User manual

23
4K Workflow Overview
4K Workflow Overview
The following illustrates the typical 4K workflow for this camera.
Shoot in 4K mode (A 64).
You can record 4K Intra-frame (YCbCr 4:2:2) data on a CFast card in the camera, or record 4K RAW
data using an external 4K recorder connected to the camera’s REC OUT terminal or MON. terminal
(A 170).
In addition to the primary 4K recording, you can record simultaneously 2K proxy clips on an SD
card in the camera (A 115).
When using an external 4K recorder, develop the RAW data using the Cinema RAW Development
software (A 177) to generate full-quality data.
You can also generate proxy data with the software.
4K clips (YCbCr 4:2:2) recorded on the CFast card can be treated as full-quality data without any additional
processing.
Transfer the MXF files of proxy clips recorded in the camera, or proxy data generated by the
software, to your NLE system and edit offline (A 176).
Perform color grading based on the full-quality data.
Operating modes:
Recording Post-production
External 4K
recorder
REC OUT or
MON. terminal
4K RAW
data
SD card
EDL
NLE software
RAW recording
Cinema
RAW
Development
Color
grading
CFast card
4K Intra-frame recording (MXF)
2K recording
(MXF)
4K data
(YCbCr 4:2:2)
Proxy data
Full-quality
data
Proxy
data