Datasheet

Multi-talented,
multi-featured.
Whatever, wherever, the PowerShot Pro1 is supremely
adaptable.
AUTO EXPOSURE BRACKETING
AND FOCUS BRACKETING
There are two bracketing modes available
Auto Exposure Bracketing and Focus
Bracketing. AEB settings can be adjusted
in 1/3EV steps within the range of –2EV to
+2EV. With a single shutter release, three
successive shots are obtained: one at the
standard metered reading, one
underexposed and one overexposed.
Focus Bracketing also takes three
successive shots, shifting the selected AF
point to behind the subject and then in
front.
It is also possible to define the range of
deviation from the specified focal point
easily within the menu. This feature is
especially useful for Macro photography,
where focusing is critical.
INTELLIGENT ORIENTATION SENSOR
A smart and small sensor has been built
into the PowerShot Pro1 to detect the
orientation of the camera, whether portrait
or landscape. As a result, you get more
accurate AE and AWB in the vertical
position, since the camera allows for
brighter sky at the top of the image. Also,
when downloading to a computer, the
orientation is automatically detected and
shown the way it was intended.
INTERVALOMETER
This feature is designed for time-lapse
photography. The Intervalometer function
automatically captures up to 100 shots at
intervals between 1 and 60 minutes. This
is perfect for capturing changes over time,
such as an image sequence of an opening
flower bud or for use in scientific
experiments.
FLEXIZONE AF/AE
FlexiZone AF/AE lets you freely scroll the
auto focus area around the scene to select
your focus point. The exposure will
automatically be weighted for your subject
within the selected area. For more specific
metering, choose spot metering in
combination to apply the exposure for the
selected area to your image.
CHOICE OF COLOUR SPACE
The PowerShot Pro1 includes a choice of
two professional colour spaces: the
standard sRGB colour space and the
Adobe RGB colour space, which is useful
when you want to adjust saturation on a
computer or print the image out in an RGB
environment. The Adobe RGB colour
space reproduces much of the visible
spectrum by mixing red, green and blue
coloured light. The sRGB colour space
encompasses less of the visible spectrum
but is a more common standard in
monitors, printers and digital cameras.
Just select the setting that best suits your
needs.
RAW MODE
When shooting in RAW Mode, maximum
image data can be recorded with loss-less
(reversible) compression and therefore
suffer no reduction in definition. Then
when you download the image to your
computer you can manipulate and edit as
you like. You can even save an image as a
RAW file immediately after shooting it in
JPEG.
Macro shots can be taken as close as
3 cm from the subject.
Get RAW image previews faster than
ever using the new RAW Image Task.