Roadie HD+35K USER MANUAL 020-100340-02
Roadie HD+35K USER MANUAL 020-100340-02
NOTICES COPYRIGHT AND TRADEMARKS © 2010 Christie Digital Systems USA, Inc. All rights reserved. All brand names and product names are trademarks, registered trademarks or trade names of their respective holders. REGULATORY The product has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the product is operated in a commercial environment.
Table of Contents 1: Introduction 1.1 Using this Manual........................................................................................................................1-1 1.1.1 Labels and Marking .............................................................................................................1-2 1.1.2 35K Typographical Notations..............................................................................................1-2 1.2 Purchase Record and Service Contacts .......................
Table of Contents 2.8 Connecting the Ballast .................................................................................................................2-40 2.8.1 Configuring the Ballast for Incoming AC............................................................................2-40 2.8.2 Connect to Projector.............................................................................................................2-41 2.9 Initial Switch On .............................................................
Table of Contents 3.2.6 Keypad and Standard IR Remote Functions........................................................................3-9 3.3 Power-up Procedure/Checklist ....................................................................................................3-15 3.4 Power-down Procedure................................................................................................................3-16 3.5 Navigating through the Menu System .......................................................
Table of Contents 3.13 Remote Control of the Projector ................................................................................................3-76 3.14 Working with the Lenses ...........................................................................................................3-77 3.14.1 Anamorphic Lens ...............................................................................................................3-78 3.15 Error Conditions ......................................................
Table of Contents 5.5.9 Display Appears Compressed (Vertically Stretched) ..........................................................5-5 5.5.10 Data is Cropped from Edges ..............................................................................................5-5 5.5.11 Display Quality Appears to Drift from Good to Bad, Bad to Good ..................................5-5 5.5.12 Display has Suddenly Froze ..............................................................................................5-5 5.5.
Table of Contents A: Serial Communication Cables A.1 Serial Links to Projector .............................................................................................................A-1 A.1.1 General Communications....................................................................................................A-1 A.1.2 Software Downloads ...........................................................................................................A-1 A.1.3 RS-422 Connections............................
1 Introduction Every effort has been made to ensure the information in this document is accurate and reliable; however, due to constant research, the information in this document is subject to change without notice. 1.1 Using this Manual USERS/OPERATORS: This manual is intended for trained users authorized to operate professional high- brightness projection systems, located in restricted areas, such as projection rooms in theatres.
Section 1: Introduction 1.1.1 Labels and Marking Observe and follow any warnings and instructions marked on the projector. Danger symbols are used to alert situations where the user will become seriously injured if they do not follow the advice in this section. Warning symbols are used to alert situations where there is a situation where a user may be injured. Caution symbols are used to convey information where equipment damage will occur. 1.1.
Section 1: Introduction At manufacture, the following Ethernet settings were defined in the projector: Table 1.2 Ethernet Settings Default Gateway N/A DNS Server N/A Projector DLP Address 1.3 Projector Mgmt IP Address 0.0.0.0 (ENABLES USE OF DHCP SERVER FOR IP ADDRESS) Subnet Mask 255.255.255.0 (FIXED) Projector Overview The Roadie HD+35K is a revolutionary split-body DMD projector utilizing 3-chip Digital Light Processing (DLP) technology from Texas Instruments.
Section 1: Introduction 1.3.2 List of Components The following components make up a complete Roadie HD+35K system (refer to Figure 3-1): • Projection Head.
Section 1: Introduction RS422 RS232 IN Vert Input 1 Sync Hor / Comp Blue Green Red Input 2 DVI Input 3 Video Input 4 S-Video Ethernet GPIO Remote RS232 OUT Input 5 (Opt. 1) Input 6 (Opt. 2) Figure 1-1 In p u t 2 DVI G P IO E th e rn e t RS422 R S 232 OUT R e m o te RS232 IN In p u t 5 (O p t. 1 ) In p u t 6 (O p t. 2 ) Figure 1-2 Lenses • • • • • Choice of standard high-brightness zoom lenses (ranging from 0.8:1 up to 8.
Section 1: Introduction Communications and Diagnostics • • • • • • • 1-6 Built-in keypad and convertible IR-to-wired remote Front and rear IR sensors Ethernet, RS232, RS422, and GPIO control ports Built-in ChristieNET™ connectivity and control LED for two-digit error codes, plus LCD for text-based status display Large status light for long-distance alerts Double voltmeters: one for lamp ballast, one for projection head Roadie HD+35K User Manual 020-100340-02 Rev.
2 Installation and Setup This section explains how to install, connect and optimize the projector for delivery of superior image quality. Illustrations are graphical representations only and are provided to enhance the understanding of the written material. 2.1 Projector Quick Setup and Installation Follow these steps for quick setup of the projector in a basic front-mount position. Refer to the remaining subsections for detailed setup instructions.
Section 2: Installation and Setup 4. Connect to Lamp Ballast and Power. 1) Connect all four cables to the projection head prior to switching the ballast’s breaker/power switch ON. 2) Follow all labeling exactly. Head to Ballast Connect all four ballast cables. There are two DC power cables, and two communication/control cables between the projector rear and lamp ballast as shown in Figure 2-2. Projector Rear Figure 2-2 Connect Head to Ballast Ballast to AC Refer to Figure 2-3.
Section 2: Installation and Setup Confirm that the ballast's three-phase status lights are ON and that the adjacent voltmeter displays an acceptable AC level for your ballast, and region. Refer to Section 6 Specifications for details. Then switch the ballast’s breaker/power switch to the ON position. NOTE: The ballast's internal fan is the only indication whether or not the breaker/power switch is ON. Lights on the ballast indicate only that the ballast is plugged in.
Section 2: Installation and Setup Projector Rear To AC 200-240 VAC Figure 2-4 Connect Head to AC Do not attempt operation if the AC level is not within the specified voltage, and power range for the projection head. At this point, the projection head is in a type of "standby" mode only. The voltmeter should display the incoming voltage, the adjacent main PROJ. STATUS light should be yellow, and the light engine compartment fans running, but the rest of the projection head should be OFF. 5.
Section 2: Installation and Setup HOW TO SET THE LAMP SIZE: 1. 2. Menu Press “Menu” before power up. Screen below displays lamp size. Enter Lamp Password: Input 3 1 Input 4 1 7 0 on built-in keypad or 1 3. 4 on the standard IR remote Lamp Size 6000 Select installed lamp size: 2000 3000 4500 6000 Or standard Christie service password. on built-in keypad or on the standard IR remote Figure 2-5 Setting Lamp Size c. Use the UP/DOWN ARROWS to select which lamp is currently installed.
Section 2: Installation and Setup 9. Adjust the lens. Use the Focus button on the standard IR remote or the built-in keypad to focus the image. Use the Zoom buttons to increase or decrease image size (not available with fixed 0.8:1 and 1:1 lenses). Use the Lens Shift button, and the ARROW keys to shift the image location. Refer to Section 3.14 Working with the Lenses on how to use the motorized lens mount and Section 2.4.1 Lens Installation for instructions. 10. Set Cable Length.
Section 2: Installation and Setup NOTE: Roadie HD+35K lenses are designed primarily for use with flat screens, but the projector's depth-of-field range allows the lens to be focused on mildly curved screens as well. While focus remains sharp in the corners, there may be significant pincushion distortion, primarily at the top of the screen. Rear Screen Installations There are two basic types of rear screens: diffused and optical. A diffused rear screen has a surface that spreads the light striking it.
Section 2: Installation and Setup Table 2.2 Typical Aspect Ratios Application Aspect Ratio SXGA 1.25 (5:4) 35mm filmstrip 1.32 (4:3) NTSC Video/XGA 1.33 (4:3) PAL Video/XGA 1.33 (4:3) HDTV Video 1.78 (16:9) Letterbox Video/”Flat” 1.85 (2048 x 1080) Roadie Native Resolution 1.89 (2048 x 1080) Cinemascope 2.35 Although image size and aspect ratio can be adjusted using projector software, it is still ideal to use a screen with an aspect ratio that closely matches your likely source material.
Section 2: Installation and Setup Displaying both “Flat" and "Scope" As an example, two standard types of displays (flat and scope) differ in their width-to-height aspect ratio as shown below: “Flat” Image Aspect ratio = 1.85 “Scope” Image Aspect ratio = 2.39 Figure 2-8 Typical Wide Formats Achieving either of these displays from a variety of incoming source material (that may or may not be in the same format) depends on proper settings in the projector as well as certain room conditions.
Section 2: Installation and Setup TOP-MASKING SCREEN (1.85 screens) 2.39 image Top/bottom masking to hide screen edges 1.85 image Masking moved aside Figure 2-10 Top Masking for Scope Images Alternatively, masks may be installed at each side of the screen in order to change the width of the screen, but not its height. • Add masks for "flat" displays • Remove masks for "scope" displays In some cases, the room will have both side and top/bottom masking installed.
Section 2: Installation and Setup Screen Type SIDE-MASKING SCREEN (2.39 screens) “All the Pixels All the Time” Masking Quickest Scope --> Flat ph or am An Flat Masking Flat (1700 across) ph or am An ph or am An Scope Scope (2048 across) TOP-MASKING SCREEN (1.85 screens) Flat ph or am An Masking Flat Scope Re-size electronically with TPC source & screen settings Scope NOTE: Example shows vertical offset EXTRA SHORT THROW and 1280 -->1700 (approx.
Section 2: Installation and Setup 2.3 Projector Position and Mounting Installation type, the available screen, and ambient lighting all affect where the projector should be positioned. In addition, both throw distance (the distance between the projector and screen) and vertical position (the height of the projector in relation to the screen) must be determined for every new installation. Both depend on the screen size and lens type you are using.
Section 2: Installation and Setup IMPORTANT! For proper placement in any installation, use the lens and screen size to calculate the precise throw distance using the tables provided in the Dealer Section of the Christie Website, PN 020100395-xx. In addition, please keep in mind that due to lens manufacturing tolerances for lens focal length, actual throw distance can vary ±5% or more between lenses described as having the same throw ratio. 2.3.
Section 2: Installation and Setup NOTES: 1) Assumes full 2048 x 1080 display. 2) Recommended offset range can sometimes be exceeded, however this may affect image quality. 3) Due to manufacturing tolerances, an offset range can vary ±5% or more between lenses described as having the same throw ratio, between projectors, and with any lens/projector combination. 4) Simultaneous horizontal and vertical offset can limit the adjustment range of each, as can long throw distances.
Section 2: Installation and Setup 70% Offset 15% 85% Image moved by a distance of 70% of half the image width NOTE: Not possible with this projector. Figure 2-16 Horizontal Offset Range NOTE: The positioning shown in Figure 2-16 is often mistakenly referenced as "70% offset", but it is not-it is 40% offset derived as 432/1080 x 100. A 70% offset is explained below.
Section 2: Installation and Setup Figure 2-17 Adjusting the Feet 2.3.4 Tilting and Special Orientations ± 15° max. Tilting For any installation, you can tilt the front end of the projector up or down as much as 15°. Likewise, side-to-side tilt must not exceed 15° (see ). This limit ensures safe lamp operation and proper position of the liquid cooling reservoir in the projector. ± 15° max. Tilt only as shown in Figure 2-18 and Figure 2-19.
Section 2: Installation and Setup Max. ±15° Figure 2-19 Side to Side Tilt Special Orientations Since this projector cannot be inverted or tilted beyond 15°, all installations are typically front-mount or rearmount and require the "Front" or “Rear” Image Orientation setting in the Configuration menu. 2.3.5 Hoisting and Stacking For most installations, you will likely have to safely lift or hoist this projector-or a stack of two projectors-into place.
Section 2: Installation and Setup When hoisting/rigging a single projector using its handles, do the following: 1. Remove the projection lens. Refer to Section 4.5 Replacing a Lens. 2. Clamp the 4 rigging clamps to the projector's handles staying within the assigned rigging zones. Refer to Figure 2-20 and Figure 2-21, and allow a minimum of 12 inches between clamps for proper stability. Do not tighten the cross bolt of the clevis arms to ensure the rigging clamp can swivel freely.
Section 2: Installation and Setup Rigging Zones Use of 4 rigging clamps, positioned within the assigned rigging zones, is mandatory when hoisting/rigging. = rigging zone Allow at least 12 inches between clamps to ensure stable hoisting/rigging. Symmetrical placement of clamps recommended. TOP VIEW 12” min. 12” min. between clamps BOTTOM VIEW Figure 2-21 Rigging Zones on Projector Handles Use two safety straps one per crossbeam for additional security.
Section 2: Installation and Setup Using the FredFrame™ To hoist, stack and/or "fly" projectors using the optional FredFrame™ (PN 38-814007-xx), you must first remove the handles and properly secure each projection head within a FredFrame™. Then using appropriate rigging clamps (PN 38-814007-51), you can raise and/or suspend the projector assembly. If desired, the lamp ballast can also be hoisted and flown from its integral rigging bars. Follow the instructions provided with the FredFrame™ kit.
Section 2: Installation and Setup The following steps are IMPORTANT! and necessary to ensure your safety and that of the lens so it does not fall out. 4. Lock the lens assembly in place with the lens clamp DOWN. 5. For added security, tether the lens to the projector by wrapping it around either the handle or FredFrame™ if flown. This step is not required if projector is floor-mounted.
Section 2: Installation and Setup Anamorphic Lens Installation (Optional) NOTE: The optional anamorphic lens mount is required for use of the 1.26x anamorphic lens, producing 2.39:1 "scope" images. However, the lens mount cover must be removed when installing the anamorphic lens mount and in order to the use the MALM. If the anamorphic lens is used, it is recommended that you add the lens and its mount before final leveling or making any adjustments (i.e. boresight, etc.).
Section 2: Installation and Setup Refer to Section 6 Specifications. 1. Check lamp cradle (Anode end) location for your lamp. • For 4.5 or 6.0 kW lamps, the lamp cradle should use the holes farthest from the reflector (factory default). Anode Connector Reflector • For 2.0 or 3.0 kW lamps, use the holes closest to the reflector. 2. Install lamp. Lamp Cradle Refer to Section 4.4 Replacing the Lamp & Filter, Steps 7-11 for installation instructions.
Section 2: Installation and Setup Input 1 Vert D Sync B OUTPUT A Blue INPUT 5 Serial Digital C INPUT 1 Analog Graphics or Component Video FROM Hor / Comp Green B Input 5 (Opt. 1) INPUT 3 Composite Video includes decoder INPUT 4 INPUT Dual SD HD-SDI 38-804656 Input 2 DVI SIGNAL INPUT 2 Analog or Digital DVI A ACTIVE Red Input 3 Video Input 4 S-Video S-Video includes decoder Ethernet INPUT 6 Various (see Appendix) Remote RS422 GPIO RS232 IN RS232 OUT Input 6 (Opt.
Section 2: Installation and Setup 2.5.1 RGB Signals BNC connectors Input 1 Vert OUTPUT B A FROM Hor / Comp Blue C NOTE: Depending on your source, you may need a custom Green Input 5 (Opt. 1) B adapter cable with BNC connectors at the projector end and a different type of connector at the other (such as a 15-pin "D" connector for some computer sources). Contact your dealer for details.
Section 2: Installation and Setup 2.5.2 YPbPr Signals (Component Video). NOTE: Unlike previous Christie projectors, composite D B OUTPUT Pb A FROM Hor / Comp C Blue Green Input 5 (Opt. 1) B Y 29-pin DVI-I Connector Input 2 DVI INPUT Red Pr Dual SD HD-SDI 38-804656 INPUT 3 and INPUT 4 provide simultaneous connection of both a composite video source (INPUT 3 and an SVideo source (INPUT 4). Refer to Figure 2-30. Vert Sync SIGNAL 2.5.
Section 2: Installation and Setup 2.5.4 Dual SD/HD-SDI Christie's Dual SD/HD-SDI module is standard with this projector and factory-installed in the first option slot (labeled INPUT 5). Its loop-through capability enables incoming serial digital data (HD format) to be tiled across multiple screens, creating vast "mega resolution" displays. Alternatively, the multiple outputs can be overlapped for extra-bright displays, or simply distributed to additional projectors for multiple screens of the same image.
Section 2: Installation and Setup 2.5.5 Extra Video Input 1 From S-Video Source Vert D Sync Green B Input 5 (Opt. 1) INPUT Dual SD HD-SDI 38-804656 Input 2 DVI SIGNAL ACTIVE Red Optional Input modules allow you to increase your total number of inputs and/or accommodate different signal types, whether analog or digital. Install in the areas labeled INPUT 6 or (if available) INPUT 5.
Section 2: Installation and Setup 2.6.1 Standard IR Remotes As desired, direct the projector's standard IR remote towards the display screen or the projector's IR sensors. Alternatively, connect a wired version of the remote to either the three-pin XLR connector rear (standard) or the 3.5mm phono jack on the side of the projector, depending on which type of cable you are using with this remote. NOTE: Response to a wired remote must also be enabled in the Communications menu. Refer to Section 3.
Section 2: Installation and Setup 2.6.2 Other Controllers RS-232 Serial Communications From most computers, connect a standard RS-232 serial communication cable between the computer, and the projector serial port labeled RS232 IN. This 9-pin connector is located on the side Input panel of the projector. Then set the projector's baud rate to match that of the computer. Input 1 Vert OUTPUT B C Blue Green B Input 5 (Opt.
Section 2: Installation and Setup Input 1 Vert D Sync OUTPUT B A FROM Hor / Comp C Blue Input 5 (Opt. 1) B Green INPUT SIGNAL Dual SD HD-SDI 38-804656 Input 2 DVI Side Input Panel A ACTIVE Red Input 3 Video Input 4 S-Video Ethernet 9-pin D-style Connector 6-pin XLR Connector Remote RS422 GPIO Input 6 (Opt. 2) IMPORTANT! RS232 IN To computer, 2-Way Controller, or previous proj. RS232 OUT Use an RS-422 port ONLY if your system supports RS422 serial communications.
Section 2: Installation and Setup Ethernet Communications To add the projector to an existing Ethernet network with other equipment such as controllers and other projectors, connect standard CAT5 Ethernet cable between your Ethernet controller (or hub) and the Ethernet port on the side of the projector. Input 1 Vert OUTPUT B Blue C directly to a PC only. Green Input 5 (Opt. 1) B Upon connection to an Ethernet network, the projector's factory default IP address of 0.0.0.
Section 2: Installation and Setup 2.7.1 Serial Links RS-232 Network To control multiple projectors with a computer/controller having an RS-232 interface, first set all projectors to the same baud rate as the controller, then chain the projectors together by connecting the RS232 OUT connector of the first projector (already connected to the computer/controller) to the RS232 IN connector of the next projector in the chain.
Section 2: Installation and Setup NOTES: 1)You can only connect up to a maximum of 32 projectors. 2) Figure 2-37 depicts a typical input/output configuration, however, since RS-422 ports are bi-directional, other various combinations are possible. You can also connect by RS-232 or RS-422 (see Figure 2-38), in which case either type of serial communication must also reach the other type of port.
Section 2: Installation and Setup Use Ethernet cables to connect to all Ethernet devices Figure 2-39 Typical Ethernet Network Setting the Projector’s IP Address Upon connection to most Ethernet networks, each projector's factory default IP address of 0.0.0.0 triggers the network's DHCP (Dynamic Host Configuration Protocol) server to automatically assign an IP address that is valid and unique for use on that network.
Section 2: Installation and Setup Changing the Port # On some Ethernet networks, firewall restrictions may require that the port number of the projector be changed from its default of 3002. If so, enter a new port number in the Ethernet Settings menu or include the new port# in an XIP serial command sent to the projector. It is highly recommended not to use a port# below 1024, as these ports are typically reserved by common IP applications.
Section 2: Installation and Setup Two Different Serial "Splits" There are two different split serial network configurations possible (refer to Figure 2-42). Set up according to one of the following options as to which one best suits your application needs: A. Split Network with One Controller. If you have a single controller and want a back-up serial link, connect one controller standard (e.g., RS-232) to one physical end of the network and the other controller standard (e.g.
Section 2: Installation and Setup A Split Serial Network with One Controller Controller with both RS-232 and RS-422 capability • Connect both network cable types • Use controller as desired—RS232 messages travel RS232 route only, RS422 messages travel RS422 route only.
Section 2: Installation and Setup RS-232 RS-232 RS-422 1. 2. 3. 4. Separate RS232 and RS422 Joined RS232 and Ethernet Joined All Joined Figure 2-43 Joining All Networks 2.7.5 Communicating to Certain Ports If desired, you can isolate your RS-422 communications so that they are not relayed to any other network by selecting the RS232 and Ethernet Joined option for "Network Routing" in the Communications menu.
Section 2: Installation and Setup 2.7.6 Projector Numbers It is helpful to define a unique 3-digit projector number to each projector connected in a serial network (for instance, 001, 002, 003, etc.). These numbers enable you to direct commands to a single projector rather than always broadcasting to the entire network. For complete information on how to assign and use projector numbers on a serial network, refer to Section 3.8 Adjusting System Parameters and Advanced Controls. 2.
Section 2: Installation and Setup 2.8.2 Connect to Projector Connect all four ballast cables. There are two DC power cables, and two communication/control cables to the rear of the projector and to the lamp ballast. Refer to Figure 2-2. 2.9 Initial Switch On When the ballast has been properly configured (refer to Section 2.8 Connecting the Ballast) and connected to the projection head, connect its integral line cord to AC. 2.9.
Section 2: Installation and Setup 2.9.2 Turning ON the Projector After the breaker/power switch (located on the ballast) has been switched ON, follow the procedure described for the Roadie HD+35K system in Section 3.3 Power-up Procedure/Checklist, Steps 1 and 2. 2.9.3 Set Cable Length In the Lamp menu, set the "Cable Length (m)" slidebar to match the length of the high-voltage DC cables connected between your lamp ballast and projection head.
Section 2: Installation and Setup Before you begin: Properly position the projector relative to the screen (refer back to Section 2.3 Projector Position and Mounting). Basic Optical Alignment Procedure 1. Display a test pattern appropriate for analyzing image focus and geometry, such as a single crosshair centered across the image. 2. Course focus. Do a quick preliminary focus and (if available) zoom adjustment with the primary lens only. Refer to Section 3.14 Working with the Lenses.
Section 2: Installation and Setup 2.12.2 Adjust Left/Right Boresight 1. Adjust focus at the far left center edge of the image. If possible, reduce image size for easier image analysis. 2. If the image appears well-focused on the left edge, but not on the right, then the boresight currently differs from one side to the other. For example, the right side of the image is well-focused either in front of or behind the screen surface rather than on it.
Section 2: Installation and Setup 3. Adjust the vertical boresight bolt (Figure 2-50) using one allen key to hold the bottom hex screw and another to turn the adjustment bolt above it. Adjust as necessary to direct or "aim" the lens toward the edge of the image which focused too close to the lens. When both top and bottom appear equally blurry, re-focus at the top of the screen. 4. Adjust vertical offset to re-center the image on the screen. 5.
Section 2: Installation and Setup 2.13.2 Color Gamut Adjustment For the widest color gamut, install the Yellow Notch Filter (optional) inside the projector, near the lens opening. Adjust to match a known standard, such as x=0.265, y=0.690, or as desired. In applications where maximum brightness is preferred over increased color gamut, do not add the Yellow Notch Filter (this is the factory default). 2.13.
Section 2: Installation and Setup Figure 2-52 Proper Fold Mirror Adjustment 2.14 IR Remote Protocols and Adjustment At manufacture, every remote is assigned "A" as its default protocol, which is simply a collection of settings that determine how the remote operates. Once assigned, this protocol remains in effect until you change its protocol.
Section 2: Installation and Setup 2.14.1 Standard IR Remote Protocols The Roadie HD+35K's standard IR remote can be set to 1 of 7 different protocols (A through G). To change protocol in the remote, follow Steps 1 through 4: 1. Unlatch and open the battery compartment on the back of the remote as shown in Figure 2-54. Figure 2-54 Opening the Remote 2. Find the 4 jumpers located along the latching side of the battery compartment.
Section 2: Installation and Setup Shortcut Method Unlike earlier Christie projectors and remotes, there is no shortcut method for changing a remote's protocol through a special sequence of keystrokes. You must change the internal jumper settings. 2.14.2Converting a Remote If desired, you can convert an IR remote into a wired remote and vice versa. Set the jumpers as shown in Figure 2-55, and add or delete the cable and batteries as required.
3 Operation This section describes how to use the controls and switches for basic projector operation once it is properly installed, aligned and configured by a Christie accredited service technician, as described in Section 2 Installation and Setup. Refer to Safety Warning and Guidlines in Section 4 Maintenance. 3.1 Projector Basics Primary Roadie HD+35K components are identified below: Wired IR Remote Projection Head Exhaust Hood (incl.
Section 3: Operation 3.1.2 Ballast Breaker/Power Switch (ON/OFF) The breaker/power switch located on the lamp ballast serves two purposes: 1) It is a power switch for the Roadie HD+35K ballast. 2) It protects against over-current conditions of 50A or more. The breaker/power switch must be in the ON position to enable normal Roadie HD+35K system power-up and operation. If faulty or major excessive AC is detected, the breaker/power switch "trips" to OFF in order to prevent damage.
Section 3: Operation 3.1.4 Handles Mounted to the bottom of the projector is the handles assembly, which allows for transportation of the projector over a short distance. The handles can also be used to hoist a single projector only. Any overhead suspension used must be suitably rated for the weight of the projector. For rigging purposes, the weight of the projector will not exceed 435 lbs. (197.3 kg.) including the handles. Installations which require the stacking of projectors must use the FredFrame™.
Section 3: Operation 3.1.9 Lamp Use one of the following lamp sizes (3-Phase ballast requirements): • 2.0 kW • 3.0 kW • 4.5 kW • 6.0 kW Keep the lamp door closed and locked for all normal operation. Only trained Christie accredited service technicians can access the lamp via a security key. Complete lamp details are provided in Section 6 Specifications. 3.1.10 Leveling Feet Turn the four adjustable feet to increase or decrease projector height and/or tilt as needed.
Section 3: Operation Incoming AC To AC 200-240 VAC red black Status Remote Keypad Control (on Ballast) 422 RS Interlock Figure 3-3 Rear Connection Panel Layout Table 3.2 Rear Connection Panel Layout Rear Connection Panel Area Description CATHODE/ANODE Connectors For connecting the ballast's 2 lamp cables (both DC). Note that cable length must also be defined in the projector.
Section 3: Operation Table 3.2 Rear Connection Panel Layout Rear Connection Panel Area PROJ. STATUS Description This large bright light indicates from a long distance the current operating state of the projector, such as, if it is turned OFF, running normally, or it has a critical problem that needs investigation.
Section 3: Operation 3.2.2 Standard IR Remote and Transmission The Roadie HD+35K comes with a standard IR remote which controls the projector by way of wireless communication from a battery-powered infrared (IR) transmitter. Use the standard IR remote the same way you would use any remote supplied with a TV or DVD player. When pressing any key, ensure that you direct the remote either toward the screen or toward the front or rear of the projector.
Section 3: Operation 3.2.4 The Lite Remote (Optional) A smaller "lite" remote with a laser pointer is also available as an option. It has a single IR protocol, and therefore it needs no change in jumper settings, and connects via a 1/8” 3-pin phono jack connector to the input panel on the side of the projector. Commands from this remote have priority if the standard IR remote is also connected (to the rear of the projector). Refer to 3.2.3 Wired IR Remote. NOTE: Both remotes will work at the same time.
Section 3: Operation 3.2.5 Guide to Keypads Keep in mind the following guidelines: • Press keys one-at-a-time; there are no simultaneous key combinations available. • To protect against accidental use, there are three keys (Power, Shutter, and OSD) which are "press-and-hold" keys that do not function with a typical quick press-and-release keypress. • Press and hold the ARROW keys down for continuous adjustment/movement in the desired direction.
Section 3: Operation Table 3.3 Auto Setup What an “Auto Setup” Does OPTIMIZES: SETS TO DEFAULT: Size and Blanking Auto Input Level (off) Vertical Stretch Detail (if video source) Position Filter Input Levels Luma Delay NOTE: You must have an unlocked channel present to use AUTO SETUP. Help Function Key Press the HELP key (either the built-in keypad and standard IR remote) to display summary information about the current menu or highlighted menu option.
Section 3: Operation Input 5 Key (OPT.1) Press the INPUT 5 key to display from the INPUT 5 interface module installed in the Option 1 slot, which typically is the standard factory-installed Dual SD/HD-SDI Module. If PIP is enabled, press INPUT 5 to assign it as the PIP source. Note, if there are two inputs connected to this module, the second input (B) is considered to be INPUT 7 and can be most easily accessed with INPUT 7.
Section 3: Operation Gamma Key Press the GAMMA key on the standard IR remote to define the Gamma setting to best suit your environment. “Gamma” determines what gray shades to display between minimum output (black) and maximum output (white) for a given signal. The proper setting helps maintain optimized blacks and whites while ensuring a smooth transition for the "in-between" values utilized in colors.
Section 3: Operation Function Key If You are Within a Primary or Secondary Menu You can use the FUNC key on standard IR remote to perform special tasks within the Menu system. Each task is discussed within Section 3. For example, you can press FUNC in the Channel Setup menu to enable deletion or copying of a channel. If You are Within a Presentation: Press the FUNC key on standard IR remote followed by a 2-digit number to enable one or more specific colors in the display (see right).
Section 3: Operation Exit Key Press the EXIT key on either the built-in keypad and standard IR remote to return to the previous level, such as the previous menu. NOTE: Exiting does not save changes within text editing boxes (including number editing of a slidebar value) or within drop-down lists. It acts as a "cancel" to all changes.
Section 3: Operation Using the standard IR remote: • • • • Press the FOCUS + the UP or DOWN Arrow keys to improve the clarity as desired. Press the ZOOM + the UP or DOWN Arrow keys to achieve a desired image size. Press the LENS H + the LEFT or RIGHT Arrow keys to position the image horizontally. Press the LENS V + the UP or DOWN Arrow keys to position the image vertically. Press EXIT to return to the presentation level.
Section 3: Operation • If the lamp fails to ignite even though the interlock system is OK, the projector automatically tries to reignite using 100% of the maximum power acceptable for the installed lamp. If this re-try also fails, a new lamp is likely needed. NOTE: For complete power-up troubleshooting, Refer to 5 Troubleshooting. 7. In the Lamp menu, set the "Cable Length (m)" to match the length of the DC cables currently connected between your lamp ballast and projection head. 3.
Section 3: Operation Within a Function menu, navigate in a similar manner by entering a Menu option number corresponding to a numbered option, or use the UP and DOWN Arrow keys to highlight the desired option, then press ENTER. Extra long menus have a scrollbar along the right-hand side. Use the Arrow keys to move up and down within the menu. Locked items or items that do not pertain to the current action or condition appear grayed out, and cannot be selected.
Section 3: Operation 3.5.2 Time-outs If a slidebar, menu, or message is present, you have limited time in which to make an entry on the built-in keypad and standard IR remote before the projector returns to its Presentation level, and the HELP graphic disappears. These time-outs may vary depending on what is displaying. 3.5.3 The Global Icon Menu options that include this icon apply universally to any incoming signal. 3.5.
Section 3: Operation NOTES: 1) You can still adjust a direct slidebar as usual if the display is turned OFF (refer to OSD (On-Screen Display) Key or the Menu Preferences) except the slidebar is not visible. 2) A direct slidebar disappears if it is not used within 5 seconds. Check Boxes Conditions are present if its adjacent check box contains a check mark. To select or clear a check box, simply highlight and press ENTER, or highlight and press the RIGHT Arrow key to select or LEFT Arrow key to clear.
Section 3: Operation Figure 3-11 Entering Text Edit a Character To edit a highlighted character, press the UP and DOWN Arrow keys to scroll through the alphabet, numbers, spaces, and punctuation marks available. When the character you need appears, press the RIGHT Arrow key to select, and replace the current character. The cursor moves to the next character within the current text string, if present. You can also enter a number directly from the built-in keypad or standard IR remote.
Section 3: Operation 3.6 Adjusting the Image The most commonly used options for image adjustments are accessed through the following 2 Main menu options: • Size and Position • Image Settings From either of these two menus, you can change settings affecting the image from the current channel by working with the appropriate slidebars, check boxes, and drop-down lists. Pressing EXIT returns you to the previous menu (or to the presentation, if from the Main menu), and accept any changes you may have entered.
Section 3: Operation Figure 3-13 Size and Position Menu Refer to Section 3.5.5 Using Slidebars and Other Controls if you need help using any of the options and controls. Changes made in the Size and Position menu are applied immediately and are saved when you exit the menu (press EXIT or MENU). Resize Presets Option Select the Resize Presets option from the Size and Position menu.
Section 3: Operation Default Option Select Default for most sources (factory default). The image is centered and displays as large as possible (without affecting aspect ratio), depending on the type of input source, as described below: • the image enlarges to fill the screen height or width, and is centered between black bars • a 16:9 image fills the height with black bars on both sides. NOTE: Images and resolutions are shown for example only.
Section 3: Operation Full Size Option • Select Full Size to use all pixels (2048 x 1080) for displaying the image, regardless of source or original aspect ratio. “Full Size” With incoming Cinema scope With 1400 x 1050 input 2048 2048 1080 1080 1080 1080 2048 2048 Full Width Option • Select Full Width to fill the projector's display from left-to-right without changing the original aspect ratio of the image.
Section 3: Operation Anamorphic Option • Select Anamorphic to display an incoming Cinema scope signal in a 16:9 aspect ratio without the use of an anamorphic lens mount. The image fills the screen from top-to-bottom, and be centered between narrow black bars on each side. “Anamorphic” With incoming 16:9 Cinema scope 2048 1080 1080 1920 Size Option Select the Size option from the Size and Position menu.
Section 3: Operation For best results, use a good test pattern such as a smooth gray consisting of a clear pattern of black and white pixels, or a similar "half on, half off" graphic image, such as the Windows shutdown screen. Adjust the slidebar until the image stabilizes and each pixel is clearly defined. You may notice that you can stabilize the image at more than one point-i.e., you may find that the image appearance at "11" is identical to the image appearance at "38", thus you can use either setting.
Section 3: Operation Blanking (Top, Bottom, Left, and Right) Options Select a Blanking option from the Advanced Size and Position menu. Crop the image as desired so that unwanted edges are removed from the display (changed to black as shown in Figure 3-16). Blanking defines the size of the Active Input window, creating an area of interest. Range of adjustment depends on the source resolution and other factors for your application.
Section 3: Operation Contrast Option Short Cut: Press CONT on the standard IR remote and adjust the Contract slidebar in the menu. Select Contrast from the Image Settings menu. "Contrast" increases or decreases the perceived difference between light and dark areas of your image (0-100). For best results, keep close to 50. If the contrast is set too high, the light parts of the image lose detail and clarity.
Section 3: Operation Detail Option Select Detail from the Image Settings menu. "Detail" adjusts the sharpness of a video image so that edges remain clearly defined. It can be particularly useful if a significant "Noise Reduction" adjustment has caused the image to appear too soft. Adjust until the display is as sharp as desired, keeping in mind that because "Detail" adds some high frequencies back into the image, it can also re-introduce a certain degree of noise.
Section 3: Operation Video Standard Option Select Video Staandard from the Video Options menu. With the exception of the more unusual video standards available in the world, the projector automatically detects the incoming horizontal and vertical frequencies and sets the projector's processing of this signal to the corresponding standard. The current video standard name appears in the Video Options secondary menu, and includes an "A" if it has been auto-detected.
Section 3: Operation Decoder Luma Delay Option Select Decoder Luma Delay from the Video Options menu. This control affects any incoming composite or S-video signal, delaying the luma signal (intensity) in relation to the chroma (color). In the image, increasing the luma delay moves luma (seen as a shadow where colors overlap) to the right slightly, with colors remaining in place. Decreasing this delay moves the shadow slightly to the left.
Section 3: Operation NOTE: Not required for "Auto" adjustment. 3. Confirm that you are using an analog source not connected to INPUT 3 or INPUT 4, as input levels are not applicable for digital sources or sources going through the decoder. A grayscale is recommended. 4. If the blacks and/or whites appear OK, input levels do not need adjustment. If black levels are too high (and/or whites are too low, which is rare), you likely have a noisy source that is producing skewed input levels. Continue with Step 5.
Section 3: Operation 3. For the current color, adjust its corresponding "Blacklevel" slidebar just until a single band of black appears at one edge of the screen. This band represents the first band of the grayscale pattern, which should be 100% black. Do not adjust too far. 4. With the same color still active, adjust its corresponding "Input Drive" slidebar just until a single band of color appears at the opposite edge of the screen.
Section 3: Operation Alternatively, if neither default is ideal, you may prefer to apply the simple (non-optimized) gamma curve or a user-defined custom gamma curve that has been created externally, named, and downloaded to the projector (requires separate PC-based Arbitrary Gamma and KoRE Librarian software applications). If any of these special user curves have been installed, their names appear in the Gamma Table drop-down list.
Section 3: Operation 3D Stereo Sync Locking. Not available in this projector. May be shown as "Reserved". 3D Stereo Sync Select. Not available in this projector. May be shown as "Reserved". 3D Stereo Sync Delay. Not available in this projector. May be shown as "Reserved". Frame Lock Enable. This option allows the projector to control the output frame timing based on the input signal. The Locked option forces (if possible) the output image to be phase locked to the input frames.
Section 3: Operation Switching to a Different Input Source There are different ways to change between different Inputs: • Press the appropriate direct key (Inputs 1 to 6) to quickly display one of the 6 inputs connected at the side of the projector. • Press INPUT and enter the appropriate number (1 to 6) corresponding to the location of the desired signal (onscreen feedback is provided). • Alternatively, if the "Numbers Select Main Image" option (refer to 3.
Section 3: Operation Figure 3-19 Channel List Shown above is a sample list of channels available when you press the CHAN key. This is typically called the “Channel list”. NOTE: The CHAN key may display a channel list or not, depending on what you have defined for "Display Channel List" (refer to Menu Preferences later in this section). In order to access channels by using the CHAN key on the remote, you must first create the channels. See below. 3.7.
Section 3: Operation Figure 3-20 Selecting a Channel NOTES: 1) The current channel is highlighted upon entering the channel list, or, if this channel is not displayed here, the first channel in the list is highlighted. 2) Channels created automatically do not appear in the channel list unless a parameter for the channel has been changed. 3.7.
Section 3: Operation Signal Types Either Channel list, whether the CHAN key list or the Channel Setup menu, identifies signal types in a shortened form as defined below. These description codes indicate what signal information the projector uses to identify a match for a given channel, and are preceded by either an "i" (interlaced signals) or "p" (progressive signal"). Refer to Figure 3-21. Table 3.
Section 3: Operation Figure 3-22 Copying A Channel 3.7.6 Deleting One or More Channels To Delete an existing channel, highlight the desired channel in the Channel Setup menu, and press FUNC to open the Channel Copy/Delete secondary menu. Select "Delete" and press ENTER. A confirmation window appears asking that you really want to delete this channel. The Delete Channel Setup option is the default. You may chose to Cancel the deletion as well.
Section 3: Operation 3.7.7 Editing a Channel Setup The basic setups that describe how and where a channel can be accessed are listed in the Channel Setup menu. These channel setups can be edited at any time in the Channel Edit secondary menu. 1. From the presentation level, press MENU to display the main menu. 2. Press "3", or move the highlight to the Channel Setup option, and press ENTER. The Channel Setup menu appears. 3.
Section 3: Operation Channel Option Description Locked If checked, all of the image settings for this channel are disabled (locked). If unchecked (default), all available image settings can be adjusted as desired. Previous Channel Select this option to return to the previous channel in the Channel Setup list and view or change its Channel Edit settings. Next Channel Select this option to move to the next channel in the Channel Setup list and view or change its Channel Edit settings. 3.
Section 3: Operation Menu Preferences Use the options from the Menu Preferences secondary menu to adjust the appearance, content and/or location of on-screen menus and messages. Large Menu Font Enter a check mark to enlarge menus and their text. You may have to adjust "Menu Location" to accommodate the increased menu area. Menu Location Use the drop-down list to choose a pre-defined default or customized location for the display of all on-screen menus.
Section 3: Operation To replace the default "Christie logo" splash screen (or other) with one of your own, use the KoRE Librarian to download the desired .bmp to the projector. This overwrites the current splash screen content in projector memory. 3.8.2 System Configuration (Communication) Settings in the Communications secondary menu define and control how single or multiple projectors are can link with each other and with a controlling device.
Section 3: Operation If you have a simple serial network with only one type of linking (RS-232 or RS-422) the type of network routing does not matter. Figure 3-26 Using the "Network Routing" Option RS232 and RS422 Joined. Messages to and from any serial port is also relayed to all other serial ports. Use when there is only one physical link between any two projectors, but which might be RS-232 or RS-422. RS232 and Ethernet Joined.
Section 3: Operation IP Address. Enter a valid and unique IP address for use on the network to which the projector is currently connected. Upon the next power-up, this address will overwrite any previous IP address such as the projector's factory-defined default (0.0.0.0), or one that has been assigned by a DHCP server or other user. An IP address entered here remains in effect until it is changed again. NOTE: Make sure the projector is connected to the network before changing its IP address.
Section 3: Operation DMX Channel Base + 6 Base + 7 Base + 8 Base + 9 Function Lens – Focus * † Lens – Zoom * † Power * Value 0 Negative Focus 1 – 254 Stop 255 0 Positive Focus Zoom Out 1 – 254 Stop 255 0 Zoom In Power Off 1 – 254 No Action 255 Power On None * Functions are only active when the Slider Lock is set to Unlocked. † Lens functions have no effect on the Roadie HD+35K. NOTE: It is important to make sure the channels DO NOT overlap another device.
Section 3: Operation To disable both IR sensors, you cannot use the IR remote to select the second OFF setting. This safeguard prevents accidentally disabling a remote while you are using it. Instead, use either the built-in keypad or the wired remote (optional) to set the remaining active sensor to OFF. The projector no longer responds to an IR remote. NOTE: The standard IR remote for this projector is set at manufacture to "Protocol A". Refer to Section 2.
Section 3: Operation Use to correct a keystoned image shape in which both sides of your image are inclined toward the top or bottom edge. Keystone is typically caused by tilting the projector in relation to the screen, so that the lens surface and screen are no longer parallel to each other. Figure 3-27 Keystone Adjustment Brightness Uniformity Secondary Menu Brightness Uniformity provides further refinement of displays already matched for their primary colors and overall light output.
Section 3: Operation Figure 3-28 Color Performance Choices Defining User Color Gamuts In some cases, you may find that none of the pre-defined "Select Color Adjustment" options exactly suit your needs. For example, you may require a unique color range or gamut for a single projector or application, or you may need to precisely match colors across multiple adjacent displays.
Section 3: Operation Figure 3-29 CIE 1931 Chromaticity Diagram NOTE: Keep new x,y coordinates within the original color gamut triangle shown here. PROCEDURE FOR X,Y ADJUSTMENTS. Refer to Section 3.12 Using Multiple Projectors. Colour Saturation Secondary Menu Use the Colour Saturation secondary menu if you do not have specific color coordinates in mind and will be simply judging color performance by eye or meter.
Section 3: Operation Test Pattern Grey Level Set the desired level of gray for displaying in the full gray field test pattern. 1. 2. 3. 4. 5. 6. 7. 8. 9. 0.
Section 3: Operation Two sets of values are automatically saved with these controls-one value for Input #1, and one for Input #2 (analog). The current set of values depends on which source is in use. This enables a source to be processed correctly via 2 different inputs. NOTES: 1) Adjust offset before gain, since offset affects gain. 2) A value of 128 represents no change in normal odd pixel offset or gain.
Section 3: Operation To calibrate the lens, select the Configuration > Diagnostics and Calibration > ILS Calibration > Reference Calibration option from the Main menu. This allows the lens to find the center points of each axis (focus, zoom, horizontal, and vertical), the end stops, and other motion parameters. 3.8.5 System Configuration (Optional Input Modules) The two "Option Card" entries In the Configuration menu identify which optional input modules (a.k.a.
Section 3: Operation Figure 3-31 Blanking of a PIP Image For best PIP or Seamless Switching results, use two different signal types* as defined below. Do not mix two signals of the same type. Signal Type Description (Input Location) #1 5 BNCs (RGBHV or YPbPr) #2 DVI - I (analog or digital) #3 Decoded signals (Input 3, Input 4, Composite video, S-Video, or any video signal via Input 1 BNC connectors or via an analog option card).
Section 3: Operation PIP and Switching Picture -inPicture Options 1. Swap Main and PIP Image 2. PIP Enable 3. PIP Size & Position 4. PIP Image Settings 5. PIP Border Width 6. PIP Border Color 7. Image Optimization 8. Fade Time 9. Numbers Select Main Image 4 Red PIP Only Switching Options (n/a) Figure 3-32 PIP Menu (SWITCHING is not applicable for the projector) Use the first of six (1-6) options in the PIP and Switching menu to enable and define how you want to use PIP.
Section 3: Operation PIP Image Settings Secondary Menu Adjust the PIP (secondary image) without affecting the size or position. The primary image remains unchanged. Refer to Section 3.6.3 Image Settings Menu for details. PIP Border Width Set the desired line thickness for your PIP window border. PIP Border Color Select the desired color for the PIP window border. Image Optimization AND Fade Time NOTE: These features are not available in this projector.
Section 3: Operation HOW TO SET THE LAMP SIZE: 1. 2. Menu Press “Menu” before power up. Screen below displays lamp size. Enter Lamp Password: Input 3 1 Input 4 1 7 0 or 1 3. 4 on built-in keypad on the standard IR remote Lamp Size 6000 Select installed lamp size: 2000 3000 4500 6000 Or standard Christie service password.
Section 3: Operation * 1. 2. 3. 4. 5. 6. 7. 8. 9. 0. Lamp Lamp Hours 0 Lamp S/N 1234 Lamp Message Lamp Limit 1000 Lamp Mode Power Power 3545 Intensity 1246 Reserved Lamp History Change Lamp Cable Length (m) 15 LampLOC Metric / Imperial Conversion 6 ½ ft. = 2 m 25 ft. = 7.5 m 50 ft. = 15 m 100 ft. = 30 m * #ft. = #meters 3.28 Up to 100 ft. Cables Lamp Ballast (7kW) Figure 3-35 Define Lamp Cable Length 3.10.3 Turning the Lamp ON/OFF NOTE: Refer to Section 3.2.
Section 3: Operation 3.10.4 If the Lamp Will Not Turn On If the lamp fails to ignite, the projector will automatically re-try ignition using 100% of the maximum power acceptable for the lamp. If this re-try also fails, and there is no error code indicating a specific problem such as an open lamp door or an over-temperature condition, the lamp size may be incorrectly defined. For instance, the defined "Lamp Size" may be 2 kW when a 6 kW lamp is present.
Section 3: Operation Lamp modes are as described below. Max Brightness The lamp always burns as brightly as possible, driven by 110% of the power level rating for the installed lamp. Refer to Section 6 Specifications. Keep in mind that the "maximum brightness" for any lamp gradually diminishes with age and images become dimmer over time. Its current brightness output level appears in the "Intensity" option. Not in lumens. NOTE: Brightness remains close to a specified level for as long as possible.
Section 3: Operation How Long Can I Maintain Brightness? Software can maintain your "Intensity" setting until the required power exceeds the maximum rating for the lamp (2.0, 3.0, 4.5, or 6.0 kW) by approximately 10%. The lower the setting, the longer it takes to reach this threshold, and the longer you can maintain the desired brightness. Keep in mind that once the lamp power reaches its maximum wattage (see "Power", above), this tracking is no longer possible.
Section 3: Operation NOTE: Enter a serial number only if you have just installed a new lamp. This helps to ensure that the lamp timer is not reset on an old lamp and that the number of hours logged on the lamp is accurate. IMPORTANT! Always record the serial number of a NEW lamp.
Section 3: Operation Figure 3-37 Setting LampLOC How to Adjust (if using a light meter). Obtain peak readings on a light meter at the center of the screen. For each axis, adjust in one direction, and then back up when the reading begins decreasing. NOTES: 1) Display a 100% white internal test pattern. 2) Use a tripod to center the light meter with the lens. Distance from the lens does not matter. You may need an attenuator, or wish to construct an internal foil aperture first.
Section 3: Operation 3.10.8 How Old is My Lamp? When a new lamp is installed and its serial number recorded by selecting "Change Lamp" in the Lamp menu, the lamp timer resets to "0" and begins logging time for the new lamp. This tally appears in both the Lamp menu (see right) and the Status menu. To review the number of hours logged for previous lamps, consult the Lamp History menu. 3.10.
Section 3: Operation 3.12.1 Matching Colors In Multiple Screens In a multiple-projector wall, you will likely want to precisely match color and intensity from image-to-image so that the full wall is as uniform as possible. This matching is typically done in conjunction with brightness uniformity and edge blending.
Section 3: Operation Figure 3-38 Jot Down a Set of "Max Drives" X/Y Values (NOTE: MAGENTA, CYAN, AND YELLOW ARE NO LONGER USED) 5. In each projector, select a "User" color adjustment (1-4) to enable Color Adjustments by X, Y changes. Then enter your recorded x/y values into each menu. Figure 3-39 Copy X/Y Values into All Projectors NOTE: MAGENTA, CYAN, AND YELLOW ARE NO LONGER USED. Roadie HD+35K User Manual 020-100340-02 Rev.
Section 3: Operation 6. In each projector, judge by eye and adjust x/y coordinates slightly in the following manner: • To match reds, decrease " Red X" until full field red screens match. • To match greens, decrease "Green Y" until full field green screens match. • To match blues, increase both "Blue X" and "Blue Y" until full field blue screens match. NOTE: For speed, enable the "Auto Color Enable" check box.
Section 3: Operation 3.12.2 Achieving Brightness Uniformity What is Brightness Uniformity? When used to refine screens already matched for their primary colors (refer to Section 3.12.1 Matching Colors In Multiple Screens) and overall light output, proper adjustment of Brightness Uniformity can create an exceptionally smooth screen in which: • No area of the screen appears more red, green or blue than another.
Section 3: Operation 2. Enable the Uniformity Enable check box. This enables access to the uniformity controls and applies the settings to your image. 3. Select the 13 Point test pattern for display. This pattern provides 9 screen "zones" with 13 targets. FOR BEST RESULTS! Rather than examining the CENTER of each zone when assessing Brightness Uniformity adjustments, focus on extreme EDGES as indicated in the illustration shown to the right. 4. In either Color Adjustment menu, select a color. 5.
Section 3: Operation 9. Return to the Brightness Uniformity menu. Beginning with the screen that exhibits the most obvious color shift(s), for each edge that exhibits a noticeably different color temperature from the center, select the corresponding Uniformity adjustment menu (Left, Right, Top or Bottom). For example, if any part of the left side is too blue, too red or too green, adjust the colors in the Left Uniformity menu (i.e.
Section 3: Operation Figure 3-42 Match Zones to Center Light Output 13. Re-adjust Color Temperature (level of red/green/blue) in 8 Zones. • Return to Step 7 and, if necessary, fine tune the zones so that they all still exhibit a single color temperature. Canceling Brightness Uniformity If you do not want to use or apply Brightness Uniformity settings, clear the "Uniformity Enable" check box at the top of the Brightness Uniformity menu. 3.12.
Section 3: Operation Figure 3-43 Edge Blending Concept For best results, use the same projector model and type throughout your display wall. In addition, avoid highgain screens whenever possible. The optical performance of such screens demands minimal image offset, thus projectors must be located very close to one another. It should be noted that the requisite tiling of the image (with data repeated along internal edges that will overlap) must be correctly handled by your source. Flat Blends vs.
Section 3: Operation • Decreasing the Blend Shape setting slows the rate of change so that more of the region appears midgray. For most applications, this subtle control is best left close to 50. Figure 3-44 "Shape" Examples • Blend Midpoint determines the white level at the blend midpoint (the point equidistant between the beginning and end of the blend). Increasing the Blend Midpoint setting creates a blend that appears brighter than the rest of the image.
Section 3: Operation 12.5-25 % Figure 3-46 Overlap Example NOTE: Show Blending Overlap appears as Reserved when Christie TWIST is installed. Other Functions For convenience, the Edge Blending secondary menu also includes related options for enabling a specific color and/or test pattern, or for working with colors or the lamp. Such functions duplicate those provided elsewhere in the Menu system. Edge Blending Procedure Before You Begin.
Section 3: Operation 3. SET STARTING POINTS FOR ADJUSTMENT. • Set all blend widths to 0. • Go to "More" and set everything in the Edge Blending (2) menu to 50. Figure 3-47 Set Starting Points for Each Projector 4. Set Blend Width. On one projector, increase the Blend Width for an overlapping edge (for example, if the projector's image is on left, its right edge overlaps the adjacent image-adjust Right Blend Width). Use the same setting on the second projector for this shared edge. 5.
Section 3: Operation Via ASCII Messenging. Connect a serial link between your controller and the RS-232 or RS-422 port (recommended), or open an Ethernet socket (i.e., Telnet) between your controller and the valid projector address. Valid ASCII codes and messages are documented in the Christie Serial Communications document available on the Christie website. Via Web Interface. Connect your PC to the projector's Ethernet port.
Section 3: Operation 3.14.1 Anamorphic Lens NOTES: 1) The anamorphic lens and its mounting structure are optional components. 2) To install, replace or use the anamorphic lens, refer to the instructions included with the anamorphic lens mount kit. 3) The optional anamorphic lens mount is required for use of the 1.26x anamorphic lens, producing 2.39:1 "scope" images. However, the lens mount cover must be removed when installating the anamorphic lens mount and in order to the use the MALM.
Section 3: Operation Bad Sync The message "Bad Sync" occurs when HSYNC or VSYNC are active , but the signal cannot be displayed. Such a condition occurs when only one of the two sync signals is present, or when either sync signal is unstable or of the wrong frequency. Correct the signal or select another input. Other Signal Error Messages In addition to the common "Bad Sync" and "No Signal" errors, you may encounter a signal error message indicating that HSYNC and/or VSYNC are either too fast or too slow.
Section 3: Operation Table 3.9 System Error Codes Code Description GENERAL 12 Software error. Contact dealer/factory. 13 CRC error in flash ROM. Download new software. 14 Engineering-only programming is complete. Call Christie, replace TIPM. 15 Attempting to download s/w code without being in boot mode 16 Invalid interrupt. Power off/on. If persists, contact dealer/factory.
Section 3: Operation Table 3.
Section 3: Operation Table 3.9 System Error Codes BACKPLANE OR OPTIONAL MODULES 3-82 A0 Unable to program the optional interface module A1 Unable to power the optional interface module A2 Unable to program the Backplane A3 Unable to program the Warp Module option (Christie TWIST) Roadie HD+35K User Manual 020-100340-02 Rev.
4 Maintenance Installers, service trained operators and all other users must maintain a safe operating environment at all times. Read through this section in its entirety and understand all warnings and precautions before attempting to operate the projector. 4.1 Safety Warnings and Guidelines This projector is designed for safe and reliable operation.
Section 4: Maintenance Do not allow anything to rest on the power cords. Locate the projector where cords cannot be abused by persons walking on it or objects rolling over it. Never operate the projector if a power cable appears damaged in any way. Do not overload power outlets and extension cords as this can result in fire or shock hazards.
Section 4: Maintenance 4.2.1 Ventilation Vents and louvers in the projector covers provide ventilation, both for intake and exhaust. Never block or cover these openings. Do not install the projector near a radiator or heat register, or within an enclosure. 4.2.2 Air Filter It is recommended that you replace the air filter (located on the lamp side of the projection head) whenever you replace the lamp, or sooner, in dusty or dirty environments.
Section 4: Maintenance When to Check the Lens A small amount of dust or dirt on the lens has minimal effect on image quality-to avoid the risk of scratching the lens, clean the lens only if absolutely required. See below. When to Check the Lamp Reflector Inspect the mirror surface (reflector) for cleanliness only during a lamp replacement, when the lamp is out. If necessary, clean as described below, and ensure that you wear protective clothing while inspecting or cleaning.
Section 4: Maintenance If Fingerprints, Smudges, Oil: 1. First brush dust off with a camelhair brush and/or blow dust away with compressed air. 2. Fold a clean microfibre cloth and dampen with methanol. Make sure to wipe evenly with the smooth portion of the cloth that has no folds or creases. Do not apply pressure with your fingers. Instead, use the tension in the folded cloth itself to collect the dust. 4.3.
Section 4: Maintenance Never attempt to remove the lamp when it is hot. The lamp is under high pressure when hot and may explode, causing personal injury and/or property damage. 3. Set the ballast breaker/switch to OFF. 4. Disconnect projection head and ballast from AC power supply. Shock Hazard. Disconnect both components from AC. Wearing protective clothing and face shield, unlock the lamp door and open it. Refer to Figure 4-2. If desired, release the tethered latch mechanism to remove the door entirely.
Section 4: Maintenance Figure 4-1 Install Bulb b. Rest the anode (+) end of the lamp on the lamp cradle as shown in Figure 4-1, right, and slip the positive lamp connector over the bulb end. c. Tighten setscrews in both negative and positive lamp connectors as shown in Figure 4-2. Figure 4-2 Secure Bulb at Cathode (-) and Anode (+) Connectors IMPORTANT! Roadie HD+35K User Manual 020-100340-02 Rev. 1 (01-2010) Proper electrical contact prevents resistance in the lamp connectors.
Section 4: Maintenance 8. Make sure that the anode (+) lead between lamp and Igniter is well away from any projector metal, such as the reflector or firewall. Leads too close to metal parts will cause arcing during starting pulse. This is a Safety Hazard, and the lamp may not ignite. 9. Re-install the cooling compartment door and close the lamp compartment door. NOTE: The projector will not operate unless the louvered lamp compartment door is locked shut. 10.
Section 4: Maintenance 14. Adjust lamp position. From the Lamp menu, go to the LampLOC secondary menu and perform a "Do Auto" adjustment. It takes a minute or two as internal motors and sensors determine the ideal placement of the lamp. Proper LampLOC ensures maximum brightness, with the lamp well-centered in the reflector and distanced correctly from the rest of the illumination system. Refer to Section 3.10.6 Adjusting Lamp Position (LampLOC™) for details. 15.
Section 4: Maintenance 5. Remove the air filter as follows: Using your fingers, pull out top of filter to remove, as shown. Only use Christie filters. Never operate the projector without the filter installed. Replace/Install New Air Filter 1. To replace or install a new filter, place the top of the air filter inside the air filter compartment and slide all the way up behind the tabs, then push the bottom of the air filter in. 2.
Section 4: Maintenance 3. Pull out lens and replace as described in Section 2.4.1 Lens Installation. Insert all the way back, following UP label on lens. NOTE: Ensure that the Zoom connector is fully engaged. In the event a lens is dropped, the lens tether and clamp assembly may become stressed, and therefore must be replaced before continuing its use. Failure to do so could result in injury or death.
5 Troubleshooting If the projector does not appear to be operating properly, note the symptoms and use this section as a guide. If the problem cannot be resolved, contact your dealer for assistance. NOTE: A Christie accredited service technician is required when opening an enclosure to diagnose any "probable cause". 5.1 Power 5.1.1 Projector Does Not Power ON Check for the following: • Check the switch on the AC receptacle.
Section 5: Troubleshooting • The DMDs may be overheated. Check for an alarm condition. • An interlock may be interrupting lamp function. • Replace the lamp. 5.2.3 Flicker, Shadows Or Dimness Check for the following: • Ensure the shutter is open. • LampLOC™ may need re-adjustment. • LampLOC™ may be in the middle of its adjustment. Wait approximately 2-3 minutes. • Adjust LampLOC™ motors manually, via the Main menu.
Section 5: Troubleshooting 5.3 Calibrating the Lens Mount The lens mount must be calibrated when: • a new lens has been installed • the lens mount has been replaced • lens settings are drifting within a short period of time To calibrate the lens, do one of the following: • Select Lens>Lens Calibration from the Main menu. From the Lens Calibration menu, select All Axes or do each axes individually. Or • Access the Advanced>Lens menu, via the web user interface, and select Calibrate.
Section 5: Troubleshooting 5.5.3 Image Appears Vertically Stretched or ‘Squeezed’ into Center of Screen Source data converted from film and “pre-squeezed” for Roadie HD+35K display format may require use of an anamorphic lens (or resizing) to regain full “scope” image width and proper proportions. 5.5.4 The Projector is ON, but There is No Display Check the following: • Ensure the lens cover is removed from the lens. • Ensure shutter is OPEN.
Section 5: Troubleshooting 5.5.9 Display Appears Compressed (Vertically Stretched) Check the following: • The frequency of the pixel sampling clock is incorrect for the current source. • Sizing and positioning options may be adjusted poorly for the incoming source signal. • Use an anamorphic lens for typical HDTV and anamorphic DVD sources that have been re-sized and vertically stretched, via 3rd-party software. 5.5.
6 Specifications This section provides detailed Roadie HD+35K specifications. Due to continuing research, specifications are subject to change without notice. 6.1 Display 6.1.1 Panel Resolution and Refresh Rate Pixel format (H x V) on 3 DMDs 2048 x 1080 Refresh rate, 2D displays 23.97 - 65 Hz Refresh rate, frame-doubled 3D 23.97 - 96 Hz Input-to-Image Delay 2 frames +30 lines (if locked to input) 3 frames (no timing restrictions) 6.1.
Section 6: Specifications 6.2 Lenses IMPORTANT! 6.3 Use the lens and screen size to calculate the precise throw distance using the tables provided in the Dealer Section of the Christie Website, PN 020-100395-xx. Due to lens manufacturing tolerances for lens focal length, actual throw distance and vary ±5% between lenses with the same nominal throw ratio. Inputs Total number of standard inputs NOTE: 6.3.1 6 (including Dual SD/HD-SDI). Not applicable with all models.
Section 6: Specifications Input levels Composite 1.0 Vp-p ± 3dB (including sync tip) S-Video, Luma (Y) 1.0 Vp-p ± 3dB (including sync tip) S-Video, Chroma (C) 630 mVp-p nominal (burst) DC offset ± 2V Nominal impedance 75 Maximum return loss (VSWR) 1.2:1 dB @ 6 MHz 6.3.3 Analog: Sync (Interlaced or Progressive Scan Format) Input levels (for composite or separate H & V) 0.5Vp-p – 4.
Section 6: Specifications 6.4 Control 6.4.1 6.4.2 Wired Remote (Converted from IR Remote) 2 inputs on projection head • 3-pin XLR connector (rear) • 3.5mm phono jack (side) Input levels • High = 2.2 V – 5.6 V (or open) • Low = -0.6V – 0.9V @ 1mA Voltage output +5VDC ±5% Current output 100 mA nominal, 250 mA max. Cable length 25 ft. IR Remote Number of IR sensors on projector 2 (front and rear) Wavelength of peak sensitivity 1000 nm (approx.
Section 6: Specifications 6.4.6 GPIO Input Number of I/O lines 7, each assignable as input or output Connector type 9-pin subminiature D (male) Type of connection Dry contact Output sink current (logic low) 100 mA @ 1V Maximum power output +12VDC @ 200 mA NOTE: Shared with 9-pin RS422 port. 6.4.7 6.4.
Section 6: Specifications Lamp (DC) 6.5.2 Max. operating voltage 46 VDC Max. start-up voltage 155 VDC Max. current consumption 180 A Max. power consumption 6600 W Connector type Female CAM Lock receptacle (+red) Male CAM Lock receptacle (–black) 7 kW 3-Phase Ballast (38-814001-51) Input Ratings 200-230 V 3~ +PE, 24 A, 50-60 Hz/380-415V 3~ +N +PE, 16 A, 50-60 Hz Inrush current (max.) note: excluding lamp <50 A Power consumption (max.) 14.4 kVA (9.
Section 6: Specifications 6.7 Reflectors 10,000 hours 6.8 Audible Noise 67.2 dBA maximum 6.9 Safety • CAN/CSA C22.2 No. 60950-1-07, 2nd Edition • UL 60950-1, 2nd Edition • IEC 60950-1, 2nd Edition (2005) 6.10 EMC Emissions • FCC CFR47, Part 15, Subpart B, Class A – Unintentional Radiators • CISPR 22: EN55022: Class A – Radio disturbance characteristics for Information Technology Equipment (ITE) 6.
Section 6: Specifications 6.12.2 Weight & Size NOTES: 1) Only applies to the product dimensions, but not to the product weight (since the installed weight of the product includes the heaviest lens, and all accessories). 2) Excludes lens and cabling. 3) All weights and dimensions subject-to-change.
Section 6: Specifications 6.13 Standard and Optional Components 6.13.1 Standard (Sold with Product) Projection head with built-in keypad and standard IR remote (configured for IR operation, batteries included) 25 ft cable for conversion of standard IR remote to wired operation Line Cord, 10-foot, 15 amp, North American 220V Face shield (required for lamp handling) Dual SD/HD-SDI input module (38-804656-xx) Roadie HD+35K User Manual Misc. hardware, including Allen Keys 6.13.
Section 6: Specifications Other 6-10 Remote IR Sensor - communication cables Ethernet, RS-232, and RS-422 Compact/Lite remote 03-900566-XX Christie TWIST Module for arbitrary image warping and edge blending 108-103001-XX FredFrame™ Rigging Frame 38-814007-XX Rigging Clamps for flying projection head by handles 113-102101-XX 10-Bit KoRE Librarian Setup Software Website download (password required) High-contrast internal aperture kit 38-813028-XX Analog and Digital Input Modules Refer to Sect
Appendix A: Serial Communication Cables A.1 Serial Links to Projector A.1.1 General Communications A serial link of RS-232 or RS-422 enables ASCII communication with the projector so that it can be controlled remotely from a PC or other controller. From a PC, connect a standard 9-wire RS-232 serial cable to the RS232 IN port located on the side of the projection head. Or, for long-distance (>100 ft.
Appendix A: Serial Communication Cables From projector (side) to RS-422 compatible computer MALE Projector RS-422 IN (female) Shielded Multi-conductor Cable 1 2 3 4 5 1 2 3 4 5 PROJ 1 Wiring 6 7 8 9 6 7 8 9 TXD+ RXD+ TXDRXDn/c +12V n/c GND n/c • Wiring from your controller (or RS-232-to-RS-422 adapter) may vary. Consult the documentation for your device.
Appendix A: Serial Communication Cables PROJ 2 PROJ 1 From projector to projector via RS-422 RS-422 Projector RS-422 (male) Projector RS-422 (male) Shielded Multi-conductor RS-422 Cable with 6-pin XLR Connectors PROJ 1 PROJ 2 From projector to projector via RS-232 Wiring: “Swap” cable FEMALE Standard RS-232 cable,with 9-Pin D Connectors 1 2 3 4 5 6 Projector RS-232 OUT (male) Tx+ Tx– Rx+ Rx– +12V GND FEMALE Shielded Multi-conductor Cable NOT CONNECTED LUG 5 4 3 2 1 5 GND Shield 3 Rx 1
Appendix A: Serial Communication Cables PROJ 1 PROJ 2 From projector to projector via RS-232 Standard RS-232 cable,with 9-Pin D Connectors FEMALE Projector RS-232 OUT (male) Projector RS-232 IN (female) Shielded Multi-conductor Cable 5 4 3 2 1 5 GND GND 5 3 Rx Tx 3 2 Tx Rx 2 Shield A-4 MALE Shield Roadie HD+35K User Manual 020-100340-02 Rev.
Appendix B: Menu Tree B.1 OnScreen Menu Tree Provides a graphical representation of the software menu structure for the Roadie HD+35K. This allows you to quickly locate and navigate to a specific menu, and associated options/secondary menus. Roadie HD+35K User Manual 020-100340-02 Rev.
Appendix B - Menu Tree 020-100340-02 Rev.1 (01-2010) See Page B-4 for 4. Configuration LampLOC 1. Intensity 2. Motor Z 3. Motor X 4. Motor Y 5. Do Auto 6. Progress Press on a channel PIP Image Settings 1. Contrast 2. Brightness 3. Gamma 4. Filter 5.Detail 6. Noise Reduction 7. Color Space 8. Video options 9. Input levels 0. Advanced Image Settings PIP Size & Position Active Input Window 1. Position Presets 2. Size 3. Vertical Stretch 4. Pixel Track 5. Pixel Phase 6. PIP H-Position 7.
B-4 Set Date & Time 1. Date 2. Time that match cards installed in Input 5 and Input 6 option slots Note: Menu is filled with types Configuration 1. Language 2. Image Orientation 3. Reserved 4. Auto Power Up 5. Set Date & Time 6. Menu Preferences 7. Communications 8. Geometry & Color 9. Diagnostics & Calibration 0. Service Option 1 Card: Dual SD/HD-SDI Option 2 Card Main Menu 1. Size and Position 2. Image Settings 3, Channel Setup 4. Configuration 5. Lamp 6. Status 7. PIP Switching 8.
Appendix B - Menu Tree 020-100340-02 Rev.1 (01-2010) Geometry & Color 1. Test Pattern 2. Keystone 3. Brightness Uniformity 4. Edge Blending 5. Color Adjustments by X,Y 6. Color Saturation 7. Reserved 8. Default Color Adjustment 9. Reserved White Color Adjustments 1. Select Color Adjustment 2. Color Temperature By x,y equivalent 3. Red Part of Red 4. Green Part of Green 5. Blue Part of Blue 6. Next Color 7. Copy From Color Saturation 1. Select Color Adjustment 2. Color Temperature 3.
B-6 Main Menu 1. Size and Position 2. Image Settings 3, Channel Setup 4. Configuration 5. Lamp 6. Status 7. PIP Switching 8. Language 9. Test Pattern Main Menu continued… pg. B-6 Top Uniformity 1. Top Edge R 2. Top Edge G 3. Top Edge B 4. Top Left Corner R 5. Top Left Corner G 6. Top Left Corner B 7. Top Right Corner R 8. Top Right Corner G 9. Top Right Corner B 0. Color Enable Right Uniformity 1. Right Side R 2. Right Side G 3. Right Side B 4. Top Right Corner R 5. Top Right Corner G 6.
Appendix C: System Integration C.1 Introduction The GPIO connector located on the side input panel provides a flexible method of interfacing a wide range of external I/O devices to the projector, usually so that an event on one device automatically triggers an event on the other. There are 7 GIO pins available on the 9pin D-Sub GPIO connector, which are configurable via RS232 commands. The other two pins are reserved for ground and power. The table below provides pin identification.
Appendix C: System Integration Example 1. Turn room lighting on when the projector is turned OFF. (Assumes a control/automation unit is configured to turn the lights on when pin 2 of its input goes hi(12-2009)gh.) (GIO C2 O) Set pin #2 configuration to output (GIO 2 H) Set pin #2 to high (state) C.1.
Appendix D: Optional Input Modules The following optional input modules are currently available, and can be installed in either option slot in the projector (INPUT 5 or INPUT 6). Contact your dealer for a complete and up-to-date listing. NOTE: Any audio connectors shown are non-functional in this projector. D.1 DVI Input Module This module can display digital video input signals conforming to the DVI (Digital Visual Interface) singlechannel standard.
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