i ~ canon eos T4i eos 6S05J INSTRUCTION MANUAL E E E The “Software Start Guide” is included at the end of this manual.
Introduction The EOS REBEL T4i/EOS 650D is a high-performance, digital singlelens reflex camera featuring a fine-detail CMOS sensor with approx. 18.00 effective megapixels, DIGIC 5, high-precision and high-speed 9-point AF, approx. 5 fps continuous shooting, Live View shooting, and Full High-Definition (Full HD) movie shooting. The camera is highly responsive to any shooting situation, and provides many features for demanding shots.
Item Check List Before starting, check that all the following items have been included with your camera. If anything is missing, contact your dealer. Camera Battery Pack LP-E8 (with eyecup and body cap) (with protective cover) Wide Strap Battery Charger LC-E8/LC-E8E* Interface Cable EW-100DB IV EOS DIGITAL Solution Disk Software Instruction Manual (Software) Camera Instruction Manual (this booklet) * Battery Charger LC-E8 or LC-E8E is provided. (The LC-E8E comes with a power cord.
Conventions Used in this Manual Icons in this Manual <6> : Indicates the Main Dial. : Indicates the Cross keys. <0> : Indicates the Setting button. 0, 9, 7, 8 : Indicates that the corresponding function remains active for 4 sec., 6 sec., 10 sec., or 16 sec. respectively after you let go of the button. * In this manual, the icons and markings indicating the camera’s buttons, dials, and settings correspond to the icons and markings on the camera and on the LCD monitor.
Chapters For first-time DSLR users, Chapters 1 and 2 explain the camera’s basic operations and shooting procedures.
Contents at a Glance Shooting Shoot automatically Î p.57 - 74 (Basic Zone modes) Shoot continuously Î p.101 (i Continuous shooting) Take a picture of yourself in a group Î p.103 (j Self-timer) Freeze the action Blur the action Î p.108 (s Shutter-priority AE) Blur the background Î p.64 (C Creative Auto) Keep the background in sharp focus Î p.110 (f Aperture-priority AE) Adjust the image brightness (exposure) Î p.117 (Exposure compensation) Shoot in low light Î p.58, 104 (D Flash photography) Î p.
Take many pictures Î p.86 (7a, 8a, b, c) Focusing Change the point of focus Î p.97 (S AF point selection) Shoot a moving subject Î p.70, 96 (AI Servo AF) Playback View the images on the camera Î p.82 (x Playback) Search for pictures quickly Î p.238 (H Index display) Î p.239 (I Image browsing) Rate images Î p.244 (Ratings) Prevent important images from accidental deletion Î p.262 (K Image protect) Delete unnecessary images Î p.264 (L Delete) Auto play images and movies Î p.
Index to Features Power Battery • Charging • Installing/Removing • Battery check Power outlet Auto power off Image Quality Î p.28 Î p.30 Î p.35 Î p.302 Î p.34 Card Installing/Removing Î p.31 Format Î p.48 Release shutter without card Î p.200 Lens Attaching/Detaching Zoom Image Stabilizer Î p.39 Î p.40 Î p.41 AF Î p.42 Î p.38 Î p.36 Î p.200 Drive Î p.33 Î p.213 Î p.201 Î p.
Index to Features Remote control Quick Control Î p.303 Î p.44 Exposure Adjustment Exposure compensation Î p.117 AEB Î p.119 AE lock Î p.121 Flash Built-in flash • Flash exposure compensation • FE lock External flash Flash control • Wireless flash Î p.104 Î p.118 Î p.122 Î p.305 Î p.214 Î p.225 Live View Shooting Live View shooting Autofocusing (AF) methods Continuous AF Touch Shutter Aspect ratio Grid display Quick Control Î p.143 Î p.153 Î p.150 Î p.162 Î p.151 Î p.150 Î p.
Contents Introduction 2 Item Check List................................................................................. 3 Conventions Used in this Manual ..................................................... 4 Chapters........................................................................................... 5 Contents at a Glance........................................................................ 6 Index to Features .............................................................................
Contents 2 Basic Shooting and Image Playback 57 A Fully Automatic Shooting (Scene Intelligent Auto) ................... 58 A Full Auto Techniques (Scene Intelligent Auto) ......................... 61 7 Disabling Flash ......................................................................... 63 C Creative Auto Shooting............................................................. 64 2 Shooting Portraits ...................................................................... 67 3 Shooting Landscapes .......
Contents 4 Advanced Shooting 107 s: Convey the Subject’s Movement .......................................... 108 f: Changing the Depth of Field ................................................ 110 Depth of Field Preview................................................................112 a: Manual Exposure ................................................................... 113 q Changing the Metering Mode ..................................................115 Setting Exposure Compensation..................
Contents 6 Shooting Movies 169 k Shooting Movies ..................................................................... 170 Autoexposure Shooting .............................................................. 170 Manual Exposure Shooting ........................................................ 173 Shooting Still Photos .................................................................. 178 Shooting Function Settings ...........................................................
Contents 8 Wireless Flash Photography 225 Using Wireless Flash.................................................................... 226 Easy Wireless Flash Shooting...................................................... 227 Custom Wireless Flash Shooting ................................................. 230 Other Settings .............................................................................. 234 9 Image Playback 10 Post-Processing Images 237 H I Searching for Images Quickly..................
Contents 12 Customizing the Camera 291 Setting Custom Functions............................................................. 292 Custom Function Settings............................................................. 294 C.Fn I: Exposure ........................................................................ 294 C.Fn II: Image ............................................................................ 295 C.Fn III: Autofocus/Drive ............................................................ 296 C.
Handling Precautions Camera Care This camera is a precision instrument. Do not drop it or subject it to physical shock. The camera is not waterproof and cannot be used underwater. If you accidentally drop the camera into water, promptly consult the nearest Canon Service Center. Wipe off any water droplets with a dry cloth. If the camera has been exposed to salty air, wipe it with a well-wrung wet cloth. Never leave the camera near anything having a strong magnetic field such as a magnet or electric motor.
Handling Precautions LCD Monitor Although the LCD monitor is manufactured with very high precision technology with over 99.99% effective pixels, there may be a few dead pixels among the remaining 0.01% or less pixels. Dead pixels displaying only black or red, etc., are not a malfunction. They do not affect the images recorded. If the LCD monitor is left on for a prolonged period, screen burn-in may occur where you see remnants of what was displayed.
Quick Start Guide Insert the battery (p.30). 1 To charge the battery, see page 28. Insert a card (p.31). 2 3 With the card’s label facing toward the back of the camera, insert it into the card slot. White index Red index Attach the lens (p.39). Align the lens’ white or red index with the camera’s index in the matching color. 4 Set the lens focus mode switch to (p.39). 5 Set the power switch to <1>, and set the Mode Dial to (Scene Intelligent Auto) (p.58).
Quick Start Guide 6 Flip out the LCD monitor (p.33). 7 Focus the subject (p.43). 8 Take the picture (p.43). 9 Review the picture (p.200). When the LCD monitor displays the time zone and date/time setting screens, see page 36. Look through the viewfinder and aim the viewfinder center over the subject. Press the shutter button halfway, and the camera will focus the subject. If necessary, the built-in flash will be raised automatically. Press the shutter button completely to take the picture.
Nomenclature The names in bold indicate the parts mentioned up until the “Basic Shooting and Image Playback” section. Built-in flash/AF-assist beam (p.104/98) EF Lens mount index (p.39) Mode Dial (p.24) Microphone (p.170) Power switch (p.34) Flash-sync contacts Hot shoe (p.305) ISO speed setting button (p.90) EF-S Lens mount index (p.39) <6> Main Dial Flash button (p.104) Shutter button (p.43) Focal plane mark (p.69) Red-eye reduction/ Self-timer lamp (p.105/103) Strap mount (p.
Nomenclature Display off sensor (p.50, 213) Dioptric adjustment knob (p.42) Live View shooting/ Movie shooting button (p.144/170) Viewfinder eyepiece AE lock/ FE lock button/ Index/Reduce button (p.121/122/238/240, 283) Eyecup (p.304) Info button (p.50, 82, 146, 175, 209) AF point selection/ Magnify button (p.97/240, 283) Menu button (p.46) Speaker (p.250) LCD monitor/ Touch screen (p.33, 46, 201/ 53, 241, 251) Card slot cover (p.31) DC cord hole (p.
Nomenclature Shooting Settings (in Creative Zone modes, p.24) Shutter speed Exposure level indicator Exposure compensation amount (p.117) AEB range (p.119) Aperture Main Dial pointer Auto Lighting Optimizer (p.123) ISO speed (p.90) Shooting mode Highlight tone priority (p.295) Picture Style (p.93) AF operation (p.95) X One-Shot AF 9 AI Focus AF Z AI Servo AF a Manual Focus y Flash exposure compensation (p.118) 0 External flash exposure compensation Built-in flash settings (p.
Nomenclature Viewfinder Information Spot metering circle AF point activation indicator <•> Focusing screen AF points ISO speed White balance correction AE lock/ AEB in-progress Focus confirmation light Max.
Nomenclature Mode Dial The Mode Dial includes the Basic Zone modes and Creative Zone modes. Creative Zone These modes give you more control for shooting various subjects. d : Program AE (p.84) s : Shutter-priority AE (p.108) f : Aperture-priority AE (p.110) a : Manual exposure (p.113) Basic Zone All you do is press the shutter button. The camera sets everything to suit the subject or scene. A : Scene Intelligent Auto (p.58) 7 : Flash Off (p.63) C : Creative Auto (p.64) Image Zone 2 : Portrait (p.
Nomenclature Lens Lens without a distance scale Focusing ring (p.100, 164) Focus mode switch (p.39) Zoom ring (p.40) Hood mount (p.338) Zoom position index (p.40) Filter thread (front of lens) (p.338) Image Stabilizer switch (p.41) Contacts (p.17) Lens mount index (p.39) Lens with a distance scale Hood mount (p.338) Focus mode switch (p.39) Zoom position index (p.40) Distance scale Filter thread (front of lens) (p.338) Zoom ring (p.40) Focusing ring (p.100, 164) Image Stabilizer switch (p.
Nomenclature Battery Charger LC-E8 Charger for Battery Pack LP-E8 (p.28). Power plug Battery pack slot Charge lamp Full-charge lamp IMPORTANT SAFETY INSTRUCTIONS-SAVE THESE INSTRUCTIONS. DANGER-TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, CAREFULLY FOLLOW THESE INSTRUCTIONS. For connection to a supply not in the U.S.A., use an attachment plug adapter of the proper configuration for the power outlet, if needed. Battery Charger LC-E8E Charger for Battery Pack LP-E8 (p.28).
Getting Started This chapter explains preparatory steps before you start shooting and basic camera operations. Attaching the Strap Pass the end of the strap through the camera’s strap mount eyelet from the bottom. Then pass it through the strap’s buckle as shown in the illustration. Pull the strap to take up any slack and make sure the strap will not loosen from the buckle. The eyepiece cover is also attached to the strap (p.304).
Charging the Battery 1 Remove the protective cover. Detach the protective cover provided with the battery. the battery. 2 Attach As shown in the illustration, attach the battery securely to the charger. To detach the battery, follow the above procedure in reverse. LC-E8 the battery. 3 Recharge For LC-E8 As shown by the arrow, flip out the battery charger’s prongs and insert the prongs into a power outlet. For LC-E8E LC-E8E Connect the power cord to the charger and insert the plug into a power outlet.
Charging the Battery Tips for Using the Battery and Charger Upon purchase, the battery is not fully charged. Recharge the battery before using. Recharge the battery on the day before or on the day it is to be used. Even during storage, a charged battery will gradually drain and lose its capacity. After recharging the battery, detach it and disconnect the charger from the power outlet. When not using the camera, remove the battery.
Installing and Removing the Battery Load a fully charged Battery Pack LP-E8 into the camera. Installing the Battery 1 Open the cover. Slide the lever as shown by the arrows and open the cover. the battery. 2 Insert Insert the end with the battery contacts. Insert the battery until it locks in place. the cover. 3 Close Press the cover until it snaps shut. Removing the Battery Open the cover and remove the battery. Press the battery release lever as shown by the arrow and remove the battery.
Installing and Removing the Card The card (sold separately) can be an SD, SDHC, or SDXC memory card. SDHC and SDXC cards with UHS-I can also be used. The captured images are recorded onto the card. Make sure the card’s write-protect switch is set upward to enable writing/erasing. Installing the Card 1 Write-protect switch Open the cover. Slide the cover as shown by the arrows to open it. the card.
Installing and Removing the Card Removing the Card 1 Open the cover. Set the power switch to <2>. Make sure the access lamp is off, then open the cover. If [Recording...] is displayed, close the cover. Access lamp the card. 2 Remove Gently push in the card, then let go to eject it. Pull the card straight out, then close the cover. When the access lamp is lit or blinking, it indicates that images are being written to or read by the card, being erased, or data is being transferred.
Using the LCD Monitor After you flip out the LCD monitor, you can set menu functions, use Live View shooting, shoot movies, and play back images and movies. You can change the direction and angle of the LCD monitor. 1 Flip out the LCD monitor. the LCD monitor. 2 Rotate When the LCD monitor is swung out, 180° 90° 175° you can rotate it up or down or face it forward toward the subject. The indicated angle is only approximate. it toward you. 3 Face Normally, face the LCD monitor toward you.
Turning on the Power If you turn on the power switch and the time zone and date/time setting screens appear, see page 36 to set the time zone and date/ time. : The camera turns on. You can shoot movies (p.169). <1> : The camera turns on. You can shoot still photos. <2> : The camera is turned off and does not operate. Set to this position when not using the camera. About the Automatic Self-Cleaning Sensor Whenever you set the power switch to <1> or <2>, sensor cleaning will be executed automatically.
Turning on the Power z Checking the Battery Level When the power is turned on, the battery level will be indicated in one of four levels. z : Battery level is sufficient. x : Battery level is low, but the camera can still be used. c : Battery will be exhausted soon. (Blinks) n : Recharge the battery. Battery Life [Approx.
3 Setting the Date, Time, and Time Zone When you turn on the power for the first time or if the time zone and date/time have been reset, the Time zone and Date/Time setting screens will appear. Follow the steps below to set the time zone first. You can also set the time zone of your current address. Then if you travel to another time zone, you can simply set your destination’s time zone so that the correct date/time is recorded.
3 Setting the Date, Time, and Time Zone the date and time. 3 SetPress the key to select the date or time number. Press <0> so is displayed. Press the key to set the number, then press <0>. (Returns to .) saving time. 4 SetSettheit ifdaylight necessary. Press the key to select [Y]. Press <0> so is displayed. Press the key to select [Z], then press <0>. When the daylight saving time is set to [Z], the time set in step 3 will advance by 1 hour.
3 Selecting the Interface Language 1 Display the menu screen. Press the button to display the menu screen. Under the [52] tab, select 2 [LanguageK]. Press the key to select the [52] tab. Press the key to select [LanguageK] (the sixth item from the top), then press <0>. the desired language. 3 SetPress the key to select the language, then press <0>. X The interface language will change.
Attaching and Detaching a Lens Attaching a Lens 1 Remove the caps. Remove the rear lens cap and the body cap by turning them as shown by the arrows. the lens. 2 Attach Align the lens’ red or white index with White index the camera’s index matching the same color. Turn the lens as shown by the arrow until it clicks in place. Red index the lens focus mode switch to 3 Set . stands for Autofocus. If it is set to (manual focus), autofocus will not operate. 4 Remove the front lens cap.
Attaching and Detaching a Lens About Zooming To zoom, turn the zoom ring on the lens with your fingers. If you want to zoom, do it before focusing. Turning the zoom ring after achieving focus may throw off the focus slightly. Detaching the Lens While pressing the lens release button, turn the lens as shown by the arrow. Turn the lens until it stops, then detach it. Attach the rear lens cap to the detached lens. Do not look at the sun directly through any lens. Doing so may cause loss of vision.
About the Lens Image Stabilizer When you use the IS lens’ built-in Image Stabilizer, camera shake is corrected to obtain a sharper shot. The procedure explained here is based on the EF-S18-55mm f/3.5-5.6 IS II lens as an example. * IS stands for Image Stabilizer. 1 Set the IS switch to <1>. Also set the camera’s power switch to <1>. the shutter button halfway. 2 Press X The Image Stabilizer will operate. the picture.
Basic Operation Adjusting the Viewfinder Clarity Turn the dioptric adjustment knob. Turn the knob left or right until the nine AF points in the viewfinder look sharp. If the camera’s dioptric adjustment still cannot provide a sharp viewfinder image, using E-series Dioptric Adjustment Lenses (10 types, sold separately) is recommended. Holding the Camera To obtain sharp images, hold the camera still to minimize camera shake. Horizontal shooting Vertical shooting 1.
Basic Operation Shutter Button The shutter button has two steps. You can press the shutter button halfway. Then you can further press the shutter button completely. Pressing halfway This activates autofocusing and the automatic exposure system that sets the shutter speed and aperture. The exposure setting (shutter speed and aperture) is displayed in the viewfinder (0). Pressing completely This releases the shutter and takes the picture.
Q Quick Control for Shooting Functions You can directly select and set the shooting functions displayed on the LCD monitor. This is called the Quick Control screen. 1 Press the button. X The Quick Control screen will appear (7). the desired function. 2 SetPress the key to select a function. X The selected function and Feature guide (p.52) will appear. Turn the <6> dial to change the setting. Basic Zone modes Creative Zone modes the picture.
Q Quick Control for Shooting Functions Sample Quick Control Screen White balance correction (p.137) Aperture (p.110) Shutter speed (p.108) Highlight tone priority* (p.295) Shooting mode* (p.24) Exposure compensation/ AEB setting (p.117, 119) Picture Style (p.93) White balance (p.135) ISO speed (p.90) Flash exposure compensation (p.118) Built-in flash settings AF operation (p.95) Return Drive mode (p.101, 103) Metering mode (p.115) Image-recording quality (p.86) Auto Lighting Optimizer (p.
3 Menu Operations You can set various settings with the menus such as the imagerecording quality, date/time, etc. While looking at the LCD monitor, use the button, cross keys, and <0> button on the back of the camera to operate the menus. button <0> button LCD monitor Cross keys Menu Screen The menu tabs and items displayed will differ depending on the shooting mode.
3 Menu Operations Menu Setting Procedure 1 Display the menu screen. Press the button to display the menu screen. a tab. 2 Select Press the key to select a menu tab. For example, the [z3] tab refers to the screen displayed when the z (Shooting) tab’s third dot [ ] from the left is selected. the desired item. 3 Select Press the key to select the item, then press <0>. the setting. 4 Select Press the or key to select the desired setting.
3 Formatting the Card If the card is new or was previously formatted by another camera or computer, format the card with the camera. When the card is formatted, all images and data in the card will be erased. Even protected images will be erased, so make sure there is nothing you need to keep. If necessary, transfer the images to a computer, etc., before formatting the card. 1 Select [Format card]. Under the [51] tab, select [Format card], then press <0>. the card. 2 Format Select [OK], then press <0>.
3 Formatting the Card Execute [Format card] in the following cases: The card is new. The card was formatted by a different camera or a computer. The card is full with images or data. A card-related error is displayed (p.331). About Low-level Formatting Perform low-level formatting if the card’s recording or reading speed seems slow or if you want to totally erase all data in the card.
Switching the LCD Monitor Display The LCD monitor can display the shooting settings screen, menu screen, captured images, etc. Shooting Settings When you turn on the power, the shooting settings will be displayed. When your eye is near the viewfinder eyepiece, the display off sensor (p.21, 213) will turn off the LCD monitor to prevent glare. When your eye leaves the viewfinder eyepiece, the LCD monitor will turn on again.
Switching the LCD Monitor Display With [52: LCD auto off], you can prevent the LCD monitor from turning off automatically (p.213). Even when the menu screen or captured image is displayed, pressing the shutter button will enable you to shoot immediately. If you wear sunglasses and look through the viewfinder eyepiece, the LCD monitor may not turn off automatically. If this occurs, press the button to turn off the LCD monitor. Nearby fluorescent lighting may cause the LCD monitor to turn off.
Feature Guide The Feature guide is a simple description of the respective function or option. It is displayed when you change the shooting mode or use the Quick Control screen to set a shooting function, in Live View shooting, movie shooting, or during playback. When you select a function or option on the Quick Control screen, the Feature guide description is displayed. The Feature guide turns off when you tap the description or proceed with the operation.
d Touch Screen Operations The LCD monitor is a touch-sensitive panel that you can operate with your fingers. Tap Quick Control (Sample display) Use your finger to tap (touch and let go) the LCD monitor. By tapping, you can select menus, icons, etc., displayed on the LCD monitor. Icons that you can tap are displayed in a frame (excluding the menu screen). For example, when you tap [Q], the Quick Control screen appears. By tapping [2], you can return to the preceding screen.
d Touch Screen Operations Drag Menu screen (Sample display) Slide your finger while touching the LCD monitor.
d Touch Screen Operations 3 Touch Control Settings 1 Select [Touch control]. Under the [53] tab, select [Touch control], then press <0>. the Touch control. 2 SetSelect [Enable]. Setting it to [Disable] will disable touch operations. Cautions for Touch Screen Operations Since the LCD monitor is not pressure sensitive, do not use any sharp objects such as your fingernail, ballpoint pens, etc., for touch operations. Do not use wet fingers for touch screen operations.
Basic Shooting and Image Playback This chapter explains how to use the Basic Zone modes on the Mode Dial for best results and how to play back images. With Basic Zone modes, all you do is point and shoot while the camera sets everything automatically (p.75, 310). Also, to prevent botched pictures due to mistaken operations, the main shooting settings cannot be changed. Z Basic e on About the Auto Lighting Optimizer In Basic Zone modes, the Auto Lighting Optimizer (p.
A Fully Automatic Shooting (Scene Intelligent Auto) is a fully automatic mode. The camera analyzes the scene and sets the optimum settings automatically. It also adjusts focus automatically by detecting whether the subject is still or moving (p.61). 1 AF point Set the Mode Dial to . any AF point over the 2 Aim subject. All the AF points will be used to focus, and generally the closest object will be focused. Aiming the center AF point over the subject will make focusing easier. the subject.
A Fully Automatic Shooting (Scene Intelligent Auto) the picture. 4 TakePress the shutter button completely to take the picture. X The captured image will be displayed for 2 sec. on the LCD monitor. If the built-in flash is raised, you can push it back down with your fingers. The mode makes the colors look more impressive in nature, outdoor, and sunset scenes. If the desired color tone is not obtained, use a Creative Zone mode and select a Picture Style other than and shoot (p.93).
A Fully Automatic Shooting (Scene Intelligent Auto) The flash was raised even though it was daylight. For a backlit subject, the flash may pop up to help lighten the subject’s dark areas. If you do not want the flash to fire, set it to Flash Off (p.63). Except for the flash setting, the settings will be the same as in . The flash fired and the picture came out extremely bright. Move father from the subject and shoot.
A Full Auto Techniques (Scene Intelligent Auto) Recomposing the Shot Depending on the scene, position the subject toward the left or right to create a balanced background and good perspective. In the mode, while you press the shutter button halfway to focus a still subject, the focus will be locked. You can then recompose the shot and press the shutter button completely to take the picture. This is called “focus lock”. Focus lock is also possible in other Basic Zone modes (except <5> Sports).
A Full Auto Techniques (Scene Intelligent Auto) A Live View Shooting You can shoot while viewing the image on the LCD monitor. This is called “Live View shooting”. For details, see page 143. 1 Display the Live View image on the LCD monitor. Press the button. X The Live View image will appear on the LCD monitor. the subject. 2 Focus Press the shutter button halfway to focus. X When focus is achieved, the AF point will turn green and the beeper will sound. the picture.
7 Disabling Flash The camera analyzes the scene and sets the optimum settings automatically. In places where flash photography is prohibited, use the <7> (Flash Off) mode. This mode is also effective for capturing the particular ambience of a scene, such as candlelight scenes. Shooting Tips Prevent camera shake if the numeric display in the viewfinder blinks. Under low light when camera shake is prone to occur, the viewfinder’s shutter speed display will blink. Hold the camera steady or use a tripod.
C Creative Auto Shooting In the mode, you can easily change the depth of field, drive mode, and flash firing. You can also choose the ambience you want to convey in your images. The default settings are the same as the mode. * CA stands for Creative Auto. 1 Set the Mode Dial to . the button. (7) 2 Press X The Quick Control screen will appear. the desired function. 3 SetPress the key to select the function to be set. X The selected function and Feature guide (p.52) will appear.
C Creative Auto Shooting (1) Shutter speed Aperture ISO speed (2) (3) Battery check (4) Possible shots Image-recording quality Pressing the button enables you to set the following: (1) Ambience-based shots You can choose the ambience you want to convey in your images. Press the key or turn the <6> dial to select the desired ambience. You can also select it from a list by pressing <0>. For details, see page 76.
C Creative Auto Shooting (3) Drive mode: Turn the <6> dial to set it as desired. You can also select it from a list by pressing <0>. Single shooting: Shoot one image at a time. Continuous shooting: While you hold down the shutter button completely, shots will be taken continuously. You can shoot up to approx. 5 shots per sec. Self-timer: 10sec./remote: The picture is taken 10 seconds after you press the shutter button. A remote controller can also be used. Self-timer: 2sec.
2 Shooting Portraits The <2> (Portrait) mode blurs the background to make the human subject stand out. It also makes skin tones and the hair look softer. Shooting Tips The further the distance between the subject and background, the better. The further the distance between the subject and background, the more blurred the background will look. The subject will also stand out better in front of a plain, dark background. Use a telephoto lens.
3 Shooting Landscapes Use the <3> (Landscape) mode for wide scenery or to have everything in focus from near to far. For vivid blues and greens, and very sharp and crisp images. Shooting Tips With a zoom lens, use the wide-angle end. When using the wide-angle end of a zoom lens, objects near and far will be in focus better than at the telephoto end. It also adds breadth to landscapes. Shooting night scenes. Since the built-in flash will be disabled, this mode <3> is also good for night scenes.
4 Shooting Close-ups When you want to photograph flowers or small things up close, use the <4> (Close-up) mode. To make small things appear much larger, use a macro lens (sold separately). Shooting Tips Use a simple background. A simple background makes the flower, etc., stand out better. Move as close as possible to the subject. Check the lens for its minimum focusing distance. Some lenses have indications such as <40.25m/0.8ft>.
5 Shooting Moving Subjects To photograph a moving subject, whether it is a child running or a moving vehicle, use the <5> (Sports) mode. Shooting Tips Use a telephoto lens. Using a telephoto lens is recommended so you can shoot from afar. Use the center AF point to focus. Aim the center AF point over the subject, then press the shutter button halfway to autofocus. During autofocusing, the beeper will continue beeping softly. If focus cannot be achieved, the focus confirmation light will blink.
6 Shooting Night Portraits (With a Tripod) To shoot people at night and obtain a natural-looking night scene in the background, use the <6> (Night Portrait) mode. Shooting Tips Use a wide-angle lens and a tripod. When using a zoom lens, use the wide-angle end to obtain a wide night view. Also, use a tripod to prevent camera shake. Check the subject’s brightness. Under low light, the built-in flash will fire automatically to obtain a good exposure of the subject.
F Shooting Night Scenes Handheld Normally, a tripod is necessary to steady your camera when shooting a night scene. However, with the (Handheld Night Scene) mode, you can shoot night scenes while handholding the camera. In this mode, four shots are taken continuously for each picture. A bright image with reduced camera shake is taken. Shooting Tips Hold the camera firmly. While shooting, hold the camera firmly and steadily. If any of the four shots are greatly misaligned due to camera shake, etc.
G Shooting Backlit Scenes When shooting a scene having both bright and dark areas, use the (HDR Backlight Control) mode. When you take a picture, three continuous shots will be taken at different exposures. The loss of detail in highlights and shadows will be reduced in the final image. Shooting Tips Hold the camera firmly. While shooting, hold the camera firmly and steadily. If the continuous shots are very misaligned due to camera shake, etc., they may not align properly in the final image.
Cautions for When shooting flash photography, if the subject is too close to the camera, the picture may come out extremely bright (overexposure). If you use flash when shooting dimly lit night scenes, or human subjects in situations where the subject and background are both near enough to be illuminated by the flash, the shots may not align correctly. This can result in a blurry photo.
Q Quick Control In Basic Zone modes when the shooting settings screen is displayed, you can press the button to display the Quick Control screen. The table below indicates the functions that can be set with the Quick Control screen in each Basic Zone mode. Example: Portrait mode 1 Set the Mode Dial to a Basic Zone mode. 2Press the button. (7) X The Quick Control screen will appear. 3 Set the function. Press the key to select a function.
Shoot by Ambience Selection Except in the , <7>, and Basic Zone modes, you can select the ambience for shooting.
Shoot by Ambience Selection the ambience effect. 4 SetPress the key to select the effect bar so that [Effect] appears at the bottom. Press the key or turn the <6> dial to select the desired effect. the picture. 5 TakeTo shoot while the Live View image is displayed, press the shutter button. To return to viewfinder shooting, press the button to exit Live View shooting. Then press the shutter button completely to take the picture.
Shoot by Ambience Selection Ambience Settings Standard setting Standard image characteristics for the respective shooting mode. Note that <2> has image characteristics geared for portraits and <3> is geared for landscapes. Each ambience is a modification of the respective shooting mode’s image characteristics. Vivid The subject will look sharp and vivid. It makes the photo look more impressive than with [ Standard setting]. Soft The subject will look softer and more dainty.
Shoot by Lighting or Scene Type In the <2>, <3>, <4>, and <5> Basic Zone modes, you can shoot while the settings match the lighting or scene type. Normally, [ Default setting] is adequate, but if the settings match the lighting condition or scene, the picture will look more accurate to your eye. For Live View shooting, if you set both [Light/scene-based shots] and [Ambience-based shots] (p.76), you should first set [Light/scenebased shots].
Shoot by Lighting or Scene Type the Quick Control screen, 3 On select the lighting or scene type. Press the button (7). Press the key to select [ Default setting]. [Light/scenebased shots] will appear on the screen. Press the key or turn the <6> dial to select the desired lighting or scene type. X The LCD monitor will show how the image will look with the selected lighting or scene type. the picture. 4 TakeTo shoot while the Live View image is displayed, press the shutter button.
Shoot by Lighting or Scene Type Lighting or Scene Type Settings Default setting Default setting suited for most subjects. Daylight For subjects under sunlight. Gives more natural-looking blue skies and greenery and reproduces light-colored flowers better. Shade For subjects in the shade. Suitable for skin tones, which may look too bluish, and for light-colored flowers. Cloudy For subjects under overcast skies. Makes skin tones and landscapes, which may otherwise look dull on a cloudy day, look warmer.
x Image Playback The easiest way to play back images is explained below. For more details on the playback procedure, see page 237. 1 Play back the image. Press the button. X The last captured image or last image viewed will appear. an image. 2 Select To view images starting with the last image, press the key. To view images starting with the first (oldest) image, press the key. Each time you press the button, the display format will change.
Creative Shooting In the Basic Zone modes, to prevent spoiled shots, most functions are set automatically and cannot be changed. In the (Program AE) mode, you can set various functions and be more creative. In the mode, the camera sets the shutter speed and aperture automatically to obtain a standard exposure. The difference between the Basic Zone modes and is explained on page 310. The functions explained in this chapter can also be used in the , , and modes explained in Chapter 4.
d: Program AE The camera automatically sets the shutter speed and aperture to suit the subject’s brightness. This is called Program AE. 1 Set the Mode Dial to . the subject. 2 Focus Look through the viewfinder and aim the selected AF point over the subject. Then press the shutter button halfway. X The dot inside the AF point achieving focus lights up briefly in red, and the focus confirmation light on the viewfinder’s bottom right lights up (in One-Shot AF mode).
d: Program AE Shooting Tips Change the ISO speed or use the built-in flash. To match the subject and ambient lighting level, you can change the ISO speed (p.90) or use the built-in flash (p.104). In the mode, the built-in flash will not fire automatically. So under low light, press the (flash) button to raise the built-in flash. The program can be shifted.
3 Setting the Image-Recording Quality You can select the pixel count and the image quality. Ten imagerecording quality settings are provided: 73, 83, 74, 84, 7a, 8a, b, c, 1+73, 1. 1 Pixels recorded (pixel count) Possible shots Select [Image quality]. Under the [z1] tab, select [Image quality], then press <0>. X [Image quality] will appear. the image-recording 2 Select quality. The respective quality’s pixel count and number of possible shots will be displayed to help you select the desired quality.
3 Setting the Image-Recording Quality Guide to Image-recording Quality Settings (Approx.) Pixels Recorded (megapixels) File Size (MB) Possible Shots Maximum Burst High quality Approx. 17.9 (18M) 6.4 1140 22 (30) 3.2 2240 2240 (2240) Medium quality Approx. 8.0 (8M) 3.4 2150 410 (2150) 1.7 4200 4200 (4200) 2.2 3350 3350 (3350) 1.1 6360 6360 (6360) Approx. 2.5 (2.5M) 1.3 5570 5570 (5570) Approx. 0.35 (0.35M) 0.3 21560 21560 (21560) 23.5+6.4 230 3 (3) 23.
3 Setting the Image-Recording Quality FAQ I want to select the image-recording quality matching the paper size for printing. Refer to the diagram on the left when Paper size choosing the image-recording quality. If A2 (42x59.4cm/16.5x23.4in.) you want to crop the image, selecting a 73 higher quality (more pixels) such as 73, 83 A3(42x29.7cm/ 83, 1+73, or 1 is recommended. 16.5x11.7in.) 1+73 1 b is suitable for playing the images on a 74 84 7a digital photo frame.
3 Setting the Image-Recording Quality About 1 1 is the raw image data before it is made into 73 or other images. Although 1 images require software such as Digital Photo Professional (provided, p.350) so that they can be displayed on the computer, they also offer flexibility for image adjustments possible only with 1. 1 is effective when you want to precisely adjust the image yourself or shoot an important subject. About 1+73 1+73 records both a 1 and 73 image with a single shot.
i: Changing the ISO SpeedN Set the ISO speed (image sensor’s sensitivity to light) to suit the ambient light level. In Basic Zone modes, the ISO speed is set automatically (p.91). 1 Press the button. (9) X [ISO speed] will appear. the ISO speed. 2 SetPress the key or turn the <6> dial to select the desired ISO speed, then press <0>. You can also set the ISO speed in the viewfinder while turning the <6> dial. With [AUTO] selected, the ISO speed will be set automatically (p.91).
i: Changing the ISO SpeedN When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable. If you use a high ISO speed and flash to shoot a close subject, overexposure may result. With ISO 12800 or “H” (equivalent to ISO 25600), the maximum burst for continuous shooting will greatly decrease.
i: Changing the ISO SpeedN Shooting Mode ISO Speed Setting A/ 7/ C/ 3/ 4/ 5/ 6/ G Automatically set within ISO 100 - 6400 2 ISO 100 F Automatically set within ISO 100 - 12800 d/ s/ f/ a*1 Automatically set within ISO 100 - 6400*2 With flash ISO 400*3*4*5 *1: Fixed at ISO 400 for bulb exposures. *2: Depends on the maximum ISO speed limit set. *3: If fill flash results in overexposure, ISO 100 or a higher ISO speed will be set. *4: Except in the A, 6, and F modes.
A Optimal Image Characteristics for the SubjectN By selecting a Picture Style, you can obtain image characteristics matching your photographic expression or the subject. In Basic Zone modes, you cannot select the Picture Style. 1 Press the button. X [Picture Style] will appear. a Picture Style. 2 Select Press the key or turn the <6> dial to select the desired Picture Style, then press <0>. Picture Style Characteristics D Auto The color tone will be adjusted to suit the scene.
A Optimal Image Characteristics for the SubjectN R Landscape For vivid blues and greens, and very sharp and crisp images. Effective for impressive landscapes. S Neutral This Picture Style is for users who prefer to process images with their computer. For natural colors and subdued images. U Faithful This Picture Style is for users who prefer to process images with their computer.
f: Changing the Autofocus OperationN You can select the AF (autofocus) operation characteristics suiting the shooting conditions or subject. In Basic Zone modes, the optimum AF operation is set automatically for the respective shooting mode. 1 On the lens, set the focus mode switch to . the button. 2 Press X [AF operation] will appear. the AF operation. 3 Select Press the key or turn the <6> dial to select the desired AF operation, then press <0>. the subject.
f: Changing the Autofocus OperationN If focus cannot be achieved, the focus confirmation light in the viewfinder will blink. If this occurs, the picture cannot be taken even if the shutter button is pressed completely. Recompose the picture and try to focus again. Or see “Subjects Difficult to Focus” (p.100). If [z1: Beep] is set to [Disable], the beeper will not sound when focus is achieved.
S Selecting the AF PointN In Basic Zone modes, the camera will normally focus the closest subject automatically. Therefore, it may not always focus your target subject. In the , , , and modes, you can select the AF point and use it to focus the target subject. 1 Press the button. (9) X The selected AF point will be displayed on the LCD monitor and in the viewfinder. the AF point. 2 Select Use the key to select the AF point.
S Selecting the AF PointN Shooting Tips When shooting a portrait up close, use One-Shot AF and focus the eyes. If you focus the eyes first, you can then recompose and the face will remain sharp. If it is difficult to focus, select and use the center AF point. The center AF point is the most sensitive among the nine AF points. To make it easier to focus a moving subject, set the camera to automatic AF point selection and AI Servo AF (p.96). The center AF point will first be used to focus the subject.
S Selecting the AF PointN AF Operation and Maximum Lens Apertures With maximum apertures up to f/5.6: Cross-type focusing (vertical and horizontal lines detected simultaneously) is possible with all AF points. With certain lenses (see below), the off-center AF points will detect only vertical or horizontal lines (no cross-type focusing). With maximum apertures up to f/2.8:* High-precision cross-type focusing (vertical and horizontal lines detected simultaneously) is possible with the center AF point.
Subjects Difficult to Focus Autofocus can fail to achieve focus (viewfinder’s focus confirmation light blinks) with certain subjects such as the following: Very low-contrast subjects (Example: Blue sky, solid-color walls, etc.) Subjects in very low light Extremely backlit or reflective subjects (Example: Car with a highly reflective body, etc.) Near and far subjects covered by an AF point (Example: Animal in a cage, etc.) Repetitive patterns (Example: Skyscraper windows, computer keyboards, etc.
i Continuous Shooting You can shoot up to approx. 5 shots per second. This is effective for shooting a child running toward you or capturing different facial expressions. 1 Press the button. . 2 Select Press the key or turn the <6> dial to select continuous shooting, then press <0>. picture. 3 TakeThethecamera shoots continuously while you hold down the shutter button completely. Shooting Tips Also set the AF operation (p.95) matching the subject.
i Continuous Shooting The maximum continuous shooting speed of approx. 5 shots per second is achieved* with a shutter speed of 1/500 sec. or faster and at the maximum aperture (differs depending on the lens). The continuous shooting speed may decrease due to shutter speed, aperture, subject conditions, brightness, lens, flash use, etc. * With the following lenses, 5 shots per second is achieved with OneShot AF and the Image Stabilizer turned off: EF300mm f/4L IS USM, EF28-135mm f/3.5-5.
j Using the Self-timer 1 Press the button. the self-timer. 2 Select Press the key or turn the <6> dial to select the self-timer, then press <0>. Q: 10-sec. self-timer The remote controller can also be used (p.303). l: 2-sec. self-timer (p.140) q: 10-sec. self-timer plus continuous shots Press the key to set the number of multiple shots (2 to 10) to be taken with the self-timer. picture. 3 TakeLookthethrough the viewfinder, focus the subject, then press the shutter button completely.
D Using the Built-in Flash In indoors, low light, or backlit conditions in daylight, just raise the builtin flash and press the shutter button to take flash pictures. In the mode, the shutter speed (1/60 sec. - 1/200 sec.) will be set automatically to prevent camera shake. 1 Press the button. In Creative Zone modes, you can press the button anytime to take flash pictures. While the flash is recycling, “DbuSY” is displayed in the viewfinder, and [BUSYD] is displayed on the LCD monitor.
D Using the Built-in Flash Shooting Tips If the subject is far away, increase the ISO speed (p.90). By increasing the ISO speed, you can extend the flash range. In bright light, decrease the ISO speed. If the exposure setting in the viewfinder blinks, decrease the ISO speed. Detach the lens hood and keep at least 1 meter/3.3 feet away from the subject. If the lens has a hood attached or you are too close to the subject, the bottom of the picture may look dark due to the obstructed flash.
Advanced Shooting This chapter builds on Chapter 3 and introduces more ways to shoot creatively. The first half of this chapter explains how to use the , , and modes on the Mode Dial. All the functions explained in Chapter 3 can also be used in the , , and modes. To see which functions can be used in each shooting mode, see page 310. The M mark shown on the right of the page title indicates that the function is available only in Creative Zone modes (p.24).
s: Convey the Subject’s Movement You can either freeze the action or create motion blur with the (Shutter-priority AE) mode on the Mode Dial. * stands for Time value. Blurred motion (Slow shutter speed: 1/30 sec.) 1 Frozen action (Fast shutter speed: 1/2000 sec.) Set the Mode Dial to . the desired shutter speed. 2 SetSee “Shooting Tips” for advice on setting the shutter speed. Turning the <6> dial to the right sets a faster shutter speed, and turning it to the left sets a slower one.
s: Convey the Subject’s Movement Shooting Tips To freeze the motion of a fast-moving subject Use a fast shutter speed such as 1/4000 sec. to 1/500 sec. To blur a running child or animal and convey an impression of motion Use a medium shutter speed such as 1/250 sec. to 1/30 sec. Follow the moving subject through the viewfinder and press the shutter button to take the picture. If you use a telephoto lens, hold it steady to prevent camera shake.
f: Changing the Depth of Field To blur the background or to make everything near and far look sharp, set the Mode Dial to (Aperture-priority AE) to adjust the depth of field (range of acceptable focus). * stands for Aperture value, which is the size of the diaphragm hole inside the lens. Blurred background (With a low aperture f/number: f/5.6) Sharp foreground and background (With a high aperture f/number: f/32) 1 Set the Mode Dial to . desired aperture.
f: Changing the Depth of Field Shooting Tips When using an aperture with a high f/number or shooting in low light scenes, note that camera shake can occur. A higher aperture f/number will make the shutter speed slower. Under low light, the shutter speed can be as long as 30 sec. In such cases, increase the ISO speed and hold the camera steady or use a tripod. The depth of field depends not only on the aperture, but also on the lens and on the subject distance.
f: Changing the Depth of Field D Using the Built-in Flash To obtain a correct flash exposure, the flash output will be set automatically to match the set aperture (autoflash exposure). The shutter speed will be set automatically between 1/200 sec. - 30 sec. to suit the scene’s brightness. In low light, the main subject is exposed with the automatic flash, and the background is exposed with a slow shutter speed set automatically.
a: Manual Exposure You can set both the shutter speed and aperture manually as desired. While referring to the exposure level indicator in the viewfinder, you can set the exposure as desired. This method is called manual exposure. * stands for Manual. 1 Set the Mode Dial to . the shutter speed and 2 Set aperture. <6> + <6> Standard exposure index Exposure level mark To set the shutter speed, turn the <6> dial. To set the aperture, hold down the button and turn the <6> dial.
a: Manual Exposure In [z2: Auto Lighting Optimizer], if the checkmark for [Disable during man expo] is removed, it can be set in the mode (p.123). When ISO Auto is set, you can press the button to lock the ISO speed. After recomposing the picture, you can see the exposure level difference on the exposure level indicator (p.22, 23) compared to when you pressed the button.
q Changing the Metering ModeN Four methods (metering modes) to measure the subject’s brightness are provided. Normally, evaluative metering is recommended. In Basic Zone modes, evaluative metering is set automatically. 1 Select [Metering mode]. Under the [z2] tab, select [Metering mode], then press <0>. the metering mode. 2 SetSelect the metering mode, then press <0>. q Evaluative metering This is a general-purpose metering mode suited even for backlit subjects.
q Changing the Metering ModeN e Center-weighted average metering The brightness is metered at the image center and then averaged for the entire scene. This metering mode is for advanced users. Metering Range During Live View Shooting With q (evaluative metering) and e (center-weighted average metering), the metering range is almost the same as with viewfinder shooting. With w (partial metering) and r (spot metering), the metering range slightly differs from viewfinder shooting.
Setting Exposure CompensationN O Setting Exposure Compensation Set exposure compensation if the exposure (without flash) does not come out as desired. This feature can be used in Creative Zone modes (except ). You can set the exposure compensation up to ±5 stops in 1/3-stop increments. Increased exposure for a brighter image Decreased exposure for a darker image Dark exposure Making it brighter: Hold down the button and turn the <6> dial to the right.
Setting Exposure CompensationN y Flash Exposure Compensation Set flash exposure compensation if the flash exposure of the subject does not come out as desired. You can set the exposure compensation up to ±2 stops in 1/3-stop increments. 1 Press the button. (7) X The Quick Control screen will appear (p.44). [y]. 2 Select Press the key to select [y*]. X [Flash exposure comp.] will be displayed at the bottom. exposure compensation amount.
3 Auto Exposure BracketingN This feature takes exposure compensation a step further by varying the exposure automatically (up to ±2 stops in 1/3-stop increments) with three shots as shown below. You can then choose the best exposure. This is called AEB (Auto Exposure Bracketing). Standard exposure Darker exposure (Decreased exposure) 1 Brighter exposure (Increased exposure) Select [Expo.comp./AEB]. Under the [z2] tab, select [Expo.comp./AEB], then press <0>. the AEB range.
3 Auto Exposure BracketingN Canceling AEB Follow steps 1 and 2 to turn off the AEB level display. The AEB setting will also be canceled automatically if the power switch is set to <2>, flash recycling is completed, etc. Shooting Tips Using AEB with continuous shooting If continuous shooting (p.101) is set and you press the shutter button completely, the three bracketed shots will be taken continuously in this sequence: standard exposure, decreased exposure, and increased exposure.
A Locking the ExposureN You can lock the exposure when the area of focus is to be different from the exposure metering area or when you want to take multiple shots at the same exposure setting. Press the button to lock the exposure, then recompose and take the shot. This is called AE lock. It is effective for backlit subjects. 1 Focus the subject. Press the shutter button halfway. X The exposure setting will be displayed. the button.
A Locking the Flash ExposureN If the subject is on the side of the frame and you use flash, the subject may turn out to be too bright or dark depending on the background, etc. This is when you should use FE lock. After setting the proper flash exposure for the subject, you can recompose (put the subject toward the side) and shoot. This feature can also be used with a Canon EX-series Speedlite. * FE stands for Flash Exposure. 1 Spot metering circle Press the button. X The built-in flash will rise.
3 Auto Correction of Brightness and ContrastN If the image comes out dark or the contrast is low, the brightness and contrast can be corrected automatically. This function is called Auto Lighting Optimizer. The default setting is [Standard]. With JPEG images, the correction is done when the image is captured. For RAW images, it can be corrected with Digital Photo Professional (provided software, p.350). In Basic Zone modes, [Standard] is set automatically. 1 Select [Auto Lighting Optimizer].
3 Noise Reduction SettingsN High ISO Speed Noise Reduction This function reduces the noise generated in the image. Although noise reduction is applied at all ISO speeds, it is particularly effective at high ISO speeds. At low ISO speeds, the noise in the darker parts of the image (shadow areas) is further reduced. Change the setting to suit the noise level. 1 Select [High ISO speed NR]. Under the [z3] tab, select [High ISO speed NR], then press <0>. the setting.
3 Noise Reduction SettingsN About [Multi Shot Noise Reduction] The following functions cannot be set: AEB, WB bracketing, [z3: Long exp. noise reduction], 1+73/1. If any of these has already been set, [Multi Shot Noise Reduction] cannot be set. Flash shooting is not possible. The AF-assist beam will be emitted according to the [54: Custom Functions (C.Fn)]’s [4: AF-assist beam firing] setting. You cannot set [Multi Shot Noise Reduction] for bulb exposures.
3 Noise Reduction SettingsN the setting. 2 SetSelect the desired setting, then press <0>. X The setting screen closes and the menu will reappear. [Auto] For 1 sec. or longer exposures, noise reduction is performed automatically if noise typical of long exposures is detected. This [Auto] setting is effective in most cases. [Enable] Noise reduction is performed for all exposures of 1 sec. or longer. The [Enable] setting may be able to reduce noise that otherwise cannot be detected with the [Auto] setting.
3 Lens Peripheral Illumination / Chromatic Aberration Correction Peripheral light fall-off is a phenomenon that makes the image corners look darker due to the lens characteristics. Color fringing along subject outlines is another chromatic aberration. Both lens aberrations can be corrected. RAW images can be corrected with Digital Photo Professional (provided software, p.350). Peripheral Illumination Correction 1 Select [Lens aberration correction].
3 Lens Peripheral Illumination / Chromatic Aberration Correction Chromatic Aberration Correction 1 Select the setting. Check that [Correction data available] is displayed for the attached lens. Select [Chromatic aberration], then press <0>. Select [Enable], then press <0>. If [Correction data not available] is displayed, see “About the Lens Correction Data” on the next page. picture. 2 TakeThetheimage will be recorded with the chromatic aberration corrected.
3 Lens Peripheral Illumination / Chromatic Aberration Correction About the Lens Correction Data The camera already contains lens peripheral illumination correction data and chromatic aberration correction data for approx. 25 lenses. If you select [Enable], the peripheral illumination correction and chromatic aberration correction will be applied automatically for any lens whose correction data is registered in the camera.
A Customizing Image CharacteristicsN You can customize a Picture Style by adjusting individual parameters such as [Sharpness] and [Contrast]. To see the resulting effects, take test shots. To customize [Monochrome], see page 132. 1 Press the button. a Picture Style. 2 Select Select a Picture Style, then press the button. X The Detail setting screen will appear. a parameter. 3 Select Select a parameter such as [Sharpness], then press <0>. the parameter.
A Customizing Image CharacteristicsN Parameter Settings and Effects Sharpness Adjusts the sharpness of the image. To make it less sharp, set it toward the E end. The closer it is to E, the softer the image will look. To make it sharper, set it toward the F end. The closer it is to F, the sharper the image will look. Contrast Adjusts the image contrast and the vividness of colors. To decrease the contrast, set it toward the minus end. The closer it is to G, the more muted the image will look.
A Customizing Image CharacteristicsN V Monochrome Adjustment For Monochrome, you can also set [Filter effect] and [Toning effect] in addition to [Sharpness] and [Contrast] explained on the preceding page. kFilter Effect With a filter effect applied to a monochrome image, you can make white clouds or green trees stand out more. Filter Sample Effects N : None Normal black-and-white image with no filter effects. Ye: Yellow The blue sky will look more natural, and the white clouds will look crisper.
A Registering Preferred Image CharacteristicsN You can select a base Picture Style such as [Portrait] or [Landscape], adjust its parameters as desired and register it under [User Def. 1], [User Def. 2], or [User Def. 3]. You can create multiple Picture Styles whose parameter settings such as sharpness and contrast are different. You can also adjust the parameters of a Picture Style that has been registered to the camera with EOS Utility (provided software, p.350). 1 Press the button. [User Def.*].
A Registering Preferred Image CharacteristicsN a parameter. 5 Select Select a parameter such as [Sharpness], then press <0>. the parameter. 6 SetPress the key to adjust the parameter as desired, then press <0>. For details, see “Customizing Image Characteristics” on pages 130132. Press the button to register the modified Picture Style. The Picture Style selection screen will then reappear. X The base Picture Style will be indicated on the right of [User Def.*].
B: Matching the Light SourceN The function adjusting the color tone so that white objects look white in the picture is called white balance (WB). Normally, the (Auto) setting will obtain the correct white balance. If natural-looking colors cannot be obtained with , you can select the white balance that matches the light source or set it manually by shooting a white object. the button. 1 Press X [White balance] will appear. the white balance.
B: Matching the Light SourceN [Custom White Balance]. 2 Select Under the [z2] tab, select [Custom White Balance], then press <0>. X The custom white balance selection screen will appear. the white balance data. 3 Import Select the image that was captured in step 1, then press <0>. X On the dialog screen that appears, select [OK] and the data will be imported. When the menu reappears, press the button to exit the menu. the custom white balance. 4 Select Press the button.
u Adjusting the Color Tone for the Light SourceN You can correct the white balance that has been set. This adjustment will have the same effect as using a commercially-available color temperature conversion filter or color compensating filter. Each color can be corrected to one of nine levels. This function is for advanced users who are familiar with using color temperature conversion or color compensating filters. White Balance Correction 1 Select [WB Shift/Bkt.].
u Adjusting the Color Tone for the Light SourceN White Balance Auto Bracketing With just one shot, three images having a different color balance can be recorded simultaneously. Based on the color temperature of the current white balance setting, the image will be bracketed with a blue/amber bias or magenta/green bias. This is called white balance bracketing (WB-BKT). White balance bracketing is possible up to ±3 levels in single-level increments. Set the white balance bracketing amount.
3 Setting the Color Reproduction RangeN The range of reproducible colors is called the color space. With this camera, the color space for captured images can be set to sRGB or Adobe RGB. For normal shooting, sRGB is recommended. In Basic Zone modes, sRGB is set automatically. 1 Select [Color space]. Under the [z2] tab, select [Color space], then press <0>. the desired color space. 2 SetSelect [sRGB] or [Adobe RGB], then press <0>.
Mirror Lockup to Reduce Camera ShakeN The camera’s mechanical shake caused by the reflex mirror action can blur images taken with a super telephoto lens or close-up (macro) lens. In such cases, mirror lockup is effective. Mirror lockup is enabled by setting [5: Mirror lockup] to [1: Enable] in the [54: Custom Functions (C.Fn)] (p.296). 1 Focus the subject, then press the shutter button completely. X The mirror will swing up. 2 Press the shutter button completely again.
Mirror Lockup to Reduce Camera ShakeN In very bright light such as at the beach or a ski slope on a sunny day, take the picture promptly after mirror lockup. Do not point the camera toward the sun. The sun’s heat can damage the camera’s internal components. If you use the self-timer and bulb exposure in combination with a mirror lockup, keep pressing the shutter button completely (self-timer delay time + bulb exposure time).
Shooting with the LCD Monitor (Live View Shooting) You can shoot while viewing the image on the camera’s LCD monitor. This is called “Live View shooting”. If you handhold the camera and shoot while viewing the LCD monitor, camera shake can cause blurred images. Using a tripod is recommended. About Remote Live View Shooting With EOS Utility (provided software, p.350) installed in your computer, you can connect the camera to the computer and shoot remotely while viewing the computer screen.
A Shooting with the LCD Monitor 1 Display the Live View image. Press the button. X The Live View image will appear on the LCD monitor. In the mode, the scene icon for the scene detected by the camera is displayed on the upper left (p.147). By default, Continuous AF (p.150) will take effect. The Live View image will closely reflect the brightness level of the actual image you capture. the subject.
A Shooting with the LCD Monitor Enabling Live View Shooting Set [A: Live View shoot.] to [Enable]. Battery Life with Live View Shooting Temperature [Approx. number of shots] Shooting Conditions No Flash 50% Flash Use At 23°C / 73°F 200 180 At 0°C / 32°F 170 150 The figures above are based on a fully-charged Battery Pack LP-E8 and CIPA (Camera & Imaging Products Association) testing standards. With a fully-charged Battery Pack LP-E8, continuous Live View shooting is possible as for approx. 1 hr.
A Shooting with the LCD Monitor Information Display Each time you press the button, the information display will change.
A Shooting with the LCD Monitor Scene Icons During Live View shooting in the mode, an icon representing the scene detected by the camera will be displayed. For certain scenes or shooting conditions, the icon displayed may not match the actual scene.
A Shooting with the LCD Monitor *5: Displayed with any of the lenses below: • EF24mm f/2.8 IS USM • EF28mm f/2.8 IS USM • EF300mm f/2.8L IS II USM • EF400mm f/2.8L IS II USM • EF500mm f/4L IS II USM • EF600mm f/4L IS II USM • EF-S18-55mm f/3.5-5.6 IS II • EF-S18-135mm f/3.5-5.6 IS STM • EF-S55-250mm f/4-5.6 IS II • IS lenses marketed in 2012 or later. Final Image Simulation The final image simulation reflects the effects of the Picture Style, white balance, etc.
Shooting Function Settings Function settings particular to Live View shooting are explained here. Q Quick Control If you press the button while the image is displayed on the LCD monitor in a Creative Zone mode, you can set any of the following: AF method, drive mode, image-recording quality, built-in flash functions, white balance, Picture Style, Auto Lighting Optimizer, and metering mode. In Basic Zone modes, you can set the functions in bold and the settings shown in the table on page 75.
A Menu Function Settings The menu options below are displayed. The functions settable on this menu screen only apply during Live View shooting. These functions do not take effect during viewfinder shooting. Live View shooting You can set Live View shooting to [Enable] or [Disable]. AF method You can select [u+Tracking] (p.153), [FlexiZone - Multi] (p.155), [FlexiZone - Single] (p.156), or [Quick mode] (p.160). Continuous AF The default setting is [Enable].
A Menu Function Settings Aspect ratioN The image’s aspect ratio can be set to [3:2], [4:3], [16:9], or [1:1]. The area surrounding the Live View image is masked in black when the following aspect ratios are set: [4:3] [16:9] [1:1]. JPEG images will be saved with the set aspect ratio. RAW images will always be saved with the [3:2] aspect ratio.
A Menu Function Settings Metering timerN You can change how long the exposure setting is displayed (AE lock time). In Basic Zone modes, metering timer is fixed at 16 sec. The Live View shooting will stop with any of the following operations. To resume Live View shooting, press the button again. • When selecting [z3: Dust Delete Data], [53: Sensor cleaning], [54: Clear settings], or [54: z firmware ver.
Changing the Autofocus Method (AF Method) Selecting the AF Method You can select the AF method suiting the shooting conditions or subject. The following AF methods are provided: [u(face)+Tracking], [FlexiZone Multi] (p.155), [FlexiZone - Single] (p.156), and [Quick mode] (p.160). AF methods other than the [Quick mode] use the image sensor to autofocus while displaying the Live View image. Select the AF method. Under the [A] tab, select [AF method]. Select the desired AF method, then press <0>.
Changing the Autofocus Method (AF Method) If no faces are detected or if you tap the LCD monitor but do not select any face or subject, the camera will switch to [FlexiZone - Multi] with automatic selection (p.155). the subject. 3 Focus Press the shutter button halfway to focus. X When focus is achieved, the AF point will turn green and the beeper will sound. X If focus is not achieved, the AF point will turn orange. the picture.
Changing the Autofocus Method (AF Method) When [Continuous AF] (p.150) or [Movie servo AF] (p.191) is set to [Enable] When [u+Tracking] or [FlexiZone - Multi] with automatic selection is set, the AF point will be momentarily displayed in the image center if the subject is not detected. If you press the shutter button halfway, the camera will focus in FlexiZone - Multi method with automatic selection. If you press the shutter button halfway during movie shooting, the center AF point will be used to focus.
Changing the Autofocus Method (AF Method) the subject. 3 Focus Aim the AF point over the subject and press the shutter button halfway. X When focus is achieved, the AF point will turn green and the beeper will sound. X If focus is not achieved, the area frame will turn orange. the picture. 4 TakeCheck the focus and exposure, then press the shutter button completely to take the picture (p.144).
Changing the Autofocus Method (AF Method) the AF point. 2 Move Press the key to move the AF point to where you want to focus. (It cannot go to the edges of the picture.) To return the AF point to the center, press <0> or the button. You can also tap the LCD monitor screen to move the AF point. the subject. 3 Focus Aim the AF point over the subject and press the shutter button halfway. X When focus is achieved, the AF point will turn green and the beeper will sound.
Changing the Autofocus Method (AF Method) Notes About [u+Tracking], [FlexiZone - Multi], and [FlexiZone - Single] AF Operation Focusing will take longer than with [Quick mode]. Even when focus has been achieved, pressing the shutter button halfway will focus again. The image brightness may change during and after the AF operation. If the light source changes while the Live View image is displayed, the screen may flicker and focusing may be difficult.
Changing the Autofocus Method (AF Method) Shooting conditions that make focusing difficult Low-contrast subjects such as the blue sky, solid-color flat surfaces or when highlights or shadow details are lost. Subjects in low light. Stripes and other patterns where there is contrast only in the horizontal direction. Subjects with repetitive patterns (skyscraper windows, computer keyboards, etc.). Fine lines and subject outlines. Under a light source whose brightness, color, or pattern keeps changing.
Changing the Autofocus Method (AF Method) Quick Mode: f The dedicated AF sensor is used to focus in One-Shot AF operation (p.95), using the same AF method as with viewfinder shooting. You can use nine AF points to focus (automatically selected). You can also select one AF point to focus and focus only the area covered by that AF point (manually selected). Although you can focus the target subject quickly, the Live View image will be interrupted momentarily during the AF operation.
Changing the Autofocus Method (AF Method) the subject. 3 Focus Aim the AF point over the subject and press the shutter button halfway. X The Live View image will turn off, the reflex mirror will go back down, and AF will be executed. (No picture is taken.) X When focus is achieved, the AF point that achieved focus will turn green and the Live View image will reappear. X If focus is not achieved, the AF point will turn orange and blink. the picture.
x Shooting with the Touch Shutter Just by tapping the LCD monitor screen, you can focus and take the picture automatically. This works in all shooting modes. 1 Display the Live View image. Press the button. X The Live View image will appear on the LCD monitor. the touch shutter. 2 Enable Tap [y] on the screen’s bottom left. Each time you tap the icon, it will toggle between [y] and [x]. When [x] (Touch Shutter: Enable) is set, you will be able to focus and shoot by tapping the screen.
x Shooting with the Touch Shutter Even if (continuous shooting) is set, single shooting will take effect. The touch shutter does not function when the view is magnified. When [6: Shutter/AE lock button] is set to [1: AE lock/AF] or [3: AE/ AF, no AE lock] under [54: Custom Functions (C.Fn)], autofocusing does not take effect. You can also enable the touch shutter by setting [Touch Shutter: Enable] in the [A] tab. To take a bulb exposure, tap the screen twice.
MF: Focus Manually You can magnify the image and focus precisely with manual focus. 1 Set the lens focus mode switch to . Turn the lens focusing ring to focus roughly. the magnifying frame. 2 Display Press the button. X The magnifying frame will appear. You can also tap [ ] on the screen to magnify the image. the magnifying frame. 3 Move Press the key to move the magnifying frame to the position where you want to focus.
Live View Shooting Cautions Image Quality When you shoot at high ISO speeds, noise (such as dots of light and banding) may become noticeable. Shooting in high temperatures may cause noise and irregular colors in the image. If Live View shooting is used continuously for a long period, the camera’s internal temperature may rise, and image quality may deteriorate. Stop Live View shooting when not shooting images.
Live View Shooting Cautions Shooting Result If you take the picture in magnified view, the exposure may not come out as desired. Return to the normal view before taking the picture. In magnified view, the shutter speed and aperture will be displayed in orange. Even if you take the picture in magnified view, the image will be captured in the normal view. If [z2: Auto Lighting Optimizer] (p.
MEMO ----------- I 167
Shooting Movies You can shoot movies by setting the power switch to . The movie recording format will be MOV. Cards that can record movies When shooting movies, use a large-capacity SD card rated SD Speed Class 6 “ ” or higher. If you use a slow-writing card when shooting movies, the movie may not be recorded properly. Also, if you play back a movie on a card with a slow reading speed, the movie may not play back properly. To check the card’s read/write speed, refer to the card manufacturer’s Web site.
k Shooting Movies Connecting the camera to a TV set is recommended to play back the movies shot (p.258, 261). Autoexposure Shooting When the shooting mode is not set to , autoexposure control will take effect to suit the scene’s current brightness. 1 Set the power switch to . X The reflex mirror will make a sound, then the image will appear on the LCD monitor. mode. 2 SetSetthetheshooting Mode Dial to any shooting mode except . the subject.
k Shooting Movies Cautions for movie shooting are on pages 195 and 196. If necessary, also read the Live View shooting cautions on pages 165 and 166. In Basic Zone modes, the shooting result will be the same as in the mode. Also, the scene icon for the scene detected by the camera is displayed on the upper left (p.172). Settable menu functions will differ between Basic Zone modes and Creative Zone modes (p.318). In the and shooting modes, the settings will be the same as in the mode.
k Shooting Movies Scene Icons When you shoot a movie in a Basic Zone mode, an icon representing the scene detected by the camera will appear. For certain scenes or shooting conditions, the icon displayed may not match the actual scene. Non-Portrait Subject Background Portrait*1 Nature and Outdoor Scene *2 Close Background Color Bright Gray Backlit Blue sky included Light blue Backlit Sunset *3 *3 Orange Spotlight Dark blue Dark *1: Displayed only when the AF method is set to [u+Tracking].
k Shooting Movies Manual Exposure Shooting In the mode, you can freely set the shutter speed, aperture, and ISO speed for the movie shooting. Using manual exposure to shoot movies is for advanced users. 1 Set the power switch to . X The reflex mirror will make a sound, then the image will appear on the LCD monitor. 2 Set the Mode Dial to . the shutter speed and 3 Set aperture. <6> + <6> To set the shutter speed, turn the <6> dial. The settable shutter speeds depend on the frame rate <9>.
k Shooting Movies and shoot the movie. 5 Focus The procedure is the same as steps 3 and 4 for “Autoexposure Shooting” (p.170). ISO speed during manual-exposure shooting With [Auto], the ISO speed will be set automatically within ISO 100 6400. You can set the ISO speed manually within ISO 100 - 6400 in wholestop increments. Under [54: Custom Functions (C.Fn)], if [2: ISO expansion] is set to [1: On], the manual setting range will expand so you can also select H (equivalent to ISO 12800).
k Shooting Movies Information Display Each time you press the button, the information display will change.
k Shooting Movies Notes on Movie Shooting During movie shooting, do not point the lens toward the sun. The sun’s heat can damage the camera’s internal components. If is set and the ISO speed or aperture changes during movie shooting, the white balance may also change. If you shoot a movie under fluorescent or LED lighting, the movie may flicker. Zooming the lens during movie shooting is not recommended.
k Shooting Movies Final Image Simulation The final image simulation is a function that allows you to see the effects of the Picture Style, white balance, etc., on the image. During movie shooting, the image displayed will automatically reflect the effects of the settings listed below. Final image simulation for movie shooting Picture Style * All settings such as sharpness, contrast, color saturation, and color tone will be reflected.
k Shooting Movies Shooting Still Photos While shooting a movie, you can also take a still photo by pressing the shutter button completely. Taking still photos during movie shooting If you take a still photo during movie shooting, the movie will record a still moment lasting approx. 1 sec. The captured still photo will be recorded to the card, and the movie shooting will resume automatically when the Live View image is displayed. The movie and still photo will be recorded as separate files on the card.
k Shooting Movies When you press the shutter button halfway to autofocus during movie shooting, the following phenomena may occur. • Focus may become far off momentarily. • The brightness of the recorded movie may be different from that of the actual scene. • The recorded movie may be momentarily still. • The movie may record the lens operation noise. Lens operation noise may be recorded. • You may not take a still photo when focus is not achieved in cases such as the subject is moving.
Shooting Function Settings Function settings particular to movie shooting are explained here. Q Quick Control If you press the button while the image is displayed on the LCD monitor, you can set any of the following: AF method, drive mode, image-recording quality (still photos), movie-recording size, video snapshots, white balance, Picture Style, and Auto Lighting Optimizer. In Basic Zone modes, only the functions in bold can be set. 1 Press the button.
3 Setting the Movie-recording Size The menu option [Z2: Movie rec. size] enables you to select the movie’s image size [****x****] and frame rate [9] (frames recorded per second). The 9 (frame rate) switches automatically depending on the [52: Video system] setting. Image size A [1920x1080] B [1280x720] C [640x480] : Full High-Definition (Full HD) recording quality. The aspect ratio will be 16:9. : High-Definition (HD) recording quality. The aspect ratio will be 16:9.
3 Setting the Movie-recording Size Total Movie Recording Time and File Size Per Minute Movie-Recording Size Total Recording Time (approx.) 4 GB Card 8 GB Card 16 GB Card File Size (approx.) 11 min. 22 min. 44 min. 330 MB/min. 11 min. 22 min. 44 min. 330 MB/min. 46 min. 1 hr. 32 min. 3 hr. 4 min. 82.5 MB/min. 6 [1920x1080] 5 4 [1280x720] [640x480] 8 7 6 5 About Movie Files Exceeding 4 GB Even if you shoot a movie exceeding 4 GB, you can keep shooting without interruption.
3 Shooting Video Snapshots You can easily create a short movie with the video snapshot function. A video snapshot is a short movie clip lasting approx. 2 sec., 4 sec., or 8 sec. A collection of video snapshots is called a video snapshot album and can be saved to the card as a single movie file. By changing the scene or angle in each video snapshot, you can create dynamic short movies. A video snapshot album can also be played together with background music (p.188, 251).
3 Shooting Video Snapshots [Album settings]. 3 Select Select [Album settings], then press <0>. If you want to continue shooting for an existing album, go to “Adding to an Existing Album” (p.187). [Create a new album]. 4 Select Select [Create a new album], then press <0>. the Snapshot length. 5 Select Press <0> and use to select the snapshot’s length, then press <0>. [OK]. 6 Select Select [OK], then press <0>.
3 Shooting Video Snapshots Creating a Video Snapshot Album the first video snapshot. 7 Shoot Press the button. X The blue bar indicating the shooting duration will gradually decrease. After the set shooting duration elapses, the shooting stops automatically. X After the LCD monitor turns off and the access lamp stops blinking, the confirmation screen will appear (p.186). as a video snapshot album. 8 Save Press the key to select [JSave as album], then press <0>.
3 Shooting Video Snapshots Options in Steps 8 and 9 Function JSave as album (Step 8) JAdd to album (Step 9) Description The movie clip will be saved as the video snapshot album’s first video snapshot. The video snapshot just recorded will be added to the album recorded immediately before. A new video snapshot album is created and the W Save as a new album movie clip is saved as the first video snapshot. (Step 9) The new album will be a different file from the previously recorded album.
3 Shooting Video Snapshots Adding to Existing Album 1 Select [Add to existing album]. Follow step 4 on page 184 to select [Add to existing album], then press <0>. an existing album. 2 Select Press the key to select an album, then press <0>. Select [OK] on the dialog screen, then press <0>. X Certain video snapshot settings will change to match the existing album’s settings. Press the button to exit the menu and return to the movie shooting screen. the video snapshot.
3 Shooting Video Snapshots Cautions for Shooting Video Snapshots You can add to an album only video snapshots with the same duration (approx. 2 sec., 4 sec., or 8 sec. each). Note that if you do any of the following while shooting video snapshots, a new album will be created for subsequent video snapshots. • Changing the [Movie rec. size] (p.181). • Changing the [Sound rec.] setting from [Auto/Manual] to [Disable] or from [Disable] to [Auto/Manual] (p.193). • Updating the firmware.
3 Shooting Video Snapshots Background Music Music recorded on the memory card must be used only for private enjoyment. Do not violate the rights of the copyright holder. You can play background music when you play back albums, normal movies, and slide shows on the camera (p.251, 254). To play background music, you must first copy the background music to the card using EOS Utility (provided software).
3 Shooting Video Snapshots the edited album. 3 Save Press the button to return to the Editing panel at the screen’s bottom. Press the key to select [W] (Save), then press <0>. X The save screen will appear. To save it as a new movie, select [New file]. To save it and overwrite the original movie file, select [Overwrite], then press <0>. When the battery level is low, editing albums is not possible. Use a fullycharged battery.
3 Movie Menu Function Settings When you set the power switch to , the [Z1/Z2] tab will show functions dedicated to movie shooting. The menu options are as follows. [Z1] menu [Z2] menu AF method The AF methods are the same as described on pages 153-159. You can select [u+Tracking], [FlexiZone - Multi], or [FlexiZone Single]. Movie Servo AF The default setting is [Enable]. You can focus by pressing the shutter button halfway regardless of the setting.
3 Movie Menu Function Settings • If you want to hold the focus at a certain point or avoid recording the lens operation noise before or during movie shooting, you can temporally stop Movie Servo AF by performing one of the operations below. When you stop Movie Servo AF, the AF point will turn gray. When you perform the same operation again, Movie Servo AF will resume. • Press the button. • Tap the [ ] icon on the lower left of the screen.
3 Movie Menu Function Settings Grid display With [Grid 1l] or [Grid 2m], you can display grid lines to help you level the camera vertically or horizontally. Metering timerN You can change how long the exposure setting is displayed (AE lock time). Movie recording size You can set the movie recording size (image size and frame rate). For details, see pages 181-182. Sound recordingN Level meter Normally, the built-in microphone will record stereo sound.
3 Movie Menu Function Settings [Wind filter] When set to [Enable], it reduces wind noise when there is wind outdoors. This feature takes effect only with the built-in microphone. Note that [Enable] will also reduce low bass sounds, so set this function to [Disable] when there is no wind. It will record a more natural sound than with [Enable]. [Attenuator] Even if you set [Sound recording] to [Auto] or [Manual] and shoot, sound distortion may still result if there is a very loud sound.
Movie Shooting Cautions White and Red Internal Temperature Warning Icons If the camera’s internal temperature increases due to prolonged movie shooting or under a high ambient temperature, a white icon will appear. Even if you shoot a movie while this icon is displayed, the movie’s image quality will hardly be affected. However, if you shoot still photos, the image quality of the still photos may deteriorate.
Movie Shooting Cautions Recording If you use a card with a slow writing speed, a five-level indicator may appear on the right of the screen during movie shooting. It indicates how much data has not yet been written to the card (remaining capacity of the internal buffer memory). The slower the card, the faster the indicator will climb upward. If the indicator becomes full, movie shooting will stop automatically.
Cautions when [Movie servo AF] is set to [Enable] Shooting conditions that make focusing difficult A fast-moving subject approaching or moving away from the camera. A subject moving at a close distance in front of the camera. Also refer to “Shooting conditions that make focusing difficult” on page 159. • Since using Movie Servo AF will consume battery power, the number of possible shots and the possible movie shooting time will be reduced.
Handy Features Disabling the Beeper (p.200) Card Reminder (p.200) Setting the Image Review Time (p.200) Setting the Auto Power-off Time (p.201) Adjusting the LCD Monitor Brightness (p.201) Creating and Selecting a Folder (p.202) File Numbering Methods (p.204) Setting Copyright Information (p.206) Auto Rotation of Vertical Images (p.208) Checking Camera Settings (p.209) Reverting the Camera to the Default Settings (p.210) Preventing the LCD Monitor from Turning Off Automatically (p.
Handy Features 3 Disabling the Beeper You can prevent the beeper from sounding when focus is achieved, during self-timer operation, and during touch screen operations. Under the [z1] tab, select [Beep], then press <0>. Select [Disable], then press <0>. To silence the beeper only during touch screen operations, select [Touch to ]. 3 Card Reminder This setting prevents shooting if there is no card in the camera. Under the [z1] tab, select [Release shutter without card], then press <0>.
Handy Features 3 Setting the Auto Power-off Time To save battery power, the camera turns off automatically after the set time of idle operation elapses. You can set this auto power-off time. When the camera has turned off due to auto power off, you can turn it on again by pressing the shutter button halfway or pressing any of the following buttons: , , , , etc. If [Disable] is set, either turn off the camera or press the button to turn off the LCD monitor to save battery power.
Handy Features 3 Creating and Selecting a Folder You can freely create and select the folder where the captured images are to be saved. This operation is optional since a folder will be created automatically for saving captured images. Creating a Folder 1 Select [Select folder]. Under the [51] tab, select [Select folder], then press <0>. [Create folder]. 2 Select Select [Create folder], then press <0>. a new folder. 3 Create Select [OK], then press <0>.
Handy Features Selecting a Folder Lowest file number Number of images in folder With the folder selection screen displayed, select a folder and press <0>. X The folder where the captured images will be saved is selected. Subsequent captured images will be recorded into the selected folder. Folder name Highest file number About Folders As with “100CANON” for example, the folder name starts with three digits (folder number) followed by five alphanumeric characters.
Handy Features 3 File Numbering Methods The image files will be numbered from 0001 to 9999 in the order the images are taken, then saved in a folder. You can change how the file number is assigned. The file number will appear on your computer in this format: IMG_0001.JPG. Under the [51] tab, select [File numbering], then press <0>. The available settings are described below. Select the option, then press <0>.
Handy Features [Auto reset]: The file numbering restarts from 0001 each time the card is replaced or a new folder is created. When you replace the card or create a folder, the file numbering restarts from 0001 for the new images saved. This is convenient if you want to organize images according to cards or folders.
Handy Features 3 Setting Copyright InformationN When you set the copyright information, it will be appended to the image as Exif information. 1 Select [Copyright information]. Under the [54] tab, select [Copyright information], then press <0>. the option to be set. 2 Select Select [Enter author’s name] or [Enter copyright details], then press <0>. X The text entry screen will appear. Select [Display copyright info.] to check the copyright information currently set.
Handy Features Text Entry Procedure Changing the entry area: Press the button to toggle between the top and bottom entry areas. Moving the cursor: Press the key to move the cursor. Entering text: In the bottom area, press the key or turn the <6> dial to select a character, then press <0> to enter it. Changing the entry mode:* Select [ ] at the bottom right of the bottom entry area.
Handy Features 3 Auto Rotation of Vertical Images Vertical images are rotated automatically so they are displayed vertically on the camera’s LCD monitor and on the personal computer instead of horizontally. You can change the setting for this feature. Under the [51] tab, select [Auto rotate], then press <0>. The available settings are described below. Select the option, then press <0>. [OnzD] : The vertical image is automatically rotated during playback on both the camera’s LCD monitor and on the computer.
Handy Features B Checking Camera Settings While the shooting settings (p.50) are displayed, press the button to display the camera’s major function settings. Settings display Card remaining capacity Color space (p.139) WB correction (p.137)/ WB bracketing (p.138) Touch control (p.55) Red-eye reduction (p.105) Auto rotate display (p.208) LCD auto off (p.213) Date/Time (p.36) Daylight saving time (p.36) Beeper (p.200) Auto power off (p.201) Sensor cleaning (p.219) Live View shooting (p.
Handy Features 3 Reverting the Camera to the Default SettingsN The camera’s shooting settings and menu settings can be reverted to their defaults. This option is available in Creative Zone modes. 1 Select [Clear settings]. Under the [54] tab, select [Clear settings], then press <0>. [Clear all camera settings]. 2 Select Select [Clear all camera settings], then press <0>. [OK]. 3 Select Select [OK], then press <0>.
Handy Features Shooting Settings AF operation AF point selection Drive mode Metering mode ISO speed ISO Auto Exposure compensation/AEB Built-in flash settings Flash exposure compensation Custom Functions External flash function setting One-Shot AF Automatic selection u (Single shooting) q (Evaluative metering) AUTO (Auto) Maximum 6400 Canceled Normal firing 0 (Zero) Unchanged Unchanged Image-recording Settings Image quality Picture Style Auto Lighting Optimizer Peripheral illumination correction Chromati
Handy Features Live View Shooting Live View shooting AF method Continuous AF Touch Shutter Grid display Aspect ratio Metering timer 212 Enable u+Tracking Enable Disable Off 3:2 16 sec. Movie Shooting AF method Movie Servo AF u+Tracking Enable AF with shutter button during k ONE SHOT Grid display Metering timer Movie recording size Sound recording Video snapshot Off 16 sec.
Handy Features 3 Preventing the LCD Monitor from Turning Off Automatically You can prevent the display-off sensor from turning off the shooting setting display on the LCD monitor when your eye approaches the viewfinder. Under the [52] tab, select [LCD auto off], then press <0>. Select [Disable], then press <0>. 3 Changing the Shooting Settings Screen Color You can change the background color of the shooting settings screen. Under the [53] tab, select [Screen color], then press <0>.
3 Setting the FlashN The built-in flash and external Speedlite settings can be set with the camera’s menu. You can use the camera’s menu to set the external Speedlite function settings only if an EX-series Speedlite compatible with this function is attached. The setting procedure is the same as when setting a camera menu function. Select [Flash control]. Under the [z1] tab, select [Flash control], then press <0>. X The flash control screen will appear. [Flash firing] Normally, set this to [Enable].
3 Setting the FlashN [Flash sync. speed in Av mode] You can set the flash-sync speed for flash photography in the aperture-priority AE (f) mode. : Auto The flash sync speed is set automatically within a range of 1/200 sec. to 30 sec. to suit the scene’s brightness. High-speed sync is also possible. : 1/200-1/60 sec. auto Prevents a slow shutter speed from being set in low-light conditions. It is effective for preventing subject blur and camera shake.
3 Setting the FlashN [Built-in flash settings] and [External flash func. setting] You can set the functions in the table below. The functions displayed under [External flash func. setting] will vary depending on the Speedlite model. Select [Built-in flash settings] or [External flash func. setting]. X The flash functions will be displayed. With [Built-in flash settings], the highlighted functions can be selected and set.
3 Setting the FlashN Shutter synchronization Normally, set this to [1st curtain] so that the flash fires immediately after the exposure starts. If [2nd curtain] is set, the flash will fire right before the shutter closes. When this is combined with a slow shutter speed, you can create a trail of light such as from car headlights at night. With E-TTL II (auto flash exposure), two flashes will be fired: Once when you press the shutter button completely, and once immediately before the exposure ends.
3 Setting the FlashN Setting the External Speedlite Custom Functions The Custom Functions displayed under [External flash C.Fn setting] will vary depending on the Speedlite model. 1 Display the Custom Function. With the camera ready to shoot with an external Speedlite, select [External flash C.Fn setting], then press <0>. the Custom Function. 2 SetPress the key to select the function number, then set the function. The procedure is the same as setting the camera’s Custom Functions (p.292).
f Automatic Sensor Cleaning Whenever you set the power switch to <1> or <2>, the Self Cleaning Sensor Unit operates to automatically shake off the dust on the front of the sensor. Normally, you need not pay attention to this operation. However, you can choose to perform sensor cleaning at any time, or disable it. Cleaning the Sensor Now 1 Select [Sensor cleaning]. Under the [53] tab, select [Sensor cleaning], then press <0>. [Clean nowf]. 2 Select Select [Clean nowf], then press <0>.
3 Appending Dust Delete DataN Normally, the Self Cleaning Sensor Unit will eliminate most of the dust that may be visible on captured images. However, in case visible dust still remains, you can append the Dust Delete Data to the image for erasing the dust spots later. The Dust Delete Data is used by Digital Photo Professional (provided software, p.350) to erase the dust spots automatically. Preparation Prepare a solid white object such as a sheet of paper. Set the lens focal length to 50 mm or longer.
3 Appending Dust Delete DataN a solid-white object. 3 Photograph At a distance of 20 cm - 30 cm (0.7 ft. - 1.0 ft.), fill the viewfinder with a patternless, solid-white object and take a picture. X The picture will be taken in aperturepriority AE mode at an aperture of f/22. Since the image will not be saved, the data can still be obtained even if there is no card in the camera. X When the picture is taken, the camera will start collecting the Dust Delete Data.
3 Manual Sensor CleaningN Dust that could not be removed by the automatic sensor cleaning can be removed manually with a blower, etc. Before cleaning the sensor, detach the lens from the camera. The surface of the image sensor is extremely delicate. If the sensor needs to be cleaned directly, having it done by a Canon Service Center is recommended. 1 Select [Sensor cleaning]. Under the [53] tab, select [Sensor cleaning], then press <0>. [Clean manually]. 2 Select Select [Clean manually], then press <0>.
3 Manual Sensor CleaningN While cleaning the sensor, never do any of the following. If the power is cut off, the shutter will close and the shutter curtains and image sensor may get damaged. • Setting the power switch to <2>. • Opening the battery compartment cover. • Opening the card slot cover. The surface of the image sensor is extremely delicate. Clean the sensor with care. Use a plain blower without any brush attached. A brush can scratch the sensor.
Wireless Flash Photography You can use the built-in flash for wireless flash shooting. The camera’s built-in flash can work as a master unit with Canon Speedlites with a wireless slave feature and wirelessly trigger the Speedlite(s) to fire. Canceling the slave unit’s auto power off To cancel the slave unit’s auto power off, press the camera’s button. If you are using manual flash firing, press the slave unit’s test firing (PILOT) button to cancel the auto power off.
Using Wireless FlashN Slave Unit Settings and Position Regarding your Speedlite (slave unit), refer to its instruction manual and set it as follows. The settings other than the ones below for the slave unit’s control are all set with the camera. Different types of Canon Speedlite slave units can be used and controlled together. (1) Set the Speedlite as a slave unit. (2) Set the Speedlite’s transmission channel to the same channel as set on the camera.*1 (3) If you want to set the flash ratio (p.
Easy Wireless Flash Shooting The basics of easy, fully automatic wireless flash shooting are explained below. Fully Automatic Shooting with One External Speedlite Steps 1 to 4 and 6 apply to all wireless flash shooting. Therefore, these steps are omitted in the other wireless flash setups explained on the pages hereafter. 1 Press the button to raise the built-in flash. For wireless flash shooting, be sure to raise the built-in flash. [Flash control].
Easy Wireless Flash Shooting [Built-in flash settings]. 4 Select Select [Built-in flash settings], then press <0>. [EasyWireless]. 5 Select Under [Built-in flash], select [EasyWireless], then press <0>. 6 SetSet[Channel]. the transmission channel (1-4) to the same one as the slave unit. picture. 7 TakeSetthe the camera and take picture in the same way as with normal shooting. wireless flash shooting. 8 ExitForthe[Built-in flash], select [NormalFiring]. Setting [E-TTL II meter.
Easy Wireless Flash Shooting Fully Automatic Shooting with Multiple External Speedlites You can have multiple slave units fire as if they were a single Speedlite. This is convenient when you need a large flash output. Basic settings: Flash mode E-TTL II meter. Built-in flash Channel : E-TTL II : Evaluative : EasyWireless : (Same as slave units) All the slave units will fire at the same output and be controlled to obtain a standard exposure.
Custom Wireless Flash Shooting Fully Automatic Shooting with One External Speedlite and Built-in Flash This section describes fully automatic wireless flash shooting with one external Speedlite and the built-in flash. You can change the flash ratio between the external Speedlite and built-in flash to adjust how the shadows look on the subject. On the menu screens, the <0> and <1> icons refer to the external Speedlite, and the <3> and <2> icons refer to the built-in flash. 1 Select [CustWireless].
Custom Wireless Flash Shooting Fully Automatic Shooting with Multiple External Speedlites Multiple Speedlite slave units can be treated as one flash unit or separated into slave groups whose flash ratio can be set. The basic settings are shown below. By changing the [Firing group] setting, you can shoot with various wireless flash setups with multiple Speedlites. Basic settings: Flash mode E-TTL II meter. Wireless func.
Custom Wireless Flash Shooting [1 (A:B)] Multiple slave units in multiple groups Divide the slave units into groups A and B and change the flash ratio to obtain the desired lighting effect. Refer to your Speedlite’s instruction manual to set one slave unit’s slave ID to A (Group A) and the other slave unit’s A B ID to B (Group B) and position them as shown in the illustration. 1 Select [Wireless func.]. Follow step 2 on page 230 to select [0], then press <0>. 2 Set [Firing group] to [1 (A:B)].
Custom Wireless Flash Shooting Fully Automatic Shooting with the Built-in Flash and Multiple External Speedlites The built-in flash can also be added to wireless flash shooting explained on pages 231-232. The basic settings are shown below. By changing the [Firing group] setting, you can shoot with various wireless flash setups of multiple Speedlites complemented with the built-in flash. 1 Basic settings: Flash mode E-TTL II meter. Wireless func.
Other Settings Flash Exposure Compensation When [Flash mode] is set to [E-TTL II], flash exposure compensation can be set. The flash exposure compensation settings (see below) which can be set will differ depending on the [Wireless func.] and [Firing group] settings. [Flash exp. comp.] The flash exposure compensation is applied to the built-in flash and all external Speedlites. [2 exp. comp.] The flash exposure compensation is applied to the built-in flash. [1 exp. comp.
Other Settings Setting the Flash Output Manually for Wireless Flash When [Flash mode] is set to [Manual flash], flash exposure compensation can be set. The flash output settings ([1 flash output], [Group A output], etc.) that can be set will differ depending on the [Wireless func.] setting (see below). [Wireless func.0] [Firing group: 1All]: The manual flash output setting will be applied to all the external Speedlites.
Image Playback This chapter explains functions related to viewing photos and movies, with more detail than in Chapter 2 “Basic Shooting and Image Playback”. Here you will find explanations of how to play back and erase photos and movies with the camera and view them on a TV set. About images shot and saved with another device The camera may not be able to properly display images captured with a different camera, edited with a computer, or had their file names changed.
x Searching for Images Quickly H Display Multiple Images on One Screen (Index Display) Search for images quickly with the index display showing four or nine images on one screen. 1 Play back the image. When you press the button, the last image captured will be displayed. to the index display. 2 Switch Press the button. X The 4-image index display will appear. The currently-selected image will be highlighted in a blue frame. Press the button again to switch to the 9-image index display.
x Searching for Images Quickly I Jump through Images (Jump Display) With the single-image display, you can turn the <6> dial to jump through the images forward or backward according to the jump method set. 1 Select [Image jump w/6]. Under the [x2] tab, select [Image jump w/6], then press <0>. the jump method. 2 Select Press the key to select the jump method, then press <0>.
u/y Magnified View You can magnify a captured image by approx. 1.5x to 10x on the LCD monitor. 1 Magnify the image. Press the button during image playback. X The image will be magnified. If you hold down the button, the image will be magnified until it reaches the maximum magnification. Press the button to reduce the magnification. If you hold down the button, the magnification will be reduced to the single-image display. Magnified area position around the image.
d Playing Back with the Touch Screen The LCD monitor is a touch-sensitive panel that you can touch with your fingers for playback operations. Press the button to play back images. Browsing Images Swipe with one finger. With the single-image display, use one finger to swipe the image to the left or right to see another image. Swipe to the left to see the next (newer) image or swipe to the right to see the previous (older) image.
d Playing Back with the Touch Screen Reduce Image (Index Display) Pinch two fingers. Touch the screen with two fingers spread apart, and pinch your fingers together on the screen. Each time you pinch your fingers, the screen changes from a single-image display to a 4-image index display and 9-image index display. The selected image is highlighted in a blue frame. When you tap the selected image, it will displayed as a single image. Magnify Image Spread two fingers apart.
b Rotating the Image You can rotate the displayed image to the desired orientation. 1 Select [Rotate image]. Under the [x1] tab, select [Rotate image], then press <0>. an image. 2 Select Press the key to select the image to be rotated. You can also select an image on the index display (p.238). the image. 3 Rotate Each time you press <0>, the image will rotate clockwise as follows: 90° o 270° o 0°. To rotate another image, repeat steps 2 and 3. To exit and return to the menu, press the button.
3 Setting Ratings You can rate images and movies with one of five rating marks: l/m/ n/o/p. This function is called rating. 1 Select [Rating]. Under the [x2] tab, select [Rating], then press <0>. an image or movie. 2 Select Press the key to select an image or movie to be rated. You can display three images by pressing the button. To return to the single-image display, press the button. the image or movie. 3 RatePress the key to select a rating.
3 Setting Ratings The total number of images with a given rating that can be displayed is 999. If there are more than 999 images with a given rating, [###] will be displayed for that rating. Taking Advantage of Ratings With [x2: Image jump w/6], you can display only images and movies with a specific rating. With [x2: Slide show], you can play back only images and movies with a specific rating. With Digital Photo Professional (provided software, p.
Q Quick Control During Playback During playback, you can press the button to set any of the following: [ : Protect images], [b: Rotate image], [9: Rating], [U: Creative filters], [S: Resize (JPEG images only)], and [e: Image jump w/6]. For movies, only the functions in bold above can be set. 1 Press the button. During image playback, press the button. X The Quick Control screen will appear. a function and set it. 2 Select Press the key to select a function.
Q Quick Control During Playback Pressing the button during the index display will switch to the single-image display and the Quick Control screen will appear. Pressing the button again will return to the index display. For images taken with another camera, the functions you can select may be limited.
k Enjoying Movies You can play back movies in the following three ways: Playback on a TV set (p.258, 261) Use the stereo AV cable AVC-DC400ST (sold separately) or HDMI cable HTC100 (sold separately) to connect the camera to a TV set. Then you can play back captured movies and still photos on the TV. If you have a High-Definition TV set and connect your camera with an HDMI cable, you can watch Full High-Definition (Full HD: 1920x1080) and HighDefinition (HD: 1280x720) movies with higher image quality.
k Enjoying Movies Playback and Editing with a Personal Computer (p.350) The movie files recorded on the card can be transferred to a personal computer and played with ImageBrowser EX (provided software). To have the movie play back smoothly on a personal computer, use a high-performance personal computer. Regarding the computer hardware requirements for ImageBrowser EX, refer to the PDF file ImageBrowser EX User Guide.
k Playing Movies 1 Play back the image. Press the button to display images. a movie. 2 Select Press the key to select a movie. On the single-image display, the icon displayed on the upper left indicates a movie. If the movie is a video snapshot, < > will be displayed. You can press the button to switch to the shooting information display (p.267). In the index display, perforations at the left edge of a thumbnail indicate a movie.
k Playing Movies Movie Playback Panel Operation Playback Description 7 Play Pressing <0> toggles between play and stop. 8 Slow motion Adjust the slow motion speed by pressing the key. The slow-motion speed is indicated at the upper right of the screen. 5 First frame 3 Previous frame Displays the movie’s first frame. Each time you press <0>, the previous frame is displayed. If you hold down <0>, it will rewind the movie. 6 Next frame Each time you press <0>, the movie will play frame-byframe.
X Editing a Movie’s First and Last Scenes You can edit out the first and last scenes of a movie (except video snapshots) in 1-sec. increments. 1 On the movie playback screen, select [X]. X The editing screen will be displayed. the part to be edited out. 2 Specify Select either [U] (Cut beginning) or [V] (Cut end), then press <0>. Press the key to see the previous or next frames. Holding it down will fast forward the frames. After deciding which part to edit out, press <0>.
X Editing a Movie’s First and Last Scenes the edited movie. 4 Save Select [W], then press <0>. X The save screen will appear. To save it as a new movie, select [New file]. To save it and overwrite the original movie file, select [Overwrite]. Then press <0>. On the confirmation screen, select [OK], then press <0> to save the edited movie and return to the movie playback screen. Since the editing is performed in 1-sec.
3 Slide Show (Auto Playback) You can play back the images on the card as an automatic slide show. 1 Number of images to be played Select [Slide show]. Under the [x2] tab, select [Slide show], then press <0>. the images to be played. 2 Select Press the key to select the desired option, then press <0>. [All images/Movies/Stills] Press the key to select one of the following: [jAll images/ kMovies/zStills]. Then press <0>.
3 Slide Show (Auto Playback) Item Playback Description jAll images All the still photos and movies on the card will be played back. iDate Still photos and movies taken on the selected shooting date will be played back. nFolder Still photos and movies in the selected folder will be played back. kMovies Only the movies on the card will be played back. zStills Only the still photos on the card will be played back.
3 Slide Show (Auto Playback) [Transition effect] [Background music] the slide show. 4 StartPress the key to select [Start], then press <0>. X After [Loading image...] is displayed, the slide show will start. slide show. 5 QuitTo the quit the slide show and return to the setting screen, press the button. To pause the slide show, press <0>. During pause, [G] will be displayed on the upper left of the image. Press <0> again to resume the slide show.
3 Slide Show (Auto Playback) Selecting the Background Music 1 Select [Background music]. Set [Background music] to [On], then press <0>. the background music. 2 Select Press the key to select the desired background music, then press <0>. You can also select multiple background music tracks. background music. 3 PlayTo the listen to a sample of the background music, press the button. Press the key to play another background music track.
Viewing the Images on TV You can view the still photos and movies on a TV set. Adjust the movie’s sound volume with the TV set. The sound volume cannot be adjusted with the camera. Before connecting or disconnecting the cable between the camera and television, turn off the camera and TV set. Depending on the TV set, part of the image displayed may be cut off. Viewing on High-Definition (HD) TV Sets HDMI Cable HTC-100 (sold separately) is required. 1 Connect the HDMI cable to the camera.
Viewing the Images on TV the button. 5 Press X The image will appear on the TV screen. (Nothing will be displayed on the camera’s LCD monitor.) The images will automatically be displayed at the TV’s optimum resolution. By pressing the button, you can change the display format. To play back movies, see page 250. The images cannot be output at the same time from both the and terminals. Do not connect any other device’s output to the camera’s terminal. Doing so may cause a malfunction.
Viewing the Images on TV the camera to a TV set. 2 Connect Use an HDMI cable to connect the camera to the TV. X The TV’s input will switch automatically to the HDMI port connected to the camera. the camera’s button. 3 Press X An image will appear on the TV screen and you can use the TV’s remote control to play back images. an image. 4 Select Point the remote control toward the TV set and press the / button to select an image.
Viewing the Images on TV Viewing on Non High-Definition (HD) TV Sets 1 Connect the stereo AV cable AVCDC400ST (sold separately) to the camera. With the plug’s logo facing the back of the camera, insert it into the terminal. the AV cable to the TV 2 Connect set. (Red) (White) AUDIO (Yellow) VIDEO Connect the AV cable to the TV’s video IN terminal and audio IN terminal. on the TV and switch the 3 Turn TV’s video input to select the connected port. the camera’s power switch to 4 Set <1>.
K Protecting Images Protecting an image prevents it from being erased accidentally. 3 Protecting a Single Image 1 Select [Protect images]. Under the [x1] tab, select [Protect images], then press <0>. X The protect setting screen will appear. [Select images]. 2 Select Select [Select images], then press <0>. X The images will be displayed. Image protect icon the image. 3 Protect Press the key to select the image to be protected, then press <0>.
K Protecting Images 3 Protecting All Images in a Folder or on a Card You can protect all the images in a folder or on a card at one time. When you select [All images in folder] or [All images on card] in [x1: Protect images], all the images in the folder or on the card will be protected. To cancel the image protection, select [Unprotect all images in folder] or [Unprotect all images on card]. If you format the card (p.48), the protected images will also be erased. Movies can also be protected.
L Erasing Images You can either select and erase images one by one or erase them in one batch. Protected images (p.262) will not be erased. Once an image is erased, it cannot be recovered. Make sure you no longer need the image before erasing it. To prevent important images from being erased accidentally, protect them. Erasing a 1+73 image will erase both the RAW and JPEG images. Erasing a Single Image 1 Play back the image to be erased. the button.
L Erasing Images [Select and erase images]. 2 Select Select [Select and erase images], then press <0>. X The images will be displayed. To display the three-image display, press the button. To return to the single-image display, press the button. the images to be erased. 3 Select Press the key to select the image to be erased, then press <0>. X A checkmark will be displayed on the upper left of the screen. To select other images to be erased, repeat step 3. the image.
B: Shooting Information Display Sample Image Taken in a Creative Zone Mode Protect images Exposure compensation amount Flash exposure compensation amount Aperture Rating Folder number - File number Histogram (Brightness/RGB) Shutter speed Picture Style/Settings Metering mode Shooting mode ISO speed Highlight tone priority White balance Color space Shooting date and time Image-recording quality Playback number/ Total images recorded White balance correction File size Eye-Fi transfer * With 1+73 imag
B: Shooting Information Display Sample Image Taken in a Basic Zone Mode Ambience and ambience effects Lighting or scene Shooting mode * With images taken in a Basic Zone mode, the information displayed will differ depending on the shooting mode. * Photos taken in the mode will show [Background blur].
B: Shooting Information Display About the Highlight Alert When the shooting information is displayed, any overexposed areas of the image will blink. To obtain more image detail in the overexposed areas, set the exposure compensation to a negative amount and shoot again. About the Histogram The brightness histogram shows the exposure level distribution and overall brightness. The RGB histogram is for checking the color saturation and gradation. The display can be switched with [x2: Histogram disp].
Post-Processing Images After shooting, you can apply Creative filters or resize the images (downsize the pixel count). The camera may not be able to process images taken with another camera. Post-processing images as described in this chapter cannot be performed while the camera is connected to a personal computer via the terminal.
U Creative Filters You can apply the following Creative filters to an image and save it as a new image: Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, and Miniature effect. 1 Select [Creative filters]. Under the [x1] tab, select [Creative filters], then press <0>. X The images will be displayed. an image. 2 Select Select the image you want to apply a filter to. By pressing the button, you can switch to the index display and select an image.
U Creative Filters the image. 5 Save Select [OK] to save the image. Check the destination folder and image file number, then select [OK]. To apply a filter to another image, repeat steps 2 to 5. Press the button to return to the menu. When shooting 1+73 or 1 images, the Creative filter will be applied to the 1 image and the image will be saved as a JPEG image.
U Creative Filters Fish-eye effect Gives the effect of a fish-eye lens. The image will have a barrel-type distortion. Depending on the level of this filter effect, the area trimmed along the periphery of the image changes. Also, since this filter effect will magnify the image center, the apparent resolution at the center may degrade depending on the number of recorded pixels. Set the filter effect in step 4 while checking the resulting image.
S Resize You can resize an image to make the pixel count lower and save it as a new image. Resizing an image is possible only with JPEG 3/4/a/b images. JPEG c and RAW images cannot be resized. 1 Select [Resize]. Under the [x1] tab, select [Resize], then press <0>. X The images will be displayed. an image. 2 Select Select the image you want to resize. By pressing the button, you can switch to the index display and select an image. the desired image size.
S Resize Resize Options According to Original Image Size Available Resize Settings Original Image Size 4 a b c 3 k k k k k k k k k 4 a b k c About Image Sizes The image size displayed in step 3 on the preceding page, such as [***M ****x****], has a 3:2 aspect ratio. The image size according to aspect ratios is shown in the table below. The asterisked image-recording quality figures do not exactly match the aspect ratio. The image will be cropped slightly.
Printing Images Printing (p.276) You can connect the camera directly to a printer and print out the images on the card. The camera is compatible with “wPictBridge” which is the standard for direct printing. Digital Print Order Format (DPOF) (p.285) DPOF (Digital Print Order Format) enables you to print images recorded on the card according to your printing instructions such as the image selection, quantity to print, etc. You can print multiple images in one batch or give the print order to a photofinisher.
Preparing to Print The direct printing procedure can be performed entirely with the camera while you look at the LCD monitor. Connecting the Camera to a Printer 1 Set the camera’s power switch to <2>. the printer. 2 SetForupdetails, see the printer’s instruction manual. the camera to the 3 Connect printer. Use the interface cable provided with the camera. Connect the cable to the camera’s terminal with the cable plug’s icon facing the front of the camera.
Preparing to Print wPictBridge back the image. 6 PlayPress the button. X The image will appear, and the icon will appear on the upper left to indicate that the camera is connected to a printer. Movies cannot be printed. The camera cannot be used with printers compatible only with CP Direct or Bubble Jet Direct. Do not use any interface cable other than the one provided. If there is a long beeping sound in step 5, it indicates a problem with the printer.
wPrinting The screen display and setting options will differ depending on the printer. Some settings may not be available. For details, refer to the printer’s instruction manual. Printer-connected icon 1 Select the image to be printed. Check that the icon is displayed on the upper left of the LCD monitor. Press the key to select the image to be printed. <0>. 2 Press X The print setting screen will appear. Print setting screen Sets the printing effects (p.280).
wPrinting Q Setting the Paper Size Select the size of the paper loaded in the printer, then press <0>. X The paper type screen will appear. Y Setting the Paper Type Select the type of the paper loaded in the printer, then press <0>. X The page layout screen will appear. U Setting the Page Layout Select the page layout, then press <0>. X The print settings screen will reappear. Bordered The print will have white borders along the edges. Borderless The print will have no borders.
wPrinting the printing effects (image 4 Set optimization). Set them if necessary. If you do not need to set any printing effects, go to step 5. What is displayed on the screen differs depending on the printer. Select the option, then press <0>. Select the desired printing effect, then press <0>. If the icon is displayed brightly next to , you can also adjust the printing effect (p.282). Printing Effect Description EOn The image will be printed using the printer’s standard colors.
wPrinting the date and file number 5 Set imprinting. Set them if necessary. Select , then press <0>. Set as desired, then press <0>. of copies. 6 SetSettheit ifnumber necessary. Select , then press <0>. Set the number of copies, then press <0>. printing. 7 StartSelect [Print], then press <0>. With Easy printing, you can print another image using the same settings. Just select the image and press the button. With Easy printing, the number of copies will always be 1.
wPrinting e Adjustment of Printing Effects In step 4 on page 280, select the printing effect. When the icon is displayed brightly next to , you can press the button. You can then adjust the printing effect. What can be adjusted or what is displayed will depend on the selection made in step 4. Brightness The image brightness can be adjusted. Adjust levels When you select [Manual], you can change the histogram’s distribution and adjust the image’s brightness and contrast.
wPrinting Trimming the Image Tilt correction You can crop the image and print only the trimmed portion as if the image was recomposed. Set the trimming right before printing. If you set the trimming and then set the print settings, you may have to set the trimming again before printing. 1 On the print settings screen, select [Trimming]. 2 Set the trimming frame size, position, and aspect ratio. The image area within the trimming frame will be printed.
wPrinting Depending on the printer, the trimmed image area may not be printed as you specified. The smaller you make the trimming frame, the grainier the picture will look in the print. While trimming the image, look at the camera’s LCD monitor. If you look at the image on a TV screen, the trimming frame may not be displayed accurately. Handling Printer Errors If you resolve a printer error (no ink, no paper, etc.
W Digital Print Order Format (DPOF) You can set the print type, date imprinting, and file number imprinting. The print settings will be applied to all print-ordered images. (They cannot be set individually for each image.) Setting the Printing Options 1 Select [Print order]. Under the [x1] tab, select [Print order], then press <0>. [Set up]. 2 Select Select [Set up], then press <0>. as desired. 3 SetSetthetheoption [Print type], [Date], and [File No.]. Select the option to be set, then press <0>.
W Digital Print Order Format (DPOF) Print type Date File number K L K L Standard Prints one image on one sheet. Index Multiple thumbnail images are printed on one sheet. Both Prints both the standard and index prints. On Off On Off [On] imprints the recorded date on the print. [On] imprints the file number on the print. the setting. 4 ExitPress the <7> button. X The print order screen will reappear. Next, select [Sel.Image], [Byn], or [All image] to order the images to be printed.
W Digital Print Order Format (DPOF) Print Ordering Sel.Image Select and order images one by one. To display the three-image display, press the button. To return to the single-image display, press the button. Press the button to save the print order to the card. Quantity Total images selected Checkmark Index icon [Standard] [Both] Press the key to set the number of copies to be printed for the displayed image. [Index] Press <0> to add a checkmark to the box .
W Direct Printing with DPOF With a PictBridge printer, you can easily print images with DPOF. 1 Prepare to print. See page 276. Follow the “Connecting the Camera to a Printer” procedure up to step 5. 2 Under the [x1] tab, select [Print order]. 3 Select [Print]. [Print] will be displayed only if the camera is connected to a printer and printing is possible. 4 Set the [Paper settings] (p.278). Set the printing effects (p.280) if necessary. 5 Select [OK]. Before printing, be sure to set the paper size.
p Specifying Images for a Photobook When you select images to use in photobooks (up to 998 images) and use EOS Utility (provided software) to transfer them to a computer, the selected images will be copied into a dedicated folder. This function is useful for ordering photobooks online and for printing photobooks on a printer. Specify One Image at a Time 1 Select [Photobook Set-up]. Under the [x1] tab, select [Photobook Set-up], then press <0>. [Select images].
p Specifying Images for a Photobook Specifying All Images in a Folder or on a Card You can specify all the images in a folder or card at one time. When [x1: Photobook Set-up] is set to [All images in folder] or [All images on card], all the images in the folder or on the card will be specified. To cancel the image specification, select [Clear all in folder] or [Clear all on card]. Do not specify images already specified for a photobook in another camera for another photobook with this camera.
Customizing the Camera You can customize various camera functions to suit your picture-taking preferences with Custom Functions. Custom Functions can be set and used only in Creative Zone modes.
3 Setting Custom FunctionsN 1 Custom Function number Select [Custom Functions (C.Fn)]. Under the [54] tab, select [Custom Functions (C.Fn)], then press <0>. the Custom Function 2 Select number. Press the key to select the Custom Function number, then press <0>. the setting as desired. 3 Change Press the key to select the setting (number), then press <0>. Repeat steps 2 and 3 if you want to set another Custom Functions.
3 Setting Custom FunctionsN Custom Functions A LV Shooting kMovie Shooting k k k In a p.295 k k p.296 k (With f*) C.Fn I: Exposure 1 Exposure level increments 2 ISO expansion p.294 C.Fn II: Image 3 Highlight tone priority C.Fn III: Autofocus/Drive 4 AF-assist beam firing 5 Mirror lockup * If you use an EX-series Speedlite (sold separately) equipped with an LED light, the LED light will turn on for AF-assist even in the c, o, and d modes. C.
3 Custom Function SettingsN Custom Functions are organized into four groups based on the function type: C.Fn I: Exposure, C.Fn II: Image, C.Fn III: Autofocus/Drive, C.Fn IV: Operation/Others. C.Fn I: Exposure C.Fn-1 Exposure level increments 0: 1/3-stop 1: 1/2-stop Sets 1/2-stop increments for the shutter speed, aperture, exposure compensation, AEB, flash exposure compensation, etc. This is effective when you prefer to control the exposure in less fine increments than 1/3stop increments.
3 Custom Function SettingsN C.Fn II: Image C.Fn-3 Highlight tone priority 0: Disable 1: Enable Improves the highlight detail. The dynamic range is expanded from the standard 18% gray to bright highlights. The gradation between the grays and highlights becomes smoother. With setting 1, the Auto Lighting Optimizer (p.123) is automatically set to [Disable] and the setting cannot be changed. With setting 1, noise (grainy image, banding, etc.) may become slightly more pronounced than with setting 0.
3 Custom Function SettingsN C.Fn III: Autofocus/Drive C.Fn-4 AF-assist beam firing The settings to specify whether or not the AF-assist beam is emitted by the camera’s built-in flash or by an external, EOS-dedicated Speedlite can be set. 0: Enable If necessary, the AF-assist beam will be emitted by the built-in flash or external Speedlite. 1: Disable The AF-assist beam is not emitted. 2: Enable external flash only If an external Speedlite is attached, it will emit the AF-assist beam when necessary.
3 Custom Function SettingsN C.Fn IV: Operation/Others C.Fn-6 Shutter/AE lock button 0: AF/AE lock 1: AE lock/AF This is convenient when you want to focus and meter separately. Press the button to autofocus, and press the shutter button halfway to apply AE lock. 2: AF/AF lock, no AE lock In the AI Servo AF operation, you can press the button to stop the AF operation momentarily. This prevents the AF from being thrown off by any obstacle passing between the camera and subject.
3 Custom Function SettingsN C.Fn-7 Assign SET button You can assign a frequently-used function to <0>. Press <0> when the camera is ready to shoot. 0: Normal (disabled) 1: Image quality Press <0> to display the image-recording quality setting screen on the LCD monitor. Select the desired image-recording quality, then press <0>. 2: Flash exposure compensation When you press <0>, the flash exposure compensation setting screen will appear. Set the flash exposure compensation, then press <0>.
3 Registering My MenuN Under the My Menu tab, you can register up to six menu options and Custom Functions whose settings you change frequently. 1 Select [My Menu settings]. Under the [9] tab, select [My Menu settings], then press <0>. [Register to My Menu]. 2 Select Select [Register to My Menu], then press <0>. the desired items. 3 Register Select an item to register, then press <0>. On the confirmation dialog, select [OK] and press <0> to register the item. You can register up to six items.
Reference This chapter provides reference information for camera features, system accessories, etc. Certification Logo Under the [54] tab, if you select [Certification Logo Display] and press <0>, some of the logos of the camera’s certifications will appear. Other certification logos can be found in this Instruction Manual, on the camera body, and on the camera’s package.
Using a Household Power Outlet With AC Adapter Kit ACK-E8 (sold separately), you can connect the camera to a household power outlet and not worry about the remaining battery level. 1 Connect the power cord. Connect the power cord as shown in the illustration. After using the camera, unplug the power plug from the power outlet. the DC Coupler. 2 Connect Connect the cord’s plug to the DC Coupler. the DC Coupler. 3 Insert Open the cover and insert the DC Coupler until it locks in place. in the DC cord.
Remote Control Shooting Remote Controller RC-6 (Sold Separately) This remote controller enables you to take pictures wirelessly up to approx. 5 meters/16.4 feet from the camera. You can either shoot immediately or use a 2-sec. delay. Remote control sensor Set the self-timer to (p.103). Point the remote controller toward the camera’s remote control sensor and press the transmit button. X The camera will autofocus.
Remote Control Shooting F Remote Switch RS-60E3 (Sold Separately) Remote Switch RS-60E3 (sold separately) comes with an approx. 60 cm/2.0 ft cord. When connected to the camera’s remote control terminal, it can be pressed halfway and completely, just like the shutter button. Using the Eyepiece Cover When you use the self-timer, bulb, or Remote Switch and do not look through the viewfinder, stray light entering the viewfinder can cause the image to look dark. To prevent this, use the eyepiece cover (p.
External Speedlites EOS-dedicated, EX-series Speedlites Basically operates like a built-in flash for easy operation. When an EX-series Speedlite (sold separately) is attached to the camera, almost all the autoflash control is done by the camera. In other words, it is like a high-output flash attached externally in place of the built-in flash. For detailed instructions, refer to the EX-series Speedlite’s instruction manual. This camera is a Type-A camera that can use all the features of EX-series Speedlites.
External Speedlites Canon Speedlites Other Than the EX-series With an EZ/E/EG/ML/TL-series Speedlite set in TTL or A-TTL autoflash mode, the flash can be fired at full output only. Set the camera’s shooting mode to (manual exposure) or (aperture-priority AE) and adjust the aperture setting before shooting. When using a Speedlite that has manual flash mode, shoot in the manual flash mode.
Using Eye-Fi Cards With a commercially-available Eye-Fi card already set up, you can automatically transfer captured images to a personal computer or upload them to an online service via a wireless LAN. The image transfer is a function of the Eye-Fi card. For instructions on how to set up and use the Eye-Fi card or to troubleshoot any image transfer problems, refer to the Eye-Fi card’s instruction manual or contact the card’s manufacturer.
Using Eye-Fi Cards the [Access point SSID:]. 5 Check Check that an access point is displayed for [Access point SSID:]. You can also check the Eye-Fi card’s MAC address and firmware version. Press the button three times to exit the menu. the picture. 6 Take X The picture is transferred and the Transmission status icon H(Gray) Not connected : H(Blinking) Connecting : H(Displayed) Connected : H( ) Transferring : 308 icon switches from gray (not connected) to one of the icons below.
Using Eye-Fi Cards Cautions for Using Eye-Fi Cards If “J” is displayed, an error occurred while retrieving the card information. Turn the camera’s power switch off and on again. Even if [Eye-Fi trans.] is set to [Disable], it may still transmit a signal. In hospitals, airports, and other places where wireless transmissions are prohibited, remove the Eye-Fi card from the camera. If the image transfer does not function, check the Eye-Fi card and personal computer settings.
Function Availability Table According to Shooting Mode o: Set automatically k: User selectable : Not selectable/Disabled Basic Zone Mode Dial All image quality settings selectable Creative Zone Movie A7C 2 3 4 5 6 G d s f a k z*1 k k k k k k k k k*2 k*2 k k k k Automatically set/Auto ISO o o o o o o o o ISO speed F o o k k k k Manual k k k k Maximum for Auto k k k k Picture Automatic Selection DDDDDDDD D D Style Manual selection k k k k Ambience-based shots o o o o o o o o o Correction/Bra
Function Availability Table According to Shooting Mode Mode Dial Basic Zone Creative Zone Movie A 7 C 2 3 4 5 6 F G d s f a k z*1 Metering Evaluative metering o o o o o o o o o o k k k k mode Metering mode selection k k k k Exposure Program shift k Exposure compensation k k k AEB AE lock Depth-of-field preview Single shooting k k k k k k k k k k Continuous shooting k k k k k k k k k k Drive Q (10 sec.) k k k k k k k k k k l (2 sec.
System Map ST-E2 ST-E3-RT 270EX II Eyepiece Extender EP-EX15ll Rubber Frame Ef 320EX 430EX II 600EX-RT/ Macro Ring Lite Macro Twin Lite 600EX MR-14EX MT-24EX Bundled Accessories Eyecup Ef E-series Dioptric Adjustment Lenses Wide Strap EW-100DB lV Angle Finder C Semi Hard Case EH19-L/EH22-L AC Adapter Kit ACK-E8 Battery Pack LP-E8 Battery Charger LC-E8 or LC-E8E Hand Strap E2 Battery Grip BG-E8 312 DC Coupler DR-E8 Battery Magazine BGM-E8L for two LP-E8 battery packs Battery Magazine BGM-E8A
System Map GPS Receiver GP-E2 Remote Controller RC-6 Remote Switch RS-60E3 EF lenses EF-S lenses External microphone HDMI Cable HTC-100 (2.9 m/9.5 ft.) TV/Video Stereo AV Cable AVC-DC400ST (1.3 m/4.3 ft.) EOS DIGITAL Solution Disk Software Instruction Manual PictBridge-compatible printer Interface Cable (1.3 m/4.3 ft.) Interface Cable IFC-200U/500U (1.9 m/6.2 ft.) / (4.7 m/15.4 ft.
3 Menu Settings For Viewfinder Shooting and Live View Shooting Shooting 1 (Red) Page Image quality 73 / 83 / 74 / 84 / 7a / 8a / b / c / 1+73* / 1* 86 Beep Enable / Touch to 200 Release shutter without card Enable / Disable 200 Image review Off / 2 sec. / 4 sec. / 8 sec.
3 Menu Settings Shooting 3 (Red) Page Dust Delete Data Obtains data to be used to erase dust spots 220 ISO Auto Max.: 400 / Max.: 800 / Max.: 1600 / Max.: 3200 / Max.
3 Menu Settings Playback 2 (Blue) Page Histogram display Brightness / RGB 268 Image jump w/6 1 image / 10 images / 100 images / Date / Folder / Movies / Stills / Rating 239 Slide show Playback description / Display time / Repeat / Transition effect / Background music 254 Rating [OFF] / l / m / n / o / p 244 Control over HDMI Disable / Enable 259 Select folder Create and select a folder 202 File numbering Continuous / Auto reset / Manual reset 204 Auto rotate OnzD / OnD / Off 208 F
3 Menu Settings Set-up 3 (Yellow) Page Screen color Select the shooting settings screen color 213 Feature guide Enable / Disable 52 Touch control Enable / Disable 55 Auto cleaning: Enable / Disable Sensor cleaning Clean now Clean manually GPS device settings Settings available when the GPS Receiver GPE2 (sold separately) is attached 219 222 – Set-up 4 (Yellow) Certification Logo Display Displays some of the logos of the camera’s certifications 301 Custom Functions (C.
3 Menu Settings k For Movie Shooting Shooting 1 (Red) Page Image quality 73 / 83 / 74 / 84 / 7a / 8a / b / c / 1+73 / 1 86 Beep Enable / Touch to 200 Release shutter without card Enable / Disable 200 Image review Off / 2 sec. / 4 sec. / 8 sec.
3 Menu Settings Movie 1 (Red) Page AF method u+Tracking / FlexiZone - Multi / FlexiZone - Single 191 Movie Servo AF Enable / Disable 191 AF with shutter button ONE SHOT / Disable during k 192 Grid display Off / Grid 1l / Grid 2m 193 Metering timer 4 sec. / 16 sec. / 30 sec. / 1 min. / 10 min. / 30 min.
Troubleshooting Guide If a problem occurs with the camera, first refer to this Troubleshooting Guide. If this Troubleshooting Guide does not resolve the problem, contact your dealer or nearest Canon Service Center. Power-Related Problems The battery pack does not recharge. Do not recharge any battery pack other than a genuine Canon Battery Pack LP-E8. The battery charger’s lamp blinks.
Troubleshooting Guide The battery becomes exhausted quickly. Use a fully-charged battery pack (p.28). The rechargeable battery pack performance will degrade over repeated use. Purchase a new one. The number of possible shots will decrease with any of the following operations: • Pressing the shutter button halfway for a prolonged period. • Often activating only the AF without taking a picture. • Using the lens’ Image Stabilizer. • Using the LCD monitor often.
Troubleshooting Guide The card cannot be used. If a card error message is displayed, see page 32 or 331. The image is out of focus. Set the lens focus mode switch to (p.39). To prevent camera shake, press the shutter button gently (p.42, 43). If the lens has an Image Stabilizer, set the IS switch to <1>. In low light, the shutter speed may become slow. Use a faster shutter speed (p.108), set a higher ISO speed (p.90), use flash (p.104), or use a tripod.
Troubleshooting Guide The maximum burst during continuous shooting is lower. With ISO 12800 or “H” (equivalent to ISO 25600), the maximum burst for continuous shooting will greatly decrease (p.91). Set [z3: High ISO speed NR] to [Standard/Low/Disable]. If it is set to [High] or if [Multi Shot Noise Reduction] is set, the maximum burst during continuous shooting will greatly decrease (p.124). With [Chromatic aberration: Enable], the maximum burst for continuous shooting will greatly decrease (p.128).
Troubleshooting Guide Even though I set a decreased exposure compensation, the image comes out bright. Set [z2: Auto Lighting Optimizer] to [Disable]. When [Standard/ Low/High] is set, even if you set a decreased exposure compensation or flash exposure compensation, the image may come out bright (p.123). When I use the mode with flash, the shutter speed becomes slow.
Troubleshooting Guide I cannot set flash exposure compensation with [External flash func. setting]. If flash exposure compensation has been set on an external Speedlite, [Flash exposure compensation] (p.217) cannot be set in the [External flash func. setting] screen. Also, if you set flash exposure compensation with the camera and then set flash exposure compensation with the external Speedlite, the Speedlite’s flash exposure compensation setting will be given priority.
Troubleshooting Guide Movie shooting stops by itself. If the card’s writing speed is slow, movie shooting may stop automatically. Use an SD Speed Class 6 “ ” or faster card. To find out the card’s read/write speed, see the card manufacturer’s Web site, etc. If the movie shooting time reaches 29 min. 59 sec., the movie shooting will stop automatically. The ISO speed cannot be set for movie shooting. In shooting modes other than , the ISO speed is set automatically.
Troubleshooting Guide Operation Problems During touch screen operations, the beeper suddenly sounds softer. Check if your finger is covering the speaker (p.21). Touch screen operation is not possible. Check if [Enable] is set with [53: Touch control] (p.55). Display Problems The menu screen shows few tabs and options. In Basic Zone modes and in movie shooting mode, certain tabs and menu options are not displayed. Set the shooting mode to a Creative Zone mode (p.46).
Troubleshooting Guide The shooting date and time displayed is incorrect. Make sure the correct date and time has been set (p.36). Check the time zone and daylight savings time (p.36). The date and time is not in the picture. The shooting date and time does not appear in the picture. The date and time is instead recorded in the image data as shooting information. When printing, you can imprint the date and time in the picture by using the date and time recorded in the shooting information (p.281).
Troubleshooting Guide Playback Problems Part of the image blinks in black. It is the highlight alert (p.268). Overexposed highlight areas with a loss of highlight detail will blink. The image cannot be erased. If the image is protected, it cannot be erased (p.262). The movie cannot be played back. Movies edited with a personal computer using the provided ImageBrowser EX (p.350) or other software cannot be played back with the camera. However, video snapshot albums edited with EOS Video Snapshot Task (p.
Troubleshooting Guide There are multiple movie files for a single movie shoot. If the movie file size reaches 4 GB, another movie file will be created automatically (p.182). My card reader does not recognize the card. Depending on the card reader and computer OS used, SDXC cards might not be correctly recognized. If this occurs, connect your camera to the computer with the provided interface cable, then transfer the images to your computer using EOS Utility (provided software, p.350).
Error Codes Error number If there is a problem with the camera, an error message will appear. Follow the onscreen instructions. Countermeasures Number Error Message and Solution Communications between the camera and lens is faulty. Clean the lens contacts. 01 Î Clean the electrical contacts on the camera and lens or use a Canon lens (p.17, 20). Card cannot be accessed. Reinsert/change card or format card with camera. 02 Î Remove and insert the card again, replace the card, or format the card (p.
Specifications • Type Type: Recording media: Image sensor size: Compatible lenses: Lens mount: Digital, single-lens reflex, AF/AE camera with built-in flash SD memory card, SDHC memory card, SDXC memory card * Compatible with UHS-I Approx. 22.3 x 14.9 mm Canon EF lenses (including EF-S lenses) (35 mm-equivalent focal length is approx. 1.6 times the lens focal length) Canon EF mount • Image Sensor Type: Effective pixels: Aspect ratio: Dust delete feature: CMOS sensor Approx. 18.
Specifications • Viewfinder Type: Coverage: Magnification: Eye point: Built-in dioptric adjustment: Focusing screen: Mirror: Depth-of-field preview: Eye-level pentamirror Vertical/Horizontal approx. 95% (with Eye point approx. 19 mm) Approx. 0.85x (-1 m-1 with 50mm lens at infinity) Approx. 19 mm (from eyepiece lens center at -1 m-1) Approx. -3.0 - +1.
Specifications AE lock: Auto: Applied in One-Shot AF with evaluative metering when focus is achieved Manual: With AE lock button • Shutter Type: Shutter speeds: Electronically-controlled, focal-plane shutter 1/4000 sec. to 1/60 sec. (Scene Intelligent Auto mode), X-sync at 1/200 sec. * With a wide-angle lens, the shutter speed may be 1/60 sec. or slower. 1/4000 sec. to 30 sec., Bulb (Total shutter speed range. Available range varies by shooting mode.
Specifications Continuous AF: Touch shutter: Metering modes: Metering range: Grid display: Provided Provided Real-time metering with image sensor Evaluative metering (315 zones), Partial metering (approx. 8.8% of Live View screen), Spot metering (approx. 2.8% of Live View screen), Center-weighted average metering EV 0 - 20 (at 23°C/73°F, ISO 100) Two types • Movie Shooting Movie compression: MPEG-4 AVC/H.
Specifications Sound recording: Grid display: Built-in stereo microphone External stereo microphone terminal provided Sound recording level adjustable, wind filter provided, attenuator provided Two types • LCD Monitor Type: Monitor size and dots: Angle adjustment: Brightness adjustment: Interface languages: Touch screen technology: Feature guide: TFT color liquid-crystal monitor Wide, 7.7 cm (3.0-in.) (3:2) with approx. 1.
Specifications • Custom Functions Custom Functions: My Menu registration: Copyright information: 8 Possible Entry and inclusion possible • Interface Audio/video OUT/ Digital terminal: Analog video (compatible with NTSC/PAL)/stereo audio output Personal computer communication and direct printing (Hi-Speed USB equivalent), GPS Receiver GP-E2 connection HDMI mini OUT terminal: Type C (auto switching of resolution), CEC-compatible External microphone IN terminal: 3.
Specifications • Battery Pack LP-E8 Type: Rated voltage: Battery capacity: Working temperature range: Rechargeable lithium-ion battery 7.2 V DC 1120 mAh During charging: 6°C - 40°C / 43°F - 104°F During shooting: 0°C - 40°C / 32°F - 104°F Working humidity: 85% or less Dimensions (W x H x D): Approx. 37.1 x 15.4 x 55.2 mm / 1.5 x 0.6 x 2.2 in. Weight: Approx. 52 g / 1.8 oz.
Specifications Image Stabilizer: Filter size: Lens cap: Max. diameter x length: Weight: Hood: Case: Lens shift type 58 mm E-58 Approx. 68.5 x 70 mm / 2.7 x 2.8 in. Approx. 200 g / 7.1 oz. EW-60C (sold separately) LP814 (sold separately) • EF-S18-135mm f/3.5-5.6 IS STM Angle of view: Diagonal extent: 74°20’ - 11°30’ Horizontal extent: 64°30’ - 9°30’ Vertical extent: 45°30’ - 6°20’ Lens construction: 16 elements in 12 groups Minimum aperture: f/22 - 36 Closest focusing distance*: At 18 mm focal length: 0.
Handling precautions: EF-S18-135mm f/3.5-5.6 IS STM The EF-S18-135mm f/3.5-5.6 IS STM utilizes a stepping motor that drives the focus lens. The motor also controls the focus lens during zooming. 1. When the camera is OFF The motor does not operate while the camera is OFF or when the camera is OFF due to the use of the auto power off function. Therefore, users must be aware of the following points. Manual focus adjustments are not possible. During zooming, delayed focus will occur. 2.
Trademarks Adobe is a trademark of Adobe Systems Incorporated. Windows is a trademark or registered trademark of Microsoft Corporation in the United States and other countries. Macintosh and Mac OS are trademarks or registered trademarks of Apple Inc. in the United States and other countries. SDXC logo is a trademark of SD-3C, LLC. HDMI, HDMI logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.
Use of genuine Canon accessories is recommended This product is designed to achieve excellent performance when used with genuine Canon accessories. Canon shall not be liable for any damage to this product and/or accidents such as fire, etc., caused by the malfunction of nongenuine Canon accessories (e.g., a leakage and/or explosion of a battery pack).
Safety Warnings Follow these safeguards and use the equipment properly to prevent injury, death, and material damage. Preventing Serious Injury or Death • To prevent fire, excessive heat, chemical leakage, and explosions, follow the safeguards below: - Do not use any batteries, power sources, and accessories not specified in this booklet. Do not use any home-made or modified batteries. - Do not short-circuit, disassemble, or modify the battery pack or back-up battery.
• If you drop the equipment and the casing breaks open to expose the internal parts, do not touch the internal parts due to the possibility of electrical shock. • Do not disassemble or modify the equipment. High-voltage internal parts can cause electrical shock. • Do not look at the sun or an extremely bright light source through the camera or lens. Doing so may damage your vision. • Keep the camera from the reach of small children. The neck strap can accidentally choke the child.
Digital Camera Model DS126371 Systems This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Note: This equipment has been tested and found to comply with the limits for class B digital devices, pursuant to Part 15 of the FCC Rules.
IMPORTANT SAFETY INSTRUCTIONS 1. SAVE THESE INSTRUCTIONS — This manual contains important safety and operating instructions for Battery Charger LC-E8 & LC-E8E. 2. Before using the charger, read all instructions and cautionary remarks on (1) the charger, (2) the battery pack, and (3) the product using the battery pack. 3. CAUTION — To reduce risk of injury, charge only the Battery Pack LP-E8. Other types of batteries may burst, causing personal injury and other damage. 4.
Downloading Images to a Personal Computer This chapter explains how to download images from the camera to your personal computer, gives an overview of the software in the EOS DIGITAL Solution Disk (CDROM) provided with the camera, and explains how to install the software on your personal computer. It also explains how to view the PDF files on the Software Instruction Manual CD-ROM.
Downloading Images to a Personal Computer You can use the provided software to download the images in the camera to your personal computer. There are two ways to do this. Download by Connecting the Camera to the Personal Computer 1 Install the software (p.351). the provided interface cable 2 Use to connect the camera to your personal computer. Use the interface cable provided with the camera. Connect the cable to the camera’s terminal with the cable plug’s icon facing the front of the camera.
Downloading Images to a Personal Computer Downloading Images with a Card Reader If you have a commercially-available card reader, you can use it to download images to your personal computer. Install the software (p.351). 1 the card into the card 2 Insert reader. Canon software to download 3 Use the images/movies. X Use Digital Photo Professional. X Use ImageBrowser EX. For details, refer to the Software Instruction Manual on the CD-ROM (p.352). .
About the Software EOS DIGITAL Solution Disk This disk contains various software for EOS DIGITAL cameras. EOS Utility With the camera connected to a personal computer, EOS Utility enables you to transfer still photos and movies shot with the camera to the computer. You can also use this software to set various camera settings and shoot remotely with the computer connected to the camera. Also, you can copy background music tracks, such as EOS Sample Music*, to the card.
Installing the Software Do not connect the camera to your computer before you install the software. The software will not be installed correctly. Even if your personal computer already has ImageBrowser EX installed, install ImageBrowser EX included on the CD-ROM that came with your new camera. It is the latest version with features optimized for your camera. You can also use the auto update feature to add the latest functions.
Software Instruction Manual Contains the Software Instruction Manuals. Copying and Viewing the Instruction Manual PDFs 1 Insert the [Software INSTRUCTION MANUAL] CD-ROM into your computer. 2 Double-click the CD-ROM icon. For Windows, the icon is displayed in [(My) Computer]. For Macintosh, the icon is displayed on the desktop. 3 Copy the [English] folder to your computer. Instruction Manual PDFs with the names below are copied. EOS Utility Digital Photo Professional Windows Macintosh EUx.
Quick Reference Guide and Index Menu Operations - - - - - - - - - - - - - - - - - - - - Image-recording Quality - - - - - - - - - - - - - - - A Picture Style- - - - - - - - - - - - - - - - - - - - Q Quick Control - - - - - - - - - - - - - - - - - - - - Nomenclature - - - - - - - - - - - - - - - - - - - - - - Basic Zone Modes - - - - - - - - - - - - - - - - - - - D Using the Built-in Flash - - - - - - - - - - - - - - Creative Zone Modes - - - - - - - - - - - - - - - - - d: Program AE - - - - - - - - - - - -
Quick Reference Guide Menu Operations button <0> button LCD monitor/ Touch screen Cross keys 1. Press the button to display the menu. 2. Press the key to select a tab, then press the key to select the desired item. 3. Press <0> to display the setting. 4. After setting the item, press <0>.
Quick Reference Guide Image-Recording Quality Select [z1: Image quality], then press <0>. Press the key to select the quality, then press <0>. Image-recording quality Recorded pixels Possible shots A Picture StyleN Press the button. Press the key to select the Picture Style, then press <0>. Style D Auto P Standard Q Portrait R Landscape V Monochrome Description Color tones optimized for the particular scene. Vivid colors and sharp images.
Quick Reference Guide Q Quick Control Press the button. The Quick Control screen will appear.
Quick Reference Guide Nomenclature Power switch ISO speed setting button Mode Dial Flash button <6> Main Dial Shutter button Focus mode switch Live View shooting/ Movie shooting button Quick Control button AE lock button AF point selection button Cross keys Access lamp Aperture/Exposure compensation button <0> Setting button 357
Quick Reference Guide Shooting Settings Shutter speed Shooting mode Aperture ISO speed Exposure level indicator Auto Lighting Optimizer White balance Picture Style Built-in flash settings AF operation Image-recording quality Quick Control icon Battery check zxcn OK NG Viewfinder Information Possible shots Metering mode Drive mode AF point activation indicator <•> Spot metering circle AF points AE lock Flash-ready Flash exposure compensation Shutter speed Aperture 358 Focus confirmation lig
Quick Reference Guide Basic Zone Modes All the settings necessary for shooting are set automatically. You just press the shutter button, and the camera does the rest. Basic Zone A Scene Intelligent Auto 4 Close-up 7 Flash Off 5 Sports C Creative Auto 6 Night Portrait 2 Portrait F Handheld Night Scene 3 Landscape G HDR Backlight Control Pressing the button will display the Quick Control screen.
Quick Reference Guide ne Zo Crea t ive Creative Zone Modes You can change the camera settings as desired to shoot in various ways. d: Program AE The camera automatically sets the shutter speed and aperture in the same way as the mode. Set the Mode Dial to . s: Shutter-priority AE Set the Mode Dial to . Turn the <6> dial to set the desired shutter speed, then focus the subject. The aperture will be set automatically.
Quick Reference Guide f: AF OperationN Set the lens focus mode switch to . Press the button. Press the key or turn the <6> dial to select the AF mode, then press <0>. S AF PointN X(One-Shot AF): For still subjects 9(AI Focus AF): Switches the AF mode automatically Z(AI Servo AF): For moving subjects Press the button. Press the key to select the AF point.
Quick Reference Guide i: ISO SpeedN Press the button. Press the key or turn the <6> dial to select the ISO speed, then press <0>. When [AUTO] is selected, the ISO speed is set automatically. When you press the shutter button halfway, the ISO speed setting is displayed. i Drive Mode Press the button. Press the key or turn the <6> dial to select the drive mode, then press <0>. u : Single shooting i : Continuous shooting Q : Self-timer:10 sec./Remote control l : Self-timer:2 sec.
Quick Reference Guide A Live View Shooting Press the button to display the Live View image. Press the shutter button halfway to focus. Press the shutter button completely to take the picture. Battery Life with Live View Shooting Temperature At 23°C / 73°F No Flash Approx. 200 shots 50% Flash Use Approx.
Quick Reference Guide k Shooting Movies Set the power switch to . Set the Mode Dial to any shooting mode except . Press the button to start shooting a movie. To stop movie shooting, press the button again.
Quick Reference Guide Image Playback y u Index y u Magnify S Select image x Playback B Shooting information L Erase 365
Index Numerics 10-sec. or 2-sec. delay .................103 1280x720 ......................................181 1920x1080 ....................................181 4- or 9-image index display...........238 640x480 ........................................181 9-point AF auto selection ................97 A A (Scene Intelligent Auto)............58 AC Adapter Kit ..............................302 Access lamp ...................................32 Accessories ......................................3 Adobe RGB........
Index Cleaning (Image sensor).......219, 222 Clear camera settings ...................210 Close-ups........................................69 Color space (color reproduction range)............................................139 Color temperature .........................135 Color tone .....................................131 Continuous....................................204 Continuous shooting .....................101 Contrast ........................................131 Copyright information...............
Index Focusing AF method........................153, 191 AF operation...............................95 AF point selection.......................97 AF-assist beam ..................98, 296 Beeper......................................200 Difficult-to-focus subjects ....................100, 159, 197 Manual focusing ...............100, 164 Out of focus ..........41, 42, 100, 159 Recompose ................................61 Folder Create/Select.....................202 Format (card initialization) ..............
Index LCD monitor....................................17 Brightness adjustment ..............201 Image playback ..................82, 237 Menu screen.......................46, 314 Screen color .............................213 Shooting settings display......22, 50 Vari-Angle .............................33, 62 Lens ..........................................25, 39 Chromatic aberration correction..................................128 Image Stabilizer ..........................41 Lock release ...................
Index Multi Shot Noise Reduction ..........124 My Menu .......................................299 N Neutral ............................................94 Night Portrait...................................71 Night scene...............................71, 72 Noise reduction High ISO speed ........................124 Long exposures........................125 Nomenclature .................................20 Non-Canon flash units ..................306 Normal (Image-recording quality) ...86 NTSC ................
Index Sensor cleaning ....................219, 222 Sepia (Monochrome) ..............76, 132 Sharpness.....................................131 Shooting information display.........266 Shooting mode................................24 Av (Aperture-priority AE) ..........110 M (Manual exposure)................113 P (Program AE) ..........................84 Tv (Shutter-priority AE).............108 A (Scene Intelligent Auto) .......58 7 (Flash Off).............................63 C (Creative Auto) ................
CANON INC. 30-2, Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, Japan U.S.A. CANON U.S.A. INC. One Canon Plaza, Lake Success, NY 11042-1198, U.S.A. For all inquires concerning this product, call toll free in the U.S. 1-800-OK-CANON CANADA CANON CANADA INC. HEADQUARTERS 6390 Dixie Road, Mississauga, Ontario L5T 1P7, Canada CANON CANADA INC. MONTREAL BRANCH 5990, Côte-de-Liesse, Montréal Québec H4T 1V7, Canada CANON CANADA INC. CALGARY OFFICE 2828, 16th Street, N.E.
Quick Start Guide Insert the battery. 1 2 Quick Reference Guide 3 Insert a SD card. White index Red index Attach the lens. Align the lens’ white or red index with the camera’s index in the matching color. Flip out the LCD monitor. 6 7 Image Playback y u y u Focus the subject. Aim the viewfinder center over the subject and press the shutter button halfway to autofocus. 8 Take the picture. 9 View the image. Press the shutter button completely to take the picture.
Shooting Operation Mode Dial Flash button ISO speed setting button <6> Main Dial Basic Zone Modes Shutter speed Shooting mode Aperture ISO speed Exposure level indicator Auto Lighting Optimizer White balance Picture Style Built-in flash settings AF operation Image-recording quality Quick Control icon Shutter button Possible shots Metering mode Battery check zxcn OK Drive mode NG Focus mode switch Viewfinder Information Quick Control button Live View shooting/ Movie shooti
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Just a snapshot? No it's a chance to take state-of-the-art pictures. ,.,...-r,., er Canon Macro Lenses --.
nn ,... r r o lenses let you approach small subjects and capture big ima But that's not the only reason to use them. By making the most of Canon Macro Lenses, you can turn everyday scenes into dramatic photographs.
03 Contents Start enjoying your macro lens I 03 I 20 Original ways to enjoy your photos 25 Learn more about macro lenses 31 Canon's Macro Lens lineup 33 Terms
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Start er. oy g a macro s• m oy Dra'' fresh attention to e\eryday things \Vith a Canon Macro Len . If you think that macro lenses are just for enlarging images of small subjects or taking extreme close-ups, think again. A macro lens shows close-up pictures of ordinary subjects -revealing an unknown world! For example, you can take pictures of a colorful subject like a cake, using a blurred background for effect, and get striking professional-lookmg results If you 'vant bri]Jiant images ...
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yo ocr I s • Let the subject stand out clearl) against a blurred background. Macro lenses ore ideal for taking portrait photos. Since the subject stands out crisply against a hazy background, you con capture the whole scene in on attractive image. To create a beautifully blurred background, just choose the Av 1 mode setting while keeping the aperture fully open !for example, f/2 .8 or on even lower ~/number, depending on your lens). J\1ake fuJI use of light for attractiYc background effects.
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• Natural subjects for Jnacro shooting, flo" ers re\ eal beautiful surprises. Rich color variations Amazing natural patterns. Flowers are the supreme subject of macro shooting and the ideal way to learn the basics of macro techniques. Only the close-up power of micro photography is really capable of revealing the tiniest deta1ls of petals, pistil, and stamens. Try using a colorful blurred background or a hazy dreamlike foreground to bring out the reality of this micro-scale world.
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• Antique are fascinating tnacro subject , re\ ealing craftsntanship and color to a Canon l\1acro Len Why not toke p1ctures o' family onhques, such as Dad's old wa•ch or comero2 You con make full advantage of macro capabilities for clear derail and soh blurring of unfocused fields, and also emphasize aged texture and qualiry feeling in your 1mages.
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Sla I e oy .,9 your macro lens • f d O.._r wa c dog Macro lenses take detailed portraits of pets front head to tail. When you spend a lot of time with pets, you II notice a surprising range of facial expressions. Macro lens close-ups con capture these changing looks at just the right moments, for memorable images to save and treasure.
Saturday: "At the park" ht{tctf cl~fteri+t') Af"0'1tti A loloo~Mitt') f1owtnttl - l•i'jlo~.,r~ il~ttufHt!~ tlrA.,oll:fHtf - lt'lllll\j Yo\1 CAll l(vtf £11 A ttt1'1 orttt W(ti
Sto en g our moe o e s • - U e high magnification to explore the hidden beauty and derail of insects. Use the zoom-in feature oF Canon Macro lenses to photograph insects. You'll be amazed and captivated by the intricate structures and delicate textures against a beautrful natural background. Make full use of macro artistry to take shots of rhis micro world! f"oto t\f [nsecrs are sensitive to sound and motion. Be careful not to scare them awav! Be very quie: as you get close to insects.
Sunday: "Small world, big dreams" To~"~ Will{ A koli~"'1• Al1- " coll.f(H otlt4t onr to v(fft. ~roll.'}kt kif f"voritc to'1 He Ill OA{fic Wt/11illltll.rt Clllr WIO~tl tkAt lo.t flll~t( Wktrtvtr kt ,ot(. Hi{ -rtAW~ il to ~~'1 tkt n"l (~~tr {o'ltltAA"J ""i tTAvtl "" ovrr tkc wort~ (K it. Wo"'I~M't "JO"' likr to '}O -rivi11' witk lo.
Sto en oy ng o r macro lers • S ol ld ms Create a \\orld of in1agination and take pictures of it - easily. Diorama shots usually requtre a large-scale photo setup, but 1t' s easy with a macro lens. For instance, just put a beautiful scentc photo in the background, and photograph a model against it. The photo looks like you're really there! I fl-.oto t1fJ Can1era setting play~ an important part in diorama photography. Select "Av Mode" for o camera exposure mode.
Change Picture Style to try monochrorne pictures - a little different from color phoros Canon d igital SLR cameros make it possible to take pictures in black and white or sepia tones. Monochrome (B/W) photography extends your shooting copab lities while preservi ng original detail. Just choose these options from the menu for easy sel-up. Setting methods (EOS REBEL T3i / 6000) • ... . . C H I 19 I • • . . • • f" . IJ .. .
Photo lampshade Enjo) favorite pictures, illuminated by the fljckering light of a candle flatne . And you can aJso enjo) the fragrance of a scented candle. Needed : f AVOritt rkoto 21 Print out a favor"te photo and trim it ro the same size as the outer circumference of a candleholder. Then roll the trimmed photo around the holder. You con choose any kind of favorite shot -flowers, landscapes, your child, or even your pet Then enjoy d1fferent moods by changtng photo sub1ects.
Or gtn ol way s o e lOY yo r pho •os • Recipe book .... ... , __ u.. f t.. t.t:r- .... ._.. ., , . ~......,. ~ ~ ...... ........ ·~ ... J :t --~~ ...... .._ ± do cb .. . ..-:::: ......... . . .... ... .... _ .... ·~ ._ t • -.. -- - -- :t ..... ...... ... •&.·..... r:....~._ __ ,._, _ .. W'• ..... ID ' I ...__ and add a little decoration ro , ked coo u\e }O hes dis and als me of s ture Tal\e appealing pic original recipe cookbook ) our hots.
Photo stand Mount photographs on cardboard folded in an accordion shape. Just tie with a string and you ha'e a ponablc photo stand! It's a unique present that friends v. ill love. Needed : This stylish photo stand doubles as an album. You can mount many photos and put them on display, or carry the album around to show friends. To make it, simply fold stiff cardboard into an accordion shape and decorate il with cloth and paper.
Ongmol ways to enJOY your photos • Desktop calendar o9 5 $..., "''" T.., - 1\. f.. :.lf , '2. 3 S'£18,1c a u J.L 1;t 1' t.o ,, u. 1~ 11 i3 tL 5 ~1i1,n>o After you collect a stack of favorite photos, just mount then1 on dated cards to create an original calendar. That way, you can enjoy fa, orire photos throughout the passing year. .. ·····... 1 I Needed : " · ·- ~ ~r-w(M' or "rt P"rer rlo.oto /re tf cottoll ftTIIl'}J ttc. • ",.,..
Benefits of USM + inner focus Quiet, fast autofocus action. With no expansion or contraction of the lens. Convenient for close-up situahons. When you want to photograph a small animal or on insect, it's important to get close quretly without scoring the subject. Canon Macro lenses with USM and inner focus let you photograph subjects wi th quiet, rapid outofocus.
Full-time manual focus Fine-tune the focus while m Af mode. Useful at ttme<; like thesel /lkx:.ro photography can on'Y focus on a small area. The impression r1 a pl-roaraph ~ drorootical}y bt making a smaH shift in the focusing point Use aurofocus for quick focus, and then tum the focus nng. When you keep your attention on the viewfinder and fine-tune the focus, the difference 1n the finished photo will be immediately apparent.
learn more about macro lenses • Tripod mount ring e ewfinde Useful at times like these! Perhaps you shoat a horizontal composition, then feel like taking a similar photo in a vertical framing. With a regular tripod !he subject posifion through the viewfinder inevttably shifts and the photographer has to refocus from the start.
Hybrid IS advantages ----~~--------------------------------~ Hybr d 1mage stabd1zmg tech"ology ·s effechve m bo·h macro and standard shoo ·ng Hvbrid IS m•rfect m various Situations In macro shooting, the doser you get to your subject, the more like~ you'l experience camera shake. Canon's new Hybnd IS changes all that It's on odvanced image stabilizing technology that lets you toke dear. cfose.
learn more about mocro lenses • Terms What is 152 IS is an optiCal image stobil1zing technology developed by Canon. A sensor in the lens de'ecls camera shake and compensates by r!lO'•ing the IS uml, o ?.aollng elemenl in tne lens Bent lrght reachrng the lens rs corrected mere and de'"vered to the rmog ng plane, recording a sharp image ...,jfh little shake e~. What is Hybrid IS? In slondard pholography, "ang'e camera shake• rs caused by sudden donges rn camera ang e.
Canon's Macro Lens lineup .-. •• • • • • • • .• • • •••• ••• ••• •• .. •• t. • • •.. ••• •... •· •. , .. • ' t g ··~ :\ ~ i i ,.., ~ ,. ..... w ·, z "1 ~ '.J i u , < :: 'S -· -~ l. ·. f f En1oy mocro shooting cnyt.me w1th exce enl quality reproduct1on and o lghtweight compact destgn Thanh ·o CHI eo~y-to-use viewing engle of 96mm (35mm f'lm equivalenr), yov can use th1s versatile macro lens for a wide range of shoohng purposesmclvding small Rowers and objecs, por.
Canon•s Macro lens l1neup Ano e• op• or fo I • fe-s ze photog ophy EF 1OOmm f/2.8 Macro USM • . Compct ble w !h the en re tOS ser"e) this macro P.nS 1s ;~ fm~,le for m e..c~~·J reprodocbon q;o ty ancii!Ol8 of L; 160mm (3.5:nrn fi m eqctvtl1~nl) on EOS REBEl T3 / 600<) ooo ~milar rr.ooea so 1/SefS con cop!ure mCYe deJa; I!~= iorther uway f.lon wl'l on Ef-S60mm f/2._8 Macro USM iefl} For W>ci.
Useful info: Basics of n1acro photography This ratio expresses the relative size of the image, compared to the subject. The larger ·he magntficotion rot1o, !he larger the sub1ect apoeors. The magnification ratio ind1cates the ratio of image ~ize captured sensor or film to the actual stze of the sub1ect. When using o mogr·ficotion ratio of 1x, for example, the image captured on !he sensor or •ilm =s the some stze as the subject.
Terms • Control depth of field, depending on how wide the aperture diaphragm is opened. Aperture control for desired background blurring The benefits of bnghter lenses An aperture cioonrogm is a mechanism that controls the amount of li{;ht entering a camera 11\fough the lens By oaiusting the ooenrog o: the Ooer11J'e, one con vort ~he dep·h of the zone of in-focus element>.
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Taking too many fuzzy pictures? Canon IS* Lenses are the solution! I 01 I
Nice shot! Or is it? When you enlarge your image, the print looks fuzzy. Frustrating! But a common experience. In most cases, this accidental blurring is caused by camera shake - especially when shooting with a telephoto lens or at slow shutter speeds in dark places. Even if you try to stay still, the camera isn't perfectly steady in your hands when the shutter button is pressed. But now there's a great solution : Canon IS* Lenses. For beautifully clear, blur-free photos. With ease.
Day or night, indoors or outdoors.
Contents ----------------------- • • • • • • • • Page 5 1 1:OOAM I Zoo pictures Page 7 12:00PM I Kids in motion Page 9 2:00PM I Animal snapshots Page 11 7:00PM I Night shots Page 13 8:00PM I Indoor shots Page 15 9:00PM I Sleeping faces Page 17 Camera shake Page 25 IS Lens lineup --·----------~--- 04
11 :OOAM / Zoo pictures Most children love going to the zoo. Here's how to shoot "wild" picturesl Great shot! Can you get it? Photographing animals from afar takes good timing and usually, super-telephoto lens. But don't worry! With a steady-shooting Canon IS Lens, there's no fear of blurry results. Even if you're not using a tripod. Picture problems Slurr:ng :s virtually unovo,doble when shooting d1stonl sub1ects with o telephoto lens (unlike o w1de-ongle lens).
e l l ·OOAM I Zoo pic!ure~ - Trying to take snapshots of the animals, but bars get in the way? What to do? It's easy to get rid of distracting elements like cage bars -with a little know-how! l . Simply sel your lens to telephoto. 2 . Choose the Av mode and hold the aperture as wide open as possible. 3 . Approach the cage as close as safely possible and shoot. Now, see how well the shol turns out. The cage bars are gone, and the animals look like they' re in the wild .
12 :00PM / Kids in motion Your child is swinging, running, playing actively. Now you can capture pure energy in pictures! Kid won't slow down? Panning* technique is tricky, but worth trying. Just set a Canon IS lens to Mode 2 to correct vertical camera shake while taking pictures.
e l2·00PM I Kids n motion • ,,.. ....,~ ~~~----~----------------------------------~ Fast moving subject, slow background . How can you get good panning shots? If you know the optimal setting, panning techniques con get better results. Here's one example (with EF70-300mm f/ 4-5 .6 IS USM): 1. Turn the IS function on and select IS Mode 2 . 2 . To improve your success, shoot at around 100-200mm (rather than an extreme 300mm telephoto selfing) . 3 . Select the camera Tv exposure mode and l /60 sec.
2:00PM / Animal snapshots Turn a tiny creature into a great picture . Canon IS telephoto zoom makes it easy! You're in the park and a cute chipmunk is posing within range! You lower your camera and focus on its eyes. All set? No, you're not steady enough. You need a Canon IS Lens to stop camera shake- and even create a softly hazy background. Picture problems Before you blame your camera for poor results, toke a good look at your picture-taking posture.
e 2:00PM I Animal snapshots • ,,.. Catch that little chipmunk with tetephoto in a beautifully blurred natural setting . Here's how to take a charming picture and get an intentionally blurred background (using EF70-300mm f/ 4-5 .6 IS USM) : 1. Set the lens as for as possib e to the telephoto side (200-300mm) , for the longesl focusing distance. 2 . Select the Av exposure mode and keep the aperture open . 3. Choose natural elements as a background - flowers, gleams of sunlighr on leaves, etc. 4 .
7:OOPM / Night shots Evening enchantment. Canon 's standard IS Zoom Lens is ready for brilliant shotsl As the sun sets and the dusk grows darker with every passing second, the city lights up with exciting possibilities for glamorous night shots. And you're ready to take dazzling handheld pictures with Canon's standard IS Zoom lens. Perfect! Picture problems -- What's the difference between these two night shots? Some low light conditions, some low shutrer speed.
e 7 ·00PM / Night shots • ,,.. ... v~~~~~----~------------------------------~ How can you capture twilight scenes when the light changes each second? Simple! Just use the convenient AEB (Auto Exposure Bracketing) function in conjunction with an IS lens such as the EF-S 15-85mm f/3.5-5.6 IS USM to generate three different brightness variations for a single shot. 1 Set the camera's drive mode to continuous shearing mode. 2 Set the camera's AEB adjustment to 2/3 in 1-step tncrements. 3.
8:00PM/ Indoor shots It's happy birthday time! Take pictures in low light without spoiling the mood . Low light? No Rash? Don't be concerned - be inspired! Canon IS Lenses let you take full advantage of candlelight and other low light conditions to create breathtakingly beautiful indoor pictures in available illumination. On any occasion.
e 8:00PM/ Indoor shots - P1cture problems Dim light, didn't use Rosh, camera shake, fuzzy photos... there ore so many excuses for lost photo opportunities! But now, you don't have to apologize any more because Canon IS Lenses show oulsfanding performance in many different kinds of indoor shoafng situations. Withou1 a Rosh. Cake, candles, and a child's face . How can you capture it all beautifully- without a flash? Flash sometimes destroys the mood of a room .
9 :00PM / Sleeping faces A child falls asleep . Now, take pictures quietly without waking the sleeper! A child's expression when asleep is especially endearing. Canon IS lenses ore the ideal choice to quietly capture these precious moments. Without distracting Rash or blurred images.
e 9 OOPM I Sleeping faces - ,,.. Angles? Framing? How can you capture the best features of a well-loved face? Shooting angles really matter in photo composition, changing the whole nuance of expression. For example, here's how to use the EF-S 15-85mm f/3 .5-5.6 IS USM: 1. Choose the Av mode for exposure and keep the aperture fully open. 2. Turn the IS function of the lens "on." 3 . Lower your camera to your child's eye level 4 .
IS benefits \ ~ -------------- - -------------------------------- When does camera shake tend to happen, and what causes it to occur? Perhaps you've encountered blurred images when enlarging pictures: photos that look fine in smaller postcard sizes appear quite fuzzy at greater size. In fact, camera shake happens more frequently than you'd think. There are several reasons for accidental blurring.
e ·--- -- ------ -- ----- ---------------------------------- Corr.ero shake - ~ How do Canon IS Lenses repress blurring caused by camera shake? Canon IS lenses detect comera shake with a pair of built-in gyro sensors, shifting lens components in the direction of the vibration to counteract it and prevent blurring. When the shutter button is pressed halfway while the IS function is on , compensation for camera shake is activated in just 0.5 seconds.
In-lens image stabilizer design benefits Why is each individual lens optimized for shake correction? Each Canan IS lens has a unique optical design for specialized performance. So, Canon 's optical correction systems and control mechanisms ore customized for effective positioning in each lens model. Canon builds these mechanisms into the lenses to ensure thai the optica l correction system is optimized for each individua l lens.
e Camero shate - How does a stable viewfinder image help you toke better picture? Looking into the viewfinder while focusing ond framing is essential to SLR shooting, so a stable viewfinder image is crucial. Canan IS Lenses correct Far camera shake by shifting certain optical components in inverse relation to the lens movement, maintaining the position of incoming light rays on the film or capturing elements.
In-lens image stabilizer design benefits Improve your fram ing accuracy! Blurry viewfinder images lead to framing errors, so you con inadvertently cut off important details, especially when using a telephoto zoom lens. With Canon IS lenses such framing errors ore a thing of the post. Canon's in-lens image stabilizers enable accurate framing when you fill the frame with port of your subject. Since the viewfinder image is blur-free, you con check every detail and make subtle fram ing adjustments.
e Camero shake - Capture fleeting photo opportunities! Concentrating on your subject is difficult if the viewfinder tmoge ts blurred . When you lose concentration, you lend to miss smell gestures and other momentary photo occasions. Canon's inlens image stabilizer gtves you a clear viewfinder image, so it's easier to notice and capture such photo opportunities. c 0 Canon IS l .. ~e~ help here.
Background information: A new IS lens for macro What is Hybrid IS? Macro photography involves shooting close-ups of subjects including Aowers insects, and jewelry. Until recently, however, there was no technology that could compensate for the type of comero shake common to macro photogropy.
e Camero shake - photography , T e benef s of 1-f., b rJ S There ore two types of camera shake that con negatively affect 1mage quality· angle camera shake and shif1 camera shake. Conventional Canon IS technology mcorporates a vibration gyro (angular speed sensor' to compensate for angle camera shake. This is an excellent solu!lon for mos1 types of photography, but prov•des insufficient image stabilizohon for macro photography wh1ch IS highly susceptible to shif1 camera shake.
\ Product overview \ Beautifully designed standard zoom lens realizes high image quality and easy operabil"ty. EF-S15-85mm f/ 3.5-5 .6 IS USM fn s srondord zoom ens spectol~ designed for EOS 70 o'ld EOS REBEL T3i/6000* but also compa~ole with ol cameros destgned to toke EF-S lenses covers focal engths rang ng from 24mm IJ1rough 136mm n the 35mm formal The wtde z.oom range handles most shooting situations, making ·he EF-S 1585mm 1/3.5-5 6 IS USM on tdeol "standard' 1ens.
e Single focal-length lenses (_---====-- EF 1OOmm f/2 8llw'Klcro IS USM N~r"" ..... • -..../ EF300r-- f 1 2 I IS lens lmeup - • ~LIS II USt~• EF200rr"" f 1 21 ~ Jl. EF300rr- "t• IS USM ~. EF~Omm E"500mm 1/AL IS II USM EF800rr"TT f 1 r.. ~l i S .- f/ .d DO IS USM EF600mr-1 1tl 1'; II USM USM Zoom lenses ~------~~ Ef-S 18-55mm f/3 5·5 6 IS II EF24-1 05mm f/ 4L IS USM c EF28-300rn,... 113.5-5 oliS USM EF70.200mm fl2 .8l1S II USM - • 4 77 EF70.200rn, fh !LIS USM EF7().3()(1... ,...
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Canon Your Guide to Better Photos F· ash Classroom ~ \"\em oro.ble moments at ..:---- - \ \'\O~o'i>· home captured in beo.utifu\ \> -------
Day or night , capture precious moments at home in natural-lo oking photos. Shoot beautiful photos with ease. ? Accent the natural ambience of your home. / ' @ External flash empowers you with the means to dramatically improve photos. fry it and see everyday life transformed into rich, photogenic imagery. fhe essence of precious moments in time, preserved in vivid photos you will cherish for years. Delight and surprise with the magic of external flash.
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• Cont e nt s j • My ~----------~r-------~·.------~--~ I d 0'3 Contents 011 fl<1sh techniques 25 Shooting tips 27 Recommended Canon Speedlites 28 Other flash functions My Keys to Better flash Photogra~ Bounce flash flash pointed direttly at a subject produces harsh, unnatural light. An external flash unit, however, gives you the freedom to point flash at walls or ceilings to reflect (or 'bounce•) light from the flash.
Make your home photos shine. Flash techniques -...
My Home Photo &II @ Cuisine Sllooll"'l d>la: EF·S 60mm f/2.8 Mi!Uo USM • 1/80 soc. • f/4 5 • ISO 100 • W8 AulD - Increase exposure compensation to give food a fresh took. PhotogrCiphing fotd serv1d on whit• dlshiS co.n produce drCib. unCippltitin9 riSUits. fo Clvoid this, simply incrlo.SI exposur1 comptnSCition. Your food photos will hCiv1 instant Clpplo.l with Cl frah. sumptuous look.
\ featime, day or night! J Side lighting gives food a temptingly delicious look. When shooting food and sweets, light from the side or diagonally from the back. fhe flexibility afforded by external flash lets you create the charming ambience of a cafe terrace at teatime, even at night! Unnatural shadow undtr dish ~ Like window light. bounce flash produces a bright. airy ambience! Bounce flash off a wall to reproduce the feeling of light from e1 window.
-i \ -..' Off-<•m"• flash. ~ ---s_ re_a_ t _li_sh_t_in_s_!__~, fwo lights reveCll the C1ppetizing color Clnd sheen of fine cuisine. fresh ly cooked food has a unique sheen that adds to appeal. To capture this look, try using two flash units - one for overall brightness and the other to produce a nice sheen.
My Morna Photo . . @ -{ Built-in flash Cuisine J Arrangement lost in muddy colors: fresh. appelidng appeal missing ~ Add a tantalizing accent with the camera's built-in flash! layout and flash positibn Bounce external flash to produce the overall lighting, and use the camera's built-in flash to add a delicious sheen to marinades and other dishes. If there is no nearby wall, bounce extern01l flash off a white cutting board. A paper towel reflects light to further brighten the photo.
My llome Photo &II @ Veranda Slovv lif)e Shooting dalJ; Ef-5 18·135mm 113 5-S 6 IS • 1/SO sec. • 115.
~ Subject in shade, \ sunny and bright![ A little ingenuity is all it takes to create your own sunshine. Verandas filled with lush foliage look best in sunshine. External flash provides the means to create a sunlit atmosphere, giving shaded greenery a bright. refreshing look. -{ Built-in flash ) fruit strangely •nOGting In air• Layout and flash position ~ Capture the feeling of natural sunlight with bounce flash! Add a feeling of bright sunlight by bouncing flash off a wall.
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My Morne Photo ~ @ veranda Enhance the beauty of flowers with the magic of light. Capturing the natural color and form of flora can be difficult when shooting close-ups. You can easily solve this problem by positioning the flash off-camera. flowers in air' due to block background ~ Diagonal back lighting gives flowers a fresh, vibrant look! Position external flash off-camera - either to the side or diagonally from the back - so light shines through the petals.
My !lome ·PhotO: ._. @· Hobby, . ~oo_N) , _- -------- - _i Works of) art Shooting llala: EF-S 18·135mm 113.5-5 615 • 1160 sec. l/• .5 • ISO 800 • WB. Manu>l - Use bounce flash to shoot framed pictures, fnmed pictures are difficult to photograph with built-in flash due to light reflecting off the giGSS. Bounce flash avoids this problem, vast ly reducing distracting reflections. l l'j,,,:·'o 11..: I /,,,,,·., ~ ' ,.
r Light and shadow, \ stunning photos! Create a digital scrapbook of kids' creative moments. fhose precious creative gems that all children make can disappear or become damaged over the years. f>t digital scrapbook containing photos of this very special artwork is a great way to preserve fond memories. (Suitt-in flash ] v Oislrccling dark in background shado~ ~ Bounce flash adds dimension and clearly r,eveals details! With bounce flash, you.
Arts and crafts, collector's edition! Shooii111J cl.ll• Ef·SI8·135mm 1/3.5·5.615 • 1/60 soc •115 6 • ISO 800 • WB· Auto ine external flash bounced off ceiling with built-in flash for large items. flash bounced off the cliling matts soft light that cowtrS Cl broCid ClriCI, ~~~e~king it icltCII for shooting ICirgt ittlft$ or ArrCinglllllnls of ~~~e~ny SIIICIII it1111s. When used off-camerA with built-in fiCISh. photos comt to lift with vivid colors And Cl IICiturol HnSt of cMpth.
Showcase your finest creations around the world. Sharing photos of crafts on the web or collecting them in albums is a satisfying experience anyone can enjoy. A little extra attention to lighting is all it takes to make crafts and artwork look their best. (Built-in flash J v Oistrocting shodow on bockground ~ Proper lighting is key to realistic looking model photos. ~nd I fia's'hp;ition Position external flash off-camera and bounce off the ceiling.
M'l Home Photo . _ @ Garden Smile! Combine bounce flash with built-in flash when photographing people indoors. Bouncing cxttrnGI flash off tht ctiling bothts both peoplt Clncl surroundings in nGturaHooking light ~imllar to window light. In addition, tht comtra's built-in flash crtata a bright catch light in f'ltS fgr a liYfly. ""'1ftlc laak.
r fetching smiles. \ lovely backgrounds.! Brighten facial expressions with external flash during the day! External flash can be used during the day for a wide variety of situations, such as eliminating shadows on a subject and brightening cute faces . fhe flexibility of external flash also lets you control background blur to frame smiling subjects. 04rk ro.
My Home Photo Kll @ Pets Adorable Shoolong data: Ef·S 18·5$mm 113 5·5615 • 1150 uc • 113 5 • ISO 100 • WB. Auto ' extet'n41 flash for enchanting aquarium shots. Photographing fiSh in on ClquCiriam with built-in nCish is diffiCult due to tight reflecting off the gt455. fo ovoid this. position txttrnol nCI$h tither obovc the tCink or on the Side Clnd mCikt sure the lens is CIS close CIS possible to the oqaoriwn.
0:i Adorable pets. \ soft and cuddly! J Capture the soft warmth of adorable pets. Built-in flash can't quite capture the feel of your pet's soft, downy fur. But with external flash, your pet photos come alive with a cuddly warmth you can almost feel. ~ Bounce flash makes pet photos look more natural! Photograph pets with bounce flash for photos that show pets as cute and lovable as they are in real life. This technio.ue brings out the softness in fur and makes faces look healthy and bright! ..
My !lome Photo IKIII @ f'rivate Room Personal treasur Data: EF·S 60mm 112.8 M•uo USM • 1150 sec:. • V4.5 • ISO 100 • WB.
es Personal items, \ premium look! [ . ·~ Side lighting accentuates metallic finish and adds depth. When shooting for blogs or online auctions, you'll want products to look their best. Experiment with different lighting angles and see the difference a little extra effort makes. Extrrn diffostd with treeing pcpcr \ tcckgrOCind sl>cdow ~o mtlcllic feet (ab$enu of mlcctions), no dcptl> ~ £OS utility makes product photography a snap! Position external flash to either side.
How to use off-camera flash l Canon Speedlites can be connected to EOS cameras either wirelessly or via extension flash cord. This offers a great deal of flexibility in choosing flash placement, the end result being easier creative expression and more beautiful photos! Wireless Speedlites * I 1'he wireless capability of these Speedlites - when used with compatible EOS cameras - gives you a great deal of freedom in flash placement, expanding creative possibilities for stunning photographs.
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... •• •• .. C.' ..... ~ •• \.' ~ •• -~ • .. •• ... ~ 8clsic flash knowledge Learn how to control brightness Adjust exposure compensation or flash intensity 'There are two ways to control brightness when shooting with flash: You can adjust either exposure compensation or flash intensity. Adjusting exposure compensation changes brightness over the entire photo. with the subject and background equally affected by any adjustments you make.
u ... .,_. ~ .. ' ·~ ~ ~ ' Eliminating shadows caused by strong backlight during the day Daylight sync and high-speed sync When photographing a strongly backlit subject or when the subject is in shade ond you want to ovoid background whiteout, use daylight sync. This ctses light from the flash to brighten shadows, effectively balancing subject and background brightness. Since most external flash units produce fairly strong light. they con reach distant sCLbjects ond allow use of large f·numbers.
• .,.. .. n ..... ...• ... • n .. • •• Other flash functions Slow sync fhis function uses a slow shutter speed with flash. fhe end result is a photo that combines a foreground lit by flash with a background lit using the scene's existing light, with both properly exposed. tlote: Use of 4 tripod is recommended to prevent background blur. Rear curtain sync and front curtain sync Slow sync can be used to express motion and has two options, depending on the scene and type of movement.
. ... •• .. ... •• ••• ... J..' Recommended Canon ~peedlites Speedlites Speedlite 580EX II Canon's flagship flash unit. Meets the demands of professional photographers. • Soze 76 x 137 x 111 mmt 3.0 x 5.4 x 4 5 rnch (excruorng ousr· ano onp·proor aotprer) • We1ght 405 g/ 14.3 oz (approx.. excluding battery) • Power source· Four AA·s1ze alkaline. 11th1um or N1·MH battenes 58 11S0100m) Note. This lunc110n proVIdes w1re1ess conlrol of Speedhte 580E.X 1V430E.X 11 I . .
··u ~ .. , ~ ... J..• ~ •• .... ' .t'" ..~ ' ": ~ • •• . (,' •• " II; •• ... -~ Recommended Canon Speedlites Accessories Speedlite fransmitter Sf-E2 Attaches to EOS and allows wireless control of Speedlite 580EX II and Speedlite 1130EX II. Note: EOS 70 and eos 600 have !he same functionality buill-in. Off-Camera Shoe Cord OC-E3 Allows an external flash unit to be positioned off-camera. Cord length is approx. 60 em/ 2 ft.
~ . .. .c ••• n ~ • Common household items make great lighting accessories. When shooting with flash, try some of these common household items to heighten creative expression . I I White cutting boClrd Clnd drClwing PClfllr ~ ~ v ~~ White cutting boord Drowi•g poper ., Bounce flo.sh off other surfo.ces besides o. wo.ll or ceiling. Simply bounce off o. piece of paper or even 4 white cutting board.
Canon E·l Printeclln Japan CTIH 170.000 101()UI40.
cauou EOS DIGITAL ••••••••••••••••••••••••••••••••••••••••••••• Solution Disk Ver.25.2 For Macintosh For Windows canon Utilities: Digital Photo Professional 3.11 canon Utilities: Digital Photo Professional 3.11 lmageBrowser EX 1.0 EOS Utility 2.11 PhotoStitch 3.1 Picture Style Editor 1.10 EOS Sample Music lmageBrowser EX 1.0 EOS Utility 2.11 PhotoStitch 3.2 Picture Style Editor 1.
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Register Now! Visit www.registercanon.com to register your new EOS camera today and receive the following*: • • • • Automatic notification of firmware and software updates Priority telephone support Exclusive priority e-mail support address Exclusive savings on select products, classes and workshops There is no charge to register or for the benefits offered.* These benefits valid in the U.S. only. Please read the Terms and Conditions at www.registercanon.com for complete details.
STOPP! lnstallieren Sie die Treiber-Software von der beigepacken CD-ROM bevor Sie die Kamera mit dem Kabel an den Computer anschlif3en. ATTENZIONE! Assicurate Vi di aver installato il driver dal CD-ROM incluso nella confezione prima di connettere Ia fotocamera al Vostro computer con questa cava. c tJ:i-. ?15:.1 \~:J :JI~jlf~g.Q litrl~, ~,g;fii]mJO) CD-ROM 1J'5 ~:7 ~ ~~·e:~-:; t. . , :r -p~~:J.A t-----Jvl../t:
Dealer Record of canon Purchase fiched' . COnc:eSslonnar... . I>:5'Mi.,.... ~JIV'II PRESENT OWNERSHIP AND PRODUCTS INTERESTED IN Articles deja en possession ou juges dignes d'interet -~ can ' Complete this card at time of sale.
Canon CANON®EF Lens and Accessories Limited WarrantyFor U.S.A. & Canada Only The limited warranty set forth below IS given by Canon U.S.A. , Inc. (Canon U.S.A.) in the United States or Canon Canada, Inc. (Canon Canada) in Canada with respect to the Canon brand EF Lens. as well as with respect to the accessories packaged with this limited warranty (collectively the "Producls").
Ca11011 Garantie limitee des _objectifs EF et des accessoires de CANON®Pour les Etats-Unis et le Canada seulement La presente garantie limitee est fournie par Canon U.S.A.. Inc. (Canon U.S.A.) aux Etats-Unis ou Canon Canada. Inc. (Canon Canada) au Canada a regard des objectifs EF de marque Canon, des accesso;res livres avec cette garantie limitee (collectivement les " produits ,. ). lorsqu'ils sent achetes et utilises aux Etats-Unis ou au Canada.
REMARKS - ' ' Canon U.S.A. You may obtain techn ical support fo r your Products as follows: • Internet support at www.usa.canon.com/support (E-mail support also available) • Telephone assistance from a Canon U.S.A. Customer Care representat ive free of charge during regular business hours at 1-800-0K-CANON (1-800-652-2666). Canon Canada You may obtain techn ical support for your Products as follows: • Internet support for English at www.canon .
Ca-nan IV ol CANON" EOS Digital Camera'M and Accessories Limited WarrantyFor U.S.A. & Canada Only Thalimoterl wammty set lonh below 1s ~;~iven by Canon U.S .A .. Int. (Caoon U.S.A.) in the UniteQ States or Canon Canada Inc. (Canon Canaes pliiCllaged wnn lh•s limited w.:~rranty (colloctovcty the "Products")", wtoen ~urch~s!!tl arKJ used 1n the Umted States or Canada.
Ca-Ofl 'I I Garant1e llm1tee des appare11s photo numenques EOS o,g,tal Camera" et des access011es de CANON' Pour tes Etats·Ums etle canada seulemenl La presen1e garantoe limot98 est toum;e par Canon U.S.A. l!lC. (Canon U.S.A.) avx Erars-Un>S ou CartOO Canada Inc. (C~non Cana!l,~i au Cana<:!a II l'{lgard de rappare ~ pllolo nume,;qw EOS de ma~ Canon. des aoccessoOres IM6s ~vac ceHe gatanbe ~mitW (colla<:tovementles • pnxlo..o ts .. )', lofsqco'~s sotJt achet&s et Olllises aux € tats-Ums ou au Cana(!a .
