E Advanced User Guide
Introduction Before Starting to Shoot, Be Sure to Read the Following To avoid shooting problems and accidents, first read the “Safety Instructions” (=25–=27) and “Handling Precautions” (=28–=30). Also, read this manual carefully to ensure that you use the camera correctly. Refer to This Manual while Using the Camera to Further Familiarize Yourself with the Camera While reading this manual, take a few test shots and see how they come out. You can then better understand the camera.
Item Check List Before starting, check that all the following items are included with your camera. If anything is missing, contact your dealer. Camera (with body cap) Battery Pack LP-E6N (with protective cover) Battery Charger LC-E6/LC-E6E* Strap * Battery Charger LC-E6 or LC-E6E is provided. (The LC-E6E comes with a power cord.) o The camera does not come with a memory card (=10), interface cable, or HDMI cable. o For details on the Advanced User Guide and Instruction Manuals, see the next page.
Instruction Manuals The Instruction Manual included with the camera provides basic instructions for the camera and Wi-Fi functions. The Advanced User Guide (this PDF file) with complete instructions and separate Supplemental Information PDF with specifications and other details can be downloaded from the Canon website to a computer or other device.
Instruction Manuals Downloading the Advanced User Guide/Instruction Manuals Using QR Code The Advanced User Guide and Instruction Manuals for lenses and software (PDF files) can be downloaded to a smartphone or tablet using the QR code. www.canon.com/icpd o A software app is required to read the QR code. o Select your country or region of residence, then download the Advanced User Guide/Instruction Manuals. o Select [5: Manual/software URL] to display the QR code on the camera screen.
Quick Start Guide Insert the battery (=47). 1 Upon purchase, charge the battery to start using (=44). Insert the card (=48). 2 3 With the card’s label facing toward the back of the camera, insert it into the card slot. White index Red index Attach the lens (=54). Align the mount indexes on the lens and camera (red or white) to attach the lens. 4 Set the lens’s focus mode switch to (=54). 5 Set the power switch to <1>, then set the Mode dial to (=52).
Quick Start Guide 6 7 8 9 Flip out the screen (=51). When the date/time/zone setting screen is displayed, see =516. Focus on the subject (=57). Look through the viewfinder and center the subject on the screen. Press the shutter button halfway, and the camera will focus on the subject. If blinks in the viewfinder, press the button to raise the built-in flash. Take the picture (=57). Press the shutter button completely to take the picture. Review the picture.
About This Manual Icons in this Manual <6> <5> <9> <0> * : Indicates the Main dial. : Indicates the Quick control dial. : Indicates Multi-controller 1 and 2. : Indicates the direction to press the Multi-controller. : Indicates the Setting button. : Indicates the duration (in * seconds) of the operation for the button you pressed, as timed after you release the button.
About This Manual Basic Assumptions for Operational Instructions, Sample Photos Before following any instructions, make sure the power switch is set to <1> and the Multi-function lock feature is off (=52, =60). It is assumed that all the menu settings and Custom Functions are set to their defaults. The illustrations in this manual show the camera attached with the EF-S18-135mm f/3.5-5.6 IS USM lens as an example.
Compatible Cards The following cards can be used with the camera regardless of capacity. If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera (=511). SD/SDHC/SDXC memory cards UHS-II and UHS-I cards supported. Cards that Can Record Movies When recording movies, use a high-capacity card with ample performance (fast enough writing and reading speeds) for the movie recording size. For details, see =618.
Chapters Introduction 2 Preparation and Basic Operations 43 Basic Zone 75 Creative Zone 109 AF, Drive, and Exposure Settings 123 Flash Photography 163 Shooting 191 Playback 329 Wireless Features 395 Set-up 501 Custom Functions / My Menu 551 Reference 589 11
Contents Introduction 2 Item Check List ......................................................................................3 Instruction Manuals ................................................................................4 Quick Start Guide ...................................................................................6 About This Manual .................................................................................8 Compatible Cards ...........................................................
Contents Basic Zone 75 Fully Automatic Shooting (Scene Intelligent Auto) ...............................76 Special Scene Mode ............................................................................84 Shooting Portraits ................................................................................86 Shooting Group Photos ........................................................................87 Shooting Landscapes ..........................................................................
Contents AF, Drive, and Exposure Settings 123 Selecting the AF Operation ................................................................124 Selecting the AF Area and AF Point (Viewfinder Shooting)................128 Selecting the AF Method (Live View Shooting) ..................................135 Manual Focus.....................................................................................147 Selecting the Drive Mode ...................................................................
Contents Image Review Time............................................................................204 Card Reminder ...................................................................................205 Correction of Lens Aberrations due to Optical Characteristics ..........206 Auto Exposure Bracketing (AEB) .......................................................211 ISO Speed Settings for Still Photos ...................................................
Contents Continuous AF (Live View Shooting)..................................................265 Lens Electronic MF Settings ..............................................................266 AF-Assist Beam Settings ...................................................................267 General Still Photo Shooting Cautions ...............................................269 Movie Recording 273 Tab Menus: Movie Recording ............................................................274 Movie Recording ......
Contents Editing a Movie’s First and Last Scenes ............................................340 Frame Extraction from 4K Movies or 4K Time-Lapse Movies ............342 Playback on a TV Set.........................................................................344 Protecting images ..............................................................................346 Image Rotation ...................................................................................349 Erasing Images ............................
Contents Wireless Features 395 Tab Menus: Wireless Tab ...................................................................396 Selection of Wi-Fi/Bluetooth Connection ...........................................397 Connecting to a Smartphone .............................................................399 Connecting to a Computer via Wi-Fi ..................................................426 Connecting to a Printer via Wi-Fi .......................................................
Contents Set-up 501 Tab Menus: Set-up .............................................................................502 Creating and Selecting a Folder ........................................................505 File Numbering Methods ....................................................................507 The Auto Rotation of Vertical Images .................................................510 Formatting Memory Cards .................................................................511 Auto Power Off ......
Contents Multi-Function Lock ............................................................................545 Registering Custom Shooting Modes ................................................546 Restoring Camera Defaults ................................................................547 Copyright Information .........................................................................548 Other Information ...............................................................................
Index to Features Power Screen Charging the battery (=44) Vari-angle (=51) Battery level (=53) Touch control (=70) Power saving (=513) Brightness (=514) Checking battery information (=524) Help (=534) Cards Releasing shutter without card (=205) Formatting (=511) Cards compatible with movie recording (=617) Lens Attaching (=54) Detaching (=55) Basic Settings Date/Time/Zone (=516) Language (=519) Beeper (=522) Clear all camera settings (=547) Copyright informati
Index to Features Image Quality Image quality (=199) Still image aspect ratio (=202) Lens aberration correction (=206) ISO speed (still photos) (=213) Auto Lighting Optimizer (=218) Highlight tone priority (=219) White balance (=222) Picture Style (=230) Noise reduction for long exposures (=238) Noise reduction for high ISO speeds (=239) Reducing flicker (=261) Shooting Shooting mode (=38) Multi-function lock (=60) Quick Control (=67) Touch shutter (=72) Creative Assist (=82
Index to Features Movie Recording Playback Autoexposure recording (=277) Image review time (=204) Manual exposure recording (=279) Single-image display (=332) HDR movie (=284) Magnified view (=336) Creative filters mode (=285) Movie recording size (=288) Wind filter (=295) Sound recording (=295) Touch playback (=335) Index display (=334) Movie playback (=337) Editing a movie’s first and last scenes (=340) Microphone (=296) Frame Grab (4K) (=342) Attenuator (=296)
Index to Features Image Editing Wireless Features Creative filters (=361) Connect to smartphones (=399) RAW image processing (=364) Auto send images to smartphones (=412) Red-eye correction (=373) Video snapshot album (=374) Cropping JPEGs (=377) Resizing JPEGs (=379) Print Order Print order (DPOF) (=354) Photobook Set-up (=358) Customization Custom shooting mode (=546) Custom Functions (C.
Safety Instructions Be sure to read these instructions in order to operate the product safely. Follow these instructions to prevent injury or harm to the operator of the product or others. WARNING: Denotes the risk of serious injury or death. o Keep the product out of the reach of young children. A strap wrapped around a person’s neck may result in strangulation. The parts or provided items of cameras or accessories are dangerous if swallowed. If swallowed, seek immediate medical assistance.
Safety Instructions If a battery/battery pack leaks and the material contacts your skin or clothing, flush the exposed area thoroughly with running water. In case of eye contact, flush thoroughly with copious amounts of clean running water and seek immediate medical assistance. o Observe the following instructions when using a battery charger. Periodically remove any dust buildup from the power plug and power outlet using a dry cloth. Do not plug in or unplug the product with wet hands.
Safety Instructions CAUTION: Denotes the risk of injury. o Do not fire the flash near the eyes. It may hurt the eyes. o Do not look at the screen or through the viewfinder for prolonged periods of time. This may induce symptoms similar to motion sickness. In such a case, stop using the product immediately and rest for a while before resuming use. o Flash emits high temperatures when fired. Keep fingers, any other part of your body, and objects away from the flash unit while taking pictures.
Handling Precautions Camera Care This camera is a precision instrument. Do not drop it or subject it to physical shock. The camera is not waterproof and cannot be used underwater. To maximize the camera’s dust- and drip- resistance, keep the terminal cover, battery compartment cover, card slot cover, and all other covers firmly closed.
Handling Precautions Do not block the mirror operation with your finger, etc. Doing so may cause a malfunction. Use only a commercially available blower to blow away dust when it adheres to the lens, viewfinder, mirror, focusing screen etc. Do not use cleaners that contain organic solvents to clean the camera body or lens. For stubborn dirt, take the camera to the nearest Canon Service Center. Do not touch the camera’s electrical contacts with your fingers.
Handling Precautions Screen and LCD Panel Although the screen is manufactured with very high precision technology with over 99.99% effective pixels, 0.01% or fewer of the pixels may be dead, and there may also be spots of black, red, or other colors. This is not a malfunction. They do not affect the images recorded. If the screen is left on for a prolonged period, screen burn-in may occur where you see remnants of what was displayed.
Part Names (1) (2) (3) (4) (5) (6) (7) (8) (9) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27) (28) (29) (10) (11) (12) (13) (14) (15) (16) (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13) (14) (15) LCD panel ISO speed setting button Metering mode selection button AF area/AF method selection button <6> Main dial LCD panel illumination button Shutter button Red-eye reduction/Self-timer/ Remote control lamp Remote control sensor Grip (Battery compartment) DC coupler cord hole
Part Names (1) (2) (6) (3) (7) (8) (12) (4) (9) (5) (10) (13) (14) (15) (16) (11) (1) (2) (3) (4) (5) (6) (7) (8) 32 Eyecup Speaker Info button Power switch Terminal cover
AF start button AE lock/FE lock button Index/Reduce button AF point selection/ Magnify button (9) (10) (11) (12) (13) (14) (15) (16) Viewfinder eyepiece Quick Control button Menu button External microphone IN terminal Digital terminal Headphone terminal HDMI mini OUT terminal <
Part Names (8) (9) (10) (11) (12) (13) (14) (1) (2) (3) (4) (5) (6) (7) (1) (2) (3) (4) (5) (6) Accessory positioning hole Screen Serial number Tripod socket <0> Setting button <9> Multi-controller 2 (7) Playback button (8) Dioptric adjustment knob (9) Focal plane mark (10) Live View shooting/ Movie shooting switch <0> Start/Stop button (15) (16) (17) (18) (19) (20) (11) (12) (13) (14) (15) (16) (17) (18) (19) (20) Access lamp Strap mount Multi-controller 1 Card sl
Part Names Viewfinder Information Display (1) (2) (3) (4) (5) (10) (6) (14) (7) (15) (8) (16) (17) (11) (12) (13) (9) (1) (2) (3) (4) (5) (6) (7) (8) (9) Zone AF (Manual selection of zone) 1-point AF (Manual selection) Spot AF (Manual selection) Focusing screen Aspect ratio line (1:1) Grid Spot metering circle Large Zone AF frame Electronic level (10) Large Zone AF (Manual selection of zone) (11) Automatic selection AF (12) 1-point AF point Spot AF point (13) Aspect ratio line (16:9) (14
Part Names (18) (19) (20) (21) (26) (22) (23) (24) (25) (29) (30) (31) (32) (18) Aperture value (19) AF point selection ( AF, SEL [ ], SEL AF) (20) Shutter speed Bulb (buLb) FE lock (FEL) Busy/Charging the flash (buSY) Multi-function lock warning (L) No card warning (Card) Card full warning (FuLL) Card error warning (Card) Error codes (Err) (21) Flash exposure compensation (22) Battery level (23) AE lock AEB in-progress (24) Warning to use flash (blinking) Flash ready (on) FE lock out of
Part Names LCD Panel (1) (6) (2) (7) (3) (8) (9) (1) (2) (3) (4) (4) (10) (5) (11) Drive mode Bulb timer/Interval timer AF operation Shutter speed Bulb (buLb) FE lock (FEL) Remaining number of shots for time-lapse movie Busy/Charging the flash (buSY) Multi-function lock warning (L) Cleaning image sensor (CLn) No card warning (Card) Card full warning (FuLL) Card error warning (Card) Error codes (Err) (5) AF point selection AF, SEL [ ], SEL AF) ( (6) Highlight tone priority (7) ISO sp
Part Names (14) (15) (12) (16) (13) (17) (18) (12) Exposure compensation (13) Exposure level indicator Exposure compensation amount AEB range Red-eye reduction lamp on indicator (14) Time-lapse movies (15) Wi-Fi function (16) Battery level (17) Bluetooth function (18) Multiple exposures 37
Part Names Mode Dial Turn the Mode dial while holding down the lock-release button in the center. (1) (1) Basic Zone All you do is press the shutter button. The camera sets everything to suit the subject or scene for shooting.
Part Names (2) (3) (2) Creative Zone These modes give you more control for shooting various subjects as desired. d Program AE (=110) s Shutter-priority AE (=112) f Aperture-priority AE (=114) a Manual exposure (=117) F Bulb (=119) (3) Custom shooting modes You can assign , , , , , AF operation, menu functions, and more to , or (=546).
Part Names Battery Charger LC-E6 Charger for Battery Pack LP-E6N/LP-E6 (=44). (1) (2) (3) (3) (1) Battery pack slot Charge lamp Power plug (2) Battery Charger LC-E6E Charger for Battery Pack LP-E6N/LP-E6 (=44).
Part Names Attaching the Strap Pass the end of the strap through the camera’s strap mount eyelet from the bottom. Then pass it through the strap’s buckle as shown in the illustration. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle. The eyepiece cover (1) is attached to the strap (=157).
Preparation and Basic Operations This chapter describes preparatory steps before you start shooting and the basic camera operations.
Charging the Battery the protective cover 1 Detach provided with the battery. the battery in the charger. 2 Insert Do the opposite to remove the battery. LC-E6 the battery. 3 Recharge For LC-E6 As shown by the arrow, flip out the battery charger’s prongs and insert the prongs into a power outlet. For LC-E6E LC-E6E Connect the power cord to the charger and insert the plug into a power outlet. Recharging starts automatically and the charge lamp blinks in orange.
Charging the Battery Charge Level Charge Lamp Color 0–49% 50–74% Orange 75% or higher Fully charged Display Blinks once per second Green Blinks twice per second Blinks three times per second Turned on It takes approx. 2 hr. and 30 min. to fully recharge a completely exhausted battery at room temperature (23°C / 73°F). The time required to charge the battery will vary greatly depending on the ambient temperature and the battery’s remaining capacity.
Charging the Battery Upon purchase, the battery is not fully charged. Charge the battery before use. Recharge the battery on the day before or on the day it is to be used. Even during storage, a charged battery will gradually drain and lose its capacity. After recharging the battery, remove it and disconnect the charger from the power outlet. You can attach the protective cover in a different orientation to indicate whether the battery is recharged or not.
Inserting/Removing the Battery Insert a fully-charged Battery Pack LP-E6N (or LP-E6) into the camera. Insertion the battery compartment 1 Slide cover lock and open the cover. the battery. 2 Insert Insert the end with the electrical contacts. Insert the battery until it locks in place. the cover. 3 Close Press the cover until it snaps shut. o You cannot use batteries other than the Battery Pack LP-E6N or LP-E6. Removal Open the cover and remove the battery.
Inserting and Removing the Card The captured images are recorded onto the card. o Make sure the card’s write-protect switch (1) is set upward to enable writing and erasing. Insertion 1 Slide the cover to open it. (1) the card. 2 Insert As shown by the illustration, face the card’s label side toward you and insert it until it clicks in place. the cover. 3 Close Close the cover and slide it in the direction shown by the arrows until it snaps shut.
Inserting and Removing the Card Removal (1) the cover. 1 Open Set the power switch to <2>. Check that the access lamp (1) is off, then open the cover. If [Saving...] is displayed on the screen, close the cover. the card. 2 Remove Gently push in the card, then let it go to eject. Pull the card straight out, then close the cover. o The number of possible shots varies depending on the remaining capacity of the card, the settings of image quality, ISO speed, etc.
Inserting and Removing the Card o When the access lamp is lit or blinking, it indicates that images are being written to, read from, or erased from the card, or data is being transferred. Do not open the card slot cover during this time. Also, never do any of the following while the access lamp is lit or blinking. Otherwise, it can damage the image data, card, or camera. • Removing the card. • Removing the battery. • Shaking or striking the camera.
Using the Screen You can change the direction and angle of the screen. 1 Flip out the screen. the screen. 2 Rotate When the screen is swung out, you can 180° 90° 175° rotate it up, down, or over 180° to face the subject. The indicated angle is only approximate. it toward you. 3 Face Normally, use the camera with the screen facing you. o Be careful not to forcefully rotate the screen, putting much power on the rotating axis (hinge).
Turning on the Power <1> The camera turns on. <2> The camera is turned off and does not function. Set the power switch to this position when not using the camera. Setting the Date, Time, and Time Zone If you turn on the power switch and the date/time/zone setting screen appears, see =516 to set the date/time/zone. Changing the Interface Language To change the interface language, see =519.
Turning on the Power z Battery Level Indicator When the power switch is set to <1>, the battery level will be indicated. Display z x c Level (%) 100–70 69–50 49–20 Display m b n Level (%) 19–10 9–1 0 o Doing any of the following will exhaust the battery faster: • Pressing the shutter button halfway for a prolonged period. • Activating the AF frequently without taking a picture. • Using the lens’s Image Stabilizer. • Using the Wi-Fi function or Bluetooth function.
Attaching and Detaching a Lens All EF and EF-S lenses can be used. The camera cannot be used with RF or EF-M lenses. Attaching a Lens the caps. 1 Remove Remove the rear lens cap and the body cap by turning them as shown by the arrows. (1) (2) the lens. 2 Attach Align the white or red mount index on the lens with the corresponding mount index on the camera and turn the lens as shown by the arrow until it clicks into place. (1) (2) White index Red index the lens’s focus mode switch 3 Set to .
Attaching and Detaching a Lens Detaching the Lens While pressing the lens release button, turn the lens as shown by the arrow. Turn the lens until it stops, then detach it. Attach the rear lens cap to the detached lens. o Do not look at the sun directly through any lens. Doing so may cause loss of vision. o When attaching or detaching a lens, set the camera’s power switch to <2>. o If the front part (focusing ring) of the lens rotates during autofocusing, do not touch the rotating part.
Basic Operations Adjusting the Viewfinder Turn the dioptric adjustment knob left or right so that the AF points in the viewfinder look sharp. If the knob is difficult to turn, remove the eyecup (=157). o If the camera’s dioptric adjustment still cannot provide a sharp viewfinder image, using E-series Dioptric Adjustment Lenses (sold separately) is recommended. Holding the Camera To obtain sharp images, hold the camera still to minimize camera shake. Horizontal shooting Vertical shooting 1.
Basic Operations Shutter Button The shutter button has two steps. You can press the shutter button halfway. Then you can further press the shutter button completely. Pressing Halfway This activates autofocusing and the automatic exposure system that sets the shutter speed and aperture. The exposure setting (shutter speed and aperture) is displayed in the viewfinder and on the LCD panel for approx. 4 sec. (metering timer/0). Pressing Completely This releases the shutter and takes the picture.
Basic Operations Mode Dial Turn the dial while holding down the lock-release button at the center of the dial. Use it to set the shooting mode. 6 Main Dial (1) After pressing a button, turn the <6> dial. When you press a button such as , , , or , the respective function remains selectable for approx. 6 sec. (9). During this time, you can turn the <6> dial to change the setting. When the timer ends or if you press the shutter button halfway, the camera will go back to shooting-ready state.
Basic Operations 5 Quick Control Dial (1) After pressing a button, turn the <5> dial. When you press a button such as , , or , the respective function remains selectable for approx. 6 sec. (9). During this time, you can turn the <5> dial to change the setting. When the timer ends or if you press the shutter button halfway, the camera will go back to shooting-ready state. Use this dial to select the AF operation, ISO speed, metering mode, AF point, etc. (2) Turn only the <5> dial.
Basic Operations j Multi-Controller 1/9 Multi-Controller 2 is an eight-direction key with center button. To use it, press lightly with the tip of your thumb. <9> is an eight-direction key. Used for operations such as AF point selection, white balance correction, AF point/magnifying frame movement in Live View shooting or movie recording, magnifying frame movement during playback, or Quick Control settings. Can also be used to select or set menu items.
Basic Operations U LCD Panel Illumination You can illuminate the LCD panel by pressing the button. Turn on (9) or off the LCD panel illumination by pressing the button. o During a bulb exposure, pressing the shutter button completely will turn off the LCD panel illumination. p Button In still photo shooting, has the same effect as pressing the shutter button halfway, in Creative Zone modes (=57). In movie recording as well, enables autofocusing in Creative Zone modes.
Basic Operations B button Each press of the button changes the information shown. The following sample screens are for still photos. When the Quick Control screen is displayed, you can press the button and configure shooting functions directly (=67).
Menu Operations and Settings (1) (2) (3) (4) (5) (6) (7) (1) (2) (3) (4) button button Screen Multi-controller 1 (5) (6) (7) (8) (8) <9> Multi-controller 2 <0> button <5> Quick control dial <6> Main dial Basic Zone Modes Menu Screen * In Basic Zone modes, some tabs and menu items do not appear.
Menu Operations and Settings Creative Zone Modes Menu Screen (4) (5) (6) (7) (8) (9) (1) (2) (10) (3) (1) (2) (3) (4) (5) Main tabs Secondary tabs Menu items z: Shooting 3: Playback (6) (7) (8) (9) (10) k: Wireless features 5: Set-up 8: Custom Functions 9: My Menu Menu settings Menu Setting Procedure the menu screen. 1 Display Press the button. a tab. 2 Select Each time you press the or button, the main tab (group of functions) will switch.
Menu Operations and Settings an item. 3 Select Turn the <5> dial to select an item, then press <0>. an option. 4 Select Turn the <5> dial to select an option. The current setting is indicated in blue. an option. 5 Set Press <0> to set it. the setting. 6 Exit Press the button to finish and prepare for shooting. o The description of menu functions hereafter assumes that you have pressed the button to display the menu screen.
Menu Operations and Settings Dimmed Menu Items Example: Highlight tone priority Dimmed menu items cannot be set. The menu item is dimmed if another function setting is overriding it. You can see the overriding function by selecting the dimmed menu item and pressing <0>. If you cancel the overriding function’s setting, the dimmed menu item will become settable. o You may not be able to see the overriding function for certain dimmed menu items.
Quick Control You can directly select and set the settings displayed on the screen. In Viewfinder Shooting 1 Press the button (7). a setting item. 2 Select Press the keys for selection. Creative Zone Press <0>. Some items can be set by turning the <6> or <5> dial without pressing <0>.
Quick Control an option. 3 Select Turn the <6> or <5> dial, or press the keys to change the setting. Some items are set by pressing a button after this. Press <0> to return to the previous screen. If you have selected <7>, , or , press the button to exit. To access the corresponding setting screen from the Quick Control screen, press the , , , , , or button, then adjust the setting with the <6> or <5> dial, keys, or button.
Quick Control During Playback 1 Press the button (7). a setting item. 2 Select Press the keys for selection. an option. 3 Select Turn the <6> or <5> dial, or press the keys to change the setting. Some items are set by pressing a button after this. Configure items labeled with a [s] icon on the bottom of the screen by pressing <0>. To cancel this operation, press the button. Press the button to return to the previous screen.
Touch-Screen Operation Tap Sample screen (Quick Control) Use your finger to tap on (touch briefly and then remove your finger from) the screen. For example, when you tap on [Q], the Quick Control screen appears. By tapping on [Q], you can return to the preceding screen. Drag Sample screen (Menu screen) Slide your finger while touching the screen. o If [5: Beep] is set to [Touch ] or [Disable], the beep will not sound for touch operations (=522).
Viewing the Screen as You Shoot (Live View Shooting) the Live View shooting/Movie 1 Set shooting switch to . the Live View image. 2 Display Press the <0> button. The Live View image will be displayed in the brightness level closely matching that of the actual image to be captured. on the subject. 3 Focus Press the shutter button halfway to focus. If blinks, press the button to raise the built-in flash. You can also tap on the screen to select the face or subject (=72). the picture.
Viewing the Screen as You Shoot (Live View Shooting) Shooting with the Touch Shutter Just by tapping on the screen, you can focus and take the picture automatically. the Touch Shutter. 1 Enable Tap [y] on the screen’s bottom left. Each time you tap on the icon, it will toggle between [y] and [x]. [x] (Touch Shutter: Enable) The camera will focus on the spot you tap on, then the picture will be taken. [y] (Touch Shutter: Disable) You can tap on a spot to perform focusing on the spot.
Viewing the Screen as You Shoot (Live View Shooting) o The camera shoots in single shooting mode regardless of the drive mode setting. o Tapping the screen focuses with [One-Shot AF] regardless of the AF operation setting. o Tapping on the screen in magnified view will not focus or take the picture. o Regardless of where you tap to shoot with the Fish-eye effect Creative filter, your shots will be in focus at the AF point in the center of the screen.
Basic Zone This chapter describes how to use the Basic Zone modes on the Mode dial for best results. With Basic Zone modes, all you do is point and shoot, and the camera sets everything automatically.
Fully Automatic Shooting (Scene Intelligent Auto) is a fully automatic mode. The camera analyzes the scene and sets the optimum settings automatically. It can also adjust focus automatically on either the still or moving subject by detecting the motion of the subject (=80). 1 Set the Mode dial to . <0>. 2 Press Read the message and select [OK]. (1) the camera at what you will 3 Aim shoot (the subject). Essentially, the camera focuses on the closest subject.
Fully Automatic Shooting (Scene Intelligent Auto) on the subject. 4 Focus Press the shutter button halfway to focus. If blinks, press the button to raise the built-in flash. With viewfinder shooting When achieving focus, the AF point that has achieved focus will be displayed. At the same time, the beeper will sound and the focus indicator in the viewfinder will light up. In low light, the AF point(s) will light up briefly in red.
Fully Automatic Shooting (Scene Intelligent Auto) o Subject movement (whether subjects are still or moving) may not be detected correctly for some subject or shooting conditions. o The mode makes the colors look more impressive in nature, outdoor, and sunset scenes. If you do not obtain the desired color tones, change the mode to a Creative Zone mode (=39) and select a Picture Style other than , then shoot again (=230). Minimizing Blurred Photos Be careful about camera shake in handheld shots.
Fully Automatic Shooting (Scene Intelligent Auto) Pictures are too dark. Raise the built-in flash to enable automatic flash firing, in case subjects in daytime shots are backlit, or when shooting under low light. The built-in flash fired repeatedly when raised while shooting under low light. To make autofocusing easier, the built-in flash may fire repeatedly when you press the shutter button halfway (=126). Pictures taken with flash are too bright.
Fully Automatic Shooting (Scene Intelligent Auto) Recomposing the Shot Depending on the scene, positioning the subject toward the left or right to include a balanced background will result in a picture with better perspective. Pressing the shutter button halfway to focus on a still subject will lock the focus on that subject. Recompose the shot while keeping the shutter button pressed halfway, and then press the shutter button completely to take the picture. This is called “focus lock”.
Fully Automatic Shooting (Scene Intelligent Auto) Scene Icons The camera detects the scene type and sets everything automatically to suit the scene. In Live View shooting, an icon representing the type of scene detected appears in the upper left of the screen (=627). Adjusting Settings In viewfinder shooting, you can adjust drive mode, built-in flash firing, and Creative Assist settings by pressing the button.
Fully Automatic Shooting (Scene Intelligent Auto) Shooting with Effects Applied (Creative Assist) the button. 1 Press In viewfinder shooting, use the keys to select [Creative Assist], then press <0>. In Live View shooting, read the message and select [OK]. an effect. 2 Select Use the keys to select an effect, then press <0>. You can also turn the <6> or <5> dial to select it. the effect level and other 3 Select details. Use the keys to set it, then press <0>.
Fully Automatic Shooting (Scene Intelligent Auto) [ ] Background blur Adjust background blur. Choose higher values to make backgrounds sharper, or lower values to make them blurrier. [Auto] adjusts background blurring to match the brightness. Depending on lens brightness (f/ number), some positions may not be available. [ ] Brightness Adjust image brightness. [ ] Contrast Adjust contrast. [ ] Saturation Adjust the vividness of colors. [ ] Color tone 1 Adjust amber/blue color tone.
Special Scene Mode The camera will automatically choose the appropriate settings when you select a shooting mode for your subject or scene. * <8> stands for Special Scene. 1 Set the Mode dial to <8>. 2 Press <0>. a shooting mode. 3 Select Press the keys to select the shooting mode, then press <0>. Selection is also possible by turning the <6> or <5> dial. o Cautions on each shooting mode are listed together (=99). Read the cautions before shooting.
Special Scene Mode Available Shooting Modes in the 8 Mode 2 Shooting Mode Page Portrait =86 4 Shooting Mode Page Close-up =93 =94 q Group Photo =87 P Food 3 Landscape =88 y Candlelight =95 5 Sports =89 6 Night Portrait =96 C Kids r Panning =90 F Handheld Night Scene =97 =91 G HDR Backlight Control =98 o Live View shooting is not available in mode.
Shooting Portraits The <2> (Portrait) mode blurs the background to make the human subject stand out. It also makes skin tones and hair look softer. Shooting Tips Select the location where the distance between the subject and the background is the farthest. The further the distance between the subject and background, the more blurred the background will look. The subject will also stand out better against an uncluttered dark background. Use a telephoto lens.
Shooting Group Photos Use the (Group Photo) mode to shoot group photos. You can take a picture in which both the people in the front and people in the back are all in focus. Shooting Tips Use a wide-angle lens. When using a zoom lens, use the wide-angle end to make it easy to get all the people in the group in focus at once, from the front row to the back.
Shooting Landscapes Use the <3> (Landscape) mode for expansive scenery or to have everything in focus from near to far. For vivid blues and greens, and sharp and crisp images. Shooting Tips With a zoom lens, use the wide-angle end. When using a zoom lens, set the lens to the wide-angle end to make the objects near and far in focus. It also adds breadth to landscapes. Keep the camera steady when shooting night scenes. Using a tripod is recommended.
Shooting Moving Subjects Use the <5> (Sports) mode to shoot a moving subject, such as a running person or a moving vehicle. Shooting Tips Use a telephoto lens. Use of a telephoto lens is recommended to enable shooting from a distance. Track the subject with the Area AF frame. In viewfinder shooting, aim the Area AF frame over the subject and press the shutter button halfway to start focusing. During autofocusing, the beeper will continue beeping softly.
Photographing Children To photograph the children running around, use the (Kids) mode. Skin tones will look healthy. (1) (2) Shooting Tips Track the subject with the Area AF frame. In viewfinder shooting, aim the Area AF frame (1) over the subject and press the shutter button halfway to start focusing. During autofocusing, the beeper will continue beeping softly. If focus cannot be achieved, the focus indicator will blink.
Panning If you want to take a picture with the feel of speed and a blurred motion effect on the subject’s background, use the (Panning) mode. If you use a lens supporting the mode, subject blur is detected, corrected, and reduced. Shooting Tips Turn the camera to follow the moving subject. When shooting, turn the camera smoothly as you track the moving subject.
Panning Set the level of background motion blur. With [Effect], you can set the level of background motion blur. The [Max] setting will set a slower shutter speed to increase the background motion blur around the subject. If the subject blur is noticeable, set [Effect] to [Med] or [Min] to reduce the blur. Shoot continuously. By default, (Continuous shooting) is set. At the decisive moment, press the shutter button completely to take the picture.
Shooting Close-ups When you want to shoot flowers or small things up close, use the <4> (Close-up) mode. To make small things appear much larger, use a macro lens (sold separately). Shooting Tips Use a simple background. A simple background makes small objects such as flowers stand out better. Move in as close as possible to the subject. Check the lens for its minimum focusing distance.
Shooting Food When you want to take pictures of food, use the
(Food) mode. The photo will look bright and appetizing. Also, depending on the light source, the reddish tinge will be suppressed in the pictures taken under tungsten lights, etc. Shooting Tips Change the color tone. You can change [Color tone]. To increase the food’s reddish tinge, set it toward [Warm] (red). Set it toward [Cool] (blue) if it looks too red.
Shooting Candlelight Portraits When you want to photograph a person in candlelight, use the (Candlelight) mode. The atmosphere of candlelight is reflected in the color tones of the picture. Shooting Tips Use the center AF point to focus. Aim the center AF point in the viewfinder on the subject, then shoot. Prevent camera shake if the numeric display (shutter speed) in the viewfinder blinks. Under low light where camera shake tends to occur, the viewfinder’s shutter speed display will blink.
Shooting Night Portraits (With a Tripod) When you want to photograph people at night and obtain a natural-looking night scene in the background, use the <6> (Night Portrait) mode. Note that shooting in this mode requires the built-in flash or an external Speedlite. Using a tripod is recommended. Shooting Tips Use a wide-angle lens and a tripod. When using a zoom lens, use the wide-angle end to obtain a wide night view. Because camera shake occurs in handheld shooting, using a tripod is also recommended.
Handheld Shooting of Night Scenes The (Handheld Night Scene) mode enables you to shoot night scenes even while handholding the camera. In this shooting mode, four shots are taken consecutively for each picture, and the resulting one image with reduced camera shake is recorded. Shooting Tips Hold the camera steady. Keep your elbows close to your body to hold the camera steady (=56). In this mode, four shots are aligned and merged into a single image.
Shooting Backlit Scenes When shooting a scene having both the bright and dark areas, use the (HDR Backlight Control) mode. When you take one picture in this mode, three consecutive shots are taken at different exposures. This results in one image, with a wide tonal range, that has minimized the clipped shadows caused by backlighting. * HDR stands for High Dynamic Range. Shooting Tips Hold the camera steady. Keep your elbows close to your body to hold the camera steady (=56).
Cautions for the Modes q: Group Photo o The angle of view changes slightly, due to distortion correction. o Depending on the shooting conditions, focus may not be attained for everyone from the front to the back of the image. 3: Landscape o The built-in flash will not fire, even if it is raised when you shoot. o Speedlites will not fire either, if used. 5: Sports o Under low light where camera shake tends to occur, the shutter speed value in the lower left will blink. Hold the camera steady and shoot.
Cautions for the Modes r: Panning (continued) o With a lens supporting the mode, subject blur may not be corrected properly when shooting the following subjects or under the following shooting conditions. • Subjects with very low contrast. • Subjects in low light. • Strongly backlit or reflective subjects. • Subjects with repetitive patterns. • Subjects with less patterns or monotonous patterns. • Subjects with reflections (images reflected in glass, etc.). • Subjects smaller than the Zone AF frame.
Cautions for the Modes 6: Night Portrait o Tell subjects to remain still for a moment after the flash fires. o During Live View shooting, achieving focus may be difficult when the face of the subject looks dark. In this case, set the lens’s focus mode switch to and focus manually. o When you shoot a night scene with Live View shooting, achieving focus with AF may be difficult if point sources of light are found in the AF point. In this case, set the lens’s focus mode switch to and focus manually.
Cautions for the Modes F: Handheld Night Scene (continued) o If you shoot a moving subject, the subject’s movement may leave afterimages or the surrounding area of the subject may become dark. o The image alignment may not function properly with repetitive patterns (lattice, stripes, etc.), flat or single-tone images, or images significantly misaligned due to camera shake. o It takes some time to record images to the card since they are merged after shooting.
Shooting with Filter Effects Applied You can shoot with filter effects applied. In Live View shooting, you can preview filter effects before shooting. 1 Set the Mode dial to . the Live View image. 2 Display Set the Live View shooting/Movie shooting switch to , then press the <0> button. [Creative filters] on the 3 Select Quick Control screen. Press the button. (7) Use the keys to select an icon in the upper left, then press <0>. a filter effect.
Shooting with Filter Effects Applied the effect and shoot. 5 Adjust Press the button and select an icon below [Creative filters] (except c, A, B, C, or D). Use the keys to adjust the effect, then press <0>. o RAW and RAW+JPEG are not available. When RAW image quality is set, images are captured with 73 image quality. When RAW+JPEG image quality is set, images are captured with the specified JPEG image quality. o Continuous shooting is not available when , , , , , or is set.
Shooting with Filter Effects Applied Creative Filter Characteristics I Grainy B/W Makes the image grainy and black and white. By adjusting the contrast, you can change the black-and-white effect. W Soft focus Gives the image a soft look. By adjusting the blur, you can change the degree of softness. X Fish-eye effect Gives the effect of a fish-eye lens. The image will have barrel distortion. Depending on the level of this filter effect, the area trimmed along the periphery of the image changes.
Shooting with Filter Effects Applied c Miniature effect Creates a diorama effect. Shooting under the default setting will keep the center looking sharp. In Live View shooting, you can move the area that looks sharp (the scene frame) as described in “Miniature Effect Operations” (=108). 1-point AF is used as the AF method. Shooting with the AF point and scene frame aligned is recommended. In viewfinder shooting, aim the center AF point shown in the viewfinder on the subject, then shoot.
Shooting with Filter Effects Applied , , , and Notes o Compared to other shooting modes, the image area will be smaller. o Live View previews of the filter effects will not look exactly the same as your shots. o If you shoot a moving subject, the subject’s movement may leave afterimages or the surrounding area of the subject may become dark. o The image alignment may not function properly with repetitive patterns (lattice, stripes, etc.
Shooting with Filter Effects Applied Miniature Effect Operations the AF point. 1 Move Move the AF point to the position to focus on. the scene frame and shoot. 2 Move Move the scene frame if the AF point is outside of it, so that the AF point is aligned with it. To make the scene frame movable (displayed in orange), press the button or tap [r] in the lower right of the screen. By tapping [T], you can also switch between vertical and horizontal scene frame orientation.
Creative Zone Creative Zone modes give you the freedom to shoot in a variety of ways by setting your preferred shutter speed, aperture value, exposure, and more. To clear the shooting mode description displayed when you turn the Mode dial, press <0> (=532). o Make sure the Multi-function lock feature is off.
Program AE The camera automatically sets the shutter speed and aperture to suit the subject’s brightness. * stands for Program. * AE stands for Auto Exposure. 1 Set the Mode dial to . on the subject. 2 Focus Aim the AF point over the subject and press the shutter button halfway. the display and shoot. 3 Check As long as the exposure value is not blinking, standard exposure will be obtained. o If the “30"” shutter speed and the lowest f/number blink, it indicates underexposure.
Program AE Differences Between and Modes o In mode, many functions, such as the AF method and metering mode, are set automatically to prevent spoiled shots. The functions you can set are limited. On the other hand, with mode, only the shutter speed and aperture are set automatically. You can freely set the AF method, metering mode, and other functions.
Setting the Shutter Speed Before Shooting (Shutter-Priority AE) In this mode, you set the shutter speed and the camera automatically sets the aperture to obtain the standard exposure matching the brightness of the subject. A faster shutter speed can freeze the action of a moving subject. A slower shutter speed can create a blurred effect, giving the impression of motion. * stands for Time value. Blurred motion (Slow speed: 1/30 sec.) Frozen motion (Fast speed: 1/2000 sec.) 1 Set the Mode dial to .
Setting the Shutter Speed Before Shooting (Shutter-Priority AE) o If the lowest f/number blinks, it indicates underexposure. Use the <6> dial to decrease the shutter speed until the aperture value stops blinking, or set a higher ISO speed. o If the highest f/number blinks, it indicates overexposure. Use the <6> dial to increase the shutter speed until the aperture value stops blinking, or set a lower ISO speed.
Setting the Aperture Value Before Shooting (Aperture-Priority AE) In this mode, you set the desired aperture and the camera sets the shutter speed automatically to obtain the standard exposure matching the subject brightness. A higher f/number (smaller aperture hole) will make more of the foreground and background fall within acceptable focus. On the other hand, a lower f/number (larger aperture hole) will make less of the foreground and background fall within acceptable focus.
Setting the Aperture Value Before Shooting (Aperture-Priority AE) o If the “30"” shutter speed blinks, it indicates underexposure. Use the <6> dial to decrease the f/number (open the aperture) until the shutter speed stops blinking, or set a higher ISO speed. o If the “8000” shutter speed blinks, it indicates overexposure. Use the <6> dial to increase the f/number (close the aperture) until the shutter speed stops blinking, or set a lower ISO speed.
Setting the Aperture Value Before Shooting (Aperture-Priority AE) Checking the Area in FocusM Press the depth-of-field preview button to stop down the lens to the current aperture setting and check the area in focus (depth of field). o The larger the aperture value, the wider the area (from the foreground to the background) in focus, but the darker the viewfinder display.
Setting the Exposure Before Shooting (Manual Exposure) In this mode, you set both the shutter speed and aperture as desired. To determine the exposure, refer to the exposure level indicator or use a commercially available exposure meter. * stands for Manual. 1 Set the Mode dial to . the ISO speed (=213). 2 Set With ISO Auto, you can set exposure compensation (=118). the shutter speed and aperture. 3 Set Set the shutter speed with the <6> dial and aperture value with the <5> dial.
Setting the Exposure Before Shooting (Manual Exposure) Exposure Compensation with ISO Auto If the ISO speed is set to [A] (AUTO) for manual exposure shooting, you can set exposure compensation (=160) as follows: [z: Expo.comp./AEB] [ : Expo comp (hold btn, turn )] in [8C.Fn III-3: Custom Controls] Quick Control screen o If ISO Auto is set, the ISO speed setting will change to obtain the standard exposure with the set shutter speed and aperture. Therefore, you may not obtain the desired exposure effect.
Long (Bulb) Exposures In this mode, the shutter stays open as long as you hold down the shutter button completely, and closes when you let go of the shutter button. Use bulb exposures for night scenes, fireworks, the heavens, and other subjects requiring long exposures. 1 Set the Mode dial to . the desired aperture. 2 Set Set with the <6> or <5> dial. the picture. 3 Take The exposure will continue for as long as you keep the shutter button pressed completely.
Long (Bulb) Exposures o With [z: Long exp. noise reduction], you can reduce the noise generated during long exposures (=238). o For bulb exposures, using a tripod and bulb timer is recommended. You can also use mirror lockup (=263) in combination. o You can shoot bulb exposures by using Remote Switch RS-60E3 (sold separately, =156). o You can also use Remote Controller RC-6 (sold separately, =155) or Wireless Remote Control BR-E1 (sold separately, =156) for bulb exposures.
Long (Bulb) Exposures [OK]. 4 Select When you exit the menu, is displayed on the LCD panel. the picture. 5 Take Press the shutter button completely, and (1) (2) after shooting begins, release it. To stop shooting in progress, press the shutter button completely again and release it. To cancel the timer setting, set [Disable] in step 2.
AF, Drive, and Exposure Settings This chapter describes how to configure AF, drive mode, metering mode, and related settings. A M icon to the right of a page title indicates that the function is available only in Creative Zone. In Basic Zone, the AF operation is set automatically. o stands for autofocus. stands for manual focus.
Selecting the AF Operation M the lens’s focus mode switch 1 Set to . the Mode dial to a Creative 2 Turn Zone. 3 Press the button (9). the AF operation. 4 Select Turn the <6> or <5> dial. X: One-Shot AF 9: AI Focus AF Z: AI Servo AF In Live View shooting, press the keys.
Selecting the AF Operation One-Shot AF for Still Subjects This AF operation is suited for still subjects. When you press the shutter button halfway, the camera will focus only once. In viewfinder shooting, once the subject is in focus, that AF point is displayed, the focus indicator in the viewfinder lights up, and the camera beeps. In Live View shooting, once the subject is in focus, that AF point turns green and the camera beeps.
Selecting the AF Operation AI Focus AF (Viewfinder Shooting) for Automatic Switching of AF Operation AI Focus AF switches the AF operation from One-Shot AF to AI Servo AF automatically if a still subject starts moving. After the camera uses One-Shot AF to focus on a subject, if it detects subject movement, a change in distance, or similar changes, it switches to AI Servo AF and continues to track the moving subject. o The camera continues beeping quietly when subjects are in focus using the servo.
Selecting the AF Operation AF Points Lighting Up in Red (Viewfinder Shooting) The AF points light up in red when focus is achieved in low-light conditions or on a dark subject. You can disable lighting up in Creative Zone modes (=569).
Selecting the AF Area and AF Point (Viewfinder Shooting) Depending on the lens used, the number of usable AF points, AF point patterns, Area AF frame shape, etc. vary. For details, see “Supplemental Information”. AF Area Selection Mode N: Spot AF (Manual selection) The camera focuses in a narrower area than 1-point AF. Effective for pinpoint focusing or focusing on overlapping subjects such as an animal in a cage. Because the AF area is narrow, focusing may be difficult in some shooting conditions.
Selecting the AF Area and AF Point (Viewfinder Shooting) G: Large Zone AF (Manual selection of zone) The AF area is divided into three focusing zones (left, center, and right) for focusing. Subjects are easier to acquire than with Zone AF. Generally focuses on the nearest subject. Note that any detected faces are given priority in focusing. With AI Servo AF, focusing continues as long as subjects can be tracked within the large zone.
Selecting the AF Area and AF Point (Viewfinder Shooting) o AF points may not track subjects under some shooting conditions when AI Servo AF is used with Zone AF, Large Zone AF, or Automatic selection AF. o Focusing may be difficult when using a peripheral AF point or a wide-angle or telephoto lens. In such a case, use the center AF point or an AF point close to the center. o When the AF point(s) light up, part or all of the viewfinder may light up in red. This is a characteristic of AF point display.
Selecting the AF Area and AF Point (Viewfinder Shooting) Selecting the AF Area Selection Mode the or button 1 Press (9). the button. 2 Press Each time you press the button, the AF area selection mode changes. o With [8C.Fn II-7: Select AF area selec. mode], you can limit the selectable AF area selection modes to only those you want to use (=563). o If you set [8C.
Selecting the AF Area and AF Point (Viewfinder Shooting) Selecting the AF Point or Zone Manually the or button 1 Press (9). an AF point or zone. 2 Select Use <9> or the <6> or <5> dial to select an AF point. To select the center AF point or zone, press <0> or . o When you keep holding down the button and turn the <6> dial, you can select an AF point in vertical direction. o The following information is shown on the LCD panel.
Selecting the AF Area and AF Point (Viewfinder Shooting) Meaning of Lit or Blinking AF Points Pressing the or button lights up the AF points that are crosstype AF points for high-precision autofocusing. The blinking AF points are horizontal-line or vertical-line sensitive. For details, see “Supplemental Information”. Setting the Initial AI Servo AF Position /c] is [1:Initial AF pt set When [8C.Fn II-11: Initial Servo AF pt, for /c] (=566), you can manually set the initial position for AI Servo AF.
Selecting the AF Area and AF Point (Viewfinder Shooting) Shooting Conditions that Make Focusing Difficult Subjects with very low contrast (Example: Blue skies, solid-color flat surfaces, etc.) Subjects in very low light Strongly backlit or reflective subjects (Example: Cars with highly reflective bodies, etc.) Near and distant subjects positioned close to an AF point (Example: Animals in cages, etc.) Light source such as dots of light positioned close to an AF point (Example: Night scenes, etc.
Selecting the AF Method (Live View Shooting) AF Method : Face+Tracking The camera detects and focuses on people’s faces.
(an AF point) appears over any face detected, which is then tracked. If no face is detected, the entire AF area is used for auto selection AF. With Servo AF, you can set the initial position for AF (=143). As long as the Area AF frame can track the subject during shooting, focusing will continue. : Spot AF The camera focuses in a narrower area than 1-point AF.
Selecting the AF Method (Live View Shooting) : Zone AF Uses auto selection AF in Zone AF frames to cover a large area, which makes focusing easier than with 1-point AF. Prioritizes focusing on the nearest subject. Faces of any people in the Zone AF frame are also given priority in focusing. AF points in focus are displayed with .
Selecting the AF Method (Live View Shooting) Selecting the AF Method 1 Press the button. the AF method. 2 Select Each time you press the button, the AF method changes. You can also make your selection from [z: AF method]. o In mode, [u+Tracking] is set automatically. o In mode, only [1-point AF] or [Zone AF] can be set. o The descriptions on =138–=141 assume that the AF operation is set to [One-Shot AF] (=125).
Selecting the AF Method (Live View Shooting) u(face)+Tracking: c The camera detects and focuses on human faces. If a face moves, the AF point
also moves to track the face. You can set [Eye Detection AF] to [Enable] to shoot with the subject’s eyes in focus (=142). the AF point. 1 Check
(an AF point) appears over any face detected. You can choose a face to focus on with the keys when appears. Press to move the AF point to the face of the person in the center.
Selecting the AF Method (Live View Shooting) Tapping a Face for Focus Tapping a face or subject to focus on changes the AF point to < > and focuses where you tap. Even if the face or subject moves on the screen, the AF point < > moves to track it. o If the subject’s face is significantly out of focus, face detection will not be possible. Adjust the focus manually (=147) so that the face can be detected, then perform AF. o An object other than a human face may be detected as a face.
Selecting the AF Method (Live View Shooting) Spot AF / 1-point AF / Zone AF You can manually set the AF point or Zone AF frame. Here, 1-point AF screens are used as an example. the AF point. 1 Check The AF point (1) will appear. With Zone AF, the Zone AF frame is displayed. (1) the AF point. 2 Move Use <9> to move the AF point to where you want to focus (but note that with some lenses, it may not move to the edge of the screen). You can also tap the screen to move the AF point.
Selecting the AF Method (Live View Shooting) and take the picture. 3 Focus Aim the AF point over the subject and press the shutter button halfway. When focus is achieved, the AF point will turn green and the beeper will sound. If focus is not achieved, the AF point will turn orange. o AF points may not track subjects under some shooting conditions when Servo AF is used with Zone AF. o Focusing may be difficult when using a peripheral AF point. In this case, select an AF point in the center. o With [8C.
Selecting the AF Method (Live View Shooting) Eye Detection AF With the AF method set to [u+Tracking], you can shoot with the subject’s eyes in focus. 1 Select [z: Eye Detection AF]. 2 Select [Enable]. the camera at the subject. 3 Aim An AF point is displayed around their eye. You can tap the screen to select an eye for focus. The entire face is selected when you tap other facial features, such as their nose or mouth. Eyes to focus on are selected automatically.
Selecting the AF Method (Live View Shooting) o Subject eyes may not be detected correctly, depending on the subject and shooting conditions. o To disable Eye Detection AF without using menu operations, press these buttons, one after another: , and . To resume Eye Detection AF, press the button again. Setting the Initial Servo AF Position You can freely set the initial position for Servo AF when [8C.Fn II-11: /c] is [1:Initial AF pt set for /c] (=566).
Selecting the AF Method (Live View Shooting) Magnified View To check the focus when the AF method is other than [u+Tracking], magnify display by approx. 5× or 10× by pressing the button (or tapping ). Magnification is centered on the AF point for [Spot AF] or [1-point AF] and on the Zone AF frame for [Zone AF]. Autofocusing is performed with magnified display if you press the shutter button halfway when set to [1-point AF], and [Spot AF].
Selecting the AF Method (Live View Shooting) AF Shooting Tips Even when focus is achieved, pressing the shutter button halfway will focus again. Image brightness may change during autofocusing. Depending on the subject and shooting conditions, it may take longer to focus, or the continuous shooting speed may decrease. If the light source changes as you shoot, the screen may flicker, and focusing may be difficult.
Selecting the AF Method (Live View Shooting) Shooting Conditions that Make Focusing Difficult Subject with low-contrast such as the blue sky, solid-color flat surfaces or when highlight or shadow details are clipped. Subjects in low light. Stripes and other patterns where there is contrast only in the horizontal direction. Subjects with repetitive patterns (Example: Skyscraper windows, computer keyboards, etc.). Fine lines and subject outlines.
Manual Focus If focus cannot be achieved with autofocus, follow the procedure below to focus manually. In Viewfinder Shooting the lens’s focus mode switch 1 Set to . on the subject. 2 Focus Turn the lens focusing ring (1) until the (1) subject looks sharp in the viewfinder. o If you press the shutter button halfway during manual focusing, the AF point that achieved focus will be displayed, and the focus indicator will light up in the viewfinder.
Manual Focus the image. 2 Magnify Press the button to activate magnified display. an area to magnify. 3 Determine Use <9> to move the magnified area into position for focusing. To center the magnified area, press or the <0> or button. Each press of the button changes the magnification ratio, as follows. 1× → 5× → 10× on the subject. 4 Focus While looking at the magnified image, turn the lens focusing ring to focus.
Manual Focus Setting MF Peaking (Outline Emphasis) In Live View shooting, edges of subjects in focus can be displayed in color to make focusing easier. You can set the outline color and adjust the sensitivity (level) of edge detection (except in mode). 1 Select [z: MF peaking settings]. [Peaking]. 2 Select Select [On]. the level and color. 3 Set Set it as necessary. o Peaking display is not shown during magnified display.
Selecting the Drive Mode 1 Press the button (9). the drive mode. 2 Select Turn the <6> dial. u: Single shooting When you press the shutter button completely, only one shot will be taken. o: High-speed continuous shooting When you hold down the shutter button completely, you can shoot continuously at max. approx. 10 shots/sec. in viewfinder shooting or 11 shots/sec. in Live View shooting while you keep holding it down.
Selecting the Drive Mode i: Low-speed continuous shooting/Continuous shooting When you hold down the shutter button completely, you can shoot continuously at max. approx. 3.0 shots/sec. while you keep holding it down. (In mode, at max. approx. 5.7 shots/sec. in viewfinder shooting, and at max. approx. 4.3 shots/sec. in Live View shooting.) B: Silent single shooting You can perform single shooting with quieter mechanical sounds during viewfinder shooting. This cannot be set for Live View shooting.
Selecting the Drive Mode o Approx. 10 shots/sec. is the maximum high-speed continuous shooting speed (=150) under these conditions: shooting with a fully charged Battery Pack LP-E6N at a 1/1000 sec. or faster shutter speed and maximum aperture (depending on the lens), Image Stabilizer off (depending on the lens), at room temperature (+23°C / 73°F), with flicker reduction disabled.
Using the Self-Timer 1 Press the button (9). the self-timer. 2 Select Turn the <6> dial. Q: Shoot in 10 sec. Remote control shooting is also possible (=155). k: Shoot in 2 sec. Remote control shooting is also possible (=155). q: Shoot continuously in 10 sec. for the specified number of shots Use the <5> dial to set the number of shots to take (2–10). Remote control shooting is not possible. the picture. 3 Take Focus on the subject, then press the shutter button completely.
Using the Self-Timer o With , the shooting interval may become longer under some shooting conditions, depending on image quality, use of flash, and other factors. o If you will not look through the viewfinder when pressing the shutter button, attach the eyepiece cover (=157). Light that enters the viewfinder may prevent suitable exposure. o enables you to shoot without touching the camera mounted on a tripod. This prevents camera shake if you shoot still-life or long exposures.
Remote Control Shooting For remote control shooting, you can use Remote Controller RC-6, Wireless Remote Control BR-E1, or Remote Switch RS-60E3 (infrared, Bluetooth, and wired connections, respectively; sold separately). Remote Controller RC-6 You can shoot remotely up to approx. 5 meters/16.4 feet away from the front of the camera. You can either shoot immediately or with a 2-sec. delay. 1 Press the button (9). the self-timer/remote 2 Select control. Turn the <6> dial to select or .
Remote Control Shooting o Infrared remote controllers such as the RC-6 cannot be used for remote control shooting when the camera is paired via Bluetooth with a smartphone or wireless remote control. o Fluorescent or LED lighting may cause camera misoperation by triggering the shutter inadvertently. Try to keep the camera away from such light sources. o If you point a remote controller for a TV set toward the camera and operate it, it may cause camera misoperation by triggering the shutter inadvertently.
Eyepiece Cover Shots taken without looking through the viewfinder (as when using the selftimer or a remote control) may be underexposed. To prevent this, use the eyepiece cover (=41) attached to the camera strap. Note that attaching the eyepiece cover is not necessary in Live View shooting or movie recording. the eyecup. 1 Detach Push the bottom of the eyecup to detach it. the eyepiece cover. 2 Attach Slide the eyepiece cover down into the eyepiece groove to attach it.
Selecting the Metering Mode M You can select how the camera determines subject brightness. In Basic Zone, evaluative metering is set automatically. (In the <8: y> or mode, center-weighted average metering is set automatically.) the button (7). 1 Press You can also press the button and configure this setting from the Quick Control screen. the metering mode. 2 Select Turn the <6> or <5> dial. q Evaluative metering General-purpose metering mode suited even for backlit subjects.
Selecting the Metering Mode o By default, the camera will set the exposure as follows. With , holding down the shutter button halfway will lock the exposure setting (AE lock) after focus is achieved with One-Shot AF. In the , , and modes, the exposure is set at the moment the picture is taken. (Pressing the shutter button halfway does not lock the exposure.) o With [8C.Fn I-8: AE lock meter.
Exposure Compensation M Exposure compensation can brighten (increased exposure) or darken (decreased exposure) the standard exposure set by the camera. Exposure compensation can be set in the , , , and shooting modes. For details on exposure compensation when mode and ISO Auto are both set, see =118. the exposure. 1 Check Press the shutter button halfway and check the exposure level indicator.
Locking the Exposure (AE Lock) M You can lock the exposure when you want to set the focus and exposure separately or when you are to take multiple shots at the same exposure setting. Press the button to lock the exposure, then recompose and take the picture. It is effective for shooting backlit subjects, etc. on the subject. 1 Focus Press the shutter button halfway. the button (0).
Flash Photography This chapter describes how to shoot with the built-in flash or an external flash (EL/EX Speedlites). o Flash cannot be used while you are recording movies. o AEB is not available in flash photography.
Shooting With the Built-in Flash Using the built-in flash is recommended when the icon appears in the viewfinder or on the screen, when subjects in daytime shots are backlit, or when shooting under low light. 1 Press the button. the shutter button halfway. 2 Press Confirm that a icon appears in the viewfinder or on the screen. the picture. 3 Take The built-in flash fires according to [Flash firing] settings (=169).
Shooting With the Built-in Flash Shutter Speed and Aperture Value in Flash Photography Shooting Mode Shutter Speed Aperture Value d Auto (1/250–1/30 sec.)* Automatically set s Manual (1/250–30 sec.) Automatically set f Auto (1/250–30 sec.)* Manually set 4 Manual (1/250–30 sec.) Manually set F Exposure continues as long as you hold down the shutter button, or until the bulb timer elapses. Manually set * When [Slow synchro] under [z: Flash control] is set to [1/250-30sec. auto].
Shooting With the Built-in Flash Flash Exposure CompensationM Just as exposure compensation is adjustable, you can also adjust flash output of the built-in flash. 1 Press the button. 2 Select [y]. the compensation amount. 3 Set To make flash exposure brighter, set the compensation amount toward [Brighter] (positive compensation), or to make it darker, set it toward [Darker] (negative compensation). After you are finished shooting, follow steps 1–3 to return the compensation amount to zero.
Shooting With the Built-in Flash AShooting With FE LockM Viewfinder shooting with FE (flash exposure) Lock provides suitable flash exposure over your specified area of the subject. 1 Press the button. the shutter button halfway. 2 Press Press the shutter button halfway and confirm that a icon appears in the viewfinder or on the screen. the button (8). 3 Press Center the subject in the viewfinder or on the screen, then press the button.
Flash Function Settings Functions of the built-in flash or external EL/EX series Speedlites can be set from menu screens on the camera. Before setting functions of external Speedlites, attach the Speedlite and turn it on. For details on external Speedlite functions, refer to the Speedlite’s instruction manual. 1 Select [z: Flash control]. 2 Select an item.
Flash Function Settings Flash Firing Set to [a] (in Basic Zone or modes) to have the flash fire automatically, based on shooting conditions. Set to [D] to have the flash always fire when you shoot. Select [b] (in Creative Zone modes) to keep the flash off, or if you will use the AFassist beam. E-TTL II Flash MeteringM Set to [Eval (FacePrty)] for flash metering suitable for shots of people. Continuous shooting speed for [o] will become slower than when [Evaluative] or [Average] is selected.
Flash Function Settings Slow SynchroM You can set the flash-sync speed for flash photography in aperture-priority AE mode or Program AE mode. [ ] 1/250-30sec. auto The flash sync speed is set automatically within a range of 1/250 sec. to 30 sec. to suit the scene’s brightness. Slow-sync shooting is used under some shooting conditions, in low-light locations, and shutter speed is automatically lowered. [ ] 1/250-1/60sec.
Flash Function Settings Built-in Flash Function SettingsM Flash mode Set to [E-TTL II] to shoot in E-TTL II/E-TTL fully automatic flash mode. Set to [Manual flash] to specify your preferred flash output manually. Shutter synchronization Normally, set this to [1st curtain] so that the flash fires immediately after the exposure starts. Set to [2nd curtain] and use low shutter speeds for natural-looking shots of subject motion trails, such as car headlights.
Flash Function Settings Flash exposure compensation Just as exposure compensation is adjustable, you can also adjust flash output of the built-in flash (=166). Wireless functions You can use another Canon Speedlite compatible with optical wireless flash photography to shoot with wireless multipleflash lighting (=180).
Flash Function Settings External Flash Function SettingsM The information displayed, position of display, and available options vary depending on the Speedlite model, its Custom Function settings, the flash mode, and other factors. Refer to the instruction manual of your flash unit for details on its functions.
Flash Function Settings Flash mode You can select the flash mode to suit your desired flash photography. [E-TTL II] is the standard mode of EL/ EX series Speedlites for automatic flash photography. [Manual flash] is for setting the Speedlite’s [Flash output] yourself. [CSP] (continuous shooting priority mode) is available when using a compatible external Speedlite. This mode automatically reduces flash output by one stop and increases ISO speed by one stop.
Flash Function Settings Wireless functions You can use radio or optical wireless transmission to shoot with wireless multipleflash lighting. For details on wireless flash, refer to the Instruction Manual of a Speedlite compatible with wireless flash photography. Firing ratio control With a macro flash, you can set the firing ratio control. For details on firing ratio control, refer to the macro flash’s Instruction Manual.
Flash Function Settings Shutter synchronization Normally, set this to [First-curtain synchronization] so that the flash fires immediately after the exposure starts. Set to [Second-curtain synchronization] and use low shutter speeds for natural-looking shots of subject motion trails, such as car headlights. Set to [High-speed synchronization] for flash photography at higher shutter speeds than the maximum flash sync shutter speed.
Flash Function Settings Flash exposure bracketing External Speedlites equipped with flash exposure bracketing (FEB) can change the external flash output automatically as three shots are taken at once. External Flash Custom Function Settings For details on the external Speedlite’s Custom Functions, refer to the Speedlite’s Instruction Manual. o With an EL/EX series Speedlite, the Speedlite will always fire at full output if the [Flash metering mode] Custom Function is set to [TTL flash metering] (autoflash).
Flash Function Settings Clearing Flash Function Settings/Flash C.Fn Settings M 1 Select [Clear settings]. the settings to be cleared. 2 Select Select [Clear built-in flash set.], [Clear external flash set.], or [Clear ext. flash C.Fn set.]. On the confirmation dialog, select [OK]. Then the flash settings or Custom Function settings will all be cleared.
Shooting With External Speedlites EL/EX Series Speedlites for EOS Cameras The camera supports flash photography using all functions of EL/EX series Speedlites (sold separately). For operation procedures, refer to the EL/EX series Speedlite’s Instruction Manual. Canon Speedlites Other Than the EL/EX Series With an EZ/E/EG/ML/TL-series Speedlite set to A-TTL or TTL autoflash mode, the flash can be fired at full output only.
Wireless Flash Photography Using Optical Transmission M You can use the built-in flash as the sender for external Canon Speedlites compatible with optical wireless flash photography to shoot with wireless multiple-flash lighting. Receiver Setup and Positioning Referring to the instruction manual of the external Speedlite (receiver), configure the following settings. Set up the Speedlite as a receiver. Set the camera and Speedlite to the same channel.
Wireless Flash Photography Using Optical Transmission Methods of Wireless Flash Photography Using Optical Transmission External Speedlite No.
Wireless Flash Photography Using Optical Transmission Fully Automatic Shooting With One Receiver Fully automatic wireless flash photography using one receiver and one sender. Steps 1–4 and 6 apply to all wireless flash photography. 1 Press the button. [Flash control]. 2 Select Select [z: Flash control]. 3 Select [Built-in flash settings].
Wireless Flash Photography Using Optical Transmission 4 Set to [Flash mode: E-TTL II]. 5 Set [Wireless func.] to [0]. gure [Channel]. 6 Confi Set the same optical channel (1–4) as the receiver. 7 Set [Firing group] to [1All]. the picture. 8 Take Just as in normal flash photography, shoot after configuring the camera. To stop wireless flash photography, set [Wireless func.] to [Disable].
Wireless Flash Photography Using Optical Transmission Autoflash With One Receiver You can adjust how shadows form on subjects by changing the ratio of flash output from a receiver and a sender. [Wireless func.] to [0:3]. 1 Set Set [Wireless func.] to [0:3] as described in step 5 on =183. the ratio of flash output of the 2 Set external Speedlite to the built-in flash. Select [0:3] and set the flash ratio within 8:1 to 1:1.
Wireless Flash Photography Using Optical Transmission Autoflash With Multiple Receivers Multiple receivers can be treated as a single flash unit or, if you prefer to adjust the flash ratio, as separate groups. Basic settings are as follows. Set these basic settings.
Wireless Flash Photography Using Optical Transmission [1(A:B)] Autoflash with two receiver groups A B Receivers can be assigned as flash groups A and B, and you can adjust the relative output of each. Exposure is automatically controlled, so that the groups’ combined output provides standard exposure. 1 Set [Firing group] to [1(A:B)]. 2 Set [A:B fire ratio]. o Flash units in group C will not fire when [Flash group] is set to [1(A:B)].
Wireless Flash Photography Using Optical Transmission Autoflash With Multiple Receivers and a Sender You can include a sender in the wireless flash photography arrangements described from =185 to =186. these basic settings. 1 Set Flash mode : E-TTL II Wireless functions Channel : 0+3 : (same as receiver) [Firing group]. 2 Set Select [1All and 2] or [1(A:B)2]. Before shooting with [1(A:B)2], set the A:B flash ratio.
Wireless Flash Photography Using Optical Transmission Advanced Wireless Flash Photography Flash exposure compensation Available when [Flash mode] is set to [E-TTL II]. Note that the setting items available for flash exposure compensation (see below) vary depending on [Wireless func.] and [Firing group] setting details. Flash exposure compensation The same amount of flash exposure compensation is set for the built-in flash and all external Speedlites.
Wireless Flash Photography Using Optical Transmission Wireless Multiple-Flash Photography with Specified Output Available when [Flash mode] is set to [Manual flash]. Available flash output options (such as [1flash output] and [Group A output]) vary depending on [Wireless func.] setting details (see below). Wireless functions: 0 Firing group: 1All The same manual flash output is set for all receivers.
Shooting This chapter describes shooting and introduces menu settings on the shooting ([z]) tab.
Still Photo Shooting A M icon to the right of a page title indicates that the function is available only in Creative Zone.
Tab Menus: Still Photo Shooting (Viewfinder Shooting) Shooting 1 =199 =202 =204 =205 =206 =168 Shooting 2 =211 =213 =218 =219 Shooting 3 =224 =225 =227 =229 =230, 233, 236 193
Tab Menus: Still Photo Shooting (Viewfinder Shooting) Shooting 4 =238 =239 =241 =71 =245 =251 Shooting 5 =258 =119 =261 =263 Shooting 6 =266 =267 194
Tab Menus: Still Photo Shooting (Viewfinder Shooting) In Basic Zone modes, the following screens are displayed. Note that available setting items vary by shooting mode.
Tab Menus: Still Photo Shooting (Live View Shooting) Shooting 1 =199 =202 =204 =205 =206 =168 Shooting 2 =211 =213 =218 =219 =220 =221 Shooting 3 =224 =225 =227 =229 =230, 233, 236 196
Tab Menus: Still Photo Shooting (Live View Shooting) Shooting 4 =238 =239 =241 =72 =243 =245 =251 Shooting 5 =255 =119 Shooting 6 =135 =91 =265 =266 =267 =149 197
Tab Menus: Still Photo Shooting (Live View Shooting) In Basic Zone modes, the following screens are displayed. Note that available setting items vary by shooting mode.
Image Quality Settings 1 Select [z: Image quality]. the image quality. 2 Set To select the RAW quality, turn the <6> dial, and to select the JPEG quality, press the keys. Press <0> to set it. o Number of shots available as indicated by [****] on the image quality setting screen always applies to a setting of [3:2], regardless of the actual aspect ratio setting (=202). o If [–] is set for both the RAW image and JPEG image, 73 will be set.
Image Quality Settings RAW Images RAW images are raw data from the image sensor that are recorded to the card digitally as 1 or F (smaller than 1) files, depending on your selection. RAW images can be processed using [3: RAW image processing] (=364) to save them as JPEGs. As the RAW image itself does not change, you can process the RAW image to create any number of JPEG images with various processing conditions. You can use Digital Photo Professional (EOS software) to process RAW images.
Image Quality Settings Maximum Burst for Continuous Shooting The approximate maximum burst is shown on the shooting screen and in the lower right of the viewfinder. o If the maximum burst is displayed as “99”, it indicates that you can shoot 99 or more shots continuously. The value starts decreasing once it reaches 98 or less. [buSY] display in the viewfinder and LCD panel indicates that the internal buffer memory is full and shooting will stop temporarily.
Still Image Aspect Ratio M You can change the image’s aspect ratio. 1 Select [z: Still img aspect ratio]. the aspect ratio. 2 Set Select an aspect ratio, then press <0>. JPEG images The images will be recorded with the set aspect ratio. RAW images The images will always be recorded in the [3:2] aspect ratio. The selected aspect ratio information is added to the RAW image file.
Still Image Aspect Ratio Aspect Ratio 4:3 16:9 1:1 With viewfinder shooting With Live View shooting o The picture will be taken at the [3:2] aspect ratio setting for the multipleexposures. o When you play back RAW images shot in the [4:3], [16:9], or [1:1] aspect ratio, they will be displayed with lines indicating the respective aspect ratio. (These lines are not recorded in the image.
Image Review Time To keep the captured image displayed, set [Hold]. To not have the captured image displayed, set [Off]. 1 Select [z: Image review]. 2 Set a time option. o When [Hold] is set, images are displayed until the time set in [5: Auto power off] elapses.
Card Reminder You can set the camera not to shoot unless there is a card in the camera. The default setting is [Enable]. [z: Release shutter without 1 Select card]. 2 Select [Disable].
Correction of Lens Aberrations due to Optical Characteristics M Vignetting, image distortion, and other issues may be caused by lens optical characteristics. The camera can compensate for these phenomena by using [Lens aberration correction]. [z: Lens aberration 1 Select correction]. 2 Select an item. [Enable]. 3 Select Confirm that the name of the attached lens and (except for diffraction correction) [Correction data available] are displayed.
Correction of Lens Aberrations due to Optical Characteristics Peripheral Illumination Correction Vignetting (dark image corners) can be corrected. o Depending on shooting conditions, noise may appear on the image periphery. o The higher the ISO speed, the lower the correction amount will be. o The correction amount applied will be lower than the maximum correction amount that applied with Digital Photo Professional (EOS software).
Correction of Lens Aberrations due to Optical Characteristics Digital Lens Optimizer Various aberrations from lens optical characteristics can be corrected, along with diffraction and low-pass filter-induced loss of clarity. If [Correction data not available] or [ ] is displayed by [Digital Lens Optimizer], you can use EOS Utility to add the lens correction data to the camera. For details, refer to the EOS Utility Instruction Manual.
Correction of Lens Aberrations due to Optical Characteristics Chromatic Aberration Correction Chromatic aberration (color fringing around subjects) can be corrected. o [Chromatic aberr corr] is not displayed when [Digital Lens Optimizer] is enabled. Diffraction Correction Diffraction (loss of sharpness caused by the aperture) can be corrected. o Depending on shooting conditions, noise may be intensified together with the effects of correction.
Correction of Lens Aberrations due to Optical Characteristics General Cautions for Lens Aberration Correction o Peripheral illumination correction, chromatic aberration correction, distortion correction, and diffraction correction cannot be applied to JPEG images already taken. o When using a non-Canon lens, setting the corrections to [Disable] is recommended even if [Correction data available] is displayed. o Magnifying the periphery of the image may display parts of the image that will not be recorded.
Auto Exposure Bracketing (AEB) M You can capture three images at different shutter speeds, aperture values, and ISO speeds, as adjusted by the camera. This is called AEB. * AEB stands for Auto Exposure Bracketing. 1 Select [z: Expo.comp./AEB]. the AEB range. 2 Set Turn the <6> dial to set the AEB range (1). Press the keys to set the exposure compensation level. Press <0> to set it. When you close the menu, the AEB range will be displayed on the screen.
Auto Exposure Bracketing (AEB) o If [z: Auto Lighting Optimizer] (=218) is set to any setting other than [Disable], the effect of AEB may be reduced. o If the drive mode is set to , press the shutter button three times for each shot. When or is set and you hold down the shutter button completely, the three bracketed shots will be taken consecutively and the camera will automatically stop shooting. When or is set, the three bracketed shots will be taken consecutively after a 10-sec.
ISO Speed Settings for Still Photos M Set the ISO speed (image sensor’s sensitivity to light) to suit the ambient light level. In Basic Zone modes, ISO speed is set automatically. Regarding the ISO speed during movie recording, see =620. the button (9). 1 Press You can also press the button and configure this setting from the Quick Control screen. the ISO speed. 2 Set Turn the <6> or <5> dial. Select [A] or [AUTO] to set the ISO speed automatically (=614).
ISO Speed Settings for Still Photos o Image noise (such as dots of light or banding) may increase and apparent resolution may decrease at H (equivalent to ISO 51200), because this is an expanded ISO speed. o ISO 100/125/160 or an expanded ISO speed cannot be selected when [z: Highlight tone priority] is set to [Enable] or [Enhanced] (=219). o When shooting with a high ISO speed, high temperature, long exposure, or multiple exposure, image noise (rough grain, dots of light, banding, etc.
ISO Speed Settings for Still Photos ISO Speed Range When Set Manually 1 Select [z: zISO speed settings]. 2 Select [ISO speed range]. the minimum limit. 3 Set Select the minimum limit box, then press <0>. Select the ISO speed, then press <0>. the maximum limit. 4 Set Select the maximum limit box, then press <0>. Select the ISO speed, then press <0>. 5 Select [OK].
ISO Speed Settings for Still Photos ISO Speed Range Used With ISO Auto 1 Select [Auto range]. the minimum limit. 2 Set Select the minimum limit box, then press <0>. Select the ISO speed, then press <0>. the maximum limit. 3 Set Select the maximum limit box, then press <0>. Select the ISO speed, then press <0>. 4 Select [OK]. o The [Minimum] and [Maximum] settings will also function as the minimum and maximum speeds for ISO speed safety shift (=558).
ISO Speed Settings for Still Photos Minimum Shutter Speed for ISO Auto This can help reduce camera shake and subject blur in or mode when shooting moving subjects with a wide-angle lens, or when using a telephoto lens. 1 Select [Min. shutter spd.]. Automatically set the desired minimum shutter 2 Set speed. If you select [Auto], turn the <6> dial to set a slower or faster speed, then press <0>.
Auto Correction of Brightness and Contrast (Auto Lighting Optimizer) M Brightness and contrast can be corrected automatically if shots look dark or contrast is too low or high. [z: Auto Lighting 1 Select Optimizer]. 2 Set a correction option. o Noise may increase and clarity may change, under some shooting conditions. o If the effect of Auto Lighting Optimizer is too strong and results are not at your preferred brightness, set to [Low] or [Disable].
Highlight Tone Priority Settings M You can reduce overexposed, clipped highlights. 1 Select [z: Highlight tone priority]. an option. 2 Set [Enable]: Improves gradation in highlights. The gradation between the grays and highlights becomes smoother. [Enhanced]: Reduces overexposed highlights even more than [Enable], under some shooting conditions. o Noise may increase slightly. o The available ISO range starts at ISO 200. Expanded ISO speeds cannot be set.
Metering Timer (Live View Shooting) M You can set how long the metering timer runs (which determines the duration of exposure display/AE lock) after it is triggered by an action such as pressing the shutter button halfway. 1 Select [z: Metering timer]. 2 Set a time option.
Exposure Simulation (Live View Shooting) M Exposure simulation simulates and displays how the brightness (exposure) of the actual image will look. 1 Select [z: Expo. simulation]. 2 Set an option. Enable (g) The displayed image brightness will be close to the actual brightness (exposure) of the resulting image. If you set exposure compensation, the image brightness will change accordingly. During e Normally, the image is displayed at standard brightness, so it is easy to see (E).
White Balance Settings M White balance (WB) is for making the white areas look white. Normally, the Auto [Q] (Ambience priority) or [Qw] (White priority) setting will obtain the correct white balance. If natural-looking colors cannot be obtained with Auto, you can select the white balance to match the light source or set it manually by shooting a white object. 1 Select [z: White balance]. 2 Select an item. (Approx.
White Balance Settings White Balance To the human eye, a white object looks white regardless of the type of lighting. With a digital camera, the white for color correction basis is decided depending on the color temperature of the illumination, and then the color is adjusted with software to make the white areas look white. With this function, you can take the pictures with natural color tones.
White Balance Settings [Q] Auto White Balance With [Q], you can slightly increase the intensity of the image’s warm color cast when shooting a tungsten-light scene. If you select [Qw], you can reduce the intensity of the image’s warm color cast. 1 Select [z: White balance]. [Q]. 2 Select With [Q] selected, press the button. 3 Select an item. Cautions for Setting [Qw] o The warm color cast of subjects may fade.
White Balance Settings [O] Custom White Balance With custom white balance, you can manually set the white balance for the specific light source of the shooting location. Make sure to perform this procedure under the light source at the actual location of the shoot. a white object. 1 Shoot Aim the camera at a plain white subject, so that white fills the screen. Focus manually and shoot with the standard exposure set for the white object. You can use any of the white balance settings.
White Balance Settings o If the exposure obtained in step 1 differs greatly from the standard exposure, a correct white balance may not be obtained. o These images cannot be selected: Images captured with Picture Style set to [Monochrome], images with a Creative filter applied before or after shooting, multiple-exposure images, cropped images, or images shot with another camera. o Images that cannot be used in the setting may be displayed.
White Balance Correction M White balance correction has the same effect as using a commercially available color temperature conversion filter or color compensating filter. White Balance Correction 1 Select [z: WB Shift/Bkt.]. the white balance correction. 2 Set Use <9> to move the “ ” mark to ■ Sample setting: A2, G1 your preferred position. B is for blue, A for amber, M for magenta, and G for green. The image’s color balance will be adjusted toward the color in the direction of the move.
White Balance Correction White Balance Auto Bracketing White balance bracketing (WB Bkt.) enables you to capture three images at once with different color tones. B/A bias ±3 levels Set the white balance bracketing amount. In step 2 for “White Balance Correction”, when you turn the <5> dial, the “■” mark on the screen will change to “■ ■ ■” (3 points). Turning the dial clockwise sets the B/A bracketing, and turning it counterclockwise sets the M/G bracketing.
Color Space Settings M The range of reproducible colors is called “color space”. For normal shooting, sRGB is recommended. 1 Select [z: Color space]. 2 Set a color space option. Adobe RGB This color space is mainly used for commercial printing and other industrial uses. Recommended when using equipment such as Adobe RGBcompatible monitors or DCF 2.0 (Exif 2.21 or later) compatible printers.
Picture Style Selection M Just by selecting a preset Picture Style, you can obtain image characteristics effectively matching your photographic expression or the subject. 1 Select [z: Picture Style]. 2 Select a Picture Style. Picture Style Characteristics [D] Auto The color tone will be adjusted automatically to suit the scene. The colors will look vivid for blue skies, greenery and sunsets, particularly in nature, outdoor and sunset scenes.
Picture Style Selection [R] Landscape For vivid blues and greens, and very sharp and crisp images. Effective for impressive landscapes. [u] Fine Detail Suited for detailed outline and fine texture description of the subject. The colors will be slightly vivid. [S] Neutral Suited for processing the image with a computer. For natural colors and subdued images with modest brightness and color saturation. [U] Faithful Suited for processing the image with a computer.
Picture Style Selection Symbols The Picture Style selection screen has icons for [Strength], [Fineness], or [Threshold] for [Sharpness] as well as [Contrast] and other settings. The numbers indicate the values for these settings specified for the respective Picture Style.
Picture Style Customization M You can customize any Picture Style by changing it from the default settings. To customize [Monochrome], see =235. 1 Select [z: Picture Style]. a Picture Style. 2 Select Select the Picture Style to adjust, then press the button. an item. 3 Select See the next page for details on the settings and effects.
Picture Style Customization 4 Set the effect level. Press the button to save the adjusted setting and return to the Picture Style selection screen. Any settings you change from default values are displayed in blue.
Picture Style Customization [V] Monochrome Adjustment [k] Filter effect Filter N: None Ye: Yellow Or: Orange R: Red G: Green With a filter effect applied to a monochrome image, you can make white clouds or green trees stand out more. Sample Effects Normal black-and-white image with no filter effects. The blue sky will look more natural, and the white clouds will look crisper. The blue sky will look slightly darker. The sunset will look more brilliant. The blue sky will look quite dark.
Picture Style Registration M You can select a base Picture Style such as [Portrait] or [Landscape], adjust it as desired, and register it under [User Def. 1], [User Def. 2], or [User Def. 3]. Useful when creating several Picture Styles with different settings. Picture Styles that you have registered on the camera using EOS Utility (EOS software) can also be modified here. 1 Select [z: Picture Style]. [User Def.]. 2 Select Select [User Def. *], then press the button. <0>.
Picture Style Registration 5 Select an item. the effect level. 6 Set For details, see “Picture Style Customization” (=233). Press the button to save the adjusted setting and return to the Picture Style selection screen. The base Picture Style will be indicated on the right of [User Def. *]. Blue style names indicate that you have changed the settings from default values. o If a Picture Style is already registered under [User Def.
Noise Reduction Settings M Long Exposure Noise Reduction For images exposed for 1 sec. or longer, noise (dots of light and banding) typical of long exposures can be reduced. [z: Long exp. noise 1 Select reduction]. 2 Set a reduction option. [AUTO] Auto For exposures of 1 sec. or longer, noise reduction is performed automatically if noise typical of long exposures is detected. This [Auto] setting is effective enough in most cases. [ON] Enable Noise reduction is performed for all exposures of 1 sec.
Noise Reduction Settings High ISO Speed Noise Reduction This function reduces the noise generated in the image. This function is especially effective when shooting at high ISO speeds. When shooting at low ISO speeds, the noise in the darker parts of the image (shadow areas) can further be reduced. 1 Select [z: High ISO speed NR]. 2 Set the level. [M] Multi Shot Noise Reduction Applies the noise reduction with higher image quality than [High].
Noise Reduction Settings Cautions for Setting Multi Shot Noise Reduction o If there is significant misalignment in the image due to camera shake, the noise reduction effect may become smaller. o If you are handholding the camera, keep it steady to prevent camera shake. Using a tripod is recommended. o If you shoot a moving subject, the moving subject may leave afterimages. o Auto image alignment may not function properly with repetitive patterns (lattice, stripes, etc.) or flat, single-tone images.
Appending Dust Delete Data M Dust Delete Data used to erase dust spots can be appended to images in case sensor cleaning leaves dust on the sensor. The Dust Delete Data is used by Digital Photo Professional (EOS software) to erase the dust spots automatically. Preparation Prepare a solid white object such as a sheet of paper. Set the lens focal length to 50 mm or longer. Set the lens’s focus mode switch to and set the focus to infinity (∞).
Appending Dust Delete Data a plain white object. 3 Shoot Shoot with a plain white object (such as a new sheet of white paper) filling the screen, at a distance of 20–30 cm (0.7–1.0 ft.). Since the image will not be saved, the data can still be obtained even if there is no card in the camera. When the picture is taken, the camera will start collecting the Dust Delete Data. When the Dust Delete Data is obtained, a message will appear.
Shutter Release Method (Live View Shooting) M You can choose how the shutter is released in Live View shooting. 1 Select [z: Shutter mode]. 2 Select an item. Mechanical Shooting activates the mechanical shutter. Be sure to set it to [Mechanical] if you use a TS-E lens (except TS-E17mm f/4L or TS-E24mm f/3.5L II) for shifting or tilting the lens or if you use an extension tube. If [Elec.
Shutter Release Method (Live View Shooting) o [Electronic] is not available in viewfinder shooting with the drive mode set to , , or . o Defocused image areas may be incomplete when shooting near maximum aperture at high shutter speeds, depending on shooting conditions. If you dislike the appearance of defocused image areas, shooting as follows may give better results. • Shoot without electronic first curtain. • Lower the shutter speed. • Increase the aperture value.
Multiple Exposures M You can shoot multiple exposures to merge into a single image. With Live View shooting, you can see in real time how the exposures are merged when you shoot multiple-exposure images. 1 Select [z: Multiple exposure]. a [Multiple exposure] option. 2 Set Select [Enable]. To exit shooting multiple exposures, select [Disable]. 3 Set [Multi-expos ctrl]. Additive The exposure of each single image captured is added cumulatively. Based on the [No.
Multiple Exposures the [No. of exposures]. 4 Set Select the number of exposures, then press <0>. a [Continue Mult-exp] option. 5 Set With [1 shot only], multiple-exposure shooting will be canceled automatically after the shooting ends. With [Continuously], multiple-exposure shooting continues until the setting in step 2 is set to [Disable]. (1) the first exposure. 6 Shoot The captured image will be displayed. In (1) on the screen, you can check the number of exposures left.
Multiple Exposures o During continuous shooting, the continuous shooting speed will decrease greatly. o Only the merged multiple-exposure image will be saved. The images taken in steps 6 and 7 for the multiple-exposure image will not be saved. o The image quality, ISO speed, Picture Style, high ISO speed noise reduction, color space, etc. set for the first single exposure will also be set for the subsequent exposures. o You cannot set an aspect ratio for multiple-exposure shooting.
Multiple Exposures Merging Multiple Exposures with a RAW Image Recorded on the Card You can select a RAW image recorded on the card as the first single exposure. The selected RAW image will remain intact. [Select image for multi. 1 Select expo.]. the first image. 2 Select Use the keys to select the first image, then press <0>. Select [OK]. The file number of the selected image will be displayed at the bottom of the screen. the picture.
Multiple Exposures Checking and Deleting Multiple Exposures During Shooting Before you finish shooting your specified number of exposures, you can press the button to view the multiple-exposure image so far, check exposure, and see how the images will be merged. Pressing the button will display the operations possible during multipleexposure shooting. Operation Description 2 Return to previous The screen before you pressed the button will screen reappear.
Multiple Exposures FAQ Are there any restrictions on the image quality? All single exposures and the multiple-exposure image are captured at your specified image quality. Can I merge images recorded on the card? With [Select image for multi. expo.], you can select the first single exposure from the images recorded on the card (=248). Note that you cannot merge multiple images already recorded on the card.
HDR (High Dynamic Range) Shooting M You can shoot still photos with clipped highlights and shadows reduced for a high dynamic range of tones even in high-contrast scenes. HDR shooting is effective for landscape and still-life shots. With HDR shooting, three images of different exposures (standard exposure, underexposure, and overexposure) are captured consecutively for each shot and then merged together automatically. The HDR image is recorded as a JPEG image. * HDR stands for High Dynamic Range.
HDR (High Dynamic Range) Shooting Effects [P] Natural For images preserving a wide tonal range where the highlight and shadow details would otherwise be lost. Clipped highlights and shadows will be reduced. [A] Art standard While the clipped highlights and shadows will be reduced more than with [Natural], the contrast will be lower, and the gradation flatter to have the picture look like a painting. The subject outlines will have bright (or dark) edges.
HDR (High Dynamic Range) Shooting a [Continuous HDR] option. 4 Set With [1 shot only], HDR shooting will be canceled automatically after the shooting ends. With [Every shot], HDR shooting continues until the setting in step 2 is set to [Disable HDR]. [Auto Image Align] and shoot. 5 Set For handheld shooting, select [Enable]. When using a tripod, select [Disable]. o RAW HDR images are captured in JPEG 73 image quality. RAW+JPEG HDR images are captured in the specified JPEG image quality.
HDR (High Dynamic Range) Shooting o When shooting HDR images with [Auto Image Align] set to [Enable], AF point display information (=392) and Dust Delete Data (=241) will not be appended to the image. o If you perform handheld HDR shooting with [Auto Image Align] set to [Enable], image periphery will be slightly trimmed and resolution will be slightly lowered. Also, if the images cannot be aligned properly due to camera shake, etc., auto image alignment may not take effect.
Focus Bracketing (Live View Shooting) M Focus bracketing* enables continuous shooting with the focal distance changed automatically after a single shot. From these images, you can create a single image in focus over a wide area by using an application that supports depth compositing, such as Digital Photo Professional (EOS software). * “Bkt.” stands for bracketing. 1 Select [z: Focus bracketing]. [Focus bracketing]. 2 Specify Select [Enable]. the number of images.
Focus Bracketing (Live View Shooting) [Focus increment]. 4 Set Specify how much to shift the focus. This amount is automatically adjusted to suit the aperture value at the time of shooting. Because larger aperture values increase the focus shift, focus bracketing covers a wider range under the same [Focus increment] and [Number of shots] settings in that case. After completing the settings, press <0>. [Exposure smoothing].
Focus Bracketing (Live View Shooting) o Focus bracketing is intended for still photo shooting on a tripod. o Shooting with a wider angle of view is recommended. After depth compositing, you can crop the image if necessary. o The following lenses can be used (as of April 2019). • EF16-35mm f/4L IS USM • EF24-70mm f/4L IS USM • EF100mm f/2.8L MACRO IS USM • EF180mm f/3.5L MACRO USM • EF-S35mm f/2.8 MACRO IS STM • EF-S60mm f/2.8 MACRO USM • EF-S18-135mm f/3.5-5.
Interval Timer Shooting With the interval timer in viewfinder shooting, you can set the shooting interval and number of shots to have the camera repeatedly shoot once at the specified interval. 1 Select [z: Interval timer]. [Enable]. 2 Select Select [Enable], then press the button. the shooting interval and 3 Set number of shots. Select an item to set (hours : minutes : seconds / number of shots). Press <0> to display . Set the desired number, then press <0>. (Returns to .
Interval Timer Shooting (1) (2) [OK]. 4 Select The interval timer settings will be displayed on the menu screen. (1) (2) Interval Number of shots the picture. 5 Take First shot is taken and shooting continues according to the interval timer settings. During interval timer shooting, will blink on the LCD panel. After the set number of shots are taken, the interval timer shooting will stop and be automatically canceled. o Using a tripod is recommended.
Interval Timer Shooting o Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera’s internal components. o Setting the lens focus mode switch to prevents the camera from shooting unless subjects are in focus. Setting it to and focusing manually before shooting is recommended. o If the shooting time is long, using the household power outlet accessories (sold separately) is recommended.
Flicker Effect Reduction M If you shoot an image with a fast shutter speed under a light source such as fluorescent light, the blinking of the light source causes flicker and the image may be vertically unevenly exposed. If continuous shooting is used under these conditions, uneven exposures or colors across the images may result. Anti-flicker shooting enables viewfinder shooting at moments when exposure and colors are less affected by flickering. 1 Select [z: Anti-flicker shoot.]. 2 Select [Enable].
Flicker Effect Reduction o In the or mode, if the shutter speed changes during continuous shooting or if you shoot multiple shots of the same scene at different shutter speeds, the color tone may become inconsistent. To avoid inconsistent color tones, use the or mode at a fixed shutter speed. o Color tone of captured images may vary between [Enable] and [Disable]. o Shutter speed, aperture value, and ISO speed may change when you start shooting with AE lock.
Mirror Lockup M Mirror lockup keeps the mirror up in viewfinder shooting to reduce blur from mirror movement. Useful when shooting close-ups (macro photography), using a super telephoto lens, shooting at slow shutter speeds, etc. 1 Select [z: Mirror lockup]. 2 Select [Enable]. on the subject, then press 3 Focus the shutter button completely. The mirror will swing up. 4 Press the shutter button completely again. The picture is taken and the mirror goes back down.
Mirror Lockup o Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera’s internal components. o In very bright light, such as at the beach or a ski slope on a sunny day, take the picture promptly after mirror lockup is stabilized. o During mirror lockup, shooting function settings and menu operations are disabled. o Single shooting drive mode is used when this function is enabled.
Continuous AF (Live View Shooting) This function keeps subjects generally in focus in Live View shooting. The camera is ready to focus immediately when you press the shutter button halfway. 1 Select [z: Continuous AF]. 2 Select [Enable]. o Enabling this function reduces the number of shots available, because the lens is driven continuously and battery power is consumed.
Lens Electronic MF Settings M For EF, or EF-S lenses equipped with electronic manual focusing, you can specify how manual focus adjustment is used with One-Shot AF. 1 Select [z: Lens electronic MF]. 2 Select an item. Disable after One-Shot AF Manual focus adjustment after the AF operation is disabled. Enable after One-Shot AF You can manually adjust the focus after the AF operation if you keep holding down the shutter button halfway.
AF-Assist Beam Settings You can specify to use the AF-assist beam of the built-in flash or a Speedlite in viewfinder shooting. 1 Select [z: AF-assist beam firing]. 2 Select an item. [ON] Enable Enables firing of the AF-assist beam, when needed. Press the button to fire the AF-assist beam from the built-in flash. [OFF] Disable Disables firing of the AF-assist beam. Set if you prefer not to fire the AF-assist beam.
AF-Assist Beam Settings o If an external Speedlite’s [AF-assist beam firing] Custom Function is set to [Disable], the AF-assist beam will not be emitted. o The AF-assist beam of an attached EX series Speedlite equipped with an LED light will fire as needed from the Speedlite’s LED light in Live View shooting when you specify [Enable] or [Enable external flash only].
General Still Photo Shooting Cautions Applies to Both Viewfinder and Live View Shooting Image Quality o When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable. o Shooting in high temperatures may cause noise and irregular colors in the image. With Live View shooting o Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera’s internal components.
General Still Photo Shooting Cautions Images and Display o Under low- or bright-light conditions, the displayed image may not reflect the brightness of the captured image. o Under low light, noise may be noticeable in image display even at low ISO speeds, but there will be less noise in your shots, because image quality varies between display and captured images. o The screen or exposure value may flicker if the light source (lighting) changes.
General Still Photo Shooting Cautions o With the HDMI Cable HTC-100 (sold separately), you can display the image on a television (=344). Note that no sound will be output. Information Display in Live View Shooting For details on the icons displayed for still photo shooting, see =623. o When [g] is displayed in white, it indicates that the image is displayed at the brightness level closely matching that of the actual image to be captured.
Movie Recording For movie recording, set the Live View shooting/ Movie shooting switch to . A M icon to the right of a page title indicates that the function is available only in Creative Zone. o When switching from still photo shooting to movie recording, check the camera settings again before recording movies.
Tab Menus: Movie Recording Shooting 1 =288 =295 =298 =322 =300 =322 =312 Shooting 2 =211 =322 =218 =323 =324 =220 Shooting 3 =224 =225 =227 =230 =238 =325 274
Tab Menus: Movie Recording Shooting 4 =135 =317 =142 =266 =319 =320 =149 275
Tab Menus: Movie Recording In Basic Zone modes, the following screens are displayed. Note that available setting items vary by shooting mode.
Movie Recording y/k Autoexposure Recording Autoexposure control will take effect to suit the scene’s current brightness. the Mode dial to a mode other 1 Set than <8>, , or . the Live View shooting/Movie 2 Set shooting switch to . on the subject. 3 Focus Before recording a movie, focus with AF or manual focus (=135, =147). By default, [z: Movie Servo AF] is set to [Enable] so that the camera always keeps focusing (=317).
Movie Recording ISO Speed in Basic Zone Modes The ISO speed will be set automatically within ISO 100–12800. ISO Speed in the , , , and Modes Will be set according to the details of [z: kISO speed settings] (=322). o When the <8> mode is set, HDR movie recording takes effect (=284). o Even if you set the or mode, movie recording with priority given to shutter speed or aperture cannot be performed. Autoexposure recording takes effect as in the mode.
Movie Recording M Manual Exposure Recording You can manually set the shutter speed, aperture, and ISO speed for movie recording. the Live View shooting/Movie 1 Set shooting switch to . 2 Set the Mode dial to . the ISO speed. 3 Set Press the button. The ISO speed setting appears on the screen. Set with the <6> or <5> dial. the shutter speed and aperture. 4 Set Press the shutter button halfway and check the exposure level indicator. To set the shutter speed (1), turn the <6> dial.
Movie Recording o During movie recording, avoid changing the shutter speed, aperture, or ISO speed. Doing so may record the changes in the exposure or create more noise at high ISO speeds. o When recording a movie of a moving subject, a shutter speed of approx. 1/25 sec. to 1/125 sec. is recommended. The faster the shutter speed, the less smooth the subject’s movement will look. o If you change the shutter speed while recording under fluorescent or LED lighting, image flicker may be recorded.
Movie Recording Available Shutter Speeds Shutter speed in mode can be set in a range of 1/4000–1/8 sec. o The available shutter speeds will differ for time-lapse movie recording (=300). Still Photo Shooting Still photos cannot be taken during movie recording. To take still photos, stop the movie recording and perform viewfinder shooting or Live View shooting. Information Display (Movie Recording) For details on the icons displayed for movie recording, see =625.
Movie Recording Cautions for Movie Recording o Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera’s internal components. o If you shoot something that has fine detail, moire or false colors may result. o If [Q] or [Qw] is set and the ISO speed or aperture changes during movie recording, the white balance may also change.
Movie Recording Notes for Movie Recording o Each time you record a movie, a new movie file is created on the card. o The movie’s field of view coverage for recording 4K, Full HD, and HD movies is approx. 100%. o To enable starting or stopping movie recording by pressing the shutter button completely, set [Fully-press] for [5: Shutter btn function for movies] to [Start/stop mov rec]. o Stereo sound is recorded by the camera’s built-in microphone (=277).
HDR Movie Recording You can shoot high dynamic range movies that retain detail in highlights of high-contrast scenes. 1 Set the Mode dial to <8>. an HDR movie. 2 Record Record the movie in the same way as normal movie recording. o Since multiple frames are merged to create an HDR movie, certain parts of the movie may look distorted. This is more noticeable in shots affected by camera shake, so consider using a tripod.
Movie Recording With Filter Effects Applied In (creative filters) mode, you can record movies with filter effects applied. 1 Set the Mode dial to . the button (7). 2 Press The Quick Control screen will appear. [f]. 3 Select Use the keys to select [f] (Shooting mode) in the upper left, then press <0>. a filter effect. 4 Select Use the keys to select a filter effect (=286–=287), then press <0>. The image is shown with the filter effect applied.
Movie Recording With Filter Effects Applied the filter effect level. 5 Adjust Press the button to select the icon below [Shooting mode]. Use the keys to adjust the effect, then press <0>. When setting up miniature effect movies, select the playback speed. 6 Record the movie. o A magnified view is not available. o No histogram is displayed. o Not available for video snapshots, time-lapse movies, or Movie digital IS.
Movie Recording With Filter Effects Applied n Dramatic B&W Creates an atmosphere of dramatic realism with high-contrast black and white. You can adjust the graininess and black-and-white effect. o Miniature effect movie You can record movies with a miniature (diorama) effect. Select the playback speed and shoot. To make the scene frame movable, press the button in step 4 (or tap [r] in the lower right of the screen), and after it turns orange, move it with the keys.
Movie Recording Quality Settings Under the [z: Movie rec quality] tab, set the image size, frame rate, and compression method. The movie will be recorded as an MP4 file. The frame rate displayed on the [Movie rec. size] screen switches automatically depending on the [5: Video system] setting (=520). o The card’s writing and reading speeds required for recording movies (card performance requirements) vary depending on the movie recording size.
Movie Recording Quality Settings o If you change the [5: Video system] setting, also set [z: Movie rec. size] again. o Normal playback of 4K and L8/7 movies may not be possible on other devices, because playback is processing-intensive. o Clarity and noise vary depending on movie recording quality and cropped shooting settings. o Movies cannot be recorded in VGA quality. 4K Movie Recording Recording 4K movies requires a high-performance card. For details, see “Cards that Can Record Movies” on =617.
Movie Recording Quality Settings Frame Rate (fps: frame per second) [8] 59.94fps / [6] 29.97fps For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.). [7] 50.00fps / [5] 25.00fps For areas where the TV system is PAL (Europe, Russia, China, Australia, etc.). Compression Method [X] IPB (Standard) Compresses multiple frames at a time efficiently for recording.
Movie Recording Quality Settings Cards that Can Record Movies For details on cards you can use for various movie recording sizes, see =617. When recording movies, use a high-capacity card with a writing/reading speed (as specified in card performance requirements) shown in the table on =617 or higher than the standard specification. Test cards by recording a few movies to make sure they can record correctly at your specified size (=288). o Format cards before recording 4K movies (=511).
Movie Recording Quality Settings High Frame Rate You can record Full HD movies at a high frame rate of 119.88 fps or 100.0 fps. This is ideal for recording movies that will be played back in slow motion. The maximum recording time per movie is 7 min. 29 sec. Movies are recorded as L2X or L3X. They are recorded cropped around the center of the shooting screen. Movie Servo AF and Movie digital IS have no effect when recording High Frame Rate movies. AF is not used to focus.
Movie Recording Quality Settings Movie Files Exceeding 4 GB Even if you record a movie exceeding 4 GB, you can keep recording without interruption. Using SD/SDHC cards formatted with the camera If you use the camera to format an SD/SDHC card, the camera will format it in FAT32. With a FAT32-formatted card, if you record a movie and the file size exceeds 4 GB, a new movie file will be created automatically. When you play back the movie, you will have to play back each movie file individually.
Movie Recording Quality Settings Total Movie Recording Time and File Size Per Minute For details on file sizes and the recording time available at each movie recording size, see =618. Movie Recording Time Limit When recording non-High Frame Rate movies The maximum recording time per movie is 29 min. 59 sec. Once 29 min. 59 sec. is reached, recording automatically stops. You can start recording a movie again by pressing the movie shooting button (which records the movie as a new file).
Setting the Sound Recording You can record movies while recording sound with the built-in stereo microphone or an external stereo microphone. You can also freely adjust the sound-recording level. Use [z: Sound recording] to set sound recording functions. Sound Recording/Sound-Recording Level Auto The sound-recording level is adjusted automatically. Auto level control will take effect automatically in response to the sound level. Manual You can adjust the sound-recording level as needed. Select [Rec.
Setting the Sound Recording Attenuator Automatically suppresses sound distortion caused by loud noises. Set [Sound rec.] to [Enable] if distortion occurs when set to [Auto] or [Manual]. External Microphone If an external microphone equipped with a miniature stereo plug (3.5 mm diameter) is connected to the camera’s external microphone IN terminal, the external microphone will be given the priority. Using the Directional Stereo Microphone DM-E1 (sold separately) is recommended.
Setting the Sound Recording o Sounds from Wi-Fi operations may be captured with built-in or external microphones. During sound recording, using the wireless communication function is not recommended. o When connecting an external microphone or headphones to the camera, make sure the plug is fully inserted. o The camera’s built-in microphone will also record the operation sound and mechanical sound of the camera during shooting.
Movie Digital IS The camera’s Movie digital IS feature reduces camera shake as movies are recorded. Movie digital IS can provide effective stabilization even when your lens is not equipped with Image Stabilizer. When using a lens equipped with Image Stabilizer, set the lens’s Image Stabilizer switch to <1>. 1 Select [z: Movie digital IS]. 2 Select an item. Disable (v) Image stabilization with Movie digital IS is disabled. Enable (w) Camera shake will be corrected. The image will be slightly magnified.
Movie Digital IS o Movie digital IS will not function when the lens’s optical Image Stabilizer switch is set to <2>. o With a lens whose focal length is longer than 800 mm, Movie digital IS will not function. o Movie digital IS cannot be set in <8> or mode or when High Frame Rate, time-lapse movie, or Creative filter is set. o The wider the angle of view, the more effective the image stabilization will be. The narrower the angle of view, the less effective the image stabilization will be.
Recording Time-lapse Movies Still photos shot at a set interval can be stitched together automatically to create a 4K or Full HD time-lapse movie. A time-lapse movie shows how a subject changes in a much shorter period of time than the actual time it took. It is effective for a fixed-point observation of changing scenery, growing plants, celestial motion, etc.
Recording Time-lapse Movies a scene. 5 Select Select a scene to suit the shooting situation. For greater freedom when setting the shooting interval and number of shots manually, select [Custom]. the shooting interval. 6 Set Select [Interval/shots]. (1) (2) Select [Interval] (sec.). Use the keys to set a value, then press <0>. Refer to [k: Time required] (1) and [3: Playback time] (2) to set the number. When [Custom] is set Select [Interval] (min.:sec.).
Recording Time-lapse Movies the number of shots. 7 Set Select [No. of shots]. Use the keys to set a value, then press <0>. Refer to the [k: Time required] and [3: Playback time] to set the number. When [Custom] is set Select the digit. Press <0> to display . Set the desired number with the keys, then press <0>. (Returns to .) Check that [3: Playback time] is not displayed in red. Select [OK] to register the setting.
Recording Time-lapse Movies the desired movie recording 8 Select size. H (3840×2160) The movie is recorded in 4K quality. The aspect ratio is 16:9. The frame rate is 29.97 fps (6) for NTSC and 25.00 fps (5) for PAL, and movies are recorded in MP4 (C) format with ALL-I (W) compression. Time-lapse movies are not recorded cropped, even when [H movie cropping] is set to [Enable] in [Movie rec. size]. L (1920×1080) The movie will be recorded in Full High-Definition (Full HD) quality.
Recording Time-lapse Movies 9 Configure [Auto exposure]. Fixed 1st frame When taking the first shot, metering is performed to set the exposure automatically to match the brightness. The exposure setting for the first shot will be applied to subsequent shots. Other shooting-related settings for the first shot will also be applied for subsequent shots. Each frame Metering is also performed for each subsequent shot to set the exposure automatically to match the brightness.
Recording Time-lapse Movies the beeper. 11 Set Select [Beep as img taken]. If [Disable] is set, the beeper will not sound for shooting. 12 Check the settings. (1) (2) (1) Time required Indicates the time required to shoot the set number of shots with the set interval. If it exceeds 24 hours, “*** days” will be displayed.
Recording Time-lapse Movies the message. 14 Read Read the message and select [OK]. test shots. 15 Take As with still photo shooting, set the exposure and shooting functions, then press the shutter button halfway to focus. Press the shutter button completely to take test shots. The still photos will be recorded to the card. If there are no problems with the test shots, go to the next step. To take test shots again, repeat this step. o Test shots are captured in JPEG 73 quality.
Recording Time-lapse Movies the <0> button. 16 Press The camera will be ready to start recording a time-lapse movie. To return to step 15, press the movie shooting button again. the time-lapse movie. 17 Record Press the button and check (1) (2) again the “Time required (1)” and “Interval (2)” displayed on the screen. Press the shutter button completely to start recording the time-lapse movie. AF will not work during time-lapse movie recording.
Recording Time-lapse Movies o If the card does not have enough free space to record the set number of shots, [Playback time] will be displayed in red. Although the camera can continue shooting, the shooting will stop when the card becomes full. o If the movie file size exceeds 4 GB with the [No. of shots] settings and the card is not formatted in exFAT (=512), [Playback time] will be displayed in red.
Recording Time-lapse Movies o If the shutter speed exceeds the shooting interval (such as for long exposures), or if a slow shutter speed is set automatically, the camera may not be able to shoot at the set interval. Shooting may also be prevented by shooting intervals nearly the same as the shutter speed. o If the next scheduled shot is not possible, it will be skipped. This may shorten the recording time of the created time-lapse movie.
Recording Time-lapse Movies o If you start time-lapse movie recording while the white [s] icon (=326) is displayed, the image quality of the time-lapse movie may deteriorate. It is recommended that you start time-lapse movie recording after the white [s] icon disappears (camera’s internal temperature decreases). o With [Auto exposure] set to [Each frame], ISO speed, shutter speed, and aperture may not be recorded in the time-lapse movie Exif information in some modes. o Using a tripod is recommended.
Recording Time-lapse Movies You can use Remote Controller RC-6 (sold separately) or Wireless Remote Control BR-E1 (sold separately) to start and stop the time-lapse movie recording. Set [z: Remote control] to [Enable] beforehand. With Remote Controller RC-6 Camera Status/Remote Control Setting Test-shooting screen Shooting-ready During time-lapse movie recording <2> 2-sec.
Recording Video Snapshots Record a series of short video snapshots, each a few seconds long, and the camera will combine them to create a video snapshot album that shows these highlights of your trip or event. Video snapshots are available when the movie recording size is set to L6X (NTSC) / L5X (PAL). Video snapshot albums can also be played back with background music (=376).
Recording Video Snapshots [Playback time]. 4 Specify Specify playback time per video snapshot. [Playback effect]. 5 Specify This setting determines how fast albums are played back. [Show confirm msg]. 6 Specify Select [Enable]. the required recording time. 7 Check The time required to record each video snapshot is indicated (1), based on the playback time and effect.
Recording Video Snapshots the menu. 8 Close Press the button to close the menu. A blue bar is displayed to indicate the recording time (2). (2) Creating a Video Snapshot Album the first video snapshot. 9 Record Press the movie shooting button to start recording. The blue bar indicating recording time gradually decreases, and after the specified time elapses, recording stops automatically. A confirmation message is displayed (=315). as a video snapshot album. 10Save Select [J Save as album].
Recording Video Snapshots recording video snapshots. 12 Stop Set [Video snapshot] to [Disable]. To return to normal movie recording, be sure to specify [Disable]. Press the button to close the menu and return to normal movie recording.
Recording Video Snapshots Adding to an Existing Album [Add to existing album]. 1 Select Follow step 3 on =312 to select [Add to existing album]. an existing album. 2 Select Turn the <5> dial to select an existing album, then press <0>. Select [OK]. Some video snapshot settings will be updated to match settings of the existing album. the menu. 3 Close Press the button to close the menu. The video snapshot recording screen is displayed. a video snapshot.
Movie Servo AF With this function enabled, the camera focuses on the subject continuously during movie recording. 1 Select [z: Movie Servo AF]. 2 Select [Enable]. When [Enable] is set: The camera focuses on the subject continuously even when you are not pressing the shutter button halfway. To keep the focus at a specific position, or if you prefer not to record mechanical sounds from the lens, you can temporarily stop Movie Servo AF by touching [Z] in the lower left of the screen.
Movie Servo AF Cautions When [Movie Servo AF] is Set to [Enable] o Shooting Conditions that Make Focusing Difficult • A fast-moving subject approaching or moving away from the camera. • A subject moving at a close distance to the camera. • When shooting with a higher f/number. • Also see “Shooting Conditions that Make Focusing Difficult” on =146. o Since the lens is driven continuously and the battery power is consumed, the possible movie recording time (=618) will be shortened.
Movie Servo AF Track Sensitivity M You can adjust the tracking sensitivity (to one of seven levels), which affects responsiveness if the subject strays from the AF point during Movie Servo AF, as when interfering objects move across AF points or when you pan. [z: Movie Servo AF track 1 Select sens.]. Locked on: –3/–2/–1 With this setting, the camera is less likely to track a different subject if the main subject strays from the AF point.
Movie Servo AF Speed M You can set the Movie Servo AF’s AF speed and its operation conditions. The function is enabled when using a lens supporting slow focus transition during movie recording*. 1 Select [z: Movie Servo AF speed]. When active: You can set [Always on] to have the AF speed take effect at all times for movie recording (before and during movie recording) or set [During shooting] to have the AF speed take effect only during movie recording.
Movie Servo AF Speed o With certain lenses, even if you adjust the AF speed, the speed may not change. o Available when [z: Movie Servo AF] is set to [Enable] and [z: AF method] is set to [1-point AF]. o Operation when [z: AF method] is set to an option other than [1-point AF] is equivalent to setting [AF speed] to [Standard (0)]. o An asterisk to the right of [z: Movie Servo AF speed] indicates that the default setting has been modified.
Other Menu Functions [z1] Lens aberration correctionM Peripheral illumination and chromatic aberration can be corrected as you record movies. For details on lens aberration correction, see =206. Remote control shooting When [Enable] is set, you can start or stop movie recording using Remote Controller RC-6 or Wireless Remote Control BR-E1 (sold separately). With Remote Controller RC-6 The [R] is displayed on the LCD panel.
Other Menu Functions aMax for Auto You can set the maximum limit for ISO Auto in 4K time-lapse/Full HD time-lapse movie recording in [k] mode or in [M] mode with ISO Auto. o ISO 25600 is an expanded ISO speed (indicated by [H]). o ISO 25600 is not available when recording 4K movies, 4K time-lapse movies, or Full HD time-lapse movies. Highlight tone priorityM You can reduce overexposed, clipped highlights as you record movies. For details on Highlight tone priority, see =219.
Other Menu Functions kAuto slow shutterM You can choose whether to record movies that are brighter and less affected by image noise than when set to [Disable] by automatically slowing the shutter speed under low light. Available in [k] shooting mode. Applies when the frame rate of the movie recording size is 8 or 7. Disable Enables you to record movies with smoother, more natural movement, less affected by subject shake than when set to [Enable].
Other Menu Functions [z3] HDMI info dispM You can configure information display for image output via an HDMI cable. With info The image, shooting information, AF points, and other information is shown on the other device via HDMI. Note that the camera screen goes off. Recorded movies are saved to the card. Clean / H output HDMI output consists solely of 4K movies. Shooting information and AF points are also displayed on the camera, but no image is recorded to the card.
General Movie Recording Cautions Red [E] Internal Temperature Warning Icon o If the camera’s internal temperature increases due to prolonged movie recording or under a high ambient temperature, a red [E] icon will appear. o The red [E] icon indicates that movie recording will soon be terminated automatically. If this happens, you will not be able to shoot again until the camera’s internal temperature decreases. Turn off the power and let the camera rest for a while.
General Movie Recording Cautions Recording and Image Quality o If you use a card with a slow writing speed, an indicator may appear on the right of the screen during movie recording. It indicates how much data has not yet been written to the card (remaining capacity of the internal buffer memory). The slower the card, the faster the indicator will climb upward. If the indicator (1) becomes (1) full, movie recording will stop automatically.
Playback This chapter covers topics related to playback—playing back captured still photos and movies—and introduces menu settings on the Playback ([x]) tab. o Normal display or selection on this camera may not be possible for images captured on other cameras, or images from this camera that have been edited or renamed on a computer. o Images that cannot be used with playback functions may be displayed.
Tab Menus: Playback Playback 1 =346 =349 =350 =354 =358 =361 Playback 2 =364 =370 =372 =373 =374 Playback 3 =377 =379 =380 =383 =385 =387 o [3: RAW image processing] and [3: Quick Control RAW processing] are not displayed in Basic Zone modes.
Tab Menus: Playback Playback 4 =389 =391 =392 =393 =394 331
Image Playback Single-Image Display back the image. 1 Play Press the button. The last image captured or played back will appear. an image. 2 Select To play back images starting with the most recent, turn the <5> dial counterclockwise. To play back images starting with the first captured image, turn the dial clockwise. Images can also be selected with <9>. Each time you press the button, the display will change.
Image Playback the image playback. 3 Exit Press the button to exit the image playback and return to shooting-ready state. o When RAW images shot with [z: Still img aspect ratio] set to an option other than [3:2] (=202) are played back, frame lines indicating the image area will be displayed. o If the search conditions are set with [3: Set image search conditions] (=385), only the filtered images will be displayed.
Index Display (Multiple-Image Display) to the index display. 1 Switch During image playback, press the button. The 4-image index display will appear. The selected image is highlighted with an orange frame. Pressing the button again switches display from 9 images to 36, and then to 100. Pressing the button switches display from 100 images to 36, 9, 4, and then single-image display. B B B B an image. 2 Select Turn the <6> or <5> dial to move the orange frame, then select the image.
Index Display (Multiple-Image Display) Touch Playback The camera features a touch-screen panel that you can touch to control playback. Supported touch operations are like those used with smartphones and similar devices. First, press the button to prepare for touch playback. Image browsing Jump display Index display Magnified view o You can also magnify display by double-tapping with one finger.
Magnified Image Display the image. 1 Magnify During image playback, press the button. The magnified view will appear. The magnified area position (1) will be displayed on the lower right of the screen. Each press of the button enlarges display. Each press of the button reduces display. For index display (=334), press the button again after the final reduction. (1) the image. 2 Scroll Use <9> to scroll the image vertically and horizontally.
Movie Playback back the image. 1 Play Press the button. a movie. 2 Select Use the <5> dial to select the movie to play back. In the single-image display, the icon displayed on the upper left indicates a movie. In the index display, perforations at the left edge of a thumbnail indicate a movie. As movies cannot be played back from the index display, press <0> to switch to the single-image display. the single-image display, press 3 In<0>. <0> to play back the movie.
Movie Playback Movie Playback Panel Item 7 Play 8 Slow motion T Skip backward 3 Previous frame 6 Next frame v Skip forward X Edit I Frame Grab y Background music mm’ ss” Volume 338 Playback Operations Pressing <0> toggles between playback and stop. Adjusts the slow motion speed with the <5> dial. The slow motion speed is indicated on the upper right of the screen. Skips backward 4 sec. each time you press <0>. Displays the previous frame each time you press <0>. Holding <0> down will rewind the movie.
Movie Playback Movie Playback Panel (Video Snapshot Albums) Item 7 Play 8 Slow motion T Previous clip 3 Previous frame 6 Next frame v Next clip Erase clip X Edit y Background music mm’ ss” Volume Playback Operations Pressing <0> toggles between playback and stop. Adjusts the slow motion speed with the <5> dial. The slow motion speed is indicated on the upper right of the screen. Displays the first frame of the previous video snapshot. Displays the previous frame each time you press <0>.
Editing a Movie’s First and Last Scenes the single-image display, press 1 In<0>. The movie playback panel will appear. the movie playback panel, 2 On select [X]. the part to be edited out. 3 Specify Select either [U] (Cut beginning) or [V] (Cut end). Press the keys to go back or forward one frame (or video snapshot) at a time. Keep holding down the key to fast forward the frames. After deciding which part to edit out, press <0>.
Editing a Movie’s First and Last Scenes the image. 5 Save Select [W] (1). (1) (2) The save screen will appear. To save it as a new movie, select [New file]. To save it and overwrite the original movie file, select [Overwrite]. ] (2) to save a compressed Select [ version of the file. 4K movies are converted to Full HD movies before compression. On the confirmation dialog, select [OK] to save the edited movie and return to the movie playback screen. o Because editing is performed in approx. 1-sec.
Frame Extraction from 4K Movies or 4K Time-Lapse Movies From 4K movies or 4K time-lapse movies, you can select individual frames to save as approx. 8.3 megapixel (3840×2160) JPEG still images. This function is called “Frame Grab (4K frame capture)”. back the image. 1 Play Press the <3> button. a 4K movie or 4K time-lapse 2 Select movie. Select with <5>. On the shooting information screen (=631), 4K movies and 4K time-lapse movies are indicated by an [H] icon.
Frame Extraction from 4K Movies or 4K Time-Lapse Movies the image. 6 Save Select [OK] to save the current frame as a JPEG still image. the image to display. 7 Select Check the destination folder and image file number. Select [View original movie] or [View extracted still image]. o Frame grabbing is not possible with Full HD movies, Full HD time-lapse movies, or with 4K movies or 4K time-lapse movies from a different camera.
Playback on a TV Set By connecting the camera to a television with an HDMI cable, you can play back the captured still photos and movies on the television. Using the HDMI Cable HTC-100 (sold separately) is recommended. If the image does not appear on the TV screen, check if the [5: Video system] is correctly set to [For NTSC] or [For PAL] (depending on the video system of your television). the HDMI cable to the 1 Connect camera.
Playback on a TV Set o Adjust movie sound volume with the TV set. The sound volume cannot be adjusted with the camera. o Before connecting or disconnecting the cable between the camera and television, turn off the camera and television. o Depending on the television, part of the image displayed may be cut off. o Do not connect any other device’s output to the camera’s terminal. Doing so may cause a malfunction. o Certain televisions may not display the images due to incompatibility.
Protecting images You can protect important images from being accidentally erased. Protecting a Single Image 1 Select [3: Protect images]. 2 Select [Select images]. an image. 3 Select Turn the <5> dial to select the image to be protected. (1) 4 Press <0> to protect the selected Protect the image. image. The icon (1) will appear at the top of the screen. To cancel the image protection, press <0> again. The icon will disappear. To protect another image, repeat steps 3 and 4.
Protecting images Specifying the Range of Images to be Protected While looking at the images in the index display, you can specify the first and last images for a range to protect all the specified images at once. [Select range]. 1 Select Select [Select range] in [3: Protect images]. the range of images. 2 Specify Select the first image (start point). Next, select the last image (end point). The images in the specified range will be protected and the icon will appear.
Protecting images Protecting All Images in a Folder or on a Card You can protect all the images in a folder or on a card at once. When you select [All images in folder] or [All images on card] in [3: Protect images], all the images in the folder or on the card will be protected. To cancel the selection, select [Unprotect all images in folder] or [Unprotect all images on card].
Image Rotation You can use this feature to rotate the displayed image to the desired orientation. 1 Select [3: Rotate image]. an image. 2 Select Select with <5>. the image. 3 Rotate Each time you press <0>, the image will rotate clockwise as follows: 90° → 270° → 0°. To rotate another image, repeat steps 2 and 3. o If you set [5: Auto rotate] to [OnzD] (=510) before taking vertical shots, you need not rotate the image with this function.
Erasing Images You can either select and erase unnecessary images one by one or erase them in one batch. Protected images (=346) will not be erased. o Once an image is erased, it cannot be recovered. Make sure you no longer need the image before erasing it. To prevent important images from being erased accidentally, protect them. Erasing a Single Image the image to be erased. 1 Select Press the button. Select with <5>. 2 Press the button. 3 Erase the images.
Erasing Images Checkmarking [X] Images to Be Erased in a Batch By adding checkmarks to the images to be erased, you can erase all those images at once. 1 Select [3: Erase images]. 2 Select [Select and erase images]. an image. 3 Select Turn the <5> dial to select the image to be erased, then press <0>. To select another image to be erased, repeat step 3. the images. 4 Erase Press the button, then press [OK].
Erasing Images Specifying the Range of Images to Be Erased While looking at the images in the index display, you can specify the first and last images for a range to erase all the specified images at once. [Select range]. 1 Select Select [Select range]. the range of images. 2 Specify Select the first image (start point). Next, select the last image (end point). 3 Press the button. the images. 4 Erase Select [OK].
Erasing Images Erasing All Images in a Folder or on a Card When [3: Erase images] is set to [All images in folder] or [All images on card], all the images in the folder or on the card will be erased. If the search conditions are set with [3: Set image search conditions] (=385), the display will change to [All found images]. If you select [All found images], all the images filtered by the search conditions will be erased. o To erase all the images including protected images, format the card (=511).
Digital Print Order Format (DPOF) DPOF (Digital Print Order Format) enables you to print images recorded on the card according to your printing instructions such as the image selection, quantity to print, etc. You can print multiple images in one batch or create a print order for a photofinisher. You can set the print settings such as print type, date imprinting, file number imprinting, etc. The print settings will be applied to all the images specified for printing.
Digital Print Order Format (DPOF) the setting. 4 Exit Press the button. Next, select [Sel.Image] or [Multiple] to specify the images to be printed. o If you print an image with a large image size using the [Index] or [Both] setting (=354), the index print may not be printed with certain printers. In this case, resize the image (=379), then print the index print. o Even if [Date] and [File No.
Digital Print Order Format (DPOF) Selection of Images for Printing Selecting Images Select and specify the images one by one. Press the button to save the print order to the card. Standard/Both (1) Press <0> to print a copy of the displayed image. By turning the <5> dial, you can specify to print up to 99 copies. (2) (1) (2) Quantity Total images selected Index Press <0> to add a checkmark to the box [X]. The image will be included in the index print.
Digital Print Order Format (DPOF) All Images in a Folder Select [Mark all in folder] and select the folder. A print order for one copy of all the images in the folder will be specified. If you select [Clear all in folder] and select the folder, the print order for all the images in the folder will be canceled. All Images on a Card If you select [Mark all on card], one copy of all the images on the card will be specified for printing.
Specifying Images for a Photobook You can specify up to 998 images for printing in a photobook. When you use EOS Utility (EOS software) to import images to a computer, the specified images for a photobook will be copied to a dedicated folder. This function is useful for ordering photobooks online. Specifying One Image at a Time 1 Select [3: Photobook Set-up]. 2 Select [Select images]. the image to be specified.
Specifying Images for a Photobook Specifying the Image Range for a Photobook While looking at the images in the index display, you can specify the range (start point to end point) of images to be specified for a photobook at once. [Multiple]. 1 Select Under [3: Photobook Set-up], select [Multiple]. 2 Select [Select range]. the range of images. 3 Specify Select the first image (start point). Next, select the last image (end point).
Specifying Images for a Photobook Specifying All Images in a Folder or on a Card You can specify all the images in a folder or on a card at once for a photobook. Under [x: Photobook Set-up], you can set [Multiple] to [All images in folder] or [All images on card] to specify all the images in the folder or on the card for a photobook. To cancel the selection, select [Clear all in folder] or [Clear all on card].
Creative Filter Effects You can apply the following filter processing to an image and save it as a separate image: Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, and Miniature effect. 1 Select [3: Creative filters]. an image. 2 Select Select an image with <5>, then press <0>. You can press the button to select the image using the index display. 3 Select a filter effect (=362). the filter effect. 4 Adjust Adjust the filter effect, then press <0>.
Creative Filter Effects the image. 5 Save Select [OK]. Check the destination folder and image file number displayed, then select [OK]. To apply filter processing to other images, repeat steps 2–5. o For images captured in RAW+JPEG shooting, filter processing is applied to the RAW image, and the results are saved as a JPEG. o For RAW images captured at a specific aspect ratio, the resulting image is saved at that aspect ratio after filter processing.
Creative Filter Effects X Fish-eye effect Gives the effect of a fish-eye lens. The image will have barrel distortion. Depending on the level of this filter effect, the area trimmed along the periphery of the image changes. Also, because this filter effect magnifies the center of the image, the apparent resolution at the center may degrade depending on the number of recorded pixels, so set the filter effect in step 4 while checking the resulting image.
RAW Image Processing M You can process 1 or F images with the camera to create JPEG images. RAW images are not affected, so different conditions can be applied to create JPEGs. You can also use Digital Photo Professional (EOS software) to process RAW images. [3: RAW image 1 Select processing]. an item, then select images. 2 Select You can select multiple images to process at once. Select images Turn the <5> dial to select images to process, then press <0>. Press the button.
RAW Image Processing the desired processing 3 Set conditions. Use shot settings Images are processed using image settings at the time of capture. Customize RAW processing Select an item with <9>. Turn the <6> or <5> dial to switch the setting. Press <0> to access the function setting screen. To return to the image settings at the time of shooting, press the button.
RAW Image Processing the image to display. 5 Select Select [Original image] or [Processed img.]. Magnified View You can magnify images displayed for [Customize RAW processing] by pressing the button. Magnification varies depending on the [Image quality] setting. With <9>, you can scroll around the magnified image. To cancel the magnified view, tap [2] or press the button.
RAW Image Processing RAW Image Processing Options [ ] Brightness adjustment You can adjust the image brightness up to ±1 stop in 1/3-stop increments. [ ] White balance (=222) You can select the white balance. If you select [Q], you can select [Auto: Ambience priority] or [Auto: White priority]. If you select [P], you can set the color temperature. [ ] Picture Style (=230) You can select the Picture Style. You can adjust the sharpness, contrast, and other parameters.
RAW Image Processing ] Color space (=229) [ You can select either sRGB or Adobe RGB. Since the camera screen is not compatible with Adobe RGB, the difference in the image will hardly be perceptible when either color space is set. [ ] Lens aberration correction [ ] Peripheral illumination correction (=207) A phenomenon that makes the image corners look darker due to the lens characteristics can be corrected. If [Enable] is set, the corrected image will be displayed.
RAW Image Processing [ ] Chromatic aberration correction (=209) Chromatic aberrations (color fringing along the subject’s outline) due to the lens characteristics can be corrected. If [Enable] is set, the corrected image will be displayed. If the effect is difficult to discern, magnify the image (=336). [ ] Diffraction correction (=209) The diffraction by the lens aperture degrading the image sharpness can be corrected. If [Enable] is set, the corrected image will be displayed.
Processing With Your Preferred Effects Applied (Creative Assist) You can process RAW images by applying your preferred effects and saving as JPEGs. 1 Select [3: Creative Assist]. an image. 2 Select Turn the <5> dial to select images to process, then press <0>. an effect level. 3 Select Use the keys to select the effect. By selecting [Preset] and pressing <0>, you can choose [VIVID], [SOFT], or other preset effects.
Processing With Your Preferred Effects Applied (Creative Assist) You can select effects such as [Brightness] or [Contrast] by pressing <0> and then using the keys. Press <0> when adjustment is finished. To reset the effect, press the button. To confirm the effect, press the button. 4 Select [OK] to save the image.
Selecting the Type of RAW Image Processing You can select the type of RAW image processing performed from the Quick Control screen. [3: Quick Control RAW 1 Select processing]. an item. 2Select Creative Assist RAW processing that applies your preferred effect (=370). RAW image processing RAW processing according to conditions you specify (=364).
Red-Eye Correction Automatically corrects relevant portions of images affected by red-eye. The image can be saved as a separate file. 1 Select [3: Red-eye correction]. an image with <5>. 2 Select After image selection, either touch [E] or press <0>. White frames are displayed around corrected image areas. [OK]. 3 Select The image is saved as a separate file. o Some images may not be corrected accurately.
Editing Video Snapshot Albums 1 Select [3: Create album]. an album to edit. 2 Select Press <0> to add a checkmark [X]. After selection, press the button. 3 Select an editing option.
Editing Video Snapshot Albums Option TRearrange video snapshots L Remove video snapshot 7 Play video snapshot Description Turn the <5> dial to select a video snapshot to move, then press <0>. Turn the <5> dial to move it, then press <0>. Turn the <5> dial to select a video snapshot to delete, then press <0>. Selected video snapshots are labeled [L]. To clear the selection and remove [L], press <0> again. Turn the <5> dial to select a video snapshot to play, then press <0>.
Editing Video Snapshot Albums Selection of Background Music Albums and slideshows can be played with background music once you copy the music to the card, using EOS Utility (EOS software). [Background music]. 1 Select Set [Background music] to [On]. the background music. 2 Select Turn the <6> dial to select the music, then press <0>. For [Slide show], you can select multiple tracks. to a sample. 3 Listen To listen to a sample, press the button. Use the keys to adjust the volume.
Cropping JPEG Images You can crop a captured JPEG image and save it as another image. Cropping an image is possible only with JPEG images. Images shot in RAW cannot be cropped. 1 Select [x: Cropping]. an image. 2 Select Turn the <5> dial to select the image you want to crop. the cropping frame. 3 Set Press <0> to display the cropping frame. The image area within the cropping frame will be cropped. Changing the Cropping Frame Size Press the button to change the cropping frame size.
Cropping JPEG Images Moving the Cropping Frame Use <9> to move the frame vertically or horizontally. Move the cropping frame until it covers the desired image area. Correcting the Tilt You can correct image tilt by ±10°. Turn the <5> dial to select , then press <0>. While checking the tilt against the grid, turn the <5> dial (in 0.1° increments) or tap the left or right wedge (in 0.5° increments) on the upper left of the screen to correct the tilt.
Resizing JPEG Images You can resize a JPEG image to make the pixel count lower and save it as a new image. Resizing an image is possible only with JPEG 3, 4, and a images. JPEG b and RAW images cannot be resized. 1 Select [3: Resize]. an image. 2 Select Turn the <5> dial to select the image you want to resize. the desired image size. 3 Select Press <0> to display the image sizes. Select the desired image size (1). (1) the image. 4 Save Select [OK] to save the resized image.
Image Ratings You can rate images on a scale of 1–5 (l/m/n/o/p). This function is called rating. * Rating images can help you organize them. Rating a Single Image 1 Select [3: Rating]. 2 Select [Select images]. the image to be rated. 3 Select Turn the <5> dial to select the image to be rated. the image. 4 Rate Press <0>, and a blue highlight frame will appear as shown in the screen shown on the left. Use the keys to select a rating mark, then press <0>.
Image Ratings Rating by Specifying the Range While looking at the images in the index display, you can specify the first and last images for a range to rate all the specified images at once. [Select range]. 1 Select Select [Select range] in [3: Rating]. the range of images. 2 Specify Select the first image (start point). Next, select the last image (end point). A checkmark [X] will be appended to all the images within the range between first and last images. 3 Press the button. the image.
Image Ratings Rating All Images in a Folder or on a Card You can rate all the images in a folder or on a card at once. Under [3: Rating], when you select [All images in folder] or [All images on card], all the images in the folder or on the card will be rated. Turn the <6> dial to select a rating, then select [OK]. When you are not rating images or cancelling the rating, select [OFF].
Image Slide Shows (Auto Playback) You can play back the images on the card as an automatic slide show. the images to be played 1 Specify back. To play back all the images on the card, go to step 2. If you want to specify the images to be played back in the slide show, filter the images with [3: Set image search conditions] (=385). 2 Select [3: Slide show]. the playback as desired. 3 Set Select [Set up].
Image Slide Shows (Auto Playback) Display time Repeat Transition effect Background music the slide show. 4 Start Select [Start]. After [Loading image...] is displayed, the slide show will start. the slide show. 5 Exit To exit the slide show and return to the setting screen, press the button. o To pause the slide show, press <0>. During pause, [G] will be displayed on the upper left of the image. Press <0> again to resume the slide show.
Filtering Images for Playback You can filter image display according to your search conditions. After setting the image search conditions, you can play back and display only the found images. You can also protect, rate, erase, play a slide show, and apply other operations to filtered images. [3: Set image search 1 Select conditions]. the search conditions. 2 Set Turn the <5> dial to select an item. Turn the <6> dial to set the setting. A checkmark [X] (1) is appended to the left of the item.
Filtering Images for Playback the search conditions. 3 Apply Press <0> and read the message displayed. Select [OK]. The search condition is specified. the found images. 4 Display Press the <3> button. (2) Only the images that match the set conditions (filtered) will be played back. When the images are filtered for display, the screen will have an outer yellow frame (2). Clearing the Search Conditions Access the screen in step 2, then press the button to clear all the search conditions.
Jump Display (Jumping Through Images) In the single-image display, you can turn the <6> dial to jump through the images forward or backward according to the jump method set. 1 Select [x: Image jump w/6]. 2 Select the jump method. o With [Jump images by the specified number], you can turn the <6> dial to select the number of images to jump by. o When you select [Display by image rating], turn the <6> dial to specify the rating (=380).
Jump Display (Jumping Through Images) by jumping. 3 Browse Press the button. In the single-image display, turn the <6> dial. You can browse by the set method. (1) (2) (1) (2) Jump method Playback position o To search images by shooting date, select [g: Date]. o To search images by folder, select [h: Folder]. o If the card contains both movies and still photos, select [i: Movies] or [j: Stills] to display one or the other.
Customizing Playback Information Display You can specify screens and accompanying information displayed during image playback. [3: Playback information 1 Select display]. a checkmark [X] next to the 2 Add number of screens to display. Select numbers with <5>. Press <0> to add a checkmark [X]. Repeat these steps to add a checkmark [X] to the number of each screen to display, then select [OK].
Customizing Playback Information Display [Brightness] display This histogram is a graph showing the distribution of the image’s brightness level. The horizontal axis indicates the brightness level (darker on the left and brighter on the right) while the vertical axis indicates how many pixels exist for each brightness level. The more pixels there are toward the left, the darker the image. The more pixels there are toward the right, the brighter the image.
Displaying the Highlight Alert You can specify blinking display of overexposed highlights on the playback screen. To obtain more detailed gradation in the blinking areas where you want the gradation to be faithfully reproduced, set the exposure compensation to a negative amount and shoot again for a better result. 1 Select [3: Highlight alert]. 2 Select [Enable].
AF Point Display You can display the AF points that were used to focus, which will be outlined in red on the playback screen. If automatic AF point selection is set, multiple AF points may be displayed. 1 Select [3: AF point disp.]. 2 Select [Enable].
Grid Display You can display a grid over still photos shown in single-image display on the playback screen. This function is convenient for checking the image’s vertical or horizontal tilt as well as composition. 1 Select [3: Playback grid]. 2 Select an item.
Specifying Initial Image Display When Playback Begins 1 Select [3: View from last seen]. an item. 2 Select [Enable]: Playback resumes from the last image displayed (except when you have just finished shooting). [Disable]: Playback resumes from your most recent shot whenever the camera is restarted.
Wireless Features This chapter describes how to connect the camera to a smartphone wirelessly via Bluetooth® or Wi-Fi® and send images to devices or Web services, how to control the camera from a computer or wireless remote control, and other operations. Important Note that Canon cannot be held liable for any loss or damage from erroneous wireless communication settings when using the camera. In addition, Canon cannot be held liable for any other loss or damage caused by use of the camera.
Tab Menus: Wireless Tab Wireless 1 =397 =470 =471 =472 =473 =480 o Wireless communication is not available while the camera is connected via an interface cable to a computer or other device. o Other devices, such as computers, cannot be used with the camera by connecting them with an interface cable while the camera is connected to devices via Wi-Fi. o The camera cannot be connected via Wi-Fi if there is no card in the camera (except for [D]).
Selection of Wi-Fi/Bluetooth Connection [k: Wi-Fi/Bluetooth 1 Select connection]. an item for the camera to 2 Select connect to. q Connect to smartphone (=399) Control the camera remotely and browse images on the camera over a Wi-Fi connection by using the dedicated Camera Connect app on smartphones or tablets (collectively referred to as “smartphones” in this manual).
Selection of Wi-Fi/Bluetooth Connection R Upload to Web service (=444) Share images with friends or family on social media or the CANON iMAGE GATEWAY online photo service for Canon customers after you complete member registration (free of charge). K Connect to Wireless Remote This camera can also be connected to Wireless Remote Control BR-E1 (sold separately) via Bluetooth for remote control shooting (=464).
Connecting to a Smartphone You can do the following after pairing the camera with a smartphone compatible with Bluetooth low energy technology (hereafter, “Bluetooth”). Establish a Wi-Fi connection using only the smartphone (=400). Establish a Wi-Fi connection with the camera even when it is off (=405). Geotag images with GPS information acquired by the smartphone (=475). Control the camera remotely from a smartphone (=404).
Connecting to a Smartphone Connecting to a Bluetooth-compatible Smartphone via Wi-Fi Steps on the Camera (1) [k: Wi-Fi/Bluetooth 1 Select connection]. 2 Select [qConnect to smartphone]. 3 Select [Add a device to connect to]. an item. 4 Select If Camera Connect is already installed, select [Do not display]. If Camera Connect is not installed, select [Android] or [iOS], scan the displayed QR code with the smartphone to access Google Play or App Store and install Camera Connect.
Connecting to a Smartphone [Pair via Bluetooth]. 5 Select Pairing now begins. To pair with a different smartphone after pairing with one initially, select [OK] on the screen at left. Steps on the Smartphone (1) 6 Start Camera Connect. the camera for pairing. 7 Tap If you are using an Android smartphone, go to step 9. 8 Tap on [Pair] (iOS only).
Connecting to a Smartphone Steps on the Camera (2) 9 Select [OK]. <0>. 10Press Pairing is now complete, and the camera is connected to the smartphone via Bluetooth. A Bluetooth icon appears on the main Camera Connect screen. o The camera cannot be connected to two or more devices at the same time via Bluetooth. To switch to a different smartphone for the Bluetooth connection, see =478. o Bluetooth connection consumes battery power even after the camera’s auto power off is activated.
Connecting to a Smartphone Steps on the Smartphone (2) on a Camera Connect function. 11 Tap In iOS, tap [Join] when a message is displayed to confirm camera connection. For the Camera Connect functions, see =404. When a Wi-Fi connection is established, the screen for the selected function will appear. [qWi-Fi on] is displayed on the camera. The Bluetooth and Wi-Fi icons are lit on the main Camera Connect screen. The Wi-Fi connection to a Bluetooth-compatible smartphone is now complete.
Connecting to a Smartphone Camera Connect Functions Images on camera Images can be browsed, deleted, or rated. Images can be saved on a smartphone. Remote live view shooting Enables remote shooting as you view a live image on the smartphone. Auto transfer Enables camera and app setting adjustment to send shots to a smartphone automatically as they are captured (=412). Bluetooth remote controller Enables remote control of the camera from a smartphone paired via Bluetooth.
Connecting to a Smartphone Maintaining a Wi-Fi Connection When the Camera Is Off Even when the camera power switch is set to <2>, as long as it is paired to a smartphone via Bluetooth, you can use the smartphone to connect via Wi-Fi. 1 Select [k: Bluetooth settings]. 2 Set [Stay conn. if off] to [Enable]. With the camera power switch set to <2>, tap [Images on camera] in the Camera Connect menu to start the Wi-Fi connection. In iOS, tap [Join] when a message is displayed to confirm camera connection.
Connecting to a Smartphone Canceling the Pairing Cancel pairing with a smartphone as follows. [k: Wi-Fi/Bluetooth 1 Select connection]. [qConnect to smartphone]. 2 Select If the history (=467) is displayed, switch the screen with the keys. 3 Select [Edit/delete device]. the smartphone to cancel 4 Select paring with. Smartphones currently paired with the camera are labeled [s].
Connecting to a Smartphone [Delete connection 5 Select information]. 6 Select [OK]. the camera information on 7 Clear the smartphone. In the smartphone’s Bluetooth setting menu, clear the camera information registered on the smartphone.
Connecting to a Smartphone Wi-Fi Connection Without Using Bluetooth Steps on the Camera (1) [k: Wi-Fi/Bluetooth 1 Select connection]. [qConnect to smartphone]. 2 Select If the history (=467) is displayed, switch the screen with the keys. 3 Select [Add a device to connect to]. an item. 4 Select If Camera Connect is already installed, select [Do not display].
Connecting to a Smartphone 5 Select [Connect via Wi-Fi]. (1) the SSID (network name) 6 Check and password. Check the SSID (1) and password (2) displayed on the camera screen. In [Wi-Fi settings], if you set [Password] to [None], the password will not be displayed or required (=470). (2) o By selecting [Switch network] in step 6, you can establish a Wi-Fi connection via an access point (=458).
Connecting to a Smartphone Steps on the Smartphone Smartphone’s screen (sample) the smartphone to 7 Operate establish a Wi-Fi connection. Activate the smartphone’s Wi-Fi function, then tap the SSID (network name) checked in step 6. For the password, enter the password checked in step 6. Camera Connect and tap the 8 Start camera to connect to via Wi-Fi. Steps on the Camera (2) [OK]. 9 Select To specify viewable images, press the button. See step 5 on =423 to set them.
Connecting to a Smartphone The main window of Camera Connect will be displayed on the smartphone. The Wi-Fi connection to a smartphone is now complete. Operate the camera using Camera Connect (=404). For how to terminate the Wi-Fi connection, see “Terminating Wi-Fi Connections” (=421). To reconnect via Wi-Fi, see “Reconnecting via Wi-Fi” (=467). o When connected via Wi-Fi, you can send images to a smartphone from the Quick Control screen during playback (=413).
Connecting to a Smartphone Automatic Image Transfer as You Shoot Your shots can be automatically sent to a smartphone. Before following these steps, make sure the camera and smartphone are connected via Wi-Fi. 1 Select [k: Wi-Fi settings]. [Send to smartphone after 2 Select shot]. 3 In [Auto send], select [Enable]. 4 Set [Size to send]. 5 Take the picture.
Connecting to a Smartphone Sending Images to a Smartphone from the Camera You can use the camera to send images to a smartphone paired via Bluetooth (Android devices only) or connected via Wi-Fi. 1 Play back the image. 2 Press the button. [qSend images to 3 Select smartphone]. If you perform this step while connected via Bluetooth, a message is displayed, and the connection switches to a Wi-Fi connection. sending options and send 4 Select the images.
Connecting to a Smartphone (1) Sending Images Individually an image to send. 1 Select Press the keys or turn the <5> dial to select an image to send, then press <0>. You can press the button to select the image using the index display. [Send img shown]. 2 Select In [Size to send], you can select the image sending size. When sending movies, you can select the image quality of movies to send in [Quality to send]. (2) Sending Multiple Selected Images 1 Press <0>.
Connecting to a Smartphone images to send. 3 Select Press the keys or turn the <5> dial to select images to send, then press <0>. You can press the button to select the images from 3-image display. To return to the single-image display, press the button. After selecting the images to send, press the button. [Size to send]. 4 Select On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. 5 Select [Send].
Connecting to a Smartphone (3) Sending a Specified Range of Images 1 Press <0>. 2 Select [Send range]. the range of images. 3 Specify Select the first image (start point). Select the last image (end point). To cancel the selection, repeat this step. You can press the button to change the number of images shown in the index display. rm the range. 4 Confi Press the button.
Connecting to a Smartphone [Size to send]. 5 Select On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. 6 Select [Send].
Connecting to a Smartphone (4) Sending All Images on the Card 1 Press <0>. 2 Select [Send all card]. [Size to send]. 3 Select On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. 4 Select [Send].
Connecting to a Smartphone (5) Sending Images that Match the Search Conditions Send all the images that match the search conditions set in [Set image search conditions] at once. For [Set image search conditions], refer to “Filtering Images for Playback” (=385). 1 Press <0>. 2 Select [Send all found]. [Size to send]. 3 Select On the displayed screen, select an image size. When sending movies, select the image quality in [Quality to send]. 4 Select [Send].
Connecting to a Smartphone Ending Image Transfer Sending Images from the Camera When Paired via Bluetooth (Android) Press the button on the image transfer screen. Select [OK] on the screen on the left to end image transfer and the Wi-Fi connection. Sending Images from the Camera over a Wi-Fi Connection Press the button on the image transfer screen. To terminate the Wi-Fi connection, see “Terminating Wi-Fi Connections” (=421).
Connecting to a Smartphone o During the image transfer operation, a picture cannot be taken even if the camera’s shutter button is pressed. o You can cancel the image transfer by selecting [Cancel] during the transfer. o You can select up to 999 files at a time. o With a Wi-Fi connection established, disabling the smartphone’s power saving function is recommended. o Selecting the reduced size for still photos applies to all still photos sent at that time. Note that b size still photos are not reduced.
Connecting to a Smartphone Settings to Make Images Viewable from Smartphones Images can be specified after the Wi-Fi connection is terminated. [k: Wi-Fi/Bluetooth 1 Select connection]. [qConnect to smartphone]. 2 Select If the history (=467) is displayed, switch the screen with the keys. 3 Select [Edit/delete device]. a smartphone. 4 Select Select the name of the smartphone on which you want to make the images viewable.
Connecting to a Smartphone 5 Select [Viewable imgs]. an item. 6 Select Select [OK] to access the setting screen. [All images] All images stored on the card become viewable. [Images from past days] Specify viewable images on the shootingdate basis. Images shot up to nine days ago can be specified. When [Images shot in past days] is selected, images shot up to the specified number of days before the current date become viewable.
Connecting to a Smartphone [Select by rating] Specify viewable images depending on whether a rating is appended (or not appended) or by the type of rating. Once you select the type of rating, the viewable images are set. [File number range] (Select range) (1) 424 (2) Select the first and last images from images arranged by the file number to specify the viewable images. 1. Press <0> to display the image selection screen. Select an image using the keys or <5> dial.
Connecting to a Smartphone o If the Wi-Fi connection is terminated while recording a movie with remote shooting, the following will occur. • If the Live View shooting/Movie shooting switch is set to , movie recording will continue. • If the Live View shooting/Movie shooting switch is set to , movie recording will stop. o With a Wi-Fi connection to a smartphone established, certain functions are unavailable. o In remote shooting, the AF speed may become slower.
Connecting to a Computer via Wi-Fi This section describes how to connect the camera to a computer via Wi-Fi and perform camera operations using EOS software or other dedicated software. Install the latest version of software on the computer before setting up a Wi-Fi connection. For computer operating instructions, refer to the computer user manual.
Connecting to a Computer via Wi-Fi (1) the SSID (network name) 4 Check and password. Check the SSID (1) and password (2) displayed on the camera screen. In [Wi-Fi settings], if you set [Password] to [None], the password will not be displayed or required. For details, see =470. (2) Steps on the Computer (1) Computer’s screen (sample) the SSID, then enter the 5 Select password. On the computer’s network setting screen, select the SSID checked in step 4.
Connecting to a Computer via Wi-Fi Steps on the Camera (2) [OK]. 6 Select The following message is displayed. “******” represents the last six digits of the MAC address of the camera to be connected. Steps on the Computer (2) 7 Start EOS Utility. EOS Utility, click [Pairing over 8 InWi-Fi/LAN]. If a firewall-related message is displayed, select [Yes]. [Connect]. 9 Click Select the camera to connect to, then click [Connect].
Connecting to a Computer via Wi-Fi Steps on the Camera (2) a Wi-Fi connection. 10Establish Select [OK]. [DWi-Fi on] Screen Disconnect,exit Terminates the Wi-Fi connection. Confirm set. You can check the settings. Error details When a Wi-Fi connection error occurs, you can check the details of the error. The Wi-Fi connection to a computer is now complete. Operate the camera using EOS Utility on the computer. To reconnect via Wi-Fi, see “Reconnecting via Wi-Fi” (=467).
Connecting to a Computer via Wi-Fi o If the Wi-Fi connection is terminated while recording a movie with remote shooting, the following will occur. • If the Live View shooting/Movie shooting switch is set to , movie recording will continue. • If the Live View shooting/Movie shooting switch is set to , movie recording will stop. o When the Live View shooting/Movie shooting switch is set to and the camera is set to the movie recording mode using EOS Utility, you cannot operate the camera to shoot.
Connecting to a Computer via Wi-Fi Sending Images on the Camera Automatically With the dedicated software Image Transfer Utility 2, you can send images on the camera to a computer automatically. Steps on the Computer (1) the computer and access 1 Connect point and start Image Transfer Utility 2. The screen to set up pairing is shown when you follow the instructions displayed the first time Image Transfer Utility 2 starts up. Steps on the Camera (1) [Auto send images to 2 Select computer].
Connecting to a Computer via Wi-Fi to an access point via 5 Connect Wi-Fi. Establish a Wi-Fi connection between the camera and the access point connected to the computer. For connection instructions, see “Wi-Fi Connection via Access Points” (=458). the computer to pair the 6 Select camera with. Steps on the Computer (2) the camera and computer. 7 Pair Select the camera, then click [Pairing].
Connecting to a Computer via Wi-Fi Steps on the Camera (2) [Auto send images to 8 Select computer]. Select [k: Wi-Fi settings]. Select [Auto send images to computer]. 9 Select [Image sending options]. what to send. 10Select If you select [Selected imgs] in [Range to send], specify the images to send on the [Select images to send] screen. After the settings are complete, turn the camera off.
Connecting to a Printer via Wi-Fi This section describes how to print images by directly connecting the camera to a printer supporting PictBridge (Wireless LAN) via Wi-Fi. For printer operating instructions, refer to the printer user manual. [k: Wi-Fi/Bluetooth 1 Select connection]. [lPrint from Wi-Fi printer]. 2 Select If the history (=467) is displayed, switch the screen with the keys. 3 Select [Add a device to connect to]. (1) the SSID (network name) 4 Check and password.
Connecting to a Printer via Wi-Fi up the printer. 5 Set On the Wi-Fi settings menu of the printer to be used, select the SSID you have checked. For the password, enter the password checked in step 4. the printer. 6 Select In the list of detected printers, select the printer to connect to via Wi-Fi. If your preferred printer is not listed, selecting [Search again] may enable the camera to find and display it.
Connecting to a Printer via Wi-Fi Image Printing Printing Images Individually the image to be printed. 1 Select Press the keys or turn the <5> dial to select an image to print, then press <0>. You can press the button to select the image using the index display. 2 Select [Print image]. the image. 3 Print For the print setting procedures, see =439. Select [Print], then [OK] to start printing.
Connecting to a Printer via Wi-Fi Printing According to Specified Image Options 1 Press <0>. 2 Select [Print order]. the printing options. 3 Set For the setting procedures, refer to “Digital Print Order Format (DPOF)” (=354). If the print order is complete before establishing a Wi-Fi connection, go to step 4. [Print]. 4 Select [Print] can be selected only when an image is selected and the printer is ready to print. 5 Set the [Paper settings] (=439).
Connecting to a Printer via Wi-Fi the image. 6 Print When [OK] is selected, printing starts. Shooting is not possible while connected to a printer via Wi-Fi. Movies cannot be printed. Before printing, be sure to set the paper size. Certain printers may not be able to imprint the file number. If [Bordered] is set, certain printers may imprint the date on the border. Depending on the printer, the date may appear faint if it is imprinted on a bright background or on the border.
Connecting to a Printer via Wi-Fi Print Settings The screen display and setting options vary depending on the printer. Also, certain settings may not be available. For details, refer to the printer’s instruction manual. Print setting screen (1) (2) (3) (4) (5) (6) (8) (1) (2) (3) (4) (5) (6) (7) (8) (7) Sets date or file number printing (=441). Sets the printing effects (=441). Sets the number of copies to print (=441). Sets the print area (=442). Sets the paper size, type, and layout (=440).
Connecting to a Printer via Wi-Fi [Q] Setting the Paper Size Select the size of the paper in the printer. [Y] Setting the Paper Type Select the type of the paper in the printer. [U] Setting the Page Layout Select the page layout. o If the image’s aspect ratio is different from the printing paper’s aspect ratio, the image may be cropped significantly when you print it as a borderless print. Images may also be printed at lower resolution.
Connecting to a Printer via Wi-Fi [I] Setting the Date/File Number Imprinting Select [I]. Select what to print. [E] Setting the Printing Effects (Image Optimization) Select [E]. Select printing effects. o If you imprint shooting information on an image shot at an expanded ISO speed (H), the correct ISO speed may not be imprinted. o The [Default] setting for printing effects and other options are the printer’s own default settings as set by the printer’s manufacturer.
Connecting to a Printer via Wi-Fi Cropping the Image Set cropping immediately before printing. Changing other print settings after you crop images may require you to crop the images again. 1 On the print setting screen, select [Cropping]. the cropping frame size, position, and aspect ratio. 2 Set The image area within the cropping frame will be printed. The shape of the frame (aspect ratio) can be changed with [Paper settings].
Connecting to a Printer via Wi-Fi o Depending on the printer, the cropped image area may not be printed as you specified. o The smaller the cropping frame, the lower the resolution at which images are printed. Handling Printer Errors o If printing does not resume after you resolve a printer error (no ink, no paper, etc.) and select [Continue], operate the buttons on the printer. For details on resuming printing, refer to the printer’s instruction manual.
Sending Images to a Web Service This section describes how to use Web services to send images. Registering Web Services Use a smartphone or computer to add your Web services to the camera. A smartphone or computer with a browser and Internet connection is required to complete camera settings for CANON iMAGE GATEWAY and other Web services. Visit the CANON iMAGE GATEWAY website for details on versions of browsers (such as Microsoft Internet Explorer) and settings required for CANON iMAGE GATEWAY access.
Sending Images to a Web Service Registering CANON iMAGE GATEWAY Link the camera and CANON iMAGE GATEWAY by adding CANON iMAGE GATEWAY as a destination Web service on the camera. You will need to enter an email address used on your computer or smartphone. Steps on the Camera (1) [k: Wi-Fi/Bluetooth 1 Select connection]. 2 Select [RUpload to Web service]. 3 Select [I Agree]. a Wi-Fi connection. 4 Establish Connect to an access point via Wi-Fi. Go to step 6 on =460.
Sending Images to a Web Service your email address. 5 Enter Enter your email address, then select [OK]. a four-digit number. 6 Enter Enter a four-digit number of your choice, then select [OK]. [OK]. 7 Select The [R] icon changes to [ 446 ].
Sending Images to a Web Service Steps on the Computer or Smartphone up camera web link. 8 Set Access the page in the notification message. Follow the instructions to complete the settings on the camera web link settings page. Steps on the Camera (2) CANON iMAGE GATEWAY as a 9 Add destination. Select [ ]. CANON iMAGE GATEWAY is now added.
Sending Images to a Web Service Registering Other Web Services Steps on the Computer or Smartphone gure the Web service you 1 Confi want to use. Visit the CANON iMAGE GATEWAY website and access the camera web link settings page. Follow the on-screen instructions to complete settings for Web services you want to use. Steps on the Camera the Web service you 2 Add configured as a destination. Select [k: Wi-Fi/Bluetooth connection]. Select [ ].
Sending Images to a Web Service Sending Images You can share images with your family and friends by sending images from the camera to a Web service registered on the camera or by sending Web links of the online albums. Connecting to Web Services via Wi-Fi [k: Wi-Fi/Bluetooth 1 Select connection]. a Web service. 2 Select If the history (=467) is displayed, switch the screen with the keys.
Sending Images to a Web Service Sending Images Individually an image to send. 1 Select Press the keys or turn the <5> dial to select an image to send, then press <0>. You can press the button to select the image using the index display. [Send img shown]. 2 Select In [Size to send], you can select the image sending size. On the screen after images are sent, select [OK] to end the Wi-Fi connection.
Sending Images to a Web Service Sending Multiple Selected Images 1 Press <0>. 2 Select [Send selected]. images to send. 3 Select Press the keys or turn the <5> dial to select images to send, then press <0>. You can press the button to select the image from 3-image display. To return to the single-image display, press the button. After selecting the images to send, press the button.
Sending Images to a Web Service [Size to send]. 4 Select When YouTube is selected as the destination, [Size to send] is not displayed. On the displayed screen, select an image size. [Send]. 5 Select On the screen after images are sent, select [OK] to end the Wi-Fi connection. When the [Terms of use] screen is displayed, thoroughly read the message, then select [I Agree]. To scroll the screen, use the keys.
Sending Images to a Web Service Sending a Specified Range of Images Specify the range of images to send all the images in the range at once. 1 Press <0>. 2 Select [Send range]. the range of images. 3 Specify Select the first image (start point). Select the last image (end point). Images will be selected and [X] will appear. To cancel the selection, repeat this step. You can press the button to change the number of images shown in the index display. rm the range.
Sending Images to a Web Service [Size to send]. 5 Select On the displayed screen, select an image size. [Send]. 6 Select On the screen after images are sent, select [OK] to end the Wi-Fi connection. When the [Terms of use] screen is displayed, thoroughly read the message, then select [I Agree]. To scroll the screen, use the keys. Sending All Images on the Card 1 Press <0>. 2 Select [Send all card].
Sending Images to a Web Service [Size to send]. 3 Select On the displayed screen, select an image size. [Send]. 4 Select On the screen after images are sent, select [OK] to end the Wi-Fi connection. When the [Terms of use] screen is displayed, thoroughly read the message, then select [I Agree]. To scroll the screen, use the keys.
Sending Images to a Web Service Sending Images that Match the Search Conditions Send all the images that match the search conditions set in [Set image search conditions] at once. For [Set image search conditions], refer to “Filtering Images for Playback” (=385). 1 Press <0>. 2 Select [Send all found]. [Size to send]. 3 Select On the displayed screen, select an image size.
Sending Images to a Web Service [Send]. 4 Select On the screen after images are sent, select [OK] to end the Wi-Fi connection. When the [Terms of use] screen is displayed, thoroughly read the message, then select [I Agree]. To scroll the screen, use the keys. o With a Wi-Fi connection to a Web service established, a picture cannot be taken even if the camera’s shutter button is pressed.
Wi-Fi Connection via Access Points This section describes how to join a Wi-Fi network via an access point compatible with WPS (PCB mode). First, check the position of the WPS button and how long to press it. It may take approx. one minute to establish a Wi-Fi connection. [k: Wi-Fi/Bluetooth 1 Select connection]. an item. 2 Select If the history (=467) is displayed, switch the screen with the keys. 3 Select [Add a device to connect to].
Wi-Fi Connection via Access Points [Switch network]. 4 Select Displayed when [q], [D], or [l] is selected. 5 Select [Connect with WPS]. o For [Camera access point mode] displayed in step 5, see =462.
Wi-Fi Connection via Access Points [WPS (PBC mode)]. 6 Select Select [OK]. to the access point via 7 Connect Wi-Fi. Press the access point’s WPS button. Select [OK]. [Auto setting]. 8 Select Select [OK] to access the setting screen for the Wi-Fi function. If an error occurs with [Auto setting], see =462.
Wi-Fi Connection via Access Points the settings for the Wi-Fi 9 Specify function. [qConnect to smartphone] On the smartphone’s Wi-Fi setting screen, tap the SSID (network name) shown on the camera, then enter the password of the access point for the connection. Go to step 8 on =410. [DRemote control (EOS Utility)] Go to step 7 or 8 on =428. [lPrint from Wi-Fi printer] Go to step 6 on =435. Registering CANON iMAGE GATEWAY Go to step 5 on =446.
Wi-Fi Connection via Access Points Send To Screen A screen to select a destination may be displayed depending on the Web service. To register destinations or to specify the settings, you must use a computer. For more information, refer to the EOS Utility Instruction Manual. The [Send to] screen may be displayed. Select the destination from the list of registered destinations. The procedures for setting up a connection and sending images are the same as those for other Web services.
Wi-Fi Connection via Access Points an item. 2 Select Select an item to access the screen for numerical input. To use a gateway, select [Enable], then select [Address]. the desired values. 3 Enter Turn the <6> dial to move the input position in the upper area and use the keys to select the number. Press <0> to enter the selected number. To set the entered values and return to the screen for step 2, press the button. [OK].
Connecting to a Wireless Remote Control This camera can also be connected to Wireless Remote Control BR-E1 (sold separately) via Bluetooth for remote control shooting (=156). [k: Wi-Fi/Bluetooth 1 Select connection]. [KConnect to Wireless 2 Select Remote]. 3 Select [Add a device to connect to]. 4 Press <0>. the devices. 5 Pair When the [Pairing] screen appears, press and hold the and buttons on the BR-E1 simultaneously for at least 3 sec.
Connecting to a Wireless Remote Control up the camera for remote 6 Set shooting. When shooting still photos, select [Q] or [k] as the drive mode (=153). When recording movies, set [z: Remote control] to [Enable]. For instructions after the pairing is complete, refer to the BR-E1’s Instruction Manual. o Bluetooth connections consume battery power even after the camera’s auto power off is activated. o When you do not use the Bluetooth function, setting it to [Disable] in step 1 is recommended.
Connecting to a Wireless Remote Control Canceling the Pairing Before pairing with a different BR-E1, clear the information about the connected remote control. [k: Wi-Fi/Bluetooth 1 Select connection]. [KConnect to Wireless 2 Select Remote]. [Delete connection 3 Select information]. 4 Select [OK].
Reconnecting via Wi-Fi Follow these steps to reconnect to devices or Web services with registered connection settings. [k: Wi-Fi/Bluetooth 1 Select connection]. an item. 2 Select Select the item to connect to via Wi-Fi from the displayed history. If the item is not displayed, use the keys to switch screens. If [Connection history] is set to [Hide], the history will not be displayed (=470). the connected device. 3 Operate [q] Smartphone Start Camera Connect.
Reconnecting via Wi-Fi [D] Computer On the computer, start the EOS software. If the computer’s connection destination has been changed, restore the setting to connect via Wi-Fi to the camera or the same access point as the camera. When directly connecting the camera to a computer via Wi-Fi, “_Canon0A” is displayed at the end of the SSID.
Registering Multiple Connection Settings You can register up to 10 connection settings for the wireless communication functions. [k: Wi-Fi/Bluetooth 1 Select connection]. an item. 2 Select If the history (=467) is displayed, switch the screen with the keys. For details on [qConnect to smartphone], see “Connecting to a Smartphone” (=399). For details on [DRemote control (EOS Utility)], see “Connecting to a Computer via Wi-Fi” (=426).
Wi-Fi Settings 1 Select [k: Wi-Fi settings]. 2 Select an item. Wi-Fi When the use of electronic devices and wireless devices is prohibited, such as on board airplanes or in hospitals, set it to [Disable]. Password Set to [None] to allow a Wi-Fi connection to be established without a password (except when connecting to an access point via Wi-Fi). Connection history You can set whether to [Show] or [Hide] the history of the Wi-Fi connected devices.
Bluetooth Settings 1 Select [k: Bluetooth settings]. 2 Select an item. Bluetooth If you will not use the Bluetooth function, select [Disable]. Check connection information You can check the name and communication status of the paired device. Bluetooth address You can check the camera’s Bluetooth address. Stay conn. if off Displayed after the camera is paired with a smartphone via Bluetooth.
Changing the Nickname You can change the camera nickname (displayed on smartphones and other cameras) as needed. 1 Select [k: Nickname]. text using the virtual 2 Enter keyboard (=482). When you finish entering characters, press the button.
Geotagging Images with GPS Information from Other Devices You can geotag images with GPS Receiver GP-E2 (sold separately) or a Bluetooth enabled smartphone. GP-E2 GP-E2 to the camera. 1 Attach Attach GP-E2 to the camera’s hot shoe and turn it on. For details, refer to the GP-E2 Instruction Manual. 2 Select [k: GPS device settings]. [Select GPS device], select [GPS 3 Inreceiver]. the picture. 4 Take For details on [Set up], refer to the GP-E2 Instruction Manual.
Geotagging Images with GPS Information from Other Devices Precautions When Using GP-E2 o Be sure to check the countries and regions where its use is allowed, and use the function in accordance with the laws and regulations of the country or region. o Make sure the GP-E2 firmware is updated to Ver. 2.0.0 or later. Firmware updating requires an interface cable. For updating instructions, visit the Canon website. o The cable cannot be used to connect the camera to the GP-E2.
Geotagging Images with GPS Information from Other Devices Smartphone Complete these settings after installing the dedicated Camera Connect app (=399) on the smartphone. the smartphone, activate 1 On location services. a Bluetooth connection. 2 Establish Connect the camera to a smartphone via Bluetooth (=400). 3 Select [k: GPS device settings]. [Smartphone] in [Select GPS 4 Select device]. After these settings are complete, start Camera Connect. the picture.
Geotagging Images with GPS Information from Other Devices GPS Connection Display You can check the status of smartphone location information acquisition in the GPS connection icon on the screens for still photo or movie shooting (=623 and =625, respectively). Gray: Location services are off Blinking: Location information cannot be acquired On: Location information acquired For details on how GPS connection status is indicated when the GP-E2 is used, refer to the GP-E2 Instruction Manual.
Geotagging Images with GPS Information from Other Devices o The smartphone can acquire location information only while it is paired with the camera via Bluetooth. o Direction information is not acquired. o Acquired location information may not be accurate, depending on traveling conditions or smartphone status. o It may take some time to acquire location information from the smartphone after you turn the camera on. o Location information is no longer acquired after any of the following operations.
Changing or Deleting Connection Settings To change or delete the connection settings, terminate the Wi-Fi connection first. [k: Wi-Fi/Bluetooth 1 Select connection]. an item. 2 Select If the history (=467) is displayed, switch the screen with the keys. [Edit/delete device]. 3 Select You can change the Bluetooth connection by selecting a smartphone labeled with [s] in gray. After the [Connect to smartphone] screen is displayed, select [Pair via Bluetooth], then press <0> on the next screen.
Changing or Deleting Connection Settings an item. 5 Select Change or delete the connection settings on the displayed screen. Change device nickname You can change the nickname using the virtual keyboard (=482). Viewable imgs (=422) Displayed when [qConnect to smartphone] is selected. Settings will appear at the bottom of the screen. Delete connection information When deleting connection information for a paired smartphone, also delete the camera information registered on the smartphone (=406).
Clearing Wireless Communication Settings to Default All wireless communication settings can be deleted. By deleting the wireless communication settings, you can prevent their information from being exposed when you lend or give your camera to other people. 1 Select [k: Clear wireless settings]. 2 Select [OK]. o Performing [5: Clear all camera settings] does not delete the wireless communication setting information.
View Info Screen You can check error details and the camera’s MAC address. [k: Wi-Fi/Bluetooth 1 Select connection]. the button. 2 Press The [View info] screen will appear. When an error has occurred, press <0> to display the error content.
Virtual Keyboard Operations (1) (2) (3) (4) (5) (1) (2) (3) (4) (5) (6) (7) (8) Input area, for entering text Cursor keys, for moving in the input area Current no. of characters/no. available Keyboard Switch input modes (9) (6) (7) (8) (9) Space Delete a character in the input area Change the type of keyboard Finish the text entry Use <9> to move within 2 and 4–8. Press <0> to confirm input or when switching input modes.
Responding to Error Messages When an error occurs, display the details of the error by following one of the procedures below. Then, eliminate the cause of the error by referring to the examples shown in this chapter. On the [View info] screen, press <0> (=481). Select [Error details] on the [Wi-Fi on] screen. Click the error code number’s page in the following chart to jump to the corresponding page.
Responding to Error Messages 11: Connection target not found In the case of [q], is Camera Connect running? g Establish a connection using Camera Connect (=410). In the case of [D], is the EOS software running? g Start the EOS software and reestablish the connection (=428). In the case of [l], is the power of the printer on? g Turn on the printer.
Responding to Error Messages 21: No address assigned by DHCP server What to check on the camera On the camera, IP address is set to [Auto setting]. Is this the correct setting? g If no DHCP server is used, specify the settings after setting the IP address to [Manual setting] on the camera (=462). What to check on the DHCP server Is the power of the DHCP server on? g Turn on the DHCP server.
Responding to Error Messages 22: No response from DNS server What to check on the camera On the camera, does the DNS server’s IP address setting match the server’s actual address? g Set the IP address to [Manual setting]. Then, on the camera, set the IP address that matches the address of the DNS server used (=497, =462). What to check on the DNS server Is the power of the DNS server on? g Turn on the DNS server.
Responding to Error Messages 23: Device with same IP address exists on selected network What to check on the camera Do the camera and another device connected via Wi-Fi to the same network have the same IP address? g Change the camera’s IP address to avoid using the same address as another device on the network. Otherwise, change the IP address of the device that has a duplicate address.
Responding to Error Messages 61: Selected SSID wireless LAN network not found Are any obstacles blocking the line of sight between the camera and the antenna of the access point? g Move the antenna of the access point to a position clearly visible from the point of view of the camera (=494). What to check on the camera Does the SSID set on the camera match that of the access point? g Check the SSID at the access point, then set the same SSID on the camera.
Responding to Error Messages 63: Wireless LAN authentication failed Are the camera and the access point set to use the same authentication method? g The camera supports the following authentication methods: [Open system], [Shared key], and [WPA/WPA2-PSK]. Are the camera and the access point set to use the same password for authentication? g The setting is case-sensitive, so check upper- and lower-case characters. Make sure that the correct password for authentication is set on the camera.
Responding to Error Messages 65: Wireless LAN connection lost Are any obstacles blocking the line of sight between the camera and the antenna of the access point? g Move the antenna of the access point to a position clearly visible from the point of view of the camera (=494). The Wi-Fi connection was lost for some reason, and the connection cannot be restored.
Responding to Error Messages 68: Cannot connect to wireless LAN terminal. Retry from the beginning. Did you hold down the access point’s WPS (Wi-Fi Protected Setup) button for the specified period of time? g Hold down the WPS button for the period of time specified in the access point’s instruction manual. Are you trying to establish a connection near the access point? g Try establishing the connection when both devices are within reach of each other. 69: Multiple wireless LAN terminals have been found.
Responding to Error Messages 125: Check the network settings Is the network connected? g Check the connection status of the network. 126: Could not connect to server CANON iMAGE GATEWAY is under maintenance or load is concentrated temporarily. g Try connecting to the Web service again later. 127: An error has occurred A problem other than error code number 121 to 126 occurred while the camera is connected to the Web service. g Try again to establish the Wi-Fi connection to the Web service.
Responding to Error Messages 151: Transmission canceled Automatic image transfer to the computer was somehow interrupted. g To resume automatic image transfer, set the camera’s power switch to <2>, and then set it to <1>. 152: Card’s write protect switch is set to lock Is the card’s write protect switch set to the locked position? g Slide the card’s write protect switch to the writing position.
Wireless Communication Function Notes If the transmission rate drops, the connection is lost, or other problems occur when using the wireless communication functions, try the following corrective actions. Distance Between the Camera and the Smartphone If the camera is too far from the smartphone, a Wi-Fi connection may not be established even when Bluetooth connection is possible. In this case, bring the camera and the smartphone closer together, then establish a Wi-Fi connection.
Wireless Communication Function Notes Using the Wireless Remote Control BR-E1 BR-E1 cannot be used while the camera and smartphone are paired via Bluetooth. Change the camera connection to the wireless remote control in [Connect to Wireless Remote] under [k: Wi-Fi/Bluetooth connection].
Security If security settings have not been properly set, the following problems may occur. Transmission monitoring Third parties with malicious intent may monitor the Wi-Fi transmissions and attempt to acquire the data you are sending. Unauthorized network access Third parties with malicious intent may gain unauthorized access to the network you are using to steal, modify, or destroy information.
Checking Network Settings Windows Open the Windows [Command Prompt], then type ipconfig/all and press the key. In addition to the IP address assigned to the computer, the subnet mask, gateway, and DNS server information are also displayed. Mac OS In Mac OS X, open the [Terminal] application, enter ifconfig -a, and press the key. The IP address assigned to the computer is indicated in the [en0] item next to [inet], in the format “***.***.***.***”.
Wireless Communication Status Wireless communication status can be checked on the screen and LCD panel.
Wireless Communication Status Screen Communication Status Wi-Fi Function Wi-Fi: Disable Not connected Wi-Fi: Enable Connecting LCD Panel Wireless Signal Strength Wi-Fi Function Off (Blinking) (Blinking) Connected Sending data Connection error () (Blinking) (Blinking) Bluetooth Function Indicator Bluetooth Function [Enable] [Disable] Connection Status Bluetooth connected Bluetooth not connected Bluetooth not connected Screen LCD Panel s s s s Not displayed Not displayed o “Bluetooth co
Set-up This chapter describes menu settings on the set-up ([5]) tab. A M icon to the right of a page title indicates that the function is available only in Creative Zone.
Tab Menus: Set-up Set-up 1 =505 =507 =510 =511 Set-up 2 =513 =514 =515 =516 =519 Set-up 3 =520 =521 =522 =523 =524 =528 502
Tab Menus: Set-up Set-up 4 =532 =533 =535 =536 =538 =543 =544 Set-up 5 =545 =546 =547 =548 =550 =550 =550 In Live View shooting, the following screen is displayed for [54].
Tab Menus: Set-up When you are recording movies, the following screen is displayed for [54]. =532 =533 =535 =539 =542 =543 =544 In Basic Zone and [HDR Movie] modes, the following screen is displayed for [55].
Creating and Selecting a Folder You can freely create and select the folder where the captured images are to be saved. Creating a Folder 1 Select [5: Select folder]. 2 Select [Create folder]. 3 Select [OK].
Creating and Selecting a Folder Selecting a Folder (1) (3) (2) (4) Select a folder on the folder selection screen. Captured images are stored in your selected folder. (1) (2) (3) (4) Number of images in folder Lowest file number Folder name Highest file number Folders o A folder can contain up to 9999 images (file number 0001–9999). When a folder becomes full, a new folder with the folder number increased by one is created automatically.
File Numbering Methods The captured images saved in a folder are assigned a file number from 0001 to 9999. You can change how the image files are numbered. (Example) IMG_0001.JPG File number 1 Select [5: File numbering]. the item. 2 Set Select [Numbering]. Select [Continuous] or [Auto reset]. If you want to reset the file numbering, select [Manual reset] (=509). Select [OK] to create a new folder, and the file number will start with 0001.
File Numbering Methods Continuous When you wish to continue the file numbering sequence even after the card is replaced or a new folder is created. Even after you replace the card or create a new folder, the file numbering continues in sequence up to 9999. This is useful when you want to save images numbered anywhere between 0001 to 9999 on multiple cards or in multiple folders into one folder on a computer.
File Numbering Methods Auto Reset When you wish to restart the file numbering from 0001 each time the card is replaced or a new folder is created. When you replace the card or create a folder, the file numbering restarts from 0001 for the new images saved. This is useful if you want to organize images by cards or folders.
The Auto Rotation of Vertical Images You can change the auto rotation setting that straightens images shot in vertical orientation when they are displayed. 1 Select [5: Auto rotate]. 2 Select an item. OnzD Automatically rotates images for display on both the camera and computers. OnD Automatically rotates images only for display on computers. Off o Images captured with auto rotation set to [Off] will not rotate during playback even if you later set auto rotation to [On].
Formatting Memory Cards If the card is new or was previously formatted (initialized) by another camera or computer, format the card with this camera. o When the card is formatted, all images and data on the card will be erased. Even protected images will be erased, so make sure there is nothing you need to keep. If necessary, transfer the images and data to a computer, etc. before formatting the card. 1 Select [5: Format card]. the card. 2 Format Select [OK].
Formatting Memory Cards Conditions Requiring Card Formatting The card is new. The card was formatted by a different camera or a computer. The card is full of images or data. A card-related error is displayed (=613). Low-Level Formatting Perform low-level formatting if the card’s writing or reading speed seems slow or if you want to totally erase the data on the card.
Auto Power Off You can change the camera’s auto power off time. 1 Select [5: Auto power off]. 2 Select an item. o The screen turns off in approx. 30 min. even when set to [OFF]. Note that the camera remains on.
Adjusting the Screen Brightness 1 Select [5: Disp. brightness]. the adjustment. 2 Make Referring to the gray chart, use the keys to adjust the brightness, then press <0>. o To check the image’s exposure, referring to the histogram is recommended (=389).
Turning the Screen Off/On You can set the camera so that the screen turns off and on as you press the shutter button halfway in viewfinder shooting. 1 Select [5: Screen off/on btn]. 2 Select an item. Remains on The screen does not turn off when you press the shutter button halfway. To turn off the screen, press the button. Shutter btn. The screen turns off when you press the shutter button halfway. To turn on the screen, release the button.
Setting the Date, Time, and Time Zone When you turn on the power for the first time or if the date/time/zone have been reset, follow the steps below to set the time zone first. By setting the time zone first, you can simply adjust this setting as needed in the future and the date/time will be updated to match it. Since the captured images will be appended with the shooting date and time information, be sure to set your date/time. 1 Select [5: Date/Time/Zone]. the time zone.
Setting the Date, Time, and Time Zone Use the keys to select a [Time difference] item (+/–/hour/ minute), then press <0>. Use the keys to set it, then press <0>. After entering the time zone or time difference, use the keys to select [OK], then press <0>. the date and time. 3 Set Use the keys to select an item, then press <0>. Use the keys to set it, then press <0>. the daylight saving time. 4 Set Set it as necessary.
Setting the Date, Time, and Time Zone o The date, time, and time zone settings may be reset when the camera is stored without the battery, when its battery becomes exhausted, or when it is exposed to below freezing temperatures for a prolonged period. If this happens, set them once again. o After changing [Zone/Time difference], check that the correct date/time are set. o Auto power off time may be extended while the [5: Date/Time/Zone] screen is displayed.
Interface Language 1 Select [5: LanguageK]. 2 Set the desired language.
Video System Set the video system of any television used for display. This setting determines the frame rates available when you record movies. 1 Select [5: Video system]. an item. 2 Select For NTSC For areas where the TV system is NTSC (North America, Japan, South Korea, Mexico, etc.). For PAL For areas where the TV system is PAL (Europe, Russia, China, Australia, etc.).
Touch Sensitivity Settings 1 Select [5: Touch control]. an item. 2 Select [Sensitive] provides a more reactive touch-screen panel response than [Standard]. To disable touch operations, select [Disable]. Cautions for Touch Control Operations o Do not use sharp objects such as fingernails or ballpoint pens for touch operations. o Do not use wet fingers for touch operations. If the screen has any moisture or if your fingers are wet, the touch-screen panel may not respond or malfunction may occur.
Beeping for Camera Operations 1 Select [5: Beep]. an item. 2Select Touch Disables beeping for touch operations. Disable Disables beeping for focus confirmation, self-timer shooting, and touch operations.
Headphone Volume 1 Select [5: Headphone volume]. the adjustment. 2 Make Use the keys to adjust it, then press <0>. o You can check sound from the built-in microphone or an external microphone on headphones when [z: Sound recording] is set to an option other than [Disable].
Checking the Battery Information You can check the conditions of the battery you are using. By registering multiple batteries to the camera, you can check their approximate remaining capacity and usage history. 1 Select [5: Battery info.]. (1) (2) (1) (2) (3) (3) (4) (5) (4) (5) Battery position Model of battery or household power source used. The battery level indicator (=53) is displayed together with the remaining battery level shown in 1% increments.
Checking the Battery Information o The shutter count is the number of still photos taken. (Movie recording is not counted.) o Battery information is also displayed when you are using Battery Grip BG-E14 (sold separately) with LP-E6N/LP-E6 battery packs. With AA/R6 batteries, only the battery level is displayed. o If a battery communication error message is displayed, follow the instructions in the message. Battery Registration You can register up to six LP-E6N/LP-E6 batteries to the camera.
Checking the Battery Information Labeling Batteries with Serial Numbers It is convenient to label registered LP-E6N/LP-E6 battery packs with their serial numbers, using commercially available labels. a label approx. 25×15 mm, write 1 On the serial number (1). (1) 7c40 0300 the label. 2 Apply Set the power switch to <2>. Remove the battery from the camera. Apply the label as shown in the illustration (on the side with no electrical contacts).
Checking the Battery Information Checking the Remaining Capacity of a Registered Battery You can check the remaining capacity of batteries not currently in use, as well as their last date of use. (1) (3) Look for the serial number. Refer to the battery’s serial number label and look for the battery’s serial number (1) on the battery history screen. You can check the respective battery’s approximate remaining capacity (2) and the date when it was last used (3).
Sensor Cleaning Activating Immediate Cleaning 1 Select [5: Sensor cleaning]. [Clean nowf]. 2 Select Select [OK] on the confirmation dialog.
Sensor Cleaning Setting Auto Cleaning 1 Select [Auto cleaningf]. an item. 2 Select Use the keys to select an item, then press <0>. o For best results, clean with the camera in a stable position on a desk or other flat surface. o Even if you repeat the sensor cleaning, the result will not improve much. Note that [Clean nowf] may not be available immediately after cleaning.
Sensor Cleaning Manual Sensor Cleaning M Dust that could not be removed by automatic cleaning can be removed manually with a commercially available blower or similar tool. Always use a fully charged battery. The image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it done by a Canon Service Center is recommended. 1 Select [5: Sensor cleaning]. 2 Select [Clean manually]. [OK]. 3 Select “CLn” will blink on the LCD panel. the lens and clean the 4 Remove sensor.
Sensor Cleaning o While cleaning the sensor, never do any of the following. If the power is cut off, the shutter will close and the reflex mirror will go back down. These may result in damaging the image sensor, shutter curtains, and reflex mirror. • Setting the power switch to <2>. • Removing or inserting the battery. o The surface of the image sensor is extremely delicate. Clean the sensor with care. o Use a plain blower without any brush attached. A brush can scratch the sensor.
Displaying the Shooting Mode Guide A brief description of the shooting mode can be displayed when you switch shooting modes. 1 Select [5: Mode guide]. 2 Select [Enable]. the Mode dial. 3 Turn A brief description of the selected shooting mode is displayed. To display more details, press the key. To clear the mode guide, press <0>. In <8> or mode, the shooting mode selection screen is displayed.
Feature Guide Display A brief description of functions and items can be displayed when you use Quick Control setting. 1 Select [5: Feature guide]. 2 Select [Enable]. o To clear a description, either tap it or continue performing operations.
Help Features When [zHelp] is displayed , you can display a description about the feature by pressing the button. Press it again to exit Help display. To scroll the screen when a scrollbar (1) appears on the right, turn the <5> dial.
Help Features Text Size Adjustment 1 Select [5: Help text size]. 2 Select an item.
Customization of Information in the Viewfinder 1 Select [5: Viewfinder display]. an item. 2 Select Select with the keys, then press <0>. Electronic Level Display The electronic level (1) appears when you press the shutter button halfway. This level also works with vertical shooting.
Customization of Information in the Viewfinder o Only horizontal tilt can be checked. (Forward/backward tilt is not displayed.) o There may be a margin of error of approx. ±1°. o An asterisk next to [5: Viewfinder display] indicates that the default viewfinder display setting has been changed. Grid Display You can display a grid in the viewfinder to help you check the camera tilt or compose the shot.
Button Display Options You can select the information displayed on the screen in response to pressing the button when the camera is ready to shoot. [5: B button display 1 Select options]. an item. 2 Select Select the desired display option, then add a checkmark [X]. Select [OK]. Electronic Level Display The red line turns green when the image is essentially straight. Horizontal o There may be a margin of error of approx. ±1°.
Customization of On-Screen Information You can customize on-screen display in Live View shooting or movie recording. Select [5: Shooting info. disp.]. Customizing Information on the Screen 1 Select [Screen info. settings]. screens. 2 Select Use the keys to select screens of information to show on the camera. For information you prefer not to display, press <0> to clear the checkmark [X]. To edit the screen, press the button. the screen.
Customization of On-Screen Information Grid Display 1 Select [Grid display]. 2 Select an item. Setting the Histogram 1 Select [Histogram disp]. an item. 2 Select Select the content ([Brightness] or [RGB]) and display size ([Large] or [Small]). Press button to confirm the setting.
Customization of On-Screen Information Clearing Settings 1 Select [Reset]. 2 Select [OK].
Shutter Button Customization for Movie Recording You can set the functions performed by pressing the shutter button halfway or completely during movie recording. [5: Shutter btn function for 1 Select movies]. an item. 2Select Half-press Specify the function performed by pressing the shutter button halfway. Fully-press Specify the function performed by pressing the shutter button completely.
HDMI Output Resolution Set the image output resolution used when the camera is connected to a television or external recording device with an HDMI cable. 1 Select [5: HDMI resolution]. an item. 2Select Auto The images will automatically be displayed at the optimum resolution matching the connected television. 1080p Output at 1080p resolution. Select if you prefer to avoid display or delay issues when the camera switches resolution.
RAW Image Display on HDR TVs You can view RAW images in HDR by connecting the camera to an HDR TV. 1 Select [5: HDMI HDR output]. 2 Select [On]. o Image operations such as RAW processing are not available during HDR display. o JPEG images are used for HDR display in the case of multiple-exposure RAW images. o Make sure the HDR TV is set up for HDR input. For details on how to switch inputs on the TV, refer to the TV manual. o Depending on the TV used, images may not look as expected.
Multi-Function Lock Specify camera controls to lock when the Multi-function lock is enabled. This can help prevent accidentally changing settings. 1 Select [5: Multi function lock]. camera controls to lock. 2 Select Press <0> to add a checkmark [X]. Select [OK]. Setting the switch to locks the selected [X] camera controls. o In Basic Zone modes, only [Touch control] can be set. Note that in mode, you can also use the <6> or <5> dial.
Registering Custom Shooting Modes M Current camera settings such as shooting, menu, and Custom Function settings can be registered as Custom shooting modes. [5: Custom shooting mode 1 Select (C1, C2)]. 2 Select [Register settings]. the desired items. 3 Register On the [Register settings] screen, select [C*], then press <0>. Select [OK] on the [Custom shooting mode: C*] screen. The current camera settings are registered to Custom shooting mode C*.
Restoring Camera Defaults M The camera’s settings for shooting functions and menu functions can be restored to their defaults. [5: Clear all camera 1 Select settings]. 2 Select [OK]. o For details on clearing all Custom Function and customized control settings, see =581.
Copyright Information M When you set the copyright information, it will be recorded to the image as Exif information. 1 Select [5: Copyright information]. 2 Select an item. text. 3 Enter Use <9> or the <5> dial to select a character, then press <0> to enter it. By selecting [ ], you can change the input mode. To delete single characters, select [ ] or press the button. the setting. 4 Exit Press the button, then press [OK].
Copyright Information Checking the Copyright Information When you select [Display copyright info.] in step 2, you can check the [Author] and [Copyright] information that you entered. Deleting the Copyright Information When you select [Delete copyright information] in step 2, you can delete the [Author] and [Copyright] information. o If the entry for “Author” or “Copyright” is long, it may not be displayed entirely when you select [Display copyright info.].
Other Information Downloading instruction manuals or software To download instruction manuals, select [5: Manual/software URL] and scan the displayed QR code with a smartphone. You can also use a computer to access the website at the URL displayed and download software. Displaying certification logosM Select [5: Certification Logo Display] to display some of the logos of the camera’s certifications.
Custom Functions / My Menu You can fine-tune camera functions and change the functionality of buttons and dials to suit your shooting preferences. You can also add menu items and Custom Functions that you adjust frequently to My Menu tabs.
Tab Menus: Customization =556 =559 =570 =581 552
Setting Custom Functions M [C.Fn I:Exposure], 1 Select [C.Fn II:Autofocus], or [C.Fn III:Operation/Others]. (1) a Custom Function number. 2 Select Use the keys to select the Custom Function number (1) to set up. the setting as desired. 3 Change Use the keys to select a setting (number). To set up another Custom Function, repeat steps 2–3. At the bottom of the screen, the current Custom Function settings are indicated below the respective function numbers.
Custom Functions M Custom Functions indicated by have no effect (the setting is disabled) in Live View (LV) shooting and movie recording. C.Fn I: Exposure ALV Shooting kMovie Recording 1 Exposure level increments =556 k k 2 ISO speed setting increments =556 k a mode k 3 Bracketing auto cancel =556 4 Bracketing sequence =557 k 5 Number of bracketed shots =557 k 6 Safety shift =558 k 7 Exposure compensation auto cancel =558 k 8 AE lock metering mode after focus =558 k C.
Custom Functions C.
Custom Function Setting Items M You can customize camera features on the [8] tab to suit your shooting preferences. C.Fn I:Exposure C.Fn I-1: Exposure level increments Sets 1/2-stop increments for the shutter speed, aperture, exposure compensation, AEB, flash exposure compensation, etc. 0: 1/3-stop 1: 1/2-stop o When [1/2-stop] is set, the display will be as shown below. C.Fn I-2: ISO speed setting increments You can change the manual ISO speed setting increments to a whole-stop.
Custom Function Setting Items C.Fn I-4: Bracketing sequence The AEB shooting sequence and white balance bracketing sequence can be changed. 0: 0, –, + 1: –, 0, + 2: +, 0, – 0 : Standard exposure – : Underexposure White Balance Bracketing B/A Direction M/G Direction 0 : Standard white balance 0 : Standard white balance – : Blue bias – : Magenta bias + : Overexposure + : Amber bias AEB + : Green bias C.
Custom Function Setting Items C.Fn I-6: Safety shift If the subject brightness changes and the standard exposure cannot be obtained within the autoexposure range, the camera will automatically change the manually selected setting to obtain the standard exposure. When set to [Shutter speed/Aperture], this setting applies to and modes. When set to [ISO speed], this setting applies to , , and modes.
Custom Function Setting Items C.Fn II: Autofocus C.Fn II-1: Tracking sensitivity You can set the subject-tracking sensitivity, which affects responsiveness to interfering objects that move across AF points or subjects that stray from AF points during AI Servo AF/Servo AF. 0 Standard setting. Suitable for moving subjects in general.
Custom Function Setting Items C.Fn II-2: Acceleration/deceleration tracking Sets the AI Servo AF/Servo AF tracking sensitivity for subjects that change speed suddenly, as by suddenly moving or stopping. 0 Suited for subjects that move at a steady speed (minor changes in moving speed). –2 / –1 Suited for subjects that move at a steady speed (minor changes in moving speed). Effective when a setting of 0 makes focus unstable, due to slight subject movement or an obstruction in front of the subject.
Custom Function Setting Items C.Fn II-3: AF point auto switching This sets the switching sensitivity of the AF points as they track the subject moving dramatically up, down, left, or right. Applies in [Auto selection AF], [Zone AF], or [Large Zone AF] AF area selection modes, or with [u+Tracking] or [Zone AF] AF methods. 0 Standard setting for gradual AF point switching.
Custom Function Setting Items C.Fn II-5: AI Servo 2nd image priority With AI Servo AF for continuous shooting, you can preset the AF operation characteristics and shutter-release timing for the subsequent shots after the first shot in continuous shooting. Equal priority Equal priority is given to focusing and continuous shooting speed. In low light or with low-contrast subjects, continuous shooting speed may slow down.
Custom Function Setting Items C.Fn II-6: Lens drive when AF impossible You can specify lens operation in cases when the camera cannot autofocus on a subject. 0: Continue focus search If focus cannot be achieved with autofocus, the lens is driven to search for the precise focus. 1: Stop focus search If autofocus starts and the focus is far off or if focus cannot be achieved, the lens drive will not be performed. This prevents the lens from becoming grossly out of focus due to the focus search drive.
Custom Function Setting Items C.Fn II-8: Limit AF methods You can limit the AF methods available to those that you will use. For details on AF methods, see =135–=137. Add a checkmark [X] to the AF methods to make available. Select [OK] to register the setting. o The [X] mark cannot be removed from [1-point AF]. C.Fn II-9: AF area selection method 0: S 9 AF area selection button After you press the or button, pressing the button will change the AF area selection mode.
Custom Function Setting Items C.Fn II-10: Orientation linked AF point 0: Same for both vertic./horiz. The same AF area selection mode or manually selected AF points (or AF points or Zone AF frames in the same position) are used for both vertical shooting and horizontal shooting. 1: Separate AF pts: G+S (S in LV) The AF area selection mode and AF point or zone AF frame can be set separately for each camera orientation (1. Horizontal, 2. Vertical with the camera grip at the top, 3.
Custom Function Setting Items C.Fn II-11: Initial Servo AF point, /c You can set the initial AF point for AI Servo AF or Servo AF when the AF area selection mode is set to [Auto selection AF], or when the AF method is set to [u+Tracking]. 0: Auto The AF point that AI Servo AF or Servo AF starts with is set automatically to suit the shooting conditions.
Custom Function Setting Items C.Fn II-12: Auto AF point selection: EOS iTR AF Use this function to autofocus in viewfinder shooting by recognizing people. This function works when the AF area selection mode is set to Zone AF (manual selection of zone), Large Zone AF (manual selection of zone), or Automatic selection AF. 0: EOS iTR AF (Face priority) Faces are given greater priority than with [1:Enable] when the camera selects AF points.
Custom Function Setting Items C.Fn II-13: AF point selection movement (Viewfinder shooting) 0: Stops at AF area edges Useful if you often use the AF point at the outer edge. 1: Continuous Instead of stopping at the outer edge, the selection of AF point continues to the opposite side. o Also applies when the initial AF point for AI Servo AF is selected with [8C.Fn II-11: Initial Servo AF pt, /c] set to [1:Initial AF pt set for /c]. C.
Custom Function Setting Items C.Fn II-15: Viewfinder display illumination 0: Auto The AF points achieving focus in low light or with a dark subject will automatically light up in red. 1: Enable The AF points light up in red regardless of the ambient light level. 2: Disable The AF points do not light up in red. With [Auto] or [Enable] set, you can set whether the AF points are to light up in red when you press the button during AI Servo AF.
Custom Function Setting Items C.Fn III: Operation/Others C.Fn III-1: Warnings z in viewfinder When any of the following functions are set, the icon can be displayed in the viewfinder and on the LCD panel (=34). Select the function for which you want the warning icon to appear, then press <0> to add a checkmark [X]. Select [OK] to register the setting. When monochrome V set If [z: Picture Style] is set to [Monochrome] (=231), the warning icon will appear.
Custom Function Setting Items C.Fn III-3: Custom Controls You can assign frequently used functions to camera buttons or dials according to your preferences for easy operations. 1 Select a part of the bar. a function to assign. 2 Select Press <0> to set it. o With the screen in step 1 displayed, you can press the button to revert the Custom Control settings to their defaults. Customized operations are not cleared if you select [Clear all Custom Func. (C.Fn)].
Custom Function Setting Items Functions Available for Camera Controls Function Metering and AF start k k AF AF stop k ONE SHOT z AI SERVO/SERVO k Direct AF point selection Pause Movie Servo AF Metering start k AE lock/FE lock k AE lock (hold) k AE lock k Exposure AE lock (while button pressed) k FE lock Set ISO speed (hold button, turn k ) Exposure compensation (hold button, turn k ) k Flash exposure compensation Shutter speed setting in M mode Aperture setting in M mode Image quali
Custom Function Setting Items j k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k > stands for “AF stop button” provided on super telephoto lenses o< equipped with Image Stabilizer.
Custom Function Setting Items C.Fn III-4: Retract lens on power off You can set whether to retract gear-type STM lenses (such as EF40mm f/2.8 STM) automatically when the camera’s power switch is set to <2>. 0: Enable 1: Disable o With auto power off, the lens will not retract regardless of the setting. o Before detaching the lens, make sure that it is retracted. o When [0:Enable] is set, this function takes effect regardless of the lens’s focus mode switch setting (AF or MF). C.
Fine Adjustment of AF Position (AF Microadjustment) M Fine adjustment of the point of focus is possible when autofocusing in viewfinder shooting. o Normally, AF microadjustment is not required. Perform this adjustment only if necessary. Make sure to note that performing this adjustment may prevent accurate focusing from being achieved. 1: Adjust All by Same Amount Set the adjustment amount manually by repeatedly making adjustments, shooting, and checking the results until the desired result is achieved.
Fine Adjustment of AF Position (AF Microadjustment) the adjustment. 5 Make Setting it toward “–: ” will shift the point of focus in front of the standard point of focus. Setting it toward “+: ” will shift the point of focus to behind the standard point of focus. After making the adjustment, press <0>. Press <0> again. the result of the adjustment. 6 Check Take a picture to check the results of adjustment. Repeat the adjustment as necessary.
Fine Adjustment of AF Position (AF Microadjustment) 2: Adjust by Lens You can make the adjustment for each lens and register the adjustment in the camera. You can register the adjustment for up to 40 lenses. When you autofocus with a lens whose adjustment is registered, the point of focus will always be shifted by the adjustment amount. Set the adjustment amount manually by repeatedly making adjustments, shooting, and checking the results until the desired result is achieved.
Fine Adjustment of AF Position (AF Microadjustment) Entering the Serial Number Select the digit to be entered, then press <0> so is displayed. Enter the number, then press <0>. After entering all the digits, select [OK]. Lens Serial Number In step 3, if “*” appears in front of the 10-digit lens serial number, you can register only one unit of the same lens model. Even if you enter the serial number, “*” will remain displayed.
Fine Adjustment of AF Position (AF Microadjustment) Single focal length lens the adjustment. 4 Make For a zoom lens, select the wide-angle Zoom lens (W) or telephoto (T) end. Pressing <0> will turn off the orange frame and make the adjustment possible. Set the adjustment amount, then press <0>. Setting it toward “–: ” will shift the point of focus in front of the standard point of focus. Setting it toward “+: ” will shift the point of focus to behind the standard point of focus.
Fine Adjustment of AF Position (AF Microadjustment) o When shooting with the intermediate range (focal length) of a zoom lens, the AF’s point of focus is corrected automatically relative to the adjustments made for the wide-angle and telephoto ends. Even if only the wide-angle or telephoto end is adjusted, a correction will be made automatically for the intermediate range.
Clearing Custom Function Settings Selecting [8: Clear all Custom Func. (C.Fn)] clears all Custom Function settings. Note that [Custom Controls] settings are not cleared.
Tab Menus: My Menu =583 =586 =586 =587 582
Registering My Menu M Under My Menu tab, you can register menu items and Custom Functions whose settings you change frequently. Creating and Adding My Menu Tab 1 Select [Add My Menu tab]. [OK]. 2 Select You can create up to five My Menu tabs by repeating steps 1 and 2. Registering Menu Items under the My Menu Tab(s) 1 Select [MY MENU*: Configure].
Registering My Menu 2 Select [Select items to register]. the desired items. 3 Register Select the item to be set, then press <0>. Select [OK] on the confirmation dialog. You can register up to six items. To return to the screen in step 2, press the button. My Menu Tab Settings You can sort and delete items under the menu tab, and rename or delete the menu tab. Sort registered items You can change the order of the registered items in My Menu.
Registering My Menu Delete tab You can delete the current My Menu tab. Select [Delete tab] to delete the [MY MENU*] tab. Rename tab You can rename the My Menu tab from [MY MENU*]. 1 Select [Rename tab]. text. 2 Enter Select [ ] or press the button to delete any unneeded characters. Use <9> to select a character, then press <0>. By selecting [ ], you can change the input mode. rm input. 3 Confi Press the button, then press [OK].
Registering My Menu Deleting all My Menu tabs/Deleting all items You can delete all the created My Menu tabs or My Menu items registered under them. Delete all My Menu tabs You can delete all My Menu tabs you created. When you select [Delete all My Menu tabs], all the tabs from [MY MENU1] to [MY MENU5] will be deleted and the [9] tab will revert to its default. Delete all items You can delete all the items registered under the [MY MENU1] to [MY MENU5] tabs. The tab(s) will remain.
Registering My Menu Menu Display Settings You can select [Menu display] to set the menu screen that is to appear first when you press the button. Normal display Displays the last displayed menu screen. Display from My Menu tab Displays with the [9] tab selected. Display only My Menu tab Only the [9] tab is displayed. (The [z], [3], [k], [5], and [8] tabs will not be displayed.
Reference This chapter provides reference information on camera features.
Software Downloading and Installing the EOS Software or Other Dedicated Software Always install the latest version of the software. Update any previous versions that are installed by overwriting them with the latest version. o Do not connect the camera to a computer before you install the software. The software will not be installed correctly. o The software cannot be installed unless the computer is connected to the Internet. o Previous versions cannot display images from this camera correctly.
Software (1) Double-click the dmg file. g A drive icon and installer file will appear on the desktop. If the installer file does not appear, double-click the drive icon to display it. (2) Double-click the installer file. g The installer starts. 2 Follow the on-screen instructions to install the software. Downloading the Software Instruction Manuals Software Instruction Manuals (PDF files) can be downloaded from the Canon website to your computer. Software Instruction Manual Download Site www.canon.
Importing Images to a Computer You can use EOS software to import images from the camera to a computer. There are three ways to do this. Connecting to a Computer via an Interface Cable (sold separately) 1 Install the software (=590). the camera to the 2 Connect computer with Interface Cable IFC-600PCU (computer end: USB Type-A). Insert the plug into the camera’s digital terminal. Connect the cord’s plug to the computer’s USB terminal. EOS Utility to import the 3 Use images.
Importing Images to a Computer Card Reader You can use a card reader to import images to a computer. 1 Install the software (=590). 2 Insert the card into the card reader. Digital Photo Professional to 3 Use import the images. Refer to the Digital Photo Professional Instruction Manual. o When downloading images from the camera to a computer with a card reader without using EOS software, copy the DCIM folder on the card to the computer.
Battery Grip BG-E14 BG-E14 is a battery grip you can use with two LP-E6N/LP-E6 battery packs, or with AA/R6 batteries. It provides controls to use in vertical shooting, such as a shutter button and Main dial. For instructions on attachment and use, refer to the BG-E14 Instruction Manual. Household Power Outlet Accessory You can power the camera with a household power outlet by using the DC Coupler DR-E6 and AC Adapter AC-E6N (each sold separately).
Troubleshooting Guide If a problem occurs with the camera, first refer to this Troubleshooting Guide. If this Troubleshooting Guide does not resolve the problem, contact your dealer or nearest Canon Service Center. Power-Related Problems The battery does not recharge. If the battery’s remaining capacity (=524) is 94% or higher, the battery will not be recharged. Do not use any battery other than genuine Canon Battery Pack LP-E6N/ LP-E6. The charger’s lamp blinks at high speed.
Troubleshooting Guide The access lamp still lights or blinks even when the power switch is set to <2>. If the power is turned off while an image is being recorded to the card, the access lamp will remain on or continue to blink for a few seconds. When the image recording is complete, the power will turn off automatically. [Does this battery/do these batteries display the Canon logo?] is displayed. Do not use any battery other than genuine Canon Battery Pack LP-E6N/ LP-E6.
Troubleshooting Guide Shooting-Related Problems The lens cannot be attached. The camera cannot be used with RF or EF-M lenses (=54). The viewfinder is dark. Install a recharged battery in the camera (=44). No images can be shot or recorded. Make sure the card is properly inserted (=48). Slide the card’s write-protect switch to the Write/Erase setting (=48). If the card is full, replace the card or delete unnecessary images to make space (=48, =350).
Troubleshooting Guide The card cannot be used. If a card error message is displayed, see =50 or =613. An error message is displayed when the card is inserted in another camera. Since SDXC cards are formatted in exFAT, if you format a card with this camera and then insert it into another camera, an error may be displayed and it may not be possible to use the card. I have to press the shutter button twice to take a picture. Set [z: Mirror lockup] to [Disable]. The image is out of focus or blurred.
Troubleshooting Guide The AF point is blinking or two AF points are displayed. Regarding the AF points lighting up or blinking when you press the or button, see =133. The AF points do not light up in red. The AF points light up in red when you shoot under low light or when focus is achieved on a dark subject. In the , , , , or mode, you can set whether to have the AF points light up in red for when focus is achieved (=569). I cannot lock the focus and recompose the shot.
Troubleshooting Guide Even after I change the card, the maximum burst displayed for continuous shooting does not change. The maximum burst displayed does not change when you switch cards, even if you switch to a high-speed card. The maximum burst shown in the table on =615 is based on Canon’s testing card. (The faster the card’s writing speed, the higher the actual maximum burst will be.) For this reason, the maximum burst displayed may differ from the actual maximum burst.
Troubleshooting Guide The external Speedlite does not fire. Make sure the external Speedlite is securely attached to the camera. When using non-Canon flash units in Live View shooting, set [z: Shutter mode] to an option other than [Electronic] (=243). The external Speedlite always fires at full output. If you use a flash unit other than an EL/EX series Speedlite, the flash will always fire at full output (=179).
Troubleshooting Guide Enabling Live View Shooting Set [z: Live View shoot.] to [Enable]. The shutter makes two release sounds during Live View shooting. If you use flash with Live View shooting, the shutter will make two release sounds each time you shoot. During Live View shooting, a white s or red E icon is displayed. It indicates that the camera’s internal temperature is high. Image quality of still photos may be worse when a white [s] icon is displayed.
Troubleshooting Guide Movie recording stops by itself. If the card’s writing speed is slow, movie recording may stop automatically. For cards that can record movies, see =617. To find out the card’s writing speed, refer to the card manufacturer’s website, etc. If you shoot a movie for 29 min. 59 sec., the movie recording will stop automatically. The ISO speed cannot be set for movie recording. In shooting modes other than , the ISO speed is set automatically.
Troubleshooting Guide The image flickers or horizontal stripes appear during movie recording. Flickering, horizontal stripes (noise), or irregular exposures can be caused by fluorescent lighting, LED lighting, or other light sources during movie recording. Also, changes in the exposure (brightness) or color tone may be recorded. In the mode, a slow shutter speed may reduce the problem. The problem may be more noticeable in time-lapse movie recording. The subject looks distorted during movie recording.
Troubleshooting Guide Problems with Wireless Features Cannot pair with a smartphone. Use a smartphone compliant with Bluetooth Specification Version 4.1 or later. Turn on Bluetooth from the smartphone settings screen. Pairing with the camera is not possible from the smartphone’s Bluetooth settings screen. Install the dedicated app Camera Connect (free of charge) on the smartphone (=399).
Troubleshooting Guide Cannot reconnect to a smartphone. Even with a combination of the same camera and smartphone, if you have changed the settings or selected a different setting, reconnection may not be established even after selecting the same SSID. In this case, delete the camera connection settings from the Wi-Fi settings on the smartphone and set up a connection again. A connection may not be established if Camera Connect is running when you reconfigure connection settings.
Troubleshooting Guide Operation Problems I cannot change the setting with <6>, <5>, , <9>, or . Set the switch downward (lock release) (=60). Check the [5: Multi function lock] setting (=545). Touch operation is not possible. Make sure [5: Touch control] is set to [Standard] or [Sensitive] (=521). A camera button or dial does not work as expected. Check these settings: [8: C.Fn II-7: Select AF area selec. mode], [8: C.
Troubleshooting Guide The file name starts with “MVI_”. It is a movie file (=507). The file numbering does not start from 0001. If the card already contains recorded images, the image number may not start from 0001 (=507). The shooting date and time displayed are incorrect. Make sure the correct date and time are set (=516). Check the time zone and daylight saving time (=516, =517). The date and time are not in the image. The shooting date and time do not appear in the image.
Troubleshooting Guide Playback Problems Part of the image blinks in black. [3: Highlight alert] is set to [Enable] (=391). A red box is displayed on the image. [3: AF point disp.] is set to [Enable] (=392). During image playback, the AF points are not displayed. The AF points are not displayed when the following types of images are played back: Images taken in the <8: FG> modes. Images taken in the HDR mode. Images taken in the modes.
Troubleshooting Guide Operation sound and mechanical sound can be heard during movie playback. If you operate the camera’s dials or lens during movie recording, the operation sound will also be recorded. Using the Directional Stereo Microphone DM-E1 (sold separately) is recommended (=296). The movie appears to freeze momentarily. If there is a drastic change in the exposure level during autoexposure movie recording, the recording will stop momentarily until the brightness stabilizes.
Troubleshooting Guide My card reader does not recognize the card. Depending on the card reader used and the computer’s operating system, SDXC cards may not be correctly recognized. In this case, either connect the camera to a computer with an interface cable (sold separately) and use EOS Utility (EOS software, =590) or connect the camera to a computer via Wi-Fi (=426) to import the images on the camera. The image cannot be resized. With this camera, you cannot resize JPEG b and RAW images (=379).
Sensor Cleaning Problems The shutter makes a sound during sensor cleaning. Under [5: Sensor cleaning], when you select [Clean nowf], the shutter will make a mechanical sound during the cleaning, but no picture will be recorded to the card (=528). Automatic sensor cleaning does not work. If you repeatedly turn the power switch <1> and <2> within a short time period, the icon may not be displayed (=52). Computer Connection Problems I cannot import images to a computer.
Error Codes (1) (2) If there is a problem with the camera, an error message will appear. Follow the on-screen instructions. If the problem persists, write down the error code (Errxx) and contact a Customer Support Help Desk.
Performance Data Still Photo Shooting Number of Possible Shots Temperature No flash Flash output: 50% In viewfinder shooting In Live View shooting In viewfinder shooting In Live View shooting (Approx.
Performance Data Guide to Image Quality Settings (Approx.) Image Quality Pixels Recorded Maximum Burst File Size (MB) Possible Shots Standard High Speed 3.8M 11.1 5.6 5.8 3.0 3.6 2.0 1.6 2720 5380 5190 9860 8390 14600 18390 57 57 55 57 57 57 57 58 58 55 56 57 57 57 1 32M 35.6 850 24 25 F RAW+JPEG 32M 20.4 1490 39 39 1 73 F 73 32M 32M 32M 32M 35.6 11.1 20.4 11.1 650 23 24 960 37 36 JPEG 73 83 74 84 7a 8a b RAW 32M 15M 8.
Performance Data Pixel Count at Specific Aspect Ratios (Approx. pixels) Image Quality 3:2 4:3 1/F 3 a 6960 × 4640 (32.3 megapixels) 6960 × 4640 (32.3 megapixels) 4800 × 3200 (15.4 megapixels) 6960 × 4640 (32.3 megapixels) 6160 × 4640 (28.6 megapixels)* 4256 × 3200 (13.6 megapixels)* a 3472 × 2320 (8.1 megapixels)* 3072 × 2320 (7.1 megapixels)* b 2400 × 1600 (3.8 megapixels) 2112 × 1600 (3.4 megapixels)* Image Quality 16:9 1:1 1/F 3 a a b 6960 × 4640 (32.3 megapixels) 6960 × 3904 (27.
Performance Data Movie Recording Cards that Can Record Movies Movie Recording Size H L w SD Card 65 X 23 X 87 X 65 X HDR movie 65 V 87 X UHS-I, UHS Speed Class 3 or higher SD Speed Class 10 or higher SD Speed Class 4 or higher 4K time-lapse movie Reading speed of 40 Mbps or faster Full HD time-lapse movie Reading speed of 20 Mbps or faster • When Movie digital IS are disabled.
Performance Data Total Movie Recording Time and File Size Per Minute (Approx.) Movie Recording Size H L w Total Possible Recording Time on Card File Size 8 GB 32 GB 128 GB 8 min. 8 min. 17 min. 35 min. 35 min. 1 hr. 10 min. 2 hr. 21 min. 2 hr. 22 min. 4 hr. 43 min. 860 MB/min. 858 MB/min. 431 MB/min. 35 min. 2 hr. 20 min. 9 hr. 23 min. 216 MB/min. 65 V 1 hr. 26 min. 5 hr. 47 min. 23 hr. 11 min. 87 MB/min. 87 X 65 X 23 X 87 X 65 X HDR movie 40 min. 2 hr. 42 min. 10 hr. 49 min.
Performance Data Total Possible Time for Time-lapse Movie Recording (Approx.) Time-lapse Movie Recording Interval Screen Auto Off Disable 2 sec. Enable Disable 10 sec. Enable Room Temperature (23°C / 73°F) Low Temperature (0°C / 32°F) 5 hr. 10 min. 7 hr. 30 min. 4 hr. 10 min. 8 hr. 40 min. 5 hr. 10 min. 7 hr. 30 min. 4 hr. 10 min. 8 hr. 40 min. • With a fully charged Battery Pack LP-E6N. • The possible movie recording time varies depending on the shooting conditions.
Performance Data ISO Speed in Movie Recording In [k] Mode The ISO speed will be set automatically within ISO 100–12800. Under [z: kISO speed settings], setting [Max for Auto] to [H (25600)] (=322) expands the maximum limit of the automatic ISO speed setting range to H (equivalent to ISO 25600). In [M] Mode With ISO speed set to [AUTO], the speed is automatically set in a range of ISO 100–12800.
Performance Data Image Playback Resize Options by Original Image Quality Available Resize Settings Original Image Quality 4 a 3* k k k k k 4 b k a Size for Resized Images (Approx. pixels) Image Quality 3:2 4:3 4 a b 15.4 megapixels (4800 × 3200) 8.1 megapixels (3472 × 2320) 3.8 megapixels (2400 × 1600) ― ― 3.4 megapixels (2112 × 1600) Image Quality 16:9 1:1 4 a b 12.9 megapixels (4800 × 2688) 6.8 megapixels (3472 × 1952) 3.2 megapixels (2400 × 1344) 10.
Information Display Quick Control Screen (in Viewfinder Shooting) Each time you press the button, the information display will change. The display will show only the settings currently applied.
Information Display Live View Shooting Screen Each time you press the button, the information display will change. The display will show only the settings currently applied. (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (1) (2) Maximum burst Possible shots/Sec.
Information Display (22) (23) (24) (25) (31) (32) (33) (34) (26) (27) (28) (35) (36) (37) (38) (29) (30) (22) Warning to use flash (blinking)/ Flash ready (on)/FE Lock/Highspeed sync (23) Electronic (24) Touch Shutter (25) AE lock (26) Shutter speed/Multi-function lock warning (27) Flash exposure compensation (28) Aperture value (29) AEB/FEB (30) Exposure level indicator (39) (31) (32) (33) (34) (35) (36) (37) (38) (39) GPS acquisition status Wi-Fi function Magnify button ISO speed Highlight tone prio
Information Display Movie Recording Screen Each time you press the button, the information display will change. The display will show only the settings currently applied.
Information Display (27) (22) (28) (29) (23) (24) (25) (26) (30) (31) (32) (33) (22) Sound-recording level indicator (manual) (23) AE lock (24) Shutter speed (25) Aperture value (26) Exposure compensation (27) (28) (29) (30) (31) (32) (33) Exposure level indicator GPS acquisition status Bluetooth function ISO speed Highlight tone priority Wi-Fi signal strength Wi-Fi function o You can set what is displayed for when you press the button (=539).
Information Display Scene Icons In mode, in Live View shooting or when recording movies, the camera detects the type of scene and sets all settings automatically to suit the scene. The detected scene type is indicated on the upper left of the screen.
Information Display *4: Displayed when all the following conditions apply: The shooting scene is dark, it is a night scene, and the camera is mounted on a tripod. *5: Displayed with any of the lenses below: • EF-S18-55mm f/3.5-5.6 IS II • EF-S55-250mm f/4-5.6 IS II • EF300mm f/2.8L IS II USM • EF400mm f/2.8L IS II USM • EF500mm f/4L IS II USM • EF600mm f/4L IS II USM • Image Stabilizer lenses released in and after 2012. *4+*5: If the conditions in both *4 and *5 are met, the shutter speed will slow down.
Information Display Playback Screen Basic information display for still photos (1) (2) (3) (4) (5) (6) (7) (1) (2) (3) (4) (8) (9) (10) (11) (12) (5) (6) (7) (13) (14) (15) Wi-Fi function Wi-Fi signal strength Battery level Playback No.
Information Display Detailed information display for still photos (8) (1) (9) (10) (11) (12) (13) (14) (15) (2) (3) (4) (16) (5) (6) (7) (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) Aperture value Shutter speed Shooting mode/Multiple exposure White balance Auto Lighting Optimizer White balance correction Picture Style/Settings Exposure compensation amount Shooting date and time Histogram (Brightness/RGB) (17) (11) (12) (13) (14) ISO speed Highlight tone priority Scroll bar Flash exposure compensatio
Information Display Detailed information display for movies (1) (2) (6) (3) (4) (5) (1) (2) (3) (4) Movie playback Movie recording mode/Time-lapse movie/Video snapshot Image size Frame rate (7) (8) (5) (6) (7) (8) Compression method Movie digital IS Recording time Movie recording format * will be displayed for still photos taken as test shots for time-lapse movies. o During movie playback, “*, *” will be displayed for [Fineness] and [Threshold] of [Picture Style]’s [Sharpness].
Trademarks o Adobe is a trademark of Adobe Systems Incorporated. o Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. o Macintosh and Mac OS are trademarks of Apple Inc., registered in the U.S. and other countries. o SDXC logo is a trademark of SD-3C, LLC. o HDMI, HDMI logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.
About MPEG-4 Licensing “This product is licensed under AT&T patents for the MPEG-4 standard and may be used for encoding MPEG-4 compliant video and/or decoding MPEG-4 compliant video that was encoded only (1) for a personal and non-commercial purpose or (2) by a video provider licensed under the AT&T patents to provide MPEG-4 compliant video. No license is granted or implied for any other use for MPEG-4 standard.
Use of Genuine Canon Accessories Is Recommended This product is designed to achieve optimum performance when used with genuine Canon accessories. Therefore, using this product with genuine accessories is highly recommended. Canon shall not be liable for any damage to this product and/or accidents such as malfunction, fire, etc. caused by the failure of non-genuine Canon accessories (e.g., a leakage and/or explosion of a battery).
Index Numbers 1-point AF : 128, 135, 140 4K frame capture : 342 4K (movie) : 288 AI FOCUS (AI Focus AF) : 126 AI SERVO (AI Servo AF) : 125 Tracking sensitivity : 559, 561 Album (video snapshot) : 312, 374 Ambience priority (AWB) : 224 A Anti-flicker shooting : 261 Acceleration/deceleration tracking : 560 Aperture-priority AE : 114 Access lamp : 49 Area AF frame : 89, 90 Accessories : 3 Art bold effect : 363 Adobe RGB : 229 (Scene Intelligent Auto) : 76 AEB (Auto Exposure Bracketing) : 211, A
Index Bracketing Color tone : 234 AEB (Auto Exposure Bracketing) : 211 Continuous (file numbering) : 508 FEB (Flash Exposure Bracketing) : Continuous shooting : 150 177 Contrast : 218, 234 Focus bracketing : 255 Copyright information : 548 White balance bracketing : 228 Creative Assist : 82, 370 Built-in flash : 164 Creative filters : 103, 285, 361 Bulb exposure : 119 Creative filters for movies : 285 Bulb timer : 120 buSY : 201 Creative Zone : 39 Cropping (images) : 377 Custom Controls : 571
Index DPOF (Digital Print Order Format) : 354 Filter effect (Monochrome) : 235 Dragging : 70 Fine (Image quality) : 199 Drive mode : 150 Firmware : 550 Dust Delete Data : 241 First-curtain synchronization : 176 E Electronic level : 539 Erasing (images) : 350 Err (error codes) : 613 Error messages : 613 Evaluative metering : 158 exFAT : 293, 512 Expanded ISO speed : 213, 215, 322, 620 Exposure compensation : 211 Exposure compensation in M mode with ISO Auto : 118 Exposure level increments : 556 Expos
Index Frame rate : 290, 520 High-speed continuous shooting : 150 Full High-Definition (Full HD) : 288 Histogram : 389, 540 Full High-Definition (Full HD) (movie) : Hot shoe : 31, 179 288 Household power : 594 Fully-press : 542 I G ICC profile : 229 GPS : 473 Icons : 8 Grainy B/W : 105, 362 Image browsing (jump display) : 387 Grid display : 393, 540 Image quality : 199, 615 Group Photo : 87 Image review time : 204 Images H Half-press : 542 Handheld night scene : 97 HDMI : 325, 344, 543 HDMI
Index Image search : 385 Distortion correction : 207, 368 Importing images to a computer : 592 Focus mode switch : 54 Index display : 334 Lock release : 55 INFO button : 62, 332, 538, 622, 623, Optical aberration correction : 206, 625 368 Interval timer : 258 Peripheral illumination correction : IPB : 290 ISO speed : 213, 322 Automatic setting range : 216 207, 368 Lens electronic MF : 266 Live View shooting : 71, 77 Auto range (Still photos) : 216 1-point AF : 135 ISO Auto range : 216, 614
Index Monochrome : 83, 231, 235 M Macro photography : 93 Magnifying images : 144, 147 Main dial : 58 Malfunction : 595 Manual exposure : 117 Manual focus : 147 Manual reset : 509 Manual selection(AF point) : 132 Maximum burst : 201, 615 Medium (image quality) : 199 Memory cards → Cards Menu : 63 Custom Functions : 552 Dimmed menu items : 66 Function settings : 502 Movie recording : 274 My Menu : 583 Playback : 330 Setting procedure : 64 Still photo shooting : 193 Wireless communication functions : 396 Met
Index Servo AF tracking sensitivity : 319 Photobook set-up : 358 Sound recording/Sound-recording Picture Style : 230, 233, 236 level : 295 Playback : 329 Time-lapse movie : 300 Portrait : 86 TV display : 344 Positioning hole : 33 Video snapshot : 312 Possible recording time (movie) : 618 Video snapshot album : 312 Possible shots : 614 Wind filter : 295 Power : 52 MP4 : 290 Auto power off : 513 Multi-Controller 1/Multi-Controller 2 : 60 Battery information : 524 Multi-function lock : 545
Index Reduced display : 334 Shooting mode Release shutter without card : 205 (Scene Intelligent Auto) : 76 Remote controller : 155 Av (Aperture-priority AE) : 114 Remote control terminal : 156 B (Bulb) : 119 Remote switch : 156 [C1]/[C2] (Custom shooting) : 546 Resizing : 379 Creative filters : 103 Rotating (images) : 349, 510 M (Manual exposure) : 117 P (Program AE) : 110 S Safety instructions : 25 Safety shift : 558 Saturation : 234 Scene icons : 81 Scene Icons : 627 Scene Intelligent A
Index T W Temperature warning : 269, 326 Warning icon : 570 Tilt correction : 378 Water painting effect : 105, 363 Time-lapse movie : 300 WB (White balance) : 222 Time zone : 516 White balance (WB) : 222 Tone priority : 219 Ambience priority : 224 Toning effect (Monochrome) : 235 Auto : 224 Touch beeping : 522 Bracketing : 228 Touch operation : 70, 335, 521 Color temperature setting : 226 Touch Shutter : 72 Correction : 227 Toy camera effect : 105, 363 Custom : 225 Tracking sensitivity :
Index Printer : 434 Printing : 436 Print order : 439 Reconnecting : 467 Remote operation : 404 Resize image : 412, 417, 452 Sending all images on the card : 418, 454 Sending images that match search conditions : 419, 456 Send selected : 414, 451 SSID : 409, 427, 434 Switch network : 459 Viewable images : 422 View info screen : 481 Viewing images : 404 Virtual keyboard : 482 Wi-Fi settings : 470 WPS (Wi-Fi Protected Setup) : 458 Wind filter : 295 Wireless communication : 395 Wireless flash photography : 180
The descriptions in this Instruction Manual are current as of June 2019. For information on the compatibility with any products introduced after this date, contact any Canon Service Center. For the latest version Instruction Manual, refer to the Canon Web site. CT2-D037-A © CANON INC.
Supplemental Information CT2-D042-A © CANON INC.
AF Sensor 45 AF points are available in viewfinder shooting. Diagram Cross-type focusing: f/5.6 vertical + f/5.6 horizontal (some also supporting f/8) Dual cross-type focusing: f/2.8 right diagonal + f/2.8 left diagonal f/5.6 vertical + f/5.6 horizontal (also supporting f/8) This focusing sensor is geared to obtain higher-precision focusing for lenses with a maximum aperture value as low as f/2.8. A diagonal cross pattern makes it easier to focus on the subjects that may be difficult to focus.
Lenses and Usable AF Points The number of available AF points and the focusing patterns used vary by lens group (A–H). Fewer AF points are available for lenses in groups E–H. AF points in [ ] blink when the or button is pressed (while [ / ] points remain lit.) The number of AF points varies depending on your specified still image aspect ratio. Group A Autofocusing with 45 points is possible. All the AF area selection modes are selectable. : Dual cross-type AF point.
Lenses and Usable AF Points Group C Autofocusing with 45 points is possible. All the AF area selection modes are selectable. : Cross-type AF point. Subject tracking performance is superior and high-precision focusing is achieved. : AF points sensitive to horizontal lines. Group D Autofocusing with 45 points is possible. All the AF area selection modes are selectable. : Cross-type AF point. Subject tracking performance is superior and high-precision focusing is achieved.
Lenses and Usable AF Points Group F Autofocusing with 35 points is possible. (Not possible with all 45 AF points.) All the AF area selection modes are selectable. During automatic AF point selection, the outer frame marking the AF area (Area AF frame) will be different from 45-point Automatic selection AF. : Cross-type AF point. Subject tracking performance is superior and high-precision focusing is achieved.
Lenses and Usable AF Points o If the maximum aperture value is slower than f/5.6 (greater than f/5.6 but not exceeding f/8), focus may not be achieved with AF when shooting low-contrast or low-light subjects. o If the maximum aperture value is slower than f/8 (greater than f/8), AF is not possible during viewfinder shooting. o For updates on “Group Classification of Lenses,” visit the Canon website or others.
Lenses and Usable AF Points Group Classification of Lenses EF-S24mm f/2.8 STM EF-S35mm f/2.8 Macro IS STM EF-S60mm f/2.8 Macro USM EF-S10-18mm f/4.5-5.6 IS STM EF-S10-22mm f/3.5-4.5 USM EF-S15-85mm f/3.5-5.6 IS USM EF-S17-55mm f/2.8 IS USM EF-S17-85mm f/4-5.6 IS USM EF-S18-55mm f/3.5-5.6 EF-S18-55mm f/3.5-5.6 USM EF-S18-55mm f/3.5-5.6 II EF-S18-55mm f/3.5-5.6 II USM EF-S18-55mm f/3.5-5.6 III EF-S18-55mm f/3.5-5.6 IS EF-S18-55mm f/3.5-5.6 IS II EF-S18-55mm f/3.5-5.6 IS STM EF-S18-55mm f/4-5.
Lenses and Usable AF Points EF200mm f/2.8L USM EF200mm f/2.8L USM + Extender EF1.4x I/II/III EF200mm f/2.8L USM + Extender EF2x I/II/III EF200mm f/2.8L II USM EF200mm f/2.8L II USM + Extender EF1.4x I/II/III EF200mm f/2.8L II USM + Extender EF2x I/II/III EF300mm f/2.8L USM EF300mm f/2.8L USM + Extender EF1.4x I/II/III EF300mm f/2.8L USM + Extender EF2x I/II/III EF300mm f/2.8L IS USM EF300mm f/2.8L IS USM + Extender EF1.4x I/II/III EF300mm f/2.8L IS USM + Extender EF2x I/II/III EF300mm f/2.
Lenses and Usable AF Points EF600mm f/4L USM EF600mm f/4L USM + Extender EF1.4x I/II/III EF600mm f/4L USM + Extender EF2x I/II/III EF600mm f/4L IS USM EF600mm f/4L IS USM + Extender EF1.4x I/II/III EF600mm f/4L IS USM + Extender EF2x I/II/III EF600mm f/4L IS II USM EF600mm f/4L IS II USM + Extender EF1.4x I/II/III EF600mm f/4L IS II USM + Extender EF2x I/II/III EF600mm f/4L IS III USM EF600mm f/4L IS III USM + Extender EF1.4x I/II/III EF600mm f/4L IS III USM + Extender EF2x I/II/III EF800mm f/5.
Lenses and Usable AF Points EF35-135mm f/4-5.6 USM EF35-350mm f/3.5-5.6L USM EF38-76mm f/4.5-5.6 EF50-200mm f/3.5-4.5 EF50-200mm f/3.5-4.5L EF55-200mm f/4.5-5.6 USM EF55-200mm f/4.5-5.6 II USM EF70-200mm f/2.8L USM EF70-200mm f/2.8L USM + Extender EF1.4x I/II/III EF70-200mm f/2.8L USM + Extender EF2x I/II/III EF70-200mm f/2.8L IS USM EF70-200mm f/2.8L IS USM + Extender EF1.4x I/II/III EF70-200mm f/2.8L IS USM + Extender EF2x I/II/III EF70-200mm f/2.8L IS II USM EF70-200mm f/2.8L IS II USM + Extender EF1.
Lenses and Usable AF Points EF200-400mm f/4L IS USM Extender 1.4x: With built-in Ext. 1.4x + Extender EF1.4x I/II/III EF200-400mm f/4L IS USM Extender 1.4x + Extender EF2x I/II EF200-400mm f/4L IS USM Extender 1.4x + Extender EF2x III TS-E17mm f/4L TS-E24mm f/3.5L TS-E24mm f/3.5L II TS-E45mm f/2.8 TS-E50mm f/2.8L Macro TS-E90mm f/2.8 TS-E90mm f/2.8L Macro TS-E135mm f/4L Macro H (f/8) H (f/8) G (f/8) B B B A B A B B o If Extender EF2x (I/II/III) is attached to the EF180mm f/3.
System Map ST-E2 ST-E3-RT EL-100 270EX II 430EX III-RT/ 470EX-AI 600EX II-RT Macro Ring Lite Macro Twin Lite 430EX III MR-14EX II MT-26EX-RT Bundled Accessories Magnifier MG-Eb Eyecup Eb Eyepiece Extender EP-EX15 Rubber Frame Eb Strap E-series Dioptric Adjustment Lenses Battery Pack LP-E6N*1 Battery Charger LC-E6 or LC-E6E Angle Finder C AC Adapter DC Coupler AC-E6N*2 DR-E6*2 Battery Grip BG-E14 Protecting Cloth PC-E1/E2 Leather Case EH21-L 12 Hand Strap E2 Battery Magazine BGM-E14L for LP-E
System Map Headphones Wireless GPS Receiver Remote Control GP-E2 BR-E1 Timer Remote Remote Remote Controller Switch RC-6 RS-60E3 Controller TC-80N3 EF lenses EF-S lenses Remote Controller Adapter RA-E3 Directional Stereo Microphone DM-E1 HDMI Cable HTC-100 (Approx. 2.9 m/9.5 ft.) TV/Video Interface Cable IFC-600PCU (Approx. 1 m/3.3 ft.)*3 USB port SD/SDHC/SDXC memory card Card reader Card slot Computer *1: Battery Pack LP-E6 can also be used. *2: AC Adapter Kit ACK-E6 can also be used.
Specifications ■ Type Type: Recording media: Image sensor size: Compatible lenses: Lens mount: Digital single-lens reflex AF/AE camera with built-in flash SD/SDHC*/SDXC* memory cards * UHS-II and UHS-I cards supported. Approx. 22.3×14.8 mm Canon EF lenses (including EF-S lenses) * Not including EF-M lenses (Effective angle of view is approx. 1.6 times the indicated focal length.
Specifications ■ Image Processing During Shooting Picture Style: White balance: Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined 1–3 Auto (Ambience priority), Auto (White priority), Preset (Daylight, Shade, Cloudy, Tungsten light, White fluorescent light, Flash), Custom, Color temperature setting (approx.
Specifications ■ Autofocus [Viewfinder shooting] Type: TTL secondary image-registration, phase-difference detection with the dedicated AF sensor AF points: Cross-type AF point: Max. 45 points * Number of available AF points, Dual cross-type AF points, and Cross-type AF points vary depending on the lens used. * Dual cross-type focusing at f/2.8 with center AF point when Group A (of the AF groups) lenses are used. Focusing brightness range: EV –3 to 18 (with the center AF point supporting f/2.
Specifications AF operation: Auto AF operation switching: Eye Detection AF: Continuous AF: AF area: One-Shot AF, Servo AF In Scene Intelligent Auto mode Available Available Horizontal: Approx. 88%, Vertical: Approx. 100% Horizontal: Approx. 80%, Vertical: Approx. 80% * Varies depending on factors such as the lens and aspect ratio used Focusing brightness range: EV –5 to 18 (f/1.
Specifications ■ Exposure Control Metering mode: Viewfinder shooting: TTL open-aperture metering with an approx. 220,000-pixel RGB+IR metering sensor 216-zone (18×12) metering Live View shooting/movie recording: Real-time metering with image sensor 384-zone (24×16) metering Metering mode: Still photo shooting: Evaluative metering (linked to all AF points), Partial metering (approx. 6.5% of viewfinder, at center/4.5% of Live View screen), Spot metering (approx. 2.0% of viewfinder, at center/2.
Specifications ■ Shooting Mode Basic Zone: Creative Zone: Scene Intelligent Auto Special Scene (Portrait, Group Photo, Landscape, Sports, Kids, Panning, Close-up, Food, Candlelight, Night Portrait, Handheld Night Scene, HDR Backlight Control), Creative filters (Grainy B/W, Soft focus, Fish-eye effect, Water painting effect, Toy camera effect, Miniature effect, HDR art standard, HDR art vivid, HDR art bold, HDR art embossed) Program AE, Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb exposure,
Specifications ■ Shutter Type: Shutter speed: Electronically-controlled, focal-plane shutter Viewfinder shooting: 1/8000 sec. to 30 sec. (full shutter speed range; available range varies by shooting mode), Bulb, X-sync at 1/250 sec. Live View shooting: 1/16000 sec. to 30 sec. (full shutter speed range; available range varies by shooting mode, with 1/16000–1/10000 sec. for electronic shutter), Bulb, X-sync at 1/250 sec.
Specifications Maximum burst: JPEG Large/Fine: Approx. 57 shots (Approx. 58 shots) RAW: Approx. 24 shots (Approx. 25 shots) C-RAW: Approx. 39 shots (Approx. 39 shots) RAW+JPEG Large/Fine: Approx. 23 shots (Approx. 24 shots) C-RAW+JPEG Large/Fine: Approx. 37 shots (Approx.
Specifications ■ Movie Recording Recording format: Video: Audio: MP4 MPEG-4 AVC/H264, variable (average) bit rate AAC (when [C.Fn III-5: Audio compression] is set to [0: Enable]) Linear PCM (when [C.Fn III-5: Audio compression] is set to [1: Disable]) Movie recording quality: 4K (3840×2160), Full HD (1920×1080), HD (1280×720) HDR movies: Full HD Time-lapse movies: 4K/Full HD Frame rate: 119.88p/59.94p/29.97p (with NTSC) 100.00p/50.00p/25.
Specifications Headphone: 4K movie cropping: Movie digital IS: HDR movies: Video snapshot: Time-lapse movies: HDMI output: Headphone terminal provided, volume adjustable Available Available (Enable/Enhanced) Available (in Special scene mode) Available 4K or Full HD Image output without information display available * 4K output supported; Auto/1080p selectable Remote control shooting: Available Still photo shooting during Not available movie recording: ■ Screen Type: Screen size and dots: Field of view (co
Specifications ■ Playback Image display format: Highlight alert: AF point display: Grid display: Magnified view: Image search: Image browsing method: Image rotation: Image protection: Rating: Movie playback: Start/end movie scene editing: 4K movie frame grab: Slide show: In-camera RAW image processing: Resizing: Cropping: Print ordering: 24 Single-image display (without shooting information), Singleimage display (with basic information), Single-image display (Shooting information displayed: Detailed info
Specifications ■ Customization Features Custom Functions: Custom shooting modes: My Menu: Copyright information: 29 types Registered to C1/C2 on the Mode dial Up to 5 screens Text entry and appending possible ■ Interface Digital terminal: HDMI mini OUT terminal: External microphone IN terminal: Remote control terminal: Wireless remote control: Hi-Speed USB equivalent; terminal shape: USB Micro-B Computer communication Type C (auto switching of resolution) 3.
Specifications ■ Power Battery: Battery Pack LP-E6N/LP-E6, quantity 1 * AC power usable with household power outlet accessories Battery information: Power source, Battery level, Shutter count, Recharge performance, Battery registration possible Number of possible shots: Viewfinder shooting: Approx. 1,860 shots at room temperature (+23°C/73°F), approx. 1,850 shots at low temperatures (0°C/32°F) Live View shooting: Approx. 510 shots at room temperature (+23°C/73°F), approx.
EF-S18-55mm f/3.5-5.
Thank you for purchasing a Canon product. The Canon EF-S18-55mm f/3.5-5.6 IS STM lens is a high-performance standard zoom lens equipped with an Image Stabilizer, and has been developed for EOS cameras compatible with EF-S lenses*.
Safety Precautions Handling Cautions ●● If the lens is taken from a cold environment into a warm one, condensation may develop on the lens surface and internal parts. To prevent condensation in this case, first put the lens into an airtight plastic bag before taking it from a cold to warm environment. Then take out the lens after it has warmed gradually. Do the same when taking the lens from a warm environment into a cold one. ●● Do not leave the lens in excessive heat such as in a car in direct sunlight.
Safety Precautions This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Do not make any changes or modifications to the equipment unless otherwise specified in the instructions. If such changes or modifications should be made, you could be required to stop operation of the equipment.
Shooting Precautions The EF-S18-55mm f/3.5-5.6 IS STM utilizes a stepping motor that drives the focus lens. The motor also controls the focus lens during zooming. 1. When the camera is OFF The motor does not operate while the camera is OFF or when the camera is OFF due to the use of the auto power off function. Therefore, users must be aware of the following points. ●● Manual focus adjustments are not possible. ●● During zooming, delayed focus will occur. 2.
Nomenclature Focus mode switch (→ 6) Hood mount (→ 7) Zoom position index (→ 7) Filter Mounting Thread (→ 10) Focusing ring (→ 6) C Zoom ring (→ 7) Y P O Image stabilizer switch (→ 8) Contacts (→ 6) Lens mount index (→ 6) ●● For detailed information, reference page numbers are provided in parentheses (→ **).
1 Mounting and Detaching the Lens 2 Setting the Focus Mode See your camera’s instructions for details on mounting and detaching the lens. Y P O ●● After detaching the lens, place the lens with the rear end up to prevent the lens surface and contacts from getting scratched. ●● If the contacts get soiled, scratched, or have fingerprints on them, corrosion or faulty connections can result. The camera and lens may not operate properly.
3 4 Zooming To zoom, turn the lens’ zoom ring. Y P O ●● Be sure to finish zooming before focusing. Zooming after focusing can affect the focus. ●● Blurring may temporarily occur if the zoom ring is quickly rotated. ●● Zooming when the camera is OFF will result in delayed focus. ●● Zooming during still image exposure will result in delayed focus. This causes any streaks of light that are captured during exposure to be blurred.
5 Image Stabilizer You can use the image stabilizer in AF or MF mode. This function provides optimal image stabilization depending on shooting conditions (such as shooting still subjects and following shots). 1 C Set the STABILIZER switch to ON. ●● The Image Stabilizer cannot compensate for a blurred shot caused by a subject that moved. ●● The Image Stabilizer may not be fully effective if you shoot from a violently shaking vehicle or other transportation.
Image Stabilizer The image stabilizer for this lens is effective for hand-held shots in the following conditions. Y P O ON ON OFF ●●In semi-darkened areas such as indoors or outdoors at night. ●●In locations where flash photography is prohibited, such as art museums and theater stages. ●●In situations where your footing is uncertain. ●●In situations where fast shutter settings cannot be used. C OFF ●●When panning subjects in motion.
6 Filters (sold separately) You can attach filters to the filter mounting thread on the front of the lens. ●● Only one filter may be attached. ●● If you need a polarizing filter, use the Canon Circular Polarizing Filter PL-C B (58 mm). ●● To adjust the polarizing filter, first remove the lens hood. 7 You can attach extension tube EF12 II or EF25 II for magnified shots. The shooting distance and magnification are shown below.
8 Close-up Lenses (Sold separately) Attaching a 250D or 500D (58mm) Close-up Lens enables close-up photography. The magnification will be as follows. ●● Close-up Lens 250D: 0.08x - 0.52x ●● Close-up Lens 500D: 0.04x - 0.44x Y P O MF mode is recommended for accurate focusing.
9 Specifications Focal Length/Aperture Lens Construction Minimum Aperture Angle of View Min. Focusing Distance Max. Magnification Field of View Filter Diameter Max. Diameter and Length Weight Hood Lens Cap Case 18-55mm f/3.5-5.6 11 groups, 13 elements f/22-36* Diagonal: 74°20′ - 27°50′, Vertical: 45°30′ - 15°40′, Horizontal: 64°30′ - 23°20′ 0.25 m/0.82 ft. 0.36x (at 55mm) Approx. 129 x 199 - 42 x 63 mm/5.08 x 7.83 - 1.65 x 2.48 inch (at 0.25 m/0.82 ft.) 58 mm 69.0 x 75.2 mm/2.72 x 2.96 inch Approx.
C CT1-8588-002 0613Ni Y P O © CANON INC.
Canon IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII CT2-B151 Stereo Microphone DM-E100 [El Instructions Nomenclature G) Output plug ® ® © Cord groove Locking ring Wind screen The Stereo Microphone DM-E100 is an external microphone for movie shooting that can be mounted on a camera's hot shoe. For details on compatible cameras, visit the Canon website . Read this instruction manual and the camera 's instruction manual before use. Keep these instructions in a convenient place for future reference.
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