User’s Manual Table of Contents 1 INTRODUCTION 1.1 1.2 1.3 Projector Overview ......................................................................................... 1-1 Components..................................................................................................... 1-2 Purchase Record and Servicing....................................................................... 1-3 2 INSTALLATION & 2.1 2.2 2.3 2.4 2.5 2.6 Quick Setup.............................................................
Section 1 Introduction 1.1 Projector Overview Main Features ' Christie DS+5K/5Kc/8K, Mirage S+2K/4K/8K, DW3K/6K, Matrix 4000 and DLV1400-DX are all professional 3-chip projectors based on next-generation Digital Light Processing (DLP) technology by Texas Instruments to deliver high quality, crisp, clean images.
Section 1: Introduction How the projector works ' The projector accepts data/graphics and video input signals for projection onto front or rear flat screens. High brightness light is generated by an internal Xenon lamp then modulated by three DMD (digital micromirror device) panels that provide digitized red, green or blue color information.
Section 1: Introduction 1.3 Purchase Record and Servicing Whether the projector is under warranty or the warranty has expired, Christie’s highly trained and extensive factory and dealer service network is always available to quickly diagnose and correct projector malfunctions. Service manuals and updates are available to service technicians for all projectors. If you encounter any problems with the projector and require assistance, contact your dealer or Christie Digital Systems.
Section 2 Installation & Setup 2.1 Quick Setup The instructions provided here are for those that are familiar with the projector and wish to quickly set it up and use it temporarily. Refer to the remaining subsections of this manual for a more complete setup. Step 1 ' Install a Projection Lens The projection lens is shipped separately from the projector and must be installed prior to setting up the projector. Install the projection lens as described in 4.5 Replacing the Projection Lens.
Section 2: Installation and Setup Step 4 ' Connect the Line Cord The North American rated line cord is provided with each projector. Plug the line cord to the AC receptacle located on the right hand side of the projector and the 3-pronged end into a grounded AC outlet. The input voltage to the projector must be capable of 100 – 240 VAC in 500W and 1000W models and 200-240VAC in 1200W models. (See also Section 6 – Specifications for complete details on all power requirements.
Section 2: Installation and Setup 2.2 Installation Considerations Proper installation of your projector will ensure the quality of your display. Whether you are installing a projector temporarily or permanently you should take the following into account to ensure your projector performs optimally. Installation type ' Choose the installation type that best suits your needs: front or rear screen, floor mount or inverted mount.
Section 2: Installation and Setup concentrated in a viewing cone. The audience sitting within the viewing cone area will see a brighter image than those sitting just outside this area. Rear screen installations There are two basic types of rear screens: diffused and optical. A diffused screen has a surface, which spreads the light striking it. Purely diffused screens have a gain of less than 1.
Section 2: Installation and Setup output with a 4:3 aspect ratio onto a 10-foot (3m) high screen, the width of the screen must be at least 13.3feet (4m). Ambient Lighting ' The high brightness of this projector is well suited for locations where ambient lighting might be considered less than ideal for projection. A typical room with ceiling lights and windows rarely requires special attention.
Section 2: Installation and Setup Figure 2.1. Estimating Throw Distance Vertical and horizontal position The correct vertical and horizontal position of the projector in relation to the screen depends on the lens type and the screen size. Ideally, the projector should be positioned perpendicular to the screen. This way, the image will appear rectangular instead of keystoned (trapezoidal).
Section 2: Installation and Setup Figure 2.2. Vertical Offset Examples User’s Manual 2-7.
Section 2: Installation and Setup Figure 2.3.
Section 2: Installation and Setup The horizontal position of the image can be offset – that is moved to the left or right of lens center, by adjusting the fully motorized lens mount through software. The amount of horizontal offset available depends on the lens installed and if the image has already been vertically offset. Horizontal offset can also be expressed as the percent of half the image width – the number of pixels of shift to one side of lens center. Refer to Figure 2.
Section 2: Installation and Setup Figure 2.5.
Section 2: Installation and Setup Mounting There are several methods for mounting the projector. Depending on your chosen installation, one method may be more suitable than another. In typical front and rear screen installations the projector can be mounted to a secure and level surface, such as a table or cart. Carts are useful when the projector has to be moved during a presentation or from site to site.
Section 2: Installation and Setup Sources connect to the Input Panel located at the back of the projector. See Figure 2.7. 2.3 Connecting Sources The upper right corner (INPUT 1) typically accepts an RGB signal from an external analog RGB source, or it can also be used for YPbPr signals or additional video sources. Just beside these BNCs, the DVI-I connector (INPUT 2) accepts digital or analog display signals from a computer.
Section 2: Installation and Setup Figure 2.8. Connecting RGB and Sync NOTES: 1) If for some reason the projector fails to recognize a signal as an RGB signal, specify this Color Space option within the Image Settings menu. See 3.5 Adjusting the Image. 2) To connect YPbPr signals–such as from DVDs or analog HDTV sources–to INPUT 1, use the red, green and blue BNCs as described in YPbPr Signals (below). YPbPr Signals ' Connect a YPbPr signal (component video) to INPUT 1 or INPUT 2 as shown in Figure 2.9.
Section 2: Installation and Setup Composite and S-Video ' INPUT 3 and INPUT 4 provide simultaneous connection of both a composite video source (INPUT 3) and an S-Video source (INPUT 4). See Figure 2.10. Figure 2.10.Connecting Composite or S-Video sources DVI Digital Video ' Use the DVI-I connector at INPUT 2 to connect either analog or digital video devices to the projector.
Section 2: Installation and Setup 2.4 Connecting Communications As an alternative to the projector’s keypad or remote, you may wish to communicate with the projector using a PC or other controller. Such a device sends commands and receives feedback via serial links (RS232 and RS422), Ethernet or GPIO communications to the projector, all described below. Remote Keypads ' As desired, direct the projector’s IR remote keypad towards the display screen or the projector’s IR sensors.
Section 2: Installation and Setup Connect a RS422 device only. Figure 2.12. Connecting RS422 Ethernet Communications ' Ethernet Communications To add the projector to an existing Ethernet network with other equipment such as controllers and other projectors, connect standard CAT5 Ethernet cable between your Ethernet controller (or hub) and the Ethernet port on the side of the projector. Upon connection to an Ethernet network, the projector’s factory default IP address of 0.0.0.0.
Section 2: Installation and Setup Figure 2.13. MIXED NETWORK: To control multiple projectors with a computer/controller having an RS422 interface, first set them all to the same baud rate as your RS422 controller. NOTE: You must enable this combination of RS422 and RS232 in the Communications menu. Set the “Network Routing” option to “RS232 and RS422 Joined”. See Section 3 for details.
Section 2: Installation and Setup ETHERNET NETWORK SETUP: To add one or more projectors to an Ethernet network, use standard CAT5 cable to connect each projector’s Ethernet port to a hub belonging to the network. A controller or PC must also be connected to the hub. See Figure 2.15. Figure 2.15. SETTING THE PROJECTOR’S IP ADDRESS: Upon connection to most Ethernet networks, each projector’s factory default IP address of 0.0.0.
Section 2: Installation and Setup Separating Networks ' By default, communications originating from one type of serial controller—RS232 vs. RS422 vs. Ethernet—stay on the corresponding network path. This separation is indicated by a “Separate” setting for “Network Routing” in the Communications menu. If you are using an RS422 controller, for example, it will communicate only with the projector to which it is connected unless you change this setting to either “RS232 and RS422 Joined” or “All Joined”.
Section 2: Installation and Setup Always power down the projector before unplugging the AC line cord. Wait 5-10 minutes for the main exhaust fan to turn off and for the lamp to cool sufficiently before unplugging the projector. WARNINGS Do not attempt operation if the AC supply and cord are not within the specified voltage and power range. Wait for the cooling fans to turn off before unplugging the projector.
Section 3 Operation This section explains how to effectively operate the projector once it has been installed. It is recommended that you read this section and familiarize yourself with the components and the available menu options before you begin using your projector for the first time. 3.1 About the Projector Figure 3.1. Projector Basics Built-in Keypad ' The built-in keypad is located at the back of the projector, beside the input panel. Use it similarly to the IR remote to control the projector.
Section 3: Operation Lens Mount & Projection Lenses ' The projector is built with a motorized lens mount that allows for easy lens control and adjustment. This includes such functions as adjusting vertical and horizontal offsets, zoom and focus. The lens mount can be fitted with any one of the available optional lenses – see Section 6 - Specifications. • Zoom and Focus – There are two internal lens motors that allow for quick motorized adjustment of zoom and focus.
Section 3: Operation 3.2 Using the Remote or Built-In Keypad Laser radiation is emitted from the laser diode in the remote. Do not look directly into the beam of the remote.
Section 3: Operation * These are toggle keys, which require you to press and hold or press twice or press and use the up/down arrow keys. NOTE: To turn the OSD off you must press OSD and . Figure 3.3.
Section 3: Operation Wired Remote ' You can convert the IR remote into a wired remote keypad using the cable provided with the projector. Connect one end into the remote and the other to the mini stereo connector on the input panel labeled as REMOTE. The wired remote is recommended when: • • the built-in keypad is inaccessible the lighting conditions are unsuitable for proper IR transmission NOTE: Leave the batteries in the wired remote for the laser key ( ) to work.
Section 3: Operation Table 3.1. Auto Setup What an “Auto Setup” Does OPTIMIZES: SETS TO DEFAULT: Pixel Tracking Contrast Pixel Phase Brightness Size and Blanking Auto Input Level (off) Vertical Stretch Detail (if video source) Position Filter Input Levels Luma Delay NOTE: You must have an unlocked channel present to use Auto Setup. Channel Channel Channel to select a specific source setup (channel) defined and stored in projector Press memory.
Section 3: Operation Input 6 Contrast Input 6 Press Input 6 to display from the INPUT 6 interface module installed in the Option 2 slot. NOTE: If you have the optional Dual SD/HD-SDI Module installed and there are two inputs connected here, the second input (B) is considered INPUT 8.
Section 3: Operation OSD OSD (On-screen display) to hide the projector’s menu system during use. To see the menus Press OSD again, do one of the following: • Press and hold OSD for two seconds • Press and release OSD followed immediately by • Press OSD OSD Invisible menus are fully functional, enabling “hidden” access to numbered features and image adjustments by entering the corresponding sequence of keypresses on the keypad.
Section 3: Operation means that connected projector is listening; if there is no checkmark, you are communicating with a different projector. To control a specific projector with the keypad, press Proj and then enter the 3-digit number assigned to the projector you want to use. If you switch to a projector other than the one you are currently using, the checkmark will disappear. To broadcast to multiple projectors, press Proj and then Proj again without entering a projector number.
Section 3: Operation Lens NOTE: Use the Shift key (built-in keypad) with the general keys to get the same effect as if using the arrow keys related to “Lens V” or “Lens H” on the IR remote. Laser Press to activate the laser pointer on the remote. This feature is useful when making presentations - just point the remote at the screen to highlight an area of your presentation. The closer you are to the screen the brighter the laser beam appears.
Section 3: Operation Figure 3.5. Context-sensitive Help From presentation level, press Help to access general Help Topics. Scroll as necessary within a topic. Press Help or Exit to return to your presentation. Figure 3.6. Accessing General Help Topics Time-outs ' If a slidebar, menu, or message is displayed, you have limited time in which to make a keypad entry before the projector returns to presentation level Help and the graphic disappears. These time-outs may vary depending on what is displayed.
Section 3: Operation Once selected, change the setting as desired (see below) and press return to the current function menu. to save and Slidebars in menus – The current value for a given parameter, such as size or vertical stretch, appears to the left of its slidebar icon (adjustment window). This number often expresses a percentage, or it may have units associated with it (such as pixels, degrees Kelvin, etc.), depending on the specific option.
Section 3: Operation If you prefer to quickly scroll through a list without first pulling it down, highlight the or when the desired choice appears. . Press option and use NOTES: 1) Press or to jump between pages in an extra long pull-down list. Exit while in a pull-down list to cancel any change. 2) Press Editing Text ' ACTIVATE THE EDIT WINDOW: To enter or edit text, highlight the desired parameter (such as a channel name) and press to activate its adjacent edit window.
Section 3: Operation 3.4 Using Inputs and Channels NOTE: See Section 2, Installation and Setup, for a full explanation of how to connect sources to the projector. The projector stores and automatically recalls up to 50 different channels (source setups) for a variety of inputs. This memory feature allows you to define and conveniently use a wide variety of customized setups rather than having to repeatedly re-configure the projector for different presentations.
Section 3: Operation NOTE: The key may display a channel list or not, depending on what you have defined for “Display Channel List” (see Menu Preferences later in this section). Channel In order to access channels by using on the keypad, you must first create the channels. See below.
Section 3: Operation What Channels ' All available channels are listed in the Channel Setup menu, which describes how Are Defined So Far? each channel can be accessed and which serves as the gateway for editing, copying and deleting channels. From the presentation level press Menu to display the Main menu. To display the Channel Setup menu, press 3 , or move the highlight to the Channel Setup option and press . The Channel Setup menu will appear (see sample at right), with the active channel highlighted.
Section 3: Operation FUNCTIONS WITHIN THE CHANNEL SETUP MENU —To copy, delete or edit a channel, highlight the desired channel in the Channel Setup menu and do one of two things: • Press Func if you want to copy the selected channel or delete this or other channels. See Copying or Deleting a Channel below. • if you want to edit channel setups (i.e., non-image related Press parameters) for the selected channel. See Editing a Channel Setup, below.
Section 3: Operation TO DELETE MULTIPLE CHANNELS, highlight any channel in the Channel Setup menu and press Func to go to the Channel Copy/Delete submenu. Select “Delete Unlocked Only” and press to delete all unlocked channels. Or select “Delete All Channels” to delete all channels, even those that are locked. In either case, the current channel will remain but will be redefined from projector defaults. NOTE: For any deletion, a confirmation box appears to make sure that you really want to delete.
Section 3: Operation • AUTO SOURCE: If checked, (default), the projector can automatically locate this channel when an incoming input signal matches. If not checked, the projector can locate the selected channel only when it is directly selected via on the keypad—and a change in input signal will not result in a channel change. Channel 3.
Section 3: Operation Size and Position Menu ' In the Size and Position menu, you can increase or decrease the size of your image, change its proportion (aspect ratio), move the image to a specific area of the screen, and refine other related parameters. Use Size and Position controls to match the image precisely to the screen used at the site. Refer to "Using Slidebars and Other Controls" (earlier in this section) if you need help using any of the options and controls.
Section 3: Operation • Select “NO RESIZING” to display the image in its native resolution, which may or may not match the projector’s resolution. For example, for a source with a native resolution of 800 x 600, “No Resizing” in an SXGA+ projector will use the central 800 x 600 pixels and have a black border—the black border areas are unused areas. See below. • Select “FULL SIZE” to use all pixels for displaying the image, regardless of source or original aspect ratio.
Section 3: Operation • Select “ANAMORPHIC” to display an anamorphic image in its native 16:9 aspect ratio. The image will fill the screen from side-to-side and be centered between black bars at top and bottom. Size “Size” controls both the image width and height in tandem, maintaining the current aspect ratio (proportion) of the displayed signal data. Vertical Stretch “Vertical Stretch” adjusts the height of the image while keeping the width constant.
Section 3: Operation H-Position This option moves the image right or left within the area of available pixels. NOTE: The value shown represents where the approximate center of the image lies in relation to the total number of pixels available horizontally. This varies widely according to the signal—watch the image while adjusting. V-Position This option moves the image up or down within the area of available pixels.
Section 3: Operation BLANKING (TOP, BOTTOM, LEFT, and RIGHT): Crop the image as desired so that unwanted edges are removed from the display (changed to black—see right). Blanking defines the size of the Active Input Window, or area of interest. Range of adjustment depends on the source resolution and other factors. After adjustment of blanking it may be necessary to perform a source switch. NOTE: Blanking a PIP image resembles zoom (Figure 3.14).
Section 3: Operation Image Settings Menu ' Use options in the Image Settings menu to alter your main image without affecting its size or position. Changes made to the Image Settings menu are applied immediately and are saved when you exit the menu (press Exit or Menu ). Options not available for the projector model or source are disabled and appear dim (gray). Contrast (SHORT CUT: Press Contrast and adjust the slidebar.
Section 3: Operation maintaining good details for blacks. Conversely, if the image is washed out and unnatural, with excessive detail in black areas, increase the setting. In high ambient light conditions, lower gamma may produce better results than higher gamma. Gamma of 2.5 (default) indicates the gamma table has not been adjusted. For more information, refer to Advanced Image Settings, Gamma Table submenu. Again, good gamma improves contrast while maintaining good details for blacks.
Section 3: Operation • • • RGB signals in NTSC, PAL, SECAM frequency range.s Scan-doubled sync-on-green. Scan-quadrupled sync-on-green. For these signals, change the Color Space to RGB, then define a new channel for future use. Video Options — SUBMENU This submenu is used with video sources only (INPUTS 3 or 4). ENABLE DECODER AGC: Automatic Gain Control (AGC) affects decoded video images only.
Section 3: Operation INPUT VIDEO BLACK: This control compensates for incoming elevated black levels present in certain video signals, and ensures that blacks in the display are neither crushed (i.e., where dark grays appear black) nor excessively elevated (i.e., where blacks appear dark gray).
Section 3: Operation monitoring image content and adjusting the controls appropriately—further adjustment is typically not required to obtain proper blacks or whites. NOTE: This automatic adjustment requires at least 6-12 consecutive white pixels in the image. Without these pixels, input levels may produce skewed colors, particularly in nonvideo images.
Section 3: Operation AUTO COLOR ENABLE – When a checkmark is present, selecting a specific blacklevel or drive to adjust will automatically enable the corresponding color in the display. Delete the checkmark to see all colors, or to enable a different specific color through the Color Enable Control. This option (formerly known as sync tip clamping) can brighten the image produced from certain highresolution high-frequency graphic sources.
Section 3: Operation 5. It may be advantageous to go back and check the black band—adjust the blacklevel slidebar if necessary. NOTE: Readjusting blacklevels at this point affects the gain; only readjust when absolutely necessary. 6. Repeat Steps 3-5 with the other two remaining primary colors. When each primary color shows one optimized black band and white (or colored) band, the input levels for this source are correctly set. Upon exiting the Input Levels menu, the Peak Detector checkbox will clear.
Section 3: Operation Keep in mind that any Gamma Table choice sets the related Gamma value (shown in the Image Settings menu) to a 2.5 default, where it can be fine-tuned as desired. Different values (1-3) here indicate that the original gamma table has been adjusted with either the Gamma slidebar or direct key. SELECT COLOR ADJUSTMENT: In “Select Color Adjustment”, choose an overall color palette for all images.
Section 3: Operation Simulation 3D — SUBMENU OF ADVANCED IMAGE SETTINGS Use the options in the Simulation 3D menu to make the timing adjustments necessary for realistic simulation and 3D images. NOTES: 1) Available in Mirage projectors only. 2) For complete 3D application notes, refer to the separate Using 3D in Mirage manual provided with the Mirage projector. Figure 3.16. FRAME DELAY MONITOR — This slidebar monitors the latency between input and output.
Section 3: Operation With your sync cable, Z-screen and, if desired, emitter connected as described in the Using 3D in Mirage manual, select the option suited to your 3D configuration (see above). If Frame Delay is 2 (or 0), do not invert; if frame delay is 1 or 3, invert. Generally, an “Unlocked” setting is synchronized with the incoming L/R signal rather than the vertical sync output, and may be needed only with multi-projector installations in which the vertical sync outputs vary.
Section 3: Operation 4. FILM: For video images that originated from film. This will optimize image quality and stability. FILM MODE THRESHOLD — This setting determines how sensitively the projector can detect if an incoming video signal originated from film or not. It should not require adjustment. DETAIL THRESHOLD — Use “Detail Threshold” to define at what frequency level the “Detail” control will begin to magnify high frequencies, which adds details back into the image.
Section 3: Operation Auto Power-up Enter a checkmark to enable the projector to automatically power up after losing power due to a power failure or due to unplugging the projector during operation. Note that unsaved display adjustments may be lost. Set Date & Time Enter/read the current year-month-day and hour-minute-second. Changes here reset the projector’s real-time clock. Menu Preferences — SUBMENU Adjust the appearance, content and/or location of on-screen menus and messages.
Section 3: Operation SPLASH SCREEN SETUP —Use the Splash Screen to choose when you would like to display a special introductory splash screen image, such as your company logo, graphic or message. • • • • Always Off = A splash screen never appears Always On = A splash screen is always on behind the current display image, similar to wallpaper. Startup Only – The splash screen logo appears at projector startup only. Startup And No Signal – A splash screen appears at startup only if there is no source signal.
Section 3: Operation SEPARATE: Select “Separate” (factory default) to keep RS232, RS422 and Ethernet messages on their respective paths instead of being broadcast to the other types of ports. In Figure 3.18A, RS422 controls only the projector to which it is connected. In Figure 3.18B, either RS232 or RS422 will control the network. Figure 3.18. Using the “Network Routing” Option RS232 AND RS422 JOINED: Messages originating from an RS232 or RS422 controller will be relayed to all RS232or RS422 ports.
Section 3: Operation PORT: On some Ethernet networks, firewall restrictions may require that the port number of the projector be changed from its default of 3002. If so, enter a new valid port number here. Broadcast Key Enter a checkmark if you want keypad commands sent to one projector to be relayed to all projectors in a serial network. Note that the Proj key will temporarily “override” the effect of a broadcast setting and allow you to control a specific projector when necessary.
Section 3: Operation Figure 3.19. Keystone Adjustment Brightness Uniformity — SUBMENU Brightness Uniformity provides further refinement of displays already matched for their primary colors and overall light output. Use Brightness Uniformity to create an exceptionally smooth image in which no area appears brighter and/or more red, green or blue than another.
Section 3: Operation DEFINING “USER” COLOR GAMUTS: In some cases, you may find that none of the predefined “Select Color Adjustment” options exactly suit your needs. For example, you may require a unique color gamut (range) for a single projector or application, or you may need to precisely match colors across multiple adjacent displays.
Section 3: Operation Figure 3.22. CIE 1931 Chromaticity Diagram NOTE: Keep new x,y coordinates within the original color gamut triangle shown here. PROCEDURE FOR X,Y ADJUSTMENTS: See 3.10, Using Multiple Projectors. COLOR SATURATION: Use this submenu if you do not have specific color coordinates in mind and will simply judge color performance by eye or meter.
Section 3: Operation System Configuration ' Test Pattern Choose the desired internal test pattern to display, or select OFF to turn off a test pattern. Alternatively, use the Test key for cycling through test patterns. DIAGNOSTICS / CALIBRATION NOTE: There is a center line (both horizontal and vertical) in the Edge Blending test pattern. The intersection of these lines is the true center of the projector’s display area.
Section 3: Operation Two sets of values are automatically saved with these controls—one value for Input #1, and one for Input #2 (analog). The current set of values depends on which source is in use. This enables a source to be processed correctly via 2 different inputs. Figure 3.24. Using “Odd Pixel Adjustment” NOTES: 1) Adjust offset before gain, since offset affects gain. 2) A value of 128 represents no change in normal odd pixel offset or gain.
Section 3: Operation LiteLOC™ Calibration NOTES: 1) LiteLOC™ Calibration takes up to two minutes. 2) For best results, allow the projector to warm up for 15 minutes prior to calibration. LiteLOC™ Calibration defines the range of power needed to maintain lamp brightness. Select Calibrate LiteLOC for calibration using your projector’s unique specifications (recommended) rather than standard specifications. The projector will revert to the default back-up in the event of a power failure.
Section 3: Operation Signal Type #1 #2 #3 * Description (Input Location) 5 BNCs (RGBHV or YPbPr) DVI - I (analog or digital) Decoded signals (Input 3, Input 4, Composite video, S-Video, or any video signal via Input 1 BNC connectors or via an analog option card). #4 Analog Option Cards #5 Digital Option Cards #6 Digital Option Cards HD interlaced sources are not recommended for the PIP window.
Section 3: Operation PIP Size and Position – SUBMENU Most controls in the PIP Size and Position menu adjust the PIP (secondary) image in the same fashion as their counterparts in the main Size and Position menu adjust the main image—see 3.6, Adjusting the Image for details. Exceptions are: POSITION PRESETS –Set the location of the PIP (secondary) image in the display. ASPECT RATIO PRESETS – Choose the desired aspect ratio for your PIP pixels.
Section 3: Operation Image Optimization Choose whether to use Best Switching or whether you prefer to optimize image quality, whichever best suits your needs. When Best Switching is selected, sources are switched almost instantaneously without a dark state in between images. Eight-bit processing is used to maximize the opportunity for a seamless transition. Best Switching is recommended when only when seamless switching is necessary.
Section 3: Operation LAMP S/N is the serial number recorded for the current lamp. When you install a new lamp and enter its serial number, the number will appear here. NOTE: Read-only. Enter a checkmark for LAMP MESSAGE to enable a warning message that will appear upon power-up when the lamp has reached the specified lamp limit and should be replaced.
Section 3: Operation POWER - This slidebar and number indicates how many watts are applied to the lamp. You can apply anywhere from approximately 60-65% of the maximum power intended for the installed lamp up to 100% of the lamp rating. Set for the number of watts as desired, keeping in mind that lower power levels produce dimmer images. When in either Power or Max Brightness modes, the power level remains constant. Specifying a maximum power level here is the same as operating in Max Brightness mode.
Section 3: Operation OPTICAL APERTURE - The optical aperture inside the projector controls the diameter of the light beam passing through the system. With a fully open aperture (slidebar default of “0”), the maximum amount of light passes through for maximum brightness in your images. Increase the slidebar setting to reduce the aperture diameter and maximize contrast ratio instead. This read-only option lists the lamps most recently installed and recorded in the projector.
Section 3: Operation How Old is My Lamp? ' When a new lamp is installed and its serial number recorded by selecting “Change Lamp” in the Lamp menu, the lamp timer resets to “0” and begins logging time for the new lamp. This tally appears in both the Lamp menu (see right) and the Status menu. To review the number of hours logged for previous lamps, consult the Lamp History menu.
Section 3: Operation projectors. Or you may be renting a projector in which the colors were corrected for use at its previous site, but are not ideal for yours. The recommended first step in achieving such consistency is to use a color meter to measure the native primary colors—red, green, blue, and white—as they appear at the screen and record these as Color Primary Settings in the Service menu (passwordprotected) for each projector.
Section 3: Operation Figure 3.27. Jot Down a Set of ”Max Drives” X/Y Values 5. In each projector, select a “User” color adjustment (1-4) to enable Color Adjustments by X,Y changes. Then enter your recorded x/y values into each menu (Figure 3.28). Figure 3.28. Copy X/Y Values into All Projectors 6. In each projector, judge by eye and adjust x/y coordinates slightly in the following manner: To match reds, decrease “Red X” until full field red screens match.
Section 3: Operation coordinate you select will then automatically trigger a full field display of the corresponding color. Alternatively, use the Color Saturation menu for these adjustments or to fine tune. NOTE: For speed, enable the “Auto Color Enable” checkbox. Each color coordinate you select will then automatically trigger a full field display of the corresponding color.
Section 3: Operation • no area of the screen appears brighter than another • color and light output from one screen closely matches adjacent screens Although the Brightness Uniformity control can be used for a stand-alone projector, it is particularly useful for setting up and maintaining tiled images that form a cohesive display wall in which the color “cast” and light output appear uniform throughout each image as well as throughout the entire wall.
Section 3: Operation 1b) Enable the Brightness Uniformity checkbox. This will enable access to the uniformity controls and will apply the settings to your image. 1c) Select the 13 Point test pattern for display. This pattern provides 9 screen “zones” with 13 targets. FOR BEST RESULTS: Rather than examining the CENTER of each zone when assessing Brightness Uniformity adjustments, focus on extreme EDGES as indicated in the illustration at right.
Section 3: Operation Step 2: Adjust Color (level of red/green/blue) in 8 Zones NOTES: 1) At this point, ignore the brightness of individual zones. 2) Always ignore menu colors. 2a) On each screen, compare the color temperatures in the 8 target zones (4 edges and 4 corners) to that of the color temperature of the center. Compare using a white field only, and take note of any areas that do not match the center.
Section 3: Operation Figure 3.31. Match Zones to Center Light Output Step 4: Readjust Color Temperature (level of red/green/blue) in 8 Zones 4a) Return to Steps 2a & 2b and, if necessary, fine tune the zones so that they all still exhibit a single color temperature. Canceling Brightness Uniformity If you do not want to use or apply Brightness Uniformity settings, delete the checkmark from the “Uniformity Enable” checkbox at the top of the Brightness Uniformity menu.
Section 3: Operation Edge blending software controls are located in the 2-page Edge Blending submenu— access via Configuration menu, then go to the Geometry and Color menu and select Edge Blending. The More option opens the second page of the Edge Blending submenu. Main Functions Use edge blending controls to set the precise width, shape and midpoint you need to blend overlapping edges together smoothly. Blend Width determines how much area is used for blending along an overlapping edge.
Section 3: Operation Show Blending Overlap turns your defined blend width area to solid gray so that two adjacent images can be seamlessly aligned simply by overlapping their gray bars, if needed. Toggle the Show Blending Overlap off to reactivate the blend effect. NOTE: Blending Overlap appears as Reserved when ChristieTWIST is installed.
Section 3: Operation Figure 3.35. Set Starting Points for Each Projector 4. SET BLEND WIDTH: On one projector, increase the Blend Width for an overlapping edge (for example, if the projector’s image is on left, its right edge overlaps the adjacent image—adjust Right Blend Width). Use the same setting on the second projector for this shared edge. 5. Re-adjust width (both projectors) until the overly bright band at the midpoint of the overlapping blends disappears or just changes to very light gray.
Section 3: Operation VIA WEB INTERFACE — Connect your PC to the projector’s Ethernet port. In your web browser (Internet Explorer, for example), enter the IP address of the projector you wish to control. This will start a password-protected ChristieNET application—enter the factory default “ccm7” login and password to open the program. If the projector is powered up, you can access assorted menu options and slidebars. Repeat for remaining networked projectors as desired.
Section 3: Operation Input Signal Errors ' An input signal error message occurs if you are in presentation level (i.e., there are no menus present) and have selected an input on which the projector detects a problem. While menus remain operational and any key press will temporarily remove any displayed error message, you must resolve the signal problem in order to permanently eliminate the message.
Section 3: Operation The Status LED Codes If the status code display on the back of the projector shows one of the following values, you have encountered a likely system error requiring the attention of a qualified service technician (see System Warnings and System Errors, above). Acknowledge and clear the error with Exit Exit from presentation level, or try resetting the projector by powering it off and on again, cooling when necessary. Consult Table 3.5 and contact your dealer if the problem persists.
Section 3: Operation Table 3.5 Error Codes Code Description GENERAL 12 Software bug. Contact dealer/factory. 13 CRC error in flash ROM. Download new software. 14 Engineering-only programming is complete. Call Christie, replace TIPM. 15 Attempting to download code without being in boot mode 16 Invalid interrupt. Power off/on. If it persists, contact dealer/factory.
Section 4 Maintenance 4.1 Warnings and Safety Guidelines The projector is an international regulatory agency approved product designed for safe and reliable operation. To assure complete safety at all times it is important to acknowledge the following precautions while operating the projector. WARNING Always remove the lens when shipping the projector. WARNING NEVER look directly into the projector lens. The high brightness of this projector could cause permanent eye damage.
Section 4: Maintenance ◊ Only use Christie-approved ceiling mount fixture, if the projector is to be ceiling mounted. Lamp ' Lamp: The projector uses a Cermax Xenon lamp to deliver its high brightness. A lamp should be replaced when it has reached its end of life (1000 hrs, typical) or if a noticeable change in brightness occurs. Keep track of the number of hours the lamp has been in use (Lamp Menu) and be aware of any changes to brightness.
Section 4: Maintenance Ventilation ' Slots and vents in the projector provide ventilation. Never block or cover these openings. This ensures reliable operation of the projector and prevents overheating. ◊ ◊ Do not place the projector over a radiator or heat register. The projector should not be placed in an enclosure unless proper ventilation is provided. Do not insert objects into the ventilation openings of the projector.
Section 4: Maintenance 4.2 WARNING Cleaning and Maintenance Guide Always power down and unplug the projector before cleaning or servicing. Table 4.1. Maintenance Guide Part Description Lens Frequency Action As required CLEAN: Clean if absolutely necessary. A small amount of dust on the lens has very little affect on picture quality. To clean: Apply a solvent such as acetone, alcohol or vinegar sparingly to clean, lintfree lens tissue. Wipe across the surface of the lens.
Section 4: Maintenance 4.3 Replacing Remote Batteries The optional IR remote uses two AA size, 1.5V alkaline batteries. To replace the batteries simply turn the remote over and push out the cover using the finger groove, as shown in (1) Figure 4.1. Remove and properly discard the old batteries. Insert new batteries in the proper positive/negative orientation as shown etched in the bottom of the compartment (2).
Section 4: Maintenance WARNING Handle lamp with care. Lamp may explode if dropped. Wear protective clothing and safety goggles when handling lamps. Use only Christie approved lamps provided in Lamp and Filter Service Kits for your projector. 1. Press to power down the projector. Wait at least 5 minutes to allow the internal cooling fans to stop before unplugging the projector. This wait period is also required to allow the lamp to sufficiently cool before handling.
Section 4: Maintenance disposal/recycling practices or contact CHRISTIE for a possible re-lamping program. Figure 4.4. 5. Align the new lamp with the top and bottom guides on the left side of the lamp compartment. (Figure 4.5.) Slide the lamp all the way in – a slightly harder push may be required right at the end to make sure it is fully seated into the terminal block. NOTE: The projector will not power up again if the lamp is not fully connected to the terminal block. Figure 4.5. 6.
Section 4: Maintenance Filter Replacement ' The two filters located at the front and left side of the projector should be replaced whenever the lamp is replaced. If you are working in an extremely dusty environment you may want to replace the filters sooner. Use the filters provided in the Christie approved Lamp and Filter Kit for your specific projector model (Table 1.) Tools required: #1 Phillips screwdriver 1. Loosen the screw(s) from the filter access panels.
Section 4: Maintenance Use the following instructions when replacing a projection lens: 4.5 Replacing the Projection Lens NOTE for first time use: The projection lens is shipped separately from the projector. Before you install a lens it is important that you remove the lens plug from the lens opening in the projector. 1. Power down the projector and wait 5 minutes to allow the lamp to cool before continuing with Step 2. 2.
Section 4: Maintenance Figure 4.8.
Section 5 Troubleshooting If the projector does not appear to be operating properly, note the symptoms present and use the following guide to assist you. If you cannot resolve the problems yourself, contact your dealer for assistance. NOTE: A qualified service technician is required when opening the projector to diagnose any “probable cause”. 5.1 Displays Symptom ' The projector is on but there’s no display... CAUSE / REMEDY: 1. Was a lens cover accidentally left on? Remove lens cover. 2.
Section 5: Troubleshooting Symptom ' The upper portion of the display is waving, tearing or jittering… CAUSE / REMEDY: 1. This can sometimes occur with video or VCR sources. Check your source. Symptom ' Portions of the display are cut off or wrap to the opposite edge… CAUSE / REMEDY: 1. Resizing and/or blanking may need adjustment. 2. The horizontal or vertical scan frequency of the input signal may be out of range for the projector. Refer to Section 6, Specifications for scan frequency ranges.
Section 5: Troubleshooting Symptom ' The display is “noisy”… CAUSE / REMEDY: 1. Display adjustment at your input source may be required. Adjust pixel tracking, phase and filter. Noise is particularly common on YPbPr signals from a DVD player. (If using a PC source, adjust using a high-frequency test pattern with one pixel on/off throughout.) 2. The video input may not be terminated. Make sure the video input is terminated (75Ω).
Section 6 Specifications 6.1 Specifications NOTES: 1) Due to continuing research, specifications are subject to change without notice. 2) Specifications apply to all models unless otherwise noted.
Section 6: Specifications Lenses ' (optional) Lens Type Part No. 0.73:1 fixed 1.2:1 fixed (RP) 1.2:1 fixed (FP) 1.45-1.8:1 zoom 1.8-2.5:1 zoom 2.5-4.5:1 zoom 4.5-7.
Section 6: Specifications DC Offset Nominal Impedance Return Loss (VSWR) ±2 V 75 ohms 20 dB min (1.2:1 max.) @ 6 MHz DVI-I Input Interface Standard Color Space Horizontal Frequency Range Vertical Frequency Range Pixel Clock Rate Scan Format Active Pixels per scan line Active Lines per field / non-interlaced frame Connector type DDWG DVI 1.0 RGB or YPbPr 31 – 120 kHz 23.97 – 150 Hz 25 – 165 MHz interlaced or progressive 640 min., 2048 max. 200 min.
Section 6: Specifications Power Requirements ' General Voltage range 500W models 1000W models 1200W models Line frequency Max. Inrush current Current rating 500W models 1000W models 1200W models Power consumption 500W models 1000W models 1200W models Current rating or AC input connector Type of Connector (back of projector) 10A @ 100V, 5A @ 200V 12A @ 100V, 8A @ 200V 10A @ 200V 1000 W max. 1600 W max. 2000 W max.
Section 6: Specifications including feet at min. height position) 660mm x 566mm x 313mm Weight (without lens) 500W models 1000W models 1200W models 72 lb. Max 72 lb. Max 75 lb. Max Safety ' UL 60950 and CAN/CSA C22.2. No.
Section 6: Specifications Lenses (SXGA+) 0.73:1 fixed (38-809088-01) 1.2:1 fixed 1m-3m (38-8098093-01) 1.2:1 fixed 3m-15m (38-809095-01) 1.45-1.8:1 zoom (38-809089-01) 1.8-2.5:1 zoom (38-809090-01) 2.5-4.5:1 zoom (38-809091-01) 4.5-7.3:1 zoom (38-809092-01) (SXGA) 1.
Appendix A Glossary This appendix defines the specific terms used in this manual as they apply to this projector. Also included are other general terms commonly used in the projection industry. Active Line Time ' The time, inside one horizontal scan line, during which video is generated. Ambient Light Rejection ' The ability of a screen to reflect ambient light in a direction away from the “line of best viewing”. Curved screens usually have good ambient light rejection.
Appendix A: Glossary Channel Number ' A number that uniquely identifies a specific channel retained in projector memory. The projector can retain up to 99 channels. Checkbox ' A menu item that indicates whether an option is currently in effect (checked) or not (unchecked). Chrominance ' The signal representing the color information (hue and saturation) when the image is represented as separate chrominance and luminance. Same as “chroma”.
Appendix A: Glossary Dot Clock ' The maximum frequency of the pixel clock. Also known as pixel clock rate. E-EDID ' The Enhanced Extended Display Identification Data standard, established by VESA, enables properties (such as resolution) of a display device to be detected by the display card in a controlling device such as a PC. The PC, in turn, can then output in a matching format to fill the display. Some sources used with the projector are VESA EEDID reported.
Appendix A: Glossary Interface ' A device, such as the Serial Digital Input Module, that accepts an input signal for display by the projector. Interlace ' A method used by video tape players and some computers to double the vertical resolution without increasing the horizontal line rate. If the resulting frame/field rate is too low, the image may flicker depending on the image content. Keypad ' A small push-button device for controlling most projector settings and operation.
Appendix A: Glossary NTSC Video ' A video output format of some video tape and disk players. There are two types of NTSC (National Television Standards Committee) video: NTSC 3.58 and NTSC 4.43. NTSC 3.58 is used primarily in North America and Japan. NTSC 4.43 is less commonly used. Optical Screen ' A type of rear-projection screen which re-directs light through the screen to increase image brightness in front of the screen. Screen gain is usually greater than 1 but audience viewing angles are reduced.
Appendix A: Glossary Rise Time ' The time required by the video amplifier of the projector to increase its output from 10% to 90% of the maximum value. RGB Video ' The video output (analog or digital) of most computers. Analog RGB video can have 3, 4, or 5 wires — one each for red, green, and blue, and either none, one or two for sync. For three-wire RGB, the green wire usually provides sync. (See TTL Video).
Appendix A: Glossary Terminated ' A wire connecting a single video source to a display device, such as a projector, must be terminated by a resistance (usually 75Σ for video). Throw Distance ' The distance between the front feet of the projector and the screen. Also called “Projector-to-Screen Distance”. Always use the correct Christie throw distance formula to calculate the proper throw distance (±5%) required for your lens. Throw Ratio ' Throw ratio = throw distance / screen width.
Appendix B Keypad Reference NOTE: The IR remote is a standard component provided with the projector. Use the extension cable also provided to convert the IR remote to a wired remote, if desired. Refer to Section 3 for a specific description of each key and how to use them correctly. * Toggle keys, which require you to either, press and hold, or press twice or press and use the up/down arrow key.
Appendix C Serial Communication Cables A serial link of RS232 or RS422 enables ASCII communication with the projector so that it can be controlled remotely from a PC or other controller. From a PC, connect a standard 9-wire RS232 serial cable to the RS232 IN port. Or, for long-distance (>100 ft.) links with an RS422-compatible PC or controller, connect RS422 cable to the RS422 port.
Appendix C: Serial Communication Cables C-2 User’s Manual
Appendix D Throw Distance Calculating Throw Distance It is important throw distance be precisely calculated for your installation using the appropriate formula from the chart below. To calculate throw distance you must know the screen size and the lens type installed in the projector. In general, the larger you want the image to be the greater the distance you must allow between the lens and the screen. NOTES: 1) Throw distance is measured from the screen to the center of the projector’s front feet.
Appendix D: Throw Distance D-2 User’s Manual
Appendix D: Throw Distance User’s Manual D-3
Appendix D: Throw Distance D-4 User’s Manual
Appendix D: Throw Distance User’s Manual D-5
Appendix D: Throw Distance D-6 User’s Manual
Appendix D: Throw Distance User’s Manual D-7
Appendix D: Throw Distance D-8 User’s Manual
Appendix D: Throw Distance User’s Manual D-9
Appendix D: Throw Distance D-10 User’s Manual
Appendix E System Integration The GPIO (General Purpose Input Output) connector located on the input panel provides a flexible method of interfacing a wide range of external I/O devices to the projector. There are 7 GIO pins available on the 9pin D-Sub GPIO connector, which are configurable via RS232 commands. The other two pins are reserved for ground and power – see table below for pin identification.
Appendix E: System Integration Query Command (GIO?) Request the state and configuration of all pins (GIO! “HHLLHLH” “OOIOOOI”) Reply of pin state and configuration (GIO? C2) Request configuration for pin #2 (GIO! C2 O) Reply with pin #2 configuration as output (GIO? 2) Request the state of pin #2 (GIO! H) Reply with pin #2 state as high Real Time Event Use the serial command RTE to specify an action that is initiated at a particular time or based on an external stimulus.
Appendix F Optional Input Modules There are many optional input modules and accessories currently available for this projector. Contact your dealer for a complete and up-to-date listing. RGB500 Input Module ' The RGB500 Input Module may be installed in this projector, a Marquee Signal 38-804606-xx Switcher, or a Marquee Case/Power Supply. The module receives analog RGB input signals from computers or other RGB source devices.
Appendix F: Optional Input Modules RGB400 Active Loop-Thru ' The RGB400 ALT Input Module may be installed in this projector, a Marquee Signal Input Module Switcher, or a Marquee Case/Power Supply. The module receives analog RGB input 38-804607-xx signals from computers or other RGB source devices. Video inputs are 75Ω terminated. Video outputs provide buffered loop-through to another display device.
Appendix F: Optional Input Modules DVI Input Module ' This module can display digital video input signals conforming to the DVI (Digital 38-804635-xx Visual Interface) single-channel standard.
Index 3 3D Simulation, 3-33 Frame Lock, 3-34 3D Stereo Sync, 3-33, 3-35 A Ambient Lighting, 2-5 Anamorphic, 3-22 Arrow Keys, 3-9 Auto Input Level, 3-29 Auto Key, 3-5 Auto Setup, 3-5 AutoSource Checkbox, 3-19 B Backlight, 3-39 Bad Sync, 3-64 Baud Rate, 2-17, 3-37 Blacklevels and Drives, 3-29 Blanking, 3-24 Brightness Key, 3-7 Brightness Uniformity Canceling, 3-59 Definition, 3-55 Prerequisites, 3-56 Procedure, 3-55 Submenu, 3-40 Broadcast Key, 3-39 Broadcasting, 3-9 Built-in Keypad, 3-1 C Cables Serial Com
Index Setting, 3-36 Decoder AGC Enabling, 3-27 Decoder Luma Delay, 3-28 Detail Threshold, 3-35 Diagnostics and Calibration, Submenu, 343 Display Channel List, 3-36 Error Messages, 3-36 Slidebars, 3-36 DVI, 2-14 E Edge Blending, 3-40 Description, 3-59 How Blends are Used, 3-59 Main functions, 3-60 Procedure, 3-61 Enter Key, 3-9 Error Messages Bad Sync, 3-64 H-Sync or V-Sync, 3-64 No Signal, 3-64 System Warnings/Errors, 3-64 Ethernet Communications, 2-16 Troubleshooting, 5-3 Ethernet Network, 2-18 Ethernet S
Index Mode, 3-49 Optical Aperture, 3-51 Recording Serial Number, 3-51 Serial Number, 3-49 Troubleshooting, 5-3 Lamp Door, 3-2 Lamp Modes Max Brightness, 3-49 Power, 3-49 Lamp Replacement, 4-5 Language Choosing, 3-35 Laser Key, 3-10 LEDs, Status, 3-65 Lens Offset Adjustment, 2-6, 2-9 Replacement, 4-9 Lens Mount, 3-2 Level Value, 3-44 Line Cord, 2-2 Lite LOC Calibration, 3-45 LiteLOC Troubleshooting, 5-3 Locked Channel Checkbox, 3-19 Luma Delay, 3-28 M Menu Channel Edit, 3-18 Channel Setup, 3-16 Configuration
Index Image Optimization. See Working with PIP or Seamless Switching Shutter Key, 3-8 Slidebar Adjustment, 3-11 Slidebars "Direct", 3-12, 3-19 Using, 3-12 Source Setup. See Channel Splash Screen Setup. See Menu:Splash Screen Setup Split Network, 3-38 Split Networks Options for Setup, 2-19 S-Video Connection, 2-14 Swap Main and PIP Image. See PIP Switcher, 3-18 Sync Def.
