Owner`s manual

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Looking for feedback control? Maybe you also need a compressor or noise gate? Or a great DI box for line-level instruments? Whether you use it with microphones, acoustic instruments, or as a delay line for large venue loudspeaker systems, the FBQ100* is a “must-have” for your live and studio toolkit. 2VJDLBOE$MFBO Thanks to its intelligent “Learn Mode,” the FBQ100 can automatically equalize your PA and protect your sound system from feedback. BEHRINGER’s search algorithm ensures feedback frequencies are attenuated within a fraction of a second, using narrow 1/60 octave single-shot  lters. The remaining  lters automatically take action as required, adjusting only the speci c frequencies causing the feedback, so your music stays powerful and alive. #FZPOE7FSTBUJMF The adjustable mic preamp, with switchable +48 V phantom power and Ultra-Low Noise technology, guarantees noise-free, ultra-musical sound. You can choose professional studio (+4 dB) or microphone output level, so the FBQ100 can be directly connected to the mic input of a recording device. Virtually any type of signal can be connected and converted.
The FBQ1000 Feedback Destroyer is the successor of the DSP1124P, one of the most popular feedback suppressors on the market. Whether you use it to kill feedback dead in its tracks for your mains and/or monitors, or as a sophisticated parametric equalizer to  ne-tune the acoustics of your next gig, the FBQ1000 will bring a new level of  nesse to your sound. And if you use in-ear-monitors, the FBQ1000 is a must-have to protect your most valuable assets—your ears! 0OF4NBSU4PMVUJPO Thanks to an ultra-fast feedback detection algorithm, the FBQ1000 automatically and “intelligently” locates up to 12 feedback frequencies per channel. The algorithm then sets extremely narrow notch  lters (up to 1/60th of an octave) to “destroy” feedback frequencies, leaving the remainder of your signal virtually untouched. And with the “Set-and-Forget” default setting, your Feedback Destroyer can be up and running in a matter of seconds. &BTFPG0QFSBUJPO The Auto Mode continuously monitors the mix, resetting programmed  lters automatically to eliminate the slightest
Delay lines are required to compensate for time variations resulting from speaker positioning in large venues. The FBQ100’s delay can be adjusted in meters, feet or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several FBQ100s with the optional rack-mount kit puts a complete professional loudspeaker management system at your  ngertips. 6OEFOJBCMF7BMVF Like a sonic Swiss army knife, you’ll want the FBQ100 close at hand for all your gigs and studio engagements. In fact, you’ll want several, which is why they are sized to  t  ve across your rack.
High performance single t channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor Automatically and “intelligently” t locates and destroys up to 8 feedback frequencies Narrow FBQ  lters for extremely e ective t feedback suppression, while keeping highest sonic quality Ultra-low noise Mic/Line input with Gain t control and +48 V phantom power
Delay line with up to 2.5 seconds t of delay, adjustable in meters, feet and msec Noise gate with automatic and manual t parameter settings Automatic compressor with t variable density Subsonic  lter with adjustable t cut-o frequency Balanced inputs and servo-balanced t outputs with ¼" TRS and gold-plated XLR connectors
NEW! SHARK FBQ100 Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor
NEW! FEEDBACK DESTROYER FBQ1000 Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters
hint of feedback, without you having to do anything at all. It just doesn’t get much easier than that! If you prefer a more “hands-on” approach, the Manual Mode allows you to program up to 24 fully parametric  lters (with frequency, bandwidth and gain controls) to optimize your sound to the room’s acoustics. #F1SFQBSFE The FBQ1000 is the quick and easy way to protect yourself and your audience from live sound’s #1 enemy—feedback! Plus it’s rack-mountable and ultra-a ordable. With the FBQ1000’s various modes, you can master virtually any live sound situation or use the unit as a creative sound-shaping tool. A single FBQ1000 can protect you from feedback in both your mono PA mains and a monitor mix. Check one out at your nearest BEHRINGER dealer today. Your ears and your audience will thank you.
High-performance 2-channel t Feedback Destroyer and Parametric EQ Automatically and “intelligently” locates t and destroys up to 24 frequencies Ultra-narrow FBQ  lters for extremely t e ective feedback suppression, while keeping highest sonic quality
“Set-and-forget” default setting enables t immediate and super-easy Feedback Destroyer performance Auto mode continuously monitors the t mix and automatically sets  lters Single-Shot mode automatically detects t and destroys feedback plus locks the  lter until you reset it manually Manual mode allows setting of up to t 24 fully parametric  lters with individual frequency, bandwidth and gain parameters Extensive MIDI implementation and t user preset memories for instant program recalls Balanced inputs and servo-balanced t outputs with ¼" TRS and gold-plated XLR connectors
* This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, o ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained.
No More Feedback Come Enjoy the Feedback-Free Zone