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Important Usage Instructions 2 WARNING TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT EXPOSE THIS PRODUCT TO DRIPPING OR SPLASHING. WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK AND TO REDUCE ANNOYING INTERFERENCE, USE THE RECOMMENDED ACCESSORIES ONLY. COPYRIGHT WARNING: Unauthorized recording of copyrighted materials may infringe on the rights of copyright owners and be contrary to copyright laws.
CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure, that may be of sufficient magnitude to constitute a risk of electric shock to persons.
Important Safety Instructions 4 In these safety instructions the word “apparatus” refers to the Canon Digital Cinema Camera EOS C500 / EOS C500 PL and all its accessories. 1. 2. 3. 4. 5. 6. 7. Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. 8.
Highlights of the EOS C500/C500 PL The Canon Digital Cinema Camera EOS C500/C500 PL has been designed with the discerning professional in mind. It is truly a cinematographer’s camera. The following are just some of the many features that will help turn your creative vision into reality. 5 4K Recording System with Cinema Quality Advanced 4K-compatible Super 35mm CMOS sensor The camera is equipped with a Super 35mm CMOS sensor that captures video at an effective pixel count of 8.
Pro-level connectivity In addition to the 3G-SDI terminals mentioned previously, the HD/SD SDI terminal can output YCC 4:2:2 10-bit (8-bit effective) HD/SD video as well as audio and time code signals. Genlock synchronization (A 88), the TIME CODE terminal (A 89, 91) and SYNC OUT terminal allow the camera to be part of any multi-camera shooting setup. Customization The camera features several customization options.
Table of Contents 7 1. Introduction 11 About this Manual 11 Conventions Used in this Manual 11 Supplied Accessories 13 Names of Parts 14 Monitor Unit 19 Handle Unit 19 4K Workflow Overview 21 Color Grading with the ACES Workflow 22 2.
ISO Speed/Gain 70 Changing the ISO Speed or Gain Value 70 Using the Control Dial 71 Remote Operation Using Wi-Fi Remote 71 ND Filter 73 Using the ND Filter 73 Remote Operation Using Wi-Fi Remote 73 2 Adjusting the Aperture 74 Using the Control Dial 74 Remote Operation Using Wi-Fi Remote 75 White Balance 76 Setting the White Balance 76 Remote Operation Using Wi-Fi Remote 77 Adjusting the Focus 79 Adjusting the Focus Manually 79 2 Remote Operation Using Wi-Fi Remote 79 Using the Focus Assistance Functions 8
Saving and Loading Camera Settings 125 Saving Camera Settings to an SD Card 125 Loading Camera Settings from an SD Card 125 5.
Optional Accessories 198 Specifications 201 Index 207 C Y P O
1 Introduction 11 About this Manual Thank you for purchasing the Canon EOS C500/C500 PL. Please read this manual carefully before you use the camera and retain it for future reference. Should the camera fail to operate correctly, refer to Troubleshooting (A 185). Conventions Used in this Manual • IMPORTANT: Precautions related to the camera’s operation. • NOTES: Additional topics that complement the basic operating procedures. • A: Reference page number.
About this Manual 12 The arrow is used to abbreviate menu selections. For a detailed explanation on how to use the menus, refer to Using the Menus (A 29). For a concise summary of all available menu options and settings, refer to the appendix Menu Options (A 167).
Supplied Accessories Supplied Accessories The following accessories are supplied with the camera. 13 Monitor Unit Handle Unit Body Cap1 Battery Charger CG-940 (incl. power cord) BP-955 Battery Pack (incl. terminal cover) Eye Cup Viewfinder Cap CA-940N Compact Power Adapter (incl. power cord) SS-1200 Shoulder Strap 1 2 C Y P O Adapter Base for 0.64 cm (1/4 in.) Tripods WFT Attachment Bracket2 Comes pre-attached to the camera.
Names of Parts Names of Parts 14 6 7 1 8 2 9 3 10 11 4 5 12 Y P O 13 14 15 16 1 2 3 4 5 6 7 8 9 C MAGN. (magnification) button (A 80)/ Assignable button 1 (A 111) PEAKING button (A 80) / Assignable button 2 (A 111) ND FILTER +/- buttons (A 73) ZEBRA button (A 83)/ Assignable button 3 (A 111) WFM (waveform monitor) button (A 100)/ Assignable button 4 (A 111) Q switch (A 26) Tally lamp (A 51) DISP. (display) button (A 55,129)/BATT.
Names of Parts 17 18 15 31 19 20 21 22 23 24 25 26 27 32 28 29 30 17 18 19 20 21 22 23 24 Y P O MON. (external monitor) terminals 1 and 2 (A 41) WFT terminal (A 50) EXT (modular unit) terminals 1 and 2 (A 35) REMOTE terminal For connecting commercially available remote controllers.
Names of Parts 3 2 16 38 34 39 35 33 40 2 EF Lens mount 33 34 35 36 Mount handle (A 33) EF Lens mount index (A 32) EF-S Lens mount index (A 32) EF Lens contacts (A 32) 37 START/STOP button (A 51) Y P O 36 37 37 3 PL Lens mount C 38 Bayonet ring handles (A 35) 39 PL Lens index pin (A 35) 40 Bayonet ring (A 35)
Names of Parts 53 17 41 54 55 42 43 44 56 45 46 47 48 57 58 59 49 50 51 52 49 41 42 43 44 45 46 47 48 49 50 51 52 53 54 C 60 Y P O 61 62 Viewfinder unit Viewfinder unit LOCK/RELEASE screw (A 195) (rear panel’s backlight) button (A 57) FUNC.
Names of Parts 18 65 66 67 68 64 67 64 Tape measure hooks Use the hooks to accurately measure the distance from the focal plane. 65 Focal plane marks 66 Socket for the WFT Attachment Bracket (A 50) C 67 Strap mounts (A 39) 68 Accessory shoe with mounting hole for 0.64 cm (1/4 in.) screws For attaching accessories such as the optional VL-10Li II Battery Video Light. Y P O 71 72 69 70 69 TB-1 Tripod Base for tripods with 0.95 cm (3/8 in.
Names of Parts Monitor Unit 19 1 2 Operation panel (A 20) 3 4 1 2 3 LCD panel MIRROR button (A 37) Microphone lock screw (A 92) Handle Unit C 5 Y P O 4 5 6 6 Microphone holder (A 92) Microphone cable clamp (A 92) XLR terminals CH1 (right) and CH2 (left) (A 92) 1 3 2 4 1 2 Mounting hole for 0.64 cm (1/4 in.
Names of Parts Operation panel 20 7 8 9 10 11 12 1 2 3 4 5 6 13 14 Y P O 15 16 17 18 1 2 3 4 5 6 7 8 9 C DISP. (display) button (A 55, 129) Ñ (stop) button (A 128)/ Assignable button 14 (A 111) WFM (waveform monitor) button (A 100)/ Assignable button 8 (A 111) Ú (skip backward) button (A 130)/ Assignable button 13 (A 111) EDGE MON.
4K Workflow Overview 4K Workflow Overview The following illustrates the typical 4K workflow for this camera. 21 Operating modes: Recording Post-production Full-quality data RAW data 3G-SDI connection Cinema RAW Development External 4K recorder Color grading RAW recording Proxy data CF card HD recording MXF data EDL Y P O NLE Associated plugin C Shoot in 4K mode (A 60) and record 4K RAW data using an external recorder connected to the camera’s 3G-SDI terminals (A 41).
4K Workflow Overview Color Grading with the ACES Workflow Post-production 22 3G-SDI output RAW data Cinema RAW Development External 4K recorder Open EXR (ACES) IDT RAW recording Color grading ASCCDL MON. 2 output ACES proxy10 Inverse log ASCCDL RRT ODT RRT ODT On-set Color Grading Y P O ACESproxy10: ACESproxy10 video data that is output from the MON. 2 terminal when performing on-set color grading. Use the [ 4K/2K/MXF] > [MON. 1 & 2] > [ACESPX10] setting to enable ACESproxy10 output.
2 Preparations 23 Preparing the Power Supply You can power the camera using a battery pack or directly using the compact power adapter. If you connect the compact power adapter to the camera while a battery pack is attached, the camera will draw power from the power outlet. Charge battery packs before use. For approximate charging times and recording/playback times with a fully charged battery pack, refer to Charging Times (A 199) and Recording and Playback Times (A 199).
Preparing the Power Supply Attaching the Battery Pack 1 Set the Q switch to OFF. 24 2 Slide the BATT. OPEN switch in the direction of the arrow and open the battery compartment cover. 3 Insert the battery pack all the way into the compartment as shown in the illustration and press it gently toward the left until it clicks. 4 Close the battery compartment cover. Removing the Battery Pack 1 Set the Q switch to OFF. Y P O 2 Slide the BATT.
Preparing the Power Supply Press the BATT. INFO button to display the remaining battery charge (for 5 seconds). Depending on the battery life, the battery information may not be displayed. NOTES • The first time you use a battery pack, fully charge it and then use the camera until the battery pack is completely exhausted. Doing so will ensure that the remaining recording time will be displayed accurately. • Repeatedly charging and discharging the battery pack will eventually shorten its battery life.
Preparing the Power Supply Turning the Camera On and Off The camera has two operating modes: CAMERA ( ) mode for making recordings and MEDIA ( mode for playing back recordings. Select the operating mode using the Q switch. 26 To turn on the camera Set the Q switch to CAMERA for mode or MEDIA for mode. • If a message appears prompting you to open the MON./3G-SDI terminal cover, open the cover to shoot in 4K or 2K mode. CAMERA mode MEDIA mode: Allows you to play back recordings made on a CF card.
Date, Time and Language Settings Date, Time and Language Settings Setting the Date and Time You will need to set the date and time of the camera before you can start using it. When the camera’s clock is not set, the [Date/Time] screen will appear automatically with the first field selected (month or day, depending on the country/region of purchase). Operating modes: 1 Push the joystick up/down or turn the SELECT dial to change the month/day then move (Ð) to the next field.
Date, Time and Language Settings Displaying the Date and Time while Recording [£ LCD/VF Setup] You can display the date and time on the screen. 28 [Custom Display 2] Operating modes: [Date/Time] 1 Press the MENU button. 2 Push the joystick up/down or turn the SELECT dial to select [£ LCD/VF Setup]. [Off] 3 Select [Custom Display 2] and then [Date/Time] in a similar fashion. 4 Push the joystick up/down or turn the SELECT dial to select the information to display.
Using the Menus Using the Menus In mode, many of the camera’s functions can be adjusted from the menu for general settings, which opens after pressing the MENU button. You can also register frequently used menu settings in a customized submenu (My Menu) for easy access. In mode, press the MENU button to open the menu for general settings or SET to open the clip menu for clip operations. For details about the available menu options and settings, refer to Menu Options (A 167).
Using the Menus 5 Push the joystick right or press SET. • The orange selection frame will appear on a setting option. • Press the CANCEL button to return to the previous submenu. 30 6 Push the joystick up/down or turn the SELECT dial to select the desired setting option and then press SET. • Depending on the menu item, additional selections may be necessary. 7 Press the MENU button to close the menu. NOTES • Unavailable items may appear grayed out. • Pressing the MENU button at any time closes the menu.
Using the Menus Removing Menu Settings [¥ My Menu] 1 Open the My Menu [Delete] screen. [¥ My Menu] > [Edit] > [Delete] [Edit] 2 Push the joystick up/down or turn the SELECT dial to select the setting you want to remove and then press SET. [Delete] 3 Select [OK] and then press SET twice. Resetting the My Menu Submenu [¥ My Menu] 1 Reset all the menu settings registered to the My Menu submenu. [¥ My Menu] > [Edit] > [Reset All] [Edit] 2 Select [OK] and then press SET twice.
Preparing the Camera Preparing the Camera 32 This section outlines the basic preparations for the camera such as attaching a lens and attaching the modular units to the camera: monitor unit, handle unit, eye cup, etc. This section also covers how to adjust the viewfinder and LCD screen. Your camera is nothing if not versatile and you can choose the configuration that best fits your needs and shooting conditions.
Preparing the Camera Index mark 2 Attaching an EF Lens 1 Set the Q switch to OFF. 2 Turn the mount handle clockwise until it stops. 3 Remove the body cap from the camera and any dust caps from the lens. 4 Align the lens and mount making sure that the index marks are aligned. • EF lenses: Align the red mark on the lens with the red EF Lens mount index mark on the camera. • EF-S lenses: Align the white mark on the lens with the white EF-S Lens mount index mark on the camera.
Preparing the Camera Changing a Lens While Maintaining the Time Code’s Progress You can change the lens while the camera is turned on and the time code is running. 34 Operating modes: 1 Press and hold the LENS EXCHANGE button for 1 second. • The camera enters lens exchange mode and the tally lamp will flash twice every 2 seconds. During this time, the time code will continue running. • While the camera is in lens exchange mode, only the Q switch and LENS EXCHANGE button can be operated.
Preparing the Camera - When using non-Canon lenses, peripheral illumination will not be corrected. Even if the [~ Camera Setup] > [Periph. Illum. Corr.] setting is available (not grayed out), it is recommended to set it to [Off]. 3 Attaching a PL Lens 35 1 Hold a bayonet ring handle and turn the bayonet ring counterclockwise to remove the body cap and remove any dust caps from the lens. 2 Attach the lens to the camera aligning a groove on the lens with the PL lens index pin on the mount.
Preparing the Camera Using the Viewfinder Adjusting the Viewfinder’s Position 36 1 Gently pull out the viewfinder until it stops. 2 Adjust the viewfinder’s angle as necessary. • The viewfinder unit can be adjusted up to 60º vertically. Attaching and Detaching the Eye Cup Attach the eye cup so that it covers the rubber portion of the viewfinder unit. • The dioptric adjustment dial can be operated even with the eye cup attached.
Preparing the Camera Attaching the Viewfinder Cap Pointing the viewfinder lens at the sun or other strong light sources may cause damage to internal components. When you are not using the viewfinder, make sure to attach the viewfinder cap to the viewfinder. This will also protect the viewfinder from scratches and dirt. Attach the viewfinder cap by inserting it into the rubber portion of the viewfinder unit.
Preparing the Camera Adjusting the Viewfinder/LCD Screen 38 You can adjust the brightness, contrast, color, sharpness, and backlight of the viewfinder and LCD screen independently of each other. These adjustments will not affect your recordings. [£ LCD/VF Setup] [LCD Setup] [VF Setup] Operating modes: 1 Open the setup menu for the viewfinder or LCD screen. [£ LCD/VF Setup] > [LCD Setup] or [VF Setup] 2 Select [Brightness], [Contrast], [Color], [Sharpness] or [Backlight] and then press SET.
Preparing the Camera Using a Tripod with 0.64 cm (1/4 in.) Mounting Screws To use a tripod with 0.64 cm (1/4 in.) mounting screws, first attach the supplied tripod adapter base to the camera and then attach the tripod to the adapter base. 1 Remove the original TB-1 tripod base from the camera. • Remove the 4 screws and then remove the base. 2 Attach the supplied tripod adapter base for 0.64 cm (1/4 in.) tripods. • Firmly screw in the 4 screws. 3 Attach the tripod. • Firmly screw in the tripod screw.
Preparing the Camera Removing and Attaching the Terminal Covers 40 You can remove the plastic covers of the following terminals and SD card slot to access them more readily. For information on removing the MON./3G-SDI terminal cover, refer to Connecting to a 4K- or 2K-Compatible External Recorder (A 41).
Connecting to a 4K- or 2K-Compatible External Recorder Connecting to a 4K- or 2K-Compatible External Recorder When you use this camera to make 4K or 2K recordings, you must connect the camera to an external recorder* using the 3G-SDI terminals. In addition to a video signal, the 3G-SDI terminals output an audio signal, time code signal, metadata and clip name information.
Connecting to a 4K- or 2K-Compatible External Recorder Video signal output from the 3G-SDI terminals The following summarizes the video signal output from the 3G-SDI terminals for general shooting situations. The figures in parentheses apply to 2K mode. Video configuration (A 60) 42 System priority / Recording mode 4K / RAW 2K / 12-bit 2K / 10-bit 4K / HRAW 4K / 4K1K RAW 2K / 10-bit 1 2 Output signal Frame rate 3G-SDI 1 terminal 3G-SDI 2 terminal 59.94P 29.97P1 29.97P1 29.97P 29.97P 2 29.
Preparing Recording Media Preparing Recording Media The camera records MXF clips to 1 CompactFlash (CF) cards and photos* to . SD and / SDHC memory cards. The camera is equipped with two CF card slots. Initialize recording media (A 45) when you use them with this camera for the first time. * The camera can record custom picture files and a camera settings file onto the SD card as well.
Preparing Recording Media Checking the Status of the CF Card Slots You can check the status of the CF card slots immediately by looking at the CF2/CF3 access indicator. Refer to the following table. 44 Access indicator color CF card slot status Red Accessing CF card. Green Recording/playback is possible and the CF card slot is selected for recording/playback. Indicator off A CF card is not inserted, the CF card slot is not currently selected, or the CF card is not being accessed.
Preparing Recording Media IMPORTANT • Observe the following precautions while the SD card access indicator is flashing. Failure to do so may result in permanent data loss. - Do not disconnect the power source or turn off the camera. - Do not remove the SD card. • Turn off the camera before inserting or removing an SD card. Inserting or removing the SD card with the camera on may result in permanent data loss. • SD cards have front and back sides that are not interchangeable.
Preparing Recording Media 46 NOTES • While recording on a CF card, you can initialize another CF card in the other CF card slot. • If you set an assignable button to [Initialize Media] (A 111), you can press the button to open the initialization submenu. Switching Between the CF Card Slots The camera features two CF card slots, CF2 (CF card slot A) and CF3 (CF card slot B). If both slots contain a CF card, you can switch between them as necessary. Operating modes: Press the SLOT SELECT button.
Preparing Recording Media To use double slot recording [ 1 Open the [Double Slot Rec] submenu. [ 4K/2K/MXF Setup] > [Set CF Card Slot] > [Double Slot Rec] 4K/2K/MXF Setup] [Set CF Card Slot] 2 Select [On] and then press SET. [Double Slot Rec] NOTES [Off] • When the bit rate is set to 50 Mbps (A 60), relay recording is not available during slow motion recording. • If a CF card becomes full during double slot recording, recording on both cards will stop.
Adjusting the Black Balance Adjusting the Black Balance You can have the camera adjust the black balance automatically when ambient temperature changes considerably or if there is a noticeable change in a true black video signal. 48 Operating modes: 1 Open the [ABB] screen. [~ Camera Setup] [~ Camera Setup] > [ABB] [ABB] 2 Attach the body cap to the lens mount. • If a lens was attached, remove the lens and replace the body cap. 3 Select [OK] and then press SET.
Operating the Camera Remotely Operating the Camera Remotely There are two methods in which the camera can be operated remotely. The first is to connect the optional RC-V100 Remote Controller to the camera’s REMOTE terminal. The second is to attach the optional WFT-E6 Wireless File Transmitter to the camera’s WFT terminal to use the Wi-Fi Remote application.
Operating the Camera Remotely Remote Operation Via the Wi-Fi Remote Application 50 You can attach an optional WFT-E6 Wireless File Transmitter to the camera and operate the camera remotely via Wi-Fi Remote, a Web browser application that can be accessed using the Web browser on any device compatible with Wi-Fi networks*. The Wi-Fi Remote application lets you monitor the image through live view, start and stop recording and remotely control the shutter speed, ISO speed/gain and other settings.
3 Recording 51 Recording Video This section explains the recording basics. Before you use an external recorder, make sure it is operating correctly. Before you begin recording on a CF card, make a test recording first to check if the camera is operating correctly. Record for approximately 6 minutes at 50 Mbps (A 60). Should the camera fail to operate correctly, refer to Troubleshooting (A 185). For details on recording audio, refer to Recording Audio (A 92).
Recording Video 3 Select [4K], [2K] or [MXF] and then press SET. 52 • The system priority changes to the selected menu item. Hereafter, each mode will be referred to in this manual as “4K mode”, “2K mode” and “MXF mode”, respectively. • Select [4K] or [2K] to record a 4K or 2K clip* on an external recorder. Select [MXF] to record only an MXF clip (HD video) on a CF card. • During 4K mode, [RAW] appears on the upper right of the screen and the icon appears on the rear panel.
Recording Video Locking the Controls in Recording Mode Once in mode, you can set the Q switch to C (key lock) to lock all the physical controls (buttons and switches) on the camera*, save for the START/STOP button. With the [w Other Functions] > [Custom Function] > [C START/STOP] setting, you can even choose to lock all buttons, including the START/STOP button. In such case, you can use Wi-Fi Remote to operate the camera.
Recording Video 54 • By default, [w Other Functions] > [Fan] is set to [Automatic] and the internal cooling fan will be activated during record pause mode. While recording, when the camera's internal temperature goes below a predetermined level, the cooling fan will deactivate. You can also set the cooling fan to be activated at all times. • When recording MXF clips, the following apply. - You can use [w Other Functions] > [Rec Review] (A 104) to review part or all of the last clip recorded.
Recording Video Onscreen Displays Refer to this section for an explanation of the various screen displays that appear in mode. You can use the custom display function (A 124) to turn off individual onscreen displays if they are not required.
Recording Video 56 NOTES • You can press the DISP. button to switch the onscreen displays in the following sequence. Show all onscreen displays show only onscreen markers* hide all onscreen displays. * Only when the [£ LCD/VF Setup] > [Markers] setting is enabled. 1 CF card status/available recording time • The following indicates the CF card status. 2/3 Can record on CF card 4/5 No CF card or cannot record on CF card The CF card selected for recording is indicated with a Ð mark.
Recording Video Rear Panel Displays You can check the following information on the rear panel. This allows you to easily adjust main camera functions like the shutter speed, white balance and ISO speed/gain even when the monitor unit is not attached to the camera without having to use the viewfinder.
Recording Video Canon Log Gamma and CINEMA Preset The Canon Log gamma setting makes full use of the newly developed image sensor to offer spectacular dynamic range. 58 You can easily set the camera to use a number of preset picture-related settings especially designed with professional cinematography and motion picture production in mind.
Recording Video Using the Internal Cooling Fan During mode, the camera uses an internal cooling fan to reduce the camera’s internal heat. Operating modes: 59 1 Open the [Fan] submenu. [w Other Functions] [w Other Functions] > [Fan] 2 Select the desired option and then press SET. Options [On]: The cooling fan is active at all times regardless of the camera’s internal temperature. [Automatic]: During record pause mode, the cooling fan is always activated.
Video Configuration: Type of Recording, Resolution and Frame Rate Video Configuration: Type of Recording, Resolution and Frame Rate 60 Before you shoot, select the type of recording, resolution (frame size), frame rate and other settings that best match your creative needs. The options available will depend on whether the camera is in 4K mode, 2K mode or MXF mode, as well as the system frequency setting.
Video Configuration: Type of Recording, Resolution and Frame Rate 2 Select the desired recording mode and then press SET. [ 4K/2K/MXF Setup] Available recording modes by system priority System priority Recording mode Description RAW Standard recording mode for 4K clips. This recording mode features a 10-bit bit depth and should be used if you plan to develop the clip using the Cinema RAW Development software (A 152).
Video Configuration: Type of Recording, Resolution and Frame Rate Selecting the Resolution 62 [ 4K/2K/MXF Setup] 1 Open the [Resolution] submenu. [ 4K/2K/MXF Setup] > [4K (4096/3840)] or [2K (2048/1920)] > [Resolution] [4K (4096/3840)] 2 Select the desired resolution and then press SET. • Available resolution options depend on the system priority and recording mode settings.
Video Configuration: Type of Recording, Resolution and Frame Rate System frequency System priority 2K 59.94 Hz 50.00 Hz 24.00 Hz Frame rate Mode / Resolution 23.98P 29.97P 59.94P 25.00P 50.00P 24.
Video Configuration: Type of Recording, Resolution and Frame Rate 64 NOTES • If you set an assignable button to [Resize MXF Output] (A 111), you can press the button to switch the resizing method. • During 4K and 2K modes, the picture output from the 3G-SDI terminals and the picture recorded on a CF card will differ in image quality due to differences in the signal processing algorithm. • Because the camera uses a simple resize conversion process vertically, diagonal lines may appear jagged.
Video Configuration: Type of Recording, Resolution and Frame Rate Selecting the Frame Rate [ This procedure is not necessary for 24.00 Hz recordings. 4K/2K/MXF Setup] 1 Open the [Frame Rate] submenu to set the frame rate. [ 4K/2K/MXF Setup] > [MXF] > [Frame Rate] [MXF] 2 Select the desired option and then press SET. • The selected frame rate will appear on the upper right of the screen. 65 [Frame Rate] [23.98P] or [25.
Changing Main Camera Functions with the FUNC. Button Changing Main Camera Functions with the FUNC. Button 66 You can adjust three main camera functions –shutter speed, white balance and ISO speed/gain– using the FUNC. button (direct setting mode). In direct setting mode, you can change settings using the LCD screen/ viewfinder or using only the rear panel, which is convenient when the monitor unit is not attached to the camera. This section will explain the basic operation of the direct setting mode.
Shutter Speed Shutter Speed Set the shutter speed based on the recording conditions. For example, you may want to set slower shutter speeds in darker environments. The camera offers the following 5 modes. 67 Operating modes: [Speed]: Allows you to set the shutter speed (in fractions of a second). You can select the increment to use when adjusting the shutter speed between 1/3-stop and 1/4-stop increments. [Angle]: You can set the shutter angle to determine the shutter speed.
Shutter Speed Changing the Shutter Speed Mode and Value 1 Open the shutter [Mode] submenu. 68 [~ Camera Setup] [~ Camera Setup] > [Shutter] > [Mode] 2 Select the desired mode and then press SET. [Shutter] • If you selected [Speed] you can select the increment scale to use when adjusting the shutter speed; otherwise, skip to step 5. [Mode] 3 Open the [Shutter Increment] submenu. [~ Camera Setup] > [Shutter] > [Shutter Increment] [Angle] 4 Select [1/3 stop] or [1/4 stop] and then press SET.
Shutter Speed Using Slow Shutter Mode When recording in dark surroundings, you can obtain a brighter picture by using slow shutter mode. You can also use this mode when you wish to add certain effects to your recordings, such as blurring the background during panning shots or recording a moving subject with an afterimage trail. • Image quality may not be as good as when using faster shutter speeds in brighter surroundings.
ISO Speed/Gain ISO Speed/Gain Depending on the shooting conditions you may want to adjust the brightness of the image. You can do so by changing the ISO speed or gain value to adjust the sensitivity of the sensor.
ISO Speed/Gain NOTES • If you set an assignable button to [FUNC. ISO/Gain] (A 111), you can press the button to enter the direct setting mode with the ISO speed/gain highlighted and ready to be adjusted. 71 Using the Control Dial You can adjust the value of the ISO speed or gain using the control dial on the camera. When you have attached the grip unit of the C300 / C300 PL or C100 to the camera, you can select the function assigned to each control dial independently.
ISO Speed/Gain 72 • • • • NOTES When high ISO speeds or gain levels are set, the picture may flicker slightly. When high ISO speeds or gain levels are set, bright red, green or blue dots may appear on the screen. In such case, use a faster shutter speed (A 67) or select a lower ISO speed or gain value. When the ISO speed or gain level is changed, some noise may appear momentarily on the screen. Do not adjust the ISO speed/gain level while recording.
ND Filter ND Filter Using the ND filters allows you keep the aperture within an appropriate range when recording in bright surroundings*. * Closing down the aperture when recording under bright conditions may cause the picture to appear soft or out of focus. To avoid the loss of sharpness due to diffraction, use a denser ND filter or a faster shutter speed (A 67). Operating modes: Using the ND Filter Press the ND FILTER + or - button to select the desired ND filter setting.
2 Adjusting the Aperture 2 Adjusting the Aperture 74 You can affect the brightness of your recordings or change the depth of field by adjusting the aperture. For example, use a small aperture value for a shallow depth of field that isolates the subject in focus and nicely blurs the background. Available aperture values will vary depending on the EF lens attached to the camera. Operating modes: Using the Control Dial You can adjust the aperture value of most EF lenses using the control dial on the camera.
2 Adjusting the Aperture Remote Operation Using Wi-Fi Remote After completing the necessary preparations (A 50) you can adjust the aperture value remotely from a Wi-Fienabled device using the Wi-Fi Remote application. 1 Press the current aperture value on the Wi-Fi Remote screen. 2 Select the desired aperture value from the list. • You may need to scroll up/down to see all the available values.
White Balance White Balance The camera uses an electronic white balance process to calibrate the picture and ensure accurate colors under different lighting conditions. There are 3 methods of setting the white balance. 76 Custom white balance: You can use a white object to establish the white balance and set it to one of two custom white balance positions, ÅA or ÅB. Set color temperature: Allows you to set the color temperature between 2,000 K and 15,000 K.
White Balance If you selected one of the preset white balance settings, ¼ or É: You can fine-tune the preset values within a range of -9 to 9. 2 Press the Å button or push the joystick right. • On the screen: The adjustment value ±0 will appear next to the white balance icon, highlighted in orange. On the rear panel: The adjustment value ±0 will appear. 3 Push the joystick up/down or turn the SELECT dial to change the adjustment value and then press SET.
White Balance • The selected value will be displayed on the Wi-Fi Remote screen and will be applied on the camera. 78 White balance fine-tuning Color temperature If you selected ÅA or ÅB: 3 Point the camera at a white object so that it fills the whole screen. • Use the same lighting conditions you plan to use when recording. • Make sure the white object fills the screen until the procedure is completed. 4 Press [Å]. Y P O • If a custom white balance has not yet been stored, [Å] will flash slowly.
Adjusting the Focus Adjusting the Focus The camera does not have automatic focus control and focusing is done manually using the focus ring on the attached lens. Nevertheless, the camera offers focus assistance functions to help you adjust the focus more accurately. 2 only: You can adjust the focus of an attached EF lens remotely using the Wi-Fi Remote application. Operating modes: Adjusting the Focus Manually Turn the focus ring on the attached lens to adjust the focus.
Adjusting the Focus 80 NOTES • If the focus mode switch on the EF lens is set to MF, you will not be able control the focus through remote operation. Depending on the lens used, remote operation may not work correctly. • If you operate the zoom after focusing, the focus on the subject may be lost. • If you focus manually and then leave the camera with the power turned on, the focus on the subject may be lost after a while.
Adjusting the Focus • A white frame representing the whole screen area is displayed on the top left of the screen. The orange frame within it represents the approximate part of the image shown magnified. 2 If necessary, use the joystick (ÝÞ) or SELECT dial to move the orange frame around and check other parts of the image. • You can move the orange frame 5 steps vertically or horizontally. Press the CANCEL button to return the magnification frame to the center position.
Onscreen Markers and Zebra Patterns Onscreen Markers and Zebra Patterns 82 Using onscreen markers allows you to make sure your subject is correctly framed and is within the appropriate safe area. The zebra patterns help you identify areas that are overexposed. The onscreen displays and zebra pattern appear on the camera screen and an external monitor connected to the MON. 1 terminal.
Onscreen Markers and Zebra Patterns Grid 83 Center marker NOTES • You can turn off all onscreen displays except for the onscreen markers (A 55). • If you set an assignable button to [Markers] (A 111), you can press the button to turn the onscreen markers on and off. • If you selected [Side Crop] for the [ 4K/2K/MXF Setup] > [MON. 1 & 2] > [Resize Output] setting while video is output from the MON. 1 terminal: - The [1.85:1] aspect ratio marker will not be displayed.
Setting the Time Code Setting the Time Code 84 While recording, the camera can generate a time code signal and embed it in your recordings. You can have the camera output the time code signal from the 3G-SDI terminals, MON. terminals, HD/SD SDI terminal or TIME CODE terminal (A 91). In addition, you can superimpose the time code on video output from the HDMI OUT terminal or SYNC OUT terminal.
Setting the Time Code Setting the Time Code’s Initial Value If you set the time code mode to [Preset], you can set the initial value of the time code. 1 Open the time code [Setting] submenu. [¤ TC/UB Setup] > [Time Code] > [Setting] [¤ TC/UB Setup] [Time Code] [Setting] 2 Select [Set] and then press SET. • The time code setting screen appears with an orange selection frame indicating the hours. • To reset the time code to [00:00:00.00], select [Reset] instead.
Setting the Time Code About the Time Code Display An icon may appear next to the time code depending on the operation. Refer to the following table. Icon 86 Description R The time code is set to [Regen.]. P The time code is set to [Preset] and the running mode is set to [Rec Run]. F The time code is set to [Preset] and the running mode is set to [Free Run]. E Time code signal is coming from an external source. H Time code display is on hold. No icon Time code during clip playback.
Setting the User Bit Setting the User Bit The user bit display can be selected from the date or the time of recording, or an identification code consisting of 8 characters in the hexadecimal system. There are sixteen possible characters: the numbers 0 to 9 and the letters A to F. If user bit information is being received along with an external time code, you can also record the external user bit on the recording media. The user bit information can be output from the 3G-SDI terminals, MON.
Synchronizing with an External Device Synchronizing with an External Device 88 Using genlock synchronization, you can synchronize this camera’s video signal to that of an external video device. Similarly, using an external time code signal, you can synchronize this camera’s time code to the external signal. Using the external time code signal with multiple cameras allows you to set up a multi-camera recording. You can also output the time code signal from this camera to achieve the same result.
Synchronizing with an External Device Time Code Signal Input An external SMPTE-standard LTC timing signal received from the TIME CODE terminal will be recorded as the time code. The user bit of the external timing signal can also be recorded. Before connecting the device, set the TIME CODE terminal to input. Also, you must set the running mode of the time code to [Free Run] (A 84). Operating modes: [¤ TC/UB Setup] [Time Code] [TC In/Out] [In] 1 Open the [TC In/Out] submenu.
Synchronizing with an External Device Reference Video Signal Output You can output the camera’s video signal as a reference sync signal (analog blackburst or tri-level signal) through the SYNC OUT terminal to synchronize an external device to this camera. 90 Operating modes: In mode, you must first set [¤ TC/UB Setup] > [Time Code] > [24P TC/Sync] to [Normal], which is the default setting. In mode or if the default setting has not been changed in mode, start from step 3 below.
Synchronizing with an External Device Video configuration SYNC OUT terminal HD Sync1 System priority Resolution Frame rate mode Normal2 1920×1080 MXF 1280×720 1 2 59.94i 1080/59.94i 29.97P 1080/29.97 (P/PsF) 23.98P 1080/23.98 (P/PsF) 50.00i 1080/50.00i 25.00P 1080/25.00 (P/PsF) 24.00P 1080/24.00 (P/PsF) 59.94P 720/59.94P 29.97P 720/29.97P 23.98P 720/23.98P 50.00P 720/50.00P 25.00P 720/25.00P 24.00P 720/24.00P XF Legacy mode Blk Burst 91 1080/59.94i 1080/59.
Recording Audio Recording Audio 92 The camera features two-channel linear PCM audio recording and playback with a sampling frequency of 48 kHz. You can record audio using commercially available microphones (XLR terminal, MIC terminal) or line input (XLR terminal). You can select the audio input independently for channel 1 and channel 2. An audio signal will be output with the video signal from the 3G-SDI terminals, MON. terminals and HD/SD SDI terminal.
Recording Audio Selecting the Audio Input from the XLR Terminals Using the XLR terminals CH1 and CH2, you can record audio independently to the two audio channels from a microphone or analog audio input source. Note that the camera’s MIC terminal is given priority over the XLR terminals. To record audio from the XLR terminals, be sure not to connect any microphones to the MIC terminal. Switching Between Microphone and Line Input Set the XLR terminal switch of the desired channel to LINE or MIC.
Recording Audio Adjusting the Audio Level from the XLR Terminals You can set the audio recording level for audio input from the XLR terminals to auto or manual for each channel. 94 Automatic Audio Level Adjustment Set the ã switch of the desired channel to A (automatic) to let the camera automatically adjust that channel’s audio level.
Recording Audio Adjusting the Microphone’s Sensitivity You can adjust the microphone’s sensitivity if the XLR terminal switch is set to MIC or MIC+48V. 1 Open the desired XLR terminal’s sensitivity submenu. [¡ Audio Setup] > [Audio Input] > [XLR1 Mic Trimming] or [XLR2 Mic Trimming] 2 Select the desired level and then press SET.
Recording Audio Activating the Microphone’s Attenuator If the audio level is too high and the sound sounds distorted, activate the microphone attenuator (20 dB). 96 [¡ Audio Setup] [Audio Input] 1 Open the [MIC Att.] submenu. [¡ Audio Setup] > [Audio Input] > [MIC Att.] [MIC Att.] 2 Select [On] and then press SET. [Off] Monitoring the Audio with Headphones Connect headphones* to the × (headphone) terminal to monitor the recorded audio.
Using Metadata Using Metadata The camera automatically adds metadata to MXF clips, which are recorded on a CF card. You can use the Canon XF Utility software to check and search for specific metadata. You can also create and transfer a user memo remotely using the Wi-Fi Remote application (A 50). Metadata Components Entering content Metadata Checking content Camera Canon XF Utility Wi-Fi Remote Canon XF Utility – Ü1 Ü Ü GPS information: altitude, latitude and longitude.
Using Metadata Setting a User Memo Using Wi-Fi Remote 98 After completing the necessary preparations (A 50) you create a user memo profile and transfer it to the camera from a Wi-Fi-enabled device using the Wi-Fi Remote application.
Color Bars/Audio Reference Signal Color Bars/Audio Reference Signal You can have the camera generate and record color bars and/or a 1 kHz audio reference signal and output them from the 3G-SDI terminals1, MON. terminals1, HD/SD SDI terminal, HDMI OUT terminal, SYNC OUT terminal2 and × (headphone) terminal1. 1 2 Outputs audio reference signal only. Outputs color bars only.
Video Scopes Video Scopes 100 The camera can display a simplified waveform monitor or vectorscope. It can also display an edge monitor* to help you focus. The video scopes appear only on the LCD screen. They do not appear in the viewfinder or on an external monitor. In order to use the video scopes, the monitor unit must be attached to the camera. * The edge monitor looks at the focus of the entire picture and displays the results as a waveform. The edge monitor is available only in mode.
Video Scopes Configuring the Vectorscope The camera’s vectorscope function offers 2 modes. You can also change the gain. [w Other Functions] [WFM (LCD)] Operating modes: [Vectorscope] 1 Open the [Vectorscope] submenu. [w Other Functions] > [WFM (LCD)] > [Vectorscope] [Normal] 2 Select the desired option and then press SET. • If you do not need to change the gain, you do not need to perform steps 3 and 4. 3 Open the vectorscope [Gain] submenu.
Adding Marks while Recording MXF Clips Adding Marks while Recording MXF Clips 102 When recording on a CF card, you can flag an important shot in a clip by adding a “shot mark” (!). There are two types of shot marks, shot mark 1 (") and shot mark 2 (#), and you can add either or both types to a single clip. You can also add an OK mark ($) or check mark (%) to the entire clip to flag clips you want to set apart. You can add all four types of marks remotely using the Wi-Fi Remote application.
Adding Marks while Recording MXF Clips NOTES • There may be up to a 0.5 second delay from when you press the button to when the camera adds the shot mark. When using the Wi-Fi Remote application, the delay may be longer depending on the conditions of the wireless signal. • When you are using interval recording or frame recording mode, you cannot add shot marks to a clip. • When a clip contains either shot mark, ! will appear next to the clip’s thumbnail in the playback index screen.
Reviewing an MXF Clip Reviewing an MXF Clip 104 When the camera is in recorded on a CF card. mode, you can review the last clip that was [w Other Functions] Operating modes: [Rec Review] 1 Open the [Rec Review] submenu to set the review length. [Entire Clip] [w Other Functions] > [Rec Review] 2 Select the desired option and then press SET. 3 After you finish recording, press the u button. • The last clip that was recorded is played back without audio for the selected duration.
Special Recording Modes Special Recording Modes The camera features 4 special recording modes. Interval recording ([Interval Rec]): A pre-defined number of frames at a pre-defined interval will be recorded automatically. This mode is suitable for recording subjects with little movement, such as natural surroundings or plants. Frame recording ([Frame Rec]): A pre-defined number of frames will be recorded every time you press the START/STOP button. This mode is suitable for recording stop motion animation.
Special Recording Modes Activating Interval Recording Mode and Recording 1 Open the [Special Rec] submenu. [ 4K/2K/MXF Setup] > [Special Rec] 106 [ 4K/2K/MXF Setup] [Special Rec] 2 Select [Interval Rec] and then press SET. • [INT STBY`] (during 4K and 2K modes) or [INT STBY] (during MXF mode) appears at the top of the screen (with [INT] flashing). [Off] 3 Press the START/STOP button to begin recording. • The set number of frames are recorded automatically at the set interval.
Special Recording Modes Configuring Frame Recording Mode [ 1 Open the [Rec Frames] submenu. [ 4K/2K/MXF Setup] > [Frame Rec] > [Rec Frames] [Frame Rec] 2 Select the desired number of frames and then press SET. [Rec Frames] Number of Frames Recorded System priority 4K 2K MXF 4K/2K/MXF Setup] Frame rate Frames recorded [1] Any 1, 3, 6, 9 59.94i, 29.97P, 23.98P, 24.00P 59.94P, 50.00i, 50.00P, 25.00P 2, 6, 12 Activating Frame Recording Mode and Recording [ 1 Open the [Special Rec] submenu.
Special Recording Modes Slow & Fast Motion Mode 108 When you set the the frame rate to a progressive frame rate (A 60), the camera can record with a frame rate (shooting frame rate) that is different from the playback frame rate. Recording a clip at a higher frame rate than the [Frame Rate] setting will result in a slow motion effect during playback (up to 1/2.5 of the original speed). Conversely, a lower frame rate will result in a fast motion effect (up to 60x the original speed).
Special Recording Modes Shooting frame rate 109 Playback frame rate 3 Press the START/STOP button to begin recording. • The tally lamp illuminates. • [S&F] changes to [Ü S&F] while recording. 4 Press the START/STOP button again to stop recording. • A clip is recorded at the set frame rate. • [S&F STBY`] (during 4K and 2K modes) or [S&F STBY] (during MXF mode) appears at the top of the screen. • The tally lamp goes out.
Special Recording Modes Pre-recording Mode 110 When pre-recording mode is activated, the camera starts recording continuously into a temporary memory of approximately 3 seconds so when you press the START/STOP button, the clip will contain also approximately 3 seconds of video and audio recorded before you pressed the button. [ 4K/2K/MXF Setup] [Special Rec] [Off] Operating modes: 1 Set the system priority to MXF (A 64). 2 Open the [Special Rec] submenu.
4 Customization 111 Assignable Buttons The camera allows you to assign various functions to 15 buttons*. By assigning often-used functions, you can quickly access them with a single press of a button. Some assignable buttons are located on the monitor unit so their availability depends on the camera configuration used. * In mode, only assignable buttons 1 to 9 are available. Operating modes: C Changing the Assigned Function Y P O 1 Open the [Assign Button] submenu.
Assignable Buttons 112 NOTES • You can check the two [Assign Button] status screens (A 180) to see what functions are set for the assignable buttons. • You can reset only the functions assigned to the assignable buttons, without affecting other camera settings, with the [w Other Functions] >[Reset] > [Assignable Buttons] function. All the assignable buttons will return to their default function.
Assignable Buttons Function name A Description [Photo]* Records a photo. Ü Ü 159 [FUNC.] Enters the direct setting mode, replicating the function of the camera’s FUNC. button. Ü – 66 [FUNC. Shutter] Enters the direct setting mode with the shutter speed highlighted and ready to be adjusted. Ü – 68 [FUNC. ISO/Gain] Enters the direct setting mode with the ISO speed or gain value highlighted and ready to be adjusted. Ü – 70 [FUNC.
Custom Picture Settings Custom Picture Settings 114 You can preset a number of picture-related settings (A 117) for clips recorded on a CF card or video output from the various terminals (except the 3G-SDI terminals and MON. terminals). After changing individual settings to your preference, you can save the whole set in the camera or SD card as a custom picture file. You can then load the file at a later date to change the current settings to the preset levels you selected.
Custom Picture Settings Preset Custom Picture Files By default, the custom picture files in file slots [C8] and [C9] in the camera are protected. Remove the protection (A 115) to edit the file. The following describes when to use the preset files. [C8: CINEMA]: Uses the Canon Log gamma and color matrix for an outstanding dynamic range and an image suitable for processing in post-production. [C9: EOS Std.
Custom Picture Settings 1 After selecting a file, open the [Protect] submenu. [, / Edit File] > [Protect] 2 Select [Protect] and then press SET. 116 • In the custom picture menu, i will appear next to the file name. • To remove protection settings, select [Unprotect] instead. 3 Press the CUSTOM PICTURE button to exit the custom picture menu. Transferring Custom Picture Files You can transfer custom picture files between the camera and SD card.
Custom Picture Settings Replacing a File on an SD Card with a File in the Camera 1 After selecting a file on the SD card to replace, open the [Load From Cam.] submenu. [+ / Transfer File] > [Load From Cam.] [+ / Transfer File] [Load From Cam.] 2 Select the file to transfer to the SD card and then press SET. 3 Select [OK] and then press SET. • The file on the SD card will be overwritten by the one on the camera. When the confirmation screen appears, press SET.
Custom Picture Settings [EOS Std.]: This gamma curve approximates the look of an EOS digital SLR camera when the picture style is set to [Standard] (high contrast, vibrant colors). Gamma Canon log 118 Cine 1 Cine 2 Output Output Normal 2/3/4 Normal 1 Canon Log Normal 4 Normal 3 Normal 1/2 Input Input [Black] Controls the black level and color cast of blacks. [Master Pedestal] The master pedestal increases or decreases the black level.
Custom Picture Settings [Low Key Satur.] Adjusts color saturation in dark areas. [Enable]: Activates/deactivates the setting. (Default: [Off]) [Level]: Specifies how saturated colors are in dark areas. This setting can be adjusted from -50 to 50. (Default: ±0) [Knee] Controls the upper part of the gamma curve (highlights of the image). By compressing the highlights, you can prevent parts of the image from being overexposed.
Custom Picture Settings [Select]: 120 In addition to the sharpness set by [Level], [Select] sets the sharpness for areas with higher frequencies. Higher values apply more sharpness to areas with higher frequencies. Use this for subjects in which normal sharpening is not effective. This setting is not available when the video configuration is 720P. This setting can be adjusted from 0 to 15.
Custom Picture Settings [Color Matrix] Color matrix affects the color tones throughout the whole image. This setting is not available when [Gamma] is set to [Canon Log]. [Select]: Available options are [Normal 1] to [Normal 4], [Cine 1] and [Cine 2], [Canon Log] and [EOS Std.]. Generally, this is the same setting as [Gamma]. After selecting an option, you can make more precise adjustments. (Default: [Normal 1]) [Gain]: Adjusts the color intensity. This setting can be adjusted from -50 to 50.
Custom Picture Settings [Phase]: Adjusts the amount of correction to the color phase. This setting can be adjusted from -18 to 18. (Default: ±0) [Other Functions] 122 [Setup Level]: Adjusts the black level set by the [Black] and [Master Pedestal] settings. [Level]: Determines the amount of adjustment to be made. This setting can be adjusted from -50 to 50. (Default: ±0) [Press]: Compresses the dynamic range of the video signal so that it does not exceed 100%. Available options are [On] and [Off].
Customizing Functions and Onscreen Displays Customizing Functions and Onscreen Displays Customize the camera to match your shooting style and needs. Use the [w Other Functions] > [Custom Function] setting to adjust how some of the camera’s controls and functions operate in mode. Similarly, use the [£ LCD/VF Setup] > [Custom Display 1] or [Custom Display 2] setting to customize the onscreen displays that appear on the screen during recording.
Customizing Functions and Onscreen Displays Customizing Onscreen Displays 124 For details on which onscreen displays can be customized, refer to Onscreen Displays (A 55). For details on the setting options, refer to [Custom Display 1] and [Custom Display 2] (A 172). Operating modes: 1 Open the [Custom Display 1] or [Custom Display 2] submenu. [£ LCD/VF Setup] > [Custom Display 1] or [Custom Display 2] 2 Select the desired onscreen display. 3 Change the setting option and then press SET.
Saving and Loading Camera Settings Saving and Loading Camera Settings After you adjust custom picture settings and settings in the various menus, you can save those settings on an SD card. You can load those settings at a later date or on another C500 or C500 PL camera so that you can use that camera in that same exact way. Operating modes: Saving Camera Settings to an SD Card 1 Open the [Save To *] submenu.
Saving and Loading Camera Settings 126 C Y P O
5 Playback 127 Playing Back MXF Clips This section explains how to play back clips recorded on a CF card. For details on playing back clips using an external monitor, refer to Connecting to an External Monitor (A 146). For details on viewing photos on the SD card, refer to Viewing Photos (A 161). You cannot use this camera to play back video recorded in 4K or 2K mode on an external recorder. For details on developing RAW clips in order to play them back, refer to Developing RAW Clips (A 152).
Playing Back MXF Clips 1 2 3 128 4 5 6 7 8 $ mark/% mark (A 103, 134) Orange selection frame Relay recording: Appears when a clip begins on one CF card and continues on the other.
Playing Back MXF Clips • Press the Ò button again or press SET to pause/resume the playback. • Press the Ñ button to stop the playback and return to the index screen. IMPORTANT • Observe the following precautions while the CF2 or CF3 access indicator is illuminated in red. Failure to do so may result in permanent data loss. - Do not disconnect the power source or turn off the camera. - Do not open the cover of the CF card slot being accessed.
Playing Back MXF Clips 7 Playback operation 130 Ð PLAY Ý PAUSE Ô/Ó F FWD × Ø F REV Playback Playback pause Frame reverse/Frame advance Fast playback* Fast reverse playback* * The playback speed (x5, x15 or x60) will also appear in the indicator. 9 Relay recording Appears when a clip begins on one CF card and continues uninterrupted on the other. 5 indicates the first part of the recording, 6 indicates the middle part(s) and 7 indicates the last part.
Playing Back MXF Clips Audio Output During playback, audio will be available through the × (headphone) terminal. You can adjust the headphone volume with the [¡ Audio Setup] > [Audio Output] > [Headphone Volume] setting. The audio signal will also be output through the HD/SD SDI terminal and the HDMI OUT terminal. 131 NOTES • For details on changing the audio channel, refer to Selecting the Audio Channel (A 96).
MXF Clip Operations MXF Clip Operations 132 Besides playing back a clip, you can perform other operations such as deleting a clip or displaying clip information. This is done through the clip menu, which contains different functions depending on the index screen. You can use the functions in the [w Other Functions] menu to perform some of the operations on all the clips. Refer to the following table for available functions and refer to the following pages for more details of the functions.
MXF Clip Operations • The function is enabled. For some functions, further action may be required. Follow the onscreen directions. • Press the CANCEL button instead to return to the clip index screen. IMPORTANT • Observe the following precautions while the CF2 or CF3 access indicator is illuminated in red. Failure to do so may result in permanent data loss. - Do not disconnect the power source or turn off the camera. - Do not open the cover of the either CF card slot.
MXF Clip Operations Displaying Custom Picture Settings 134 When displaying the [Clip Info] screen of a clip that has a custom picture file recorded with it, push the joystick down or turn the SELECT dial down to display the first of three screens with the clip’s custom picture settings ([/ Data 1/3] screen). Push the joystick down or turn the SELECT dial down to switch the [/ Data 2/3] screen J [/ Data 3/3] screen J [Lens & Q] screen J [Clip Info] screen.
MXF Clip Operations Deleting $ Marks from All Clips [w Other Functions] 1 Open the [Delete All $ Marks] submenu. [w Other Functions] > [Delete All $ Marks] 2 Select [OK] and then press SET. • All $ marks from clips on the selected CF card will be deleted. • Select [Cancel] instead to cancel the operation. • While the $ marks are being deleted, you can press SET to cancel. [Delete All $ Marks] 3 When the confirmation message appears, press SET.
MXF Clip Operations 136 NOTES • You cannot copy a clip if either CF card slot cover is open. • If a clip is being copied to a card that already has a clip with the same number (the last 4 digits in the clip name), then the copied clip will be renamed with the following number. Deleting Clips You can delete any clip except those with an $ mark. To delete such clips, delete the $ mark beforehand. Deleting a Single Clip 1 Select the desired clip and then press SET to open the clip menu.
MXF Clip Operations • The [/ Data 1/3] screen appears with the orange selection frame indicating a custom picture file slot in the camera. • Alternatively, you can press the CUSTOM PICTURE button. • You can push the joystick up/down or turn the SELECT dial to display the [/ Data 2/3] and [/ Data 3/3] screens. 3 Push the joystick left/right to select the desired file slot and then press SET. 4 Select [OK] and then press SET. • The custom picture file already in the selected file slot will be overwritten.
MXF Clip Operations Displaying a Frame Index Screen of a Single Clip 138 You can display an index screen of a single clip broken down as frames at fixed intervals. This is useful when you have a long clip or wish to play back a clip from a certain point. You can change how many thumbnails are displayed. You can also perform other operations from this index screen, such as adding and deleting shot marks. 1 Select the desired clip and then press SET to open the clip menu.
MXF Clip Operations 3 Select [Add Shot Mark 1] or [Add Shot Mark 2] and then press SET. • The clip information screen appears and it prompts you to confirm the operation. 4 Select [OK] and then press SET. • The screen changes back to the previous index screen and the selected shot mark appears next to the selected clip’s thumbnail. • Select [Cancel] instead to cancel the operation. NOTES • Up to 100 shot marks (" and # marks combined) can be added to a single clip. • There may be up to a 0.
MXF Clip Operations 140 C Y P O
6 External Connections 141 Video Output Configuration The video signal output from the MON. terminals, HD/SD SDI terminal, HDMI OUT terminal and SYNC OUT terminal depends on the clip’s video configuration, the capability of the external monitor (for video output from the HDMI OUT terminal) and on various menu settings. The HD/SD SDI terminal, HDMI OUT terminal and SYNC OUT terminal are able to output the onscreen displays and superimpose them on the picture of an external monitor (A 151).
Video Output Configuration Video configuration for recording System priority 142 Recording mode Resolution HDMI OUT terminal5, 9 Frame rate SYNC OUT terminal10 HD SD HD SD 1080/59.94i 480/59.94P 1080/59.94i 480/59.94i 1080/50.00i 576/50.00P 1080/50.00i 576/50.00i 24.00P 1080/60.00i – 1080/60.00i – 59.94P 720/59.94P 480/59.94P 720/59.94P 480/59.94i 50.00P 720/50.00P 576/50.00P 720/50.00P 576/50.00i 1080/59.94i 480/59.94P 1080/59.94i 480/59.94i 1080/50.00i 576/50.
Video Output Configuration Video Output Configuration for MXF Mode Refer to the following table for the video output configuration from each terminal during recording and playback. Operating modes: 143 HD/SD SDI terminal2, 3, 4 Video configuration Resolution 1920×1080 1440×1080 1280×720 1 2 3 4 5 6 Frame rate HD1 ( HDMI OUT terminal3, 5 HD mode) ( 59.94i 1080/59.94i 29.97P 1080/29.97 (P/PsF) 23.98P 1080/23.98 (P/PsF) 50.00i 1080/50.00i 25.00P 1080/25.00 (P/PsF) 24.00P 1080/24.
Selecting the Color Space Selecting the Color Space 144 You can select the color space of the video that is output from the 3G-SDI terminal or MON. terminals. If you select a color space with a wider range of colors than that of BT. 709, you can improve the color reproduction in the video. When checking the output, you will need a display device that is compatible with each color space. Operating modes: 1 Open the [Color Space] submenu.
Selecting the Color Space Available color space and gamma curve settings The color space and gamma curve of the video output by the 3G-SDI terminal and MON. terminals depend on the combination of settings. Terminal 3G-SDI [Color Space] setting [ACESPX10] setting2 LUT setting1 Terminal output Color space Gamma [BT. 709] BT. 709 Canon Log [DCI-P3+] DCI-P3+ Canon Log Cinema Gamut Canon Log BT. 2020 Canon Log [C. Gamut] – – [BT. 2020] [BT. 709] [BT. 709] BT. 709 [Wide DR] Wide DR BT.
Connecting to an External Monitor Connecting to an External Monitor 146 When you connect the camera to an external monitor for recording or playback, use the terminal on the camera that matches the one you wish to use on the monitor. Then, select the video signal output configuration (A 141). The camera can output video from all of the video output terminals simultaneously.
Connecting to an External Monitor Using the MON. 1 and MON. 2 Terminals During 4K and 2K modes, the camera can output video from the MON. 1 and MON. 2 terminals (MON. terminals). The signal that is output from the MON. terminals also includes audio, time code, metadata and clip name information. In addition, the camera can apply onscreen markers, zebra patterns, peaking and magnification* to the MON. 1 terminal output. Perform the following procedures to enable output from the MON.
Connecting to an External Monitor Options [Letterbox]: [Squeeze]: 148 [Side Crop]: The picture is reduced in size while maintaining the aspect ratio and black letterbox bars are added to the top and bottom of the image so that the picture has a 16:9 aspect ratio. The image is squeezed from the left and right so that the entire image fits within the screen. The image will appear normal if the external monitor also has a 1.896:1 aspect ratio.
Connecting to an External Monitor 2 Select [MON. 2] and then press SET. • The video output from the MON. 2 terminal will be ACESproxy10-compliant. • Because this setting takes priority, the [ 4K/2K/MXF] > [MON. 1 & 2] > [LUT] setting will not be available. Using the HD/SD SDI Terminal [ The digital signal output from the HD/SD SDI terminal includes the video signal, audio signal and time code signal. If necessary, perform the following procedure to change the output to HD or SD*.
Connecting to an External Monitor Using the SYNC OUT Terminal 150 In addition to its function as a synchronization signal output terminal, you can use the SYNC OUT terminal also as a terminal for analog video signal output. You can output an HD component video luminance signal or a down-converted SD composite video signal*. [ mode: 4K/2K/MXF Setup] mode: [¢ Video Setup] * Not available for 24.00 Hz recordings. [SYNC OUT] Operating modes: [Output] 1 Open the [Output] submenu.
Connecting to an External Monitor Options [Letterbox]: [Squeeze]: [Side Crop]: The picture is reduced in size while maintaining the aspect ratio and black letterbox bars are added to the top and bottom of the image so that the picture has a 4:3 aspect ratio. The image is squeezed from the left and right so that the entire image fits within the screen. The image will appear normal if the external monitor also has a 16:9 aspect ratio.
Developing RAW Clips Developing RAW Clips 152 Use the Cinema RAW Development software to develop RAW clips recorded on an external recorder connected to the camera’s 3G-SDI terminals. After you develop the clips and export them to a full-quality standard file type such as DPX, they will be ready for color grading. Visit your local Canon Web site to download the software and receive the latest information on it. Refer to the instruction manual (PDF file) included with the software for details on its use.
Developing RAW Clips 5 After the message appears prompting you to exit other applications, exit other applications and then click OK. • The software’s license agreement appears. 6 Read the license agreement and click Yes to begin the installation. • If you do not select Yes, you cannot install the software. • When the installation has completed, Installation has completed successfully appears. 7 Click Next and then click Finish.
Developing RAW Clips Mac OS: 1 From Applications, open Canon Utilities > Cinema RAW Development > Manual. 2 Open the folder of the language and double-click the PDF file. 154 NOTES • You can also view the instruction manual by starting the Cinema RAW Development software and then selecting Help > View Instruction Manual.
Saving MXF Clips to a Computer Saving MXF Clips to a Computer Use Canon XF Utility to save clips or one of the Canon XF plugins* to import clips into non-linear editing (NLE) software. Canon XF Utility and the Canon XF plugins are available for free download from your local Canon Web site. Refer to the Web site for the system requirements and the latest information about the software and plugins. For details about using the software, refer to the respective instruction manual (PDF file).
Saving MXF Clips to a Computer 3 Click OK. Uninstalling the Plugins (Windows) 156 1 In the Control Panel, open Programs and Features or Add or Remove Programs. • A list of installed programs appears. 2 Select Canon XF Plugin for Avid Media Access, Canon XF Plugin 64 for Avid Media Access or Canon XF MPEG2 Decoder. 3 Click Uninstall or Uninstall/Change. 4 Follow the onscreen instructions.
Saving MXF Clips to a Computer Canon XF Plugin for Final Cut Pro X /Library/Application Support/ProApps/MIO/RADPlugins/CanonXF64.RADPlug Canon XF Plugin for Avid Media Access /Library/Application Support/Avid/AVX2_Plug-ins/AMA/MVP_CanonXF.avx Canon XF Plugin 64 for Avid Media Access /Library/Application Support/ProApps/Avid/AVX2_Plug_ins/AMA/MVP_CanonXF64.avx Canon XF MPEG2 Decoder /Library/QuickTime/XFMpeg2Dec.
Saving MXF Clips to a Computer Instructions for Canon XF Plugin for Avid Media Access and Canon XF Plugin 64 for Avid Media Access (Mac OS): 1 From Applications, open Canon Utilities > Desired plugin > Manual. 158 2 Open the folder of the language and double-click the PDF file.
7 Photos 159 Taking Photos You can take photos when the camera is in mode or you can capture a photo from an MXF clip when the camera is in mode. Photos are saved onto the SD card. In mode, photo size is 1920x1080* or 1920x540**. In mode, photo size depends on the resolution setting of the clip that the photo is captured from. If the clip is 1920x1080 or 1440x1080, the photo size is 1920x1080. If the clip is 1280x720, the photo size is 1280x720.
Taking Photos 160 IMPORTANT • Observe the following precautions while the SD card access indicator is flashing. Failure to do so may result in permanent data loss. - Do not disconnect the power source or turn off the camera. - Do not remove the SD card. NOTES • If the LOCK switch on the SD card is set to prevent writing, you will not be able to record a photo. Change the position of the LOCK switch in advance.
Photo Playback Photo Playback You can view the photos that you took with the camera. 161 Operating modes: Displaying the [Photos] Index Screen Display the [Photos] index screen to view photos. 1 Set the Q switch to MEDIA. • The camera switches to appears. mode and the clip index screen 2 Press the INDEX button. • The index screen selection menu appears. 3 Select [Photo Index] and then press SET. • The [Photos] index screen appears.
Photo Operations Photo Operations 162 You can use the photo menu to delete a photo, protect or unprotect a photo, or copy a custom picture file embedded in a photo. You can display the photo menu from the [Photos] index screen or photo playback screen. Using the Photo Menu 1 From the [Photos] index screen, select a photo and then press SET. • If you are viewing a photo, simply press SET. • The photo menu appears. Available functions depend on the photo’s settings.
Photo Operations Deleting All Photos 1 Display the [Photos] index screen or a photo (A 161). [w Other Functions] 2 Open the [Delete All Photos] submenu. [w Other Functions] > [Delete All Photos] [Delete All Photos] 3 Select [OK] and then press SET. • All of the photos on the SD card, except for protected ones, will be deleted. • Select [Cancel] instead to cancel the operation. • While the photos are being deleted, you can press SET to cancel. 4 When the confirmation message appears, press SET.
Photo Operations IMPORTANT • Initializing an SD card will permanently erase all the data it contains, including protected photos and custom picture files. 164 Copying Custom Picture Files You can copy to the camera a custom picture file embedded in a photo. Custom picture files can be copied from the photo playback screen or [Photos] index screen. Operating modes: Copying a File from the Playback Screen 1 Display the photo with the custom picture file to be copied (A 161).
Photo Operations Photo Numbering Photos are automatically assigned consecutive numbers from 0101 to 9900, and stored on the SD card in folders containing up to 100 photos. Folders are numbered from 101 to 998. You can select the photo numbering method to be used. The photo number indicates the name and location of the file on the SD card. For example, a photo numbered 101-0107 is located in the “DCIM\101CANON” folder as the file “IMG_0107.jpg”. [w Other Functions] [Photo Numbering] [Continu.
Photo Operations 166 C Y P O
8 Additional Information 167 Menu Options For details about how to select an item, refer to Using the Menus (A 29). For details about each function, see the reference page. Menu items without a reference page are explained after the tables. Setting options in boldface indicate default values. Menu items not available appear grayed out.
Menu Options Menu item [4K (4096/3840)] Submenu 60 [Resolution]2 When [Mode] is set to [RAW]: [4096x2160], [3840x2160] When [Mode] is set to [HRAW]: [4096x1080], [3840x1080] When [Mode] is set to [4K1K RAW]: [4096x1080] 62 For 59.94 Hz recordings: [59.94P], [29.97P], [23.98P] For 50.00 Hz recordings: [50.00P], [25.00P] For 24.00 Hz recordings, the frame rate is set to [24.00P] and cannot be changed. 62 [Frame Rate]2 [Mode]3 [ [Resolution]3 [2048x1080], [1920x1080] 62 For 59.
Menu Options Menu item Submenu [S&F Frame Rate] Setting options During 4K mode when [Mode] is set to [RAW], or 2K mode when [Mode] is set to [ 12-bit] or [ 10-bit]: For 59.94 Hz and 24.00 Hz recordings: [1] to [30], [32] to [60]* ([24]) For 50.00 Hz recordings: [1] to [25], [26] to [50]* ([24]) During 4K mode when [Mode] is set to [HRAW] / [4K1K RAW], or 2K mode when [Mode] is set to [ 10-bit]: For 59.94 Hz and 24.00 Hz recordings: [1] to [60], [62] to [120]* ([24]) For 50.
Menu Options Menu item [HD/SD Output] 170 Submenu Setting options [On], [Off] 151 [Zebra HD Output] [On], [Off] 83 [SD Onscreen Disp.] [On], [Off] 151 [Resize SD Output]8 [Letterbox], [Squeeze], [Side Crop] 150 [Rec Command] [Set CF Card Slot] 1 2 3 4 5 6 7 8 A [HD Onscreen Disp.] [On], [Off] [Relay Rec] [On], [Off] [Double Slot Rec] [On], [Off] – 46 The default value depends on the country/region or purchase. Available during 4K mode only. Available during 2K mode only.
Menu Options [¡ Audio Setup] menu Menu item [Audio Input] Submenu [CH1], [CH1/CH2] [XLR1 Mic Trimming] [+12 dB], [+6 dB], [0 dB], [-6 dB], [-12 dB] [XLR2 Mic Trimming] [XLR1 Mic Att.] [On], [Off] [XLR2 Mic Att.
Menu Options Menu item Submenu [Zebra]1 Ü – [Zebra 1], [Zebra 2], [Zebra 1&2] Ü – [Zebra 1 Level] [70 ±5%], [75 ±5%], [80 ±5%], [85 ±5%], [90 ±5%], [95 ±5%] Ü – [Zebra 2 Level]1 [70%], [75%], [80%], [85%], [90%], [95%], [100%] Ü – [Enable] [On], [Off] Ü – [Center] [White], [Gray], [Off] Ü – [Horizontal] [White], [Gray], [Off] Ü – [Grid] [White], [Gray], [Off] Ü – [Safety Zone] [White], [Gray], [Off] Ü – [Safety Zone Area] [80%], [90%], [92.
Menu Options Menu item [Custom Display 2] [Metadata Display] 1 2 Submenu A Setting options [Audio Level] [On], [Off] Ü – [Wi-Fi] [On], [Off] Ü – [Date/Time] [Date/Time], [Time], [Date], [Off] Ü – [Date/Time] [On], [Off] – Ü2 [Camera Data] [On], [Off] – Ü2 – 173 – Setting applies also to the MON. 1 terminal output. Not available in the [Photos] index screen or photo playback screen. [Audio Level]: Displays the audio level meter when set to [On].
Menu Options [Bit Rate]: Displays the bit rate when set to [On]. [Resolution]: Displays the resolution when set to [On]. [Frame Rate]: Displays the frame rate when set to [On]. 174 [Character Rec]: Displays the character recording warning icon (S) when set to [On], indicating that the onscreen displays will be recorded on the clip. [Output Display]: Displays the output display warning icon (T) when set to [On], indicating that the onscreen displays will be output to an external monitor.
Menu Options [w Other Functions] menu Menu item [Reset] [Transfer Menu//] Submenu [Cancel], [OK] Ü [Camera Settings] [Cancel], [OK] Ü – [Assignable Buttons] [Cancel], [OK] Ü Ü1 [Save To *] [Menu], [Menu+/] Ü Ü [Load From *] [Menu], [Menu+/] Ü Ü List of world time zones. [UTC-05:00 New York] or [UTC+01:00 Central Europe]2 Ü Ü [Date/Time] – Ü Ü [Date Format] [YMD], [YMD/24H], [MDY], [MDY/24H], [DMY], [DMY/24H]2 Ü Ü [Setting] [WFM], [VS], [Edge Mon.
Menu Options Menu item [Custom Function] Submenu [On], [Off] [Control Dial] 2 [Iris], [ISO/Gain], [Off] 3 [ISO/Gain], [Off] 176 [Grip Ctrl Dial] 2 [Iris], [ISO/Gain], [Off] 3 [ISO/Gain], [Off] [Control Dial Dir.] [Reverse], [Normal] [Grip Ctrl Dial Dir.] [Reverse], [Normal] [SELECT Dial Dir.] [Reverse], [Normal] [F. Assist. B&W] [Both], [Magnify], [Peaking], [Off] [Magn. Add. Disp.] [Peaking], [Edge Mon.
Menu Options [Delete Last Clip]: Deletes the last MXF clip you recorded. This setting option will not appear if you turned the camera off since recording the last clip. [Reset Hour Meter]: The camera has two “hour meters” – the first keeps track of total operation time and the second keeps track of operation time since the last time the second hour meter was reset with this function. [Firmware]: You can verify the current version of the camera’s firmware. This menu option is usually unavailable.
Displaying the Status Screens Displaying the Status Screens You can use the status screens to check the camera’s various recording- and playback-related settings. You can also output the status screens on an external monitor. 178 Operating modes: 1 Press the STATUS button. • The status screen most recently displayed will appear unless you turned off the camera or changed the operating mode.
Displaying the Status Screens [Gamma/Color Space] Status Screen ( mode only) 1 2 3 4 5 6 7 1 2 3 4 179 5 6 3G-SDI terminal (A 144) MON. 1 terminal (A 144, 148) MON. 2 terminal (A 144, 148) HD/SD SDI terminal (A 58, 117, 148) 7 SYNC OUT terminal (A 58, 117) HDMI OUT terminal/CF card recording (A 58, 117) LCD screen/viewfinder* (A 58, 117) * When using Canon Log gamma and [£ LCD/VF Setup] > [View Assist.] is set to [On], [Wide DR] will be displayed in the [Gamma] column.
Displaying the Status Screens [Assign Button 1/2], [Assign Button 2/2] Status Screen 180 1 1 1 Assignable buttons 1 to 15* (A 111) * Assignable buttons 10 to 15 do not appear in mode.
Displaying the Status Screens [Media] Status Screen 4 5 6 7 8 9 10 11 1 2 3 1 2 3 4 5 6 CF card A CF card B SD card Total space on CF card A Used space on CF card A Available recording time on CF card A 7 8 9 10 11 Approximate used space on CF card A Total space on SD card Used space on SD card Available number of shots on SD card Approximate used space on SD card NOTES • Depending on the recording media, the total space displayed on the screen may differ from the nominal capacity listed on the CF c
Displaying the Status Screens [4K/2K/MXF 2/2] ( mode) / [Video] ( mode) Status Screen 1 2 3 4 182 1 2 3 5 6* 7* 8* HDMI OUT terminal status HD/SD SDI terminal output status and scan mode (A 149) SYNC OUT terminal output status and scan mode (A 150) * Appears in HD/SD onscreen displays (A 151) SD output resizing method (A 150) MXF clip bit rate/resolution* (A 64) MXF clip frame rate* (A 65) MXF clip resizing method* (A 63) mode only.
Displaying the Status Screens [Battery/Hour Meter] Status Screen 1 2 3 4 5 1 2 3 Remaining recording time Remaining battery level indicator Battery life indicator [/ Data 1/3] Status Screen ( 1 2 3 4 5 6 7 8 1 2 3 4 5 4 5 Total operation time (A 177) Operation time since using [Reset Hour Meter] (A 177) mode only) C Custom picture file name (A 114) Gamma (A 117) Master pedestal (A 118) Master black RGB levels (A 118) Black gamma settings (level, range and point) (A 118) Y P O 6 7 8 9 9 Knee set
Displaying the Status Screens [/ Data 2/3] Status Screen ( mode only) 1 2 3 4 5 6 7 184 1 2 3 Sharpness settings (level, horizontal detail frequency, horizontal/vertical detail balance, and limit) (A 119) Sharpness settings (select, knee aperture gain and slope) (A 119) Level depend settings (level, slope and offset) (A 120) [/ Data 3/3] Status Screen ( 1 2 3 4 5 6 1 2 3 4 4 5 6 7 Coring settings (level, offset, curve and depth) (A 119) Noise reduction (A 120) Color matrix settings (select, gain
Troubleshooting Troubleshooting If you have a problem with your camera, refer to this section. Consult a Canon Service Center if the problem persists. 185 Power source The camera will not turn on or it turns off by itself. - The battery pack is exhausted. Replace or charge the battery pack. - Remove the battery pack and reattach it correctly. Shortly after turning it on, the camera turns off on its own. - You are using a DC coupler or a battery pack that is not compatible for use with this camera.
Troubleshooting The camera becomes hot during use. - The camera may become hot while shooting. This is not a malfunction. - The camera’s internal temperature will rise if the cooling fan filter under the MON./3G-SDI terminal cover has clogged. Replace the filter (A 196). 186 The built-in ND filter is stuck and does not change. - The electronic motor that drives the ND filter may not be working correctly. As an emergency measure, you can operate the ND filter manually (A 197).
Troubleshooting appears in red on the screen. - The camera’s internal temperature has risen while appeared in yellow on the screen. - If [Other Functions] > [Fan] is set to [On], turn off the camera and wait until the temperature has lowered. - In mode, when [Other Functions] > [Fan] is set to [Automatic] and the cooling fan is deactivated while you are shooting, the cooling fan will start automatically ( appears on the screen).
Troubleshooting 188 Cannot record on the SD card. - Initialize the SD card (A 45) when you use it with the camera for the first time. - The LOCK switch on the SD card is set to prevent accidental erasure. Change the position of the LOCK switch. - The SD card is full. Delete some photos (A 162) to free some space or replace the SD card. - The folder and file numbers have reached their maximum value. Set the [Other Functions] > [Photo Numbering] setting to [Reset] and insert a new SD card.
Troubleshooting Cannot record - Cannot record on a CF card. The file control information is corrupted or there was an encoder error. Turn off the camera and back on again. Then, remove the CF card being used and reinsert it. Alternatively, replace the CF card. If this does not solve the problem, consult a Canon Service Center. • Corrupted file control information cannot be recovered.
Troubleshooting CF card slot cover is open. - The CF card slot cover was open when the camera was switched to or turned on in 190 mode. Close the cover. Change the battery pack - The battery pack is exhausted. Replace or charge the battery pack. % / $ Mark Error - Could not add a % mark or $ mark. If the message appears in not work, add the mark in mode. If the message appears in on. Then, try to add the mark again. mode, try adding the mark again.
Troubleshooting Shot Mark Error - Could not add a shot mark. If the message appears in mode, try adding the mark again. If that does not work, add the mark in mode after you finish recording. If the message appears in mode, turn off the camera and then back on. Then, try to add the mark again. System error - Turn off the camera and back on again. If this does not solve the problem, there may be a malfunction with the camera. Consult a Canon Service Center.
Handling Precautions Handling Precautions Camera 192 Be sure to observe the following precautions to ensure maximum performance. • Do not carry the camera by the LCD panel or monitor unit. Be careful when closing the LCD panel. • Do not leave the camera in places subject to high temperatures (like the inside of a car parked under direct sunlight), or high humidity. • Because the camera’s temperature can rise significantly, do not hold the camera for long periods of time while shooting.
Handling Precautions • Dirty terminals may cause a poor contact between the battery pack and the camera. Wipe the terminals with a soft cloth. Long-term storage • Store battery packs in a dry place at temperatures no higher than 30 °C (86 °F). • To extend the battery life of the battery pack, discharge it completely before storing it. • Charge and discharge all your battery packs fully at least once a year. 193 Always attach the battery terminal cover.
Handling Precautions IMPORTANT • To prevent equipment breakdown, do not connect the battery charger to voltage converters. 194 Recording Media • We recommend backing up the recordings on the recording media onto your computer. Data may be corrupted or lost due to defects or exposure to static electricity. Canon shall not be liable for lost or corrupted data. • Do not touch or expose the terminals to dust or dirt. • Do not use recording media in places subject to strong magnetic fields.
Maintenance/Others Maintenance/Others Cleaning Camera Body • Use a soft, dry cloth to clean the camera body. Never use chemically treated cloths or volatile solvents such as paint thinner. Lens • Remove any dust or dirt particles using a non-aerosol type blower brush. • Use a clean, soft lens-cleaning cloth to gently wipe the lens using commercially available cleaning fluid for eyeglasses. Never use tissue paper. LCD Screen • Clean the LCD screen using a clean, soft lens-cleaning cloth.
Maintenance/Others Cooling fan cover Replacing the Cooling Fan Filter You can replace the cooling fan filter, which is located under the cover of the MON./3G-SDI terminals. 196 1 Remove the cooling fan cover. • Hold the top and bottom of the center opening and remove the cover. 2 Remove the filter. 3 Attach the new filter. 4 Reattach the cover. • Hook the cover behind the lower tabs as shown in the illustration and then hook the cover behind the upper tabs.
Maintenance/Others Operating the ND Filter Manually In the rare case that the internal electronic motor that drives the ND filter malfunctions, you can operate the ND filter manually as an emergency measure. 197 1 Turn off the camera and remove the lens. 2 Unscrew the screw in the illustration and remove the cover. 3 Pressing lightly, use a Phillips head screwdriver to turn the ND filter as necessary. • You can check the position of the ND filter through the lens mount.
Optional Accessories Optional Accessories The following optional accessories are compatible with this camera. The availability differs from area to area. 198 BP-950G, BP-955, BP-970G, BP-975 Battery Pack CA-940N Compact Power Adapter RC-V100 Remote Controller TA-100 Tripod Adapter C Y P O CA-930 Compact Power Adapter* TB-1 Tripod Adapter Base** WFT-E6 Wireless File Transmitter * This accessory cannot be used to power this camera directly; it can only be used to charge the battery pack.
Optional Accessories BP-955 BP-975 Battery Packs When you need extra battery packs, select from the following: BP-950G, BP-955, BP-970G*, BP-975* When you use battery packs bearing the Intelligent System mark, the camera will communicate with the battery and display the remaining usage time (accurate to 1 minute). You can only use and charge these battery packs with cameras and chargers compatible with Intelligent System.
Optional Accessories Approximate times when shooting in 2K mode The following are the shooting times with the monitor unit attached (LCD screen and viewfinder on), output from the 3G-SDI terminals, MON. terminals and HD/SD SDI terminal on, and when simultaneously recording an MXF clip (50 Mbps, 1920x1080, 23.98P). 200 Recording mode/ Resolution 12-bit / 2048x1080 10-bit / 2048x1080 Frame rate 59.94P 50.00P 24.00P 10-bit / 2048x1080 59.94P 50.
Specifications Specifications C500 / C500 PL System 201 • Video Configuration for 4K and 2K Modes 4K mode: Mode: RAW, HRAW, 4K1K RAW (both 10-bit) Resolution: 4096x2160, 3840x2160, 4096x1080, 3840x1080 Frame rate1: 59.94P, 29.97P, 23.98P, 50.00P, 25.00P, 24.00P 2K mode: Mode: RGB, 4:4:4, 12-bit; RGB, 4:4:4, 10-bit; YCC, 4:2:2, 10-bit Resolution: 2048x1080, 1920x1080 Frame rate1: 59.94P, 29.97P, 23.98P, 50.00P, 25.00P, 24.00P 1 Available frame rates depend on the resolution and recording mode settings.
Specifications • 2 Iris: 1/2-stop increments, 1/3-stop increments, fine-tuning 202 • ISO Speed 1-stop increments: ISO 320, ISO 400 to ISO 12800, ISO 20000, ISO 250004, ISO 512004, ISO 800004 1/3-stop increments: ISO 320 to ISO 20000, ISO 250004 to ISO 800004 • Gain: -6 dB to 30 dB, 33 dB4 to 42 dB (3-dB increments) 0 dB to 24 dB, 33 dB4 to 42 dB (fine-tuning in 0.5-dB increments) 4 With extended ISO/Gain range.
Specifications SD-SDI: SMPTE 259M Video: Resolution: 640x480, 768x576 Frame rate: 59.94i, 50.00i Embedded audio, time code (VITC/LTC), LUT (BT. 709, Wide DR) 4 Available frame rates depend on the resolution and recording mode settings. • HDMI OUT Terminal HDMI connector, output only • SYNC OUT Terminal BNC jack, output only, 1 Vp-p / 75 Ω Output signal: HD component video luminance signal (HD-Y), HD analog tri-level signal, Analog blackburst signal, SD composite video • MIC Terminal ∅ 3.
Specifications 204 • Weight ** Camera unit only: 2 1820 g (4.0 lb.) 3 1930 g (4.3 lb.) Camera with monitor unit, BP-955 battery pack and two CF cards: 2 2705 g (6.0 lb.) 3 2815 g (6.2 lb.) Camera with monitor unit, handle unit, BP-955 battery pack and two CF cards: 2 2885 g (6.4 lb.) 3 2995 g (6.6 lb.) **All weights are approximate. Modular Units Monitor Unit Modular unit can be rotated 270º on its axis; includes the LCD panel, recording and playback controls, XLR terminals and related audio controls.
Specifications CG-940 Battery Charger • Rated Input: 100 – 240 V AC, 50/60 Hz, 24 W • Rated Output: 8.4 V DC, 1.5/2.0 A 205 • Operating Temperature: 0 – 40 °C (32 – 104 °F) • Dimensions (W x H x D): 85 x 51 x 110 mm (3.3 x 2.0 x 4.3 in.) • Weight: Approx. 240 g (8.5 oz.) BP-955 Battery Pack • Battery Type Rechargeable lithium ion battery, compatible with Intelligent System • Rated Voltage 7.
Specifications 206 C Y P O
Index 207 2K mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60 3G-SDI 1/2 terminals . . . . . . . . . . . . . . . . . . . . .41 4K mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60 4K1K RAW . . . . . . . . . . . . . . . . . . . . . . . . . . . .60 A ABB (automatic black balance) . . . . . . . . . . . . .48 Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . .198 ACES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 ACESproxy10 . . . . . . .
I Index screens Changing clip thumbnail . . . . . . . . . . . .139 Clips . . . . . . . . . . . . . . . . . . . . . . . . . . .127 Expand clip . . . . . . . . . . . . . . . . . . . . .138 Shot marks . . . . . . . . . . . . . . . . . . . . .137 Initializing recording media . . . . . . . . . . . . . . . . .45 Interval recording mode . . . . . . . . . . . . . . . . . .105 Iris* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74 ISO speed . . . . . . . . . . . . . . . . . . . . . . . . . .
Status screens . . . . . . . . . . . . . . . . . . . . . . . . .178 SYNC OUT terminal . . . . . . . . . . . . . . . . . .90, 150 Synchronization . . . . . . . . . . . . . . . . . . . . . . . . .88 System frequency . . . . . . . . . . . . . . . . . . . . . . .64 System priority . . . . . . . . . . . . . . . . . . . . . . .60, 64 T W Waveform monitor . . . . . . . . . . . . . . . . . . . . . 100 WFT terminal . . . . . . . . . . . . . . . . . . . . . . . 49, 50 White balance . . . . . . . . . . . . . . .
USA &N Z CANON CINEMA EOS LIMITED WARRANTY FOR PRODUCTS PURCHASED IN THE UNITED STATES 210 The limited warranty set forth below is given by Canon U.S.A., Inc. (‘Canon USA’) with respect to (a) the Canon Cinema EOS Product, and (b) the accessories for the Canon Cinema EOS Product (if any), packaged with this limited warranty (collectively the “Products”)* and purchased in the United States. This limited warranty is only effective upon presentation of your Bill of Sale or other proof of purchase.
CANADA CANON CINEMA EOS LIMITED WARRANTY FOR PRODUCTS PURCHASED IN CANADA The limited warranty set forth below is given by Canon Canada Inc. (‘Canon Canada’) with respect to (a) the Canon Cinema EOS product, and (b) the accessories for the Canon Cinema EOS Product (if any), packaged with this limited warranty (collectively the “Products”)* and purchased in Canada. This limited warranty is only effective upon presentation of your Bill of Sale or other proof of purchase.
Canon Inc. 30-2, Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, Japan CANON Europa N.V. Bovenkerkerweg 59, 1185 XB Amstelveen, The Netherlands http://www.canon-europe.com ASIA and HONG KONG, S.A.R. Canon Hongkong Company Ltd 19/F, The Metropolis Tower, 10 Metropolis Drive, Hunghom, Kowloon, Hong Kong +852 3191 2333, +852 2428 3963 NEW ZEALAND http://www.canon.co.nz Canon New Zealand Ltd 0800-222-666 (within New Zealand only) (64) 09-489-0300 AUSTRALIA http://www.canon.com.
