EOS system Change your lens, change your story
How to read MTF charts Performance 1 3 0.9 1 Key to icons Each EF lens is identified by a series of codes which provide important information about its characteristics. The symbols below are a quick reference guide to help you choose your lens based on the types of photography you do. 0.8 0.7 2 Making sense of lens names 4 0.6 0.5 0.4 0.3 0.2 100mm The focal length of the lens. A range of values indicates the maximum and minimum focal lengths of a zoom lens. f/2.
EOS system Change your lens, change your story
‘Village leader in traditional dress’ by Canon Ambassador Brent Stirton. Camera: EOS 5D Mark II Lens: EF 24mm f/1.4L USM Exposure: 1/200sec f/10 ISO speed: 50 Welcome Canon has been pushing the development of ground-breaking imaging technology forward for more than 70 years.
Canon photography Launched in 2008, Canon Europe’s Ambassadors Programme includes top professional photographers who are all passionate about the power of image. The Canon Ambassadors are committed and expert Canon users who are universally recognised for their high standards and are highly respected by fellow professionals. Below are some of those Ambassadors, alongside some semi-pro and amateur Canon photographers, who will be sharing their thoughts on some of our technologies throughout this brochure.
06/07 Choose Canon © Jonathan & Angela Scott. Canon Ambassadors. As established imaging experts, we’re proud to support the photography industry by sharing our experience and we celebrate its achievements in both professional and amateur image capture. The events and initiatives described opposite are just some of the activities that we are involved in, as a world leader in imaging technology. Camera: EOS–1Ds Mark III Lens: EF 70-200mm f/4L IS USM Exposure: 1/100sec f/4.
08/09 The EF lens The original EOS camera system was introduced to the world in 1987. At its heart was the EF lens mount, connecting lenses to the camera body in a fully electronic way for the first time. Apart from the physical connection between lens and camera body, all communication between these two key components is electronic, allowing for highly accurate, real-time data transfer.
10/11 The EF advantage What sets the EF lens range apart? Innovation. Canon has been pursuing the perfect lens for more than six decades. This pursuit has generated a raft of pioneering technologies, the very best of which are found in today’s line-up. Spherical aberration of spherical lens Aspherical lenses Canon was the first company to introduce aspherical elements for SLR lenses to counteract the problem of spherical aberration .
12/13 Fixed or Zoom? Zoom lenses offer several focal lengths within a single lens. Non-zoom or ‘prime’ lenses provide a single, fixed focal length. Each has its advantages. Zoom lenses The big benefit of a zoom lens is convenience. You can shoot wide or at longer focal lengths without having to change your lens mid-shoot. This is a factor to consider if you regularly shoot in time-sensitive situations. Having several focal lengths in one package also reduces the amount of equipment you’ll need to carry.
14/15 Choosing a lens Focal length comparison The images below show the same scene taken from the same location with different focal lengths to show the effects that can be achieved with different lenses. Landscapes A wide-angle lens will allow you to get more of the scene into your photo while also giving a greater sense of depth and distance. Aim for a focal length between 17mm and 24mm, taking into account the crop factor for your camera.
16/17 EF–S Lenses EF–S lenses are specifically designed for EOS models with a compact sensor – delivering lenses that are lightweight, versatile and supremely portable. With the EF–S range, Canon’s engineers took advantage of the APS–C sensor size to produce lenses that are not only lighter and smaller, but also offer photographers far greater wide-angle choice. Lenses such as the EF–S 55–250mm f/4–5.6 IS take the range much further.
EF–S Lenses 18/19 IDEAL FOR features • Approx. 96mm focal length (35mm format) • Compact and lightweight • High corner-to-corner resolution, contrast and image quality • Fast auto focus with near-silent USM • Full-time manual focus override • Super Spectra coatings • Large aperture EF–S 60mm f/2.8 Macro USM EF–S 10–22mm f/3.5–4.5 USM Enter the macro world A new perspective The EF–S 60mm f/2.8 Macro USM is the first true Macro lens in the EF–S series.
EF–S Lenses 20/21 EF–S 15–85mm f/3.5–5.6 IS USM EF–S 17–55mm f/2.8 IS USM The high performance, all-round standard zoom lens Change your view. Not your aperture Combining an extensive zoom range featuring wide angle and telephoto plus a 4-stop Image Stabilizer, the EF–S 15–85mm f/3.5–5.6 IS USM provides outstanding performance and flexibility. With a constant f/2.8 aperture throughout the zoom range and a three-stop Image Stabilizer, the EF–S 17– 55mm f/2.
EF–S Lenses 22/23 IDEAL FOR features • Exceptional zoom range for all EF–S mount bodies • Superb image quality • Lightweight and compact • Image Stabilizer – up to three stops compensation • Fast near-silent USM AF • Super Spectra coatings • Circular aperture • Optional lens hood EF–S 17–85mm f/4–5.6 IS USM EF–S 18–55mm f/3.5–5.6 IS II One lens. Many possibilities Versatile, compact zoom lens Real freedom of framing in a lightweight, compact and fast-focusing lens. The EF–S 17–85mm f/4–5.
EF–S Lenses 24/25 IDEAL FOR features • High power, all-purpose 7.5x, 29–216mm equivalent, EF–S zoom • Four-stop Image Stabilizer • Automatic panning and tripod detection • 0.45m close focusing • UD and aspherical lenses • Super Spectra coatings • 6-blade circular aperture • Optional lens hood EF–S 18–135mm f/3.5–5.6 IS EF–S 18–200mm f/3.5–5.
EF–S Lenses 26/27 EF–S 55–250mm f/4–5.6 IS The all-purpose telephoto zoom for EF–S mount EOS cameras The compact and affordable EF–S 55–250mm f/4–5.6 IS offers powerful telephoto performance. Its four-stop Image Stabilizer with automatic panning detection effectively suppresses blur in low light. IDEAL FOR The EF–S 55–250mm f/4–5.6 IS is a telephoto zoom lens combining powerful performance with high image quality.
28/29 EF Fixed Focal Length Lenses For many, Canon EF lenses alone are reason enough to choose the EOS system. When exacting image quality is paramount, EF fixed length – or ‘prime’ – lenses have no equal. In terms of sharpness, contrast and aperture size, the very best performers in the EF lens range are fixed focal length – or prime – lenses. Among the standard prime lenses, the peerless EF 85mm f/1.2L II USM deserves its reputation as one of the finest portrait lenses on the market.
EF Fixed Focal Length Lenses 30/31 EF 14mm f/2.8L II USM EF 20mm f/2.8 USM An ultra wide-angle lens for professional photographers A versatile lens that delivers superb wide-angle images in any scenario A precision-designed ultra wide-angle lens. This 14mm f/2.8 optic uses ultra low dispersion (UD) and aspherical elements to boost image quality, while its rectilinear design corrects for distortion.
EF Fixed Focal Length Lenses 32/33 EF 24mm f/1.4L II USM EF 24mm f/2.8 A high quality, fast-aperture wide-angle prime lens A compact, lightweight wide-angle prime lens offering great image quality The ultimate in fast aperture wide-angle lenses. UD and aspherical elements eliminate distortion and aberrations for stunning results. A f/1.4 maximum aperture allows hand-held shooting in low light. IDEAL FOR features • Wide 84° angle of view • Fast f/1.
EF Fixed Focal Length Lenses 34/35 IDEAL FOR features • Wide 75° angle of view on full-frame cameras • Fast f/1.8 aperture • USM focus motor with full-time manual focus override • 25cm closest focusing distance • Aspherical lens element • 58mm filter size ACCESSORIES • Lens Hood EW–63II • Soft Case LP814 • 58mm Close-Up Lens 500D • 58mm Circular Polarizer PL–C B • 58mm Close-Up Lens 250D EF 28mm f/1.8 USM EF 28mm f/2.
EF Fixed Focal Length Lenses 36/37 IDEAL FOR features • Wide 63° angle of view • Fast f/1.4 aperture • Aspherical lens elements • USM focus motor with full-time manual focus • Floating internal focus mechanism • Moisture and dust seals • Robust build quality EF 35mm f/1.
EF Fixed Focal Length Lenses 38/39 IDEAL FOR features • Large f/1.2 aperture • USM autofocus • Super Spectra coatings • Circular aperture for excellent background bokeh • Provides distance information for the E–TTL II flash system • Soft case and lens hood EF 50mm f/1.2L USM EF 50mm f/1.4 USM A 50mm prime lens with a very large maximum aperture for fine depth-of-field control The ultimate mixture of versatility and image quality With its incredible f/1.
EF Fixed Focal Length Lenses 40/41 IDEAL FOR features • Standard 46° angle of view • Fast f/1.8 aperture • 45cm closest focusing distance • 52mm filter size • Super Spectra coatings reduce ghosting and flare EF 50mm f/1.8 II EF 85mm f/1.2L II USM An affordable, high quality standard lens with a fast maximum aperture An extreme portrait lens with a very fast maximum aperture and swift focusing The compact and lightweight EF 50mm f/1.
EF Fixed Focal Length Lenses 42/43 IDEAL FOR features • Fast f/1.8 aperture • Short/medium telephoto lens • USM focus motor with full-time manual focus • 85cm closest focusing distance • 58mm filter size • Super Spectra coatings reduce ghosting and flare EF 85mm f/1.
EF Fixed Focal Length Lenses 44/45 IDEAL FOR features • Large f/2 aperture • Fast, quiet autofocus • Super Spectra coatings • L–series construction and optics • Circular aperture for soft bokeh • Integration with E–TTL II flash system • Soft case and lens hood EF 135mm f/2L USM EF 135mm f/2.8 (Softfocus) A wide aperture, fast-focusing professional telephoto lens A unique portrait lens with built in Softfocus control The EF 135mm f/2L USM is a fast, lightweight, high-quality telephoto lens.
EF Fixed Focal Length Lenses 46/47 EF 200mm f/2L IS USM EF 200mm f/2.8L II USM Large-aperture medium telephoto lens for professionals A high-quality fast-aperture telephoto lens for professional photographers The EF 200mm f/2L IS USM is a high-performance medium telephoto lens for professional photographers. Its large f/2 aperture ensures optimum results indoors and in low-light situations. The L–series is Canon’s flagship professional lens range, representing the best in precision-designed EF optics.
EF Fixed Focal Length Lenses 48/49 EF 300mm f/2.8L IS II USM EF 300mm f/4L IS USM Light weight L-series super-telephoto lens, for all types of action photography A portable, lightweight telephoto lens for photographers on the move High-performance L-series super-telephoto lens, with 4 stop Image Stabilizer with 3 modes ideal for all types of action photography. The EF 300mm f/2.8L IS II USM delivers outstanding image quality in a robust lightweight construction.
EF Fixed Focal Length Lenses 50/51 EF 400mm f/2.8L IS II USM EF 400mm f/4 DO IS USM High performance, L–series super-telephoto lens, for sports and wildlife photography A diminutive super-telephoto that combines high optical performance with portability Ultra-high-performance L–series super-telephoto lens, featuring a 4 stop Image Stabilizer with 3 modes. The EF 400mm f/2.8L IS II USM delivers outstanding image quality in a robust design ideal for sports and wildlife photography.
EF Fixed Focal Length Lenses 52/53 EF 400mm f/5.6L USM EF 500mm f/4L IS II USM A portable super-telephoto lens boasting excellent optical performance Professional image quality meets high magnification The EF 400mm f/5.6L USM super-telephoto lens delivers exemplary optical performance and fast autofocus from a portable, lightweight design. A popular combination with wildlife photographers. This high-performance lens was designed with portability and ease of handling in mind. The EF 400mm f/5.
EF Fixed Focal Length Lenses 54/55 EF 600mm f/4L IS II USM EF 800mm f/5.6L IS USM Get close to the action A super-telephoto lens, boasting very high magnification and excellent image quality The EF 600mm f/4L IS II USM is a high-magnification, super-telephoto lens featuring integrated Image Stabilizer technology and a fast f/4 maximum aperture. Perfect for wildlife, nature and sports photographers working in the field.
56/57 EF Zoom Lenses The convenience of multiple focal lengths in one unit. EF zoom lenses give you the flexibility and freedom to switch perspectives in a heartbeat. With recent advancements in optical technology, this versatility does not have to mean a compromise in quality. The introduction of lenses such as the EF 70–300mm f/4.5–5.6 DO IS USM – measuring less than 10cm in length – takes the convenience factor of zoom lenses to a whole new level, while markedly improving performance.
EF Zoom Lenses 58/59 IDEAL FOR features • Circular or full frame Fisheye zoom lens • Part of Canon’s acclaimed L-series • Durable and rugged design • Quiet and fast autofocus • Full-time manual focusing • Easier lens cleaning EF 8–15mm f/4L Fisheye USM EF 16–35mm f/2.8L II USM A zoom lens that offers a unique perspective The professional’s ultra wide-angle zoom lens A versatile fisheye zoom lens offering a choice of full frame or circular image.
60/61 IDEAL FOR features • Superb optical performance throughout the zoom range • Fast autofocus speed • Highly resistant to dust and moisture • 28cm minimum focusing distance at all focal lengths EF Zoom Lenses EF 17–40mm f/4L USM EF 24–70mm f/2.8L USM A high-quality, wide-angle zoom for a variety of subjects The professional photographer’s standard zoom lens The EF 17–40mm f/4L USM is an ultra wide-angle zoom lens that offers excellent image quality and a constant maximum aperture.
62/63 IDEAL FOR features • L-series optics • Lightweight 4.3x zoom • Constant maximum f/4 aperture throughout zoom range • Three-stop Image Stabilizer • Super UD and aspheric lens elements • Fast autofocus • Super Spectra coatings • Circular aperture provides pleasing background blur • Soft case and lens hood EF Zoom Lenses EF 24–105mm f/4L IS USM EF 28–135mm f/3.5–5.
64/65 EF Zoom Lenses EF 28–300mm f/3.5–5.6L IS USM EF 70–200mm f/2.8L IS II USM The professional photographer’s superzoom An essential telezoom lens for sports, wildlife or portraits From wide to telephoto with just one lens. The flexibility of an 11x zoom range, combined with the quality of Canon’s L-series glass, make this lens the ultimate tool for photographers on the move. The EF 70–200mm f/2.8L IS II USM is a workhorse telephoto zoom lens designed for professional use.
66/67 EF Zoom Lenses EF 70–200mm f/2.8L USM EF 70–200mm f/4L IS USM The professional photographer’s telezoom lens The professional’s lightweight IS telephoto zoom The EF 70–200mm f/2.8L USM is a professionally quality, fast-aperture telephoto zoom lens popular with wildlife and sports photographers, as well as those shooting weddings and portraiture. Compact, manoeuvrable and lightweight.
68/69 EF Zoom Lenses EF 70–200mm f/4L USM EF 70–300mm f/4–5.6L IS USM A lightweight, compact telezoom delivering professional performance and accomplished handling Versatile telephoto lens setting new standards in zoom and performance A high-performance telephoto zoom lens. The EF 70–200mm f/4L USM delivers excellent image quality in a variety of situations. Its compact, lightweight design make it an excellent travel companion. The EF 70–300mm f/4–5.
EF Zoom Lenses 70/71 IDEAL FOR EF 70–300mm f/4–5.6 IS USM EF 70–300mm f/4.5–5.6 DO IS USM An affordable telephoto zoom with Image Stabilizer A unique approach to telephoto zoom design Advanced three-stop Image Stabilizer (IS) technology makes the EF 70–300mm f/4–5.6 IS USM an ideal telephoto zoom for shooting in dim light and at slow shutter speeds without incurring camera shake. A unique design amongst telephoto zoom lenses. The EF 70–300mm f/4.5–5.
EF Zoom Lenses 72/73 EF 75–300mm f/4–5.6 III USM EF 75–300mm f/4–5.6 III An affordable, compact telephoto zoom lens with USM focusing An affordable, compact telephoto zoom lens One of the smallest and lightest telephoto zoom lenses in its class, the EF 75–300mm f/4–5.6 III USM is ideal for photographers who are working to a budget. Great for sports, nature and portraits.
74/75 EF Zoom Lenses EF 100–400mm f/4.5–5.6L IS USM A flexible approach towards wildlife and sports photography The EF 100–400mm f/4.5–5.6L IS USM provides superlative handling and consistently high image quality. Its versatile zoom range makes it a popular choice with professional sports and nature photographers. The EF 100–400mm f/4.5–5.6L IS USM is an L-series super telephoto zoom lens, equipped with an Image Stabilizer.
76/77 Macro Lenses Bringing a miniature world into life-size view. Macro photography allows you to explore a whole new world of hidden details. Canon’s EF lens line-up has a number of options for true close-up and macro photography. With six macro lenses covering focal lengths from 50mm to 180mm, including one designed specifically for APS–C sensors, you can reveal intricate beauty that the unaided eye will miss. Camera: EOS–1Ds Mark III Lens: EF 100mm f/2.8L Macro IS USM Exposure: 1/320sec f/2.
Macro Lenses 78/79 What is Macro photography? There’s a whole world beyond the one we see in our day-to-day lives – a world of miniature creatures, textures and details just waiting to be discovered. This miniature world can be a great source of photographic inspiration and can, if approached correctly, provide images that are unexpected, bizarre and enticing. Using a true macro lens will help you to get closer to your subject than any standard zoom lens could.
Macro Lenses 80/81 IDEAL FOR features • Standard 46° angle of view • 23cm closest focusing distance • 1/2 life-size image reproduction • AFD focusing system • 52mm filter size • Super Spectra coatings reduce ghosting and flare EF 50mm f/2.5 Compact Macro EF–S 60mm f/2.8 Macro USM Standard lens with perfect macro capability Enter the macro world Light and compact, perfect as a general-purpose macro lens or as a flexible standard lens. The EF–S 60mm f/2.
Macro Lenses 82/83 IDEAL FOR EF 100mm f/2.8 Macro USM EF 100mm f/2.8L Macro IS USM A perfect portrait lens of the highest quality with additional macro capability Macro lens with Image Stabilizer sets new standards for performance and features The EF 100mm f/2.8 Macro USM lens is equally at home for portraits as it is for macro photography up to life-size (1.0x). The EF 100mm f/2.
Macro Lenses 84/85 EF 180mm f/3.5L Macro USM MP–E 65mm f/2.8 1–5x Macro Photo High performance macro telephoto with excellent versatility A macro lens capable of going further With its telephoto specification, life-size close-ups can be taken from further away without risk of disturbing the subject. Ideal for wildlife. This unique macro lens is designed to achieve a high magnification greater than life-size (1.0x) without the need for additional accessories. The EF 180mm f/3.
86/87 Camera: EOS–1Ds Mark III Lens: TS–E 24mm f/3.5L II Exposure: 1/20sec f/11 ISO speed: 100 Tilt and Shift Lenses Take control of perspective. Canon TS–E lenses are capable of tilt and shift movements, which bring many of the advantages of technical view cameras to the EOS system. Tilt movements alter the angle of the plane of focus between the lens and image sensor, making broad depth-of-field possible even at large apertures.
88/89 Tilt and Shift Lenses Understanding Tilt and Shift Tilt and shift lenses are specialist lenses designed to allow you to control both the perspective and depth-of-field in an image. They are ideal for architecture, landscape and product or food photography – the TS–E 45mm f/2.8 and TS–E 90mm f/2.8 lenses can also be used for creative portraits. Photographed using shift Shift was used to adjust the image to keep perspective on the building perpendicular all the way to the top.
Tilt and Shift Lenses 90/91 TS–E 17mm f/4L TS–E 24mm f/3.5L II An ultra wide-angle tilt and shift lens The high performance, wide-angle lens with exceptional tilt and shift range Designed for architectural photography, the TS–E 17mm f/4L exhibits low distortion and excellent edge-to-edge sharpness, as well as independent rotation of the tilt and shift mechanisms. IDEAL FOR features • Ultra wide 17mm tilt and shift lens • Low distortion and high resolution • ± 6.
Tilt and Shift Lenses 92/93 IDEAL FOR features • 45mm tilt and shift lens • Natural perspective with image control • ± 8° tilt and ±11mm shift • Rear focusing system • Non-rotating front element TS–E 45mm f/2.8 TS–E 90mm f/2.8 A specialist tilt and shift lens offering a natural perspective A short telephoto lens featuring perspective and depth-of-field control The TS–E 45mm f/2.8 is a tilt and shift lens offering an angle of view similar to that of a 50mm standard lens.
94/95 EOS system Accessories Protect your investment and expand your creativity The EOS system consists of more than cameras, lenses and flashguns. It also includes an extensive collection of complementary accessories designed to help you fully explore the possibilities offered by the Canon EOS system. Extension tubes, Wireless File Transmitters and Speedlites will all expand the performance scope of your EOS system, while hard cases, bags and filters will help to protect your cameras and lenses.
Lens accessories 96/97 Extender EF 1.4 x III Filters Ideal for press, sports and nature photography, this compact and affordable extender increases the focal length of Canon L-series telephoto or telephoto zoom lens’ by a factor of 1.4x, with higher AF accuracy and improved communication between camera and lens. Canon provides a variety of filters to give you more control over your image while shooting. • Extends the master lens focal length by 1.
98/99 Speedlite flash Understanding Speedlite flash Many photographers are surprised that flash can be as useful in bright daylight as it is after dark. Used well, flash can turn a dull image into a more vibrant, attention-grabbing one. Guide Number (GN) The flash Guide Number tells you how powerful the flash is for a given ISO setting and coverage area. The 580EX II for example, has a guide number of 58.
Speedlite flash 100/101 To keep rechargeable batteries in tip-top health, try to fully discharge them before recharging. This will force them through a complete cycle and help to prolong their useful life. Multiple flash control The Speedlite system gives you the ability to control several Speedlites wirelessly in a multiple flash setup. Multiple flash control is achieved by the use of a master unit (built-in to some cameras, Speedlites or ST–E2), which then controls slave units via pulses of light.
102/103 Flash accessories Speedlite 580EX II Master your flash photography with this highpowered, portable Speedlite flashgun. A Guide Number of 58 and full E–TTL II flash metering ensures enough power and accurate flash exposures.
104/105 Flash accessories Speedlite transmitter ST–E2 Speedlite bracket SB–E2 Small, lightweight and portable, the ST–E2 is a dedicated infra-red transmitter to control two groups of remote wireless slave Speedlites. It also functions as a focus assist lamp in low light. Shooting with a flash on-camera can produce very good results, however, for more flattering light it is best to position the flash off to one side of the camera.
106/107 Wireless Understanding Wireless Wireless File Transmitters (WFTs) provide a cable-free connection between EOS cameras and computers, allowing you to download images directly to your computer without cables and to trigger your camera remotely. They can also be used with a fastwired Ethernet connection, as well as with USB devices such as external hard drives and GPS units. They are compatible with 802.11a, 802.11b and 802.11g wireless protocols.
Wireless 108/109 LINKED SHOOTING Wireless file transmitters DLNA NETWORK WITH CAMERA CONNECTED USING WIFI Slave Camera audio system Slave Camera WFT–E2 II computer Slave Camera Avoid cable clutter, transmit images wirelessly and perform Live View shooting remotely. The WFT–E2 II adds WiFi functionality to the EOS–1D Mark IV, EOS 1D Mark III and EOS–1Ds Mark III.
110/111 Power accessories Viewfinder accessories Battery grips Angle finder Battery grips attach to the base of the camera and provide increased battery life by allowing the use of two batteries at once. The Angle Finder C attaches to the viewfinder of your EOS camera and allows you to look down into the viewfinder. An AA battery magazine can also be fitted to allow powering of the camera from AA batteries in an emergency.
Remote controls 112/113 Bags and cases Remote controls Bags and cases The EOS system features three different types of remote control. The RC–6 is an infra-red control that works with cameras such as the EOS 550D, EOS 7D and EOS 5D Mark II. For more information on compatibility see the chart on page 123. Canon offers a comprehensive line of accessories for photographers on-the-go.
Specifications EF-S 17-55mm f/2.8 IS USM APS-C 27–88 – EF-S 17-85mm f/4-5.6 IS USM APS-C 27–136 – EF-S 18-55 f/3.5-5.6 IS II APS-C 29–88 – APS-C 29–216 – EF-S 18-200mm f/3.5-5.6 IS APS-C 29–320 – EF-S 55-250mm f/4-5.6 IS APS-C 88–400 – 320 260 10°, 7°, 12° 22-27 0.24 (29)2 0.17 (at Provided 22mm) – Ring USM3 – NC 77 83.5 x 89.8 385 EF 300mm f/2.8L IS II USM – 480 390 22-38 0.35 (36)2 0.21 (at Ring Provided 4-stops 85mm) USM3 – NC 72 81.6 x 87.
Extenders Extender compatibility Filter diameter (mm) NC 52 – 160 130 20°, 14°, 24° 12/8 8 32 0.31 1 Provided EF 100mm f/2.8L Macro IS USM – 160 130 20°, 14°, 24° 15/12 9 32 0.3 1 Provided EF 180mm f/3.5L Macro USM – 288 288 11°25', 7°40', 13°40' 14/12 8 32 0.48 1 Provided MP-E 65mm f/2.8 1-5x Macro Photo – 15°40', 10°35', 18°40' 10/8 104 85 TS-E17mm f/4L – 27 22 TS-E 24mm f/3.5L II – 38 31 TS-E 45mm f/2.8 – 72 59 TS-E 90mm f/2.
Lens hood Magnification with Extension Tube EF12 II Magnification with Extension Tube EF25 II Extender Compatiblity E-77U Built-in LZ1132≠ 0.16-0.03 0.21-0.07 Compatible – EF 500mm f/4L IS II USM 52 Drop in E-163B ET-138 (WII)≠ Lens Case 500B≠ 0.18-0.03 0.22-0.06 Compatible Canon drop-in 52mm filters – EF 600mm f/4L IS II USM 52 Drop in E-185B ET-160 (WII)≠ Lens Case 600B≠ 0.17-0.02 0.20-0.05 Compatible Canon drop-in 52mm filters NC – EF 800mm f/5.
Filter diameter (mm) Lens Cap Lens hood Lens case/pouch Magnification with Extension Tube EF12 II Magnification with Extension Tube EF25 II Extender Compatiblity NAME 52 E-52 – LP814 0.74-0.24 1.04-0.54 NC Other Accessories Lens Accessories 120/121 MACRO EF 50mm f/2.5 Compact Macro Life-size Converter EF Macrolite adapter 6 – R-F-3 – LP811 – – NC – EF 100mm f/2.8 Macro USM 58 E-58U ET-67 LP1219 1.19-0.12 1.39-0.26 NC Ring type tripod mount B (B) EF 100mm f/2.
Digital SLR Accessories n n n Eyecup/Rubber Frame Eb n n n n n n n n n n n n n n n n n n n n n n n n n n n Eyecup/Rubber Frame Ef n n n n n n n n n n n n n n n n n n n n n n n n n n n Eyecup/Rubber Frame Eg Speedlite Transmitter ST-E2 n n n n n n n n n n n n n n n n n n n n n n n n n n n SPEEDLITE ACCESSORIES n n 1 n n n n n n n n n n n n n n n n n n n n n n n n n n n1 n1 n1 n1 n1 n1 n1 n1 n1
Glossary 124/125 A C D Angle of view The area of a scene that can be covered by the lens, measured in degrees. The angle of view is determined by the focal length of the lens. Smaller focal lengths give a wider angle of view. Chromatic aberration An optical phenomenon caused by different wavelengths of light bending at different angles when passing through the lens, resulting in colour distortion. Depth-of-field The zone of sharpness in front of and behind the subject on which the lens is focused.
Glossary 126/127 M S U Micro motor A tiny motor which replaced the use of AFD autofocus motors. Spherical aberration An optical phenomenon whereby light rays entering at the edges of spherical lens elements converge at slightly different focal points to light rays entering from the centre. This produces soft, low contrast images that look as if covered with a thin veil. Aspherical lenses are used to counteract this problem.
Reportage 3 Weddings 3 Travel Interiors Products Landscapes Architecture 3 Portraits Wildlife Indoor Sport Sport Close Up / Macro General EF-S EF ZOOM EF FIXED LENGTH http://cps.canon-europe.com/ MACRO http://cpn.canon-europe.com Canon Professional Services (CPS) is the program that delivers extensive after sales support and a priority repair service for imaging professionals and their Canon professional equipment.
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