Owner's Manual

13
RIGHT
PA CABINET
LEFT
PA CABINET
125 250 50063 1K 2K 4K 8K 16K
L/R MAIN
2
1
0 10
9
8
7
6
5
4
3
PHANTOM
2
1
0 10
9
8
7
6
5
4
3
MONITOR
2
1
0 10
9
8
7
6
5
4
3
DSP EFF RTN
2
1
0 10
9
8
7
6
5
4
3
EFF SEND
2
1
0 10
9
8
7
6
5
4
3
TAPE / EFF RTN
L
TAPE
RTN
TAPE
SEND
L R L R
SEND L L R
MONITOREFFECTS LINE OUT
R
127 EFFECTS
RRETURN
8 9 10
MON
PAN
11
LEVEL
MON
PAN
L R
0
12
MIC
0 8 4 4 8
–12 +12
0 8 4 4 8
–12 +12
125 250 50063 1K 2K 4K 8K 16K
8 9 10 11 12
POWER
C
X
1
2
5
2
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
LEVEL
L R
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON
PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MON PAN
LEVEL
0
MIC
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
MID
HI
MID LOW HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
MID
LOW
HI
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
0
3
6
9
12
3
6
9
12
HI
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
MID
LOW
HI
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
MID
LOW
HI
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
MID LOW HI
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
HI
0
3
6 9
12
3
6 9
12
0
3
6 9
12
3
6 9
12
0
3
6 9
12
3
6 9
12
MID LOW HI
0
3
6 9
12
3
6 9
12
0
3
6 9
12
3
6 9
12
0
3
6 9
12
3
6 9
12
MID LOW HI
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
0
3
6 9
12
3
6
9
12
L RL RL RL RL RL RL RL RL RL R
7654321 7654321
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
5
4
3
2
1
0 10
9
8
7
6
EFF / REV
EFF / REV
-20
dB
MID MID
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
-20
dB
AMP
PROTECT
LINELINELINELINELINELINE LINELINELINELINELINELINE
AMP
PATCH
R GRAPHIC EQ
L GRAPHIC EQ
STEREO DSP
BYPASS 1 DELAYS 2-30 REVERB 31-90 CHORUS 91-110 FLANGE 111-128
MONITOR SPEAKERS
EXTERNAL
POWER AMP
TWO-TRACK
TAPE RECORDER
TO REAR
SPEAKER OUTPUTS
CHANNEL
1
2
3 4 5
6
7
8
91011
12
13
15
17
19
22
30
50
0 dB
PROTECT CHANNELPOWER
1
2
3 4 5
6
7
8
91011
12
13
15
17
19
22
30
50
0 dB
1 2
6
4. TAPE/EFFECTS RETURN LEVEL CONTROL
The TAPE/ EFF RTN control is a stereo effects or tape return volume control. It
can receive input from both the L/R TAPE RTN RCA jacks and the L/R 1/4”
EFFECTS RETURN jacks. This volume controls the return level being fed back
into the master L/R stereo mix. A mono return into the stereo mix can be
achieved by simply feeding the mono signal into both Left and right return jacks.
The stereo return can also be used as just another input to the stereo mix for a
keyboard or other stereo gear.
5. DSP RETURN LEVEL CONTROL
The DSP EFF RTN level control is the stereo output volume control for the inter-
nal digital effects processor. This volume controls the return level being fed
back into the master L/R stereo mix and a smaller amount to the monitor mix.
6. MONITOR LINE OUT JACK
The MONITOR LINE OUT jack is where the monitor mix from the MONITOR
master level control is output. This is a line level output and can be used to drive
an external power amplifier or it can be plugged into one of the AMP PATCH
jacks to drive one of the internal power amplifiers along with its corresponding
graphic EQ.
7. LEFT/RIGHT LINE OUT JACKS
The LEFT/RIGHT LINE OUT jacks are post graphic EQ line output jacks for the
stereo mix. The same signals are also being fed to the internal power amplifier.
Note: If the AMP PATCH jacks are being used for patching the monitor out to
one of the internal amplifiers, then that new signal will also be present on the
corresponding LEFT/RIGHT LINE OUT jack. The stereo mix may still be
accessed at the RCA TAPE SEND jacks if needed.
NOTE : This jack should not be patch into the AMP PATCH jacks, feedback
oscillations with occur.
8. LEFT/RIGHT AMP PATCH JACKS
The LEFT/RIGHT AMP PATCH jacks are pre-graphic EQ and normalized to the
stereo mix L/R MAIN level control. When something is plugged into these jacks,
the stereo mix is disconnected from the graphic EQ and internal power amplifier
allowing the new signal, that was plugged into the jack, to go through the graphic
EQ and to the internal power amplifier. Also, this new signal appears at the cor-
responding LEFT/RIGHT LINE OUT jacks. A typical use for these jacks is in the
case where a powered mono main mix and powered monitor mix are needed.
Here either the left or right main mix can be used for the mono main mix and the
monitor line out jack can be plugged in the opposite AMP PATCH jack for a pow-
ered monitor mix.
9. TAPE SEND AND TAPE RETURN RCA JACKS
The LEFT/RIGHT TAPE SEND RCA jacks deliver the main mix output pre the
graphic EQ uninterrupted by the status of the AMP PATCH jack. If the AMP
PATCH jacks are being used, the TAPE SEND jacks are a way to access the
main mix.
The LEFT/RIGHT TAPE RETURN RCA jacks are RCA inputs to the TAPE/ EFF
RTN level control. These TAPE RETURN jacks can also be used for returning
another effects processor or instrument such as a keyboard to the main mix.