User Manual
Table Of Contents
- Cover
- Contents
- General Guide
- Getting Ready to Play
- Operations Common to All Modes
- Playing on the Keyboard
- Controlling the Sound of a Performance
- Selecting a Musical Instrument Tone
- Playing with Touch Response
- Using a Pedal
- Sustaining Notes After Keyboard Keys Are Released
- Using the Pitch Bend Wheel
- Playing with Reverb
- Adding the Chorus Effect to a Tone
- Playing with a More Expanded Sound (Surround)
- Sounding Arpeggio Phrases Automatically (Arpeggiator)
- Switching the Button Function from ARP (Arpeggiator) to AH (Auto Harmonize)
- Adding Harmony to Melody Notes (Auto Harmonize)
- Layering and Splitting Tones
- Changing the Volume Balance Between Keyboard Play and Rhythm Play (Balance)
- Changing the Pitch in Octave Units (Octave Shift)
- Changing the Pitch in Semitone Units (Transpose)
- Fine Tuning (Tuning)
- Changing the Keyboard Scale Tuning
- Using the Equalizer
- Saving and Recalling a Setup (MY SETUP)
- Playing a Built-in Song
- Playing with a Rhythm Backing
- Rhythm
- Using the Rhythms
- Playing a Rhythm
- Using Recommended Rhythm Settings (One Touch Presets)
- Adjusting the Tempo by Tapping (Tap Tempo)
- Sounding Rhythm as You Use Tap Tempo
- Changing the Rhythm Pattern
- Inserting a Fill-in Phrase
- Fingering a Chord to Play a Rhythm Accompaniment
- Starting Rhythm Play when a Chord is Played (Synchro Start)
- Configuring Rhythm Play to Stop Automatically when Chord Play is Stopped (Synchro Stop)
- Changing the Rhythm Pattern and the Fill-in Operation Type
- Disabling Automatic Setting of the Tempo and Pattern when a Rhythm is Selected
- Increasing the Number of Rhythms (User Rhythms)
- Saving and Recalling Setups (Registration)
- Recording Your Keyboard Play
- Easy Keyboard Play Recording
- Deleting an Easy Recording
- Overdub Recording (Multi-track Recording)
- Copying a Tone Recording or Rhythm Recording as a Multi-track Recording
- Muting a Multi-track Recording Track
- Adjusting the Volume Level and Pan of Each Track of a Multi-track Recording (Mixing)
- Copying a Multi-track Recording
- Deleting One or More of the Multi-track Recordings in Memory
- Copying the Solo Track of a Multi-track Recording
- Deleting a Multi-track Recording Track
- Customizing the Home Screen (Home Customization)
- Configuring Settings
- Using a USB Flash Drive
- Connecting with External Devices
- Linking with a Smart Device (APP Function)
- Connecting to a Computer and Using MIDI
- Using a Cable to Connect with an Audio Device
- Sounding a Bluetooth Audio Capable Device (Bluetooth Audio Pairing)
- Deleting Bluetooth Audio Capable Device Pairing Registration
- Connecting with a Bluetooth MIDI Capable Device
- Turning Off Bluetooth
- Reference
- MIDI Implementation Chart
Reference
EN-209
■ FINGERED ON BASS, FULL RANGE CHORD
In addition to the chords that can be fingered with FINGERED 1 and FINGERED 2, the chords below
also are recognized.
• With FULL RANGE CHORD, when the lowest note fingered is a certain distance from the
neighboring note, the chord is interpreted as a fraction chord.
• Unlike FINGERED 1, 2, and FINGERED ON BASS, FULL RANGE CHORD requires pressing of at
least three keys to form a chord.
C
C
D
C
F
C
F
C
G
C
A
D
C
A
C
Gm
C
Am
C
B
D
m
C
Ddim
C
Fdim
C
FM7
C
A
D
M7
C
F
m7
D
5
C
Gdim
C
Adim
C
Bdim
C
A
D
7
C
F7
C
Fm7
C
B
D
C
C
m
C
Dm
C
Fm
C
zzzzz zz z z z
Bm
C
zz zz zz z
A
D
m
C
F
m
C
zzzzz zz
Gm7
C
A
D
add9
C
zz z z
G7
C
zz
C
dim
C
F
dim
C
A
D
dim
C