speed Viewfinder Information Focus mode switch AE lock/ Reduce button Power switch Live View shooting/ Movie shooting button AF point selection/ Magnify
EOS REBEL T6S (W) EOS 760D (W) Wi-Fi/NFC Function Instruction Manual E INSTRUCTION MANUAL
Introduction What You Can Do Using the Wireless LAN Functions This camera’s wireless LAN functions let you perform a range of tasks wirelessly, from sending images to Web services and other cameras to controlling the camera remotely, simply by connecting to a Wi-Fi network or other device supporting this camera’s wireless LAN functions.
Introduction (1) q Connect to a smartphone (p.25, 83) View saved images or operate the camera from a Wi-Fi-enabled smartphone or tablet. Install the dedicated application “Camera Connect” to use these functions. In this manual and on the camera’s LCD monitor, “smartphone” refers to smartphones and tablets. (2) z Transfer images between cameras (p.43) Transfer images between this camera and other Canon cameras with built-in wireless LAN functions. (3) l Print images using a Wi-Fi printer (p.
Structure of This Manual This manual consists of “Getting Started”, “Easy Connection”, and “Advanced Connection”. After registering a nickname in Getting Started (p.19), see the following pages according to your needs. z/Connect Station: “Easy Connection” (p.23) o/m: “Advanced Connection” (p.65) q/l: “Easy Connection” or “Advanced Connection” depending on your needs Getting Started (p.11) Explains the basic operations and how to register a nickname.
Chapters Introduction 2 Getting Started 1 2 Basic Operation and Settings 13 Registering a Nickname 19 3 4 5 6 Easy Connection to a Smartphone 25 Transferring Images Between Cameras 43 Easy Connection to a Wi-Fi Printer 53 Easy Connection to Connect Station 61 7 8 9 10 11 12 13 14 15 Using a Wi-Fi Access Point 69 Wi-Fi Connection to a Smartphone 83 Wi-Fi Connection to a Wi-Fi Printer 93 Easy Connection Advanced Connection Viewing Images Using a Media Player 101 Wi-Fi Connection to
Contents Introduction 2 What You Can Do Using the Wireless LAN Functions ..................... 2 Structure of This Manual .................................................................. 4 Chapters........................................................................................... 5 Contents ........................................................................................... 6 Conventions Used in this Manual...................................................
Contents 4 Transferring Images Between Cameras 43 Selecting the Connection Destination ............................................. 44 Sending Images ..............................................................................46 Reconnecting ..................................................................................50 Registering Multiple Connection Settings .......................................
Contents 9 Wi-Fi Connection to a Wi-Fi Printer 93 Using Infrastructure Mode to Establish a Connection .................... 94 Printing ........................................................................................... 95 Reconnecting ................................................................................. 98 Registering Multiple Connection Settings....................................... 99 10 Viewing Images Using a Media Player 101 Displaying Images on a TV set.....................
Contents 14 Troubleshooting Guide 139 Responding to Error Messages ....................................................140 Troubleshooting Guide..................................................................153 Wireless LAN Notes......................................................................154 Checking Network Settings...........................................................156 15 Reference 157 Setting Network Manually .............................................................
Conventions Used in this Manual In this manual, the term “wireless LAN” is used as a general term for Wi-Fi and Canon’s original wireless communication functions. The term “access point” indicates wireless LAN terminals (wireless LAN access points, wireless LAN routers, etc.) that relay wireless LAN connection. Brackets [ ] indicate button names, icon names, or other software elements displayed on the computer or other device’s screen. Brackets also indicate camera menu items.
Getting Started 11
Operation Flowchart This section explains the basic operation of the wireless LAN functions and how to register a nickname (for identification). Follow the procedures below. Set [Wi-Fi/NFC] to [Enable]. (Steps 1 and 2 on page 14) When this setting is selected for the first time, a screen to register a nickname is displayed. Register a nickname. (p.20) Set the camera’s nickname. Enter any characters between 1 to 14 characters in length, such as your name.
1 Basic Operation and Settings This chapter describes the basic operation and settings necessary for using the camera’s wireless LAN functions.
Basic Operation and Settings The basic operation for setting the camera’s wireless LAN functions is explained here. Follow the procedures below. 1 Select [Wi-Fi/NFC]. Under the [51] tab, select [Wi-Fi/ NFC], then press <0>. [Enable]. 2 Select Press the key to select [Enable], then press <0>. When this setting is selected for the first time, a screen to register a nickname (for identification) is displayed. See page 20 to register a nickname.
Basic Operation and Settings the Wi-Fi function to 4 Select connect to. Press the or keys to select an item. The camera’s wireless LAN settings are set from this screen. For further connection settings, see “Easy Connection” or “Advanced Connection”. [Wi-Fi/NFC] When it is set to [Disable], you cannot select [Wi-Fi function] under the [51] tab. When using the NFC function, set [Wi-Fi/NFC] to [Enable], then add [X] to [Allow NFC connections].
Basic Operation and Settings Auto Power Off If necessary, set [Auto power off] under the [52] tab to [Disable]. If the camera’s auto power off is activated during the wireless LAN connection, the connection will be terminated. Wireless LAN Connection Status Wireless LAN connection status can be checked on the camera’s LCD panel.
Basic Operation and Settings Touch Control You can operate wireless LAN functions by touching the camera’s screen as well. What You Can Do Using the NFC Function Using the camera’s NFC function enables you to do the following: Touch an NFC-enabled smartphone to the camera to connect them easily via a wireless LAN (p.28). While playing back images on the camera, touch an NFC-enabled smartphone to the camera to send a captured image to the smartphone (p.39).
Basic Operation and Settings Cable Connection Cautions When [51: Wi-Fi/NFC] is set to [Enable], connection via interface cable, stereo AV cable, or HDMI cable is disabled. Set [51: Wi-Fi/NFC] to [Disable] before connecting a cable. When the camera is connected to a computer, printer, GPS receiver, TV set, or any other device with an interface cable, settings for [Wi-Fi/NFC] cannot be changed. Disconnect the interface cable before changing any settings.
2 Registering a Nickname This chapter describes how to set the camera’s nickname (for identification).
Registering a Nickname Before setting up a connection, set the camera’s nickname (for identification). When the camera is connected to another device via a wireless LAN, the nickname will be displayed on the device. Be sure to set a nickname as otherwise you cannot go to the wireless LAN settings screen. 1 Select [Wi-Fi/NFC]. Under the [51] tab, select [Wi-Fi/ NFC], then press <0>. [Enable]. 2 Select Press the key to select [Enable], then press <0>.
Registering a Nickname a nickname. 3 Enter For instructions on entering characters, see “Virtual Keyboard Operation” on the next page. Enter any characters between 1 to 14 characters in length. the setting. 4 Exit When you are finished, press the button. Select [OK] on the confirmation dialog and press <0> to return to the menu screen. The nickname can be changed later from the [General sett.] screen (p.138).
Registering a Nickname Virtual Keyboard Operation Changing the entry area Press the button to toggle between the top and bottom entry areas. Moving the cursor Press the keys in the top area to move the cursor. Entering text In the bottom area, press the or keys to select a character, then press <0> to enter it. You can check how many characters you have entered, and how many more can be entered, by referring to [*/*] on the upper right of the screen.
Easy Connection 23
Wireless LAN Function Flowchart (Easy Connection) q z l Smartphone Camera Printer Connect Station Use Connect Set up Register the camera’s nickname (p.20) Install Camera Connect on a smartphone (p.26) Set up a compatible camera (p.43) Set up a compatible printer (p.53) Register connection destinations to the camera (p.28, 31) (p.44) (p.54) Make images viewable and shoot remotely (p.35) Exchange images (p.46) Print images (p.57) Set up Connect Station Connect via NFC (p.
3 Easy Connection to a Smartphone Connecting the camera to a smartphone enables you to do the following: • View or manage images stored in the camera with the smartphone. • Receive images stored in the camera with the smartphone. • Operate the camera with the smartphone and take a picture. To connect using a Wi-Fi access point, see “Advanced Connection” (p.65). The camera cannot be connected to a smartphone when the power switch is set to .
Preparation Install Camera Connect on a Smartphone To communicate with a smartphone, the dedicated smartphone application Camera Connect (free of charge) is necessary. Camera Connect can be downloaded from the App Store or Google Play. Install Camera Connect on the smartphone and then perform the procedures to establish the connection. To use Camera Connect, a smartphone on which iOS or Android installed is necessary.
Preparation Connection Method When using an Android smartphone (OS version 4.0 or later), check if it is NFC-enabled. When the smartphone is NFC-enabled: See p.28 You can easily set up a connection using the NFC function. When the smartphone is not NFC-enabled: See p.31 Set up a connection in camera access point mode. Smartphones labeled with the p mark are NFC-enabled.
Connecting with the NFC Function Connect the camera and a smartphone using the NFC function. The operation flow for connecting via NFC is as follows. (1) Turn on the camera and smartphone. (2) Enable the NFC function on the camera and smartphone. (3) Touch the smartphone to the camera so that they come into contact with each other (p.29). For the smartphone’s NFC setting and its NFC antenna position, refer to the smartphone’s instruction manual. For the camera’s NFC setting, follow the steps below.
Connecting with the NFC Function Connecting to a Smartphone 1 Touch a smartphone to the camera. If an image is being played back on the camera, end the playback. Touch the p mark on the smartphone to that on the camera. When a message indicating the connection is displayed on the camera’s LCD monitor, communication can be established even if the smartphone is moved away from the camera. Camera Connect starts on the smartphone and establishes a connection.
Connecting with the NFC Function the Camera using 3 Operate Camera Connect. Perform further operations using Camera Connect. For the operation procedure, see page 35. The settings for communicating with a smartphone are now complete. NFC Function Cautions When touching the smartphone to the camera, be careful not to drop the camera or smartphone. Do not touch the smartphone to the camera with too much force. Doing so can scratch the camera or smartphone.
Using Camera Access Point Mode to Establish a Connection Smartphones that are not NFC-enabled can be connected in camera access point mode. To establish connection, operations on the smartphone are required. For details, refer to the smartphone’s instruction manual. Operation on the Camera-1 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [q]. 2 Select Select [q] (Connect to smartphone) and press <0>. [Camera access point 3 Select mode].
Using Camera Access Point Mode to Establish a Connection [Easy connection]. 4 Select Press the keys to select [Easy connection], then press <0>. Select [OK] and press <0> to go to the next screen. For manual connection, see page 158. Operation on the Smartphone-1 SSID (network name) Encryption key (password) the smartphone and 5 Operate connect it to the camera. Activate the smartphone’s Wi-Fi function, then select the SSID (network name) displayed on the camera’s LCD monitor.
Using Camera Access Point Mode to Establish a Connection Camera Connect on the 6 Start smartphone. When the smartphone’s Wi-Fi settings are completed, start Camera Connect. the camera to connect to 7 Select on the smartphone. Select and touch the camera to connect to from [Cameras] on Camera Connect to establish a connection. When the operation on the camera is completed in step 8 on the next page, the Camera Connect Main window will appear.
Using Camera Access Point Mode to Establish a Connection Operation on the Camera-2 to the camera. 8 Connect When a connection is established, The device name set on Camera Connect the screen on the left will appear on the camera’s LCD monitor. To specify viewable images, press the button. See step 5 on page 90 to set them. Press the key to select [OK], then press <0>. After a message is displayed, the camera’s LCD monitor will turn off.
Operating the Camera Using a Smartphone You can use a smartphone with Camera Connect installed to view images stored in the camera and shoot remotely. Camera Connect Main Window The main functions of Camera Connect are described below. Touch the screen to learn the operation procedures. [Images on camera] Images stored in the camera can be viewed. Images stored in the camera can be saved on a smartphone. Operations such as deletion can be performed on images stored in the camera.
Operating the Camera Using a Smartphone Terminating the Connection To terminate the connection, perform either of the following operations. Tap [t] on the Camera Connect screen. Set the camera’s power to <2>. When viewable images are specified (p.89), functions of Camera Connect will be limited. While connected, a picture cannot be taken even if the camera’s shutter button is pressed. In remote shooting, the AF speed may become slower.
Reconnecting The camera can reconnect to a smartphone for which connection settings have been registered. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [q]. 2 Select Select [q] (Connect to smartphone) and press <0>. a connection. 3 Establish Select [Connect] and press <0>. On the confirmation dialog, select [OK]. When settings for multiple connection destinations are registered, select [Choose set.
Reconnecting the smartphone’s Wi-Fi 4 Activate function. If the connection destination has been changed, restore the setting to connect to the camera. Camera Connect on the 5 Start smartphone. A connection will be established. If you do not know the SSID of the camera when reconnecting, select [Review/change settings] in step 3 to check it (p.135). With NFC connection or when connected by selecting [Easy connection] in camera access point mode, “_Canon0A” is appended to the SSID of the camera.
Easy Image Transfer Using the NFC Function While playing back images on the camera, touch an NFC-enabled smartphone to the camera to send a captured image to the smartphone. If a connection has already been established via a wireless LAN, terminate the connection and then play back images on the camera. Set up the camera and smartphone to allow use of their NFC functions in advance (p.28). Sending Images Individually 1 Play back the image.
Easy Image Transfer Using the NFC Function 4 Press <0>. [Send img shown]. 5 Select Press the keys to select [Send img shown], then press <0>. When you select [Send selected], the screen in step 2 on page 41 is displayed. The displayed image will be sent. When the transfer is complete, the screen for step 3 will reappear. To send another image, select an image and press <0> (p.42). the connection. 6 Terminate Press the button to display the confirmation dialog.
Easy Image Transfer Using the NFC Function Sending Multiple Images When the index display is selected in step 1 on page 39, the image selection screen will appear on the camera after a connection is established. 1 Connect the camera to the smartphone. Play back images in the index display. See step 2 on page 39 to touch the smartphone to the camera and establish a connection. The image selection screen will appear. the images to send.
Easy Image Transfer Using the NFC Function Sending Another Image On the screen to complete the process for sending the image, press <0> to send another image. [Send selected] You can select the images to send in the image selection screen. [Send img shown] Sends the displayed image. Display the image to send in advance. If necessary, also read “NFC Function Cautions” (p.30). While connected, a picture cannot be taken even if the camera’s shutter button is pressed.
4 Transferring Images Between Cameras Images can be transferred between Canon cameras via the built-in wireless LAN functions. Wireless connection is possible for Canon cameras with built-in wireless LAN functions marketed in 2012 or later. Note that the camera cannot be connected to Canon camcorders, even if they have built-in wireless LAN functions. The camera cannot be connected to Canon cameras without built-in wireless LAN functions, even if they support Eye-Fi cards.
Selecting the Connection Destination Register the target camera to connect to via a wireless LAN. The camera can be connected to only one camera at a time. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [z]. 2 Select Select [z] (Transfer imgs between cameras), then press <0>. the connection on the target 3 Start camera. When the screen on the left is displayed on the camera, start the connection on the target camera as well.
Selecting the Connection Destination the images to send. 4 Select Select images on the camera sending the images (p.46). Do not operate the camera receiving the images. Note that GPS information is not displayed on the camera’s playback screen even if GPS information is appended to the received image. Shooting locations can be viewed on a virtual map, using Map Utility (EOS software). The connection settings are saved/registered with the nickname of the camera to which a connection was established.
Sending Images Sending Images Individually Select and send images individually. 1 Select an image to send. Turn the <5> dial to select an image to send, then press <0>. By pressing the button, you can switch to the index display and select an image. [Send img shown]. 2 Select To select a size at which to send the image, select [Resize image] and press <0>. Press the keys to select [Send img shown], then press <0>. The transfer progress screen will appear.
Sending Images Sending Multiple Images Select multiple images and send them at once. 1 Press <0>. [Send selected]. 2 Select To select a size at which to send the images, select [Resize image] and press <0>. Press the keys to select [Send selected], then press <0>. the images to send. 3 Select Turn the <5> dial to select an image to send, then add [X]. Press <0> to add or remove [X]. By pressing the button, you can switch to the three-image display and select an image.
Sending Images the image size. 4 Reduce Set it if necessary. On the next screen, press the keys to select an image size, then press <0>. the images. 5 Send Press the keys to select [Send], then press <0> to send the images. The transfer progress screen will appear. When the transfer is complete, the screen for step 1 will reappear. To send another image, repeat steps 1 to 5. the connection. 6 Terminate Press the button to display the confirmation dialog.
Sending Images While connected, a picture cannot be taken even if the camera’s shutter button is pressed. When you want to terminate the connection to shoot or perform other operations, press the button, then terminate the connection on the displayed screen. To terminate the connection during image transfer, select [Cancel] on the camera, then terminate the connection.
Reconnecting The camera can reconnect to another camera for which connection settings have been registered. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [z]. 2 Select Select [z] (Transfer imgs between cameras) and press <0>. a connection. 3 Establish Select [Connect] and press <0>. On the confirmation dialog, select [OK]. Perform the reconnection procedure on the target camera as well.
Registering Multiple Connection Settings You can register up to three camera connection settings. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [z]. 2 Select Select [z] (Transfer imgs between cameras) and press <0>. [Choose set.]. 3 Select Select [Choose set.] and press <0>. [SET* (not configured)]. 4 Select Select [SET* (not configured)] and press <0>. The connection settings screen is displayed.
MEMO 52
5 Easy Connection to a Wi-Fi Printer You can directly print images by connecting the camera with a wireless LAN compatible printer supporting PictBridge (Wireless LAN) via a wireless LAN. When in or mode, or when Multi Shot Noise Reduction is set, the camera cannot be connected to a printer. To connect using a Wi-Fi access point, see “Advanced Connection” (p.65).
Using Camera Access Point Mode to Establish a Connection The camera and a printer can be directly connected via a wireless LAN. Because the camera acts as an access point, no other access point is necessary, so you can print images easily. To establish a connection, operations on the printer are required. For details, refer to the printer’s instruction manual. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [l].
Using Camera Access Point Mode to Establish a Connection [Easy connection]. 4 Select Press the keys to select [Easy connection], then press <0>. Select [OK] and press <0> to go to the next screen. For manual connection, see page 158. SSID (network name) Encryption key (password) the printer’s Wi-Fi settings to 5 Set connect to the camera. On the Wi-Fi settings menu of the printer to be used, select the SSID (network name) displayed on the camera’s LCD monitor.
Using Camera Access Point Mode to Establish a Connection the printer to connect to. 6 Select When a list of detected printers is displayed, select the printer to connect to and press <0>. Some printers may make a beeping sound. When 16 or more printers are detected or search takes over 3 minutes, you can select [Search again]. When a connection is established, the settings are saved and an image on the card is displayed. the images to be printed.
Printing Printing Images Individually Select and print images individually. 1 Select an image to print. Turn the <5> dial to select an image to print, then press <0>. By pressing the button, you can switch to the index display and select an image. [Print image]. 2 Select Press the keys to select [Print image], then press <0>. The print setting screen will appear. printing. 3 Start For the setting procedures, refer to “Printing Images” in the Camera Instruction Manual.
Printing Printing by Specifying the Options Print by specifying the printing options. 1 Press <0>. [Print order]. 2 Select Press the keys to select [Print order], then press <0>. The [Print order] screen will appear. the printing options. 3 Set For the setting procedures, refer to “Printing Images” in the Camera Instruction Manual. printing. 4 Start Select [Print] and press <0>. Follow the procedures displayed to perform printing.
Printing the connection. 5 Terminate Press the button to return to the screen in step 1. Press the button again to display the confirmation dialog. Press the key to select [OK], then press <0> to terminate the connection. The [Wi-Fi function] screen will reappear. While connected, a picture cannot be taken even if the camera’s shutter button is pressed.
Reconnecting The camera can reconnect to a printer for which connection settings have been registered. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [l]. 2 Select Select [l] (Print from Wi-Fi printer) and press <0>. a connection. 3 Establish Select [Connect] and press <0>. On the confirmation dialog, select [OK]. The camera will reconnect to the printer.
6 Easy Connection to Connect Station Connect Station (sold separately) is a device that allows you to import captured still photos and movies for viewing on your TV set, smartphone, etc., or sharing them over a network. You can easily save still photos and movies to Connect Station by holding this camera close to Connect Station.
Saving Images This section explains how to connect the camera and Connect Station (sold separately) via a wireless LAN. To save images in other ways, refer to the Connect Station instruction manual. Set up the camera to allow use of its NFC function in advance (p.28). up the camera to allow use of 1 Set its NFC function (p.28). the camera close to Connect 2 Hold Station.
Saving Images Do not drop the camera on Connect Station or touch the camera to it with too much force. Doing so may damage Connect Station’s internal hard disk. Since the camera may not be recognized readily, hold it carefully close to Connect Station while changing the camera’s position or angle. Just holding the camera close to Connect Station may not establish a connection. In such a case, gently touch Connect Station with the camera.
MEMO 64
Advanced Connection 65
Wireless LAN Function Flowchart (Advanced Connection) q l o m Smartphone Printer Media player Web service Set up Register a nickname (p.20) Install Camera Connect on a smartphone (p.68) Connect each device to a Wi-Fi access point* • Register with CANON iMAGE GATEWAY (p.108) • Register Web services on the camera (p.108) Use Connect Connect the camera to a Wi-Fi access point 66 (p.69) (p.107) Connect the camera to each device (p.83) (p.93) Make images viewable and shoot remotely (p.
To connect to z (Transfer images between cameras) or Connect Station, refer to “Easy Connection” (p.23). * These instructions should be followed only after each device, such as a smartphone, is connected to a Wi-Fi access point.
Preparing to Connect to a Smartphone To use [q] (Connect to smartphone), the dedicated application Camera Connect (free of charge) must be installed on the smartphone in advance. Camera Connect can be downloaded from the App Store or Google Play. To use Camera Connect, a smartphone on which iOS or Android installed is necessary. For information on supported operating systems, refer to the download site of Camera Connect.
7 Using a Wi-Fi Access Point Connecting to a Wi-Fi access point gives you access to the following functions: • • • • Connecting to a smartphone Printing images using a Wi-Fi printer Viewing images using a media player Sending images to a Web service* * To send images to a Web service, skip the explanation in this chapter and see page 107.
Checking the Type of Access Point To start with, check if the access point supports Wi-Fi Protected Setup (WPS) that allows easy connection between Wi-Fi devices. If you do not know if the access point you use is WPS-compatible, refer to the access point instruction manual or other documentation. When WPS is supported The following two connection methods are available. Connection can be established easier with WPS (PBC mode). However, both provide high security settings.
Connection via WPS (PBC Mode) This is a connection mode available when using an access point compatible with WPS. In pushbutton connection mode (PBC mode), the camera and the access point can be connected simply by pressing the WPS button on the access point. If multiple access points are active in the surrounding area, it may be more difficult to establish a connection. In such a case, try using [WPS (PIN mode)] to establish a connection.
Connection via WPS (PBC Mode) [WPS (PBC mode)]. 4 Select Press the keys to select [WPS (PBC mode)], then press <0>. Select [OK] and press <0> to go to the next screen. to the access point. 5 Connect Press the access point’s WPS button. For details about where the button is located and how long to press it, refer to the access point’s instruction manual. Select [OK] and press <0> to establish a connection with the access point.
Connection via WPS (PBC Mode) Specifying Settings for the Wi-Fi Function This section explains how to set the screens for the Wi-Fi function. Read the page that introduces the selected Wi-Fi function. Connecting to a Smartphone: Chapter 8 (p.83) Printing Images Using a Wi-Fi Printer: Chapter 9 (p.93) Viewing Images Using a Media Player: Chapter 10 (p.101) The settings for networking with the media player are now complete. For more information on using this function, see Chapter 10.
Connection via WPS (PIN Mode) This is a connection mode available when using an access point compatible with WPS. In PIN code connection mode (PIN mode), an 8digit identification number specified on the camera is set at the access point to establish a connection. Even if there are multiple access points active in the surrounding area, a relatively reliable connection can be established using this shared identification number. It may take approx. one minute to establish a connection.
Connection via WPS (PIN Mode) [WPS (PIN mode)]. 4 Select Press the keys to select [WPS (PIN mode)], then press <0>. Select [OK] and press <0> to go to the next screen. the PIN code at the 5 Specify access point. At the access point, specify the 8-digit PIN code displayed on the camera’s LCD monitor. For instructions on setting PIN codes at the access point, refer to the access point’s instruction manual. After the PIN code is specified, select [OK] and press <0>. to the access point.
Connection via WPS (PIN Mode) [Auto setting]. 7 Select Press the keys to select [Auto setting], then press <0>. Select [OK] and press <0> to display the setting screen for the Wi-Fi function selected in step 2 (p.77). If [Auto setting] results in an error or if you want to specify the settings manually, see page 160.
Connection via WPS (PIN Mode) Specifying Settings for the Wi-Fi Function This section explains how to set the screens for the Wi-Fi function. Read the page that introduces the selected Wi-Fi function. Connecting to a Smartphone: Chapter 8 (p.83) Printing Images Using a Wi-Fi Printer: Chapter 9 (p.93) Viewing Images Using a Media Player: Chapter 10 (p.101) The settings for networking with the media player are now complete. For more information on using this function, see Chapter 10.
Manual Connection by Searching Networks When [Find network] is selected, a list of active access points nearby is displayed, accompanied by information about them. Select the SSID (or ESS-ID) of the access point to connect to and establish a connection. Selecting the Wireless Network 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. an item. 2 Select Select either [q], [l] or [o], then press <0>. [Infrastructure mode].
Manual Connection by Searching Networks [Find network]. 4 Select Press the keys to select [Find network], then press <0>. Select [OK] and press <0> to go to the next screen. (1) (2) (3) an access point. 5 Select Press <0> to enable the selection of an access point. Press the keys to select an access point, then press <0>. Select [OK] and press <0> to go to the next screen (p.80).
Manual Connection by Searching Networks Entering the Wireless LAN Encryption Key Set the encryption key specified for the access point. For details on the specified encryption key, refer to the access point’s instruction manual. The screens displayed in steps 6 to 8 below vary depending on the authentication and encryption specified for the access point. Go to step 9 when the [IP address set.] screen is displayed instead of the screens for steps 6 to 8.
Manual Connection by Searching Networks Setting the IP Address [Auto setting]. 9 Select Press the keys to select [Auto setting], then press <0>. Select [OK] and press <0> to display the setting screen for the Wi-Fi function selected in step 2 (p.82). If [Auto setting] results in an error or if you want to specify the settings manually, see page 160.
Manual Connection by Searching Networks Specifying Settings for the Wi-Fi Function This section explains how to set the screens for the Wi-Fi function. Read the page that introduces the selected Wi-Fi function. Connecting to a Smartphone: Chapter 8 (p.83) Printing Images Using a Wi-Fi Printer: Chapter 9 (p.93) Viewing Images Using a Media Player: Chapter 10 (p.101) The settings for networking with the media player are now complete. For more information on using this function, see Chapter 10.
8 Wi-Fi Connection to a Smartphone Connecting the camera to a smartphone enables you to do the following: • View or manage images stored in the camera with the smartphone. • Receive images stored in the camera with the smartphone. • Operate the camera with the smartphone and take a picture. These instructions should be followed only after the smartphone is connected to an access point.
Using Infrastructure Mode to Establish a Connection These instructions are continued from Chapter 7. To establish connection, operations on the smartphone are required. For details, refer to the smartphone’s instruction manual. To connect using the NFC function or in camera access point mode, see “Easy Connection to a Smartphone” (p.25). Operation on the Smartphone-1 1 Start Camera Connect on the smartphone.
Using Infrastructure Mode to Establish a Connection Operation on the Camera to the camera. 3 Connect When a connection is established, The device name set on Camera Connect the screen on the left will appear on the camera’s LCD monitor. To specify viewable images, press the button. See step 5 on page 90 to set them. Press the key to select [OK], then press <0>. After a message is displayed, the camera’s LCD monitor will turn off.
Operating the Camera Using a Smartphone You can use a smartphone with Camera Connect installed to view images stored in the camera and shoot remotely. Camera Connect Main Window The main functions of Camera Connect are described below. Touch the screen to learn the operation procedures. [Images on camera] Images stored in the camera can be viewed. Images stored in the camera can be saved on a smartphone. Operations such as deletion can be performed on images stored in the camera.
Operating the Camera Using a Smartphone Terminating the Connection To terminate the connection, perform either of the following operations. Tap [t] on the Camera Connect screen. Set the camera’s power to <2>. When viewable images are specified (p.89), functions of Camera Connect will be limited. While connected, a picture cannot be taken even if the camera's shutter button is pressed. In remote shooting, the AF speed may become slower.
Reconnecting The camera can reconnect to a smartphone for which connection settings have been registered. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [q]. 2 Select Select [q] (Connect to smartphone) and press <0>. a connection. 3 Establish Select [Connect] and press <0>. On the confirmation dialog, select [OK]. When settings for multiple connection destinations are registered, select [Choose set.
Specifying Viewable Images You can specify images viewable from a smartphone by operating the camera. Images can be specified during connection settings or after the connection is terminated. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [q]. 2 Select Select [q] (Connect to smartphone) and press <0>. [Review/change settings]. 3 Select Select [Review/change settings] and press <0>. [Viewable imgs].
Specifying Viewable Images an item. 5 Select Press the keys to select an item, then press <0>. Select [OK] and press <0> to display the setting screen. [All images] All images stored on the card become viewable. [Images from past days] Specify viewable images on the shooting-date basis. Images shot up to nine days ago can be specified. Press the keys to select an item, then press <0>.
Specifying Viewable Images [File number range] (Select range) First image Last image Select the first and last images from images arranged by the file number to specify the viewable images. 1 Press the keys to select the first image to be set viewable. 2 Press <0> to display the image selection screen. Select an image using the keys, or <5> dial. By pressing the button, you can switch to the index display and select an image.
Registering Multiple Connection Settings You can register up to three smartphone connection settings. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [q]. 2 Select Select [q] (Connect to smartphone) and press <0>. [Choose set.]. 3 Select Select [Choose set.] and press <0>. [SET* (not configured)]. 4 Select Select [SET* (not configured)] and press <0>. The connection settings screen is displayed.
9 Wi-Fi Connection to a Wi-Fi Printer You can directly print images by connecting the camera with a wireless LAN compatible printer supporting PictBridge (Wireless LAN) via a wireless LAN. These instructions should be followed only after the printer is connected to an access point. For information about settings and configuration, refer to the documentation provided with each device or contact the manufacturer.
Using Infrastructure Mode to Establish a Connection These instructions are continued from Chapter 7. To connect in camera access point mode, see “Using Camera Access Point Mode to Establish a Connection” (p.54). 1 Select the printer to connect to. When a list of detected printers is displayed, select the printer to connect to and press <0>. Some printers may make a beeping sound. When 16 or more printers are detected or search takes over 3 minutes, you can select [Search again].
Printing Printing Images Individually Select and print images individually. 1 Select an image to print. Turn the <5> dial to select an image to print, then press <0>. By pressing the button, you can switch to the index display and select an image. [Print image]. 2 Select Press the keys to select [Print image], then press <0>. The print setting screen will appear. printing. 3 Start For the setting procedures, refer to “Printing Images” in the Camera Instruction Manual.
Printing Printing by Specifying the Options Print by specifying the printing options. 1 Press <0>. [Print order]. 2 Select Press the keys to select [Print order], then press <0>. The [Print order] screen will appear. the printing options. 3 Set For the setting procedures, refer to “Printing Images” in the Camera Instruction Manual. printing. 4 Start Select [Print] and press <0>. Follow the procedures displayed to perform printing.
Printing the connection. 5 Terminate Press the button to return to the screen in step 1. Press the button again to display the confirmation dialog. Press the key to select [OK], then press <0> to terminate the connection. The [Wi-Fi function] screen will reappear. While connected, a picture cannot be taken even if the camera’s shutter button is pressed.
Reconnecting The camera can reconnect to a printer for which connection settings have been registered. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [l]. 2 Select Select [l] (Print from Wi-Fi printer) and press <0>. a connection. 3 Establish Select [Connect] and press <0>. On the confirmation dialog, select [OK]. The camera will reconnect to the printer.
Registering Multiple Connection Settings You can register up to three printer connection settings. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [l]. 2 Select Select [l] (Print from Wi-Fi printer) and press <0>. [Choose set.]. 3 Select Select [Choose set.] and press <0>. [SET* (not configured)]. 4 Select Select [SET* (not configured)] and press <0>. The connection settings screen is displayed.
MEMO 100
10 Viewing Images Using a Media Player Images on a card in the camera can be viewed on a TV set via a wireless LAN. This function requires a DLNA*-compatible TV set, game machine, smartphone, or other media player. In this manual, the term “media player” is used to refer to any such device. * DLNA: Digital Living Network Alliance These instructions should be followed only after the DLNA-compatible TV set or other device used is connected to an access point.
Displaying Images on a TV set Images on the card in the camera can be displayed on a TV set using a media player. Note that RAW images and movies cannot be displayed. The viewing operations must be performed on the media player. For details, refer to the media player's instruction manual. 1 Display the media player settings screen on your TV set. Using the media player functions, display the < EOS REBEL T6S/ EOS 760D> (media player) icon on the TV set.
Displaying Images on a TV set Terminating the Connection 1 Select [Disconnect,exit]. Select [Disconnect,exit] and press <0>. [OK]. 2 Select Press the key to select [OK], then press <0> to terminate the connection. While connected, a picture cannot be taken even if the camera’s shutter button is pressed. The connection will also be terminated if you open the card slot/battery compartment cover or set the camera’s power to <2>.
Reconnecting The camera can reconnect to a media player for which connection settings have been registered. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [o]. 2 Select Select [o] (View images on DLNA devices) and press <0>. a connection. 3 Establish Select [Connect] and press <0>. On the confirmation dialog, select [OK]. The camera will reconnect to the media player.
Registering Multiple Connection Settings You can register up to three media player connection settings. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [o]. 2 Select Select [o] (View images on DLNA devices) and press <0>. [Choose set.]. 3 Select Select [Choose set.] and press <0>. [SET* (not configured)]. 4 Select Select [SET* (not configured)] and press <0>. The connection settings screen is displayed.
MEMO 106
11 Wi-Fi Connection to a Web Service You can register various Web services on the camera and send images stored in the camera to them. CANON iMAGE GATEWAY Web services are not supported in certain countries and areas. For information on countries and areas supporting CANON iMAGE GATEWAY services, refer to the Canon Web site (http://www.canon.com/cig). Settings for “Send images to a Web service” may not be performed from a computer in certain countries and areas.
Preparation Signing Up as a CANON iMAGE GATEWAY Member To send images to Web services, you need to sign up as a CANON iMAGE GATEWAY member (free of charge). Once you are a CANON iMAGE GATEWAY member, you can publish photos you took in online albums and use a range of services. This Web site also serves as a platform for sharing images on registered Web services. Connect to the Internet from a computer or other device, access the Canon Web site (http://www.canon.
Preparation The general procedure for sending images to a Web service is as follows. 1 Prepare a computer on which EOS Utility has been installed. Use the EOS software CD-ROM to install EOS Utility. 2 Access Canon Web site from the computer and sign up as a CANON iMAGE GATEWAY member (free of charge). If you are already a member, proceed to step 3. 3 Connect the camera and computer with an interface cable. Before connection, set [51: Wi-Fi/NFC] to [Disable].
Checking the Type of Access Point To start with, check if the access point supports Wi-Fi Protected Setup (WPS) that allows easy connection between Wi-Fi devices. If you do not know if the access point you use is WPS-compatible, refer to the access point instruction manual or other documentation. When WPS is supported The following two connection methods are available. Connection can be established easier with WPS (PBC mode). However, both provide high security settings.
Connection via WPS (PBC Mode) This is a connection mode available when using an access point compatible with WPS. In pushbutton connection mode (PBC mode), the camera and the access point can be connected simply by pressing the WPS button on the access point. If multiple access points are active in the surrounding area, it may be more difficult to establish a connection. In such a case, try using [WPS (PIN mode)] to establish a connection.
Connection via WPS (PBC Mode) a Web service. 3 Select Select a Web service to connect to, then press <0>. The contents and ordering of the list of items displayed will vary depending on settings. The Web service to connect to can be changed later (p.126). When the [Send to] screen (p.125) is displayed, select a destination and go to step 4. [WPS (PBC mode)]. 4 Select Press the keys to select [WPS (PBC mode)], then press <0>. Select [OK] and press <0> to go to the next screen.
Connection via WPS (PBC Mode) [Auto setting]. 6 Select Press the keys to select [Auto setting], then press <0>. Select [OK] and press <0>. The settings are saved and an image on the card is displayed. If [Auto setting] results in an error or if you want to specify the settings manually, see page 160. the images to send. 7 Select Select and send the images. For information on how to send images, see page 121. The settings for networking with Web services are now complete.
Connection via WPS (PIN Mode) This is a connection mode available when using an access point compatible with WPS. In PIN code connection mode (PIN mode), an 8digit identification number specified on the camera is set at the access point to establish a connection. Even if there are multiple access points active in the surrounding area, a relatively reliable connection can be established using this shared identification number. It may take approx. one minute to establish a connection.
Connection via WPS (PIN Mode) [WPS (PIN mode)]. 4 Select Press the keys to select [WPS (PIN mode)], then press <0>. Select [OK] and press <0> to go to the next screen. the PIN code at the 5 Specify access point. At the access point, specify the 8-digit PIN code displayed on the camera’s LCD monitor. For instructions on setting PIN codes at the access point, refer to the access point’s instruction manual. After the PIN code is specified, select [OK] and press <0>. to the access point.
Connection via WPS (PIN Mode) [Auto setting]. 7 Select Press the keys to select [Auto setting], then press <0>. Select [OK] and press <0>. The settings are saved and an image on the card is displayed. If [Auto setting] results in an error or if you want to specify the settings manually, see page 160. the images to send. 8 Select Select and send the images. For information on how to send images, see page 121. The settings for networking with Web services are now complete.
Manual Connection by Searching Networks When [Find network] is selected, a list of active access points nearby is displayed, accompanied by information about them. Select the SSID (or ESS-ID) of the access point to connect to and establish a connection. Selecting the Wireless Network 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [m]. 2 Select Select [m] (Upload to Web service) and press <0>. a Web service.
Manual Connection by Searching Networks [Find network]. 4 Select Press the keys to select [Find network], then press <0>. Select [OK] and press <0> to go to the next screen. (1) (2) (3) an access point. 5 Select Press <0> to enable the selection of an access point. Press the keys to select an access point, then press <0>. Select [OK] and press <0> to go to the next screen (p.119).
Manual Connection by Searching Networks Entering the Wireless LAN Encryption Key Set the encryption key specified for the access point. For details on the specified encryption key, refer to the access point’s instruction manual. The screens displayed in steps 6 to 8 below vary depending on the authentication and encryption specified for the access point. Go to step 9 when the [IP address set.] screen is displayed instead of the screens for steps 6 to 8.
Manual Connection by Searching Networks Setting the IP Address [Auto setting]. 9 Select Press the keys to select [Auto setting], then press <0>. Select [OK] and press <0>. The settings are saved and an image on the card is displayed. If [Auto setting] results in an error or if you want to specify the settings manually, see page 160. the images to send. 10 Select Select and send the images. For information on how to send images, see page 121.
Sending Images to a Web Service You can share movies and still photos you shot by sending them to a Web service registered on the camera such as CANON iMAGE GATEWAY. Sent images are saved in an online album on CANON iMAGE GATEWAY and a link to the album is sent to each Web service. It is also possible to send images to Web services directly depending on the selected Web service and settings. Sending Images Individually Select and send images individually. 1 Select an image to send.
Sending Images to a Web Service When the [Terms of use] screen is displayed, thoroughly read the message, then press the key to select [I Agree]. The screen can be scrolled up and down by pressing the keys. Sending Multiple Images Select multiple images and send them at once. 1 Press <0>. [Send selected]. 2 Select To select a size at which to send the images, select [Resize image] and press <0>. Press the keys to select [Send selected], then press <0>. the images to send.
Sending Images to a Web Service the image size. 4 Reduce Set it if necessary. When YouTube is selected as the destination, [Resize image] is not displayed. On the next screen, press the keys to select an image size, then press <0>. the images. 5 Send Press the keys to select [Send], then press <0>. The transfer progress screen is displayed.
Sending Images to a Web Service While connected, a picture cannot be taken even if the camera’s shutter button is pressed. A send error message may not be displayed in the following cases, even when sending fails due to there being no free space on the Web server that the image was sent to: • When the image was sent at a reduced size • When the image was sent directly to a Web service other than CANON iMAGE GATEWAY You can check server processing errors on the CANON iMAGE GATEWAY site.
Sending Images to a Web Service Selecting a Destination You can send images stored in the camera or links to posted images to registered destinations. To register Email destinations and settings for sending Emails, you must use a computer. For more information, refer to the EOS Utility Instruction Manual (PDF). When [w] (Email) is selected on the [Upload to Web service] screen, the [Send to] screen is displayed. Select the destination from the list of registered destinations and press <0>.
Reconnecting The camera can reconnect to a Web service for which connection settings have been registered. The connection to the access point only has to be established once. You do not need to establish a new connection for each Web service. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [m]. 2 Select Select [m] (Upload to Web service) and press <0>. a Web service. 3 Select Select a Web service and press <0>.
Registering Multiple Connection Settings You can register up to three Web service connection settings. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. [m]. 2 Select Select [m] (Upload to Web service) and press <0>. a Web service. 3 Select Select a Web service and press <0>. When the [Send to] screen (p.125) is displayed, select a destination and go to step 4. [Choose set.]. 4 Select Select [Choose set.] and press <0>.
MEMO 128
12 Connecting to a Wireless LAN from a Playback Screen Quick Control during playback lets you connect to a wireless LAN using registered connection destination settings. Connection destination settings cannot be set from the playback screen. Set connection destination settings from the menu screen.
Connecting from a Playback Screen When connection destination settings have been registered, you can access wireless LAN functions from the Quick Control screen during playback. Connections can be made from the Quick Control screen during playback for two functions: [z] (Transfer images between cameras) and [m] (Upload to Web service). 1 Display the Quick Control screen. During image playback, press the button. [k]. 2 Select Select [k] (Wi-Fi function) and press <0>.
Connecting from a Playback Screen a connection. 4 Establish Select [Connect] and press <0>. The images on the card are displayed and the images to send can be selected. When settings for multiple connection destinations are registered, select [Choose set.], select the connection destination, then connect to the destination. While playing back images on the camera, touch an NFC-enabled smartphone to the camera to send a captured image to the smartphone (p.39).
MEMO 132
13 Managing Settings 133
Checking, Changing, or Deleting Settings Check, change, or delete connection settings saved on the camera. To change or delete the settings, terminate the connection first. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. the item to check settings 2 Select for. Press the or keys to select an item, then press <0>. When you select an item for which no setting is saved, the connection settings screen is displayed.
Checking, Changing, or Deleting Settings or change the settings. 4 Check Select an item and press <0>, then check or change the settings on the displayed screen. [Change set.] Change the settings. When [Change set.] is selected, a screen for connection settings configuration appears. Configure connection settings again following the procedures displayed. [Change settings name] Change the name of the settings.
Checking, Changing, or Deleting Settings Deleting Settings Select [Delete settings] in step 3 on page 134 to delete connection settings saved on the camera. 1 Select [Delete settings]. the setting to delete. 2 Select Select the setting to delete, then press <0>. Select [OK] on the confirmation dialog to delete the setting. During a Connection When the [Connection] screen is displayed during a wireless LAN connection, select [Confirm set.] to check the settings.
Clearing Wireless LAN Settings All wireless LAN settings can be deleted. By deleting the wireless LAN settings, you can prevent them from being exposed when you lend or give your camera to other people. 1 Select [Wi-Fi function]. Under the [51] tab, set [Wi-Fi/NFC] to [Enable], then select [Wi-Fi function]. the button. 2 Press The general settings screen is displayed. [Clear Wi-Fi settings]. 3 Select Press the keys to select [Clear Wi-Fi settings], then press <0>. [OK].
Clearing Wireless LAN Settings General Settings Screen On the [General sett.] screen displayed in step 3 on the preceding page, you can change or check the wireless LAN settings. [Edit nickname] Change the nickname. Select [Edit nickname], then enter the nickname using the virtual keyboard (p.22). [Error details] Selectable when a connection error has occurred. When you select [Error details], you can check the connection error content (p.140). [Clear Wi-Fi settings] (p.
14 Troubleshooting Guide 139
Responding to Error Messages When a connection error occurs, display the details of the error by following one of the procedures below. Then, eliminate the cause of the error referring to the examples shown in this chapter. Select [51: Wi-Fi function] 9 [General sett.] 9 [Error details], then press <0>. Select [Error details] on the [Connection] screen, then press <0>. Click the error number’s page in the following chart to jump to the corresponding page. 11 (p.141) 12 (p.141) 21 (p.142) 22 (p.
Responding to Error Messages 11: Connection target not found In the case of [q], is Camera Connect running? Establish a connection using Camera Connect (p.33, 84). In the case of [l], is the power of the printer on? Turn on the printer. Are the camera and the access point set to use the same encryption key for authentication? This error occurs if the encryption keys do not match when the authentication method for encryption is set to [Open system].
Responding to Error Messages 21: No address assigned by DHCP server What to check on the camera On the camera, IP address is set to [Auto assign]. Is this the correct setting? If no DHCP server is used, configure settings after setting the IP address to [Manual setting] on the camera (p.160). What to check on the DHCP server Is the power of the DHCP server on? Turn on the DHCP server.
Responding to Error Messages 22: No response from DNS server What to check on the camera On the camera, does the DNS server’s IP address setting match the server’s actual address? Set the IP address to [Manual setting]. Then, on the camera, set the IP address that matches the address of the DNS server used (p.156, 160). What to check on the DNS server Is the power of the DNS server on? Turn on the DNS server.
Responding to Error Messages 23: Device with same IP address exists on selected network What to check on the camera Is another device on the camera network using the same IP address as the camera? Change the camera’s IP address to avoid using the same address as another device on the network. Otherwise, change the IP address of the device that has a duplicate address.
Responding to Error Messages 61: Selected SSID wireless LAN network not found Are any obstacles blocking the line of sight between the camera and the antenna of the access point? Move the antenna of the access point to a position clearly visible from the point of view of the camera (p.154). What to check on the camera Does the SSID set on the camera match that of the access point? Check the SSID at the access point, then set the same SSID on the camera (p.79, 118).
Responding to Error Messages 63: Wireless LAN authentication failed Are the camera and the access point set to use the same authentication method? The camera supports the following authentication methods: [Open system], [Shared key], and [WPA/WPA2-PSK] (p.79, 118). When using an AirPort for communication in infrastructure mode, [Open system] is not supported. Configure a [Shared key] on the camera (p.79, 118).
Responding to Error Messages 65: Wireless LAN connection lost Are any obstacles blocking the line of sight between the camera and the antenna of the access point? Move the antenna of the access point to a position clearly visible from the point of view of the camera (p.154). The wireless LAN connection was lost, for some reason, and the connection cannot be restored.
Responding to Error Messages 68: Cannot connect to wireless LAN terminal. Retry from the beginning. Did you hold down the access point’s WPS (Wi-Fi Protected Setup) button for the specified period of time? Hold down the WPS button for the period of time instructed by the access point’s instruction manual. Are you trying to establish a connection near the access point? Try establishing the connection when both devices are within reach of each other.
Responding to Error Messages 102: Could not send files Does the card in the camera to receive data have sufficient space? Check the card in the camera to receive data. Replace the card or make sufficient space available, then try sending the data again. Is the card in the camera to receive data locked? Check the card in the camera to receive data. Release the lock, then try sending the data again. Check if the folder number of the camera to receive data is 999 and the file number 9999.
Responding to Error Messages 105: Could not receive files. Card’s write protect switch is set to lock Is the card in the camera to receive data locked? Check the card in the camera to receive data. Release the lock, then try sending the data again. 106: Could not receive files. Folder and file number have reached maximum value Check if the folder number of the camera to receive data is 999 and the file number 9999. Folder or file names cannot be created automatically.
Responding to Error Messages 122: Connect to a computer, and correct the settings for the Web service with EOS software. Web service setting operation may have failed. Connect the camera and computer using an interface cable and reconfigure Web service settings using EOS Utility (p.109). 123: Cannot log in to Web service. Connect to a computer and correct the settings with EOS software.
Responding to Error Messages 127: An error has occurred A problem other than error 121 to 126 occurred during the connection to the Web service. Try connecting to the Web service again. 141: Printer is busy. Try connecting again. Is the printer performing a printing process? Connect to the printer again after the printing process is finished.
Troubleshooting Guide If a problem occurs with the camera, first refer to this Troubleshooting Guide. If this Troubleshooting Guide does not resolve the problem, contact your dealer or nearest Canon Service Center. A device connected with a cable cannot be used. Set [51: Wi-Fi/NFC] to [Disable]. When it is set to [Enable], you cannot use the camera by connecting it to a computer, printer, GPS receiver, TV set, or other device with a cable (p.18). [Wi-Fi/NFC] cannot be set to [Enable].
Wireless LAN Notes If the transmission rate drops, the connection is lost, or other problems occur when using the camera with a wireless LAN, try the following corrective actions. Access Point and Antenna Installation Location When using indoors, install the device in the room where you are using the camera. Install the device higher than the camera. Install the device where people or objects do not come between it and the camera. Install the device as close to the camera as possible.
Wireless LAN Notes Security Wireless LAN radio waves can be easily intercepted. For this reason, we recommend activating encrypted communication in the access point settings. Connecting with a Cable When [51: Wi-Fi/NFC] is set to [Enable], connection via interface cable, stereo AV cable, or HDMI cable is disabled. Set [51: Wi-Fi/ NFC] to [Disable] before connecting a cable.
Checking Network Settings Windows Click the Windows [Command Prompt]. Type ipconfig/all and press the key. The IP address assigned to the computer is displayed, as well as the subnet mask, gateway, and DNS server information. To avoid using the same IP address for the computer and other devices on the network, change the rightmost number when configuring the IP address assigned to the camera in the processes described on page 160. Example: 192.168.1.
15 Reference 157
Setting Network Manually Set the network settings for the camera access point mode manually. Set [SSID], [Channel setting], and [Encryption settings] on each screen displayed. 1 Select [Manual connection]. Press the keys to select [Manual connection], then press <0>. Select [OK] and press <0> to go to the next screen. an SSID (network name). 2 Enter Enter any character using the virtual keyboard (p.22). When you are finished, press the button. the desired channel 3 Select setting.
Setting Network Manually the desired encryption 4 Select setting. Select an item, then press <0>. For encryption, select [AES]. Select [OK] and press <0>. When [AES] is selected, the virtual keyboard (p.22) is displayed. Enter any encryption key of eight characters, then press the button to set. The set SSID and encryption key are displayed. Subsequent operations are the same as when [Easy connection] is selected.
Setting IP Address Manually Set the IP address settings for the infrastructure mode manually. The items displayed will differ depending on the Wi-Fi function. 1 Select [Manual setting] Press the keys to select [Manual setting], then press <0>. Select [OK] and press <0>. the item to be set. 2 Select Press the keys to select an item, then press <0>. The number entry screen will appear. To use a gateway, select [Enable], select [Address], then press <0>. the desired values.
Setting IP Address Manually [OK]. 4 Select When you have completed setting the necessary items, press the keys to select [OK], then press <0>. The setting screen for the Wi-Fi function will appear. If you are not sure what to enter, see “Checking Network Settings” (p.156), or ask the network administrator or another person knowledgeable about the network.
Specifications 9Wireless LAN Standards compliance: Transmission method: IEEE 802.11b/g/n DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n) Transmission range: Approx. 15 m/49.2 ft.
Wi-Fi (Wireless LAN) Precautions 9Countries and Regions Permitting Wireless LAN Use Use of wireless LAN is restricted in some countries and regions, and illegal use may be punishable under national or local regulations. To avoid violating wireless LAN regulations, visit the Canon Web site to check where use is allowed. Note that Canon cannot be held liable for any problems arising from wireless LAN use in other countries and regions.
Hereby, Canon Inc., declares that this CH9-1346 is in compliance with the essential requirements and other relevant provisions of Directive 1999/5/EC. Please contact the following address for the original Declaration of Conformity: CANON EUROPA N.V. Bovenkerkerweg 59, 1185 XB Amstelveen, The Netherlands CANON INC.
Index A Access point............................69, 110 Encryption...........................79, 118 Android................................26, 27, 68 Auto power off.................................16 C Cable.......................................18, 155 Camera access point mode ......31, 54 M MAC address............ 70, 84, 110, 138 Media player................................. 101 N NFC .............................. 17, 27, 28, 62 Image transfer............................ 39 Nickname ................
Index T Touch control ..................................17 Transferring images between cameras ...........................43 Troubleshooting guide ..................139 V Viewable images.............................89 Viewing images.................35, 86, 101 W Wi-Fi printer ..............................53, 93 Wireless LAN access point ...........110 Wireless LAN Notes......................154 WPS (Wi-Fi Protected Setup) ..........70, 110 PBC mode ..........................71, 111 PIN mode ............
MEMO 167
CPY-E123-000 © CANON INC.
Canon EOS DIGITAL ............................................. Solution Disk Ver.30.1 (Software) Manual *x1*{i.
1111 II
Tr.gMy Pfioto Your Images Printed Free From concept to print, the professional's choice is Canon. Have your images printed on a professional model for free.* *Please refer to the Try My Photo website Terms & Conditions.
Visit www.registercanon.com to register your new EOS camera today and receive the following*: • Automatic notification of firmware and software updates • Priority telephone support • Exclusive priority e-mail support address • Exclusive savings on select products, classes and workshops There is no charge to register or for the benefits offered.* These benefits valid in the U.S. only. Please read the Terms and Conditions at www.registercanon.com for complete details.
canon Connect Station CS100 Separat~ly sold accessory I Accessoore vendu separement Als separates ZubehOr erhalthch I Accessono venduto separatamente A((~no s~ vende por separado I AKceccyap npoAaeTao OTAeJ1b>tO Acess6no vendodo separadam~nte I l!lllJI!I)J'?t!'t'J- ~·'"f!tl ~·111tioiWIII !II.
Connect Station CS 100 • This is a new kind of communication tool that lets the whole family enjoy still photos and movies captured by your camera on a large-screen TV in your living room. • )To H08biM TMn cpeACTea C8A3M, KOTOpblii n0380nAeT ICeii CtMbe npocMaTpMian. 4>ororpacj!HM M 11111eo, OtATble C nOMOUibiO KaMepbl, H.a 60nbWOM AOMaWHeM Tene8M30pe.
canon •••
Just a snaps hot? No it's a chance to take state-of-the-art pictures.
1 Macro lenses let you approach small sub jects and capture big ima But that' s not the only reason to use them. By making the most of Canon M acro Lenses, you can turn everyday scenes into dramatic photog raphs.
Contents I 03 I • 03 Contents • 04 Start enjoying your macro lens 20 Original ways to enjoy your photos 25 Learn more about macro lenses • 31 Canon's Macro Lens lineup • 33 Terms
• ;
Monday: "Afternoon teatime" How.eW~I{~t CR!t.t{ wHk te~~.? How RPO~t " j~tW~il'1 fAvorite - j~ft t...rt{ torr~~ wttk \~fclo~r klw({, ~~~ehrrleL ".,~ Wow J 05 I t~rH It tllft'1 trtl\t IHto A rkoto orrort11Htlt'1! f '' r"frl>errferr
Start e'ijoy1r19 your macro lens • Moodoy Afternoon teoltmf! ' Draw fresh attention to everyday things Y-'ith a Canon Macro Lens. If you think that macro lenses are just for enlarging images of small subjects or taking extreme close-ups, think again. A macro lens shows close-up pictures of ordinary subjects -revealing an unknown world! For example, you can take pictures of a colorful subject like a cake, using a blurred background for effect, and get striking professional-looking results. I f\1-oto t\f
Tuesday: "Our Hero" Tktn 1\Te ~RH\j IAtRI $\i~jutf for ')nAt cltRr ·~~~..,t rkoto$ - " ckllt(, for tXR~rle. UfiH') " (P.HOH 11"cro LeHL kif rortn\lt loolcf " little tlffmHt fro~ ortiHAr\j {HArfkotL wltk "11 Attr~~.ctlve ~hirrut ~RCic')rO\o\HA. Ht loolc( lllce " .,n~~.t Httlt ftllow HOW, t(ot!H't ker WoH't ~t 11. ')rt~tt ')t.i'1 WktH k.e .,row( t.
Start en oyil'lg you r macro lens • Tuesdoy Ou hero Let the subject stand out clearly against a blurred background. Macro lenses are ideal for taking portrait photos. Since the subject stands out crisply against a hazy background, you can capture the whole scene in an attractive image. To create a beautifully blurred background, just choose the Av 1 mode setting while keeping the aperture fully open (for example, f/2 .8 or an even lower f/number, depending on your lens). 1f~oto t\fj M~J...
Wednesday: "Home garden" A rntt\j jlo~ttr ret~tl w(t~ tiH'1 r~tiH -rorletf .,Hftt~tf ~tjter A H.,kt ""orHIHI) (kower. lf ~0\1 re U1CkAHtel( "'1 tk(f f""~tl\ rArA~lft~ ~ fkototjr~~trkiHtJ It toQl~~t\j RHI< ruorQliHtJ tke CkAHtJIHtj l!loo"".
Start en1oying your macro lens • W d oy lorr !:J ~rd n Natural subjects for n1acro shooting, flov1ers reveal beautiful surprises. Rich color variations. Amazing natural patterns. Flowers are the supreme subject of macro shooting, and the ideal way to learn the basics of macro techniques. Only the close-up power of micro photography is really capable of revealing the tiniest details of petals, pistil, and stamens.
Thursday: "Dad's study" Over tkc "Jt«rL f«~il'1 f(cerf«kc( «H~ IOH')-trt«(~re~ ktlr1oo~f (tt~ to .,row ;., wortk, n:fltcttH') ~etr t~otiOHAI AttACk~Utt A( Wtll A( tlt'II\HCt. Yo~ <«H "'e tke «~«Z.IH') <«r«iliHtlc( of clo(e-"r ~«cro (kootiH') to
Start en oyil'g your macro lens • ~~-. • day Dod s study Antiques are fascinating 1nacro subjects, revealing craftsmanship and color to a Canon Macro Lens. Why not take pictures of family antiques, such as Dad's old watch or camera? You can make full advantage of macro capabilities for clear detail and soft blurring of unfocused fields, and also emphasize aged texture and quality feeling in your images.
Friday: "Our watchdog 11 Woof! Ht ~Rrkf j\1{t ottce Rt (tr~tH')trL tkttt ~~~t~l~ttfl~ (t~trt{ WR')')ll1') k(f tAo(\. It'' kRr- to C0\111t 011 "'~ jor rrotectloH fro~ ~\1r')IAr{, j,\1t ke l.otf ~·~re~tk tke let" wltk vlfltorf. TkRt' ( o\1r frleH-1'1 "wA.tck_o.,.
Start en1oy1ng your macro le11s • fredoy 0 r wat I dog" Macro lenses take detailed portraits of pets from head to tajl. When you spend a lot of time with pets, you'll notice a surprising range of facial expressions. Macro lens close-ups can capture these changing looks at just the right moments, for memorable images to save and treasure. Try taking detailed pet pictures of fur or different parts of the body, using focus settings different from ordinary snapshots.
Saturday: "At the park" lttfect( c\~fttrltt., ~~:ro~ttfl « 11\oo~(.,., :f\owr.rile~ - \d'jb~.,~~ b~ttcr:fHer~ ~tr~~:.,oH:f\ltf \tlitt1\j Hvtf ttl jll tiH\j orcH frA.ct. Yo\<\ C«H ~tt(ff «II t"c «ct(v(t\j Itt t"(f f~A.\1 wor\1( w(tko\<\t « ~Aero let~J .
Start en10Y1~9 your macro len5 • Sotur oy AI tl e park Use high magnification to explore the hidden beauty and detail of insects. Use the zoom-in feature of Canon Macro lenses to photograph insects. You'll be amazed and captivated by the intricate structures and delicate textures against a beautiful natural background. Make full use of macro artistry to take shots of this micro world! f~oto t(f Insects are sensiti\e to sound and n1otion.
Sunday: "Small world, big dreams" ToflA\j WA{ " koH•~t":f, "'""' ... co~{ill .k.t{ Wktrtvtr kt I)Otf. HI{ .tn«Mot (f to ~H":f tkt n~tl
Sto t n VI n • Create a \·vorld of in1aginarion and take pictures of it - casil). Diorama shots usually require a large-scale photo setup, but it's easy with a macro lens. For instance, just put a beautiful scenic photo in the background, and photograph a model against it. The photo looks like you' re really there! f~oto t\f Can1era setting plays an in1portant part in diorarna photography. Select "Av Mode" for a camera exposure mode.
Change Picture Style to try monochrorne pictures - a little different from color photos Canon digital SLR cameras make it possible to take pictures in black and white or sepia tones. Monochrome (B/W) photography extends your shooting capabilities while preserving original detail. Just choose these opt1ons from the menu for easy set-up. Setting methods .. ....,., ' 0 ... - ·',. . .... ' • I 19 I ., .,. ~ •' '. •• , ~... .. '> ., 0 ... I •.. .., ,.. 0 I .. /•'• ,•' .
•
Photo lampshade Enjoy favorite pictures, illuminated by the flickering light of a candle flame. And you can also enjoy the fragrance of a scented candle. Needed: rJ I 21 I Print out a favorite photo and trim it to the same size as the outer circumference of a candleholder. Then roll the trimmed photo around the holder. You can choose any kind of favorite shot -flowers, landscapes, your child, or even your pet. Then enjoy different moods by changing photo subjects.
•os O r igin a l way s Ia en1ay you r pho • book Recipe ~~--~.~------------ ... .. ...... ..._ • :0. f ... ..., - ...... :..... ~~· :..td '"-op • • ~ 'liP t I t " ..., r' ..-·· .':t:. ....... ,..... .'"t"'f. .... ,. ·~,..- .. ' .... ..... ,~ ....~.-- .__ ••• ..... -·'..... ·- ' " \ ·e cooked , and add a little decoration to you es dish and ls mea of s rure pic ng eali 1 ake app original recipe cookbook ) our shots. Soon, you 'II ha\ e a marvelous - sure to be a fa, orite with your fri
Photo stand Mount photographs on cardboard folded in an accordion shape. Jusr tie with a string and you have a portable photo stand! It's a unique present that friends will love. -0 [] Needed : .. ·-----. ...... . .. . J.ls lJI:···~~{d~~ i • ~ ~/1k//Ud This stylish photo stand doubles as on album. You con mount many photos and put them on display, or corry the album around to show friends. To make it, simply fold stiff cardboard into on accordion shape and decorate it with cloth and paper.
• O r ig1'1ol ways to enJOY you• pho•os Desktop calendar o9 2. 3 1 5 6 1 8 ' lo l:t U I+ 1~ I~ 11 ,, 2c ~1 1~ 23 1+ ~~ ~--- -- - ----- --- •n ~~ 2'1 '3o - - - ------- - - ...' ' - - -- After you collect a stack of favorite photos, just ntount tl1e1n on dated cards to create an original calendar. That \vay, you can enjoy favorite photos throughout the passing year. Needed: An attractive calendar is a useful item pkotor that's also important in your daily life.
Benefits of USM + inner focus w tr I f " p t xpo or. :mtroctlo ~ t e e'l o When you want to photograph a small animal or an insect, it's important to get close quietly without scaring the subject. Canon Macro Lenses with USM and inner focus let you photograph subjects with quiet, rapid autofocus. You'll feel confident to approach many subjects that are sensitive to sound and motion in the big world around them .
Full-time manual focus me tune the focus whde m AF mode Useful at ttmes ltke t~Pc;PI Macro photography can on~ focus on a small area. The impression of a phob:Jraph changes dramatical~ by making a small shift in the focusing point. Use autofocus for quick focus, and then turn the focus ring. When you keep your attention on the viewfinder and fine-tune the focus, the difference in the finished photo will be immediate~ apparent. Terms What 1:. full runt;;: monu-.JI fo~.-l.
• Tripod mount ring Useful at t' IT' s I ke thes I Perhaps you shoot a horizontal composition then feel like taking a similar photo in a vertical frammg. With a regular tripod, the subject position through the vtewfinder inevitably shihs and the photographer has to refocus from the start. With a tripod mounl ring, however, you can maintain the position of the subject in the viewfinder- for an easy, instant frame change to a vertical, horizontal, or even an angled composition.
Hybrid IS advantages e 111 b ' Hy 00. o• o• 000 0 0 0 00 ... ·· o• 0 . · - = - - - - -- - .· Hyb t l I r. rfe t m vor s t'uatt ns In macro shooting, the closer you get to your subject, the more likely you'll experience camera shake. Canon's new Hybrid IS changes al that. It's an advanced image stabilizing technology that lets you take clear, close-up macro photos, even in casual situations without a tripod where camera shake is likely.
JO • '"ems Wha s $2 IS 1s an optical image stcb•lizing technology developed by Canon A sensor 10 the lens detect~ camera shake and compensates by movmg the IS ur11 a noor.ng element m the lens Bent light reaching the lers is corrected there and delivered to the lmag•ng plane, recording a sharp image with little snake effect. w~ l' s ~ ybr d 152 In standard photography "angle camera shake" ohotagrophy, 10 IS caused by sudden changes '"' camera angle.
Canon's Macro Lens lineup lightwe•ght and compact for easy portab'lity EF-S60mm f/2. 8 Macro USM * • E• . LS velv lor Ef·S compo•be SlR coreeros • Enjoy macro shooting onyhme with excellent quoilly reproduction and a lightweight compact des1gn. Thanks to on easy·to-use viewrng angle of 96mm (35mm film equivalent), you con use th1s versatile macro lens for a wide range of shooting purposesincluding small flowers and objects, portraits w1th blurred backgrounds, and landscapes.
• M 0 • EFl OOmm f/2.8 Macro USM . Compaltble wtlh the enltre EOS $ertes thi$ macro lens IS a favonle for II> excellent reproduclton q~oltty and ease of use The lens hos a Vtewmg angle of 160mm !35mm him equivalent) with .
t seful info: Basics of n1acro photography This ratio expresses the relative size of the image, compared to the subject. T e Iorge the mogn f co•ton rot o Ia g r th subrect appears tr The magnification ratio indicates the ratio of image size captured on sensor or film lo the aclual size of the subject. When using a magnification ratio of 1x, for example, the image captured on the sensor or film is the same size as the subject.
T • Control depth of field , depending on how wide the aperture diaphragm is opened. I ed bockg Ound b r An aperture d1aphrogm is a mechontsm tho: controls the amount of light ente•ing o camera through the lens. By adjusting the opening of the aperture, one con vary the depth of the zone of in-focus elements. If the aperture is w1de open (f/2.8, for example), the focused area becomes shallow, resulling n greater blurring of images 1n front of and behind the subject 1n focus.
canon E-10 Printed 1n Taiwan 0055W10101
canon Your Guide to Better Photos ~et'C\ oro.b\e moments at 1.. • -no~os'· '~Ome captuted in beduttfu\ ?
Day or night , capture precious moments at home in natural-looking photos. Shoot beautiful photos with ease. Accent the natural ambience of your ~ / J ® External flash empowers you with the means to dramatically improve photos. fry it and see everyday life transformed into rich, photogenic imagery. fhe essence of precious moments in time, preserved in vivid photos you will cherish for years. Delight and surprise with the magic of external flash.
-- '; ~·· ... '·'""' 01' ...::_. ...__ --· ~ ~---.;'lt '···· ..... -· - -. r--. • -- .
Take photos that satisry J·our creative urge. Fast, easy lessons in flash photography lhink of light as being the ''ma.ster'' of your photos. Once you understand basic techniques of external flash, you can create masterpieces with ease. 0 • \t-J<1nt roore co\orfu\ photos~ I 03 I 0
Before shooting at home External flash recreates lighting. Use external flash to change light. simulating a time of day or night when your subject looks its best. Transform the location into something stylish. Even at home, external flash can produce the ambience of a cafe or high-end store. ~ Express the texture Capture texture so real you can almost feel it. External flash lets you realistically express the softness of fabric or the hardness of metal.
- Bounce flo.sh \ Use soft light to obtain a more natural look. Bounce flash means aiming flash at a wall or ceiling in order to illuminate the subject with reflected light. Because reflected light is softer than direct light, bounce flash produces more natural looking photos, with light more evenly balanced between subject and background.
Bounce flash off the ceiling to brighten a room. By bouncing flash off the ceiling the room will be filled with reflected light that naturally brightens both subject and background. ihis technique can avoid such problems as dark backgrounds or overly bright subjects. ~- ·- ~ Bounce flash off a wall to produce a natural sense of depth. By bouncing fi4Sh off a wall you can simulate - at any hour and in any location - low morning or afternoon sunlight streaming through a window.
~ ~ e Remote release shooting Aim the flash unit oirection! • 1n any Canon external flash units have a wireless remote function. ihis lets you hold the flash and experiment with different lighting positions while triggering the shutter remotely. fix EOS in place and move the flash around. "fhis technique enables all sorts of creative expression.
0 flash on lett 6 Flash at rear D Flash on left. at rear & Built-In flash Choose the best shot from different combinations of light and shadow. first mount EOS on a tripod and compose the shot. Then remove the external flash unit and use Canon's unique remote release shooting to shoot using the flash. Vary interplay of light and shadow by aiming flash in different directions. When finished shooting, simply choose the best shot.
Wireless flo.sh \ The pros' secret for taking flash hotogr hy o the next level Remove the external flash unit from EOS o.nd position it to give the best lighting. Press the shutter releo.se button to fire flo.sh o.nd take picture. fhe resulting photo will look so dramatic. ~ Remove the external flash unit from EOS. Position flash and compose for the best composition. Pay careful attention to lighting so the finished photo matches your creative intent.
Once-difficult wireless flash photography is now a breeze. Canon's latest EOS cameras have built-in support for wireless flash photography. EOS automatically controls off-camera external flash, letting you easily take advantage of this versatile shooting technique without the bother of difficult settings. Use a diffuser to create a soft ambience. Diffused flash is a technique that uses tracing paper or a paper towel placed in front of the flash to produce soft. diffused light.
'fop-of-the-line equipment for top-notch photos fhese external flash units let you employ bounce flash, remote release shooting and wireless flash for taking great photos! Get these tools in your hands and start experimenting with your photographic creativity. Note. Speedltte 430EX II and 600EX·RT/600EX also support bounce flash and w1reless flash .
Star t takin g bette r photos ~ ash ..
M'/ Home Photos @ Dining Room Your home as a th Shooting dala · EF·S 60mm 112.8 Macro USM • 1/80 sec. • f/4.5 • ISO 100 • WB: Auto .. Afternoon tea, in the evening:_) Increase exposure compensation to give food a fresh look. Photographing food served on white dishes C
Bounce flash ree-star cafe Side lighting promises a delicious treat! When shooting food and sweets, light from the side or diagonally from the back. 'fhe flexibility afforded by external flash lets you create the charming ambience of a cafe terrace at teatime, even at night! Built-in flash De1rk, gloomy be1ckground ~ like window light, bounce flash produces a bright, airy ambien~e! layout and flash position @ @£) Bounce flash off a wall to reproduce the feeling of light from a window.
My Home Photos @ Dining Room Your home as a three-star ca Light and shadow add a flavorful spice. J Creating a harmony of flavors is the real pleasure of cooking. ihe same is true of flash photography. Interweaving light and shadow accents the freshness and beautiful arrangement of food.
:• fa Remote release shooting -{Built-in flash ] ® ' II D Shooting food up close tends to darken backgrounds. Oish loses o.ppetiting appeal because the texture o.nd freshness of eo.ch ingredient is lost. 0 ~ Controlling light and shadow to complement the layout and flash position cuisine is the secret to great food photography. Adelicate sheen is the spice that produces that hot-from-the-oven look and makes ingredients appear fresh.
My Home Photos .:. @ My Room Treasures forever Shooting data EF·S 60mm f/2.8 Macro USM • 11125 sec. • 112.8 • ISO 100 • WB.
~ e - Remote release shooting Light reveals minute details. By adding and subtracting light you can show or hide the texture and ambience of a subject. Use remote release shooting to find the lighting that conveys your special fondness for precious treasures. ___,,......,....., ___ (Built-in flash }- transparency Clnd luster of the subject. Highlights in the towel e1re blown out Clnd the overall look is fl<1t. 0 f) ~ find the lighting tho.
My Home Photos~ @ M~ Room Treasures forever Sh0011ng data: EF·St8·135mm F3.5·5.6 IS • 1/60 sec. • f/5.6 • ISO 800 • WB.
Wireless flash Showcase your finest creations around the world. \ Sharing photos of crafts on the web or collecting them in albums is a satisfying experience anyone can enjoy. A little extra attention to lighting is all it takes to make crafts and artwork look their best. (Built-in flash }- ~ Proper lighting is Layout and flash position key to realistic looking model photos. Position external flash off-camera and bounce off the ceiling.
My Home Photos &II @ Living Room Tranquility of na Shooting data: EF-S 60mm 1/2.8 Macro USM • 1/30 sec. • 1/5.6 • ISO 100 • WB: Auto \ An indoor shot with the look of a sunshine-filled verandaj ' Use bounce flash to eliminate your own shadow. Close-ups can be marred by your own shadow appearing in the photo, even when the subject is brightly lit. Minim ite this by positioning external ftC1Sh to lighten shadows that intrude in the scene, -!l~{i[i:!;~ ~·:·:;: ;~ :·.: ~:· -:;.,~.
~ ture e Remote release shooting Experiment freely with the effect of light and shadow on color. \ To capture vibrant colors, light is essential while to express depth, shadows are needed. Vary lighting with remote release shooting until you get just the right shot. (Built-in flash ~ Resembles a dried flower because the petals lack transparency and depth. 0 & ~ find the lighting that brings flowers to life.
My Home Photos &II @ Living Room Thanks for the lo Shooting data EF·S 60mm f/2.8 Macro USM • 1/80 sec. • f/4.5 • ISO 100 • WB Auto .. A natural-looking face and backgroundj ' Brighten faces with external flash ·even when outside on a sunny day! Daytime sync fl4sh mode triggers the ftash unit in order to reduce distracting shadows by filling them with light - a technique called "fill flash". External flash units are powerful enough to illuminate a subject even when quite far from the camera.
Wireless flash vely smile Balanced lighting is the key to indoor portraits. When shooting portraits indoors using only built-in flash. backgrounds often turn out darker than expected. If this happens, use wireless external flash to brighten your home. (Built-in flash ~ Even though it's afternoon, the room looks gloomy. ~ two flash units to dramatically improve Use photos shot in large rooms. tier cute smile seems strained and artificial. Layout and flash position 11=1 1.!..
Handsome guy arou Shoottng data: EF·S18·55mm F3.5·5.61S • 1/50 sec. • 1/3.5 • ISO 100 • WB: Auto CDexternal flo.sh for enchanting aquarium shots. Use Photographing fish in an aquarium with built-in flash is difficult due to light reflecting off the 'glass. To avoid this. position external flash either Clbove the tank or on the side and make sure the lens is cs close as possible to the aquarium. I 25 I \ Capture the softness of his fur!J
nd the house ., . Bounce flash ' Capture the soft warmth of adorable pets. Built-in flash can't quite capture the feel of your pet's soft, downy fur. But with external flash. your pet photos come alive with a cuddly warmth you can almost feel. ~ Bounce flash makes pet photos look more layout and flash position natural! Photograph pets with bounce flash for photos that show pets as cute and lovable as they are in real life.
.....• ....... • --. • E,! • . .. ~ \.: • [ Basic flash knowledge ~ Learn how to control brightness Adjust exposure compensation and flash intensity Exposure compensation affects the brightness of subject and background simultaneously. flash, on the other hand, typically brightens only the subject while leaving the background as is. By increasing or decreasing light from the flash unit (flash intensity), you can control subject brightness.
~II.: ...... .. ·~ t' ...._. ._. •••• ' { . .... ..-.. ~ .' .f.! • ··-· . r . .t:· I/ , Eliminating shadows caused by strong backlight during the day "" •liahj. s ,,...,. " .... ~ L-.iq""-sDeerl s·,.,,. When photographing a strongly backlit subject or when the subject is in shade and you want to avoid background whiteout, use daylight sync. !his uses light from the flash to brighten shadows, effectively balancing subject and background brightness.
.... .. .. ..'!,; .(..• .... J.:. Recommended external flash units \ Canon Speedlites Speedlite 90EX Ultra small flash is great for travel or casual grab shots when strolling around town. Our smallest Speed lite. · Size. 44 2 x 52 x 65 mm '1.7 x 2 x 2 6 1nch (approx.) • We1gh1· 50 g I 1.8 oz. (approx .• excludmg ballenas) • Power source Two A4·slze alkaline hlhiUm. or Ni·MH ballenes Note Cannot be used as a w1reless slave • Th1s functiOn proVKies w1reless conlrol of Speedhtes.
..' . ..•• .!.• '.. - II Speedlite '130EX II Powerful unit provides ample light. Supports wireless use. • S1ze 72 X 122 X 101 mm /2.8 X 4.8 X 4.0 lOCh (approx.) • Weight· 320 g 1 11 .3 oz. (approx .. excludmg battenes) • Power source. Four AA-s1ze alkaline. llth1um or N•·MH battenes Appro~ 43 l SO Hll. rn) Speedlite 600EX-RT /600EX ~· Canon's flagship flash unit. Meets the demands of professional photosraphers. • S1ze: 79.7 x 142.9 x 125.4 mm /3.1 x 5.6 x 4.9 1nch (approx.
Canon E-4 Printed In Taiwan CTO-ll70-003T
Ca~O:"e'll •• • Dealer Record of Canon Purchase Fiche d' Achat our Concessionnaire Canon '• • Complete this card at time of sale.
Canon CANON® EF Lens and Accessories Limited WarrantyFor U.S.A. & Canada Only The limited warranty set forth below is given by Canon U.S.A., Inc. (Canon U.S.A.) in the United States or Canon Canada, Inc. (Canon Canada) in Canada with respect to the Canon brand EF Lens, as well as with respect to the accessories packaged with this limited warranty (collectively the "Products"), when purchased and used in the United States or Canada. The Products are the only Products to which this limited warranty applies.
Canon Garantie limitee des _objectifs EF et des accessoires de CANON®Pour les Etats-Unis et le Canada seulement La presente garantie ~mit9e est loumie par Canon U.S.A., Inc. (Canon U.S.A.) aux Etats-Unis ou Canon Canada. Inc. (Canon Canada) au Canada a I'Eigard des objectifs EF de marque Canon, des accessoires livrE!S avec cette garantie limit9e (collectivement les " prodt.its ~ ), lorsqu'ils soot achetes et utilises aux Etats-Unis ou au Canada.
Ca11011 Canon U.S.A. You may obtain technical support for your Products as follows: • Internet support at www.usa.canon.com/support (E·mail support also available) • Telephone assistance from a Canon U.S.A. Customer Care representative free of charge during regula r business hours at 1-800-0K-CANON (1-800-652-2666). Canon Canada You may obtain technical support for your Products as follows: • Internet support for English at www.canon.
Ca-.1!1nn •I IV CANON" EOS Digital Camera'M and Accessories Limited WarrantyFor U.S.A. & Canada Only lim~ed warranty set lor1h below is given by Carlon U.S.A., Inc. (Canon U.S.A.) in the United States or Canon Canada Inc. (Canon Canada) in Canada with respect to the Canon brand EOS Digital Camera, as well as wrth respect to the accessories packaged with this limited warranty (collectively the "Products ')'. when purchased and used in the Uniled States or Canada.
Canon Garant1e l1m1tee des appare
