E USER’S GUIDE WK3200/3700-E-1
GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas). NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
Safety Precautions Congratulations on your selection of the CASIO electronic musical instrument. • Before using the instrument, be sure to carefully read through the instructions contained in this manual. • Please keep all information for future reference. Symbols Various symbols are used in this user’s guide and on the product itself to ensure that the product is used safely and correctly, and to prevent injury to the user and other persons as well as damage to property.
Safety Precautions DANGER Alkaline Batteries Perform the following steps immediately if fluid leaking from alkaline batteries ever gets into your eyes. 1. Do not rub your eyes! Rinse them with water. 2. Contact your physician immediately. Leaving alkaline battery fluid in your eyes can lead to loss of sight. WARNING Smoke, Strange Odor, Overheating Continued use of the product while it is emitting smoke, a strange odor, or heat creates the risk of fire and electric shock.
Safety Precautions Dropping and Impact Continued use of this product after it has been damaged by dropping or subjecting it to strong impact creates the risk of fire and electric shock. Take the following steps immediately. 1. Turn off power. 2. If you are using the AC adaptor for power, unplug it from the wall outlet. 3. Contact your original retailer or an authorized CASIO Service Provider. Plastic Bags Never place the plastic bag the product comes in over your head or in your mouth.
Safety Precautions Connectors Connect only the specified devices and equipment to the product’s connectors. Connection of a non-specified device or equipment creates the risk of fire and electric shock. Location Avoid the following locations for this product. Such locations create the risk of fire and electric shock. • Areas subject to high humidity or large amounts of dust. • In food preparation areas or other areas subject to oil smoke.
Introduction Congratulations upon your selection of this CASIO musical instrument. This keyboard provides you with the following features and functions. ❐ 550 Tones Include Rich Advanced Tones A total of 332 Advanced Tones are programmed with DSP tones to make them richer and more powerful. Advanced tones like Stereo Piano and Tremolo Electric Piano enhance the Piano and Electric Piano tones to create a totally new sound.
Introduction ❐ Mixer You can specify tone, volume, pan position, and other parameters for each built-in Auto Accompaniment part. You can also control the same parameters for each channel during MIDI input. ❐ Registration Memory Keyboard setups can be stored in memory for later recall and instant settings whenever you need them. Up to 32 setups (4 setups x 8 banks) can be stored in registration memory. ❐ Data download from your computer You can use your computer to download data from the CASIO MUSIC SITE.
Contents Safety Precautions ................ E-1 Applying Effects to Tones .... E-27 Effect Blocks .......................................... E-27 Introduction ........................... E-5 General Guide ...................... E-10 Attaching the Score Stand ..................... E-11 Playing a Demo Tune ............................. E-12 Power Supply ...................... E-14 Using batteries ....................................... E-14 Using the AC Adaptor .............................
Contents Synthesizer Mode ................ E-44 Keyboard Settings .............. E-65 Synthesizer Mode Functions .................. E-44 Using Layer ............................................ E-65 Creating a User Tone ............................. E-47 Using Split .............................................. E-66 Storing a User Tone In Memory ............. E-50 Using Layer and Split Together .............. E-67 Transposing the Keyboard ..................... E-68 Registration Memory ..........
Contents Saving Data .......................... E-82 Using a SmartMedia Card ...................... E-83 Company and product names used in this manual may be registered trademarks of others. Using the Floppy Disk Drive (WK-3700 Only) ..................................... E-84 Using External Storage Media ............... E-86 Saving Files ........................................... E-87 Loading a File ........................................ E-88 Renaming a File .....................................
General Guide 1 2 3 4 5 6 8 9 0 A M *3 R S B 7 D E C N J I O P T G H L *2 M U Z [ \ ] W a _ E-10 WK3200_e_10-21.p65 K Q *1 V Y F X b c 738A-E-012A 10 05.3.
General Guide • Illustrations in this User’s Guide shows the WK-3700.
General Guide *2 a Number buttons • For input of numbers to change displayed settings. • Negative values can be changed only by using [+] and [–] to increment and decrement the displayed value. b [+]/[–] buttons (YES/NO) *3 • WK-3700 • WK-3200 c PITCH BEND wheel c d d MODULATION wheel c MODULATION button d MODULATION button lamp e PITCH BEND wheel c d e Playing a Demo Tune*4 Pressing the DEMO button starts demo tune play. There are 3 demo tunes, which continuously play in sequence.
General Guide Rear Panel • WK-3700 • WK-3200 h i j k l h i OUT j k SUSTAIN/ ASSIGNABLE JACK DC 12V MIDI MIDI IN SUSTAIN/ ASSIGNABLE JACK R L/MONO LINE OUT DC 12V OUT IN h MIDI OUT terminal h MIDI OUT terminal i MIDI IN terminal i MIDI IN terminal j SUSTAIN/ASSIGNABLE JACK terminal j SUSTAIN/ASSIGNABLE JACK terminal k LINE OUT R, LINE OUT L/MONO terminal k DC 12V terminal l DC 12V terminal Rear Panel m Card slot m NOTE • Display examples shown in this User’s Guide are intende
Power Supply This keyboard can be powered by current from a standard household wall outlet (using the specified AC adaptor) or by batteries. Always make sure you turn the keyboard off whenever you are not using it. Using batteries Always make sure you turn off the keyboard before loading or replacing batteries. Important Battery Information ■ The following shows the approximate battery life. Alkaline batteries .............................
Power Supply Using the AC Adaptor Auto Power Off Make sure that you use only the AC adaptor specified for this keyboard. When you are using battery power, keyboard power turns off automatically whenever you leave it on without performing any operation for about 6 minutes. When this happens, press the POWER button to turn power back on. Specified AC Adaptor: AD-12 AC adaptor AD-12 NOTE • Auto Power Off is disabled (it does not function) when you are using the AC adaptor to power the keyboard.
Power Supply Turning Off the Keyboard • Be sure to press the POWER button to turn off power and make sure that the LCD backlight is off before disconnecting the AC adaptor or doing anything else. • Never disconnect the AC adaptor while the keyboard is turned on or try to turn off power using any other technique besides pressing the POWER button. Doing so can cause the contents of the keyboard’s Flash memory to become corrupted.
Connections Connecting to a Musical Instrument Amplifier 3 • WK-3700 Phones and Line Out Terminals Before connecting phones or other external equipment, be sure to first turn down the volume settings of the keyboard and the connected equipment. You can then adjust volume to the desired level after connections are complete. Use commercially available cords to connect to the two jacks as shown in Figure 3. It is up to you to purchase connecting cables like the ones shown in the illustration for connection.
Connections Musical Instrument Amplifier 3 Use a commercially available connecting cord to connect the keyboard to a musical instrument amplifier. NOTE • Be sure to use a connecting cord that has a stereo standard plug on the end you connect to the keyboard, and a connector that provides dual channel (left and right) input to the amplifier to which you are connecting. The wrong type of connector at either end can cause one of the stereo channels to be lost.
Basic Operations POWER PIANO SETTING TONE ●WK-3700 MODULATION wheel PITCH BEND wheel ●WK-3200 MODULATION button PITCH BEND wheel Number buttons [+]/[–] MAIN VOLUME This section provides information on performing basic keyboard operations. Drawbar Organ Tones: 50 Preset Tones + 100 User Tones Number To play the keyboard 1 Press the POWER button to turn the keyboard on.
Basic Operations Changing Tones and Configuring DSP Effect Settings To select a tone 1 2 3 Find the tone you want to use in the tone list and note its tone number. Press the TONE button. Use the number buttons to input the three digit tone number for the tone you want to select. Example: To select “432 GM ACOUSTIC BASS”, input 4, 3 and then 2. A c o u s B sG This keyboard has only a single DSP sound source.
Basic Operations Using the MODULATION NOTE • Pressing the PIANO SETTING button while a rhythm is playing stops rhythm play and then changes the keyboard setup. • Pressing the PIANO SETTING button while the keyboard is in the Synthesizer Mode or other mode exits the current mode and then changes the keyboard setup. • The setup of the keyboard does not change if you press the PIANO SETTING button when any one of the following exists.
Using the Drawbar Organ Mode Your keyboard has built-in “drawbar organ tones” that can be altered using nine digital drawbars whose operations are similar to the controls on a drawbar organ. You can also select percussion or key click. There is room in memory for storage of up to 100 user-created drawbar tone variations.
Using the Drawbar Organ Mode Channel Buttons while the Drawbar Organ Tone Selection Screen is Displayed The 18 buttons along the bottom of the display function as drawbar buttons while the drawbar organ tone selection screen is on the display (after you press the DRAWBAR ORGAN button). Each pair of buttons (upper and lower) represents a drawbar, which means that the 18 buttons provide you with the function of nine drawbars.
Using the Drawbar Organ Mode DRAWBAR ORGAN Number buttons [+]/[–] CURSOR To select a drawbar organ tone 1 2 2 Find the drawbar organ tone you want to use in the tone list and note its tone number. Use the [왗] and [왘] CURSOR buttons to display the drawbar organ tone editing screen. Select the parameter whose setting you want to change. Example: Selecting the “Ft16’” parameter Parameter Setting Parameter Name Press the DRAWBAR ORGAN button.
Using the Drawbar Organ Mode Editing Synthesizer Mode Parameters and DSP Parameters of Drawbar Tones As with standard (non-drawbar) tones, you can edit the Synthesizer Mode parameters and DSP parameters of drawbar organ tones. See “Drawbar Organ Mode Operational Flow” on page E-22. 1 Use the [왗] and [왘] CURSOR buttons to display “More?”, and then press the [왔] CURSOR button. • This enters the Synthesizer Mode, which is indicated by the indicator next to SYNTH on the display screen.
Using the Drawbar Organ Mode Display Contents in the Drawbar Organ Mode In the Drawbar Organ Mode, the current status of the drawbar positions, key click, and percussion parameters are indicated on the display’s bar graph as shown in the illustrations below. There is one line for each parameter, and the bottom segment of the selected parameter line flashes. The bottom segment of the bar graph column that represents the currently selected parameter flashes to indicate that it is selected.
Applying Effects to Tones DSP DSP effects are applied to the connection between the sound source and output. You can select distortion and modulation effects. You can create DSP effect setups and also transfer downloaded DSP data from your computer. The keyboard has memory that lets you store up to 100 DSP effect setups. See “Using the Music Data Management Software (on the Bundled CD-ROM)” on page E-80 and “Saving the Settings of DSP Parameters” on page E-29 for more information.
Applying Effects to Tones EFFECT CURSOR Number buttons [+]/[–] EXIT Selecting a DSP Type In addition to the 100 built-in effect types, you can also edit effect types to create your own and store them in user memory. You can have up to 100 effect types in user memory at one time. You can also select the DSP type of the last DSP enabled tone that you used. This means you always have access to the DSP type of Advanced Tones and tones you download over the Internet.
Applying Effects to Tones 4 NOTE • Whether or not an effect is applied to the parts that are sounding also depends on Mixer Mode Reverb Send, Chorus Send, and DSP on/off settings. See “Mixer Function” on page E-40 for more information. • Playing a demo tune (page E-12) automatically changes the effect to the one that is assigned to the tune. You cannot change or cancel a demo tune effect.
Applying Effects to Tones 4 Use the [+] and [–] buttons or the number buttons to scroll through the reverb types until the one you want is displayed, or use the number buttons to input the reverb number you want to select. • See the list on page A-14 for information about the types of REVERB effects that are available. • Here you could also change the parameters of the effect you selected, if you want. See “Changing the Settings of REVERB Parameters” for more information.
Applying Effects to Tones Changing the Settings of CHORUS Parameters You can control the relative strength of an effect and how it is applied. The parameters you can control depend on the effect. See the following section titled “CHORUS Parameters” for more information. 1 3 4 3 Use the [+] and [–] buttons or the number buttons to select the equalizer type you want. • See the list on page A-14 for information about the equalizer types that are available.
Auto Accompaniment RHYTHM ONE TOUCH PRESET MODE Number buttons ACCOMP VOLUME INTRO/ENDING 1/2 [+]/[–] VARIATION/FILL-IN 1/2 TEMPO START/STOP SYNCHRO/FILL-IN NEXT This keyboard automatically plays bass and chord parts in accordance with the chords you finger. The bass and chord parts are played using sounds and tones that are automatically selected to select the rhythm you are using.
Auto Accompaniment Playing a Rhythm Using Auto Accompaniment To play a rhythm 1 Press VARIATION/FILL-IN button 1 or 2. • This starts the play of the selected rhythm. • To stop rhythm play, press the START/STOP button. NOTE • Chords will sound along with the rhythm if any of the three accompaniment mode lamps above the MODE button is lit. If you want to play the rhythm pattern without chords, press the MODE button until all of the lamps are off.
Auto Accompaniment NOTE • If you press the SYNCHRO/FILL-IN NEXT button and then the VARIATION/FILL-IN 1/2 buttons in place of the START/STOP button in step 2, accompaniment will start with an intro pattern when you perform the operation in step 3. For details about these buttons, see pages E-36 and E-37. • If you press the VARIATION/FILL-IN 1/2 buttons in place of the START/STOP button in step 4, an ending pattern will play before accompaniment play is ended. For details about this button, see page E-37.
Auto Accompaniment NOTE FINGERED FINGERED provides you with a total of 15 different chord types. The following describes the FINGERED “accompaniment keyboard” and “melody keyboard”, and tells you how to play a C-root chord using FINGERED. FINGERED Accompaniment Keyboard and Melody Keyboard Accompaniment keyboard • Except for the chords specified in note*1above, inverted fingerings (i.e. playing E-G-C or G-C-E instead of C-EG) will produce the same chords as the standard fingering.
Auto Accompaniment Chords Recognized by This Keyboard Using an Intro Pattern The following table identifies patterns that are recognized as chords by FULL RANGE CHORD. Pattern Type Number of Variations FINGERED The 15 chord patterns shown under FINGERED on page E-35. See the “Fingered Chord Chart” on page A-12 for details on playing chords with other roots. 23 standard chord fingerings. The following are examples of the 23 chords available with C as the bass note.
Auto Accompaniment To insert a fill-in 1 2 Press the START/STOP button to start rhythm play. Select the fill-in variation you want. • To insert Fill-in 1, press the VARIATION/FILL-IN 1 button while Variation 1 of the rhythm is playing. • To insert Fill-in 2, press the VARIATION/FILL-IN 2 button while Variation 2 of the rhythm is playing. NOTE • Only the SYNCHRO/FILL-IN NEXT button is operational while an intro is playing.
Auto Accompaniment Using Auto Harmonize NOTE • Pressing the INTRO/ENDING button prior to the first half beat at the beginning of a measure plays the ending immediately. Pressing the button after the first half beat of a measure causes the ending to be played from the beginning of the following measure. Using One-touch Preset One-touch preset automatically makes the main settings listed below in accordance with the rhythm pattern you are using.
Auto Accompaniment Auto Harmonize Types Auto Harmonize lets you select from among the 10 Auto Harmonize types. Type changing is performed by the setting item using the TRANSPOSE/FUNCTION button. See “Changing Other Settings” on page E-70 for more information. Adjusting the Accompaniment Volume You can adjust the volume of the accompaniment parts as a value in the range of 000 (minimum) to 127 (maximum).
Mixer Function What you can do with the Mixer This keyboard lets you play multiple different musical instrument parts at the same time during autoaccompaniment play, song memory playback, receipt of data through the MIDI terminal, etc. The Mixer assigns each part to a separate channel (1 through 16) and lets you control the channel on/off, volume, and pan pot parameters of each channel.
Mixer Function MIXER CHANNEL CURSOR Number buttons [+]/[–] Using the Parameter Edit Mode 4 Use the number buttons or [+] and [–] to change the parameter setting. Example: Change the setting to “060”. Editing the Parameters for Channels 1 through 16 V o l ume In the Parameter Edit Mode, you can change the settings of ten different parameters (including tone, volume, and pan pot) for the channel you selected on the Mixer screen. • Pressing the MIXER or EXIT button exits the parameter edit mode.
Mixer Function How Parameters Work The following are the parameters whose settings can be changed in the Parameter Edit Mode. Tone Parameters ■ Octave Shift (Range: –2 to 0 to +2) You can use octave shift to shift the range of the tone up or down. When using the piccolo tone, there may be cases when very high notes you want to play are not included within the range of the keyboard. When this happens, you can use octave shift to shift the keyboard range one octave up.
Mixer Function ■ DSP System Reverb Send (Range: 000 to 127) Effect Parameters The Mixer lets you control the effects applied to each individual part, making it different from the Effect Mode, whose settings are applied to all parts in general. This parameter adjusts how much reverb is applied to all parts. D . Rv bSnd ■ Reverb Send (Range: 000 to 127) This parameter controls how much reverb is applied to a part. A setting of “000” turns reverb off, while a setting of 127 applies maximum reverb.
Synthesizer Mode The Synthesizer Mode of this keyboard provides the tools for creating your own original tones. Simply select one of the built-in tones and change its parameters to create your own original sound. You can even store your sounds in memory and select it using the same procedure as that used to select a preset tone. Synthesizer Mode Functions The following describes how to use each of the functions available in the Synthesizer Mode.
Synthesizer Mode ■ Resonance Resonance enhances the harmonic components in the vicinity of the cutoff frequency, which creates a distinctive sound. A larger resonance value enhances the sound as shown in the figure. Level Frequency Cut off frequency Small Value Large Value Resonance NOTE • With some tones, a large resonance value can cause distortion or noise during the attack part of the tone.
Synthesizer Mode Saving User Tones The group of tone numbers from 700 through 799 (User 001 through User 100) is called the “user area” because they are reserved for storage of user tones. After you recall a preset tone and change its parameters to create your own user tone, you can store it in the user area for later recall. You can recall your tones using the same procedure that you use when selecting a preset tone.
Synthesizer Mode SYNTH CURSOR ●WK-3200 MODULATION button lamp [+]/[–] Creating a User Tone Parameters and Their Settings Use the following procedure to select a preset tone and change its parameters to create a user tone. The following describes the function of each parameter and provides its setting range. 1 ■ Attack Time (Range: –64 to 00 to +63) 2 First, select the preset tone you want to use as a basis for your user tone. Press the SYNTH button.
Synthesizer Mode ■ Modulation Assign (Range: *) ■ Modulation Depth (Range: 0 to 127) (WK-3200 only) The Modulation Assign parameter specifies which parameters should be affected when you use the keyboard’s modulation function. Select “oFF” for any parameters that you do not want affected by the modulation function. On the WK-3200, this parameter controls the modulation value when the MODULATION button is pressed.
Synthesizer Mode ■ Vibrato Waveform (Range: See below.) ■ Touch Sensitivity (Range: –64 to 00 to +63) Specifies the vibrato waveform. This parameter controls changes in the volume of the tone in accordance with the pressure applied to the keyboard keys. A greater positive value increases the volume of the output as pressure increases, while a negative value decreases volume with increased keyboard pressure. A setting of zero specifies no change in output volume in accordance with keyboard pressure.
Synthesizer Mode Storing a User Tone In Memory DSP Settings Use the DSP editing screen to select the DSP type and to edit parameters. 1 2 Select a tone, press the SYNTH button, and then configure parameter settings. After everything is the way you want, press the [왔] CURSOR button once. • This advances to the DSP parameter editing screen. • Pressing the [왖] CURSOR button returns to the Synthesizer Mode parameter screen. The following procedure shows how to store a user tone in memory.
Registration Memory Registration Memory Features Registration memory lets you store up to 32 keyboard setups (4 sets x 8 banks) for instant recall whenever you need them. The following is a list of settings that are saved in registration memory. Setup Names You can assign setups into one of 32 areas, which you can select using BANK buttons 1 through 4 and the four REGISTRATION buttons. Area names range from 1-1 through 8-4 as shown below.
Registration Memory Number buttons BANK REGISTRATION STORE To Save a Setup in Registration Memory To Recall a Setup from Registration Memory 1 1 Select a tone and rhythm, and otherwise set up the keyboard the way you want it. • See “Registration Memory Settings” on page E-51 for details on what data is stored in the registration memory. 2 Use the BANK button or the number buttons to select the bank.
Song Memory Function This keyboard lets you record up to five separate songs in song memory for later playback. There are two methods you can use to record a song: real-time recording where you record the notes as you play them on the keyboard, and step recording where you input chords and notes one-by-one. Selecting a Track Use the SONG MEMORY TRACK buttons marked CHORD/ TR1 through TR6 to select the track you want.
Song Memory Function CURSOR SONG MEMORY Number buttons [+]/[–] YES/NO SONG MEMORY TRACK START/STOP INTRO/ENDING 1/2 SYNCHRO/FILL-IN NEXT VARIATION/FILL-IN 1/2 Using Real-time Recording 4 • When recording starts, the REC indicator flashes on the display. After a few moments the indicator stops flashing, and remains on the display. • Real-time recording without a rhythm starts. If you want to record with a rhythm, press the INTRO/ ENDING 1/2 or VARIATION/FILL-IN 1/2.
Song Memory Function Track 1 Contents After Real-time Recording In addition to keyboard notes and accompaniment chords, the following data is also recorded to Track 1 during realtime recording. This data is applied whenever Track 1 is played back.
Song Memory Function Playing Back from Song Memory Once you record tracks to song memory, you can play them back to see what they sound like. To play back from song memory 1 Use the SONG MEMORY button to enter playback standby, and then use the number buttons to select a song number (0 to 4). Song number Playback standby P l ay • The above song number screen remains on the display for about five seconds.
Song Memory Function To record chords with step recording 1 Press the SONG MEMORY button three times to enter step recording standby, and then use the number buttons to select the song number (0 to 4). 7 After you are finished recording, press the START/ STOP button. • This enters playback standby for the song you have just recorded. • To play back the song at this time, press the START/ STOP button. Flash NOTE St 2 ep Re c Make the following settings.
Song Memory Function Specifying Chords in the Normal Mode When the MODE button is set to Normal during step recording, you can specify chords using a method that is different from CASIO Chord and Fingered fingerings. This chord specification method can be used to input 18 different chord types using only two keyboard keys, so chords can be specified even if you don’t know how to actually play them.
Song Memory Function 4 IMPORTANT! • The length of the ending depends on the rhythm you are using. Check the length of the pattern you are using and set the length of the chord accordingly in step 6. Making the chord too short in step 6 can result in the ending pattern being cut off. To step record chords without rhythm Skip step 4. The specified chord of the length specified by the number buttons is recorded. A rest can be specified here, so an original chord pattern can be created.
Song Memory Function 2 Use the SONG MEMORY TRACK buttons to select the track you want to record to (2 through 6). Example: Select Track 2. Flash Track Contents After Step Recording In addition to notes and rests, the following data is also recorded to the track during step recording. This data is applied whenever the track is played back. • Tone number 3 Level Meter Contents During Record/ Edit Standby Specify a tone number.
Song Memory Function 4 To correct mistakes while step recording 1 Press the YES button. • This deletes all data from the location you specified and enters step record standby. • Pressing the [왖] CURSOR button or the NO button cancels deleting the data. Without exiting step recording, use the [왗] CURSOR button to move the input point to the left. • The REC indicator disappears from the display, and the STEP indicator flashes. Measure 120/Beat 1/Clock 0 (Step re-recording begins from here.
Song Memory Function 4 Editing Memory Contents After you record to keyboard memory, you can recall individual notes and parameter settings (such as tone number) and make any changes you want. This means you can correct misplayed notes, make changes in tone selections, etc. The following types of data can be edited.
Song Memory Function Editing Techniques and Display Contents The following describes the editing techniques you can use to change the various parameters stored in memory. To change the key pressure (velocity) of a note Use the number buttons or [+] and [–] to adjust the key pressure. No t e G4 To change the pitch of a note Input a new note on the keyboard or use [+] and [–] buttons to change the pitch of a note.
Song Memory Function 4 Editing a Song You can perform the following operations in the song editing mode. Use the SONG MEMORY TRACK buttons to select the recorded track or tracks whose data you want to delete. Track delete standby • Delete a song • Delete a track • Song header data rewrite (Panel Record) Recorded track To delete a song 1 2 3 4 Press the SONG MEMORY button once to enter playback standby.
Keyboard Settings TRANSPOSE/FUNCTION EXIT CURSOR TONE Number buttons [+]/[–] YES/NO SPLIT 2 Parts Press the LAYER button. Selected layer tone Up to four parts (numbered 1 through 4) can be used simultaneously during keyboard play. These parts can be used by the layer and split functions explained below. Part 1: Main tone part Part 2: Layered tone part Part 3: Split tone part Part 4: Layered and split tone part 3 Select the layered tone.
Keyboard Settings 4 Using Split With split you can assign two different tones (a main tone and a split tone) to either end of the keyboard, which lets you play one tone with your left hand and another tone with your right hand. For example, you could select GM STRINGS 1 as the main (high range) tone and GM PIZZICATO as the split (low range) tone, putting an entire string ensemble at your fingertips.
Keyboard Settings Using Layer and Split Together You can use layer and split together to create a layered split keyboard. It makes no difference whether you layer tones first and then split the keyboard, or split the keyboard and then layer tones. When you use layer and split in combination, the high range of the keyboard is assigned two tones (main tone + layered tone), and the low range two tones (split tone + layered split tone).
Keyboard Settings Transposing the Keyboard Using Touch Response Transpose lets you raise and lower the overall key of the keyboard in semitone units. If you want to play an accompaniment for a vocalist who sings in a key that’s different from the keyboard, for example, simply use transpose to change the key of the keyboard. When touch response is turned on, the relative volume of sound output by the keyboard is varied in accordance with the amount of pressure applied, just like an acoustic piano.
Keyboard Settings Tuning the Keyboard The tuning feature lets you fine tune the keyboard to match the tuning of another musical instrument. To tune the keyboard 1 2 Press the TRANSPOSE/FUNCTION button. Use the [왗] and [왘] CURSOR buttons to display the tuning screen. Tune 3 Use [+] and [–] to change the tuning setting of the keyboard. Example: To lower the tuning by 20. Tune • Pressing the TRANSPOSE/FUNCTION button exits the transpose screen.
Keyboard Settings Changing Other Settings Setting Types The table below shows the parameters whose settings you can change. Setting menu Description Page Transpose (Trans.) Adjusts of overall keyboard tuning by semitone units. E-68 Auto Harmonize (AutoHarm) Selects the Auto Harmonize Type E-72 Touch Response (Touch) Specifies of how sound should change with keyboard pressure. E-68 Tune (Tune) Fine adjustment of overall keyboard tuning. E-69 Contrast (Contrast) Adjusts display brightness.
Keyboard Settings To use the keyboard settings menu 1 Press the TRANSPOSE/FUNCTION button. • This causes a pointer to appear on the display next to TRANSPOSE/FUNCTION. 2 Use the [왗] and [왘] CURSOR buttons, and the [왖] and [왔] CURSOR buttons to recall the items whose settings you want to change.
Keyboard Settings 3 Use the [+] and [–] buttons or the number buttons to change the values. • Settings you make are applied even if you do not press the EXIT button. • See the following section titled “Setting Menu Items” for details on each setting. • After making the settings you want, press the TRANSPOSE/FUNCTION button or EXIT button to return to the tone or rhythm selection screen. ■ In case of a delete or initialize procedure 4 Press the YES button.
Keyboard Settings 쏋 Other Settings Setting menu Contrast (Contrast) Assignable Jack (Jack) Mixer Hold (MixHold) DSP Hold (DSP Hold) Range Default Description 00 to 15 07 SUS SUS SoS — Assigns the sostenuto pedal effect to a pedal. Adjusts display contrast. Assigns the sustain pedal effect to a pedal. SFt — Assigns the soft pedal effect to a pedal. rhy — Assigns the START/STOP button function to a pedal.
Using the SMF Player The letters “SMF” stand for Standard MIDI File, which is a file format that allows MIDI data to be shared between different software and sequencers. There are actually three SMF formats, named SMF 0, SMF 1, and SMF 2. This keyboard supports the SMF 0 format, which is the one that is most widely used today, and so all mentions of “SMF data” in this manual refer to SMF 0 format data.
Using the SMF Player SMF Player Mode Operational Flow Display Screen Tone/Rhythm Selection Screen Number Area SMF PLAYER button SMF PLAYER button Text Area Select media. SMF Player indicator Lights EXIT button [왖]* [왔]* Select file. File Name File Number 000 ABC1 [왘]*, [+] 001 [왗]*, [–] ABC2 [왘], [+] [왗], [–] [왘], [+] ABC3 [왗], [–] 008 START/STOP button Direct input using number buttons is also possible. [왔] Select play along part.
Using the SMF Player SMF PLAYER CHANNEL CURSOR Number buttons [+]/[–] ACCOMP VOLUME START/STOP Playing Back an SMF EXIT To play back an SMF Note that the first step you need to perform in the procedure below depends on whether you are playing back from Flash memory, a SmartMedia card, or a floppy diskette (WK-3700 only). 1 PREPARATION Flash Memory • SmartMedia Card • Insert the SmartMedia card that contains the data you want to play into the keyboard’s card slot.
Using the SMF Player 3 Press the [왔] CURSOR button to display the file selection screen. • SMFs are those shows file names end with the extension “MID”. An error message appears at this time if there are no SMF files currently in external storage media you are using. 4 To configure other settings 1 Use tthe number buttons to input the three-digit file number of the file you want to play. • The name of the currently selected file will appear in the text area of the display.
Using the SMF Player SMF Player Error Messages The following explains what you should do when an error message appears in the SMF Player Mode. Error Message Cause Action Err Not SMF0 You are attempting to play SMF data that is not Format 0. Use only Format 0 SMF data. Err WrongDat There is a problem with the SMF data you are trying to play or the data is corrupted. Use different data. E-78 WK3200_e_65-78.p65 738A-E-080A 78 05.3.
MIDI What is MIDI? MIDI Settings You can change the settings of a number of parameters that control how MIDI messages are sent and received. What is MIDI? MIDI is a standard for digital signals and connectors that allows musical instruments, computers, and other devices, regardless of manufacturer, to exchange data with each other. MIDI Parameters You can use the parameter setting procedure (page E-71) to change the settings of the MIDI parameters described below.
MIDI Using the Music Data Management Software (on the Bundled CD-ROM) The Music Data Management Software application on the CDROM that comes bundled with the keyboard lets you transfer data you downloaded from the CASIO MUSIC SITE from your computer to keyboard memory. You can also use it to save keyboard data to your computer’s hard disk. Music Data Management Software supports transfer of the following type of data.
MIDI To connect to a computer Be sure to turn off the keyboard and your computer before connecting them. You should also set the volume controller of the keyboard to a relatively low volume. 1 DATA ACCESS Lamp • The DATA ACCESS lamp lights whenever the keyboard is exchanging data with a connected computer over a MIDI cable connection. Never disconnect the MIDI cable while the DATA ACCESS lamp is lit. Connect the keyboard’s MIDI interface to your computer’s MIDI interface.
Saving Data You can save data you create and data you transfer to the keyboard from a computer to the keyboard’s built-in Flash memory, or to a SmartMedia cardTM or floppy diskette (WK-3700). In this manual, SmartMedia cards and floppy diskettes are referred to as “external storage media”. The types of files that can be saved to external storage media are listed below. Note that each type of file can be saved to a specific, pre-defined user area, as shown in the “Savable File Types” table below.
Saving Data Using a SmartMedia Card Your keyboard is equipped with a card slot that supports the use of SmartMediaTM cards that you can use to store tunes you transfer from your computer, song memory data you have stored in the keyboard’s flash memory, and other data. This provides you with access to virtually unlimited volumes of data that you can instantly load whenever you need it. IMPORTANT! • There are two types of SmartMedia cards: 3.3V and 5V. Note that this keyboard supports use of 3.
Saving Data Inserting and Removing a SmartMedia Card Using the Floppy Disk Drive (WK-3700 Only) The following describes how to insert a SmartMedia card into the card slot and how to remove it. Floppy Disk Drive Features To insert a SmartMedia card into the card slot With the contact side of the SmartMedia card facing downwards, insert the card into the card slot. Carefully push the card into the slot as far as it will go.
Saving Data • Do not use a computer, another electronic musical instrument, or any other device to change a file name or file contents created with this keyboard. Doing so can make the data unusable by this keyboard and even cause malfunction of the keyboard. Note that CASIO COMPUTER CO., LTD. shall not be held liable for any loss to you or any third party due to corruption or accidental erasure of data on a diskette.
Saving Data CURSOR Eject button ●WK-3700 DISK/CARD ●WK-3200 [+]/[–] YES/NO Inserting and Ejecting a Diskette The following describes how to insert a diskette into the disk drive and how to eject it. To insert a diskette into the floppy disk drive 1 With the label area of the diskette facing up, insert the diskette shutter first into the disk drive, as shown in the illustration.
Saving Data 4 Use the [왗] and [왘] CURSOR buttons to display the screen for the type of operation you want to perform. Load [왘] [왘] [왗] R e n ame [왘] [왗] De l e t e F o r ma t • See the pages referenced below for details about using each of the above menu operations.
Saving Data 2 3 4 5 6 7 Press the [왔] CURSOR button to display the Card Mode (or Disk Mode) menu. 9 • If you are saving song data, the file type selection screen appears next. Use the [왗] and [왘] CURSOR buttons to select “SMF” or “SONG”. After selecting a file type, press the [왔] CURSOR button. • This will display a confirmation message asking whether you really want to save the data.
Saving Data 5 PREPARATION • SmartMedia Card • Insert the SmartMedia card that contains the data you want to load into the keyboard’s card slot. • Floppy Diskette (WK-3700 Only) • Insert the floppy diskette that contains the data you want to load into the keyboard’s floppy disk drive. 6 7 NOTE • Depending on the type and the amount of data involved, a SmartMedia card or floppy diskette (WK-3700 only) data save or load operation can take anywhere from a few minutes to more than 10 minutes to complete.
Saving Data 6 Renaming a File You can use the procedures in this section to change the name of a file that you previously saved to external storage media. 7 PREPARATION • SmartMedia Card • Insert the SmartMedia card that contains the file you want to rename into the keyboard’s card slot. Make sure that the sticker is removed from the card’s write area, which enables writing.
Saving Data 7 PREPARATION • SmartMedia Card • Insert the SmartMedia card that contains the file you want to delete into the keyboard’s card slot. Make sure that the sticker is removed from the card’s write area, which enables writing. • Floppy Diskette (WK-3700 Only) • Insert the floppy diskette that contains the file you want to delete into the keyboard’s floppy disk drive. Make sure that the diskette’s write protect hole is closed, which enables writing.
Saving Data To format external storage media Inputting Characters 1 The following describes the types of characters you can input when saving data to the user area and external storage media. What you should do first depends on the type of storage media you are using. • SmartMedia Card On the WK-3700 press the DISK/CARD button twice. On the WK-3200, press the CARD button once.
Saving Data SmartMedia Card Error Messages Display Message Cause Action Err Card R/W There is something wrong with the card. Use a different card. Err CardFull The card is full. 1. Use a different card. 2. Delete files you no longer need from the card (page E-90). Err No Card 1. The card is not set correctly in the card slot. 1. Remove the card and reinsert it correctly (page E-84). 2. Insert a card into the card slot.
Saving Data Disk Drive Error Messages (WK-3700 Only) Display Message Cause Action Err ReadOnly Attempt to save a file using the same name as an existing file that is read only. Save the new file to a different diskette or use another name. Err Format 1. The format of the diskette is not compatible with this keyboard. 2. The diskette is not formatted. 3. The diskette is damaged. 1. Change to a diskette that has the proper format. ...................................................... E-91 2.
Troubleshooting Problem Possible Cause No keyboard sound 1. Power supply problem. 2. Power is not turned on. 3. Volume setting is too low. 4. Playing in the accompaniment keyboard area while the MODE button setting is CASIO CHORD or FINGERED. 5. Local Control is off. 6. Mixer channel 1 is turned off. 7. Mixer channel 1 volume setting is too low. 8. The DSP volume parameter is set too low. 9. The Expression value of the file data played back on the SMF player is too low.
Troubleshooting Problem Possible Cause Action The key or tuning does not match when playing along with another MIDI machine. 1. The tuning or transpose parameter is set to a value other than 00. 2. Mixer coarse tune, fine tune, and/ or octave shift settings are values other than 00. 1. Change the transpose or tuning parameter value to 00. E-68, 69 2. Use the Mixer to change the coarse tune, fine tune, and/or octave shift settings to 00. E-42 Parts suddenly drop out during song memory playback.
Troubleshooting Problem Possible Cause Action A downloaded tone with waveform contains noise or keyboard operations become abnormal when user data is selected. Someone may have turned off the keyboard while data was being stored in Flash memory or something else has caused Flash memory contents to become corrupted for some reason. Use the TRANSPOSE/FUNCTION button to perform the system reset operation.
Specifications Model: WK-3700/WK-3200 Keyboard: 76 standard-size keys, 6 1/4 octaves with touch response (OFF/1/2/3) Tones: 332 Advanced Tones + 200 Preset Tones + 18 Drum Sets + 100 standard user tones + 20 user tones with waves* + 4 user drum sets with waves* + 50 drawbar organ tones + 100 user drawbar organ tones (824 tones total); layer/split Polyphony: 32 notes maximum (10 for certain tones) Drawbar Organ Function Drawbars: 9 (16’, 5 1/3’, 8’, 4’, 2 2/3’, 2’, 1 3/5’, 1 1/3’, 1’) Percussion:
Specifications Registration Memory Number of Setups: 32 (4 setups x 8 banks) Memory Contents: Tone, Rhythm, Tempo, Layer on/off, Split on/off, Split point, Harmonize on/ off, Mixer settings (Channels 1 to 10), Effect settings, Touch Response settings, Assignable jack setting, Transpose, Tuning, Accompaniment volume setting, Pitch bend range, Auto Harmonize type, MODE button setting, Synchro standby state, Mixer Hold, DSP Hold, Synthesizer Mode parameters Mixer Function Channels: 16 Parameters: Tone;
Specifications Terminals MIDI Terminals: IN, OUT Sustain/Assignable Terminal: Standard jack (sustain, sostenuto, soft, rhythm start/stop) •WK-3700 Headphones: Stereo standard jack Output Impedance : 200Ω Output Voltage : 250mV (RMS) MAX Line Out (R, L/MONO): Standard jack x 2 Output Impedance : 3kΩ Output Voltage : 1.5V (RMS) MAX •WK-3200 Headphone/Output Terminal: Stereo standard jack Output Impedance: 200Ω Output Voltage: 5.
Care of your Instrument Avoid heat, humidity or direct sunlight. Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place. Do not use near a TV or radio. This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away from the TV or radio. Do not use lacquer, thinner or similar chemicals for cleaning.
738A-E-104A WK3200_e_95-101.p65 102 05.3.
WK3200_e_A-01-13.p65 2 PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO CHROM.PERC CHROM.PERC CHROM.
1 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 2 GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR GUITAR BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS ORCHESTRA ORCHESTRA ORCHESTRA ORC
1 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 2 BRASS BRASS REED REED REED REED REED REED REED REED REED REED REED REED REED REED REED REED REED REED REED REED PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH-LEAD SYNTH
400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 1 GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM GM 2 Preset Tones 3 GM PIANO 1 GM PIANO 2 GM PIANO 3 GM HONKY-TONK GM E.PIANO 1 GM E.
2 GM GM GM GM GM GM GM GM GM GM GM GM VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS VARIOUS 1 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 5
700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 1 USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE USER TONE
WK3200_e_A-01-13.p65 7 3 PIANO EX.
WK3200_e_A-01-13.p65 8 3 Meaning Normal 1 Octave Down 1 Octave Up DRAWBAR ORGAN 1 JAZZ ORGAN 1 FULL DRAWBAR PERC. ORGAN 1 16'+1' ORGAN SOUL ORGAN 1 OVERDRIVE ORGAN 1 DRAWBAR ORGAN 2 BLOCK ORGAN 1 THEATER ORGAN 1 JAZZ ORGAN 2 SOUL ORGAN 2 GOSPEL ORGAN 1 CHORUS ORGAN 1 OVERDRIVE ORGAN 2 BLOCK ORGAN 2 DRAWBAR ORGAN 3 PERC. ORGAN 2 THEATER ORGAN 2 GOSPEL ORGAN 2 EVEN ORGAN FLUTE ORGAN 1 CHORUS ORGAN 2 OVERDRIVE ORGAN 3 16' ORGAN SOUL ORGAN 3 PERC. ORGAN 3 DRAWBAR ORGAN 4 PERC.
Appendix Drum Assignment List ➝ “ ” indicates the same sound as STANDARD SET 1.
Appendix Key/ Note number C-1 0 D-1 2 E-1 4 F-1 5 G-1 7 A-1 9 B-1 11 C0 12 D0 14 E0 16 F0 17 C#-1 1 E -1 3 F#-1 6 A -1 8 B -1 10 C#0 13 E 0 15 F#0 18 G0 19 A 0 20 A0 21 B 0 22 B0 23 C1 24 D1 26 E1 28 F1 29 G1 31 A1 33 B1 35 C2 36 D2 38 E2 40 F2 41 G2 43 A2 45 B2 47 C3 48 D3 50 E3 52 F3 53 C#1 25 E 1 27 F#1 30 A 1 32 B 1 34 C#2 37 E 2 39 F#2 42 A 2 44 B 2 46 C#3 49 E 3 51 F#3 54 G3 55 A 3 56 A3 57 B 3 58 B3 59 C4 60 D4 62 E4 64 F4 65 C#4 61 E 4 63 F#4 66 G4 67 A 4 68 A4 69 B
738A-E-115A WK3200_e_A-01-13.p65 11 05.3.
Appendix Fingered Chord Chart Chord Type Root M m 7 m7 dim7 M7 dim m7-5 C C /(D ) D (D )/E E F F /(G ) G (G )/A A (A )/B B * You can use the above fingerings to finger chords within the accompaniment keyboard range. A-12 WK3200_e_A-01-13.p65 738A-E-116A 12 05.3.
Appendix Chord Type Root aug sus4 7sus4 m add9 mM7 7-5 add9 C C /(D ) D (D )/E E F F /(G ) G (G )/A A (A )/B B A-13 738A-E-117A WK3200_e_A-01-13.p65 13 05.3.
WK3200_e_A-14-15.p65 14 Display Name Standard Bass + Treble + Loundness Mellow Bright Rock Dance Jazz Classic No.
Display Name WK3200_e_A-14-15.
WK3200_e_A-16-25.p65 16 A-16 05.3.15, 6:18 PM 2 : High Frequency (Range: 0 (6.0KHz), 1 (8.0KHz), 2 (10KHz)) Adjusts the cutoff frequency of the high-band equalizer. 1 : Low Gain (Range: -12, -11, -10 to 0 to +10, +11, +12) Adjusts the gain of the low-band equalizer. 0 : Low Frequency (Range: 0 (200Hz), 1 (400Hz), 2 (800Hz)) Adjusts the cutoff frequency of the low-band equalizer. ■ Parameters ■ Function This is a two-band equalizer.
WK3200_e_A-16-25.p65 17 2 : Release (Range: 0 to 127) Adjusts the time from the point when the input signal drops below a certain level until the compression operation is stopped. When an attack feeling is desired (no compression at the onset of the sound), set this parameter to as low a value as possible. To have compression applied at all times, set a high value. 1 : Attack (Range: 0 to 127) Adjusts the attack amount of the input signal.
WK3200_e_A-16-25.p65 18 A-18 05.3.15, 6:18 PM 1 : Overdrive Level (Range: 0 to 127) Adjusts the output level of the overdrive. 0 : Overdrive Gain (Range: 0 to 127) Adjusts overdrive gain. ■ Parameters ■ Function This is an overdrive - rotary speaker simulator. 12 : Drive Rotary 5 : Fast Rate (Range: 0 to 127) Adjusts speaker rotation speed of the fast speed mode. 4 : Slow Rate (Range: 0 to 127) Adjusts speaker rotation speed of the slow speed mode.
WK3200_e_A-16-25.p65 19 738A-E-123A 05.3.15, 6:18 PM ■ Function This is 3-phase chorus in accordance with two LFOs of with different sine wave rates. 18 : 3-Phase Chorus 3 : Wet Level (Range: 0 to 127) Adjusts the level of the effect sound. 2 : Feedback (Range: -64 to 0 to +63) Adjusts the feedback of the sound. 1 : LFO Depth (Range: 0 to 127) Adjusts the depth of the LFO. 0 : LFO Rate (Range: 0 to 127) Adjusts the rate of the LFO.
WK3200_e_A-16-25.p65 20 A-20 05.3.15, 6:18 PM 2 : Feedback (Range: 0 to 127) Adjusts the repeat of the reverb. 1 : HPF (Range: 0 to 127) Adjusts the cutoff frequency of the high-pass filter. A larger value cuts the low range. 0 : LPF (Range: 0 to 127) Adjusts the cutoff frequency of the low-pass filter. A smaller value cuts the high range. ■ Parameters ■ Function This is a fader that creates artificial reverb that sounds like it is being cut with a gate.
WK3200_e_A-16-25.p65 21 738A-E-125A 05.3.15, 6:18 PM ★ The following “Multi” algorithms are used in combination with the algorithms described above. Parameters are shared by both types of algorithms. 5 : Ratio R (Range: 0 to 127) Adjusts the delay time of the right channel. Proportional to the value set for Delay Time. 4 : Ratio L (Range: 0 to 127) Adjusts the delay time of the left channel. Proportional to the value set for Delay Time.
WK3200_e_A-16-25.p65 6 : Flanger Feedback ■ Parameters 22 5 : Flanger LFO Depth 6 : Flanger Feedback ■ Parameters A-22 05.3.15, 6:18 PM ■ Function This is a multi effector related to Enhancer Flanger.
WK3200_e_A-16-25.p65 23 Multi14 (Lo-Fi – Reflection) 738A-E-127A 05.3.15, 6:18 PM 7 : Reflection Tone 6 : Reflection Feedback 5 : Reflection Wet Level 4 : Reflection Type 3 : Lo-Fi Resonance 2 : Lo-Fi Tone 1 : Lo-Fi Noise2 0 : Lo-Fi Noise1 ■ Parameters ■ Function This is a multi effector related to Lo-Fi - Reflection.
WK3200_e_A-16-25.p65 24 A-24 05.3.15, 6:18 PM ■ Function This is a multi effector that is related to LFO Wah - Tri 2-Phase Chorus - 2-Tap Delay. M22 : Multi22 (LFO Wah – Tri 2-Phase Chorus – 2-Tap Delay) 7 : Delay Feedback 6 : Delay Wet Level 5 : Delay Time 4 : Chorus LFO Depth 3 : Chorus LFO Rate 2 : Wah Depth 1 : Wah Manual 0 : Wah Resonance ■ Parameters ■ Function This is a multi effector that is related to Auto Wah - Tri 2-Phase Chorus - 2-Tap Delay.
WK3200_e_A-16-25.p65 25 738A-E-129A 05.3.15, 6:18 PM 1 : Distortion Low 0 : Distortion Gain ■ Parameters ■ Function This is a multi effector related to Distortion Phaser. M29 : Multi29 (Distortion – Phaser) 7 : Delay High Damp 6 : Delay Feedback 5 : Delay Wet Level 4 : Delay Time 3 : Distortion Level 2 : Distortion High 1 : Distortion Low 0 : Distortion Gain ■ Parameters ■ Function This is a multi effector that is related to Distortion - 3-Tap Delay.
738A-E-130A WK3200_e_MIDI Chart.p65 2 05.3.15, 6:18 PM Brightness O O O O O O O O O O O O O O O O O O O O O O O O X*2 O O O O O*3 O*3 O*3 O O O Control Change Pitch Bender Key’s Ch’s After Touch O X O X X Note ON Note OFF Velocity 74 Bank select Modulation Data entry Volume Pan Expression DSP Parameter0 DSP Parameter1 DSP Parameter2 DSP Parameter3 Hold1 Sostenuto Soft pedal Resonance Release Time Attack Time O 9nH V = 1-127 X O 9nH V = 1-127 X 9nH V = 0 0,32 1 6.
738A-E-131A O X X X X X X O O X O X X X O O X X X X System Exclusive : Song Pos : Song Sel : Tune : Clock : Commands : Local ON/OFF : All notes OFF : Active Sense : Reset System Common System Real Time Aux Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY Remarks Messages Brightness Vibrato rate Vibrato depth Vibrato delay DSP Parameter4 DSP Parameter5 DSP Parameter6 DSP Parameter7 Reverb send Chorus send NRPN LSB, MSB RPN LSB, MSB All sound off Reset all controller Mode 2 : OMNI ON, MONO Mode 4
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